Ravens Flock Quotes

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If one squinted into Cabeswater long enough, in the right way, one could see secrets dart between the trees. The shadows of horned animals that never appeared. The winking lights of another summer's fireflies. The rushing sound of many wings, the sound of a massive flock always out of sight. Magic.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I reached out my hand, England's rivers turned and flowed the other way... I reached out my hand, my enemies's blood stopt in their veins... I reached out my hand; thought and memory flew out of my enemies' heads like a flock of starlings; My enemies crumpled like empty sacks. I came to them out of mists and rain; I came to them in dreams at midnight; I came to them in a flock of ravens that filled a northern sky at dawn; When they thought themselves safe I came to them in a cry that broke the silence of a winter wood... The rain made a door for me and I went through it; The stones made a throne for me and I sat upon it; Three kingdoms were given to me to be mine forever; England was given to me to be mine forever. The nameless slave wore a silver crown; The nameless slave was a king in a strange country... The weapons that my enemies raised against me are venerated in Hell as holy relics; Plans that my enemies made against me are preserved as holy texts; Blood that I shed upon ancient battlefields is scraped from the stained earth by Hell's sacristans and placed in a vessel of silver and ivory. I gave magic to England, a valuable inheritance But Englishmen have despised my gift Magic shall be written upon the sky by the rain but they shall not be able to read it; Magic shall be written on the faces of the stony hills but their minds shall not be able to contain it; In winter the barren trees shall be a black writing but they shall not understand it... Two magicians shall appear in England... The first shall fear me; the second shall long to behold me; The first shall be governed by thieves and murderers; the second shall conspire at his own destruction; The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache; The second shall see his dearest posession in his enemy's hand... The first shall pass his life alone, he shall be his own gaoler; The second shall tread lonely roads, the storm above his head, seeking a dark tower upon a high hillside... I sit upon a black throne in the shadows but they shall not see me. The rain shall make a door for me and I shall pass through it; The stones shall make a throne for me and I shall sit upon it... The nameless slave shall wear a silver crown The nameless slave shall be a king in a strange country...
Susanna Clarke (Jonathan Strange & Mr Norrell)
Don’t you know? Adam wondered. He, at least, could still smell diesel fuel on his hands. Don’t you know what I am? But this flock of peacocks was too busy fooling to notice they were being fooled.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
If instead you feed the wolf and tame him and turn his pups into your guard dogs, they will protect the flocks when the pack comes ravening.
George R.R. Martin (The World of Ice & Fire: The Untold History of Westeros and the Game of Thrones (A Song of Ice and Fire))
How do you know this? Because I'm always watching people. When I watch people I too look through them. I learned that from my mother. To glance is not enough; eyes and brains together, acting like a flock of ravenous birds, flapping, tearing, poking... I know everything about people when I look at them for only a moment. I can tell from their clothes, their walks, their hair and hands, I know all the bad things that they've done. I know how they've failed and how they will fail and how miserable they are.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
Men love a prop so well, that they will lean on a pointed poisoned spear; and such was he, the impostor, who, with fear of hell for his scourge, most ravenous wolf, played the driver to a credulous flock.
Mary Wollstonecraft Shelley (The Last Man)
What are we doing on the plane ride back home? I heard Lamar [Jackson] is leading us in high knees. Ravens flock, let's fly.
Justin Tucker
If one squinted in Cabeswater long enough, in the right way, one could see secrets dart between the trees. The shadows of horned animals that never appeared. The winking lights of another summer's fireflies. The rushing sound of many wings, the sound of a massive flock always out of sight. Magic.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
One day he trapped a large raven, whose wings he painted red, the breast green, and the tail blue. When a flock of ravens appeared over our hut, Lekh freed the painted bird. As soon as it joined the flock a desperate battle began. The changeling was attacked from all sides. Black, red, green, blue feathers began to drop at our feet. The ravens ran amuck in the skies, and suddenly the painted raven plummeted to the freshly-plowed soil. It was still alive, opening its beak and vainly trying to move its wings. Its eyes had been pecked out, and fresh blood streamed over its painted feathers. It made yet another attempt to flutter up from the sticky earth, but its strength was gone.
Jerzy Kosiński (The Painted Bird (Kosinski, Jerzy))
We live without power of law, like flocks of ravens they come and sweep over the land.
Alexander Pushkin
Christ proclaimed: "I am the good shepherd." He then further showed, and with eloquent exactness, the difference between a shepherd and a hireling herder. The one has personal interest in and love for his flock, and knows each sheep by name, the other knows them only as a flock, the value of which is gaged by number; to the hireling they are only as so many or so much. While the shepherd is ready to fight in defense of his own, and if necessary even imperil his life for his sheep, the hireling flees when the wolf approaches, leaving the way open for the ravening beast to scatter, rend, and kill.
James E. Talmage (Jesus the Christ: A Study of the Messiah and His Mission According to Holy Scriptures, Both Ancient and Modern)
It is possible that the city of London was initially named for ravens or a raven-deity. According to the Oxford Companion to the English Language, the designation comes from “Londinium,” a Romanized version of an earlier Celtic name. But the word closely resembles “Lugdunum,” the Roman name for both the city of Lyon in France and Leiden in the Netherlands. That Roman name, in turn, was derived from the Celtic “Lugdon,” which meant, literally, “hill, or town, of the god Lugh” or, alternatively, “…of ravens.” The site of Lyon was initially chosen for a town when a flock of ravens, avatars of the god, settled there. Whether or not “Lugdunum” was the origin of “London,” ravens were important for inhabitants of Britain for both practical and religious reasons.
Boria Sax (City of Ravens: The Extraordinary History of London, its Tower and Its Famous Ravens)
Her eyes traced her man, the two tattoos on his back flexing as he moved. It had always fascinated her, those tattoos of his—a giant black dragon taking up the entire left side of his spine, its tail curled and head turned back, watching as a flock of ravens emerged from its wings and flew away diagonally to the right.
RuNyx (The Emperor (Dark Verse, #3))
There are preconceived notions - of where I should go, of what I should do, and even of who I should do it with - of who I am supposed to be as a black man. But my choice of career and my passion for wildness means that I will forever be the odd bird, the raven in a horde of white doves, the blackbird in a flock of snow buntings.
J. Drew Lanham (The Home Place: Memoirs of a Colored Man's Love Affair with Nature)
I’m an oddity, a commodity, a rumor. I’m the king’s favored. His prized saddle. The one he gold-touched and keeps in a cage at the top of his castle, my body bearing the mark of his ownership and favoritism. The gilded pet. I’m the darling of King Midas, ruler of Highbell and the Sixth Kingdom of Orea. People flock to see me just as much as they come to look upon his gleaming castle worth more than all the riches in the entire realm. I’m the gold-plated prisoner. But what a pretty prison it is.
Raven Kennedy (Gild (The Plated Prisoner, #1))
Now I think of the starling flocks that move across the stripped winter landscape at home; how you'll hear and look up to this great rush of birds, lifting and diving and turning. I think of the ravens, afloat on the air streams. Of the crows, going home at the fade of light, hundreds on hundreds, flowing and flowing, the winter sky filled with their tide. Dark birds, ruffianly dark birds, stronger than birds of light and better survivors. They are the undervoice, scavenging life, living off gleanings. Uncivilised. Shameless. Outside the law. They allow the return of the soul.
Kerry Hardie (The Bird Woman)
Several times Tam paused to engage one man or another in brief conversation. Since he and Rand had not been off the farm for weeks, everyone wanted to catch up on how things were out that way. Few Westwood men had been in. Tam spoke of damage from winter storms, each one worse than the one before, and stillborn lambs, of brown fields where crops should be sprouting and pastures greening, of ravens flocking in where songbirds had come in years before. Grim talk, with preparations for Bel Tine going on all around them, and much shaking of heads. It was the same on all sides. Most of the men rolled their shoulders and said, “Well, we’ll survive, the Light willing.” Some grinned and added, “And if the Light doesn’t will, we’ll still survive.” That was the way of most Two Rivers people. People who had to watch the hail beat their crops or the wolves take their lambs, and start over, no matter how many years it happened, did not give up easily. Most of those who did were long since gone.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
When a wolf descends upon your flocks, all you gain by killing him is a short respite, for other wolves will come,” King Garth IX said famously. “If instead you feed the wolf and tame him and turn his pups into your guard dogs, they will protect the flocks when the pack comes ravening.” King
George R.R. Martin (The World of Ice & Fire: The Untold History of Westeros and the Game of Thrones (A Song of Ice and Fire))
It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
John D. MacDonald (The Deep Blue Good-By)
She's so pretty, isn't she? Beautiful, really. That prefect skin, those long legs. And that hair! It's so black. Black as a raven's feather, that's what my mother used to say. Do you know, Ellie, what a group of ravens is called? [...] It's called an Unkindness. Isn't that strange? An Unkindness. Well... it's something to think about.
Amy S. Foster (When Autumn Leaves)
The men of our parish believed the birds to be an omen of death. They believed the same of me, too, so maybe I shared a kinship with the foreboding creatures. It was said that, on the day I’d been found near these woods, ravens had flocked around my basket. I liked to think they were guarding me, but some thought it a sign. A terrible sign. The whole parish had branded me as cursed ever since. The lorn.
Keri Lake (Anathema (The Eating Woods, #1))
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Surveying the daybreak sky, I spot a flock of birds flying low in the milky clouds, wings extended in perfect formation, mimicking each other’s flight pattern, a silent communication amongst them along the wind. The sight of it makes me envious. This. This is what was missing in the order back home. Frères du Corbeau (Brothers of the Raven) was my stepfather’s pipe dream. A dream to lead the revolt against the greedy leaders of corporate America—namely Roman Horner—to fight for the good of the common man.
Kate Stewart (The Finish Line (The Ravenhood, #3))
It was spring, and the long months of desolation melted into running water, with streamlets pouring from every hill and miniature waterfalls leaping from stone to stone to stone. The air was filled with the racket of birds, a cacophony of melody that replaced the lonely calling of geese passing by far overhead. Birds go one by one in the winter, a single raven hunched brooding in a barren tree, an owl fluffed against the cold in the high, dark shadows of a barn. Or they go in flocks, a massed thunder of wings to bear them up and away, wheeling through the sky like handsful of pepper grains thrown aloft, calling their way in Vs of mournful courage toward the promise of a distant and problematic survival. In winter, the raptors draw apart unto themselves; the songbirds flee away, all the color of the feathered world reduced to the brutal simplification of predator and prey, gray shadows passing overhead, with no more than a small bright drop of blood fallen back to earth here and there to mark the passing of life, leaving a drift of scattered feathers, borne on the wind. But as spring blooms, the birds grow drunk with love and the bushes riot with their songs. Far, far into the night, darkness mutes but does not silence them, and small melodious conversations break out at all hours, invisible and strangely intimate in the dead of night, as though one overheard the lovemaking of strangers in the room next door.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Gansey stepped into the yard and the dense flock immediately rushed up around him. They swirled around him, wings brushing against him, feathers touching his cheek. He couldn't see anything but the birds, every shape and color. His heart was a winged thing itself. He couldn't catch his breath. He was so afraid. If you can't be unafraid, Henry said, be afraid and happy. The flock dipped away. They meant to be followed, and they meant to be followed now. They swirled up in a great column over the Camaro. Make way! they shouted. Make way for the Raven King! It was loud enough now that lights were beginning to come on in the houses. Gansey climbed into the car and turned the key--start, Pig, start. It growled to life. Gansey was all things at once: elated, terrified, overcome, satiated. With a squeal of tires, he pursued his king.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
We were a single entity. A flock of ravens, a stampede of bison, a wolf pack, a family. Five souls, one unit.
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
A group of ravens is called a conspiracy, the irony of that not at all lost on me. The birds band together in adolescence to form a bond as rebellious teenagers—which I’m sure is when The Ravenhood was formed—until they finally mate out. And the theory on Ravens is that they mate for life.
Kate Stewart (Flock (The Ravenhood, #1))
Silence the lambs The quiet of the night brings the peaceful of the moonlight of the sky. As through the forest you hear the lambs' cries as they have wandered too far into the darkness. It is cold as to the flock be nowhere in sight. The lamb has to be found some way, somehow. Silence the lamb of the fear as to stop weeping. It will attract the attention of the wolves in the distance. It is to the owl of wisdom to seek out the ravens' omen to see the future of the lamb's way back home or the path of certain death. The owl makes the swift decision. As the magic fills the air to the breeze of the wind that is to carry the guidance of the lamb to the herd it came from. The omen of the raven is to silence the lambs fear as to be safe as well as warm amongst the flock of sheep it was separated from. Silence the lambs to the peaceful sleep til the morning. Under the owl as well the raven's protection of the morning sun. Silence be the lambs for a new day has started. The lambs be silent now for they are both fed as well as protected amongst the herd. Quiet as they sleep amongst the lambs' counting sheep as the night races time to daybreak. Now the lamb has survived another day, another night. Tapping of the ravens without the screeching of the owl. The lamb be special as the birds know this isn’t a sacrificial lamb. For it has made its way home. By the moon as well as the stars. With the guidance of the owl's wisdom and the ravens the omen. As well as the magical divinity of the power of magic. For now, the lambs be silent through darkness of the night to save souls from the devil himself.
Jennifer Breslin (The trilogy of poems)
Do you know the right name for a flock of ravens?” Tóti shook his head. “A conspiracy, Reverend. A conspiracy.” Margrét raised an eyebrow, challenging him to disagree. Tóti watched the ravens settle on the eaves of the cattle barn. “Is that so, Mistress Margrét? I thought they were called an unkindness.
Hannah Kent (Burial Rites)
A group of ravens is called a conspiracy,
Kate Stewart (Flock (The Ravenhood, #1))
Ravens is that they mate for life.
Kate Stewart (Flock (The Ravenhood, #1))
A group of ravens is called a conspiracy; the irony of that not at all lost on me. The birds band together in adolescence to form a bond as rebellious teenagers—which I’m sure is when The Ravenhood was formed—until they finally mate out. And the theory on Ravens is that they mate for life.
Kate Stewart (Flock (The Ravenhood Book 1))
But that’s the thing about ravens. They always seem to be watching. Now, I’m counting on it.
Kate Stewart (Flock (The Ravenhood Book 1))
I think back to the parties Aimee and I planned, and how all those tuxedos and ball gowns weren't really that much different, costumewise, than some of these getups. Not as elaborate or out there, to be sure, but not so different. After all, is an hour at Bobbi Brown for the perfect party makeup that much of a stretch from an hour putting on a Klingon forehead or Spock ears? Is searching for the perfect dress, shoes, bag, wrap, jewelry so much different from the perfect jumpsuit, ray gun, ammo belt, and communicator? And unlike most of the regular parties we did, these people are way open to each other and the experience. There don't seem to be gaggles of people standing back to judge the other gaggles. And while a lot of the subsets do seem to flock together, Star Wars over here, Lord of the Rings over there, I haven't overheard one snarky comment about someone's costume. None of the women here, in all of their variety of shapes and sizes, seem to be doing anything other than squeeing at each other and praising how gorgeous they are. And everyone seems to just own themselves. I've been at hundreds of events looking at a sea of black dresses because everyone thinks it is slimming. But today I've seen a riot of color and skin. Including a 350-pound raven-haired vixen in a chain-mail corset, with cleavage you could park a hovercraft in, surrounded by a coterie of clearly smitten men. I wanted to high-five her.
Stacey Ballis (Out to Lunch)
I shall reclaim the bird sooner or later, sweet William.” “Aye,” Will said. “But not until ravens flocks these grounds again. Do we have an agreement, my lady?” She bit her lip, ignoring the Mebd’s arch amusement. “He’s hidden from me for a thousand years,” Morgan le Fey said at last, acquiesing. Her hand slid gracefully down to rest on her thigh, cupped inward, palm open. “A few days mean nothing.
Elizabeth Bear (Hell and Earth (Promethean Age, #4))
I’m the darling of King Midas, ruler of Highbell and the Sixth Kingdom of Orea. People flock to see me just as much as they come to look upon his gleaming castle worth more than all the riches in the entire realm. I’m the gold-plated prisoner. But what a pretty prison it is.
Raven Kennedy (Gild (The Plated Prisoner, #1))
Researchers into bird communication have revealed the astonishing fact that not only do ravens listen to the gossip of neighbouring flocks, but they pay especially close attention when it tells of a reversal in another bird’s status.
Will Storr (The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better)
King Ravinger arrives with a flock of timberwings.
Raven Kennedy (Glint (The Plated Prisoner, #2))
Nothing happens. Naturally. Tears—absurd, foolish tears—prick her eyes. Did she expect some grand magical feat? Flights of ravens, flocks of fairies? Magic is a dreary, distasteful thing, more useful for whitening one’s socks than for summoning dragons. And even if Beatrice stumbled on an ancient spell, she lacks the witch-blood to wield it. Books and tales are as close as she can come to a place where magic is real, where women and their words have power.
Alix E. Harrow (The Once and Future Witches)
A group of ravens is called a conspiracy; the irony of that not at all lost on me.
Kate Stewart (Flock (The Ravenhood Book 1))
Ethan—he’s my mother’s brother—is reserved and taciturn, but he has a mushy center. His mate, Max, is more expressive and fun loving, but he also takes things as seriously as Ethan does. They’re both solid and reliable. They’ll like you. Sort of.” “Sort of?” “You’re a wolf—you’ll lose points for that. But you’re walking onto raven territory just for me; they’ll like that.” Tao stretched his legs out as far as he could, which wasn’t much. “Are any of your other family part of the flock?” She shook her head. “My grandparents died before I was born; both my parents were only children.
Suzanne Wright (Fierce Obsessions (The Phoenix Pack, #6))
16Then he told them a story: “A rich man had a fertile farm that produced fine crops. 17He said to himself, ‘What should I do? I don’t have room for all my crops.’ 18Then he said, ‘I know! I’ll tear down my barns and build bigger ones. Then I’ll have room enough to store all my wheat and other goods. 19And I’ll sit back and say to myself, “My friend, you have enough stored away for years to come. Now take it easy! Eat, drink, and be merry!”’ 20“But God said to him, ‘You fool! You will die this very night. Then who will get everything you worked for?’ 21“Yes, a person is a fool to store up earthly wealth but not have a rich relationship with God.” Teaching about Money and Possessions 22Then, turning to his disciples, Jesus said, “That is why I tell you not to worry about everyday life—whether you have enough food to eat or enough clothes to wear. 23For life is more than food, and your body more than clothing. 24Look at the ravens. They don’t plant or harvest or store food in barns, for God feeds them. And you are far more valuable to him than any birds! 25Can all your worries add a single moment to your life? 26And if worry can’t accomplish a little thing like that, what’s the use of worrying over bigger things? adopt God’s values 27“Look at the lilies and how they grow. They don’t work or make their clothing, yet Solomon in all his glory was not dressed as beautifully as they are. 28And if God cares so wonderfully for flowers that are here today and thrown into the fire tomorrow, he will certainly care for you. Why do you have so little faith? 29“And don’t be concerned about what to eat and what to drink. Don’t worry about such things. 30These things dominate the thoughts of unbelievers all over the world, but your Father already knows your needs. 31Seek the Kingdom of God above all else, and he will give you everything you need. 32“So don’t be afraid, little flock. For it gives your Father great happiness to give you the Kingdom. 33“Sell your possessions and give to those in need. This will store up treasure for you in heaven! And the purses of heaven never get old or develop holes. Your treasure will be safe; no thief can steal it and no moth can destroy it. 34Wherever your treasure is, there the desires of your heart will also be.
Tyndale House Publishers (NLT Courage For Life Study Bible for Men)
Cheris knew about the Fortress. She knew, in outline, the most prestigious low languages and the distribution of wealth among their classes. She knew how many citizens the Fortress sent to the academies and the breakdowns by individual academy as well. And she knew about the fabled shields that ran on invariant ice, but everyone knew that. She knew many things, and she knew nothing. She could feel the inadequacy of her neatly ordered facts confronted by the cacophony of living cultures. Once she had looked up the Kel summation of the City of Ravens Feasting. She had seen her home distilled into a sterile list of facts. Each was individually true, but the list conveyed nothing of what it sounded like when a flock of ravens wheeled into the sky, leaving oracle tracks in the unsettled dust.
Yoon Ha Lee (Ninefox Gambit (The Machineries of Empire, #1))
No, Neema, petty grudges are an excellent spur to action. Part of my magnificent role as the Solitary Raven is to be a source of constant irritation to the Flock.
Antonia Hodgson (The Raven Scholar (Eternal Path Trilogy, #1))