Brook Best Quotes

We've searched our database for all the quotes and captions related to Brook Best. Here they are! All 200 of them:

Often, a school is your best bet-perhaps not for education but certainly for protection from an undead attack.
Max Brooks (Zombie Survival Guide, The: Complete Protection From The Living Dead)
Hope for the Best. Expect the worst. Life is a play. We're unrehearsed.
Mel Brooks
It's like this old patchwork quilt my momma used to have...Each piece on that quilt meant something. And some of those pieces were the damn ugliest things you've ever seen...But some of the pieces were so beautiful they almost hurt my eyes to look at when I was a kid...That's the best you can hope for, Danny. That your life turns out like that patchwork quilt. That you can add some bright, sparkling pieces to the dirty, stained ones you have so far. That in the end, the bright patches might take up more space on your quilt than the dark ones.
Brooke McKinley (Shades of Gray)
Till men have faith in Christ, their best services are but glorious sins.
Thomas Brooks
We are called at certain moments to comfort people who are enduring some trauma. Many of us don't know how to react in such situations, but others do. In the first place, they just show up. They provide a ministry of presence. Next, they don't compare. The sensitive person understands that each person's ordeal is unique and should not be compared to anyone else's. Next, they do the practical things--making lunch, dusting the room, washing the towels. Finally, they don't try to minimize what is going on. They don't attempt to reassure with false, saccharine sentiments. They don't say that the pain is all for the best. They don't search for silver linings. They do what wise souls do in the presence of tragedy and trauma. They practice a passive activism. They don't bustle about trying to solve something that cannot be solved. The sensitive person grants the sufferer the dignity of her own process. She lets the sufferer define the meaning of what is going on. She just sits simply through the nights of pain and darkness, being practical, human, simple, and direct.
David Brooks (The Road to Character)
Perhaps, after all, our best thoughts come when we are alone. It is good to listen, not to voices but to the wind blowing, to the brook running cool over polished stones, to bees drowsy with the weight of pollen. If we attend to the music of the earth, we reach serenity. And then, in some unexplained way, we share it with others.
Gladys Taber
Every child should have mud pies, grasshoppers, water bugs, tadpoles, frogs, mud turtles, elderberries, wild strawberries, acorns, chestnuts, trees to climb. Brooks to wade, water lilies, woodchucks, bats, bees, butterflies, various animals to pet, hayfields, pine-cones, rocks to roll, sand, snakes, huckleberries and hornets; and any child who has been deprived of these has been deprived of the best part of education.
Luther Burbank
With wine beside a gently flowing brook - this is the best; Withdrawn from sorrow in some quiet nook - this is the best
Hafez (The nightingales are drunk)
Sometimes I think of atoms as tiny people who are extremely scared and hold hands with each other a lot. I imagine that my body is made of tiny, scared people, and they pick up mugs and books, which are made of other tiny, scared people. And when you sex someone it's just lots of tiny, scared people holding hands. I think about the tiny people that are me and I feel less alone. I'm an army of tiny people, trying their best.
Ben Brooks (Lolito)
She who only looks inward will find only chaos, and she who looks outward with the eyes of critical judgment will find only flaws. But she who looks with the eyes of compassion and understanding will see complex souls, suffering and soaring, navigating life as best they can.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
When you have deep friendships with good people, you copy and then absorb some of their best traits. When you love a person deeply, you want to serve them and earn their regard. When you experience great art, you widen your repertoire of emotions. Through devotion to some cause, you elevate your desires and organize your energies.
David Brooks (The Road to Character)
You're the only one who can leave me completely breathless even when there's nothing but silence between us. It's 'like I can lay beside you and we not say a single word and still I have the best time.
Lisa Brooks
I think the best way to escape your head isn’t to think about things that aren’t real, it’s to think about things that are and then imagine them happening to people who aren’t you.
Ben Brooks (Lolito)
True love is best found when you're broke.
Russell Brooks (Pandora's Succession)
The best course to prevent falling into the pit is to keep at the greatest distance from it; he who will be so bold as to attempt to dance upon the brink of the pit, may find by woeful experience that it is a righteous thing with God that he should fall into the pit.
Thomas Brooks (Precious Remedies Against Satan's Devices (Puritan Paperbacks))
... So this was how it was to be, now: I would do my best to live in the quick world, but the ghosts of the dead would be ever at hand.
Geraldine Brooks (March)
You need to remember the best legacy you can give your kids is an example of a life well lived. They may listen to what you say, but they will do what you do. If you tell them to take care of yourself but you don't do it yourself, what kind of message are you sending?
Brooke Castillo
According to Darwin’s Origin of Species, it is not the most intellectual of the species that survives; it is not the strongest that survives; but the species that survives is the one that is best able to adapt and adjust to the changing environment in which it finds itself.
Max Brooks (Devolution: A Firsthand Account of the Rainier Sasquatch Massacre)
How does it feel to be almost the best? It’s a bit like not being good enough at all, isn’t it?
Veronica Rossi (Brooke (Under the Never Sky, #2.5))
That's the best you can hope for, Danny. That your life turns out like that patchwork quilt. That you can add some bright, sparkling pieces to the dirty, stained ones you've got so far. That in the end, the bright patches might take up more space on your quilt than the dark ones.
Brooke McKinley (Shades of Gray)
To me a good book is like a quiet friend—a friend who’s happy to share thoughts and feelings with you, who’s always there when you need them. Best of all, this friend doesn’t have any secrets. They trust you to understand them. They take you to their innermost places. They share their sensations and emotions—and they let you experience them. Wherever you go and however you feel, they are always by your side. For an hour, a day, a week, or forever, their life becomes yours. Their story is your story. That’s the kind of book I’m trying to write.
Kevin Brooks
Best day of my life hasn't happened yet. But I know it. I see it every day. The best day of my life is the day I buy my mom a huge fucking house. And not just like out in the woods, but in the middle of Mountain Brook, with all the Weekday Warriors' parents. With all y'all's parents. And I'm not buying it with a mortgage either. I'm buying it with cash money, and I am driving my mom there, and I'm going to open her side of the car door and she'll get out and look at this house—this house is like picket fence and two stories and everything, you know—and I'm going to hand her the keys to her house and I'll say, 'Thanks.' Man, she helped fill out my application to this place. And she let me come here, and that's no easy thing when you come from where we do, to let your son go away to school. So that's the best day of my life.
John Green (Looking for Alaska)
It is not in a woman's best interest to rule man. I don't believe any good women would want that position." - Ayn Rand
Brooke Bida
When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there’s a clue? What if there’s a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody’s big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she’s under there? What if she’s crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there’s nowhere to go from here. Home is home is home.
Carol Rifka Brunt (Tell the Wolves I'm Home)
May we each have the courage to move past our programming, and the example that was set for us. Let's dig deep and do our personal work so that we can be the best version of ourselves for these little earth warriors. It's time to redefine parenting! Our aim is not to be perfect- Our aim is only to create a childhood that our children don't have to recover from.
Brooke Hampton
She rubs my back and sighs. "Jesus Abby, I'm so sorry. If I didn't know any better, I'd say you're still hung up on him. Big time.
Annie Brewer
Wherever life can grow, it will. It will sprout out, and do the best it can. I give you what I have. You don’t get all your questions answered in this world. How many answers shall be found in the developing world of my Poem? I don’t know. Nevertheless I put my Poem, which is my life, into your hands, where it will do the best it can.
Gwendolyn Brooks (Winnie)
It was my teacher's genius, her quick sympathy, her loving tact which made the first years of my education so beautiful. It was because she seized the right moment to impart knowledge that made it so pleasant and acceptable to me. She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs, until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower. Any teacher can take a child to the classroom, but not every teacher can make him learn. He will not work joyously unless he feels that liberty is his, whether he is busy or at rest; he must feel the flush of victory and the heart-sinking of disappointment before he takes with a will the tasks distasteful to him and resolves to dance his way bravely through a dull routine of textbooks. My teacher is so near to me that I scarcely think of myself apart from her. How much of my delight in all beautiful things is innate, and how much is due to her influence, I can never tell. I feel that her being is inseparable from my own, and that the footsteps of my life are in hers. All the best of me belongs to her--there is not a talent, or an aspiration or a joy in me that has not been awakened by her loving touch.
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
This is the best, most real thing that’s ever happened to me,” Danny said quietly. “I’ve spent my whole life jumping from one bad choice to the next. Choosing this, with you, is probably the only decision I’ve ever been proud of making.” He pressed himself closer to Miller’s back, wrapping his arms around his waist. “I’ll never be sorry.
Brooke McKinley (Shades of Gray)
Obi-Wan's young face clouded. "Some secrets are best left concealed, Master." He shook his head. "Besides, why must you always be the one to do the uncovering? You know how the Council feels about these... detours. Perhaps, just once, the uncovering should be left to someone else." Qui-Gon looked suddenly sad. "No, Obi-Wan. Secrets must be exposed when found. Detours must be taken when encountered. And if you are the one who stands at the crossroads or the place of concealment, you must never leave it to another to act in your place.
Terry Brooks (Star Wars: The Phantom Menace (Star Wars Novelizations, #1))
It is my fault, and the fault of everyone of my generation. I wonder what the future generations will say about us. My grandparents suffered through the Depression, World War II, then came home to build the greatest middle class in human history. Lord knows they weren't perfect, but they sure came closest to the American dream. Then my parents' generation came along and f***ed it all up - the baby boomers, the "me" generation. And then you got us. Yeah, we stopped the Zombie menace, but we're the ones who let it become a menace in the first place. At least we're cleaning up our own mess, and maybe that's the best epitaph to hope for. 'Generation Z, they cleaned up their own mess.
Max Brooks (World War Z: An Oral History of the Zombie War)
It was the nature of things, of course. Life went on. The best you could do was to hold on to the memories that were important to you, so that even if everyone else forgot, you would remember.
Terry Brooks (Running with the Demon (Word & Void, #1))
If you limit the search for truth and forbid men anywhere, in any way, to seek knowledge, you paralyze the vital force of truth itself. In the best sense of the word, Jesus was a radical. His religion has been so long identified with conservation -- often with conservatism of the obstinate and unyielding sort -- that it is almost startling for us sometimes to remember that all of the conservatism of his own times was against him; that it was the young, free, restless, sanguine, progressive part of the people who flocked to him.
Phillips Brooks
Take a bucket, fill it with water, Put your hand in—clear up to the wrist. Now pull it out; the hole that remains Is a measure of how much you’ll be missed…. The moral of this quaint example: To do just the best that you can, Be proud of yourself, but remember, There is no Indispensible Man!24
David Brooks (The Road to Character)
I miss my best friend." And just like that, I knew. I would've gone to the ends of the earth for that man.
Brooke Blaine (A Little Bit like Love (South Haven, #1))
Commitment is a journey that works best when each step taken is carefully measured.
Terry Brooks (The Darkling Child (The Defenders of Shannara, #2))
We cannot know the future, nor can we change it,...It is best to be realistic about such things. But we have the time we have been given. So let us treasure it while we can.
Geraldine Brooks
Ruth Bader Ginsburg. “Do your work. It might not be your best work, but it will be good work, and it will be what saves you.
Geraldine Brooks (Memorial Days)
I don't eat healthy because I'm trying to avoid death. Death does not scare me. I am, however, terrified of dying before I am dead. I have a strong desire to make the best of the time I have here. Living foods straight from the Earth help my body thrive, my imagination soar and my mind stay clear. It's about quality of life for me. I feel the best when I eat a diet free of pesticides, chemicals, GMOs and refined sugars. Growing herbs and making my own medicine helps me stay connected to the Earth; hence, helping me connect with my true purpose here. I have work to do here! I choose to leave this planet more beautiful than I found it and eating magical foods gives me the energy and inspiration I need to do my work.
Brooke Hampton
They realized that the best way to mask what they were doing was to hide it in plain sight. Instead of lying about the sweeps themselves, they just lied about what they were sweeping for.
Max Brooks (World War Z: An Oral History of the Zombie War)
And then you got us. Yeah, we stopped the zombie menace, but we're the ones who let it become a menace in the first place. At least we're cleaning up our own mess, and maybe that's the best epitaph to hope for. "Generation Z, they cleaned up their own mess.
Max Brooks (World War Z: An Oral History of the Zombie War)
The Hill Breathless, we flung us on the windy hill, Laughed in the sun, and kissed the lovely grass. You said, "Through glory and ecstasy we pass; Wind, sun, and earth remain, the birds sing still, When we are old, are old..." "And when we die All's over that is ours; and life burns on Through other lovers, other lips," said I, —"Heart of my heart, our heaven is now, is won!" "We are Earth's best, that learnt her lesson here. Life is our cry. We have kept the faith!" we said; "We shall go down with unreluctant tread Rose-crowned into the darkness!"... Proud we were, And laughed, that had such brave true things to say. —And then you suddenly cried, and turned away.
Rupert Brooke (The Complete Poems)
Hope for the best, expect the worst. Life is a play, we're unrehearsed.
Mel Brooks
But chains can be snapped, O best beloved mooncalf. Sticks can be knocked out of a Man's clever hands
Brooke Bolander (The Only Harmless Great Thing)
Disappointment is a beautiful woman reading Ayn Rand.
Geraldine Brooks (The Best American Short Stories 2011)
It has often been our best instincts, not our worst, that have led us to do harm in the world
Rosa Brooks (How Everything Became War and the Military Became Everything: Tales from the Pentagon)
who they were, or how they worked. That’s how I add my few grains to the sandbox of human knowledge. It’s what I love best about what I do. And there were so many
Geraldine Brooks (People of the Book)
The best thing life can offer you is a second chance, and you get one every morning when you open your eyes.
Anna Brooks (Fixing Fate (Daring Destiny, #1))
Lord, is it I . . .? There is so much good in the worst of us And so much bad in the best of us That it behoves not any of us To talk about the rest of us.
Jane Brooks (Trawling the Century)
He wants to think he’s from the best breeding. He wants to think himself brave. Can he win against all comers? And if not, does he have self-mastery to take a loss, stay cool in defeat, and try again undaunted? Those are the qualities of a great racehorse and a great gentleman.
Geraldine Brooks (Horse)
You are going to experience hurt, fear, pain, and possibly even heartache, but that's life. You stand back up, and you begin again. It's not easy. It sucks. And it might damage you, but that's how you build a thick skin. You take what life hands you , and you do your damn best to survive.
Brooke Cumberland (Spark (Spark, #1))
His dark gaze searched her face. “Aren’t you curious, inspector? A kiss—and only a kiss.” Only a kiss . . . from someone who wanted her. Longing slipped through her, tugging at hopes best kept buried. Yes, Mina wanted to know. But she couldn’t afford it. “No,” she said. He smiled. “Liar.
Meljean Brook (The Iron Duke (Iron Seas, #1))
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
Plato believed the soul was divided into three parts: reason, spirit, and appetite. Reason seeks truth and wants the best for the whole person. Spirit seeks recognition and glory. Appetite seeks base pleasures.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
We grow as best we can under the circumstances given us. What good does it do to second-guess ourselves years after the fact? Better that we simply try to understand why we are as we are and then better ourselves by learning from that.
Terry Brooks (First King of Shannara (The Original Shannara Trilogy, #0))
Kids are tough sometimes. There are moments when I'm so frustrated and don't feel like we understand each other. When I hit a moment like this and words of aggravation are on the tip of my tongue, this is what I say to myself: You have been given the unbelievable honor of taking care of and loving the next generation of people. Your work with them is hands down the most important work you'll ever do. Think about how many people these children will come in contact with in their life time. The messages and love you give them or don't give them will be your voice in the future. Think about that when you're aggravated or tired. Every word you speak over them matters. Your voice and the unspoken energy you're sending them are more powerful than you can possibly imagine. Speak to them as if they are Kings and Queens and you are on stage in front of thousands of people -because that's how they deserve to be treated. Give them the best of you.
Brooke Hampton
Perfectionism and creativity tend to hamper productivity. If you’re prone to perfectionism, give yourself permission to let go of any judgment around the best or right way to write. There is no right or wrong way of writing as long as you're writing!
Vindy Teja & Anna Brooke (WRITE! Your Guide to Revealing the Writer Within)
No one cared about injuries. Not when you’re flying down the field, you and the horse—” He was suddenly animated. “You’re one being, like a centaur. The best ponies are total athletes. They find the line of the ball without you doing anything. One time I came off—my fault, not the pony’s—and she went on, tearing down the field, and blocked my opponent’s shot as if I were still riding her.
Geraldine Brooks (Horse)
The danger facing all of us--let me say it again, for one feels it tremendously--is not that we shall make an absolute failure of life, nor that we shall fall into outright viciousness, nor that we shall be terribly unhappy, nor that we shall feel that life has no meaning at all--not these things. The danger is that we may fail to perceive life's greatest meaning, fall short of its highest good, miss its deepest and most abiding happiness, be unable to render the most needed service, be unconscious of life ablaze with the light of the Presence of God--and be content to have it so--that is the danger. That some day we may wake up and find that always we have been busy with the husks and trappings of life--and have really missed life itself. For life without God, to one who has known the richness and joy of life with Him, is unthinkable, impossible. That is what one prays one's friends may be spared--satisfaction with a life that falls short of the best, that has in it no tingle and thrill which come from a friendship with the Father.
Phillips Brooks
A biographer of the novelist E. M. Forster wrote, “To speak to him was to be seduced by an inverse charisma, a sense of being listened to with such intensity that you had to be your most honest, sharpest, and best self.” Imagine how good it would be to be that guy.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
We are called at certain moments to comfort people who are enduring some trauma. Many of us don't know how to react in such situations, but others do. In the first place, they just show up. They provide a ministry of presence. Next, they don't compare. The sensitive person understands that each person's ordeal is unique and should not be compared to anyone else's. Next, they do the practical things--making lunch, dusting the room, washing the towels. Finally, they don't try to minimize what is going on. They don't attempt to reassure with false, saccharine sentiments. They don't say that the pain is all for the best. They don't search for silver linings. They do what wise souls do in the presence of tragedy and trauma. They practice a passive activism. They don't bustle about trying to solve something that cannot be solved. The sensitive person grants the sufferer the dignity of her own process. She lets the sufferer define the meaning of what is going on. She just sits simply through the nights of pain and darkness, being practical, human, simple, and direct.
David Brooks
A racehorse is a mirror, and a man sees his own reflection there. He wants to think he’s from the best breeding. He wants to think himself brave. Can he win against all comers? And if not, does he have self-mastery to take a loss, stay cool in defeat, and try again undaunted?
Geraldine Brooks (Horse)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs.
Geraldine Brooks (The Best American Short Stories 2011)
Recently I was at a dinner with a political scientist who put down his fork and said to the four of us: “I’m eighty. What should I do with the rest of my life?” That was a really humble but big question to ask. Essentially, he was asking, “What is the best way to grow old?” We started talking about his values, the questions he wanted to ask in his future research, how anyone should spend the final years of their life. It was fantastic.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
The best of the New Critics were masters of close readings. Cleanth Brooks, for example, in 1937 wrote a detailed commentary on The Waste Land which is still a model of critical helpfulness. The fact that certain basic insights in the past generation have originated as reactions against Brooks and his colleagues does not in any way diminish their excellence.
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
We think we know them, but we really don’t. We let ourselves be deceived because we are always expecting the best out of those who seem willing to provide it.
Terry Brooks (The High Druid's Blade (The Defenders of Shannara, #1))
To live without fear of death—is to die living!
Thomas Brooks (A Believer's Last Day, His Best Day)
You have to make the best of the life you are given.
Terry Brooks (The Darkling Child (The Defenders of Shannara, #2))
I really love you, Lola. Unconditionally,” I said as I started to cry again. “I really love you too. Unconditionally,” she replied.
Brooke Gilbert (The Paris Soulmate (International Soulmates))
His first name is Brooks, but his last name isn’t. His last name is Wrinkled, unlike his shirt (he isn’t wearing one).
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
But the desert offers something that no forest brook or valley ever can: distance. A
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
I thought it best to add nothing further, to let the line of his thought lead him to his own conclusions.
Geraldine Brooks (The Secret Chord)
But ultimately joy is found not in satisfying your desires but in changing your desires so you have the best desires. The educated life is a journey toward higher and higher love.
David Brooks (The Second Mountain: The Quest for a Moral Life)
He understood my passion for books, which has made me perhaps the best-read idiot in the world.
Louise Brooks (Lulu in Hollywood)
It is my job to know things," the cat said. "Cats know lots of things about the world and its creatures, especially people. Cats watch and listen. It is what they do best.
Terry Brooks (A Princess of Landover (Magic Kingdom of Landover, #6))
In trying to promote a spirit of acceptance, it has become common to say things like, “Every mom makes the best choice for her family.” Maybe. Another way to look at it is that we each get to choose from a handful of lousy options, then we try to make the choice go down easier by telling ourselves that what we chose makes us unique and special, better than those who chose a different way.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
Staying unSpun really boils down to following a few principles... When confronted with a claim, keep an open mind, ask questions, cross-check, look for the best information, and then weigh the evidence.
Brooks Jackson (unSpun: Finding Facts in a World of Disinformation)
David was at his best in group settings, soldier enough to join in the raucous jests, king enough to make it matter that he remembered some moments of bravery or sacrifice, and praised each man accordingly.
Geraldine Brooks (The Secret Chord)
But when you're in love it isn’t about power. Power struggles aren’t real love. It was about sharing. It was about trust and supporting each other to be the best person each can be. It was about being a team.
Kathleen Brooks (Chosen for Power (Women of Power, #1))
character is built not only through austerity and hardship. It is also built sweetly through love and pleasure. When you have deep friendships with good people, you copy and then absorb some of their best traits.
David Brooks (The Road to Character)
Away from her sister, Celia talked quite easily, and Sir James said to himself that the second Miss Brooke was certainly very agreeable as well as pretty, though not, as some people pretended, more clever and sensible than the elder sister. He felt that he had chosen the one who was in all respects the superior; and a man naturally likes to look forward to having the best. He would be the very Mawworm of bachelors who pretended not to expect it.
George Eliot (Middlemarch)
He stowed a bottle of a local rotgut called Five Island Gin—nicknamed Five Ulcer Gin—in radioman Harry Brooks’s gas mask holster. When an MP tapped Brooks’s hip to check for the mask, the bottle broke and left Brooks with a soggy leg. It was probably for the best. Louie noticed that when he drank the stuff, his chest hair spontaneously fell out. He later discovered that Five Island Gin was often used as paint thinner. After that, he stuck to beer.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Study after study shows that the very best designers produce structures that are faster, smaller, simpler, cleaner, and produced with less effort. The differences between the great and the average approach an order of magnitude.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release.
Geraldine Brooks (The Best American Short Stories 2011)
Cats learn early on that very little is accomplished by worrying. Cats also know that things have a way of working out, even when the means are kept hidden from us. Best to deal with things as they arise, and let the future take care of itself.
Terry Brooks (The Tangle Box (Magic Kingdom of Landover, #4))
I firmly determined that my mannerisms and speech in public would always reflect the cheerful certainty of victory—that any pessimism and discouragement I might ever feel would be reserved for my pillow. To translate this conviction into tangible results, I adopted a policy of circulating through the whole force to the full limit imposed by physical considerations. I did my best to meet everyone from general to private with a smile, a pat on the back and a definite interest in his problems.17
David Brooks (The Road to Character)
Chapels are emergency rooms for the soul. They are the one place we can reliably go to find who we are and what we should be doing with our lives—usually by finding all we aren't, and what is much greater than us, to which we can only give ourselves up.
Geraldine Brooks (The Best American Sampler 2011)
I wept for my family, all if us, my beautiful, idyllic, lost family. I wept for our excesses, our delusions and inconsistencies; not that we had cared too much or too little, although both were true, but that we had let such extraordinary care be subverted into extraordinary carelessness. We'd been careless with the best of our many resources: each other. It was as though we had taken for granted the fact that there would be more where we had come from too; another chance, another summer, another Brooke, Bridget or Bill.
Brooke Hayward
His eyes are cold and restless His wounds have almost healed And she'd give half of Texas Just to change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well it ain't no woman flesh and blood It's that damned old rodeo Well it's bulls and blood It's dust and mud It's the roar of a Sunday crowd It's the white in his knuckles The gold in the buckle He'll win the next go 'round It's boots and chaps It's cowboy hats It's spurs and latigo It's the ropes and the reins And the joy and the pain And they call the thing rodeo She does her best to hold him When his love comes to call But his need for it controls him And her back's against the wall And it's So long girl I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his rodeo
Garth Brooks
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
You don’t know what’s possible unless you push yourself to be more, encourage the people near you to be the best they can be, and discover all of the potential out in the world.  You might be surprised at what you are capable of when stretching past your pre-conceived limits.
Jonathan Brooks (Dungeon of Chance: Even Odds (Serious Probabilities #1))
That’s the best you can hope for, Danny. That your life turns out like that patchwork quilt. That you can add some bright, sparkling pieces to the dirty, stained ones you’ve got so far. That in the end, the bright patches might take up more space on your quilt than the dark ones.
Brooke McKinley (Shades of Gray)
mirror, and a man sees his own reflection there. He wants to think he’s from the best breeding. He wants to think himself brave. Can he win against all comers? And if not, does he have self-mastery to take a loss, stay cool in defeat, and try again undaunted? Those are the qualities of a great racehorse and a great gentleman. A gentleman likes to have a horse that gives the right answers to those questions, then he can believe that he will give the right answers too. To do my part, I have to give a man a likeness that shows not just how beautiful the horse looks, but how beautiful it feels to him.
Geraldine Brooks (Horse)
There were times, she knew from experience, when it was best just to continue on rather than to shift directions, even when it didn’t seem as if you were getting anywhere. Your chances of success weren’t always something you could measure accurately. Perseverance in the face of failure counted for something.
Terry Brooks (Tanequil (High Druid of Shannara, #2))
All the way home, I told myself how wonderful and selfless it was that I had decided to stay home full-time with my baby, that I didn't have to dump him in some soulless center or hire a stranger to raise him. Whenever friends or family members or people I met would ask me how I'd come to this decision, I didn't say, "I'd never get a job that would pay me enough to afford decent childcare." And I didn't say, "I have no family nearby who are willing to help with regular childcare." And I didn't say, "I live in a society whose policies reflect the fact that it is still deeply ambivalent about mothers working." Instead, I'd say, "I just know it is the best thing for us.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
like that.” “I can’t imagine my life without you, Prue. You are my best friend; you always will be. You are another part of me, a part that when missing leaves me feeling incomplete. I want us to be together again. I want us to get back what we can of our old life, even if it’s not here. Will you wait for me so that we can try to do that?
Terry Brooks (The Measure of the Magic (Legends of Shannara, #2))
…a racehorse is a mirror, and a man sees his own reflection there. He wants to think he’s from the best breeding. He wants to think himself brave. Can he win against all comers? And if not, does he have self-mastery to take a loss, stay cool in defeat, and try again undaunted? Those are the qualities of a great racehorse and a great gentleman.
Geraldine Brooks
...a racehorse is a mirror, and a man sees his own reflection there. He wants to think he’s from the best breeding. He wants to think himself brave. Can he win against all comers? And if not, does he have self-mastery to take a loss, stay cool in defeat, and try again undaunted? Those are the great qualities of a great racehorse and a great gentleman.
Geraldine Brooks (Horse)
I was at my best when I was backed into a corner. Like a cornered rat I had to somehow jump out of it. I would never surrender. Carl knew he would never get the same answer twice, and I loved to surprise him. Carl: Who is the favorite of all your girlfriends of all time? Mel: Shirley. Carl: What was so special about Shirley? Mel: Her friend Leila. Carl hit the floor.
Mel Brooks (All about Me!: My Remarkable Life in Show Business)
All men are equal on the turf or under it’—that’s the saying. But the folk who own the horses, it’s much more, for them, than an exciting day out. Here’s the ground of it, as I see it: a racehorse is a mirror, and a man sees his own reflection there. He wants to think he’s from the best breeding. He wants to think himself brave. Can he win against all comers? And if not, does he have self-mastery to take a loss, stay cool in defeat, and try again undaunted? Those are the qualities of a great racehorse and a great gentleman. A gentleman likes to have a horse that gives the right answers to those questions, then he can believe that he will give the right answers too. To do my part, I have to give a man a likeness that shows not just how beautiful the horse looks, but how beautiful it feels to him.
Geraldine Brooks (Horse)
I roved o'er many a hill and many a dale With this my weary load, in heat and cold, Through many a wood, and many an open ground, In sunshine or in shade, in wet or fair, Now blithe, now drooping, as it might befal, My best companions now the driving winds And now the trotting brooks and whispering trees And now the music of my own sad steps, With many a short-lived thought that pass'd between And disappeared.
William Wordsworth (The Ruined Cottage)
In their best moments they understood that they would become guilty of self-righteousness because their cause was just; they would become guilty of smugness as their cause moved successfully forward; they would become vicious and tribal as group confronted group; they would become more dogmatic and simplistic as they used propaganda to mobilize their followers; they would become more vain as their audiences enlarged;
David Brooks (The Road to Character)
Dead Seas and Babbling Brooks Not all of us are out of touch with our emotions, but when it comes to talking, all of us are affected by our personality. I have observed two basic personality types. The first I call the “Dead Sea.” In the little nation of Israel, the Sea of Galilee flows south by way of the Jordan River into the Dead Sea. The Dead Sea goes nowhere. It receives but it does not give. This personality type receives many experiences, emotions, and thoughts throughout the day. They have a large reservoir where they store that information, and they are perfectly happy not to talk. If you say to a Dead Sea personality, “What’s wrong? Why aren’t you talking tonight?” he will probably answer, “Nothing’s wrong. What makes you think something’s wrong?” And that response is perfectly honest. He is content not to talk. He could drive from Chicago to Detroit and never say a word and be perfectly happy. On the other extreme is the “Babbling Brook.” For this personality, whatever enters into the eye gate or the ear gate comes out the mouth gate and there are seldom sixty seconds between the two. Whatever they see, whatever they hear, they tell. In fact, if no one is at home to talk to, they will call someone else. “Do you know what I saw? Do you know what I heard?” If they can’t get someone on the telephone, they may talk to themselves because they have no reservoir. Many times a Dead Sea marries a Babbling Brook. That happens because when they are dating, it is a very attractive match. If you are a Dead Sea and you date a Babbling Brook, you will have a wonderful evening. You don’t have to think, “How will I get the conversation started tonight? How will I keep the conversation flowing?” In fact, you don’t have to think at all. All you have to do is nod your head and say, “Uh-huh,” and she will fill up the whole evening and you will go home saying, “What a wonderful person.” On the other hand, if you are a Babbling Brook and you date a Dead Sea, you will have an equally wonderful evening because Dead Seas are the world’s best listeners. You will babble for three hours. He will listen intently to you, and you will go home saying, “What a wonderful person.” You attract each other. But five years after marriage, the Babbling Brook wakes up one morning and says, “We’ve been married five years, and I don’t know him.” The Dead Sea is saying, “I know her too well. I wish she would stop the flow and give me a break.” The good news is that Dead Seas can learn to talk and Babbling Brooks can learn to listen. We are influenced by our personality but not controlled by it. One way to learn new patterns is to establish a daily sharing time in which each of you will talk about three things that happened to you that day and how you feel about them. I call that the “Minimum Daily Requirement” for a healthy marriage. If you will start with the daily minimum, in a few weeks or months you may find quality conversation flowing more freely between you.
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
We are pouring huge amounts of energy into the biological effort to understand where life came from, how it arose on planet Earth, because it matters to us; it is, perhaps our deepest question. Really, it boils down to this: Are we special? The best summation has been attributed to the science fiction writer Arthur C. Clarke: "Sometimes I think we're alone in the universe, and sometimes I think we're not," he said. "In either case the idea is quite staggering." Clarke is right. If we are alone, that's extraordinary. If we are not , that's even better. Were we to discover that we are one of many life-forms on a planet that is one of many inhabited worlds, we would have a new perspective on being human - on being alive, even. And if we discover that some of that life beyond Earth is intelligent, a whole new vista of possible human experience opens up before us.
Michael Brooks (13 Things That Don't Make Sense: The Most Baffling Scientific Mysteries of Our Time)
Brook, you don't sound like yourself." My reply came out of my mouth before I could choose it. "I am not the person I was three weeks ago and I will never be that person again." Surprised by my own response, I relayed it to my therapist who was helping me work through issues surrounding my brother's death. "Of course you're not," she said. "And one of the best things you can do for yourself is to know that you are a different person now.
Brook Noel
It is well-known that a big percentage of all marriages in the United States end in divorce or separation (about 39 percent, according to the latest data).[30] But staying together is not what really counts. Analysis of the Harvard Study data shows that marriage per se accounts for only 2 percent of subjective well-being later in life.[31] The important thing for health and well-being is relationship satisfaction. Popular culture would have you believe the secret to this satisfaction is romantic passion, but that is wrong. On the contrary, a lot of unhappiness can attend the early stages of romance. For example, researchers find that it is often accompanied by rumination, jealousy, and “surveillance behaviors”—not what we typically associate with happiness. Furthermore, “destiny beliefs” about soul mates or love being meant to be can predict low forgiveness when paired with attachment anxiety.[32] Romance often hijacks our brains in a way that can cause the highs of elation or the depths of despair.[33] You might accurately say that falling in love is the start-up cost for happiness—an exhilarating but stressful stage we have to endure to get to the relationships that actually fulfill us. The secret to happiness isn’t falling in love; it’s staying in love, which depends on what psychologists call “companionate love”—love based less on passionate highs and lows and more on stable affection, mutual understanding, and commitment.[34] You might think “companionate love” sounds a little, well, disappointing. I certainly did the first time I heard it, on the heels of great efforts to win my future wife’s love. But over the past thirty years, it turns out that we don’t just love each other; we like each other, too. Once and always my romantic love, she is also my best friend.
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
How did you get through it?” I asked her. I was hoping she was going to recommend a book, a pill, some quick fix to make this feeling of inadequacy go away. Instead, she looked at me kindly, quite earnestly, and said, “You know, I think after years and years, I learned to stop giving a fuck. If people I knew, friends or relatives or strangers or whoever, had an opinion about what kind of mother I was or wasn’t, if they thought I was making mistakes, or doing things the wrong way, being too this or too that, being selfish by not giving all of myself to my kids, I eventually decided, fuck ’em. I’m doing the best I can in a culture that offers parents little material or emotional support. If people have a problem with the way I’m doing it, fuck every last one of them. And it’s funny—that anger—that was what got me to a place where I could finally stop caring and enjoy the little monsters. That’s when I started feeling better.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where … but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration. In a New York Times column on the topic, David Brooks summarizes this reality more bluntly: “[Great creative minds] think like artists but work like accountants.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Or take historians, the quintessential assemblers of existing facts and ideas. Weirdly, they fall way out of the typical range for decline, peaking 39.7 years after career inception, on average. Think what this implies: Say you intend to pursue a career as a professional historian and finish your PhD at thirty-two. The bad news is that in your fifties, you are still pretty wet behind the ears. But here’s the good news: at age seventy-two, you still have half your work to go! Better take care of your health so you can write your best books into your eighties.
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
I pushed the thought away. Doubt was like rot. Excise it at the first speckling, the first stain, the first faint stench of decay. But then—I suppose because my mind was on the wine—I thought of that other kind of rot, the soft gray fungus that sometimes afflicts the late grape harvest if the air turns unexpectedly moist. That rot causes the grapes to yield up a heavy, viscous juice of stupendously rich flavor. The wine pressed from such grapes was the best of all. Maybe doubt was like that sometimes. Maybe it, too, could yield rich fruit. Perhaps, then, it was right to doubt. Perhaps I had a right to doubt.
Geraldine Brooks (The Secret Chord)
The knight stood on the mountaintop breathing deeply, and an overwhelming sense of well-being swept through him. He grew dizzy from the enchantment of seeing, hearing, and feeling the universe all around him. Before, fear of the unknown had dulled his senses, but now he was able to experience everything with breathtaking clarity. The warmth of the afternoon sun, the melody of the gentle mountain breeze, and the beauty of nature's shapes and colors that painted the landscape as far as his eyes could see filled the knight with indescribable pleasure. His heart brimmed with love—for himself, for [his friends], for life, and for the entire wondrous world. (...) The knight cried out with joy. No more would he don his armor and ride off in all directions. No more would people see the shining reflection of steel and think that the sun was rising in the north or setting in the east. He smiled through his tears, unaware that a radiant, new light now shone from him—a light far brighter and more beautiful than his armor at its polished best—sparkling like a brook, shining like the moon, dazzling like the sun. For, indeed, the knight was the brook. He was the moon. He was the sun. He could be all these things at once now, and more, because he was one with the universe. He was love.
Robert Fisher
Individualism thrives in the prosaic world, the world of career choices and worldly accomplishment. The second-mountain ethos says, No, this is an enchanted world, a moral and emotional drama. Individualism accepts and assumes self-interest. The second-mountain ethos says that a worldview that focuses on self-interest doesn’t account for the full amplitude of the human person. We are capable of great acts of love that self-interest cannot fathom, and murderous acts of cruelty that self-interest cannot explain. Individualism says, The main activities of life are buying and selling. But you say, No, the main activity of life is giving. Human beings at their best are givers of gifts.
David Brooks (The Second Mountain: The Quest for a Moral Life)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
she enjoyed her continued glimpses into the inner workings of world affairs. She often would sit back in the middle of some long meeting and wonder how it was that these men and women had risen to the top of the global elite. They weren't marked by exceptional genius. The did not have extraordinarily deep knowledge or creative opinions. If there was one trait the best of them possessed, it was a talent for simplification. They had the ability to take a complex situation and capture the heart of the matter in simple terms. A second after they located the core fact of any problem, their observation seemed blindingly obvious, but somehow nobody had simplified the issue in quite those terms beforehand. They took reality and made it manageable for busy people. p338
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
Sand burns outside their windows in every direction. Compass needles spin in their twinned minds: everywhere they look, they are greeted by horizon, deep gulps of blue. People think of the green pastoral when they think of lovers in nature. Those English poets used the vales and streams to douse their lusts into verse. But the desert offers something that no forest brook or valley ever can: distance. A cloudless rooming house for couples. Skies that will host any visitors’ dreams with the bald hospitality of pure space. In terms of an ecology that can support two lovers in hot pursuit of each other, this is the place; everywhere you look, you’ll find monuments to fevered longing. Craters beg for rain all year long. Moths haunt the succulents, winging sticky pollen from flower to flower.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
the best data consistently show that more than eight in ten Americans like or love their jobs. And incredibly, that result holds steady across the income distribution. This notion that “knowledge work” is fulfilling, but everyone who works in a garage or a restaurant loathes his or her life, is an incredible act of condescension masquerading as concern. The truth is much more egalitarian. Again, economic mobility is crucial, and stagnant wages are a huge problem for American families. But this doesn’t change the deep truth that work, not money, is the fundamental source of our dignity. Work is where we build character. Work is where we create value with our lives and lift up our own souls. Work, properly understood, is the sacred practice of offering up our talents for the service of others.
Arthur C. Brooks (The Conservative Heart: How to Build a Fairer, Happier, and More Prosperous America)
In every classic comedy duo, from Laurel and Hardy to Abbott and Costello to Martin and Lewis, in order for the exchange to work, the quality of the straight man had to be as dynamic as that of the funny guy. Carl was the best at this. I could use a single question as a springboard to unplanned exposition and tangents that would be as much of a surprise to Carl as they were to the audience. Carl was a gifted partner: While he deferred the punch lines to me, he knew me well enough to follow along and cross paths enough to set me up for more opportunities. He also knew he could throw me a complete curveball and I’d swing for the fences. We were a great ad-libbed high-wire act, and like the best high-wire acts, ours was dependent upon complete trust and respect for each other. Carl once said, “A brilliant mind in panic is a wonderful thing to behold.
Mel Brooks (All about Me!: My Remarkable Life in Show Business)
Silverstein, one of those leading the charge toward more far-ranging flights than Mercury, had been looking for a suitable name for a payload for the Saturn rockets. None suggested by his associates seemed appropriate. One day, while consulting a book on mythology, Silverstein found what he wanted. He later said, “I thought the image of the god Apollo riding his chariot across the sun gave the best representation of the grand scale of the proposed program.” Occasionally he asked his Headquarters colleagues for their opinions. When no one objected, the chariot driver Apollo (according to ancient Greek myths, the god of music, prophecy, medicine, light, and progress became the name of the proposed circumlunar spaceships. At the opening of the conference on 28 July 1960, Dryden announced that “the next spacecraft beyond Mercury will be called Apollo.
Courtney G. Brooks (Chariots for Apollo: The NASA History of Manned Lunar Spacecraft to 1969 (Dover Books on Astronomy))
Fake it till you become it. Before DWTS, I was not a choreographer; I was not a teacher. I was neither of those things and had never attempted them before. So the best I could do was fake it. I had to play the part of the pro for the cameras. I couldn’t walk into the studio and confide in Jennie or Shawn or any of my partners, “Gee, I’m sorry. I have no idea what I’m doing.” I had to take the lead and be strong. When I was dancing with Brooke Burke, they asked us to do the Lindy Hop. I had never done it before in my life. I went on YouTube and watched videos of how to do it. Then I printed out a floor plan of the steps and learned it right along with Brooke. Did I ever let her in on the fact that I was a novice here as well? No. I just projected confidence and assurance, and she picked up on that vibe and went along with it. We did a damn fine Lindy.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
This isn’t something I had planned to talk about so soon,” her grandmother said as they entered the gardens. “I wanted to wait awhile longer to give you a chance to demonstrate that you were ready, that you had listened to what I told you about growing up and making mature decisions. I wanted you to season a little more. But we don’t always get what we want in this life. In fact, we don’t get what we want most of the time. We get compromises and settlements, half measures and tamped-down dreams. We get half a loaf baked, half a glass filled. That’s what we have here.” Phryne nodded, having no idea what she was talking about. “That might be so, but we don’t have to like it.” “We shouldn’t have to accept it, either. Mostly, we don’t. We understand the odds are against us, but we still strive for something more. We make our best effort each time out because now and then we get exactly what we want.
Terry Brooks (Bearers of the Black Staff (Legends of Shannara, #1))
When did all this happen?” Vaughn asked. “We met for drinks last Friday to discuss a criminal matter related to Sterling. Things progressed from there.” “Is that right?” Vaughn looked at him slyly. “Just how far did they progress?” “Still not comfortable talking about Brooke this way,” Huxley interjected. Cade held back a smile, grateful for the excuse to change the subject. For whatever reason, he didn’t feel like engaging in locker room talk about Brooke. “Huxley’s right. Try to keep it classy, Vaughn.” Vaughn studied him for a moment. Seven years they’d been best friends, and they knew each other well. “You like her.” Cade took a nonchalant sip of his beer. “Just watch the game.” “Evading the question,” Huxley said under his breath to Vaughn. “I think we got our answer, Agent Roberts.” “We sure did, Agent Huxley,” Vaughn said. Cade shook his head. He really needed to get some non-FBI friends.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Ralph Waldo Emerson would later observe that “Souls are not saved in bundles.”16 Johnson fervently believed in each individual’s mysterious complexity and inherent dignity. He was, through it all, a moralist, in the best sense of that term. He believed that most problems are moral problems. “The happiness of society depends on virtue,” he would write. For him, like other humanists of that age, the essential human act is the act of making strenuous moral decisions. He, like other humanists, believed that literature could be a serious force for moral improvement. Literature gives not only new information but new experiences. It can broaden the range of awareness and be an occasion for evaluation. Literature can also instruct through pleasure. Today many writers see literature and art only in aesthetic terms, but Johnson saw them as moral enterprises. He hoped to be counted among those writers who give “ardor to virtue and confidence to truth.” He added, “It is always a writer’s duty to make the world better.” As Fussell puts it, “Johnson, then, conceives of writing as something very like a Christian sacrament, defined in the Anglican catechism as ‘an outward and visible sign of an inward and spiritual grace given to us.’ ” Johnson lived in a world of hack writers, but Johnson did not allow himself to write badly—even though he wrote quickly and for money. Instead, he pursued the ideal of absolute literary honesty. “The first step to greatness is to be honest” was one of Johnson’s maxims. He had a low but sympathetic view of human nature. It was said in Greek times that Demosthenes was not a great orator despite his stammer; he was a great orator because he stammered. The deficiency became an incentive to perfect the associated skill. The hero becomes strongest at his weakest point. Johnson was a great moralist because of his deficiencies. He came to understand that he would never defeat them. He came to understand that his story would not be the sort of virtue-conquers-vice story people like to tell. It would be, at best, a virtue-learns-to-live-with-vice story. He wrote that he did not seek cures for his failings, but palliatives. This awareness of permanent struggle made him sympathetic to others’ failings. He was a moralist, but a tenderhearted one.
David Brooks (The Road to Character)
David Brooks, “Our Founding Yuppie,” Weekly Standard, Oct. 23, 2000, 31. The word “meritocracy” is an argument-starter, and I have employed it sparingly in this book. It is often used loosely to denote a vision of social mobility based on merit and diligence, like Franklin’s. The word was coined by British social thinker Michael Young (later to become, somewhat ironically, Lord Young of Darlington) in his 1958 book The Rise of the Meritocracy (New York: Viking Press) as a dismissive term to satirize a society that misguidedly created a new elite class based on the “narrow band of values” of IQ and educational credentials. The Harvard philosopher John Rawls, in A Theory of Justice (Cambridge: Harvard University Press, 1971), 106, used it more broadly to mean a “social order [that] follows the principle of careers open to talents.” The best description of the idea is in Nicholas Lemann’s The Big Test: The Secret History of the American Meritocracy (New York: Farrar, Straus & Giroux, 1999), a history of educational aptitude tests and their effect on American society. In Franklin’s time, Enlightenment thinkers (such as Jefferson in his proposals for creating the University of Virginia) advocated replacing the hereditary aristocracy with a “natural aristocracy,” whose members would be plucked from the masses at an early age based on “virtues and talents” and groomed for leadership. Franklin’s idea was more expansive. He believed in encouraging and providing opportunities for all people to succeed as best they could based on their diligence, hard work, virtue, and talent. As we shall see, his proposals for what became the University of Pennsylvania (in contrast to Jefferson’s for the University of Virginia) were aimed not at filtering a new elite but at encouraging and enriching all “aspiring” young men. Franklin was propounding a more egalitarian and democratic approach than Jefferson by proposing a system that would, as Rawls (p. 107) would later prescribe, assure that “resources for education are not to be allotted solely or necessarily mainly according to their return as estimated in productive trained abilities, but also according to their worth in enriching the personal and social life of citizens.” (Translation: He cared not simply about making society as a whole more productive, but also about making each individual more enriched.)
Walter Isaacson (Benjamin Franklin: An American Life)
It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am. “No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly— “this thing I’m supposed to go to with Angelica Marston.” My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...] A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...] Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t. Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.
Lauren Oliver (Delirium (Delirium, #1))
As a country, as a people, have we changed? On the surface we might appear to have done so, but underneath I think we are still the same. Our change is measurable, but not significant. We remain bent on destroying ourselves. We still kill each other with alarming frequency and for foolish reasons, and we begin the killing at a younger age. We have much to celebrate, but we live in fear and doubt. We are pessimistic about our own lives and the lives of our children. We trust almost no one. “It is the same everywhere. We are a people under siege, walled away from each other and the world, trying to find a safe path through the debris of hate and rage that collects around us. We drive our cars as if they were weapons. We use our children and our friends as if their love and trust were expendable and meaningless. We think of ourselves first and others second. We lie and cheat and steal in little ways, thinking it unimportant, justifying it by telling ourselves that others do it, so it doesn’t matter if we do it, too. We have no patience with the mistakes of others. We have no empathy for their despair. We have no compassion for their misery. Those who roam the streets are not our concern; they are examples of failure and an embarrassment to us. It is best to ignore them. If they are homeless, it is their own fault. They give us nothing but trouble. If they die, at least they will provide us with more space to breathe.” His smile was bitter. “Our war continues, the war we fight with one another, the war we wage against ourselves. It has its champions, good and bad, and sometimes one or the other has the stronger hand. Our place in this war is often defined for us. It is defined for many because they are powerless to choose. They are homeless or destitute. They are a minority of sex or race or religion. They are poor or disenfranchised. They are abused or disabled, physically or mentally, and they have forgotten or never learned how to stand up for themselves.
Terry Brooks (A Knight of the Word (Word & Void, #2))
These are the general propositions that form this Humility Code: 1. We don’t live for happiness, we live for holiness. Day to day we seek out pleasure, but deep down, human beings are endowed with moral imagination. All human beings seek to lead lives not just of pleasure, but of purpose, righteousness, and virtue. As John Stuart Mill put it, people have a responsibility to become more moral over time. The best life is oriented around the increasing excellence of the soul and is nourished by moral joy, the quiet sense of gratitude and tranquillity that comes as a byproduct of successful moral struggle. The meaningful life is the same eternal thing, the combination of some set of ideals and some man or woman’s struggle for those ideals. Life is essentially a moral drama, not a hedonistic one. 2. Proposition one defines the goal of life. The long road to character begins with an accurate understanding of our nature, and the core of that understanding is that we are flawed creatures. We have an innate tendency toward selfishness and overconfidence. We have a tendency to see ourselves as the center of the universe, as if everything revolves around us. We resolve to do one thing but end up doing the opposite. We know what is deep and important in life, but we still pursue the things that are shallow and vain. Furthermore, we overestimate our own strength and rationalize our own failures. We know less than we think we do. We give in to short-term desires even when we know we shouldn’t. We imagine that spiritual and moral needs can be solved through status and material things. 3. Although we are flawed creatures, we are also splendidly endowed. We are divided within ourselves, both fearfully and wonderfully made. We do sin, but we also have the capacity to recognize sin, to feel ashamed of sin, and to overcome sin. We are both weak and strong, bound and free, blind and far-seeing. We thus have the capacity to struggle with ourselves. There is something heroic about a person in struggle with herself, strained on the rack of conscience, suffering torments, yet staying alive and growing stronger, sacrificing a worldly success for the sake of an inner victory.
David Brooks (The Road to Character)
Apparently someone spotted it inside the game area near the table hockey - is that a goldfish? Mark held up his plastic bag. Inside it, a small orange fish swam around in a circle. "This is the best patrol we've ever done," he said. "I've never been awarded a fish before." Emma sighed inwardly. Mark had spent the past few years of his life with the Wild Hunt, the most anarchic and feral of all faeries. They rose across the sky on all manner of enchanted beings - motorcycles, horses, deer, massive snarling dogs - and scavenged battlefields, taking valuables from the bodies of the dead and giving them in tribute to the Faerie Courts. He was adjusting well to being back among his Shadowhunter family, but there were still times when ordinary life seemed to take him by surprise. HE noticed now that everyone was looking at him with raised eyebrows. He looked alarmed and placed a tentative arm around Emma's shoulders, holding the bag in the other hand. "I have won for you a fish, my fair one," he said, and kissed her on the cheek. It was a sweet kiss, gentle and soft, and Mark smelled like he always did: like cold outside air and green growing things. And it made absolute sense, Emma thought, for Mark to assume that everyone was startled because they were waiting for him to give her his prize. She was, after all, his girlfriend. She exchanged a worried glance with Cristina, whose dark eyes had gotten very large. Julian looked as if he were about to throw up blood. It was only a brief look before he schooled his features back into indifference, but Emma drew away from Mark, smiling at him apologetically. "I couldn't keep a fish alive," she said. "I kill plants just by looking at them." "I suspect I would have the same problem," Mark said, eyeing the fish. "It is too bad - I was going to name it Magnus, because it has sparkly scales." At that, Christina giggled. Magnus Bane was the High Warlock of Brookly, and he had a penchant for glitter. "I suppose I had better let him go free," Mark said. Before anyone could say anything, he made his way to the railing of the pier and emptied the bag, fish and all, into the sea. "Does anyone want to tell him that goldfish are freshwater fish and can't survive in the ocean?" said Julian quietly. "Not really," said Christina. "Did he just kill Magnus?" Emma asked, but before Julian could answer, Mark whirled around.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
What about you? I know you’re not married. Are you seeing anyone or anything?” An image of Brooke sleeping in his bed popped into Cade’s head. Then a second image came to mind, of her giving him the “text me” speech at his front door. “Nothing serious.” “Really? ’Cuz you paused there.” If one more person commented on these damn alleged pauses . . . “Just eat your lunch,” Cade said. With a grin, Zach threw Cade’s words back at him. “If you’re having trouble talking to some girl, maybe you need to find another way to tell her how you feel.” “I know how to talk to her just fine.” “Maybe you’re not saying the right things, then.” “Can we change the subject?” Cade ran his hand through his hair. “You’re sixteen years old. Trust me, relationships get a lot more complicated when you’re an adult.” “Is this a friends-with-benefits situation?” “Aren’t you a little young to know about friends-with-benefits situations?” “I didn’t say I was partaking in them myself,” Zach said. “But shockingly, yes, I have heard of scenarios in which adults engage in intercourse without riding off into the sunset together.” Cade tried to decide how best to sum up the situation with Brooke. “There is a woman. We are friendly. There have been benefits.” “Do you like her?” Cade gestured with his burger. “Of course I like her. She’s, like, the smartest, wittiest, woman I’ve ever met. And hot, too.” “Yeah, I can see why you’d be confused about that,” Zach said. “Smart, witty, and hot. Sounds like a real complicated situation to me.” Okay, fine. To youthful, unjaded ears, it probably did sound odd. Cade tried a different way to explain. “She and I are on the same page. We’re just keeping it casual.” “Hey, you’re an intelligent guy, you obviously know what you’re doing,” Zach said. “But casual or not, if this girl’s that great you probably need to follow your own advice.” “What advice is that?” “Up your game.” That said, Zach took a big bite of his cheeseburger. Cade thought about that. Up his game? Pfft. If he had been thinking he might want to try to change Brooke’s mind about their just-having-fun situation—which obviously he did not, since no man of sound mind and body ever messed with a just-having-fun situation—maybe then he’d worry about upping his game. He scoffed. “You’re a teenager. What do you know?” “I’m wise beyond my years,” Zach said, his mouth full of burger
Julie James (Love Irresistibly (FBI/US Attorney, #4))
On another project the best engineering manager I ever saw served often as a giant flywheel, his inertia damping the fluctuations that came from market and management people.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
The best part about growing up is that you get to write your own story.
Brooke Lea Foster (Summer Darlings)
The small cardboard sign said Spider ?-2011 in her best writing. Millie ran her fingers over the line in between the question mark and Spider's death-year. Back and forth, back and forth. It was strange, she thought, that this line - this long, straight line - was all there was to show of his whole life.
Brooke Davis (Lost & Found)
Your presence of mind becomes your thermostat of thought.
Roger Brooks (Build The Best You: A Practical 'Self Help' Guide To Transform Yourself In 44 Days)
According to Darwin’s Origin of Species, it is not the most intellectual of the species that survives; it is not the strongest that survives; but the species that survives is the one that is best able to adapt and adjust to the changing environment in which it finds itself. —LEON C. MEGGINSON, professor of management and marketing at Louisiana State University, 1963
Max Brooks (Devolution)
The state of Vermont is a favorite target of the latte libel. In his best-selling Bobos in Paradise, David Brooks ridicules the city of Burlington in that state as the prototypical “latte town,” a city where “Beverly Hills income levels” meet a Scandinavian-style social consciousness.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
Everything is impermanent—your body’s going to get old; your best friend is going to graduate and move to another city; that tree you used to climb in front of Stacey Brooks’s house is going to crash down in a storm. Your parents are going to die. Everything changes; it rises, and it falls. Nothing and no one is immune to the entropy of the universe.
Mark Manson (Will)
She and the star The feeling was fair, It felt like a perfect pair, There appeared to be no room for any despair, As my imagination got caught in her beautiful eyes and her locks of hair, Well, the sun had finally risen, My heart too had eventually chosen, Her, and her beautiful eyes where I wished to awaken, Every morning and every day, because in them I did not feel forsaken, So I waited at the crossing of life where I had met her sometime ago, Where I just felt an existence without an ego, Yes, it was many years and many months ago, I am there at the same crossing now, wondering where to go, For it is uncertain which way she took, Whether she went towards the mountain tall or there where flows the brook, Or there, where the summer breezer a few leaves had tenderly shook, Or maybe there, from where she had left while offering me that strange parting look, But then I realise few things shine like stars, For those who believe in love without bars, And those who deal with emotional battles and feeling induced wars, To realise that in order to shine one must burn, and that is the fate of all stars, So I seek her in the sky instead, assuming she is the star I can see, From anywhere, from everywhere, or wherever I might be, And this has made me fall in love with the night, where it creates a world just for me, The starry world, where finally, in the stars those eyes and that smile I can see, And during the day I lie asleep because the sky means nothing, It just has the burning sun, the bright light and perhaps everything, But it is not the sky, that shines with that fairest thing, Those beautiful eyes, that subtle smile, and her shimmer that is so charming, And here I am witnessing another night, Looking at the star that is in the sight, Seeking from it a pseudo delight, Because what burns may not always create the beauty’s eternal light, But that is not the star’s fault nor the skies folly, For the munificent star burns for me willingly, So that I think of her lovingly, And that I accept silently, that my heart too loved what I loved with my mind finally!
Javid Ahmad Tak (They Loved in 2075!)
She and the star The feeling was fair, It felt like a perfect pair, There appeared to be no room for any despair, As my imagination got caught in her beautiful eyes and her long hair, Well, the sun had finally risen, My heart too had eventually chosen, Her, and her beautiful eyes where I wished to awaken, Every morning and every day, because in them I did not feel forsaken, So I waited at the crossing of life where I had met her sometime ago, Where I just felt an existence without an ego, Yes, it was many years and many months ago, I am there at the same crossing now, wondering where to go, For it is uncertain which way she took, Whether she went towards the mountain tall or there where flows the brook, Or there, where the summer breeze, a few leaves had tenderly shook, Or maybe there, from where she had left while offering me that strange parting look, But then it is true too, few things shine like stars, For those who believe in love without bars, And those who deal with emotional battles and feeling induced wars, Realise that in order to shine one must burn, and that is the fate of all stars, So I seek her in the sky instead, assuming she is the star I can see, From anywhere, from everywhere, or wherever I might be, And this has made me fall in love with the night, where it creates a world just for me, The starry world, where finally, in the stars those eyes and that smile, I can see, And during the day I lie asleep because the sky means nothing, It just has the burning sun, the bright light and perhaps everything, But it is not the sky that shines with that fairest thing, Those beautiful eyes, that subtle smile, and her shimmer that is so charming, And here I am witnessing another night, Looking at the star that is in the sight, Seeking from it a pseudo delight, Because what burns may not always create the beauty’s eternal light, But that is not the star’s fault nor the skies folly, For the munificent star burns for me willingly, So that I think of her lovingly, And that I accept silently, that my heart too loved what I loved with my mind finally!
Javid Ahmad Tak (They Loved in 2075!)
So to some extent I continue to allow life to take me where it wants and to reveal what it chooses, continuing to believe that letting things work themselves out is, for now, the best way.
Terry Brooks (Child of Light (Viridian Deep #1))
Each person is a mystery. And when you are surrounded by mysteries, as the saying goes, it’s best to live life in the form of a question.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
At the end of the session, most of them are elated. They tell him that no one has ever asked them about their life story before. Some of them want to give the research fee back. “I don’t want to take money for this,” they say. “This has been the best afternoon I’ve had in a long time.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
It’s only when the editor has named it for me that I fully face the fact that I need to make some changes. Critiquing with care works best when someone names something we ourselves almost but did not quite know. Critiquing with care works best when that naming happens within a context of unconditional regard, that just and loving attention that conveys unshakable respect for another person’s struggles.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
El hambre es la mejor salsa.” Hunger is the best sauce!
Max Brooks (Devolution: A Firsthand Account of the Rainier Sasquatch Massacre)
By the by, Johnny and Izzy’s son grew up best friends with Addie and Toby’s boy. Like brothers. And Addie and Toby’s daughter grew up best friends with Johnny and Izzy’s girl. Just like sisters. Brooks happily took the role as big brother to all. But Brooks? He grew up and married a beautiful girl named Margot.
Kristen Ashley (The Slow Burn (Moonlight and Motor Oil, #2))
You can live your life worrying about what you don’t know, or you can accept your limitations and make the best of it.
Terry Brooks (The Voyage of the Jerle Shannara Trilogy (Voyage of the Jerle Shannara, #1-3))
And what was behind the harmony of the apples, of the pink lady’s slippers I found on my farther-ranging walks, or of the yellow mayflies and the trout that sipped them in nearby Great Brook? It seemed to me the result of the inevitable unfolding of laws laid down by the universe and embedded in the elements at hand: air and water, sunshine and earth. It was not by chance that the trees and leaves assumed their unique colors and shapes, or that small streams flowed into bigger streams, or that the fireflies lit their little lanterns of phosphorescence among the grasses at night. All of this was the consequence of what the universe had commanded. It was chemistry, biology, physics and some inexpressible something else mixed together into one thing, and that thing was inevitability. We respond to the grasses, the trees and the brooks because we sense a deeper truth in them. A brook cannot be false or a tree deceptive, and because we as a species grew up with them, and among them, we are essentially part of them and they of us. By what other means can we be said to be made? What is evolution but the interaction of our potential with the reality of nature? The apples, the leaves, the mayflies, the trout – they express the harmony of nature, as well as the miracle of nature. We are included in this miracle, and the surprise would be that a separation from nature would result in anything *but* alienation from our deepest and earliest selves, that a reconnection would be anything but a sense of coming home. All of us, it seems to me, seek to recapture the sensations and selves of our childhoods, and nature offers the best way back, to the freshest parts of our true and original essence.
Lou Ureneck (Cabin: Two Brothers, a Dream, and Five Acres in Maine)
the best way to honor Chairman Mao’s memory was to see his face on as many hundred yuan notes as possible.
Max Brooks (World War Z: An Oral History of the Zombie War)
Each person is a mystery. And when you are surrounded by mysteries, as the saying goes, it’s best to live life in the form of a question.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Even when we can’t agree on Dad’s medical care, I’ve never doubted your good intentions. I know we both want the best for him.” If you can both return to the gem statement during a conflict, you can keep the relationship between you strong.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Life does not give you a pass from upheavals even in the best of times. Life gives you living—which is messy and uncertain, constantly shifting your place in the world and your expectations of what waits just around the next corner.
Terry Brooks (Child of Light (Viridian Deep #1))
You have all of it. Every single thing. You want me? You have me. You want my family? They adore you. You want to be part of this ranch? You’re the best thing about it. You want my last name? It’s yours. I didn’t want to come back here, but now I can’t imagine leaving. So, before those doubts consume you, let me fill your mind with something else. I love you. I fucking love you, Brooke. Nothing—absolutely nothing—will change the fact that you belong here.
Maggie C. Gates (Downpour (The Griffith Brothers, #2))
You were the best days of my life. And my fondest memories are the ones I have of you and me.
Hannah Gray (Love, Ally (Brooks University, #1))
Day did what sensitive people do when other people are in trauma. We are all called at certain moments to comfort people who are enduring some trauma. Many of us don’t know how to react in such situations, but others do. In the first place, they just show up. They provide a ministry of presence. Next, they don’t compare. The sensitive person understands that each person’s ordeal is unique and should not be compared to anyone else’s. Next, they do the practical things—making lunch, dusting the room, washing the towels. Finally, they don’t try to minimize what is going on. They don’t attempt to reassure with false, saccharine sentiments. They don’t say that the pain is all for the best. They don’t search for silver linings. They do what wise souls do in the presence of tragedy and trauma. They practice a passive activism. They don’t bustle about trying to solve something that cannot be solved. The sensitive person grants the sufferer the dignity of her own process. She lets the sufferer define the meaning of what is going on. She just sits simply through the nights of pain and darkness, being practical, human, simple, and direct.
David Brooks (The Road to Character)
The birthdays that you made special, the times you held me when I needed to feel close to someone, and the storms we chased together, basking in them just to escape our shitty world for a while—those times were the best days of my life.
Hannah Gray (Love, Ally (Brooks University, #1))
In every classic comedy duo, from Laurel and Hardy to Abbott and Costello to Martin and Lewis, in order for the exchange to work, the quality of the straight man had to be as dynamic as that of the funny guy. Carl was the best at this. I
Mel Brooks (All about Me!: My Remarkable Life in Show Business)
Nowhere in Matthew's league, their writing was execrable even if the sentiments were heartfelt. They were students at Middle Temple, and until she discovered they were all from wealthy families, Rosamund oft wonder how they would ever pass their studies if they continued to haunt the Phoenix instead of attending classes. "They've decided you're the only object worth studying, señora," said Filip one day. "They would be experts in all things Rosamund." "Better they spend time on other projects," she muttered, stealing a glance in their direction. "Something laudable upon which to bestow their inheritances." "They're noblemen's sons," Filip replied. "They've no need of those things ordinary people require to elevate or enlighten them. You're the sun around which they orbit." "Then they'd best beware lest they get burned.
Karen Brooks (The Chocolate Maker's Wife)
The best defense was your own, and you should never rely on chance or other people.
Terry Brooks (The Measure of the Magic (Legends of Shannara, #2))
remarks about Eisenhower are pretty drastic! My opinion, however, never changed much as regards his tactical ability or his powers of command. In these early days he literally knew nothing of the requirements of a commander in action…. Where he shone was in his ability to handle allied forces, to treat them all with strict impartiality, and to get the very best out of an inter-allied force…. As Supreme Commander, what he may have lacked in military ability he greatly made up for by the charm of his personality.
Alan Brooke (Alanbrooke War Diaries 1939-1945: Field Marshal Lord Alanbrooke)
When I’m writing, I sometimes unconsciously know that a part of what I’m writing is not working. I have these vague vibrations that something is wrong, kind of like the vibrations you feel when you leave the house and you subtly sense you’ve left something important behind but you don’t know what. I often suppress these vibrations because I’m lazy or I want to be finished with the work. Invariably a good editor will locate the exact spot I semiconsciously knew wasn’t working. It’s only when the editor has named it for me that I fully face the fact that I need to make some changes. Critiquing with care works best when someone names something we ourselves almost but did not quite know. Critiquing with care works best when that naming happens within a context of unconditional regard, that just and loving attention that conveys unshakable respect for another person’s struggles.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
will fall short of a lot of the time. But if we try our best to illuminate people with a glowing gaze that is tender, generous, and receptive, we’ll at least be on the right track. We will see beyond the
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Team player is not usually the best description for me.” “Maybe because no one ever tried to be on your team,
Liana Brooks (All I Want For Christmas Is A Gargoyle)
If you are only Adam I, you turn into a shrewd animal, a crafty, self-preserving creature who is adept at playing the game and who turns everything into a game. If that’s all you have, you spend a lot of time cultivating professional skills, but you don’t have a clear idea of the sources of meaning in life, so you don’t know where you should devote your skills, which career path will be highest and best.
David Brooks (The Road to Character)
Psychologist Howard Rachlin of the State University of New York at Stony Brook has shown that one of the best first steps toward quitting tobacco is to try smoking the same number of cigarettes each day—and that offers a hint for us. Fewer opportunities for greed, plus less variability in the amount of satisfaction you can look forward to, will equal more self-control.
Jason Zweig (Your Money and Your Brain)
So, all I really want to say is: live your best life. Live it every single day. Don’t make bucket lists you won’t stick to. Don’t feel you need to jump out of a plane or bungee jump into a canyon. If living your best life is simply going for a walk with your dog every day – do that. If living your best life is drinking white wine that you haven’t bothered to chill. Do that. Hug your family. When you’re finished telling your family how much they annoy you, be sure to tell them how much you love them, too. And every morning when you wake up, take a big, deep breath and be grateful for the air in your lungs. Don’t just be alive. Live.
Brooke Harris (The Forever Gift: An utterly heartbreaking and emotional Irish novel)
Having him this close again—his scent in my nose, intoxicating my brain, and his hardness reminding me of all that I’ve missed—it would be so easy to just give it up to him right now and to fall back into our old ways. This man, he was my safe place, my best friend, and the one who helped me through my shit for such a long time. But I have secrets now, and I’m not the same girl I was when I left the Falls.
Hannah Gray (Love, Ally (Brooks University, #1))
Coming back to reality, I have the urge to go for a run. Even fresh from practice, I can’t stand to sit still. I know I won’t outrun the memory of her, but I can sure as hell try. The thing is, I’m not just running from her; I’m running from everything. I’m not ready to feel anything. My whole life, I’ve done my best to keep my mind so busy that it doesn’t have a second to feel anything from the past.
Hannah Gray (Love, Ally (Brooks University, #1))
Based on this finding, Cattell believed younger people are naturally the best innovators in raw, new ideas.
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
After death, it’s said that the human brain continues to be active for several minutes to replay its best memories before we fully die.
Brooke Montgomery (Fall With Me (Sugarland Creek, #3))
If you know someone who’s depressed, please resolve to never ask them why,” the actor Stephen Fry once wrote. “Be there for them when they come through the other side. It’s hard to be a friend to someone who’s depressed, but it is one of the kindest, noblest, and best things you will ever do.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
My soul feels like it just cracked open and sprung a new life of its own. I slowly shake my head because I can’t believe how many years I’ve let her run to another guy for fear I would lose my best friend.
Brooke Reign (Playing To Lose (Lucky Rivals #1))
The universe is not on my side when it comes to her. Maybe it’s for the best.
Brooke Reign (Playing To Lose (Lucky Rivals #1))
The standard account of the war highlights countries fighting for their survival against foreign states, and many were indeed facing just such existential threats, but many struggles were also internal. Collaboration is the issue that best exposes these struggles. The reality behind Japan’s invasion of China in 1937 was not China divided against Japan so much as China divided against itself.
Timothy Brook (Great State: China and the World)
Ellich Elessedil was the younger of the two brothers who had been in line for the throne many years ago and, to her mind, the one best suited to the task. But his older brother, her grandfather, was the one who had become ruler of the Elves on the death of their parents. Now her grandfather’s son, Phaedon, was the designated heir apparent and, as her grandfather continued to weaken from his chronic heart and lung problems, increasingly likely to be King soon. Aphenglow’s mother was Phaedon’s much younger sister, and her refusal to become involved in the business of the court allowed Aphenglow to remain comfortably clear of family and state politics.
Terry Brooks (Wards of Faerie (The Dark Legacy of Shannara, #1))
That even those very sins that Satan paints, and puts new names and colors upon, cost the best blood, the noblest blood, the life-blood, the heart-blood of the Lord Jesus. That Christ should come from the eternal bosom of his Father to a region of sorrow and death; that God should be manifested in the flesh, the Creator made a creature; that he who was clothed with glory should be wrapped with rags of flesh; he who filled heaven and earth with his glory should be cradled in a manger; that the almighty God should flee from weak man—the God of Israel into Egypt; that the God of the law should be subject to the law, the God of the circumcision circumcised, the God who made the heavens working at Joseph's homely trade; that he who binds the devils in chains should be tempted; that he, whose is the world, and the fullness thereof, should hunger and thirst; that the God of strength should be weary, the Judge of all flesh condemned, the God of life put to death; that he who is one with his Father should cry out of misery, "My God, my God, why have you forsaken me?" (Matt. 27:46); that he who had the keys of hell and death at his belt should lie imprisoned in the sepulcher of another, having in his lifetime nowhere to lay his head, nor after death to lay his body; that that HEAD, before which the angels do cast down their crowns, should be crowned with thorns, and those EYES, purer than the sun, put out by the darkness of death; those EARS, which hear nothing but hallelujahs of saints and angels, to hear the blasphemies of the multitude; that FACE, which was fairer than the sons of men, to be spit on by those beastly wretched Jews; that MOUTH and TONGUE, which spoke as never man spoke, accused for blasphemy; those HANDS, which freely swayed the scepter of heaven, nailed to the cross; those FEET, "like unto fine brass," nailed to the cross for man's sins; each sense pained with a spear and nails; his SMELL, with stinking odor, being crucified on Golgotha, the place of skulls; his TASTE, with vinegar and gall; his HEARING, with reproaches, and SIGHT of his mother and disciples bemoaning him; his SOUL, comfortless and forsaken; and all this for those very sins that Satan paints and puts fine colors upon! Oh! how should the consideration of this stir up the soul against sin, and work the soul to fly from it, and to use all holy means whereby sin may be subdued and destroyed!
Thomas Brooks (Precious Remedies Against Satan's Devices)
Goddamn, I love me some cowboys in tight Wranglers. ’Tis the rodeo season for fine asses,” my childhood best friend, Magnolia, blurts way too loudly.
Brooke Montgomery (Here With Me (Sugarland Creek, #1))
Therefore, when Satan says it is but a little one, you must answer—that oftentimes there is the greatest unkindness showed to God's glorious majesty, in the acting of the least folly, and therefore you will not displease your best and greatest friend—by yielding to his greatest enemy.
Thomas Brooks (Precious Remedies Against Satan's Devices)
I moved about the room, noting the grief on the faces of those present, listening to their memories of my husband, how his ability to see the best in folk allowed them to rise to be that—myself included.
Karen Brooks (The Good Wife of Bath)
The journalist Mason Currey, who spent half a decade cataloging the habits of famous thinkers and writers (and from whom I learned the previous two examples), summarized this tendency toward systematization as follows: There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where … but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration. In a New York Times column on the topic, David Brooks summarizes this reality more bluntly: “[Great creative minds] think like artists but work like accountants.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Alchemy is the name of this temple of images. Here a towering wall of video flashes glamorous vamps and alien androgynes over the heads of the crowd; the black cupid’s bow of Louise Brooks’ lips, the arch of David Bowie’s eyebrow, the Art Deco planes of Fritz Lang’s subversive female android. The demigods of the modern world, as glimpsed through shattered glass. She comes because she wants to believe in magic. Not the bunny-out-of-a-hat kind; the Alistair Crowley kind. This is a ritual.
Karen D. Best (A Floating World)
SINCE I HAVE MY LIFE BEFORE ME” By Brooke Bronkowski I’ll live my life to the fullest. I’ll be happy. I’ll brighten up. I will be more joyful than I have ever been. I will be kind to others. I will loosen up. I will tell others about Christ. I will go on adventures and change the world. I will be bold and not change who I really am. I will have no troubles but instead help others with their troubles. You see, I’ll be one of those people who live to be history makers at a young age. Oh, I’ll have moments, good and bad, but I will wipe away the bad and only remember the good. In fact that’s all I remember, just good moments, nothing in between, just living my life to the fullest. I’ll be one of those people who go somewhere with a mission, an awesome plan, a world-changing plan, and nothing will hold me back. I’ll set an example for others, I will pray for direction. I have my life before me. I will give others the joy I have and God will give me more joy. I will do everything God tells me to do. I will follow the footsteps of God. I will do my best!!! During her freshman year in high school, Brooke was in a car accident while driving to the movies. Her life on earth ended when she was just fourteen, but her impact didn’t. Nearly fifteen hundred people attended Brooke’s memorial service. People from her public high school read poems she had written about her love for God. Everyone spoke of her example and her joy. I shared the gospel and invited those who wanted to know Jesus to come up and give their lives to Him. There must have been at least two hundred students on their knees at the front of the church praying for salvation. Ushers gave a Bible to each of them. They were Bibles that Brooke had kept in her garage, hoping to give out to all of her unsaved friends. In one day, Brooke led more people to the Lord than most ever will. In her brief fourteen years on earth, Brooke was faithful to Christ. Her short life was not wasted.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
No, not at all. Looks like we're both here to learn how to be the best at getting people off.
Brooke Cumberland (Exposed Anthology)
Best friend, not drop-dead-clitoris-calm-your-tits gorgeous. Well...
Emma Hart (Being Brooke (Barley Cross, #1))
No child should have to see all that I have seen
Brooke Stonex (Raised in Hell: The Overwhelming Best seller true story of internet icon Brooke Stonex)
Once the warm jacket was on me, he moved to my side, slipping an arm possessively around my lower back, an action that certainly did not slip past Rich. "Seriously?" he asked, looking a mix of hurt and almost... disgusted? "This is a thing..." he half-asked, half-declared, waving a hand at us. "It's a thing," Brant said with a nod. "You fucked up and lost a good thing. I saw that good thing and scooped it up. And I'm not fucking it up. And you're not getting between. So I think that is all that needs to be said here." Rich's head jerked back like Brant had struck him, but his jaw got tight and his chin lifted. "Knew you were a lot of things, Maddy," he said and I knew whatever was going to follow was out of hurt- hurt heart, hurt pride, but I honestly didn't think he had it in him to be so nasty. "But I didn't think you were a slut." With that, he walked away, leaving me literally with my mouth hanging open. "Five years with you and 'slut' is the best he could come up with?" Brant asked, shaking his head. Then his gaze moved to me, his fingers snagged my chin and tilted it up so he could catch my eyes. "You're not a slut, Maddy," he said, voice firm, brooking no room for argument. "I mean, I'm all for you getting slutty with me, but that doesn't mean you're a slut. He's just being a dick because you bruised his ego." I knew that. And I knew I wasn't a slut. Far from. It was just startling hearing that accusation come from the lips of someone you thought you knew. I gave Brant a slow and saucy smile, eyes going a little wicked. "Well, now that the drama is out of the way...I have an idea of how we can get good and slutty together later." "Oh yeah?" he asked, smirking. "Yeah, it involves pineapples." And later, after we finished work, it did.
Jessica Gadziala (Peace, Love, & Macarons)
Then there is the “intelligent” signal from outer space that has defied explanation for thirty years; the enigma of our sense of free will despite all scientific evidence to the contrary; the spacecraft that are being pushed off course by an unknown force; the trouble we have explaining the origin of both sex and death using our best biological theories … the list goes on.
Michael Brooks (13 Things That Don't Make Sense: The Most Intriguing Scientific Mysteries of Our Time)
Everyone in my family loves novels,” Poppy finally said, pushing the conversation back into line. “We gather in the parlor nearly every evening, and one of us reads aloud. Win is the best at it—she invents a different voice for each character.” “I’d like to hear you read,” Harry said. Poppy shook her head. “I’m not half as entertaining as Win. I put everyone to sleep.” “Yes,” Harry said. “You have the voice of a scholar’s daughter.” Before she could take offense, he added, “Soothing. Never grates. Soft . . .” He was extraordinarily tired, she realized. So much that even the effort to string words together was defeating him. “I should go,” he muttered, rubbing his eyes. “Finish your sandwiches first,” Poppy said authoritatively. He picked up a sandwich obediently. While he ate, Poppy paged through the book until she found what she wanted . . . a description of walking through the countryside, under skies filled with fleecy clouds, past almond trees in blossom and white campion nestled beside quiet brooks. She read in a measured tone, occasionally stealing a glance at Harry while he polished off the entire plate of sandwiches. And then he settled deeper into the corner, more relaxed than she had ever seen him. She read a few pages more, about walking past hedges and meadows, through a wood dressed with a counterpane of fallen leaves, while soft pale sunshine gave way to a quiet rain . . . And when she finally reached the end of the chapter, she looked at Harry once more. He was asleep. His chest rose and fell in an even rhythm, his long lashes fanned against his skin. One hand was palm down against his chest, while the other lay half open at his side, the strong fingers partially curled. “Never fails,” Poppy murmured with a private grin.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They reached a river where the water was open, seething and churning over rocks. We’re going to cross that? thought Mercy. It’s too wide and deep. We’ll drown. Tannhahorens took off his tobacco necklace. He loved to smoke, as did all the warriors. Since they smoked only when they had time and felt safe, the prisoners also loved it when the men smoked; it meant everybody had time and was safe. Tannhahorens poured tobacco into his palm. He lifted it toward the sky, calling as the loon called, his voice shivering through the wilderness. Then he faced the river and held, it seemed to Mercy, a conversation with the river. Finally, over the sharp rocks and ripping current, Tannhahorens threw all his tobacco. Every Indian did the same. The captives stared. Eliza, who had not spoken once since her husband was struck down, said, “It’s an offering. They give their best to the river, and hope the river will give its best to them.” They walked upstream, fighting thickets and snarling brooks. When the Indians stopped to kick at a great melting drift, Mercy was too tired even to wonder. Snow covered a dugout canoe. Forty or fifty feet long, it had been made of one great pine, the center core burned out and chiseled clean. They would paddle the rest of the way. Mercy lay on fur on the bottom of the dugout, the sounds of water above her head, for she was lower than the surface of the river. Not having to carry her own body was joy. The loons called back for hours, wailing a long wandering cry, like a bell that would not stop ringing or a sob that would not stop weeping. Tannhahorens said to Mercy, “It is the speech of the north,” and Mercy understood. That wild terrifying beautiful cry was the sound of where she was going.
Caroline B. Cooney (The Ransom of Mercy Carter)
Shrieking Brooke’s name as loudly as I could, out in the corridor, I brought her running quickly to my room. ‘What’s happened, what’s wrong?’ she immediately cried concerned, legging it up the stairs two at a time. She appeared breathless outside the kitchen door. Brian appeared sleepily at his door too, awoken by the noise, and watched us. ‘She’s moving,’ I cried. ‘What? Flutters like before?’ ‘No more, here feel.’ I grabbed her hand and pushed it down onto my exposed belly. Brian averted his eyes as I stood, belly out and top up over my bra, in the middle of the corridor. ‘I can’t push you that hard,’ she exclaimed, pulling back her fingers surprised. ‘It will hurt you, or her, I can’t do that.’ ‘Yes, you can,’ I insisted. ‘You won’t hurt us.’ I pulled her hand back and pushed her long fingers into my belly and we stood waiting, hardly daring to breathe. You kicked again, hard into my side, under Brooke’s long pink fingernails. Brooke jumped away from me in shock and then burst out laughing. She clapped her hands together delighted. ‘Well?’ I asked her. ‘She kicked me,’ Brooke shrieked still jumping up and down clapping. ‘She kicked me. That was amazing, let me do it again.’ She came back over towards me slowly. Cautiously she pushed her fingers into the same spot on my side. We waited again in silence and I saw her face slightly drop as the seconds ticked by. ‘Ah it works,’ she yelled, as again she jumped back shocked as the tiny little feet thudded from my insides at her hand. ‘I love it. Do it again.’ I laughed and then Brian stepped forward. ‘Can I have a go?’ he asked quietly, fiddling with his hands and stepping out of his room towards us. ‘Of course you can, come here.’ And that is how we spent the next few minutes out in the corridor by the kitchen, shrieking, whooping, and jumping around. If anyone had been in the house, I know they would probably have thought we were all mad. Mad, no. Thrilled and excited, most definitely. Baby girl, you did that to us. Thank you.
Emily Williams (Letters to Eloise)
In 1982, economists at the Brookings Institute estimated that about 62 per cent of the value of a typical American firm stemmed from its physical assets—everything from tables and chairs to factories and inventories. Everything else consisted of more intangible “knowledge assets.” By 1992, the balance had completely reversed. They calculated that only 38 per cent of the average firm’s value came from its physical assets. With the shift towards more knowledge-intensive production processes, it is natural that firms should start to worry much more about employee loyalty. It is relatively easy to stop employees from making off with company property—just post guards at the gate. But when employees leave, they generally take with them all the knowledge and experience they have acquired, and there is no way to stop them. So the best way for a firm to retain control of its assets is to build a strong organizational culture, one that will inspire loyalty and allegiance from its employees. From this perspective, it is entirely predictable that the firms that depend most heavily on the knowledge of their workers will also be the firms that put the most effort into employee retention. Software companies in particular are famous for their efforts to create a corporate culture that will secure employee allegiance.
Joseph Heath (The Efficient Society: Why Canada Is As Close To Utopia As It Gets)
Every one should strive to be like to them in grace whom they desire to be equal with in glory. He that shoots at the sun, though he be far short, will shoot higher than he who aims at a shrub. It is best, and it speaks out much of Christ within, to eye the highest and the worthiest examples.
Thomas Brooks (Smooth Stones Taken From Ancient Brooks)
It was one of those words that tended to brook no further questioning, and Harmigan had applied his very best evocation of Dirk Bogarde’s insouciance when delivering the line. Concern over the Service’s record had fizzled out soon after: the country was facing more pressing issues than the spooks’ ancient history. Grave errors, it was decided, had been made, but there was nothing to be gained by harping on about them and one simply slept better if one accepted that, after all, these chaps were fundamentally decent people who knew what they were doing. In this way, the Service’s deeper secrets had been protected.
Jeremy Duns (Spy Out the Land)
In 1997 Gary McPherson studied 157 randomly selected children as they picked out and learned a musical instrument. Some went on to become fine musicians and some faltered. McPherson searched for the traits that separated those who progressed from those who did no. IQ was not a good predictor. Neither were aural sensitivity, math skills, income or a sense or rhythm. The best single predictor was a question McPherson had asked the students before they had even selected their instruments: How long do you think you will play? The students who planned to play for a short time did not become very proficient. The children who planned to play for a few years had modest success. But there were some children who said, in effect: "I want to be a musician, I'm going to play my whole life." Those children soared. The sense of identity that children brought to the first lesson was the spark that would set off all the improvement that would subsequently happen. It was a vision of their future self.
David Brooks
God is always previous. In practice, however, (that is, where God’s previous working meets man’s present response) man must pursue God. On our part there must be positive reciprocation if this secret drawing of God is to eventuate in identifiable experience of the Divine. In the warm language of personal feeling this is stated in the Forty-second Psalm: “As the hart panteth after the water brooks, so panteth my soul after thee, O God. My soul thirsteth for God, for the living God: when shall I come and appear before God?” This is deep calling unto deep, and the longing heart will understand it.
A.W. Tozer (The Best of A. W. Tozer Book One)
The programmer at wit's end for lack of space can often do best by disentangling himself from his code, rearing back, and contemplating his data. Representation is the essence of programming.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
Muhammad Ali said it best, “I hated every minute of training, but I said, ‘Don’t quit. Suffer now and live the rest of your life as a champion.’” That’s my plan.
Brook Kreder (Onward The Absolute No B.S. Raw Ridiculous Soul-Stirring Truth About Training for Your First Marathon)
A CEO of a very successful company told him that in the corporate world, to get the kind of high level expertise that was being given at Maui (Terry Brooks, Elizabeth George, John Saul, Dorothy Allison, Robin Cook, Frank McCourt, Dan Millman, etc. etc.) one would expect to pay tens of thousands of dollars.  And all these best-selling authors were getting was a plane ticket and a hotel room for their collective experiences and expertise. We believe writers should value their expertise. 
Bob Mayer (The Shelfless Book: How We Made Our First Million on Kindle)
Great thoughts go best with common duties. Whatever therefore may be your office regard it as a fragment in an immeasurable ministry of love. "Great thoughts go best with common duties. Whatever therefore may be your office regard it as a fragment in an immeasurable ministry of love.
Brooke Foss Westcott
Won without a drop of bloodshed. His mother had been right. That truly was the best victory.
Meljean Brook (The Kraken King and the Greatest Adventure (Iron Seas, #4.8; Kraken King, #8))
But Mrs. Wiggins only said that a joke was a joke, and old ones, that had stood the test of time, were the best. “I don’t like to have to figure out what the point is,” she said.
Walter Rollin Brooks (Freddy the Pilot (Freddy the Pig Book 19))
Even our best friends. But if they’re friends, you just have to shut your eyes to such things. Usually they aren’t very important.
Walter Rollin Brooks (Freddy Plays Football (Freddy the Pig Book 16))