Raven And Eagle Quotes

... but now men who could work preferred to beg, and the artists forgot that their calling was noble and became imitators instead of creators, charging exorbitant sums for the rubbish they churned out with one eye closed.

is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well

This was a face such as I had never seen before, even in the most fanciful of dreams, a face that was, in its way, a work of art. For it was light and dark, night and day, this world and the Otherworld. On the left side, the face of a youngish man, the skin weathered but fair, the eye gray and clear, the mouth well formed if unyielding in character. On all the right side, extending from an undrawn mark down the exact center, an etching of line and curve and feathery pattern, like the mask of some fierce bird of prey. An eagle? A goshawk? No, it was, I thought, a raven, even as far as the circles about the eye and the suggestion of predatory beak around the nostril. The mark of the raven. If I had not been so frightened, I might have laughed at the irony of it. The pattern extended down his neck and under the border of his leather jerkin and the linen shirt he wore beneath it. His head was completely shaven, and the skull, too, was colored the same, half-man, half-wild creature; some great artist of the inks and needle had wrought this over many days, and I imagined the pain must have been considerable.

There are people,' he said, 'who give, and there are people who take. There are people who create, people who destroy, and people who don't do anything and drive the other two kinds crazy. It's born in you, whether you give or take, and that's the way you are. Ravens bring things to people. We're like that. It's our nature. We don't like it. We'd much rather be eagles, or swans, or even one of those moronic robins, but we're ravens and there you are. Ravens don't feel right without somebody to bring things to, and when we do find somebody we realize what a silly business it was in the first place." He made a sound between a chuckle and a cough. "Ravens are pretty neurotic birds. We're closer to people than any other bird, and we're bound to them all our lives, but we don't have to like them. You think we brought Elijah food because we liked him? He was an old man with a dirty beard.

Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr’s somewhat stationary shadow.

The prince went straight to the king of dragons, who took him on his back to the distant mountain, and with his fire he split the crystal, and the red fox that had shimmered like a ruby in its clear heart ran out. But the king of eagles pounced on it from the sky, and ripped the fur a darker red. Up sprang the raven, and fled on the wind, but the king of falcons closed with it, and the talons met in the raven’s heart.

A field of scarlet with nine hanged men in black and six yellow daggers in the upper left and lower right quadrants, respectively, while the upper right quandrant featured a shattered skull and the lower left boasted a bird astride a severed head. It might have been a raven. Or an eagle.

When The Lamp Is Shattered When the lamp is shattered, The light in the dust lies dead; When the cloud is scattered, The rainbow's glory is shed; When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot. As music and splendor Survive not the lamp and the lute, The heart's echoes render No song when the spirit is mute:-- No song but sad dirges, Like the wind through a ruined cell, Or the mournful surges That ring the dead seaman's knell. When hearts have once mingled, Love first leaves the well-built nest; The weak one is singled To endure what it once possessed. O Love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier? Its passions will rock thee, As the storms rock the ravens on high; Bright reason will mock thee, Like the sun from a wintry sky. From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter, When leaves fall and cold winds come. When The Lamp Is Shattered

The Commander was a complete contrast to his men: Roman to his arrogant finger-tips, wiry and dark as they were raw-boned and fair. The olive-skinned face under the curve of his crested helmet had not a soft line in it anywhere - a harsh face it would have been, but that it was winged with laughter lines, and between his level black brows showed a small raised scar that marked him for one who had passed the Raven Degree of Mithras.

Many a spear dawn-cold to the touch will be taken down and waved on high; the swept harp won't waken warriors, but the raven winging darkly over the doomed will have news, tidings for the eagle of how he hoked and ate, how the wolf and he made short work of the dead.

When The Lamp Is Shattered When the lamp is shattered, The light in the dust lies dead; When the cloud is scattered, The rainbow's glory is shed; When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot. As music and splendor Survive not the lamp and the lute, The heart's echoes render No song when the spirit is mute:-- No song but sad dirges, Like the wind through a ruined cell, Or the mournful surges That ring the dead seaman's knell. When hearts have once mingled, Love first leaves the well-built nest; The weak one is singled To endure what it once possessed. O Love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier? Its passions will rock thee, As the storms rock the ravens on high; Bright reason will mock thee, Like the sun from a wintry sky. From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter, When leaves fall and cold winds come.

HAVE YOU EVER sailed in a longship? Not a stubby, robust knörr laden with trade goods and wallowing like a packhorse across the sea, but a sleek, deathly quick, terror-stirring thing – a dragon ship. Have you ever stood at the bow with the salt wind whipping your hair as Rán’s white-haired daughters cream beneath the beast’s strong, curving chest? Have you travelled the whale road with wind-burnt warriors whose rare skill with axe and sword is a gift from mighty Óðin, Lord of War? Men whose death work feeds the wolf and the eagle and the raven? I have done all this. It has been my life and though it would make those skirt-wearing White Christ followers sick with disgust (and fear, I shouldn’t wonder) I have been happy with my lot. For some men are born closer to the gods than others. By the well of Urd, beneath one of the roots of the great life tree Yggdrasil, the Norns, those sisters of fate, of present and future, take the threads of men’s lives and weave them into patterns full of pain and suffering, glory and riches, and death. And their ancient fingers must have tired at the spinning of my life.

we will pay those proud survivors 3000 for slaughter of kin killed in their homeland when young Swede-warriors strike once again learn that Beowulf our beloved warleader lies lifeless now his last breath-moment vanished into time a tale for mead-benches songs for a king who crushed hell-monsters stepped up to a throne served his people there held high his promise. Now haste will be best that we go to find him guide him at last from that fire-black field where he fell deathwards 3010 to his final bedrest. Those fine gold-treasures will melt with his heart that mighty dragon-hoard shall all go with him grimly purchased with his own lifeblood—for the last time now he has paid for goldrings. Pyre-flames shall eat them flame-roof shall thatch them no thane shall wear them treasures so dear no dressed hall-maidens shall wear on their bosoms wound-gold necklaces but grief will adorn them of gold-love bereft as they wander in exile through alien domains 3020 now that our lord has laid down his laughter songs and hall-joys. Now spears will be lifted grim and morning-cold gripped in anguish with frost-numbing hands. No harp’s sweet sounding will waken bench-warriors but the black-gleaming raven circling with fate will say many things describe to the eagle ample corpse-banquets how he shared with the wolf wondrous slaughter-meals.” So that grim messenger gave his report his unfrivolous news nor did he lie much 3030 in words or warnings.

All graveyards should have moss-covered trees creaking in the wind and the sound of the waves grating the round stones on the beach. The trees are so high and large here that under this canopy, even the brightest day is pale. Wander slowly, careful where you step. No neat row of crosses, no meticulous lawn, no carefully tended flowers will guide you. Too sterile, antiseptic. Headstones carved into eagles, blackfish, ravens, beavers appear seemingly at random. In the time of the great dying, whole families were buried in one plot. Pick wild blueberries when you’re hungry, let the tart taste sink into your tongue, followed by that sharp sweetness that store-bought berries lack. Realize that the plumpest berries are over the graves.

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

With what sense is it that the chicken shuns the ravenous hawk? With what sense does the tame pigeon measure out the expanse? With what sense does the bee form cells? have not the mouse & frog Eyes and ears and sense of touch? yet are their habitations And their pursuits as different as their forms and as their joys. Ask the wild ass why he refuses burdens, and the meek camel Why he loves man; is it because of the eye, ear, mouth, or skin, Or breathing nostrils? No, for these the wolf and tyger have. Ask the blind worm the secrets of the grave, and why her spires Love to curl round the bones of death; and ask the rav'nous snake Where she gets poison, & the wing'd eagle why he loves the sun, And then tell me the thoughts of man, that have been hid of old.

I am a puny part of the great whole. Yes; but all animals condemned to live, All sentient things, born by the same stern law, Suffer like me, and like me also die. The vulture fastens on his timid prey, And stabs with bloody beak the quivering limbs: All’s well, it seems, for it. But in a while An eagle tears the vulture into shreds; The eagle is transfixed by shafts of man; The man, prone in the dust of battlefields, Mingling his blood with dying fellow men, Becomes in turn the food of ravenous birds. Thus the whole world in every member groans, All born for torment and for mutual death. And o’er this ghastly chaos you would say The ills of each make up the good of all! What blessedness! And as, with quaking voice, Mortal and pitiful ye cry, “All’s well,” The universe belies you, and your heart Refutes a hundred times your mind’s conceit. . . . What is the verdict of the vastest mind? Silence: the book of fate is closed to us. Man is a stranger to his own research; He knows not whence he comes, nor whither goes. Tormented atoms in a bed of mud, Devoured by death, a mockery of fate; But thinking atoms, whose far-seeing eyes, Guided by thoughts, have measured the faint stars. Our being mingles with the infinite; Ourselves we never see, or come to know. This world, this theatre of pride and wrong, Swarms with sick fools who talk of happiness. . . . Once did I sing, in less lugubrious tone, The sunny ways of pleasure’s general rule; The times have changed, and, taught by growing age, And sharing of the frailty of mankind, Seeking a light amid the deepening gloom, I can but suffer, and will not repine.50

I have many lovers. Where ever I look, I find them. There is no place devoid of them. They are everywhere: In the enchanting Cottonwood trees, The rivers, the rocky roads, the hills, the mystic trails, The snow capped mountains, The skies, the clouds, the soaring Eagles, The blackness of night, as black as the Raven, The absolute brave Cactus, Listening to me, and the whispers I breathe. Where ever I, look I find them. There is no place devoid of them. My lovers are everywhere. They are everywhere: In the rains, the freezing winds, The sun, the moonlight, The darkness of despair, The days of pain and sorrow, They never leave me, or betray me, Or ever forsake me, Even in my unfaithfulness, They remain mine. Am I blessed, crazy, or blind? However much I dare, Even in those careless moments; they care. Where ever I look, I find them, There is no place devoid of them, My lovers are everywhere. They are everywhere: I close my eye’s, I see them, They appear to me patiently, like some ancient melody, in my waking dreams, they are like wise prophets, twirling in compassionate dances of forgiveness. Allowing me my mistakes of existence, They give me, ‘me’, Reach for my fears, cradle and hold me. They are everywhere. I will regenerate, and shine through their presence. Through their guidance, from their quiet empowerment, I will gather myself, pick up my pride, Understand ‘life’, and remember reality. Finally, when my ‘being’ remains not with me, they will once again redefine, re-collect me, recreate the aura around me, find another place to replant me. They are everywhere. No place is devoid of them. Countless lovers. Their love: Omnipresent. Only if one can ‘see’, These lovers are everywhere .

That night, as I exercised my hearing with all my might, searching out each subtle sound that made up that first, unforgettable snowstorm of my life, I accepted that something sacred had touched the three of us, Nikolai and Vanya, transforming us from mere classmates into cherished friends. But what exactly was that? Was it the tree? The raven? The snow? A shared language? A common history of suffering? Sly Mitrofanych?

the weeks following the war’s end, Truman announced a redesign of the presidential flag—the first since the Wilson years. Chief among the changes was the shifting of the eagle’s head away from the arrows of war instead toward the olive branch of peace, reflecting the nation’s desire for a universal peace.

It’s the four Ds, Corvus. Dress. Discipline. And dealing death.

There is a bird in my chest with wings too broad with beak that rips me wanting to get out. I have called it an idiot parrot. I have called it a ravening eagle. But it sings. Bird of no name your cries are red and wet on the iron air. I open my mouth to let you out and your shining blinds me.

The Eagle and the Raven,

Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.

In the evenings the boat spun on its anchor and mist fell to its knees, raining directly into seawater. Trees grew on red buoys, bald eagles lifted out of dark trunks like white-steepled chapels, a raven ate a crab in the boat's crow's nest, and schools of herring, who sometimes migrate in rolled-up balls five or six inches thick, broad-jumped the incoming tide.

Ravens together merited the term “unkindness of ravens.” While I liked the intelligence of ravens, most cultures in human history had identified with eagles. Because of the eagle’s raw power? Because intelligence unchecked is always suspect? Or because humans were still hardwired from a million years of hardscrabble existence to respect strength?

I am a puny part of the great whole. Yes; but all animals condemned to live, All sentient things, born by the same stern law, Suffer like me, and like me also die. The vulture fastens on his timid prey, And stabs with bloody beak the quivering limbs: All’s well, it seems, for it. But in a while An eagle tears the vulture into shreds; The eagle is transfixed by shafts of man; The man, prone in the dust of battlefields, Mingling his blood with dying fellow men, Becomes in turn the food of ravenous birds. Thus the whole world in every member groans, All born for torment and for mutual death. And o’er this ghastly chaos you would say The ills of each make up the good of all! What blessedness! And as, with quaking voice, Mortal and pitiful ye cry, “All’s well,” The universe belies you, and your heart Refutes a hundred times your mind’s conceit. . . . What is the verdict of the vastest mind? Silence: the book of fate is closed to us. Man is a stranger to his own research; He knows not whence he comes, nor whither goes. Tormented atoms in a bed of mud, Devoured by death, a mockery of fate; But thinking atoms, whose far-seeing eyes, Guided by thoughts, have measured the faint stars. Our being mingles with the infinite; Ourselves we never see, or come to know. This world, this theatre of pride and wrong, Swarms with sick fools who talk of happiness. . . . Once did I sing, in less lugubrious tone, The sunny ways of pleasure’s general rule; The times have changed, and, taught by growing age, And sharing of the frailty of mankind, Seeking a light amid the deepening gloom, I can but suffer, and will not repine.

When the dung beetle moves,” Hosteen Nashibitti had told him, “know that something has moved it. And know that its movement affects the flight of the sparrow, and that the raven deflects the eagle from the sky, and that the eagle’s stiff wing bends the will of the Wind People, and know that all of this affects you and me, and the flea on the prairie dog and the leaf on the cottonwood.” That had always been the point of the lesson. Interdependency of nature. Every cause has its effect. Every action its reaction. A reason for everything. In all things a pattern, and in this pattern, the beauty of harmony. Thus one learned to live with evil, by understanding it, by reading its cause. And thus one learned, gradually and methodically, if one was lucky, to always “go in beauty,” to always look for the pattern, and to find it.