Raven's Gate Quotes

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His mother had told him that when you looked into the eyes of God at the pearly gates, all the questions you ever had were answered. Ronan had a lot of questions. Waking Glendower might be like that. Fewer angels attending, and maybe a heavier Welsh accent. Slightly less judgment.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
We live in a world with so many dangers that we have to be careful whom we trust.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
You are meant to be here. There are no coincidences. It's all happening the way it was meant to be.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
He didn't want to remember anymore. remembering only hurt him... everytime.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
We live in an age when there is no room for the impossible.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
As I stood there, looking into the eyes of the Travelers, something happened. For each one of those brief moments, I reconnected with a true friend. Though no words were exchanged, they were each telling me the same thing. They were with me. I truly believed that if I had asked any one of them to follow me through the gates of hell, I'd have to hold them back from going in first.
D.J. MacHale (Raven Rise (Pendragon, #9))
If you think it's hard getting in, you should try getting out.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
When I was young, a child never asked questions of his elders," Claire Deverill said. "Was that before or after the First World War?" Matt asked.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
You have to take responsibility for who you are
Anthony Horowitz (Raven's Gate (Power of Five, #1))
They can't make you do anything you don't want to do.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe (The Raven and Other Poems)
How many spelling misteaks are their in this sentence?
Anthony Horowitz (Raven's Gate (The Gatekeepers, #1))
There are two worlds. The world you understand and the world you don’t. These worlds exist side by side, sometimes only centimeters apart, and the great majority of people spend their entire lives in one without being aware of the other. It’s like living in one side of a mirror: you think there is nothing on the other side until one day a switch is thrown and suddenly the mirror is transparent. You see the other side.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
dried the flowers myself. Belladonna, oleander, and mistletoe. Three of my favorites. All of them poisonous … but such lovely colors.
Anthony Horowitz (Raven's Gate (The Gatekeepers #1))
You don’t want to be hanging around this village. You don’t want to be anywhere near here. Do you understand me? I shouldn’t be talking to you like this. But if you know what’s good for you, you’ll get away. You’ll go as far away as you can and you won’t come back.
Anthony Horowitz (Raven's Gate (The Gatekeepers #1))
of those clothes.
Anthony Horowitz (Raven's Gate (The Gatekeepers #1))
Breakfast, Noah muttered. Greasy and disgusting, said Matt. You don't want to eat it? I wasn't talking about breakfast. I was talking about you.
Anthony Horowitz (Raven's Gate (Power of Five, #1))
History's boring," grumbled Raven, reluctantly sitting down. "Actually it's not," she countered. "It's all about the fascinating people--the politicians, the philosophers, the artists, the soldiers, the musicians--who shaped the world.
Andrea Penrose (Murder at Half Moon Gate (Wrexford & Sloane, #2))
Kavanagh continued his walk in the direction of Mr. Churchill's residence. This, at least, was unchanged,⁠—quite unchanged. The same white front, the same brass knocker, the same old wooden gate, with its chain and ball, the same damask roses under the windows, the same sunshine without and within. The outer door and study door were both open, as usual in the warm weather, and at the table sat Mr. Churchill, writing. Over each ear was a black and inky stump of a pen, which, like the two ravens perched on Odin's shoulders, seemed to whisper to him all that passed in heaven and on earth. On this occasion, their revelations were of the earth. He was correcting school exercises.
Henry Wadsworth Longfellow (Kavanagh)
Midnight has fallen on the darkened streets of Haught and Battens Hill, and the watchman saith, All is well. We have prospered by the day, set our lock and bolt, and tried the windows, and all is well. Want, murder, desperation, and despair still roam in the filthy alleys and tenements of The Steps and breed countless wrongs in their path, yet the watchman passing cries, All is well. The watchman clears away the hungry children who hunt for scraps behind the New Theatre while a nobleman’s carriage rolls by, but decent folk turn, sighing in their sleep, and faintly hear the report: all is well. The prison gates are shut, and what is within is surely confined there, and touches us not; therefore, all is well.
Andrei Baltakmens (The Raven's Seal)
He is gone away,” acknowledged Dupesu. “He is afraid here, we are wait so long, and he will not stay. He is say he is safer away.” He took his elbows off the table and leaned back. “We are try pray to the Raven and offer gifts direct but the Raven is not answer. And this is a question for Prince Mawat as well. Why does the Raven nothing? Why is the heir must sit naked before the fortress gates to complain of this wrong, to tell the people, to make Lease Hibal to deal with his complain? Why is he not complain to the Raven himself? Where is the god of Iraden?” “Wherever he wishes to be, I suppose,” you said. “Is it not strange,” observed Dupesu, “that he is not here now and I am think he might be needed?” From under his collar, the snake’s tongue flickered out and then back, no other sign of the snake itself but a bulge under the fabric of his tunic. “Excuse me,” you said, rising. “I have business to attend to.” And without waiting for an answer you left.
Ann Leckie (The Raven Tower)
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
Thomas Pynchon (The Crying of Lot 49)
After six long hours of driving and three rest stops, Tiger pulls up to a snow-topped, metal speaker box just outside the State Penitentiary's first gate in Walla Walla. As he rolls down his window and snow flies in his face, Joshua starts begging for a Happy Meal. I turn around, snapping at him. "This ISN'T MCDONALDS and YOU AREN'T HUNGRY. NOW SHUT UP BRAT." A loud scratchy masculine voice blasts out of the speaker. "CAN I HELP YOU?" Tiger leans out the window, as he answers- We're here to visit Raven Chandler. "HAVE YOU BEEN HERE BEFORE?" "Yes sir. I've been here A LOT." "WHERE'S HIS MOTHER?" "I don't know.. I haven't seen her in months." "NOT THE PRISONER'S MOTHER. THE BRAT IN THE BACK SEAT OF YOUR JEEP." "Oh- HIM-" As he turns, smiling and sticking his tongue out at Joshua, I lean towards his window to answer the guard's question. "SHE'S IN VEGAS, SIR. I'M BABYSITTING. HE'S MY GODSON." When the speaker remains disturbingly silent for far too long, I continue. "HE'S A GOOD BOY SIR. HE WON'T BE ANY TROUBLE- I SWEAR." "THAT'S RIGHT," Tiger said. "HE SWEARS ON THE LITTLE BRAT'S MOTHER'S GRAVE.
Giorge Leedy (Uninhibited From Lust To Love)
Somehow, though, Strachey and others on the vessel found the will to keep struggling, to fight for their lives though it seemed all was lost. Terrified now, the passengers forgot all class pretensions. Sir Thomas Gates and Admiral Somers and Captain Newport joined Ravens and Strachey and Rolfe and other crewmen and passengers in the half-flooded hold, where they began frantically searching the ship’s innards to find places where the planks had separated and seawater rushed in. Their chests heaving with exertion, their breathing ragged, their eyes wide with fear, they scrabbled in the dark, flooded belly of the pitching, rolling vessel, holding guttering candles high as they searched the ship’s ribs, the planks, every corner of the hold, listening to discover where the water was flowing in. “Many a weeping leak was this way found,” Strachey would later report. When a leak was found, Strachey or one of the others tried to stem the flow, using whatever was at hand. Perhaps one of the mariners, or possibly even Strachey himself, had heard how Magellan’s crew, almost a hundred years earlier, had used chunks of beef to stop leaks in the hull of their vessel as they sailed around the world. The Sea Venture’s crew tried the same remedy, using pieces of the beef taken on board in Plymouth to try to stop or slow the flow of water into the ship’s rapidly filling hold. But all, Strachey said, “was to no purpose.”10 The ship kept taking water despite the crew’s best efforts.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
Ravens and the others were able to find water deep enough to handle the longboat’s twenty-inch draft. Before his departure, Ravens promised Gates and Somers and Strachey and the other survivors that if he lived and arrived safe in Virginia, he would return by the time of the next new moon, or by late September. Ravens, in turn, was told that the survivors would light a signal fire to guide him back.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
Even before those in Bermuda knew that Ravens’s mission was unsuccessful, Sir Thomas Gates ordered the construction of a pinnace that could carry survivors on to Jamestown. He may have figured there were no ships in Virginia large enough to rescue all the survivors—more than 140 following the departure of Ravens and his shipmates—or he may simply have been pragmatic about the likelihood that the longboat might never make it to the Chesapeake. In any event, the same day that Ravens left, the keel of the pinnace was laid on Buildings Bay, just south of the beach on which Gates and the other survivors first came ashore. There, a group of men set about building a large pinnace under the direction of Frobisher, the able ship’s carpenter. But even as they laid the keel and began fashioning the ribs of the vessel they hoped would carry them to safety, trouble was brewing, trouble that would ultimately threaten tragedy for all the Sea Venture survivors.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
this oväder—this un-weather—was of the Devil’s making; that the fumes of Hell warmed the world of Man, and soon the armies of God would strike from the Gates of Heaven to set the balance right.
Scott Oden (A Gathering of Ravens)
Matt
Anthony Horowitz (Raven's Gate (The Gatekeepers, #1))
That day, I realized Death's hunger was ravenous ... it was insatiable. And it would never be filled, not until the blood of the dead was enough to drown out all the light inside of us.
J.H. Gates
When Ronan had been smaller and more forgiving of miracles, he’d considered the moment of death with rhapsodic delight. His mother had told him that when you looked into the eyes of God at the pearly gates, all the questions you ever had were answered. Ronan had a lot of questions. Waking Glendower might be like that. Fewer angels attending, and maybe a heavier Welsh accent. Slightly less judgment.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
In the early morning the dogs burst from their sleeping quarters to bunch by the garden gate, panting for a race across Beacon Hill Park. Springs that wound themselves tighter and tighter in their bodies all night would loose with a whir on the opening of the garden gate. Ravenous for liberty, the dogs tore across the ball grounds at the base of Beacon Hill, slackened their speed to tag each other, wheeled back, waiting to climb the hill with me.
Emily Carr (Emily Carr and Her Dogs: Flirt, Punk, and Loo)
series of torches surrounded the curved opening of a large pit, the opening of the Abyss. The high priestess from earlier stood on the opposite side of the pit, before an entourage of twelve nymphs, all seductively alluring in translucent gowns and jewelry. The priestess wore a headdress of gems on her raven black hair. Her purple robe, made from the finest of Phoenician silks, flowed behind her like a spirit. Her eyes were large, deep brown and hypnotic. Her beauty was beguiling. When she spoke, her voice sounded like seven voices blended into one bewitching unity. “Welcome to the Gates of Hades, Son of God,” she said. “And your ass-kissing suck-upssss.” Her “esses” slid through the air like the serpents that wrapped around her arms and neck. Jesus stared her down. She faltered and visibly shivered, but regained her composure and approached him. “What is your name, woman?” “I am the Ob of Paniassss.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?
?
I think Mikhail is very lucky to have found you. You’re strong yourself, just as he is.” “I’m putting up a great front, then”--Raven wiped at her eyes with her knuckles--“because I feel like I’m breaking apart inside. And I’m not very happy with Mikhail.” “Nor do I think you should be, yet your first instinct is to protect him. You were horrified by the idea that he might be suffering as you are.” “I don’t like to see anyone in pain. There’s something sad about Mikhail, as if he’s borne the weight of the world on his shoulders for far too long. Sometimes I look at his face and there’s such sorrow there--not in his eyes exactly, but etched into his face.” Raven sighed. “I guess I’m not making any sense, but he needs someone to take the shadows away.” “That’s an interesting assessment, child, and I must say, I know what you mean. I’ve seen the very same thing in him. Taking his shadows away.” He repeated the words, aloud, musing over them. “That’s it exactly.” Raven nodded. “Like he’s seen too much violence, too many terrible things, and it’s pulled him deeper and deeper into darkness. When I’m close to him I can feel that. He stands like a guardian in front of some evil, malevolent gate and holds monsters at bay so the rest of us can go about our lives and never know we were even threatened.” Father Hummer’s breath caught in his throat. “Is that how you see him? A guardian of the gate?” Raven nodded. “It’s an image very vivid in my mind. I know it probably sounds melodramatic to you.” “I wish I could have said those very words to him myself,” the priest said softly. “Many times he has come here seeking comfort, yet I never knew exactly what to say. I prayed God would send help to him to find his answer, Raven, and perhaps he sent you.” She was trembling, constantly fighting the torment in her head, the need to touch Mikhail, the idea that he might be gone from Earth. Raven took a deep, calming breath, grateful for the priest. “I don’t think I’m God’s answer to anything, Father. Right now I want to curl up into a little ball and cry.” “You can be strong, Raven. You know he lives.
Christine Feehan (Dark Prince (Dark, #1))
He stands like a guardian in front of some evil, malevolent gate and holds monsters at bay so the rest of us can go about our lives and never know we were even threatened.” Father Hummer’s breath caught in his throat. “Is that how you see him? A guardian of the gate?” Raven nodded. “It’s an image very vivid in my mind. I know it probably sounds melodramatic to you.” “I wish I could have said those very words to him myself,” the priest said softly.
Christine Feehan (Dark Prince (Dark, #1))
You are safe with me, Raven. I would not allow anyone or anything to harm you.” She swallowed nervously as he pushed open the heavy iron gates and mounted the steps. “Just you.” She said it under her breath, but knew he heard her.
Christine Feehan (Dark Prince (Dark, #1))
You are much safer in my care.” She pushed at the wall of his chest, found her hands trapped against the heat of his skin. He merely tightened his hold, amusement spreading warmth to the coldness of his eyes. “You cannot fight me, Raven.” “I want to go back, Mikhail.” She worked to keep her voice under control. She wasn’t sure she was telling the truth. She feared he knew the truth before she even knew it. He was inside her mind, felt what she felt. He knew the price she paid for her gift. The pull between them was so strong, she could hardly think straight. The house loomed up, dark, threatening, a rambling hulk of stone. Her fingers twisted in his shirt. Mikhail knew she was unaware of that nervous, telltale gesture. “You are safe with me, Raven. I would not allow anyone or anything to harm you.” She swallowed nervously as he pushed open the heavy iron gates and mounted the steps. “Just you.” She said it under her breath, but knew he heard her.
Christine Feehan (Dark Prince (Dark, #1))
Yes,” Bryce said tightly. “Before Danika helped to save this city. Where’s the Pack of Devils?” she asked again, voice hitching. Something large growled and shifted in the shadows behind the Under-King, but remained hidden by the mists. Hunt’s lightning zapped at his fingers in warning. “Life is a beautiful ring of growth and decay,” the Under-King said, the words echoing through the Sleeping City around them. “No part left to waste. What we receive upon birth, we give back in death. What is granted to you mortals in the Eternal Lands is merely another step in the cycle. A waypoint along your journey toward the Void.” Hunt growled. “Let me guess: You hail from Hel, too?” “I hail from a place between stars, a place that has no name and never shall. But I know of the Void that the Princes of Hel worship. It birthed me, too.” The star in the center of Bryce’s chest flared. The Under-King smiled, and his horrific face turned ravenous. “I beheld your light across the river, that day. Had I only known when you first came to me—things might have been quite different.” Hunt’s lightning surged, but he reined it in. “What do you want with her?” “What I want from all souls who pass here. What I give back to the Dead Gate, to all of Midgard: energy, life, power. You did not give your power to the Eleusian system; you made the Drop outside of it. Thus, you still possess some firstlight. Raw, nutritious firstlight.” “Nutritious?” Bryce said. The Under-King waved a bony hand. “Can you blame me for sampling the goods as they pass through the Dead Gate?” Hunt’s mouth dried up. “You … you feed on the souls of the dead?
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The rapid, but uniform motions of the heavenly bodies, serve well enough to typify the grand and continuous motions of the Miltonic mind. But the wild, giddy, fantastic, capricious, incalculable, springing, vaulting, tumbling, dancing, waltzing, caprioling, pirouetting, sky-rocketing of the chamois, the harlequin, the Vestris, the storm-loving raven — the raven? no, the lark (for often he ascends " singing up to heaven's gates," but like the lark he dwells upon the earth), in short, of the Proteus, the Ariel, the Mercury, the monster — John Paul, can be compared to nothing in heaven or earth, or the waters under the earth, except to the motions of the same faculty as existing in Shakspere.
De Quincey, Thomas