Raunchy Quotes

We've searched our database for all the quotes and captions related to Raunchy. Here they are! All 66 of them:

It was clear they weren’t getting any information out of Ian tonight. She, Bones, and Cat followed as Spade supported Ian, almost carrying him up the stairs to then dump him on the bed in a guest room. “Before you go, mate, turn on the telly. Something raunchy, too. Think I’ll rub one off before I sleep.
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
Before you go,mate,turn on the telly. Something raunchy too. Think I'll rub off one before I go to sleep
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
Now we do what parents with little kids do. We fall into bed, exhausted, with thoughts of raunchy, hot sex the furthest thing from our minds.” “That’ll work. But if you snore, I’m punching you in the nose.
Lorelei James (Branded as Trouble (Rough Riders, #6))
And all he wants is to throw a rager in your sugar mill?" Then she frowned. "Wow. That sounded raunchy.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
As our kissing progresses, I don’t care that our tryst seems raunchy and wrong. I don’t care that I’m at school, in the boy’s bathroom. I don’t care that to most people this would seem cheap, dirty, and despicable. The only thing I can think about while he kisses me deeper, harder, faster, is that Henry Garner is the plague and the only thing I want him to do is infect me.
Lauren Hammond (He Loves Me...He Loves You Not...)
We better get over to Beckett’s if you want to see how my day goes—before his crowd gets too raunchy.” Blake stood up and held out his hand. “It’s eight thirty in the morning. How raunchy could they be?” Livia wondered what, exactly, Beckett did for a living. Her question was soon answered. Everything bad.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
How is your love life, Minz?” she would ask hungrily, hoping to be entertained by raunchy details. I had none. “Um, you know. So hard to meet guys,” I answered vaguely, hoping my lack of a sex life would seem mysterious and not pathetic.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
And the City, in its own way, gets down for you, cooperates, smoothing its sidewalks, correcting its curbstones, offering you melons and green apples on the corner. Racks of yellow head scarves; strings of Egyptian beads. Kansas fried chicken and something with raisins call attention to an open window where the aroma seems to lurk. And if that's not enough, doors to speakeasies stand ajar and in that cool dark place a clarinet coughs and clears its throat waiting for the woman to decide on the key. She makes up her mind and as you pass by informs your back that she is daddy's little angel child. The City is smart at this: smelling and good and looking raunchy; sending secret messages disguised as public signs: this way, open here, danger to let colored only single men on sale woman wanted private room stop dog on premises absolutely no money down fresh chicken free delivery fast. And good at opening locks, dimming stairways. Covering your moans with its own.
Toni Morrison (Jazz (Beloved Trilogy, #2))
The Old Testament is actually pretty raunchy. You might enjoy it.
Nicki Elson (Three Daves)
The demon in me that knows there's a demon in you who can mop the floor with my raunchy butt tells me to say yes. I care. Deeply." (Ren)
Sherrilyn Kenyon
I pegged him as the kind of jock that has a thing for smart girls. You see these guys, second-stringers on the football team; they stand around the edges of the Jock Huddle listening to raunchy talk about cheerleaders, but they fall for the smart girl with library eyes.
Jordan K. Weisman (Cathy's Book (Cathy Vickers Trilogy, #1))
I'm not even capable of an auditory response; my vocal cords have shorted out and my jaw has dropped to the floor. Raunch-y.
Marissa Carmel (Strip Me Bare (Strip You, #2))
Damn it. What are we exactly calling a 'masculine problem'? Did he have trouble running the flag up? Or did it fall to half staff? "Do we have to speak about this metaphorically or-" "Yes," Leo said firmly. "All right. He..." Poppy frowned in concentration as she searched for the right words, "... left me while the flag was still flying.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
You young but I’ma tell you anyway. Never leave a man bleeding and breathing if the beef ain’t over. He’ll come back for you. They always do.
T. Styles (Kali: Raunchy Relived)
I had a girl friend, named Geneva, a kind of loud, raunchy girl ... and she was always into something. Naturally she was my best friend, since I was never into anything. I was skinny and scared and so I followed her and got into all her shit. Nobody else wanted me, really, and you know that nobody else wanted her.
James Baldwin (If Beale Street Could Talk)
There is some raunchy stuff they play here,” she said, fanning herself. “Oh God, give me a sec. Recovering from that boat scene still.
Emilia Rose (Indulge Me (Addicted to Him, #2))
shall have to write some raunchy stuff if I’m going to make much money.
Ruskin Bond (Landour Days: A Writer's Journal)
...While many who have debated the image of female sexuality have put "explicit" and "self-objectifying" on one side and "respectable" and "covered-up" on the other, I find this a flawed means of categorization. [...] There is a creative possibility for liberatory explicitness because it may expand the confines of what women are allowed to say and do. We just need to refer to the history of blues music—one full of raunchy, irreverent, and transgressive women artists— for examples. Yet the overwhelming prevalence of the Madonna/whore dichotomy in American culture means that any woman who uses explicit language or images in her creative expression is in danger of being symbolically cast into the role of whore regardless of what liberatory intentions she may have.
Imani Perry (Prophets of the Hood: Politics and Poetics in Hip Hop)
Tip #4 Skinny-dip at will! (Idea) When single boast about finding your inner most happy place and hold on to it Odds are once married you can kiss personal space Good-Bye.
Hazel Cartwright (Single's Guide: A Single Therapy Guidebook)
Eye contact with him was all that was needed to stop me in my tracks. The mere sound of his voice blaring through the microphone called me like a siren luring me in. His eyes were blazing, lips talking dirt like he was whispering them straight into my ears. And even though we were both fully clothed and not even in touching range, it felt like filthy, raunchy sex.
Clarissa Wild (Rowdy Boy (Black Mountain Academy))
The Queens are poor and raunchy. They live on what others no longer want. They have no power. They have no social place. They almost have no allies. All this makes them angry and amused. It makes then restless and out of place. It makes them high-spirited and disruptive. They know it takes all kinds to make the revolutions. Others do now know this yet. The Queens are out and are not coming back. They wait for the others to join them.
Larry Mitchell (The Faggots and Their Friends Between Revolutions)
So Fifty Shades of Grey is about Chri- auh the name... Christian Grey. Uhh, this was a, porn - almost a porno in my book. It was a sexy thriller, full of uhh nudity, and sex of all kinds. Dirty sex and - uhh pornographic sex... and it was uhh... hard to keep... uhh my - hard to keep calm during the movie, because it was so raunchy. And I loved it. And I give it five bags of popcorn... and five cold glasses of soda, to put between my legs. Um.. to cool down.
Tim Heidecker
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Protestant Christianity, whether in its liberal or conservative garb, finds itself waking up each morning in bed with a deteriorating modern culture, between sheets with a raunchy sexual reductionism, despairing scientism, morally normless cultural relativism, and self-assertive individualism. We remain resident aliens, OF the world but not profoundly in it, dining at the banquet table of waning modernity without a whisper of table grace. We all wear biblical name tags (Joseph, David, and Sarah), but have forgotten what our Christian names mean.
Thomas C. Oden (The Transforming Power of Grace)
Prohibition had been good to Tijuana . . . . The number of saloons had doubled in the span of a few years. Gambling clubs mushroomed: Monte Carlo, the Tivoli Bar, the Foreign Club. Raunchy establishments mixed with others that promised a glimpse of "old Mexico," a false creation more romantic than any Hollywood film. But what did the tourists know? The Americans streamed into Mexico, ready to construct a new playground for themselves, to drink the booze that was forbidden in Los Angeles, San Diego, and San Francisco, but flowed abundantly across the border. Lady Temperance had no abode here.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
I know that gen Z has it tough—they’re losing their proms and graduations to the quarantine, they’re on deck to bear the full brunt of climate catastrophe, and they’re inheriting a carcass of a society that’s been fattened up and picked clean by the billionaire class, leaving them with virtually no shot at a life without crushing financial and existential anxiety, let alone any fantasy of retiring from their thankless toil or leaving anything of value to their own children. That’s bad. BUT, counterpoint! Millennials have to deal with a bunch of that same stuff, kind of, PLUS we had to be teenagers when American Pie came out!... American Pie absolutely captivated a generation because my generation is tacky as hell. “I have a hot girlfriend but she doesn’t want to have sex” was an entire genre of movies in the ’90s. In the ’90s, people loved it when things were “raunchy” (ew!). Every guy at my high school wanted to be Stifler! Can you imagine what that kind of an environment does to a person? To be of the demographic that has a Ron Burgundy quote for every occasion, without the understanding that Ron Burgundy is a satire? This is why we have Jenny McCarthy, I’m pretty sure, and, by extension, the great whooping cough revival of 2014. Thanks a lot, jocks!
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
It's a dreadfully long monster of a book, and I certainly won't have time to read it, but I'm giving it a thorough skimming. The authors are utterly incompetent - no sense of style or structure at all. It starts out as a detective story, switches to science-fiction, then goes off into the supernatural, and is full of the most detailed information of dozens of ghastly boring subjects. And the time sequence is all out of order in a very pretentious imitation of Faulkner and Joyce. Worst yet, it has the most raunchy sex scenes, thrown in just to make it sell, I'm sure, and the authors - whom I've never heard of - have the supreme bad taste to introduce real political figures into this mishmash and pretend to be exposing a real conspiracy. You can be sure I won't waste time reading such rubbish.
Robert Shea (The Illuminatus! Trilogy)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Did I hurt you?" She managed to ask, recalling how she had inadvertently pushed on his wounded shoulder. "Does it ache this morning?" Leo hesitated before replying. "No it eventually eased after you left. But the devil knows it wouldn't take much to start up again." Catherine was overcome with remorse. "I'm sorry. Should we put poultice on it?" "A poultice?" he repeated blankly. "On my... oh. We're talking about my shoulder?" She blinked in confusion. "Of course we're talking about your shoulder. What else would we be discussing?" "Cat..." Leo looked away from her. To her surprise, there was a tremor of laughter in his voice. "When a man is aroused and left unsatisfied, he usually aches for a while afterward." "Where?" He gave her a speaking glance. "You mean..." a wild blush raced over her as she finally understood. "Well, I don't care if you ache there. I was only concerned about your wound!" "It's much better," Leo assured her, his eyes bright with amusement. "As for the other ache--" "That has nothing to do with me," she said hastily. "I be to differ.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D
Anonymous
Feinstein’s fact-finding missions often verged on the ludicrous. An ardent opponent of the city’s growing porn industry, Feinstein decided she should go to an adult movie to see for herself what she was up against, dragging along another nice Jewish girl, Chronicle society columnist Merla Zellerbach, to a seedy theater. Predictably, Feinstein and her friend were horrified. On another occasion, Feinstein—determined to clean up the Tenderloin, the city’s drugged-out red-light district—put on a blond wig and stood on a street corner for three hours to learn more about the raunchy neighborhood.
David Talbot (Season of the Witch: Enchantment, Terror, and Deliverance in the City of Love)
eight month pregnant paralegal, Jessica, is the proud owner of a raunchy black negligee with matching thongs, fuzzy handcuffs and blindfold.
Erin Brady (The Holiday Gig)
playing over and over on a loop.
Sabrina Paige (Prince Albert (Raunchy Royals #1))
He remembered Barber when he was gentle and when he was not; his tender pleasure at preparing and sharing food, and his selfishness; his patience in instruction, and his cruelty; his raunchiness, and his sober advice; his laughter, and his rages; his warm spirit, and his drunkenness.
Noah Gordon (The Physician (The Cole Trilogy, 1))
Hot, raunchy and funny. —GiveMeBooks
Scarlett Avery (Irresistible Attraction (Billionaires' Indulgence #1))
I write erotica: sexy, raunchy fiction with the goal of getting your mind tuned in and your body turned on! Looking forward to sharing my steamy stories!
Shayna York
All the things you’re not supposed to do on land you’re supposed to do on a cruise because it’s one of America’s official responsibility-free zones, like Mardi Gras, New Year’s Eve or Courtney Love. Twenty-four-hour free buffets all over the place, raunchy stage shows, countless bars that won’t cut you off as long as you can knee-walk into a casino and blow the mortgage—
Tim Dorsey (Atomic Lobster Free with Bonus Material)
It features characters well over 40 having the best sex of their lives, not a bunch of college kids or post-college kids who have no idea what great sex is. They’re honest, raw, sometimes raunchy, and very often funny, not to mention willing to explore and have a little frisky adventure.
Deanndra Hall (Laying a Foundation (Love Under Construction, #1))
I mean it. We will not be havin' sex." "Fine. I get it. Hands off. No hugs, no kisses, no holding hands, no hot looks, no copping a feel. No chance for a hard, fast, sweaty, screaming, raunchy ****fest against the wall, or on the floor, or in the shower, and definitely not on the bed.
Lorelei James (Chasin' Eight (Rough Riders, #11))
Me mum always told me the rich was blessed, but I thought she was talkin' about gold." She leaned over to cackle in his ear, then actually patted him on the head as if he was some slavering lapdog. "You might have escaped the gallows, lad, but you was already well hung.
Teresa Medeiros (A Kiss to Remember (Once Upon a Time, #3))
Tom yelled as he came seconds later, pumped inside of him, still hard and Prophet swore he could feel him come through the condom. It was dirty and messy. Raunchy. And when Tom’s hand caught in his hair, forcing him to turn his head and look into Tom’s face, Prophet complied. Couldn’t pretend he didn’t have the strength to look away. Tom was forcing him to watch, to acknowledge. To not sink into the past, for comfort or self-flagellation. Tommy seemed intent on taking care of him as well as taking charge. Prophet couldn’t get too comfortable with this, couldn’t enjoy it, because then . . . Because then.
S.E. Jakes (Catch a Ghost (Hell or High Water, #1))
Wearing Nametags- On Yourself The purpose of wearing nametags in the first place is for people to see your name. Otherwise, why bother? We have all seen nametag placements that range from proper to downright raunchy. People can get pretty creative about where they place them and it is not always appropriate. For this book, we will focus on the best practices.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Indescribable. Raunchy and Unforgettable. — Margaret Smith
Scarlett Avery (Enamored (British Temptation #4))
When Humor Falls Flat “Humor is not a "one-size fits all" guarantee. What is hilarious to one person may be offensive to another. By being emotionally intelligent and self-aware, you can discern how, when, why, or where to be funny . . . or not. You might be walking on thin ice and risk making a damaging first impression if you use humor that is: • At the expense of others. • Thoughtless sarcasm. • Belittling or condescending. • Hitting below the belt. • Creepy or profane. • Raunchy humor with sexual innuendo. • Politically incorrect. • Mean-spirited.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
I nod. “Yeah, I’ve gotten into raunchy hand lettering.” He laughs out loud, his head falling back. “What do you mean by raunchy?” “Well, I started out with inspirational quotes, because that’s what all the books teach you. I like to write on blank cards and send them to people. Well, ‘Believe in Yourself’ was getting boring, so I took up more raunchy sayings. You know how ladies are now cross-stitching swear words? Consider that me, but with a calligraphy pen.” “That’s amazing. Tell me one of your favorites.” We move forward in line as I think about it. “Well, last night I made a sign for my bathroom, which reminds me I need to get a frame for it. It says, ‘Please don’t do coke in the bathroom.’” Linus chuckles. “That’s a reasonable request.” “I sent a card to my brother that said, ‘Don’t be a douche canoe.’ I drew a little canoe in the middle. He liked it a lot. There’s just something special about using pretty handwriting to say rotten things.
Meghan Quinn (Boss Man Bridegroom (The Bromance Club, #3))
I had little idea what a homosexual was, and when it was explained to me that homosexuals like to have sex with others of the same gender, I found the whole notion pointless and inconceivable, like concrete clothing or square wheels. Later, when I grew a bit older, homosexuality seemed to be associated with anuses and fetishes and raunchy pornography—an impression which, come to think of it, gay activism in the 1970s did as much as it could to reinforce. In any case, homosexuality was clearly about certain acts of sex, which I felt were of no interest to me. What I was in the dark about was something which in fact much or most of the world still misunderstands: homosexuality is not about what you may or may not do for sex, it is about whom you fall in love with.
Jonathan Rauch (Denial: My 25 Years Without a Soul)
I even miraculously avoided getting a tramp stamp.
Sarah Esterly (Stalker Sarah & Trophy Tommy's Crazy Country Summer: An Insane 90s Teen Romance, F**ked Up Woman's Survival Story, and Letter to a Long-Lost Friend)
I can’t help but notice you have no hair on your vagina,” I said matter-of-factly to the woman with no hair on her vagina.
Dave Hill (Tasteful Nudes and Other Misguided Attempts at Personal Growth and Validation)
The rush was incredible, like getting a prostate exam in the middle of a roller-coaster ride at a women’s prison—the kind of thrill you never see coming in a million, trillion years.
Dave Hill (Tasteful Nudes and Other Misguided Attempts at Personal Growth and Validation)
Every father is the perfect man to his son; closer to gods in perfection and divinity. But here, as he was being unflinchingly honest in his response and baring his very human imperfections, he was beginning to appear more of an imperfectly beautiful human and less of a depressingly perfect god. The conversations were so engaging that we went from sounding like raunchy teenagers, to erotic novelists, to perfect anti-socials. To being two unpretentious adults involved in a man-to-man talk. Finally, to being two independent souls unfettered by the mundane world and its constrictive definitions of relationships. The man was to become my muse. The theme. The story; its meaning and meaninglessness. The character, the audience. The admirer, the critic. The patron, and the beneficiary.
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
Instead, somehow they’re going to try it right down the main highway, eight lanes wide, heron-neck arc lamps rising up as far as the eye can see, and they will broadcast on all frequencies, waving American flags, turning up the Day-Glo and the neon of 1960s electro-pastel America, wired up and amplified, 327,000 horsepower, a fantasy bus in a science-fiction movie, welcoming all on board, no matter how unbelievably Truck Stop Low Rent or raunchy—
Tom Wolfe (The Electric Kool-Aid Acid Test)
I personally would like a lot more stuff around here to make sense. But when something ghastly happens, it is not helpful to many people if you say that it's all part of God's perfect plan, or that it's for the highest good of every person in the drama, or that more will be revealed, even if that is all true. Because at least for me, if someone's cute position minimizes the crucifixion, it's bullshit. Which I say with love. To use just one Christian example: Christ really did suffer, as the innocent of the earth really do suffer. It's the ongoing tragedy of humans. Our lives and humanity are untidy: disorganized and careworn. Life on earth is often a raunchy and violent experience. It can be agony just to get through the day. And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, 'This is a nightmare. I hate everything. I'm going to go hide in the garage.'... My understanding of incarnation is that we are not served by getting away from the grubbiness of suffering... It would be great if we could shop, sleep or date our way out of this. Sometimes we think we can, but it feels that way only for a while. To heal, it seems we have to stand in the middle of the horror, at the foot of the cross, and wait out another's suffering where that person can see us.
Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair by Anne Lamott (2013-10-29))
How do you put your balls on a diet?
C.M. Nascosta (A Blue Ribbon Romance)
That’s a foregone conclusion.
Sabrina Paige (Prince Albert (Raunchy Royals #1))
giving
Sabrina Paige (Prince Albert (Raunchy Royals #1))
The Hudson Burlesque Of all the theaters I miss from that era, the Hudson Theatre tops the list. It was built in what was then called Union Hill, early in December 1907. We called it the Hudson Burlesque, and it featured striptease artists such as Lili St. Cyr, Gypsy Rose Lee and Tempest Storm. Being too young to get into the theatre on my own, I usually offered an adult standing in line some money to take me in. Once inside, I would head for the front of the theatre to the fire exit on the right side of the orchestra seating. It was all prearranged with my friends waiting outside! With one kick, the door would open, allowing them to come streaming in. There were not enough ushers to catch us all, so some of us would invariably be caught and evicted, only to try to gain access again. It was all great fun! “I don't think there is such a thing as being too raunchy when it comes to the art form of burlesque.” Christina Aguilera, American singer-songwriter and actress. From the upcoming book “Seawater One.
Hank Bracker
Michael Barbaro and I spent all afternoon calling women voters. We declared that women watched the debate “through the same inescapable prism: a raunchy, three-minute recording in which Mr. Trump told of kissing and touching women however he pleased.” We called this “Trump’s new, agonizing and self-created reality” and declared his campaign “imperiled by his careless approach to gender . . .” Less than a month later, Trump would win a majority of white women.
Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
Thad, did she come over?” said Quentin Erwin, Jr., the Hickam County District Attorney and Thaddeus Murfee’s best friend. “I sent her to see you because I sure as hell didn’t know what to do with her. Great tits, though, huh?” Quentin loved raunchy cases like Ermeline’s.
John Ellsworth (The Defendants (Thaddeus Murfee Legal Thrillers #2))
Whips and Things by David Allan Coe. All three of us belt the lyrics, because it’s one of those songs that should be bellowed as loudly and obnoxiously as possible. The raunchy words send Maybe into a fit of laughter, and by the time we finish, we’re all laughing, just like we did when Lorne introduced it to us in our teens. “I’m going to play that song at our wedding.” Jake grins. “You do that.” Conor tweaks his nipple through his shirt. “Because when I play it at your funeral, I’m bringing a date.
Pam Godwin (Buckled (Trails of Sin, #2))
My God, you surely know how to render a girl speechless.” She tilts her head back. I take one more step forward and our bodies nearly touch. The proximity causes her chest to heave and the visual only fuels my desire something fierce. “If you knew all of the dirty, raunchy and downright obscene things that are crossing my mind right now, you’d never speak a word again in your life.
Scarlett Avery (Billionaire’s Infatuation, Part 1-5 (Billionaire’s Infatuation #1-5, Falling for a Cowboy Duet #2))
What do guys with big dicks say in the morning?” “Huh?” The question confused him. “What?” Lea nodded. “Yeah, I didn’t think you’d know.
Matthew FitzSimmons (Poisonfeather (Gibson Vaughn, #2))
God damn you!” Alfred said. “You belong in jail!” The turd wheezed with laughter as it slid very slowly down the wall, its viscous pseudopods threatening to drip on the sheets below. “Seems to me,” it said, “you anal retentive type personalities want everything in jail. Like, little kids, bad news, man, they pull your tchotchkes off your shelves, they drop food on the carpet, they cry in theaters, they miss the pot. Put ’em in the slammer! And Polynesians, man, they track sand in the house, get fish juice on the furniture, and all those pubescent chickies with their honkers exposed? Jail ’em! And how about ten to twenty, while we’re at it, for every horny little teenager, I mean talk about insolence, talk about no restraint. And Negroes (sore topic, Fred?), I’m hearing rambunctious shouting and interesting grammar, I’m smelling liquor of the malt variety and sweat that’s very rich and scalpy, and all that dancing and whoopee-making and singers that coo like body parts wetted with saliva and special jellies: what’s a jail for if not to toss a Negro in it? And your Caribbeans with their spliffs and their potbelly toddlers and their like daily barbecues and ratborne hanta viruses and sugary drinks with pig blood at the bottom? Slam the cell door, eat the key. And the Chinese, man, those creepy-ass weird-name vegetables like homegrown dildos somebody forgot to wash after using, one-dollah, one-dollah, and those slimy carps and skinned-alive songbirds, and come on, like, puppy-dog soup and pooty-tat dumplings and female infants are national delicacies, and pork bung, by which we’re referring here to the anus of a swine, presumably a sort of chewy and bristly type item, pork bung’s a thing Chinks pay money for to eat? What say we just nuke all billion point two of ’em, hey? Clean that part of the world up already. And let’s not forget about women generally, nothing but a trail of Kleenexes and Tampaxes everywhere they go. And your fairies with their doctor’s-office lubricants, and your Mediterraneans with their whiskers and their garlic, and your French with their garter belts and raunchy cheeses, and your blue-collar ball-scratchers with their hot rods and beer belches, and your Jews with their circumcised putzes and gefilte fish like pickled turds, and your Wasps with their Cigarette boats and runny-assed polo horses and go-to-hell cigars? Hey, funny thing, Fred, the only people that don’t belong in your jail are upper-middle-class northern European men. And you’re on my case for wanting
Jonathan Franzen (The Corrections)
when Corin got tired, she got raunchy. In his experience, everyone dealt with pushing too hard differently. Some got angry and irritable, some got sad. At a guess, it was all loss of inhibition. Wear down the façade with too much work or fear or both, and whoever was waiting underneath came out.
James S.A. Corey (Abaddon's Gate (Expanse, #3))
Jett leaned in close. “Ready to run? Renn’s huffing and puffing like he just deep throated a monster cock the last half hour.
Katherine McIntyre (Hypnotizing Beat (Discord's Desire #2))
A Revolutionary Act A hug, a moment of embrace; once an ordinary thing, now an act of revolution. See her smile there! The mask of shame lifted; teeth, shining bright against the gold of the sun; it's rays of love wrap the skin as if to say, "it's okay." A touch has become a weapon. The evil use it against us, as they label us dirty and contaminated. Uncover and breathe the free air again! I set the captive free from demonic chains that bound the humblest of folk~ confined no more by their black cloak. We run through green meadows, lined with blue and purple violets and daisies. Children laugh and throw toys about like the free-spirited tots they are. The lowly, lifted up upon our barter of silver and gold; hungry no more. The psychopath, brought down by the wolves; hunted, as the masses grow weary. Tired of their lies and raunchy alibis they ready themselves to strike at the polls. No more will they accept their false claims that we are a danger to ourselves and others. No more shaming the unmasked; we will live free or die fighting!
Kara D. Spain