Rank Doesn't Matter Quotes

Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.

Math is hard work and it occupies your mind—and it doesn’t hurt to learn all you can of it, no matter what rank you are; everything of any importance is founded on mathematics.

Valette?" Elend asked, stupefied. Vin jumped up, grabbing him in a joyful embrace, hanging onto him tightly and burying her face into his shoulder. "You came back," she whispered. "You came back, you came back, you came back..." "Um, yes. And ... I see that you're a Mistborn. That's rather interesting. You know, it's generally common courtesy to tell one's friends about things like that." "Sorry," she mumbled, still holding on to him. "Well, yes," he said, sounding very distracted. "Um, Valette? What happened to your clothes?" "They're on the floor over there," she said, looking up at him. "Elend, how did you find me?" "Your friend, one Master Dockson, told me that you'd been captured in the palace. And well, this fine gentleman here - Captain Goradel, I believe his name is - happens to be a palace soldier, and he knew the way here. With his help - and as a nobleman of some rank - I was able to get into the building without much problem, and then we heard screaming down this hallway ... And, um, yes. Valette? Do you think you could go put your clothes on? This is ... kind of distracting." She smiled up at him. "You found me." "For all the good it did," he said wryly. "It doesn't look like you needed our help very much..." "That doesn't matter," she said. "You came back. No one's ever come back before.

I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life. Originally published in The Washington Post Book World

Defining yourself in terms of how you rank is always dangerous and ultimately immature. It doesn't matter whether the rank has to do with your grades, your weight or where you finished in the 800 meter race. Becoming a mature adult means, among other things, that you define yourself relative to your own potential, not relative somebody else's standard.

others take me more seriously, because I am with such a successful person—because that means that I, too, must be successful if this successful person has me in his life. It doesn’t matter that I have been educating myself for 15 years and that I am actually successful in my own right. I must be a bit successful to be in this position. But every successful career woman knows that she has had to work like a horse for her success, a lot more than men who have reached the same position. And it is very hard to accept that in our time people first and foremost rank you on the scale of success with regards to the success of your partner.

Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem… and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.

Secondly," he went on, "a Chief Magistrate is about as far beneath a marquess's daughter as a tree is beneath the moon." A mutinous look crossed his aunt's face. "Sir Richard started out as a saddler's apprentice. He got himself a knighthood partly because he married a wife with good connections." "A wealthy baker's daughter. That's a far cry from a lady of rank." "That doesn't mean it can't happen. You're a fine man, a handsome man, if I do say so myself. You're young and strong, with a good education and gentlemanly manners-better manners than Sir Richard, anyway. And now that you own this house-" "She lives in a mansion!" Snatching his arm free, he rose. "Do you really think she'd be happy here in Cheapside, with the butchers and merchants and tradesmen?" Her aunt looked wounded. "I thought you liked this neighborhood." Damn. "I do, but..." There was nothing for it but to tell her the truth. "She can't stand me, all right? I'd be the last person on earth she'd want to marry." Snatching up the report, he headed for the door. "I have to go." "Jackson?" "What?" he barked. "If that's true, she's a fool." Lady Celia was no fool. She simply knew better than to take up with a man who didn't know the identity of his own father. He managed a curt nod. "I'll see you tonight, Aunt." As he left the house, an age-old anger weighed him down. He wouldn't hurt Aunt Ada for the world, but she didn't understand. Ever since he'd started working for the Sharpes, she'd hoped that his association with them would raise him up in the world, and nothing he said dampened that hope. No doubt she believed that his father's supposedly noble blood made him somehow superior to every other bastard. But one day she would learn. An unclaimed bastard was an unclaimed bastard, no matter who his father was.

The end of the war will see the final ruin of the Jew. The Jew is the incarnation of egoism. And their egoism goes so far that they're not even capable of risking their lives for the defence of their most vital interests. The Jew totally lacks any interest in things of the spirit. If he has pretended in Germany to have a bent for literature and the arts, that's only out of snobbery, or from a liking for speculation. He has no feeling for art, and no sensibility. Except in the regions where they live in groups, the Jews are said to have reached a very high cultural level! Take Nuremberg, for example: for four hundred years—that is to say, until 1838—it hadn't a single Jew in its population. Result: a situation in the first rank of German cultural life. Put the Jews all together: by the end of three hundred years, they'll have devoured one another. Where we have a philosopher, they have a Talmudistic pettifogger. What for us is an attempt to get to the bottom of things and express the inexpressible, becomes for the Jew a pretext for verbal juggleries. His only talent is for masticating ideas so as to disguise his thought. He has observed that the Aryan is stupid to the point of accepting anything in matters of religion, as soon as the idea of God is recognised. With the Aryan, the belief in the Beyond often takes a quite childish form ; but this belief does represent an effort towards a deepening of things. The man who doesn't believe in the Beyond has no understanding of religion. The great trick of Jewry was to insinuate itself fraudulently amongst the religions with a religion like Judaism, which in reality is not a religion. Simply, the Jew has put a religious camouflage over his racial doctrine. Everything he undertakes is built on this lie. The Jew can take the credit for having corrupted the Graeco- Roman world. Previously words were used to express thoughts; he used words to invent the art of disguising thoughts. Lies are his strength, his weapon in the struggle. The Jew is said to be gifted. His only gift is that of juggling with other people's property and swindling each and everyone. Suppose I find by chance a picture that I believe to be a Titian. I tell the owner what I think of it, and I offer him a price. In a similar case, the Jew begins by declaring that the picture is valueless, he buys it for a song and sells it at a profit of 5000 per cent. To persuade people that a thing which has value, has none, and vice versa—that's not a sign of intelligence. They can't even overcome the smallest economic crisis! The Jew has a talent for bringing confusion into the simplest matters, for getting everything muddled up. Thus comes the moment when nobody understands anything more about the question at issue. To tell you something utterly insignificant, the Jew drowns you in a flood of words. You try to analyse what he said, and you realise it's all wind. The Jew makes use of words to stultify his neighbours. And that's why people make them professors. The law of life is : "God helps him who helps himself!" It's so simple that everybody is convinced of it, and nobody would pay to learn it. But the Jew succeeds in getting himself rewarded for his meaningless glibness. Stop following what he says, for a moment, and at once his whole scaffolding collapses. I've always said, the Jews are the most diabolic creatures in existence, and at the same time the stupidest. They can't produce a musician, or a thinker. No art, nothing, less than nothing. They're liars, forgers, crooks. They owe their success only to the stupidity of their victims. If the Jew weren't kept presentable by the Aryan, he'd be so dirty he couldn't open his eyes. We can live without the Jews, but they couldn't live without us. When the Europeans realise that, they'll all become simultaneously aware of the solidarity that binds them together. The Jew prevents this solidarity. He owes his livelihood to the fact that this solidarity does not exist.

Movements in literature were not caricatures - in the sense that they actually functioned as an ideology in politics does. As now a monopolistic ideology in politics prevails in the literature as well a single movement prevails: that of networking as a literary quality. Quality = networking is the magic formula: take a Krijn Peter Hesselink, never managed to score a positive review but reviews are old news: it is only referential authority trickling down from that network pyramid that counts. Thus, nowadays its perfectly possible to be on top of the Pyramid without ever getting a positive review, or - even worse - I even see people rising in literary ranks that have never written any books at all. Ergo, your point that another ideology would make a 'caricature' of literary history is exactly the same reasoning used by neoliberals to deconstruct any political change: another ideology? Impossible, because they no longer exist, only we still exist. In this way you get a pyramid shape you also see in popular music. It's still the bands from the 70's and 80's who earn the big money. New talent can't really play ball anymore. This of course embedded in a sauce of eternal talent shows, because the incumbent males have to just keep pretending they are everyone's benefactors. In the literature its the same: it is still Pfeijffer that gets the large sums of money from the Foundation of Literature, and it's still Samuel Vriezen pretending that that doesn't matter. 'Controversy' therefore structurally undesirable. After all, it would require a redistribution of power. The pyramid is especially interested in promoting mediocre types that promote safe and boring life visions, because then one ever needs to fear for his position, which, in case of serious controversy, they'd be forced to defend. Ergo, 100 interviews with Maria Barnas, and zero with Martinus Benders.

When somebody say "Writer", I think about a person or people which have rank "Writer", when somebody ask me about president. I think about rank "president" - but in the end we understand thall people with this ranks are normal are like the people around the world poor or rich it doesn't matter!

At home, Russia is facing many challenges, not least of which is demographic. The sharp decline in population growth may have been arrested, but it remains a problem. The average lifespan for a Russian man is below sixty-five, ranking Russia in the bottom half of the world’s 193 UN member states, and there are now only 144 million Russians (excluding Crimea). From the Grand Principality of Muscovy, through Peter the Great, Stalin and now Putin, each Russian leader has been confronted by the same problems. It doesn’t matter if the ideology of those in control is tsarist, Communist or crony capitalist – the ports still freeze, and the North European Plain is still flat. Strip out the lines of nation states, and the map Ivan the Terrible confronted is the same one Vladimir Putin is faced with to this day.

Do you suppose it ever occurs to an angel to worry because he is not an archangel? or to think that if he works a little harder or makes the right angelic friends he’ll get elevated in the heavenly hierarchy? That’s nonsense. My guardian angel is equal, as far as rank goes, to any archangel. It’s we earthlings who’ve lost sight of the fact that it’s a difference in kind, not in degree. And anyhow it doesn’t matter, because my guardian angel is fully what he is, performing wholly the function for which God has created him. At the moment, this function is to watch over me. After I die, he might be assigned to sweeping stardust out of a corner of the sky. But because he is doing what he is created to do, radiantly, joyfully, no matter how difficult I make it for him, I can catch some of his joy. Without my angel’s joy, where would I be?”)

Incredibly, Hamish doesn’t even deny it. “Yes. Not very politically correct, of course, but the truth of the matter is, it’s impractical to place females in high-ranking positions.” Sebastian coughs. Cami frowns. She’s either outraged by the injustice against her sex, or about to poop.

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MATTERS: The child’s parents are involved in the PTA. DOESN’T: The child frequently watches television. A child whose parents are involved in the PTA tends to do well in school—which probably indicates that parents with a strong relationship to education get involved in the PTA, not that their PTA involvement somehow makes their children smarter. The ECLS data show no correlation, meanwhile, between a child’s test scores and the amount of television he watches. Despite the conventional wisdom, watching television apparently does not turn a child’s brain to mush. (In Finland, whose education system has been ranked the world’s best, most children do not begin school until age seven but have often learned to read on their own by watching American television with Finnish subtitles.) Nor, however, does using a computer at home turn a child into Einstein: the ECLS data show no correlation between computer use and school test scores.

Henry “owes Joshua one.” One what? How do you quantify a favor? On what basis do you say that this many potatoes, or this big a pig, seems more or less equivalent to a pair of shoes? Because even if these things remain rough-and-ready approximations, there must be some way to establish that X is roughly equivalent to Y, or slightly worse or slightly better. Doesn’t this imply that something like money, at least in the sense of a unit of account by which one can compare the value of different objects, already has to exist? In most gift economies, there actually is a rough-and-ready way to solve the problem. One establishes a series of ranked categories of types of thing. Pigs and shoes may be considered objects of roughly equivalent status: one can give one in return for the other. Coral necklaces are quite another matter; one would have to give back another necklace, or at least another piece of jewelry—anthropologists are used to referring to these as creating different “spheres of exchange.