Scotland Beauty Quotes

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I thought the force of my wanting must wake ye, surely. And then ye did come. . ." He stopped, looking at me with eyes gone soft and dark. "Christ, Claire, ye were so beautiful, there on the stair, wi' your hair down and the shadow of your body with the light behind ye…." He shook his head slowly. "I did think I should die, if I didna have ye," he said softly. "Just then.
Diana Gabaldon
There’s more to you than cute. People call you cute because you’re petite…but you’re sexy too…Mostly you’re beautiful in a way that stops a man in his tracks.
Samantha Young (Echoes of Scotland Street (On Dublin Street, #5))
I remember every stone, every tree, the scent of heather... Even when the thunder growled in the distance, and the wind swept up the valley in fitful gusts, oh, it was beautiful, home sweet home.
Beatrix Potter
there were lovely things in the world, lovely that didn't endure, and the lovelier for that... Nothing endures.
Lewis Grassic Gibbon (Sunset Song (A Scots Quair, #1))
In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
I went to this beautiful place where the ground moved underneath me and the air was a part of me, and where time stopped. It was amazing and wonderful. But God sent me back, back to my body, back to you. - Lindsey Water
Cyndi Tefft (Between (Between, #1))
Find beauty. Be still.
W.H. Murray (Mountaineering in Scotland / Undiscovered Scotland)
It was, as the song said, ‘call to arms music,’ and seemed to have little to do with Scotland and New Year. It was fighting music. Stevie didn’t want to fight anyone. But it was also beautiful music.
Irvine Welsh (Trainspotting)
She leaned a shoulder against the tunnel wall and thought of Kellan. A Dragon King. A dragon and a King. A gorgeous man who kissed as if there were no tomorrow and made love skillfully, adeptly. He could have let her die. Instead, he took her on a journey that opened her eyes to an entirely new world both beautiful and frightening.
Donna Grant (Darkest Flame: Part 4 (Dark Kings))
Autumn in the Highlands would be brief—a glorious riot of color blazing red across the moors and gleaming every shade of gold in the forests of sheltered glens. Those achingly beautiful images would be painted again and again across the hills and in the shivering waters of the mountain tarns until the harsh winds of winter sent the last quaking leaf to its death on the frozen ground.
Elizabeth Stuart (Heartstorm)
The pain passes, but the beauty remains
Jillian Stone (An Affair with Mr. Kennedy (The Gentlemen of Scotland Yard, #1))
Beautiful, Glorious Scotland, has spoilt me for every other country.
Mary Todd Lincoln
I am thinking that you're verra beautiful, Sassenach," he said softly. "Maybe if one has a taste for gooseflesh on a large scale," I said tartly, stepping out of the tub and reaching for the cup. He grinned suddenly at me, teeth flashing white in the dimness of the cellar. "Oh, aye," he said. "Well, you're speaking to the only man in Scotland who has a terrible cockstand at sight of a plucked chicken.
Diana Gabaldon (Voyager (Outlander, #3))
A story that began with, and exists because of, my love of the remoter parts of Scotland, where the bones of the Earth show through, and the sky is a pale white, and it's all astoundingly beautiful, and it feels about as remote as any place can possibly be.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Her breath caught when his erection shot to rigid. "Merciful Father, Ye're like a stallion with a mare in heat.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Are ye always standing like a stallion?" His low chuckle brought another wave of gooseflesh across her skin. "Only when Ye're near.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
And the beautiful are forgiven; no matter how egregious their shortcomings, they are forgiven.
Alexander McCall Smith (The Importance of Being Seven (44 Scotland Street, #6))
Believe me, there’s nothing more brittle than human beauty. Encounter it. Savour it, by all means. Then watch how it turns to dust.
Alexander McCall Smith (44 Scotland Street (The 44 Scotland Street Series Book 1))
Troutie, my bonnie little fellow, am not I the most beautiful woman in all the world?
Kenneth MacLeod (Gold-Tree and Silver-Tree: The Scottish 'Snow White' Fairytale)
Were ye sent by the fairy folk? Do no' lie to me.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
I do no' think ye should lick me leg.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Mary watched the sunset from her carriage window, realizing that such beauty could never last. Life was a golden glory that faded in the wink of an eye. Life was a village fair that only lasted for a single day. As the carriage rattled along, rocking her like a babe in arms, Mary felt very old and wise. She found that she didn't mind being taken back to the castle, to a caring captivity that was filled with comforts and kindness. And she also found that she couldn't keep her eyes open.
Margaret George (Mary Queen of Scotland and The Isles)
She did not want to have to choose between the legend which had finally made her feel as if her life had meaning and this beautiful, caring man whose soul seemed to echo with the same beats as her own heart.
Angela Quarles (Must Love More Kilts (Must Love, #4))
Long ago, when faeries and men still wandered the earth as brothers, the MacLeod chief fell in love with a beautiful faery woman. They had no sooner married and borne a child when she was summoned to return to her people. Husband and wife said a tearful goodbye and parted ways at Fairy Bridge, which you can still visit today. Despite the grieving chief, a celebration was held to honor the birth of the newborn boy, the next great chief of the MacLeods. In all the excitement of the celebration, the baby boy was left in his cradle and the blanket slipped off. In the cold Highland night he began to cry. The baby’s cry tore at his mother, even in another dimension, and so she went to him, wrapping him in her shawl. When the nursemaid arrived, she found the young chief in the arms of his mother, and the faery woman gave her a song she insisted must be sung to the little boy each night. The song became known as “The Dunvegan Cradle Song,” and it has been sung to little chieflings ever since. The shawl, too, she left as a gift: if the clan were ever in dire need, all they would have to do was wave the flag she’d wrapped around her son, and the faery people would come to their aid. Use the gift wisely, she instructed. The magic of the flag will work three times and no more. As I stood there in Dunvegan Castle, gazing at the Fairy Flag beneath its layers of protective glass, it was hard to imagine the history behind it. The fabric was dated somewhere between the fourth and seventh centuries. The fibers had been analyzed and were believed to be from Syria or Rhodes. Some thought it was part of the robe of an early Christian saint. Others thought it was a part of the war banner for Harald Hardrada, king of Norway, who gave it to the clan as a gift. But there were still others who believed it had come from the shoulders of a beautiful faery maiden. And that faery blood had flowed through the MacLeod family veins ever since. Those people were the MacLeods themselves.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
Dreagan is Scotland," Asher said. "The land draws you in a way you can no' begin to understand. You feel the majesty and magic of the ancient land. From the tallest mountain to the lowest valley, in the leaves of the trees and in the currents of the streams, you feel an overwhelming and unshakable need to want to be a part of such a place. To want to belong. It doesn't confine you. Instead, it cradles you, offering its beauty and solitude for those who answer its call. It's wild and free. It's fierce and unbreakable. It's home.
Donna Grant (Dragon Fever (Dark Kings #9.5; Dark World #26.5))
His tongue tapped his top lip as he cupped her breast in his hand. "Tis boidhche --beautiful.
Amy Jarecki (The Highland Henchman (Highland Force, #2))
Holy fairy feathers, why does he have to be so handsome? Why couldn't a haggard old man have washed ashore?
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Learning to pipe isn't easy. At first it always sounds worse than a chicken yard full of squawking adolescent roosters.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
We put on our walls what we think is beautiful or inspiring, and if others think that it is manufactured or shallow, then they need not have it on their walls.
Alexander McCall Smith (Sunshine on Scotland Street (44 Scotland Street, #8))
Would it not be the beautiful thing now If you were coming instead of going…
David Yeadon (Seasons on Harris: A Year in Scotland's Outer Hebrides)
V slowly pulled her toward him. “You’re beautiful in the moonlight.
Donna Grant (Ignite (Dark Kings #15))
Are ye hungry?" she asked, her voice soothing. His stomach growled. "I could cut the heart out of a stag and eat it raw." She chuckled. "Fortunately, we do no' have to go to such extremes.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
It was early evening twilight when we came around a corner… and there in the road was a red deer stag. He leapt up the bank beside the road and then paused, looking back over his shoulder as we passed. Like a scene in a dream I watched him as he watched me. He was so close… so still and so beautiful. There was an instant of knowing that my heart was as trapped in this beautiful wildness as my eyes were caught in his calm curious gaze. It was a slowly growing realisation that I had fallen in love a third time… with this lovely, cold strange world of water and stone, sharp light and deep shadows. And I would never be the same again.
Michelle Y. Frost
The long warm light that came just before the night shimmered like water. As fall approached, the sounds of bellowing red stags punctuated the woods, fierce as bears. The leaves were not yet changing, but there was something substantial and weighty to them, a fullness that could be heard when the breeze lifted them. Summer was building, building, until it had to collapse into fall, and the effort was breathtaking to watch.
Maggie Stiefvater (Bravely)
But, as Margaret half suspected, Edith had fallen asleep. She lay curled up on the sofa in the back drawing-room in Harley Street, looking very lovely in her white muslin and blue ribbons. If Titania had ever been dressed in white muslin and blue ribbons, and had fallen asleep on a crimson damask sofa in a back drawing-room, Edith might have been taken for her. Margaret was struck afresh by her cousin's beauty. They had grown up together from childhood, and all along Edith had been remarked upon by every one, except Margaret, for her prettiness; but Margaret had never thought about it until the last few days, when the prospect of soon losing her companion seemed to give force to every sweet quality and charm which Edith possessed. They had been talking about wedding dresses, and wedding ceremonies; and Captain Lennox, and what he had told Edith about her future life at Corfu, where his regiment was stationed; and the difficulty of keeping a piano in good tune (a difficulty which Edith seemed to consider as one of the most formidable that could befall her in her married life), and what gowns she should want in the visits to Scotland, which would immediately succeed her marriage; but the whispered tone had latterly become more drowsy; and Margaret, after a pause of a few minutes, found, as she fancied, that in spite of the buzz in the next room, Edith had rolled herself up into a soft ball of muslin and ribbon, and silken curls, and gone off into a peaceful little after-dinner nap.
Elizabeth Gaskell (North and South)
God, you’re beautiful,” he growled while his cock throbbed with need. “Ye keep telling me that and ye’ll have me believing it,” she said with the sexiest, most breathless voice he’d ever heard. His fingers sank into her supple flesh. Her breasts were so full, so pliable, he craved to have his mouth on them, craved to suckle her nipples and listen to every soft moan. “You’d best believe me, because whenever you’re near, I feel like a caveman.” “A wild beast?” He nearly roared. “The wildest imaginable.
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
There was no portion of land in the world with so contradictory a nature as the Highlands. Now it was a land of sunlit moors stained red with heather, knowing only the peace of the quiet sky and the heart-shaking beauty of the blue hills; now it was a harsh and awesome place where silent mists obscured the peaks and a bitter relentless rain came down from bitter skies, where an angry sea washed against the shore, and sullen clouds reflected in sullen gray lochs. Scotland in the sun and Scotland in the rain...
Jan Cox Speas (My Lord Monleigh)
The three sisters sat together, Masie in the middle, gazing at the twinkling stars. Wee Masie squeezed her eyes closed; praying hard to the gods a shooting star would magically appear. Please, if ye grant me this one wish, I promise to eat all my cabbage. She wrinkled her nose but her promise was good.
Victoria Zak (Beautiful Darkness: Masie (Daughters of Highland Darkness Book 1))
My friend opened a small box which Lestrade had produced. Inside lay a beautiful silver cigarette case monogrammed with Holmes's initials, underneath which ran the words, "With the Respects of Scotland Yard, November 1888." Sherlock Holmes sat with his lips parted, but no sound emerged. "Thank you," he managed at length.
Lyndsay Faye (Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson)
In the history of terrible holidays, this ranks as the worst ever. Worse than the Fourth of July when Granddad showed up to see the fireworks in a kilt and insisted on singing "Flower of Scotland" instead of "America the Beautiful." Worse than the Halloween when Trudy Sherman and I both went to school dressed as Glinda the Good Witch,and she told everyone her costume was better than mine,because you could see my purple "Monday" panties through my dress AND YOU TOTALLY COULD. I'm not talking to Bridgette.She calls every day,but I ignore her.It's over. The Christmas gift I bought her,a tiny package wrapped in red-and-white striped paper,has been shoved into the bottom of my suitcase.It's a model of Pont Neuf,the oldest bridge in Paris. It was part of a model train set,and because of my poor language skills, St. Clair spent fifteen minutes convincing the shopkeeper to sell the bridge to me seperately. I hope I can return it. I've only been to the Royal Midtown 14 once,and even though I saw Hercules, Toph was there,too.And he was like, "Hey, Anna.Why won't you talk to Bridge?" and I had to run into the restroom. One of the new girls followed me in and said she thinks Toph is an insensitive douchebag motherhumping assclown,and that I shouldn't let him get to me.Which was sweet,but didn't really help.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
My angel of mercy.” The gut-wrenching words stabbed Masie in the chest. It wasn’t the first time she’d been called that. She looked down, horrified by what she saw. He was lying in a pool of blood, his hand out-stretched. “My angel,” he wheezed as he struggled to breathe. He was a warrior, strong and fearless. She bent down and whispered softly in his ear, “Close yer eyes and I’ll end yer pain.” She paused just before her teeth sank into his flesh. Something within his essence held her back. He had to live.
Victoria Zak (Beautiful Darkness: Masie (Daughters of Highland Darkness Book 1))
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
...Pat wondered what inspiration an artist might find in the attempts of twenty-first-century architects to impose their phallic triumphs on the cityscape. Had any artist ever painted a contemporary glass block, for instance, or any other product of architectural brutalism that had laid its crude hands here and there upon the city?...If a building did not lend itself to being painted, then surely that must be because it was inherently ugly, whatever its claims to utility. And if it was ugly, then what was it doing in this delicately beautiful city?
Alexander McCall Smith (Bertie Plays the Blues (44 Scotland Street, #7))
Dissonance is produced by any landscape that enchants in the present but has been a site of violence in the past. But to read such a place only for its dark histories is to disallow its possibilities for future life, to deny reparation or hope – and this is another kind of oppression. If there is a way of seeing such landscapes, it might be thought of as ‘occulting’: the nautical term for a light that flashes on and off, and in which the periods of illumination are longer than the periods of darkness. The Slovenian karst is an ‘occulting’ landscape in this sense, defined by the complex interplay of light and dark, of past pain and present beauty. I have walked through numerous occulting landscapes over the years: from the cleared valleys of northern Scotland, where the scattered stones of abandoned houses are oversung by skylarks; to the Guadarrama mountains north of Madrid, where a savage partisan war was fought among ancient pines, under the gaze of vultures; and to the disputed valleys of the Palestinian West Bank, where dog foxes slip through barbed wire. All of these landscapes offer the reassurance of nature’s return; all incite the discord of profound suffering coexisting with generous life.
Robert McFarlane
Humanism in Five Images 29. Humanist Politics: the voter knows best. 29.​© Sadik Gulec/Shutterstock.com. 30. Humanist Economics: the customer is always right. 30.​© CAMERIQUE/ClassicStock/Corbis. 31. Humanist Aesthetics: Beauty is in the eye of the beholder. (Marcel Duchamp’s Fountain in a special exhibition of modern art at the National Gallery of Scotland.) 31.​© Jeff J Mitchell/Getty Images. 32. Humanist Ethics: if it feels good – do it! 32.​© Molly Landreth/Getty Images. 33. Humanist Education: think for yourself! 33.​The Thinker, 1880–81 (bronze), Rodin, Auguste, Burrell Collection, Glasgow © Culture and Sport Glasgow (Museums)/Bridgeman Images.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Humanism in Five Images 29. Humanist Politics: the voter knows best. 29. © Sadik Gulec/ Shutterstock.com. 30. Humanist Economics: the customer is always right. 30. © CAMERIQUE/ ClassicStock/ Corbis. 31. Humanist Aesthetics: Beauty is in the eye of the beholder. (Marcel Duchamp’s Fountain in a special exhibition of modern art at the National Gallery of Scotland.) 31. © Jeff J Mitchell/ Getty Images. 32. Humanist Ethics: if it feels good–do it! 32. © Molly Landreth/ Getty Images. 33. Humanist Education: think for yourself! 33. The Thinker, 1880–81 (bronze), Rodin, Auguste, Burrell Collection, Glasgow © Culture and Sport Glasgow (Museums)/ Bridgeman Images.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
He went on thus to call over names celebrated in Scottish song, and most of which had recently received a romantic interest from his own pen. In fact, I saw a great part of the border country spread out before me, and could trace the scenes of those poems and romances which had, in a manner, bewitched the world. I gazed about me for a time with mute surprise, I may almost say with disappointment. I beheld a mere succession of gray waving hills, line beyond line, as far as my eye could reach; monotonous in their aspect, and so destitute of trees, that one could almost see a stout fly walking along their profile; and the far-famed Tweed appeared a naked stream, flowing between bare hills, without a tree or thicket on its banks; and yet, such had been the magic web of poetry and romance thrown over the whole, that it had a greater charm for me than the richest scenery I beheld in England. I could not help giving utterance to my thoughts. Scott hummed for a moment to himself, and looked grave; he had no idea of having his muse complimented at the expense of his native hills. "It may be partiality," said he, at length; "but to my eye, these gray hills and all this wild border country have beauties peculiar to themselves. I like the very nakedness of the land; it has something bold, and stern, and solitary about it. When I have been for some time in the rich scenery about Edinburgh, which is like ornamented garden land, I begin to wish myself back again among my own honest gray hills; and if I did not see the heather at least once a year, I think I should die!
Washington Irving (Abbotsford and Newstead Abbey)
Swaggering in the coffee-houses and ruffling it in the streets were the men who had sailed with Frobisher and Drake and Sir Humphrey Gilbert, Hawkins, and Sir Richard Granville; had perhaps witnessed the heroic death of Sir Philip Sidney, at Zutphen; had served with Raleigh in Anjou, Picardy, Languedoc, in the Netherlands, in the Irish civil war; had taken part in the dispersion of the Spanish Armada, and in the bombardment of Cadiz; had filled their cups to the union of Scotland with England; had suffered shipwreck on the Barbary Coast, or had, by the fortune of war, felt the grip of the Spanish Inquisition; who could tell tales of the marvels seen in new-found America and the Indies, and, perhaps, like Captain John Smith, could mingle stories of the naive simplicity of the natives beyond the Atlantic, with charming narratives of the wars in Hungary, the beauties of the seraglio of the Grand Turk, and the barbaric pomp of the Khan of Tartary.
William Shakespeare (Complete Works of William Shakespeare)
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
His gaze was locked on the young woman approaching beside Lady Withram. Short, no more than five feet, with a pretty face, shiny, long, wavy midnight hair and more curves than his shield. He noted all that in an instant, his eyes traveling with appreciation over each asset before settling on her eyes. They were a color he’d never seen before in eyes, a combination of pale blue and green, almost teal with a darker rim circling the unusual irises. They were absolutely beautiful . . . and presently brimming with anxiety and fear. Before he’d even realized he was going to do it, Ross found himself moving around the table to approach the girl. Taking her hand in his, he placed it on his arm and peered solemnly down into her unusual eyes before announcing, “Well worth the wait.” He was pleased to see some of her fear dissipate. Just a little, but it was something. She blushed too, ducking her head as if unused to and embarrassed by such a compliment . . . and her fingers were trembling where they rested on his arm. She did not strike him as a light-skirt, nor was she sour faced or ugly, but she had the finest eyes he’d ever seen, and he wanted to see more of them, so Ross turned and escorted her to the table. He didn’t miss the audible sighs of relief from her parents at their backs. Nor did he miss Gilly’s muttered, “Bloody hell. He’s done fer now.” Judging
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
Did the countess tell you what was said between her and me?” Lillian asked tentatively. Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.” “Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!” “Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—” “I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—” “I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.” She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.” The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?” She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?” “Yes. Now.” The statement shocked her out of her tears. “What?” “I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.” “But… but everyone will expect a respectable church wedding…” “I can’t wait for you. I don’t give a damn about respectability.” A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…” “Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted. “Yes, Marcus.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I wonder what kind of men we might encounter in Scotland.Perhaps the reason we have not found our anyone in England is because they have been waiting for us up north." Bryonwyn gave in to the compulsion to roll her eyes.Leave it to Lily to twist a situation into something positive-and related to love. "You will find admirers wherever you go.And you,too, Edythe, will be adored by many." Bronwyn added with confidence as she rose and went to the door, indicating that tonight's chat was over. Edythe shook her head. "Lily desires not a man, but an impossibility. A person just cannot be responsible and spontaneous at the same time." "Well,you drive all your men away with your seriousness," Lily countered, looking to Bronwyn for support as she strolled up to the door. Sighing,Bronwyn leaned against the jamb and picked up a lock of Lily's dark hair. "You,Lily,need to find a way to mature without losing your optimism,and Edythe,you set a standard so high and can be so critical of those who do not meet it." Edythe opened her mouth and then closed it as she joined Lily at the door. "And what about you?" she demanded. "And don't say you are alone because you lack beauty,for you could be quite pretty if you tried wearing something other than dreary colors and keeping your hair in a net all the time." "Unfair,because you know that I could do as you ask,change my clothes and hair,but it wouldn't matter.The kind of man I want doesn't want me," Bronwyn uttered matter-of-factly, making shooing motions to get them to leave.
Michele Sinclair (The Christmas Knight)
56. There are, however, many stories of women—particularly saints—blinding themselves in order to maintain their chastity, to prove that they “only have eyes” for God or Christ. Consider, for example, the legend of Saint Lucy, patron saint of the blind, whose name means “clear, radiant, understandable. What seems clear enough: in 304 ad Lucy was tortured and put to death by the Roman emperor Diocletian, and thus martyred for her Christianity. What is unclear: why, exactly, she runs around Gothic and Renaissance paintings holding a golden dish with her blue eyes staring weirdly out from it. Some say her eyes were tortured out of her head in her martyrdom; some say she gouged them out herself after being sentenced by the pagan emperor to be defiled in a brothel. Even more unclear are the twinned legends of Saint Medana (of Ireland) and Saint Triduana (of Scotland), two Christian princesses who were pursued by undesirable pagan lovers—lovers who professed to be unable to live without their beloveds’ beautiful blue eyes. To rid herself of the unwanted attention, Medana supposedly plucked her eyes out and threw them at her suitor’s feet; Triduana was slightly more inventive, and tore here out with a thorn, then sent them to her suitor on a skewer. 57. In religious accounts, these women are announcing, via their amputations, their fidelity to God. But other accounts wonder whether they were in fact punishing themselves, as they knew that they had looked upon men with lust, and felt the need to employ extreme measures to avert any further temptation.
Maggie Nelson (Bluets)
In the second week, more people appeared. Esme met a missionary couple returning to a place called Wells-next-the-Sea. ‘It’s next to the sea,’ the lady said, and Esme smiled and thought she must remember that, to tell Kitty later. She saw them both glance at the black band round her arm, then look away. They told her about the huge beach that stretched out below the town and how Norfolk was full of houses made of pebbles. They had never been to Scotland, they said, but they had heard it was very beautiful. They bought her some lemonade and sat with her on deck-chairs while she drank it. ‘My baby brother,’ Esme found herself saying, as she swirled the ice in the bottom of the glass, ‘died of typhoid.’ The lady put her hand to her throat, then rested it on Esme’s arm. She said she was very sorry. Esme didn’t mention that her ayah had also died, or that they had buried Hugo in the churchyard in the village and that this bothered her, that he was being left behind in India while they all went to Scotland, or that her mother hadn’t spoken to her or looked at her since. ‘I didn’t die,’ Esme said, because this still puzzled her, still kept her awake in her narrow bunk. ‘Even though I was there.’ The man cleared his throat. He gazed out to the lumped, greenish line of what he’d told Esme was the coast of Africa. ‘You will have been spared,’ he said, ‘for a purpose. A special purpose.’ Esme looked up from her empty glass and studied his face in wonder. A purpose. She had a special purpose ahead of her. His dog-collar was startling white against the brown of his neck, his mouth set in a serious downturn. He said he would pray for her.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland. It is as wild and rugged a place as anywhere on earth, and I love it there. It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb. This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion. I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me. Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away. Falling in love was way off my radar. One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly. There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once. All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks. I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain. I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
Bear Grylls (Mud, Sweat and Tears)
Copulating Cats and Holy Men The Story of the Creation of the Book of Kells   In the year 791 A.D an Irish monk named Connachtach brought together a team of the finest calligraphers the world has ever seen, on the island of Iona, a sliver of limestone rock off the northwest coast of Scotland. They came from Northumbria in England, from Constantinople, from Italy and from Ireland. All of them had worked on other illuminated manuscripts. But Connachtach, eminent scribe and abbot of Iona, as he is described in contemporary annals, wanted from them the most richly ornamented book ever created by man’s hand. It was to be more beautiful than the great book of Lindisfarne: more beautiful than the gospel-books made at the court of Charlemagne: more beautiful than all the Korans of Persia. It would be known as the Book of Kells. Eighth century Europe was in a state of cultural meltdown. Since the end of the Pax Romana, three centuries earlier, warring tribes had decimated the continent. From the East the Ostrogoths had blundered into the spears of the Germanic tribes to be overrun, in their turn, by the Huns. Their western cousins, the Visigoths, plundered along a confident north- east, southwest axis from Spain to Cologne. The Vandals did what vandals do. As though that wasn't enough, a blunt-faced raggle-taggle band of pirates and pyromaniacs came looting and raping their way out of the freezing seas of the North. For a Viking there was no tomorrow, culture something you stuffed into a hemp sack; happiness, a warm sword. Wherever they went they extorted protection money: the Danegeld. Fighting drunk on a mixture of animist religion and aquavit they threatened to plunge the house of Europe into total darkness. The Book of Kells was to be a rainbow-bridge of light thrown across the abyss of the Dark Ages. Its colors were to burn until the end of time.   #
Simon Worrall (The Book of Kells: Copulating Cats and Holy Men)
At the very moment that they are thanking God for the enjoyment of civil and religious liberty, and for the right to worship God according to the dictates of their own consciences, they are utterly silent in respect to a law which robs religion of its chief significance, and makes it utterly worthless to a world lying in wickedness. Did this law concern the “mint, anise, and cumin” — abridge the right to sing psalms, to partake of the sacrament, or to engage in any of the ceremonies of religion, it would be smitten by the thunder of a thousand pulpits. A general shout would go up from the church, demanding repeal, repeal, instant repeal! — And it would go hard with that politician who presumed to solicit the votes of the people without inscribing this motto on his banner. Further, if this demand were not complied with, another Scotland would be added to the history of religious liberty, and the stern old Covenanters would be thrown into the shade. A John Knox would be seen at every church door, and heard from every pulpit, and Fillmore would have no more quarter than was shown by Knox, to the beautiful, but treacherous queen Mary of Scotland. The fact that the church of our country, (with fractional exceptions), does not esteem “the Fugitive Slave Law” as a declaration of war against religious liberty, implies that that church regards religion simply as a form of worship, an empty ceremony, and not a vital principle, requiring active benevolence, justice, love and good will towards man. It esteems sacrifice above mercy; psalm-singing above right doing; solemn meetings above practical righteousness. A worship that can be conducted by persons who refuse to give shelter to the houseless, to give bread to the hungry, clothing to the naked, and who enjoin obedience to a law forbidding these acts of mercy, is a curse, not a blessing to mankind. The Bible addresses all such persons as “scribes, Pharisees, hypocrites, who pay tithe of mint, anise, and cumin, and have omitted the weightier matters of the law, judgment, mercy and faith.
Frederick Douglass (What to the Slave is the Fourth of July?)
He sent messages to all fifteen of my former suitors, asking if they were still interested in marrying me-“ “Oh, my God,” Alex breathed. “-and, if they were, he volunteered to send me to them for a few days, properly chaperoned by Lucinda,” Elizabeth recited in that same strangled tone, “so that we could both discover if we still suit.” “Oh, my God,” Alex said again, with more force. “Twelve of them declined,” she continued, and she watched Alex wince in embarrassed sympathy. “But three of them agreed, and now I am to be sent off to visit them. Since Lucinda can’t return from Devon until I go to visit the third-suitor, who’s in Scotland,” she said, almost choking on the word as she applied it to Ian Thornton, “I shall have to pass Berta off as my aunt to the first two.” “Berta!” Bentner burst out in disgust. “Your aunt? The silly widgeon’s afraid of her shadow.” Threatened by another uncontrollable surge of mirth, Elizabeth looked at both her friends. “Berta is the least of my problems However, do continue invoking God’s name, for it’s going to take a miracle to survive this.” “Who are the suitors?” Alex asked, her alarm increased by Elizabeth’s odd smile as she replied, “I don’t recall two of them. It’s quite remarkable, isn’t it,” she continued with dazed mirth, “that two grown men could have met a young girl at her debut and hared off to her brother to ask for her hand, and she can’t remember anything about them, except one of their names.” “No,” Alex said cautiously, “it isn’t remarkable. You were, are, very beautiful, and that is the way it’s done. A young girl makes her debut at seventeen, and gentlemen look her over, often in the most cursory fashion, and decide if they want her. Then they apply for her hand. I can’t think it is reasonable or just to betroth a young girl to someone with whom she’s scarcely acquainted and then expect her to develop a lasting affection for him after she is wed, but the ton does regard it as the civilized way to manage marriages.” “It’s actually quite the opposite-it’s rather barbaric, when you reflect on it,” Elizabeth stated, willing to be diverted from her personal calamity by a discussion of almost anything else. “Elizabeth, who are the suitors? Perhaps I know of them and can help you remember.” Elizabeth sighed. “The first is Sir Francis Belhaven-“ “You’re joking!” Alex exploded, drawing an alarmed glance from Bentner. When Elizabeth merely lifted her delicate brows and waited for information, Alex continued angrily, “Why, he’s-he’s a dreadful old roué. There’s no polite way to describe him. He’s stout and balding, and his debauchery is a joke among the ton because he’s so flagrant and foolish. He’s an unparalleled pinchpenny to boot-a nipsqueeze!” “At least we have that last in common,” Elizabeth tried to tease, but her glance was on Bentner, who in his agitation was deflowering an entire healthy bush. “Benter,” she said gently, touched by how much he obviously cared for her plight, “you can tell the dead blooms from the live ones by their color.” “Who’s the second suitor?” Alex persisted in growing alarm. “Lord John Marchman.” When Alex looked blank, Elizabeth added, “The Earl of Canford.” Comprehension dawned, and Alex nodded slowly. “I’m not acquainted with him, but I have heard of him.” “Well, don’t keep me in suspense,” Elizabeth said, choking back a laugh, because everything seemed more absurd, more unreal by the moment.
Judith McNaught (Almost Heaven (Sequels, #3))
The true condition of a people may be known by the regard held for woman. The beauty of their women was extolled in song. Small eye-brows was considered as a mark of beauty, and names were bestowed upon the owners from this feature. No country in Europe held woman in so great esteem as in the Highlands of Scotland. An unfaithful, unkind, or even careless husband was looked upon as a monster.
John Patterson MacLean (An Historical Account of the Settlements of Scotch Highlanders in America)
Regularity without some metaphysical value behind it, some beauty of soul or character, was more disappointing – and indeed repulsive – than the honestly haphazard, the humanly messy.
Alexander McCall Smith (44 Scotland Street (The 44 Scotland Street Series Book 1))
Why isn’t the captain of your guard traveling with us…with you?” He chuckled in response. “He stays behind with my men to guard Munro lands in my absence. I can nae leave my clan and lands unprotected.” “I understand, but what about your safety?” “Now lass, ye would nae be questioning my prowess on the battlefield, would ye?” When she took a sharp intake of breath, he smiled, and she realized he was jesting. “Many men will nae approach or engage me because of my looks. Ye witnessed that nae long ago with the Sutherland guard. Sometimes being nae fair of face has its advantages.” “I believe true beauty comes from within, and I don’t think men stay away from you because you think you are not a comely man. I’m certain their behavior has more to do with the fact that you’re the size of a mountain.” Brushing her skirts, Elizabeth wiped off imaginary dirt. “How many days will you be staying with us before you and my brothers-in-law attend court?” “I doona know. It depends on when we arrive, a few days mayhap.” “Have you been to court before?” “Aye, more times than I care to count.” There was strong censure in his tone. “I’ve never had the chance. Grace attended a few times, and then we moved to Scotland.” “Ye’re nae missing anything. In truth, ’tis nay place for a young lass.” “Then I guess I’m in luck because I’m eighteen now.” When a questioning expression crossed his face, she quickly rose. She wasn’t certain what provoked her sudden flare of temper, but between Uncle Walter, Grace, and the unexplained emotions raging within her about Ian, her voice became laced with sarcasm. “It’s getting late and past the bedtime for a young lass.” Ian flew to his feet. For such a large man, he moved faster than she would’ve expected. He loomed over her and grabbed her arm to stay her. “Wait. That’s nae what I meant.” There was a heavy silence. “Then what did you mean?” When he didn’t respond and released his grip, she met his gaze. “Have a pleasant evening, Laird Munro.” She turned on her heel and did not look back. As she walked away, she almost laughed at the irony. That’s what she should’ve done years ago. At least now she was determined to leave the past where it belonged. She was traveling home to England, and that’s where her future lie.
Victoria Roberts (Kill or Be Kilt (Highland Spies, #3))
On Monday mornings in nice weather, Diana would ask, “Where did you go this weekend, Mrs. Robertson?” She knew we made frequent trips outside London. Other English friends would tell us about their favorite spots, but Diana was not forthcoming with travel suggestions. At the time, I assumed that she might not have seen as much of England and Scotland as we did during that year. Diana enjoyed our enthusiasm for her country--its natural beauty, its stately homes and castles, its history. She must have smiled inside when I would tell her of my pleasure in the architecture, paintings, and furniture I saw in England’s famous mansions. She’d grown up in one! And she would always ask, “How did Patrick enjoy…Warwick Castle or Canterbury Cathedral or Dartmoor?” Patrick was a very good-natured sightseer. In return, I would ask, “And how was your weekend?”, leaving it up to her to say as little or as much as she chose. I would not have asked specifically, “What did you do last weekend?” She would answer politely and briefly, “Fine,” or “Lovely,” maybe mentioning that she’d been out in the country. Of course, I didn’t know “the country” meant a huge estate that had been in the family for centuries. Diana was unfailingly polite but sparing of any details. She considered her personal life just that, personal. She was careful never to give us a clue about her background. If she did not volunteer information, something in her manner told me I should not intrude. She may not have even been aware of this perception I had. I viewed her understated manner as appealing and discreet, not as off-putting or unfriendly. Clearly, Diana did not want us to know who she was. We may possibly have been the only people Diana ever knew who had no idea who she was. We welcomed her into our home and trusted her with our child for what she was. This may have been one reason she stayed in touch with us over the years.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Those regularly-featured Hollywood males made her feel slightly nauseous; and the same could be said for their female equivalents, hardly intellectuals they. These people had regular features but were actually ugly because they tended to be so completely vacuous. Regularity without some metaphysical value behind it, some beauty of soul or character, was more disappointing – and indeed repulsive – than the honestly haphazard, the humanly messy.
Alexander McCall Smith (44 Scotland Street: 44 Scotland Street Series (1) (The 44 Scotland Street))
A sense of humor was essential survival equipment in the palace jungle—but nothing too clever. So was an ability to enjoy food and drink. To these I secretly added an ability to enjoy plane-spotting. It turned out to be quite useful. Many of my tensest moments were experienced in royal airplanes, but surprisingly often I could deflect the Princess’s fiercest rocket with a calculated display of nerdish interest in what I could see out of the window. As it happened, I was able to indulge this lonely vice almost immediately as I caught the bus back to Heathrow. Farewells at KP were polite but perfunctory, and Richard and Anne gave no hint as to the outcome of my interview. Richard ventured the comment that I had given “a remarkable performance,” but this only added to the general air of theatrical unreality. I was pretty sure I had eaten my first and last royal Jersey royal potato. Back in Scotland, my despondency deepened as I inhaled the pungent aroma of my allocated bedroom in the Faslane transit mess. It was not fair, I moaned to myself, to expose someone as sensitive as me to lunch with the most beautiful woman in the world and then consign him to dinner with the duty engineer at the Clyde Submarine Base. And how could I ever face the future when every time the Princess appeared in the papers I would say to myself—or, far worse, to anyone in earshot—“Oh yes, I’ve met her. Had lunch with her in fact. Absolutely charming. Laughed at all my jokes . . .” Now thoroughly depressed, I was preparing for a miserable night’s sleep when I was interrupted by the wardroom night porter. He wore a belligerent expression so convincing that it was clearly the result of long practice. No doubt drawing on years of observing submarine officers at play, he clearly suspected he was being made the victim of a distinctly unamusing practical joke. In asthmatic Glaswegian he accused me of being wanted on the phone “frae Bucknum Paluss.” I rushed to the phone booth, suddenly wide-awake. The Palace operator connected me to Anne Beckwith-Smith. “There you are!” she said in her special lady-in-waiting voice. “We’ve been looking for you everywhere. Would you like the job?
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
And in this beautiful land of ours, the free people who inhabit it, and who have paid such a high price for their freedom, will, in the better days that are to be, surely insist that the architecture of their buildings, public and private, shall be worthy of them.
Thomas Johnston (Building Scotland - Past and Future)
He wore his plaid today pinned with a brooch at the shoulder—a beautiful thing his sister had sent him from Scotland, made in the shape of two running stags, bodies bent so that they joined in a circle, heads and tails touching.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Mrs Murray appears... dressed in a red leather cap trimmed with brown fur, and a habit of Tartan such as is worn by the 42nd Highlanders. She mounts a white horse, with a Fingalian stick in her hand, cut from the woods of Morvern... Thus moved Mrs Murray's first cavalry expedition in the island of Mull, and laughable enough it was.
Sarah Murray (A Companion and Useful Guide to the Beauties of Scotland)
He opened his mouth to ask what she was about, but the question never made it past his lips. She was naked from the top of her head to the tips of her toes . . . and absolutely beautiful. His bride was a fine figure of a woman, all soft and round. Just the way he liked his women, and his mouth watered at the sight. But it was a very brief view he got before she tugged a long shirt on and let it drop to curtain all that loveliness. “What the bloody hell is that?” As the first real words he’d said since marrying the woman, Ross supposed they left much to be desired. But he was just so shocked at the sight of the ugly shirt covering all that beauty, he couldn’t help himself.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
As the Supreme Governor of the Church of England, the monarch is the defender of the faith—the official religion of the country, established by law and respected by sentiment. Yet when the Queen travels to Scotland, she becomes a member of the Church of Scotland, which governs itself and tolerates no supervision by the state. She doesn’t abandon the Anglican faith when she crosses the border, but rather doubles up, although no Anglican bishop ever comes to preach at Balmoral. Elizabeth II has always embraced what former Archbishop of Canterbury George Carey called the “sacramental manner in which she views her own office.” She regards her faith as a duty, “not in the sense of a burden, but of glad service” to her subjects. Her faith is also part of the rhythm of her daily life. “She has a comfortable relationship with God,” said Carey. “She’s got a capacity because of her faith to take anything the world throws at her. Her faith comes from a theology of life that everything is ordered.” She worships unfailingly each Sunday, whether in a tiny chapel in the Laurentian mountains of Quebec or a wooden hut on Essequibo in Guyana after a two-hour boat ride. But “she doesn’t parade her faith,” said Canon John Andrew, who saw her frequently during the 1960s when he worked for Archbishop of Canterbury Michael Ramsey. On holidays she attends services at the parish church in Sandringham, and at Crathie outside the Balmoral gates. Her habit is to take Communion three or four times a year—at Christmas, Easter, Whitsunday, and the occasional special service—“an old-fashioned way of being an Anglican, something she was brought up to do,” said John Andrew. She enjoys plain, traditional hymns and short, straightforward sermons. George Carey regards her as “middle of the road. She treasures Anglicanism. She loves the 1662 Book of Common Prayer, which is always used at Sandringham. She would disapprove of modern services, but wouldn’t make that view known. The Bible she prefers is the old King James version. She has a great love of the English language and enjoys the beauty of words. The scriptures are soaked into her.” The Queen has called the King James Bible “a masterpiece of English prose.
Sally Bedell Smith (Elizabeth the Queen: The Life of a Modern Monarch)
What it is is amazing: a fresh burst of sweet, briny crab flavor, beautifully complimented by just a hint of lemon, followed by a soft crunch from the biscuit, which dissolves more slowly than the mousse and has a slightly salty, vegetal flavor. Susan's sorry when it's done; she could happily eat a dozen of these, or just a bowl filled with that mousse. But she doesn't want to show her hand, so she keeps her face as still as she can manage and just makes a little "hmm" noise as she wipes a little mousse off her fingers with a kitchen towel (hard to resist licking them clean). "Is that seaweed?" she asks, indicating a tray of biscuits, lined up nearby. Without the mousse topping, she can see that they weren't really biscuits at all, but many layers of paper-thin seaweed, pressed together to form a semi-firm base. "It is," Gloria confirms. "Foraged from Scottish coasts, with Orkney crab mousse and Scottish salmon roe. Scotland's waters, on a plate.
Brianne Moore (All Stirred Up)
It was the beauty of the country before them that had done it. Scotland was a place of attenuated light, of fragility, of a beauty that broke the heart.
Alexander McCall Smith (Love in the Time of Bertie (44 Scotland Street, #15))
In Scotland, affordable housing is a right. The same is true in Singapore, where 82 percent of the residents live in public housing, including many with beautiful architecture and amenities.
Carol Lamberg
These long northern summer days stretched out forever and ever, turning into a short gray night for just a few hours before rolling right into another bright day. The trees were every color of green: the warm ashes, the blue pines. Birds were everywhere. Since they'd left the castle, they'd encountered dramatic capercaillies with their high-spread tails, V-tailed kites, long-legged corncrakes, dire-faced rooks, and cheery little swallows.
Maggie Stiefvater (Bravely)
[…on a Corncrake call…] Fairy music is said to do this; to lead a man on in his confusion and drunkenness, to start, then stop, then begin again from another place, ever luring him on. This was not a beautiful music, it has to be said; hardly the art of fairies. Mind you, it could be a goblin carpenter, sawing away at his little workbench, if you’d had a few too many at the island disco and were of a fanciful mind.
Kathleen Jamie (Findings)
Closing my eyes, I can see the main entrance, the paneled front windows, the wide portico and three gray-black speckled granite steps leading up to the massive front door of whisky-colored oak, often propped open by a heavy curling stone and often manned by one red-coated footman, and inside the spacious hall and its white stone floor, with gray star-shaped tiles, and the huge fireplace with its beautiful mantel of ornately carved dark wood, and to one side a kind of utility room, and to the left, by the tall windows, hooks for fishing rods and walking sticks and rubber waders and heavy waterproofs—so many waterproofs, because summer could be wet and cold all over Scotland, but it was biting in this Siberian nook—and then the light brown wooden door leading to the corridor with the crimson carpet and the walls papered in cream, a pattern of gold flock, raised like braille, and then the many rooms along the corridor, each with a specific purpose, like sitting or reading, TV or tea, and one special room for the pages, many of whom I loved like dotty uncles, and finally the castle’s main chamber, built in the nineteenth century, nearly on top of the site of another castle dating to the fourteenth century, within a few generations of another Prince Harry, who got himself exiled, then came back and annihilated everything and everyone in sight.
Prince Harry (Spare)
Mallaby Road, Harrow, as the Saint discovered, was one of those jolly roads in which ladies and gentlemen live. Lords and ladies may be found in such places as Mayfair, Monte Carlo, and St Moritz; men and women may be found almost anywhere; but Ladies and Gentlemen blossom in their full beauty only in such places as Mallaby Road,
Leslie Charteris (The Saint versus Scotland Yard)
Coorie's newfound role has been helped along by the fact it is a beautiful word. Derived from Old Scots, there is something soothing about the look, sound and shape of coorie: soft in the mouth and easy for both natives and non-natives to pronounce. A kind of dove's trill for the human tongue.
Gabriella Bennett
2. Thou shall not fear the cold. So many coorie activities involve being outdoors: hiking demands a steely core and constitution, exploring the woods for crafty finds requires sturdy footwear - even skiing in the Cairngorms requires patience. All these pursuits offer the chance to clear the mind and get to know the country from within. Wild swimming in Scottish lochs is having a moment. Its beauty, swimmers claim, lies in the restorative nature of an ice-cold dip set against a backdrop of Scotland's most idyllic scenery. Nobody promised Barbadian temperatures, or clear blue seas, but for enthusiasts the appeal lies in testing yourself to your furthest limits.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Perhaps we live in a wilder place than we give ourselves credit for. Scots tend to be hardy perennials. It's as if we've evolved to withstand the challenging nature of our own country. And what's more, we've worked out how to shape it into a force for good. Out of necessity our homes feature clever ways to keep the outside out and the inside warm. Scotland's oldest towerhouses were built with slits for windows not just as a defensive measure, but to protect residents from the elements. Out of problems came solutions, even beauty. Our foreparents thought to install open fires to heat their homes then toiled to make them easy on the eye. Intricately carved wooden fireplaces and elaborate hearths that referenced Scottish folklore followed.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
The Titan's Fall by Stewart Stafford Colossus ship of the Titans, Flames of Tartarus in its belly, Unsinkable beneath the stars, Champagne popped too soon. In infinite glacial hubris, Collided with its own ambition, Immortal Gordian Knot slashed, And freezing death crept aboard. Cantering up Scotland Road, Trojan Seahorse's Achilles' Heel, Solitary children drowning, In heartbroken submersion. The River Styx fell silent, But for whimpered prayers. As Charon's boat of death, Ferried them to Hades. The tangled Medusan wreckage, Once a great wonder of the earth, Plunged into an underworld abyss - A terrible beauty on the seabed nests. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
It had been on one of those packages they advertised in the travel pages of the papers on a Saturday. “See the Northern Lights—Five-Day Cruise off the Coast of Norway,” “The Wonders of Prague,” “Beautiful Bordeaux—Wine Tasting for the Beginner,” “Autumn on Lake Como.” It offered a safe way to travel (the coward’s way), everything was organized for you so that all you had to do was turn up with your passport. Middle-class, middle-aged, middle England. And middle Scotland, of course. Safety in numbers, in the herd.
Kate Atkinson (One Good Turn (Jackson Brodie, #2))
The sight of such beauty can make us quiet with fear; fear that it might not be real, fear that it might be taken from us, as is everything that we love, which is only on loan to us.
Alexander McCall Smith (The Importance of Being Seven (44 Scotland Street, #6))
He thinks he will leave. School life is unreal. All this is unreal. He has had enough. He can’t bear his colleagues. He can’t bear the boys any more either; en masse, he thinks, they’re horrible, like haddocks. He has to get out. He’ll live on his writing. His last book did well. He’ll write more. He’ll take a cottage in Scotland and spend his days fishing for salmon. Perhaps he’ll take the barmaid with him as his wife, the dark-eyed beauty he’s been courting for months, though he’s only in love with her emotionally, so far, and he hasn’t got anywhere, really, and those long hours sitting at the bar reduce him too often to hopeless drunkenness. He drinks too much. He has drunk too much, and he has been unhappy for a long time. But things are certain to change. The notebook he writes in is grey. He’s stuck a photograph of one of his grass snakes on the cover, and written ETC above it in ink. The snake is suitable because this is his dream diary, though there are other things in it too: scraps of writing, lesson plans, line drawings of sphinxes and clawed dragons rampant, and the occasional stab at self-analysis: 1) Necessity of excelling in order to be loved.1 2) Failure to excel. 3) Why did I fail to excel? (Wrong attitude to what I was doing?)
Helen Macdonald (H is for Hawk)
What astonishes us about Earl Patrick's castle works is the extraordinary beauty and refinement of their architecture. At all of them it is obvious that he employed the same architect. And it is equally obvious that this architect was an artist of the first rank, with a scholarly ans sensitive acquaintance and understanding contemporary design, particularly in France. Yet this group of buildings, so beautiful and so refined, were erected to serve the tyrannical purposes of the worst scoundrel of his time in Scotland.
William Douglas Simpson (The Bishop's and Earl's Palace, Kirkwall, Orkney)
The Sixteen Conclusions of Reverend Kirk In the last half of the seventeenth century, a Scottish scholar gathered all the accounts he could find about the Sleagh Maith and, in 1691, wrote an amazing manuscript entitled The Secret Commonwealth of Elves, Fauns and Fairies. It was the first systematic attempt to describe the methods and organization of the strange creatures that plagued the farmers of Scotland. The author, Reverend Kirk, of Aberfoyle, studied theology at St. Andrews and took his degree of professor at Edinburgh. Later he served as minister for the parishes of Balquedder and Aberfoyle and died in 1692. Kirk invented the name "the Secret Commonwealth" to describe the organization of the elves. It is impossible to quote the entire text of his treatise, but we can summarize his findings about elves and other aerial creatures in the following way: 1. They have a nature that is intermediate between man and the angels. 2. Physically, they have very light and fluid bodies, which are comparable to a condensed cloud. They are particularly visible at dusk. They can appear and vanish at will. 3. Intellectually, they are intelligent and curious. 4. They have the power to carry away anything they like. 5. They live inside the earth in caves, which they can reach through any crevice or opening where air passes. 6. When men did not inhabit most of the world, the creatures used to live there and had their own agriculture. Their civilization has left traces on the high mountains; it was flourishing at a time when the whole countryside was nothing but woods and forests. 7. At the beginning of each three-month period, they change quarters because they are unable to stay in one place. Besides, they like to travel. It is then that men have terrible encounters with them, even on the great highways. 8. Their chameleon-like bodies allow them to swim through the air with all their household. 9. They are divided into tribes. Like us, they have children, nurses, marriages, burials, etc., unless they just do this to mock our own customsor to predict terrestrial events. 10. Their houses are said to be wonderfully large and beautiful, but under most circumstances they are invisible to human eyes. Kirk compares them to enchanted islands. The houses are equipped with lamps that burn forever and fires that need no fuel. 11. They speak very little. When they do talk among themselves, their language is a kind of whistling sound. 12. Their habits and their language when they talk to humans are similar to those of local people. 13. Their philosophical system is based on the following ideas: nothing dies; all things evolve cyclically in such a way that at every cycle they are renewed and improved. Motion is the universal law. 14. They are said to have a hierarchy of leaders, but they have no visible devotion to God, no religion. 15. They have many pleasant and light books, but also serious and complex books dealing with abstract matters. 16. They can be made to appear at will before us through magic. The similarities between these observations and the story related by Facius Cardan, which antedates Kirk's manuscript by exactly two hundred years, are clear. Both Cardan and Paracelsus write, like Kirk, that a pact can be made with these creatures and that they can be made to appear and answer questions at will. Paracelsus did not care to reveal what that pact was "because of the ills that might befall those who would try it." Kirk is equally discreet on this point. And, of course, to go deeper into this matter would open the whole field of witchcraft and ceremonial magic, which is beyond my purpose in the present book.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
Reverend Kirk stated the case [of sexual contact] more clearly when he said: "In our Scotland there are numerous and beautiful creatures of that aerial order, who frequently assign meetings to lascivious young men as succubi, or as joyous mistresses and prostitutes, who are called Leannain Sith or familiar spirits. "I hardly need to remind the reader of the importance of such "familiar spirits" in medieval occultism, particularly in Rosicrucian theories. Nor do I need to mention the number of accused witches who were condemned to death on the evidence that they had such familiar spirits. Like the modern abductees examined by Budd Hopkins, the women accused of witchcraft usually had a strange mark or scar somewhere on their body.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
Over and over again, growing increasingly hostile as he went, he blackened the earth, drawing with the magnet of his rage the storm of the bloody century to my demesne. Worms screamed in anguish as they burned. Moles, disturbed from slumber, whimpered once then crumbled to ash. I suffered the soft implosion of larvae not yet formed enough to rue the beauty they were losing; subterranean life in all its dark, earthy grandeur. The occasional burrowing snake hissed defiance as it was seared to death. Sean O’Bannion walks—the earth turns black, barren, and everything in it dies, a dozen feet down. Hell of a princely power. Again, what the fuck was the Unseelie king thinking? Was he? Incensed by failure, Sean insisted hotly, as we stood in the bloody deluge—it wasn’t raining, that scarce-restrained ocean that parked itself above Ireland at the dawn of time and proceeded to leak incessantly, lured by the siren-song of Sean’s broodiness decamped to Scotland and split wide open—that I was either lying or it didn’t work the same for each prince. Patiently (okay, downright pissily, but, for fuck’s sake, I could be having sex again and gave that up to help him), I explained it did work the same for each of us but, because he wasn’t druid-trained, it might take time for him to understand how to tap into it. Like learning to meditate. Such focus doesn’t come easy, nor does it come all at once. Practice is key. He refused to believe me. He stormed thunderously and soddenly off, great ebon wings dripping rivers of water, lightning bolts biting into the earth at his heels, Kat trailing sadly at a safe distance behind. I was raised from birth to be in harmony with the natural world. Humans are the unnatural part of it. Animals lack the passel of idiotic emotions we suffer. I’ve never seen an animal feel sorry for itself. While other children played indoors with games or toys, my da led me deep into the forest and taught me to become part of the infinite web of beating hearts that fill the universe, from the birds in the trees to the insects buzzing about my head, to the fox chasing her cubs up a hillside and into a cool, splashing stream, to the earthworms tunneling blissfully through the vibrant soil. By the age of five, it was hard for me to understand anyone who didn’t feel such things as a part of everyday life. As I matured, when a great horned owl perched nightly in a tree beyond my window, Uncle Dageus taught me to cast myself within it (gently, never usurping) to peer out from its eyes. Life was everywhere, and it was beautiful. Animals, unlike humans, can’t lie. We humans are pros at it, especially when it comes to lying to ourselves.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
For most of us, life is lived with the philosophical volume turned half down. Yes, the world may be beautiful and intense and moving; yes, the very fact of human existence poses the most extraordinarily profound dilemmas; yes, our every act may involve finely nuanced decisions that have to be made; but we have a bus to catch, but we have a bill to pay, but we have to collect the children from school, but …
Alexander McCall Smith (Sunshine on Scotland Street)
The No. 1 Ladies' Detective Agency 1999 Tears of the Giraffe 2000 Mortality for Beautiful Girls 2001 The Kalahari Typing School for Men 2002 The Full Cupboard of Life 2003 In the Company of Cheerful Ladies 2004
Plain Simple (ALEXANDER McCALL SMITH: SERIES READING ORDER: PLAIN AND SIMPLE CHECKLIST [No. 1 Ladies' Detective Agency, Professor Dr. Von Igelfeld Entertainment, Isabel Dalhousie Series, 44 Scotland Street Series])
Views across the rugged Cairngorms and the distant grey band of the North Sea respectively. The slate grey ocean sparkled silver where the sun touched it's crested waves, and they could juct make out the billowing white sails of various sailing vessels coming to and from the port of Aberdeen
Andrew Neil Macleod (The Stone of Destiny)
Mary of Guise, herself barely a year older than Lennox and still one of the most beautiful women in Scotland,
John Guy (Queen of Scots: The True Life of Mary Stuart)
All my stories I’ve told you these past years belong to dead people—they’re all gone. And that’s why I want to tell them to you and to the world, because some day I’m not going to be around and I want people to remember and enjoy the stories that were passed down from generations of people, from the West Coast to Aberdeenshire, through Angus to Perthshire, down into Ayrshire, around the Borders, and all over—these beautiful stories that were not written down but were traditional.
Duncan Williamson (The Broonie, Silkies & Fairies: Traveller's Tales of the Other World)
beautiful and desolate landscapes I've ever seen. The border area between Scotland and England has been a place of dissension for eons, probably starting long before the ice bridge between England and the Continent thawed. Why did Hadrian build that wall of his?
Denise Hampton (Almost Perfect)
This wonderful hill station in Karnataka, often called the Scotland of India is one of the most alluring places to begin your love. Walk over the rolling hills or just sit and relax at the Alps of nature at Coorg. What should you do at Coorg? • Walk over the bamboo bridge to the island of Cauvery Nisargadhama, located at the heart of the river or enjoy an elephant safari through the 64 acres’ bamboo groves of Cauvery Nisargadhama. • Wash away all stress and be joyful at the Abbey Waterfalls; inhaling the aroma of spice plantations and pepper vines. • Play with baby elephants at the Dubare Elephant Camp, trek through the jungles, boost your adrenaline with river rafting or enjoy fishing. • Witness the beauty of Islamic architecture at the Omkareshwara Temple; the temple is dedicated to Lord Shiva.
Sophia Peterson (Sino-Soviet-American relations: Conflict, communication, and mutual threat (Monograph series in world affairs ; v. 16, books 1-2))
One sleepless night shortly after the boy’s arrival, I was going through a tough time, missing you. Bernard heard my sobs and crept into my bed. We held each other close. I could not help but relish his intimacy and his warm body next to mine. Wrapping my arms around the boy, we were aroused by the passionate auras surrounding the both of us. As an experienced ‘big brother’ I took charge. I kissed his tender lips before planting soft kisses on his closed lids, and soon I was nibbling at his delicate earlobes. He groaned with pleasure, desiring to do the same to me. Before I knew it, we were taking turns caressing each other’s nipples. Our seductive foreplay lasted for a long time until we could stave off our sexual urges no longer. He engulfed my manhood, licking, suckling and engorging mouthfuls of my rod. I could hold back no longer. Pressing his head against my crotch, I released my abundance into his orifice with forceful intensity. Yet he continued to nourish himself on my length; unwilling to relinquish his feed, he greedily guzzled the last drop of my seed down his yearning throat. His sensuality propelled me to share my lingering sustenance from his delectable tongue. We French kissed until we were drunk with the elixir of love. His youthful beauty did not fail to arouse me to another bout of sexual vitality. As I flipped him on his stomach, he lifted his derriere to receive my pulsing organ. He hungered for my entry and I – I was deliriously ready to feed this angelic sprite with my protruding protraction. Gently and lovingly I submerged myself into his person, gyrating slowly to the rhythmic flow of our entangled bewilderment. He opened willingly to my warmth as I plunged inside him, at times fast and furious and at others slow and gentle. In the process I ground his manhood onto the bed, coercing him into ecstatic moans before giving in to cries of whimpering ecstasies. My hand reached around his slender torso, working his hardness to the point of no return. He could not hold off any further. Jets of oozing cum shot onto my stroking palm. His sexiness sent my ejaculation spewing deep inside his opening as he swallowed my dripping seed between his pining fissures. He devoured his own seed from my fingers as I planted caresses on his amorous mouth, sharing every creamy bead of his milkiness between us. He wanted me in him, like I did you, long after our tantalizing desires had subsided. Our friendship took on an intimate significance that night, which we shared over and over again during our time together before Bernard left for Scotland and I to my new dig. Keep your news coming, Andy. Like you, I look forward to receiving your uplifting messages. Love and kisses, Young, Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
As I progressed, the lower flanks of Seana Bhraigh cleared, revealing the wide gaping valley of Gleann a’ Chadha Dheirg. Teasingly, the spectacle unfolded. With each step came a slight change, my angle of view refined, and those lower flanks moved aside just a little more. After all the tweaks, the full majesty of Gleann a’ Chadha Dheirg presented itself. At times, it appeared menacing. Seana Bhraigh, on one side of this valley, rose and stood proud of everything it surveyed. On the other side, of shorter stature but of no less beauty, stood Meall Glac an Ruighe. Both stood guard like sentinels, one minute placid, the next imposing like the gates of hell itself. Steep sides plummeted from a lofty perch, tumbling down from grey to green lowlands, and a ribbon of shimmering water wound down to meet me. The valley walls ran away, stretching further and converging until they curved and carved in to meet each other
Keith Foskett (High and Low: How I Hiked Away From Depression Across Scotland (Outdoor Adventure Book 6))
I was greenly jealous of my peers’ moms with their bleach-blonde hair, tanning-bed arms, toothpick waists, and closets full of brand-new clothes: blouses and skirts and pants and designer jeans that some of the mothers let their daughters borrow. I didn’t know whether Mom’s lack of interest in all things fashionable came from being an immigrant from Scotland—where the media-saturated and commodity-rich beauty industry didn’t take over until the end of the twentieth century—or because she was a reader, a writer, and a teacher: mind over matter. All I knew was that, while she would buy me any book I asked for or take me to any play I might want to see, she couldn’t explain how to contour eye shadow or tell me whether my sweater complemented my complexion. She didn’t diet, she didn’t read women’s magazines, and she refused to buy me the enormous gold earrings or the pair of spiky red shoes I coveted, stilettos sharp enough to skewer fi sh. And even though her disinterest meant I didn’t have to participate in a daily beauty competition—one with a trophy mom sacrifi cing her body on the altar of loveliness—I also didn’t have a beauty mentor that I could trust. So I was left to try to copy the popular girls at school, tv and movie icons, or the breathtaking stars in magazines. Even the curling iron was a purchase I had to negotiate on my own.
Jennifer Cognard-Black (From Curlers to Chainsaws: Women and Their Machines)
United Kingdom must be given to Oxford. There is but one other—Edinburgh—which can lay any serious claim to rival her. Gazing upon Scotland's capital from Arthur's Seat, and dreaming visions of Scotland's wondrous past, it might seem as though the beauty and romance of the scene could not well be surpassed. But there is a certain solemnity, almost amounting to sadness, in both these
Frederick Douglas How (Oxford)