Rangi Quotes

We've searched our database for all the quotes and captions related to Rangi. Here they are! All 69 of them:

But deciding not to have children is a very, very hard decision for a woman to make: the atmosphere is worryingly inconducive to saying, "I choose not to," or "it all sounds a bit vile, tbh." We call these women "selfish" The inference of the word "childless" is negative: one of lack, and loss. We think of nonmothers as rangy lone wolves--rattling around, as dangerous as teenage boys or men. We make women feel that their narrative has ground to a halt in their thirities if they don't "finish things" properly and have children.
Caitlin Moran (How to Be a Woman)
They moved in dance steps too intricate for the noninitiated eye to imitate or understand. Clearly they were of one soul. Handsome, rangy, wildly various, they were bound in total loyalty, not by oath, but by the simple, unquestioning belongingness of part of one organism.
Louise Erdrich (Love Medicine (Love Medicine, #1))
Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.
Mokokoma Mokhonoana
Jibu nilichokuuliza. Utajibu, hutajibu?" "Nitajibu." "Usipojibu?" "Nitajipaka rangi, ya pinki." Murphy hakumwelewa. "Utanifanya chochote utakachotaka." "Mmenigundua vipi?" Murphy aliuliza akirekebisha suruali.
Enock Maregesi
It wasn’t the reaction Rangi was looking for, but Kyoshi swelled with a sudden happiness. She couldn’t help it. Rangi acting so completely, utterly normal tugged on a rope connected directly to her heart. It always would.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
Ukiishi Mexico City katika daraja la watu wakubwa na wewe na anasa ni marafiki wakubwa, hutapenda kuendesha gari ambayo kila mtu anaendesha mjini. Nunua gari na kuibadilisha kuwa ya kwako. Lisa aliponunua gari yake huko Ejército Nacional Mexicano, Mexico City, katika duka la Ferrari, aliipeleka Los Angeles kwa marekebisho aliyoyataka. Ferrari haikuwa ya kawaida. Mbali na kinga ya risasi ya inchi nne, Ferrari ya Lisa ilikuwa na mwendo mkali na matairi makubwa kuliko Ferrari za kawaida. Ilikuwa na rangi tatu: nyeusi, pinki na njano zilizokuwa zikibadilika kulingana na hali ya hewa; na kadhalika ilikuwa na breki ya upepo kwa nyuma, katika buti ya aluminiamu, kwa ajili ya kuikandamiza chini wakati wa mwendo mkali, ili isiyumbe sana barabarani. Lisa peke yake ndiye aliyekuwa na gari ya namna hiyo Mexico City nzima.
Enock Maregesi
Her delicate brows drew together. “As a rancher, surely he knows how to ride a horse.” “He can ride just fine. He took it into his head that he could break this rangy mustang, and it broke him instead.” -Houston and Amelia
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
As gale-winds swirl and shatter under the shrilling gusts on days when drifts of dust lie piled thick on the roads and winds whip up the dirt in a dense whirling cloud- so the battle broke, storming chaos, troops inflamed, slashing each other with bronze, carnage mounting, manslaughtering combat bristling with rangy spears, the honed lances brandished in hand and ripping flesh and the eyes dazzled now, blind with the glare of bronze, glittering helmets flashing, breastplates freshly burnished, shields fiery in sunlight, fighters plowing on in a mass. Only a veteran steeled at heart could watch that struggle and still thrill with joy and never feel the terror.
Homer (The Iliad)
One glimpse of that glistening, tan back, those rangy shoulders, the sweat-slicked black hair, and his libido woke up and started to pray to Cialis, goddess of horny middle-aged men.
Amy Lane (Bonfires (Bonfires #1))
I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
Marigold (Calendula)--- Herb of the Sun. Not a perennial. Apricot color like cosmos = rangy and tall, a weed. Calendula = composed. Loni's flower
Virginia Hartman (The Marsh Queen)
It's unclear whether Brauser was trying to hit Franz Josef or Rangi. I hope it was the former. There's one difference between a bully and a hero, I guess: good aim.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
Tunaishi katika urazini wa kuwili mwenzangu, kujijua kupitia macho ya wengine; tunaishi pembezoni. Hii ndiyo tanzia ya rangi!
K.W. Wamitila (Bina-Adamu!)
Dylan looked promising. Tomboy. Tall and deliciously rangy. Her raven hair was unevenly sliced, streaked auburn in a patch or two. A thatch of black hair hung like a flag of bad-girl honor over Dylan’s right eye. She was delightfully loud. Her black, paint-splattered jeans were ripped at both knees. She wore a red T-shirt that proclaimed: “Ask Me About My Big Pink Pussy.
Ana B. Good (The Big Sugarbush)
There was a tickle against her brow. She and Rangi looked up to see a swirling dance of leaves, spinning around in a circle, the two of them caught in its eye. Kelsang used to make her laugh in the garden like this, by swirling the air, letting her touch the currents and feel the wind run between her fingers. Kyoshi let the breeze play against her skin before giving it a gentle push with her hand. The wind spun faster at her request. She could feel Kelsang smiling warmly at her, a final gift of love. “They’ll always be with us,” she said to Rangi. “Always.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
To the non-Swiss ear it sounds as if the speaker is construing made-up words from the oddest rhythms and the queerest clipped consonants and the most perturbing arrangement of gaping, rangy vowels.
Jill Alexander Essbaum (Hausfrau)
But here’s the thing,” says Paul. “I would bet that if someone did a study and asked, ‘Okay, your kid’s three, rank these aspects of your life in terms of enjoyment,’ and then, five years later, asked, ‘Tell me what your life was like when your kid was three,’ you’d have totally different responses.”   WITH THIS SIMPLE OBSERVATION, Paul has stumbled onto one of the biggest paradoxes in the research on human affect: we enshrine things in memory very differently from how we experience them in real time. The psychologist Daniel Kahneman has coined a couple of terms to make the distinction. He talks about the “experiencing self” versus the “remembering self.” The experiencing self is the self who moves through the world and should therefore, at least in theory, be more likely to control our daily life choices. But that’s not how it works out. Rather, it is the remembering self who plays a far more influential role in our lives, particularly when we make decisions or plan for the future, and this fact is made doubly strange when one considers that the remembering self is far more prone to error: our memories are idiosyncratic, selective, and subject to a rangy host of biases. We tend to believe that how an episode ended was how it felt as a whole (so that, alas, the entire experience of a movie, a vacation, or even a twenty-year marriage can be deformed by a bad ending, forever recalled as an awful experience rather than an enjoyable one until it turned sour). We remember milestones and significant changes more vividly than banal things we do more frequently.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
We know that Rangi can at least mutter because Digger Gibson says he used to talk to the bear. In his group home for orphaned Moa boys, Rangi had a pet cinnamon bear. I saw her once. She was just a wet-nosed cub, a cuff of pure white around her neck. Rangi found her on the banks of the Waitiki River and walked her around on a leash. He filed her claws and fed her tiny, smelly fishes. They shot her the day his new father, Digger, came to pick him up. "Burying that bear," I overheard Digger tell Mr. Oamaru once. "The first thing we ever did together as father and son." Rangi's given us this global silent treatment ever since, a silence he extends to people, animals, ice.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
All at once Sherman was aware of a figure approaching him on the sidewalk, in the wet black shadows of the town houses and the trees. Even from fifty feet away, in the darkness, he could tell. It was that deep worry that lives in the base of the skull of every resident of Park Avenue south of Ninety-sixth Street—a black youth, tall, rangy, wearing white sneakers. Now he was forty feet away, thirty-five. Sherman stared at him. Well, let him come! I’m not budging! It’s my territory! I’m not giving way for any street punks! The black youth suddenly made a ninety-degree turn and cut straight across the street to the sidewalk on the other side. The feeble yellow of a sodium-vapor streetlight reflected for an instant on his face as he checked Sherman out. He had crossed over! What a stroke of luck! Not once did it dawn on Sherman McCoy that what the boy had seen was a thirty-eight-year-old white man, soaking wet, dressed in some sort of military-looking raincoat full of straps and buckles, holding a violently lurching animal in his arms, staring, bug-eyed, and talking to himself.
Tom Wolfe (The Bonfire of the Vanities)
It had been decided long before she was born that power was adequate compensation for losing what she most held dear. But what was the point anymore? What did the generations have to offer her but sorrow and pain? All she knew as she rocked back and forth, cradling the girl she loved in a lullaby of grief, was that if Rangi was taken from her, she would no longer be Kyoshi. She would no longer be human. She would be forever on the other side of the rift, among the swirling colors of the void she’d glimpsed in the Spirit World, watching humans from afar, a terrible and alien presence.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.” “I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.” “Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’” “Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts. But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’” Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.” “Isn’t there anyone who meets your standards?” “At least I have standards.” He raised an eyebrow. “Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.” For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry. “Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?” “I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.” Good-bye, poetry, Ash thought. “Sounds lovely.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
One of the biggest shifts in the last decade of anthropology, one of the discoveries in the field that has changed everything, is the realization that we evolved as cooperative breeders. Bringing up kids in a nuclear family is a novelty, a blip on the screen of human family life. We never did child rearing alone, isolated and shut off from others, or with just one other person, the child’s father. It is arduous and anomalous and it’s not the way it “should” be. Indeed, for as long as we have been, we have relied on other females—kin and the kindly disposed—to help us raise our offspring. Mostly we lived as Nisa did—in rangy, multifamily bands that looked out for one another, took care of one another, and raised one another’s children. You still see it in parts of the Caribbean today, where any adult in a small town can tell any kid to toe the line, and does, and the kids listen. Or in Hawaii, where kids and parents alike depend on hanai relationships—aunties and uncles, indispensible honorary relations who take a real interest in an unrelated child’s well-being and education. No, it wasn’t fire or hunting or the heterosexual dyad that gave us a leg up, anthropologists now largely concur; it was our female Homo ancestors holding and handling and caring for and even nursing the babies of other females. That is in large part why Homo sapiens flourished and flourish still, while other early hominins and prehominins bit the dust. This shared history of interdependence, of tending and caring, might explain the unique capacity women have for deep friendship with other women. We have counted on one another for child care, sanity, and survival literally forever. The loss of your child weighs heavily on me in this web of connectedness, because he or she is a little bit my own.
Wednesday Martin (Primates of Park Avenue)
Kelsang used to say there was pain and joy in all things, often when trying to comfort Kyoshi about her earliest years in Yokoya. During her visit to the Fire Nation, Kyoshi had been thrilled each time she discovered another little cache of information about Rangi, like unearthing another bit of treasure. But under the shine was life, grubby and dirty and impossible to burnish. She would take it anyway. Along with everything else about her girl, no matter how unexpected or painful. It took every ounce of her willpower not to lean over and give the Firebender a forbidden kiss on the top of her head.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
Neither of them were warriors. For Trazyn, the dust of the archive was more familiar than that of the parade ground, and Orikan had spent aeons training his mind and neglecting his body. Had this duel occurred during the Flesh Times, it would have been comical. Two withered ancients, rangy, round-shouldered, stained with ink and smelling of incense tearing at each other with barely the strength to bruise. But biotransference had, for all its horrors, made every necron an armored juggernaut. The two swung at each other, filling the gallery with the sounds of the forge. They locked weapons, shoved and bashed their plated skulls like horned beasts.
Robert Rath, The Infinite and The Divine
The only townsfolk who were not scared of the Burgundys were the Haggleworths. They were the only other prominent family in Haggleworth and because of their last name they felt they owned the whole town. It was nonsense of course. Shell Oil owned Haggleworth. (That’s why there was no real government or police or any order whatsoever. It was the reason why my father, a strict Darwinist, loved the town.) But the Haggleworths erected a museum in honor of their founding father. Some of them still practiced their pious religion of penis worship, but for the most part they were an uncultured, rangy bunch of derelicts who ate cat food and lived in caves.
Ron Burgundy (Let Me Off at the Top!: My Classy Life and Other Musings)
An apt analogy for how the brain consolidates new learning may be the experience of composing an essay. The first draft is rangy, imprecise. You discover what you want to say by trying to write it. After a couple of revisions you have sharpened the piece and cut away some of the extraneous points. You put it aside to let it ferment. When you pick it up again a day or two later, what you want to say has become clearer in your mind. Perhaps you now perceive that there are three main points you are making. You connect them to examples and supporting information familiar to your audience. You rearrange and draw together the elements of your argument to make it more effective and elegant.
Peter C. Brown (Make It Stick: The Science of Successful Learning)
I no longer hold the title for worst breach of manners in the Four Nations,” Kyoshi said. “And I am never, ever going to let you forget it.” Rangi reached over and took her hand. Red scars traveled down Kyoshi’s wrist in wavy, branching patterns like the veins of a palm frond, a token from when she’d fought the lightning. “For as long as you live?” Rangi asked solemnly. Kyoshi smiled and nodded. “For as long as I live.” Rangi pressed her lips to the healed skin on Kyoshi’s knuckles. The kiss sealed a promise to always give each other a hard time for the rest of their days. If Kyoshi held any longing for the past, it was for those simpler moments when she was Rangi’s greatest and only headache.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
I’ll tell Rangi you’re up and coherent.” He paused by the door. His expression turned hesitant. “Do you think . . . once things settle down, I might have a chance with her?” Kyoshi stared at him in astonishment. Lek held her gaze as long as he could. Then he burst into laughter. “Your face!” he cackled. “You should see your—Oh, that has to be the face you make in your Avatar portrait! Bug-eyed and furious!” And to think they’d shared a moment. “Go soak your head, Lek,” she snapped. “Sure thing, sister. Or else you’ll do it for me?” He waved his hands in mockery of waterbending and made a drowning noise as he left the room. Kyoshi’s cheeks heated in frustration. And then, like a glacier cracking, they slowly melted into a grin. She noticed what he’d called her for the first time.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
Okay, it was agreed, Stan was coming with me. He was a rangy, bashful, shock-haired Denver boy with a big con-man smile . and slow, easy-going Gary Cooper movements. “Hot damn!” he said and stuck his thumbs on his belt and ambled down the street, swaying from side to side but slowly. His grandfather was having it out with him. He had been opposed to France and now he was opposed to the idea of going to Mexico. Stan was wandering around Denver like a bum because of his fight with his grandfather. That night after we’d done all our drinking and restrained Henry from getting his nose opened up in the Hot Shoppe on Colfax, Stan scraggled off to sleep in Henry’s hotel room on Glenarm. “I can’t even come home late—my grandfather starts fighting with me, then he turns on my mother. I tell you, Sal, I got to get out of Denver quick or I’ll go crazy.
Jack Kerouac (On the Road)
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
Like most scavengers, Sunil knew how he appeared to the people who frequented the airport: shoeless, unclean, pathetic. By winter’s end, he had defended against this imagined contempt by developing a rangy, loose-hipped stride for exclusive use on Airport Road. It was the walk of a boy on his way to school, taking his time, eating air. His trash sack was empty on this first leg of his daily route, so it could be tucked under his arm or worn over his shoulders like a superhero cape. When Sister Paulette passed by in her chauffeured white van, it could be draped over his head. Sister Paulette-Toilet was how he thought of her now. He imagined her riding down Airport Road looking for children more promising than he.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
is tall and rangy, with muscled thighs that start three inches apart. She looks like she probably runs up a mountain every day and doesn’t even know what a KitKat is.
Sophie Kinsella (Shopaholic to the Stars (Shopaholic, #7))
Czy nieproporcjonalność polskich reakcji na wystąpienie szefa FBI pokazuje, że wciąż jesteśmy w tym samym miejscu? W jakimś sensie nie jesteśmy. W powstających od lat pracach Barbary Engelking, Jacka Leociaka, Jana Grabowskiego, Dariusza Libionki czy Aliny Skibińskiej mordowani lub wydawani przez polskich sąsiadów odzyskują swoje imiona i swoje historie. Z tych prac wynika jednoznacznie, że mord w Jedwabnem i pogrom w Kielcach nie były incydentami. Że zabijanie Żydów na polskiej wsi podczas okupacji niemieckiej, nawet jeśli – jak to ujął kiedyś Krzysztof Persak – nie było zjawiskiem powszechnym, to było zjawiskiem powszednim. Z drugiej strony, tyle o tym w III RP napisano, a przecież za każdym razem, kiedy ukazywała się nowa książka Jana Tomasza Grossa, kiedy w kinach pokazywali „Pokłosie” czy „Idę”, ba: nawet kiedy świadek tej rangi, co zmarły w dniu pisania tego tekstu Władysław Bartoszewski, mówił w jednym z wywiadów, iż podczas okupacji na warszawskiej ulicy nie musiał się bać niemieckiego oficera, tylko sąsiada-Polaka, który zauważył, że kupił więcej chleba niż zwykle – można było odnieść wrażenie, że wracamy do punktu wyjścia.
Anonymous
Ten en cuenta que el sol no pudo brillar hasta que Papa y Rangi fueron separados. Disfruta del sol, Jack.
Sarah Lark (El grito de la tierra)
Shetani anatisha. Ana macho makubwa manane: macho ya serafi, macho ya mwanadamu, macho ya simba na macho ya tai, na ana mabawa makubwa sita yenye urefu wa futi sita mpaka nane kila moja. Ana rangi ya bluu, bluu iliyoiva, ambayo ni sehemu kubwa ya rangi ya kuzimu, na macho makubwa kama nguva wa Afrika. ‘Mtu’ wa namna hiyo akikwambia njoo nikupige kojoa kwanza ndiyo uende. Kukaa karibu na ‘mtu’ wa namna hiyo ni kujitafutia matatizo makubwa. Kuepukana naye, usiwe mkristo wa Shetani, usiwe mkristo wa kanisa, usiwe mkristo wa dini, kuwa Mkristo wa Yesu Kristo. Kwa maneno mengine, usiwe mkristo wa kufuata bendera, usiwe mkristo wa kinafiki – kuwa Mkristo wa kweli.
Enock Maregesi
Unapokuwa mbali na Mungu unakuwa mbali na mwanga, unakuwa gizani, unakuwa mbali na joto, unakuwa katika baridi ya milele. Unapokuwa katika baridi ya milele rangi ya ngozi yako itabadilika na kuwa bluu. Macho yako yatakuwa makubwa kama ya nguva. Bluu maana yake ni kuwa mbali na maarifa ya Mungu. Nguva maana yake ni kuwa mbali na utukufu wa Mungu. Kuwa karibu na maarifa ya Mungu na utukufu wa Mungu, usiwe mkristo wa kanisa, usiwe mkristo wa dini, kuwa Mkristo wa Yesu Kristo.
Enock Maregesi
I was running hard, pushing myself past human limits, to the only place I knew could help. Home. I already could tell that my wound was fatal, and with every step the loss of blood made me more woozy. Orcs were hot on my trail, at least a dozen, howling for my head. I was certain they would not stop; they were stubborn and stupid, slow as well, but I was smart and fast. I was a dragon, after all… in a very man-like sort of way. By appearance, I was a man: big, long haired, and rangy—more than capable of whipping a few lousy dragon-poaching orcs, until they got the drop on me. So now I was running for my life, my dragon heart pounding in my chest like a galloping horse, mile after mile, until I had no choice but to come to a stop.
Craig Halloran (The Hero, The Sword and The Dragons (Chronicles of Dragon, #1))
g to give you a reason not to go.” When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.” “I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.” “Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’” “Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts. But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’” Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.” “Isn’t there anyone who meets your standards?” “At least I have standards.” He raised an eyebrow. “Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.” For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry. “Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?” “I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.” Good-bye, poetry, Ash thought. “Sounds lovely.
Cinda Chima
Ghillie ni mavazi yaliyotumiwa na makomandoo wa Tume ya Dunia ya Kudhibiti Madawa ya Kulevya (Frederik Mogens, Radia Hosni, Daniel Yehuda na John Murphy) kama mbinu ya kujificha kwa kujifananisha na rangi au maumbo ya mazingira ya Msitu wa Benson Bennett, kama afanyavyo kinyonga. Hata hivyo, walivyoingia katika jumba la utawala katika maabara za Kolonia Santita ndani ya Msitu wa Benson Bennett katika mji wa Salina Cruz, Vijana wa Tume walivua suti zao za ghillie; kusudi iwe rahisi kwao kupambana na jeshi binafsi la Kolonia Santita, liitwalo 'autodefensa'.
Enock Maregesi
Serpentine I am lost in your hair. I hide behind its spindly curtain, like a cheetah stalking the rangy savannah grasses, all seeing but unseen, an omniscient predator-cum-deity. I believe I have the advantage of speed, which fills me with cool confidence, a calm composure, as my tongue glides across the nape of your neck, like a salt lick, taking in its serpentine stroke only the essential.
Beryl Dov
Dom?” she asked, her cheeks flaming as she stood naked before him. She’d never stood naked before anyone, even a maid. But the way Dom was scouring her with his rough gaze felt like a caress. A very carnal caress, which loosed a bevy of butterflies in her belly. “I’ve spent years dreaming of you like this, sweeting,” he rasped. “Give me a moment to take it all in.” “If you wish,” she whispered. And that would give her a moment to take him in. Although, sweet Lord in heaven, it might require more than a moment. She’d seen men half-dressed in paintings and even less-dressed in sculptures. But those smooth-skinned bodies were insipid compared to Dom’s hard contours and scarred male beauty. How could she have guessed that such sheer virility lay beneath his subdued clothes? His deliciously muscular chest gleamed with sweat in the warm stable, and his powerful arms lay tense at his sides. Then there was his lean waist, which gave way to rangy hips sporting quite a bulge beneath his drawers. Lord help her. She couldn’t take her eyes from that impressive thickness. And the more she stared, the more it seemed to grow. “This is what you do to me, Jane,” he said in a voice raw with hunger. He grabbed her hand to press it against him there. “I’ve desired you from the day we first met.” As his flesh moved beneath the stockinette, she swallowed. “I don’t recall ever seeing you like this back then--all…big and thrusting. I think I would have noticed.” He choked back a laugh. “It’s the sort of thing a gentleman generally takes great pains to keep his lady from seeing. But tonight you’re making it difficult for me to behave.” “Good! I don’t want you to behave. I want you to be wicked.” She fondled him shamelessly. “With me.” A harsh breath escaped him. “You have no idea what being wicked entails.” “Then perhaps you should show me.” His eyes glinted in the lantern light and he growled, “Perhaps I should.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
The west end guy peeled away from his window and started walking. Heading east. Fifteen feet behind Rutherford. Moving with loose, rangy ease. He was clearly having to shorten his stride to avoid overtaking his mark. Ahead of them a woman had stopped at the edge of the sidewalk to tend to a child in a stroller. Beyond her a couple stood, talking. They were dressed for the gym. Just regular folks. Not part of the pattern. Unaware of what was happening.
Lee Child (The Sentinel (Jack Reacher, #25))
photographer, talking with Jenn Fairhurst, the cake designer. The massive form of the security chief, Travis Houston, eclipsed the more rangy build of Nate Waterson, the IT expert. Margaret Ashworth and Kate Bryson, Married in Malibu’s stylist and garden designer, were having a quiet conversation in the corner. The team—her team—all looked up as Liz, Rose, and RJ walked inside. “Hello, everyone. It’s good to finally see you all together. I’d like to introduce you to Rose and RJ Knight, the owners of Married in Malibu. As this is the first time we have all been in a room together, and given that Rose and RJ
Lucy Kevin (The Beach Wedding (Married in Malibu, #1))
Te Tahi o te rangi.
Teya Evans (Fairy Tales: From Around the World (Fairy Tale Book, Bedtime Stories for Kids ages 6-12))
THE QUESTION OF who Polynesians were—in a biological sense—was of particular interest to one of the period’s leading anthropologists, a man who went by the names of both Peter H. Buck and Te Rangi Hiroa.
Christina Thompson (Sea People: The Puzzle of Polynesia)
This idea of two distinct varieties of people (which quickly hardened into a Polynesian/Melanesian divide) turns what is, in fact, a spectrum of skin tones and peoples across the Pacific into a more or less binary division between black and white. With this binary came a tangle of other ideas about morality, intelligence, temperament, beauty, social and political complexity, even depth of time. Melanesians were routinely described by Europeans as not just dark-skinned, but “primitive” in their political, economic, and social structures. In eighteenth- and nineteenth-century accounts, they are depicted as small, dark, and mistrustful, the women “ill-favoured” and “ugly,” the men “despotic” and cruel. Banded together in small, autonomous groups, they appeared to Europeans to lack any form of law, government, or organized religion and compared unfavorably with their larger, fairer-skinned, more hierarchical neighbors the Polynesians, differing from them, in one unforgettable formulation, “as the wolf from the dog.” The term “Melanesian” had thus long served in European discourse as a marker for otherness and inferiority, and in the racially charged climate of the early twentieth century, Te Rangi Hiroa could hardly fail to be aware of this. When the anatomist J. H. Scott (the probable author of the Otago Medical School notice offering to buy Māori skeletons) asserted, “We know the Maoris to be . . . the result of the mingling of a Polynesian and a Melanesian strain,” or when Sullivan argued for a “Melanesian element” in his Tongan or Samoan data sets, Te Rangi Hiroa would certainly have recognized the subtext. And in his own early somatological studies, which were written explicitly with the work of these other men in mind, you can see him struggling with the problem.
Christina Thompson (Sea People: The Puzzle of Polynesia)
But Polynesians, too, had their own systems of ranking and classification. Te Rangi Hiroa described “Melanesian” physical characteristics as conflicting with “the Polynesian idea of beauty” and wrote that among Māori, “a fair skin was admired,” while those at the darker end of the spectrum had “to put up with the humorously disparaging remarks of their lighter tinted friends.
Christina Thompson (Sea People: The Puzzle of Polynesia)
kahu o te rangi (sometimes translated as “cloak of heaven”)
Christina Thompson (Sea People: The Puzzle of Polynesia)
One of the first to pooh-pooh the significance of the voyage was Te Rangi Hiroa. “A nice adventure,” he was quoted as saying. “But you don’t expect anyone to call that a scientific expedition. Now do you?
Christina Thompson (Sea People: The Puzzle of Polynesia)
Watoto hupenda vitu vinavyong’aa ambavyo havijatulia na vilivyopangiliwa vizuri. Hivyo ndivyo macho ya binadamu yalivyo: yana unyevu na yanaakisi mwanga, hayajatulia, na yana rangi kadha wa kadha ikiwa ni pamoja na kope na vigubiko vya macho ambavyo pia hazijatulia. Mtoto mchanga hasa yule anayeona vizuri huangalia macho pale anapopata nafasi, kwa maana ya kuyashangaa. Vilevile, huangalia macho kwa maana ya kupokea molekuli ya maadili au homoni inayorahisisha maisha kutoka kwa mama yake iitwayo ‘oxytocin’. ‘Oxytocin’ husisimua ubongo wake na kuutayarisha kupokea neno lolote litakalosemwa na mama yake mzazi au mama yake mlezi.
Enock Maregesi
Mungu ana mpango na maisha ya kila mtu hapa duniani bila kujali dini, jinsia, kabila, rangi, taifa, au umri, na kila mtu ni wa kipekee.
Enock Maregesi
It’s my turn. The only one I’m likely to get. I’ve got a month, Starfish.” Her eyebrows narrowed a bit at his use of her nickname, and he relaxed further as they eased into a far more familiar back and forth. Lord, but he’d missed her. “Like I said, let’s take the time we have now and find out what we find out. Then, when it’s your turn, we’ll already be that much closer to knowing what we know.” Her eyes remained narrowed, his feisty Kerry fully back at the fore. “Why is it that I feel like I just got played?” His grin got bigger. “Oh, we haven’t begun to play, love. There was nothing playful about that kiss. But next time?” He let that statement linger with no immediate follow-up. Instead, he dug the keys to his rental from the pocket of his Daks and unlocked the door to the sleek black roadster. At least he’d walked to the correct side this time. Took some getting used to, the whole wrong side of the road thing. Still, the little two-door BMW was a beauty. And about as far away from anything he’d ever driven on the station as it was possible to get. Which was exactly why he’d rented it. He looked back over to where she stood, arms folded now, defenses fully back up and battle ready. Good, he thought. Do what you need to do. Be sure of yourself, of me. Of us. Just remember, I know how to get you to lower those defenses. And he was looking forward to finding out how she’d come apart for him when he melted them completely. “Thirty days,” he said, opening the door. He tugged at the sunglasses that had been hanging down his back on a pair of Croakies and slid them around, putting them on before popping his hat back on his head. He rested folded forearms on the top of the open door, his grin still in place. “And I don’t know about you, but I’m really liking how Day One has worked out.” He tucked his long, rangy frame into the low-slung car and lowered the window as the sport engine purred to life. “Can’t wait to see what Day Two holds in store. G’day, Starfish.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Sebastien recognized the rangy, beaky man within. He was perhaps thirty-three, thirty-five. His eyes were lined with kohl, his cheeks rouged, his forehead pale with powder. But he wore a dark worsted suit, a good waistcoat crossed with a platinum chair, and his hair was cropped quite short and oiled back from a razor-line part. He moved painfully, as if he had been sitting for too long and he stretched against the stiffness of his muscles.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
Although she lived in town, Old Tallow was so isolated by the force and strangeness of her personality that she could have been surrounded by a huge dark forest. She had never had any children, and each of her three husbands had slunk off in turn during the night, never to be seen again. Nobody knew exactly what it was that Tallow, in her younger days, had done to drive them off. It had probably been something terrible. After the last husband left, her face seemed to have gotten old suddenly, though the rest of her hadn’t weakened. She was a rangy woman over six feet in height. She was powerful, lean, and lived surrounded by ferocious animals more wolf than dog.
Louise Erdrich (The Birchbark House (Birchbark House, #1))
And especially, why at the moment when I was so moved by the smiling peacefulness of the old lunatic (a more touching scene than anything I had seen that day), did she seem like a prophetic warning? Yes, prophetic: I would see the chilling sight again, almost exactly the same, with my bodily eyes in another country far away: Two men who looked like thuggish convicts, in a forest, chased a naked old woman whose long, dirty white hair slapped her back and shoulders; prickly twigs scratched the gray skin of the fugitive who jumped like a rangy, wretched goat—charging through spiky, clawed bushes, feeling no pain. And there was a clearing beyond the thickets. The woman ran faster and faster, but on the carpet of short grass, the hunters caught up. One of them reached out, touched the shoulder of his prey who turned around to bite him with her sharp, white teeth, strangely young in that face slashed with wrinkles. But his partner’s close call enraged the other human dog and he hurled himself ahead, desperately, leaning forward, his two hands stretched out, grabbed the white hair, lost his balance and was thrown onto her by his wild momentum. He rolled over the body of the poor wretch and murdered her with his elbows, knees and huge bones. The two men who looked like convicts gloated. They dragged the bleeding body over the ground, then spread it out on its back and took turns defiling it hideously and, in case the victim still had the energy to scream, they martyred it with their fists and steel-toed boots. They took the human wreck and threw it into a wagon… The horse galloped away on the muddy road; the muck flew, splattered the sinister chariot with huge yellow stains and… everything disappeared.
John-Antoine Nau (Enemy Force)
Titiro ki te rangi tahuri rawa ake, kahore he whenua e . . . Kua riro." We looked up to heaven and before we knew where we were there was no land left . . . all gone.
Witi Ihimaera (The Matriarch (The Mahana Family, #1))
He was John’s Hound, a big, rangy, heavy-jawed brute, who partook of his master’s surliness toward the bulk of mankind. But he had redeeming qualities, as most dogs have. He would guard John’s flock of flee-bitten sheep against all comers, and he was a renowned hunter. And I think I never heard of a dog more utterly devoted to one man than was Roderick. When John was in drink, which happened periodically, he had been known to beat the dog cruelly, but without producing the slightest resent on Roderick’s part.
Walter Alden Dyer (Many Dogs There Be (Short Story Index Reprint Series))
Pierwsza rzecz, która działa niezawodnie, to mundur. Mundur to najsilniejsza rzecz. Umyślnie stwarzam rangi i tytuły. Mam sekretarzy, tajnych obserwatorów, skarbników, prezesów, regestratorów, ich zastępców... Podoba się to i łatwo daje się zaszczepić. Następną dźwignią jest sentymentalizm. (...) Wreszcie, siła główna, cement, łączący wszystko, to wstyd przed własną opinią. To olbrzymia siła!
Fyodor Dostoevsky (Demons)
forty-something, rangy, tall, possessing a kind of wired charisma usually seen only in celebrities or sportspeople. The kind of obsessive character Julia felt an instant kinship with, but whom she now hates. How dare he – in his quest to frame and capture Matthew – involve her? She thinks of Emma and Olivia leaving the station to go home, coming back at nine o’clock tomorrow morning, bewildered, confused.
Gillian McAllister (Just Another Missing Person)
Here's Tuukka: better than six foot tall, got that rangy Nordic thing, like he skis and shoots and he can do that all day and still make the hot tub a real special place for a group of inclined ladies and then get up the next morning eat a bear for breakfast and log cabin motherfucker his way up Everest or what the fuck you want.
Aidan Truhen (The Price You Pay)
The Napoli was a rangy, powerful craft with graceful lines and was the pride of Tony’s life. The boat moved slowly out into the waters of Barmet Bay and then gathered speed as it headed toward the ocean. “Rough water,” Frank remarked as breaking swells hit the hull. Salt spray dashed over the bow of the Napoli as it plunged on through the white-caps. Bayport soon became a speck nestled at the curve of the horseshoe-shaped body of water. Reaching the ocean, Tony turned north. The boys could see the white line of the shore road rising and falling along the coast. Soon they passed the Kane farm. Two miles farther on they came within sight of the cliff upon which the Pollitt house stood. It looked stark and forbidding above the rocks, its roof and chimneys silhouetted against the sky.
Franklin W. Dixon (The House on the Cliff (Hardy Boys, #2))
Kila sumu ina kiuasumu chake. Viuasumu vya 'cyanide' ni 'amyl nitrite', 'sodium nitrite', 'cyanokit', na 'sodium thiosulfate'. Kazi ya viuasumu hivi ni kuzalisha madini mengi ya chuma mwilini. Madini haya yatapambana na maada za rangi za uhai ('cytochromes') kwa ajili ya 'cyanide', ili 'cyanide' ing’ang’anie kwenye kiuasumu badala ya kung’ang’ania kwenye vimeng’enya vya seli za mwilini. Kiuasumu kinaposhinda mpambano huo; 'cyanide' hutolewa nje kwa njia ya mkojo, na mwathirika wa 'cyanide' hupona kabisa. 'Sodium thiosulfate' ndiyo bora zaidi kuliko 'amyl nitrite' au 'sodium nitrite', na ndiyo bora zaidi kuliko 'cyanokit'.
Enock Maregesi
For a long time, she’d truly loved her husband. The fact that he was a soldier had never been ideal. Gina had never fancied herself as an army wife. She’d grown up in a loving family home within the same small Bedfordshire town, with both parents present, and had wanted the same for herself. But you can’t choose who you fall in love with. It just happens. And Jones had just happened. She’d met him in a wine bar in the West End while he’d been on leave and out with friends, and things had just clicked. He was tall and rangy, with model good looks, and eyes that were alive with promise. Even her mum, who’d never been keen on her previous boyfriends, announced that Jones had a really positive aura about him.
Simon Kernick (Ultimatum (Tina Boyd #6))
The tables are crowded with American civilian construction engineers, men getting $30,000 a year from their jobs on government contracts and matching that easily on the black market. Their faces have the look of aerial photos of silicone pits, all hung with loose flesh and visible veins. Their mistresses were among the prettiest, saddest girls in Vietnam. I always wondered what they had looked like before they’d made their arrangements with the engineers. You’d see them at the tables there, smiling their hard, empty smiles into those rangy, brutal, scared faces. No wonder those men all looked alike to the Vietnamese. After a while they all looked alike to me. Out on the Bien Hoa Highway, north of Saigon, there is a monument to the Vietnamese war dead, and it is one of the few graceful things left in the country. It is a modest pagoda set above the road and approached by long flights of gently rising steps. One Sunday, I saw a bunch of these engineers gunning their Harleys up those steps, laughing and shouting in the afternoon sun. The Vietnamese had a special name for them to distinguish them from all other Americans; it translated out to something like “The Terrible Ones,” although I’m told that this doesn’t even approximate the odium carried in the original.
Michael Herr (Dispatches)
An apt analogy for how the brain consolidates new learning may be the experience of composing an essay. The first draft is rangy, imprecise. You discover what you want to say by trying to write it. After a couple of revisions you have sharpened the piece and cut away some of the extraneous points. You put it aside to let it ferment. When you pick it up again a day or two later, what you want to say has become clearer in your mind.
Peter C. Brown (Make It Stick: The Science of Successful Learning)
The scents bring us back. That’s what Mr. Agrawal says. He says the scents of summer are the most potent, the most enduring. The sun beats hard in Duxton, Massachusetts, in late July. It shrivels soft things: flower petals, the worms that struggle up through the ground after a midday shower. The sun here cares nothing for exteriors. It is interested only in essences, the soft middles. Mr. Agrawal doesn’t bother to pick the ripening tomatoes in the garden, infested with rangy weeds and fat iridescent beetles. He says he likes the smell of the flesh once the heat has sizzled the peel. --from "Wayward," a short story by Chandra Prasad in MIXED: An Anthology of Short Fiction on the Multiracial Experience
Chandra Prasad
A large lantern appeared in one of Charun's hands. It glowed, illuminating him, me, and the immediate area. I saw him all the better for it, a tall rangy man, dressed in black jeans and a black and red plaid western shirt. He also wore snakeskin cowboy boots. Never had I imagined Charun, the Ferryman of the River Styx, dressed like that. He should be riding off into the sunset; not ferrying souls to the Elysian Fields.
Pamela K. Kinney (How the Vortex Changed My Life)
A brief snapshot of Race Maggad III: rangy and blond, with a smooth plump-looking chin, narrow green eyes and a tan as smooth as peanut butter. His long aquiline nose has a permanent hump where he once whacked himself accidentally with a polo mallet. Twice weekly his fingernails are professionally polished to a porcelain sheen, and the tooth whitener of his preference is imported at no small expense from Marseille. He calls his wife 'Casey-Coo' and they own four neutered Golden Retrievers, in lieu of children. They tend homes in Wellington, Florida; East Hampton, Long Island; and San Diego, California, where Maggad-Feist has its corporate headquarters. The man of the house loves sports cars, particularly those of German pedigree. Recently he turned forty-one, the same age at which Bebe the bottle-nosed dolphin (one of seven who played Flipper on TV) passed away.
Carl Hiaasen (Basket Case)
Brindled, patches of hair gone, one ear folded over ad the other standing straight and notched from fighting. He didn't seem to be any particular breed. Just big and rangy, right on the edge of ugly, though I would come to think of him as beautiful. He was Airedale crossed with hound crossed with alligator.
Gary Paulsen (My Life in Dog Years)