Randomly Missing Someone Quotes

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But now I gotta pay,' he said. To pay?' For my sin. That's why I'm here, right? Justice?' The Blue Man smiled. 'No, Edward. You are here so I can teach you something. All the people you meet here have one thing to teach you...That there are no random acts. That we are all connected. That you can no more seperate a breeze from the wind.' ...'It was my stupidity, running out there like that. Why should you have to die on account of me? It ain't fair.' The Blue Man held out his hand. 'Fairness,' he said, 'does not govern life and death. If it did, no good person would ever die young...Why people gather when others die? Why people feel they should? It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.' ... 'I still don't understand,' Eddie whispered. 'What good came from your death?' You lived,' the Blue Man answered. But we barely knew each other. I might as well have been a stranger.' The Blue Man put his arms on Eddie's shoulders. Eddie felt that warm, melting sensation. Strangers,' the Blue Man said, 'are just family have yet to come to know.
Mitch Albom (The Five People You Meet in Heaven)
They ooze down slowly, a flow so slight as to be imperceptible, moving across time and space, until they find a crack in which to settle and coagulate. The path of an inherited trauma is random; you never know who might get it, but someone will.
Elif Shafak (The Island of Missing Trees)
I have come to teach you that there are no random acts. That we are all connected. That you can no more separate one life from another than you can separate a breeze from the wind. ... Did you ever wonder? Why people gather when others die? Why people feel that they should? It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between taken and being missed, lives are changed. ...there is a balance to it all. One withers, another grows. Birth and death are part of a whole. ... The only time we waste is the time we spend thinking we are alone.
Mitch Albom (The Five People You Meet in Heaven)
My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should? "It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. "You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole. "It is why we are drawn to babies . . ." He turned to the mourners. "And to funerals.
Mitch Albom (The Five People You Meet in Heaven)
I believe neither in luck nor in destiny,” he declared. “I trust only the science of probabilities. I have studied mathematical statistics, combinatorial analysis, mass function, and random variables, and they have never held any surprises for me. You don’t seem fully to grasp the destabilizing effect that someone like you can have on someone like me.
Christelle Dabos (A Winter's Promise / The Missing of Clairdelune / The Memory of Babel (Mirror Visitor, #1-3))
It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed." "...We think such thngs are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole." "It is why we are drawn to babies..." "And to funerals.
Mitch Albom (The Five People You Meet in Heaven)
The world is too big for love to be real. There are too many people in the world to ever know, beyond everything, that you are with the right person. That your heart is as swollen as it can be. Think of all the people in China. It is unlikely anyone will ever meet all of them. How can we know for certain, that trapped inside a foreign language and thumping in a foreign heart there isn’t a love that is meant for us. The infinite possibility of existence, its limitless potential, is the proof that we need that love is nothing more than an imagination, a human folly, friendship swollen with self-importance, a final retreat from the storm of possibility. The love of our life could so easily have been someone else. It is random and accidental, haphazard and unsystematic. That which we feel for one person, clinging on to the delusion of destiny, could so easily be felt for a million people should the timing and the meetings and the mutual readiness have coalesced at some other time in some other place. Should someone else have accepted us or rejected us then everything would have been different. And once we know this, we know that all love is a lie. Not honesty but deception. Not heroism but cowardice. An unspoken agreement of mutual consolidation and compromise, a shield from possibility and a bed in which to sleep, nothing more than that. But I do still miss her.
Daniel Kitson
Our house was a collection of silences, each room a mute, empty frame, each of us three oscillating bodies (Mom, Dad, me) moving around in our own curved functions, from space to space, not making any noise, just waiting, waiting to wait, trying, for some reason, not to disrupt the field of silence, not to perturb the delicate equilibrium of the system. We wandered from room to room, just missing one another, on paths neither chosen by us nor random, but determined by our own particular characteristics, our own properties, unable to deviate, to break from our orbital loops, unable to do something as simple as walking into the next room where our beloved, our father, our mother, our child, our wife, our husband, was sitting, silent, waiting but not realizing it, waiting for someone to say something, anything, wanting to do it, yearning to do it, physically unable to bring ourselves to change our velocities.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Why? Did you ever wonder? Why people gather when others die? Why people feel they should? "It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. "You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
Mitch Albom (The Five People You Meet in Heaven)
We have now reached a level in which many people are not merely unacquainted with the fundamentals of punctuation, but don’t evidently realize that there are fundamentals. Many people—people who make posters for leading publishers, write captions for the BBC, compose letters and advertisements for important institutions—seem to think that capitalization and marks of punctuation are condiments that you sprinkle through any collection of words as if from a salt shaker. Here is a headline, exactly as presented, from a magazine ad for a private school in York: “Ranked by the daily Telegraph the top Northern Co-Educational day and Boarding School for Academic results.” All those capital letters are just random. Does anyone really think that the correct rendering of the newspaper is “the daily Telegraph”? Is it really possible to be that unobservant? Well, yes, as a matter of fact. Not long ago, I received an e-mail from someone at the Department for Children, Schools and Families asking me to take part in a campaign to help raise appreciation for the quality of teaching in Great Britain. Here is the opening line of the message exactly as it was sent to me: “Hi Bill. Hope alls well. Here at the Department of Children Schools and Families…” In the space of one line, fourteen words, the author has made three elemental punctuation errors (two missing commas, one missing apostrophe; I am not telling you more than that) and gotten the name of her own department wrong—this from a person whose job is to promote education. In a similar spirit, I received a letter not long ago from a pediatric surgeon inviting me to speak at a conference. The writer used the word “children’s” twice in her invitation, spelling it two different ways and getting it wrong both times. This was a children’s specialist working in a children’s hospital. How long do you have to be exposed to a word, how central must it be to your working life, to notice how it is spelled?
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should? It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole. It is why we are drawn to babies..." he turned to the mourners. "And to funerals.
Mitch Albom (The Five People You Meet in Heaven)
It's okay to feel like shit. It's okay to feel worthless. It's okay to feel insignificant. It's okay to miss someone you can't have. It's okay to have a tightness in your chest or a burning sensation on your arms or legs and it's okay to not want to eat or sleep or just overall hurt yourself or worse. It's okay to feel like your world is crashing down and it's okay to feel like you can't do this. But the point is that you try. And no matter who you are, or what age you are. Whether you're my ex from third grade (if I had one) or a random three year old who's just had a bad day. If you're 56 and your wife just divorced you and you just wanna think or get advice or anything. I'll be here. It's okay to think you're a whore, but you aren't. It's okay to feel really dumb. But I'll do my best to convince you otherwise. Cuz I can't do much, I can't. I can't completely understand what you're feeling. And I'm sorry about that. But I can sure as hell try. And I'll try my very best.
Shiv Malhotra
The powerlessness, the sensation of falling, the rotten, futile attempt to save himself, seeped into his memory. But they flickered like clips from a film: detatched random pictures devoid of emotion or context. He hoped someone could fill in the missing scenes.
Jennifer Worrell (Edge of Sundown)
If families resemble trees, as they say, arborescent structures with entangled roots and individual branches jutting out at awkward angles, family traumas are like thick, translucent resin dripping from a cut in the bark. They trickle down generations. They ooze down slowly, a flow so slight as to be imperceptible, moving across time and space, until they find a crack in which to settle and coagulate. The path of an inherited trauma is random; you never know who might get it, but someone will. Among children growing up under the same roof, some are affected by it more than others. Have you ever met a pair of siblings who have had more or less the same opportunities, and yet one is more melancholic and reclusive? It happens. Sometimes family trauma skips a generation altogether and redoubles its hold on the following one. You may encounter grandchildren who silently shoulder the hurts and sufferings of their grandparents.
Elif Shafak (The Island of Missing Trees)
For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.
Thomas M. Disch (334)
Random stuff starts popping into my head, like the time Bas and I were having a discussion at the train station in Denmark over whether it was okay to order a Danish or not. Gideon, it is rude. You’d never order an American, would you? Or an Australian? If someone asked me for an American I’d say, “You got one right in front of you.” You’re missing the point. They’re asking because they’re looking for food. I’m pretty sure I taste amazing. Okay. I dare you. Walk up to those girls over there and ask if they’re hungry for an American. I would’ve done it to make him laugh. But at that point I was already thinking about Daryn all the time. She was the only girl I would’ve allowed to cannibalize me.
Veronica Rossi (Seeker (Riders, #2))
Randomness is a concept that defies categorization; by definition, it comes out of nowhere and can’t be anticipated. While we intellectually accept that it exists, our brains can’t completely grasp it, so it has less impact on our consciousness than things we can see, measure, and categorize. Here’s a simple example: You leave late for work but still arrive in time for your 9 A.M. meeting. Congratulating yourself, you are oblivious to the fact that two minutes behind you on the freeway, someone blew a tire and blocked traffic for a half-hour. Without knowing it, you narrowly missed being late. Perhaps you draw the conclusion that tomorrow, you can afford to sleep a little later. But if you’d been in that traffic jam, you’d draw the opposite conclusion: Never leave late again. Because it is our nature to attach great significance to the patterns we witness, we ignore the things we cannot see and make deductions and predictions accordingly.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
Jeanne DuPrau (The Prophet of Yonwood)
Oh my God, Carter!” I sprang to my feet, already in a run. I crashed into Carter, hugging him tightly, “What are you doing here?!” “Damn Blaze. Where’s my Harper and what have you done with her?” I blushed and crossed my arms over my chest, “Uh, yeah. I guess I look a little different.” He ran a finger near the piercing on my lip, “A little.” He smiled and hugged me to him again. “I missed you Blaze.” “I missed you too.” I said into his chest, “I can’t believe you didn’t tell me you were coming. I would have been at the airport to get you.” “Well that wouldn’t have been half as fun as your reaction just now.” I leaned back to smile at him. He was tall too, not like Chase or Brandon, but close to six feet. His black hair was in the traditional fade the Marine’s had and his brown eyes were bright. “How long do you get to be here for?” He smiled wide and opened his mouth to talk, but was cut off. “Harper?” Turning, I saw Brandon staring at Carter, he didn’t look happy. And I could only imagine how after what happened last night with Amanda, me taking off and almost tackling a random guy while in a bikini would be a little alarming. Especially since Carter still had his arms wrapped around my waist. Stepping back toward Brandon, I grabbed his hand and squeezed, “Brandon this is my best friend from Camp Lejeune, Jason Carter, Carter, this is my boyfriend Brandon Taylor.” They firmly shook hands but didn’t say anything. Awkward. “Um, why don’t we head back over there? I can introduce you to everyone else.” I pulled Brandon back towards our friends while I was introduced to the three guys Carter had been with. He was right, I didn’t know them, but Carter had never been to California so I didn’t know how he knew them either. I introduced Carter and the three guys to everyone, and while all the housemates and Konrad were polite, Chase wouldn’t speak to, or shake Carter’s hand. Just crossed his arms over his bare chest and openly glared at him. What threw me off even more, was Brandon standing right next to him, in the exact same stance. It didn’t surprise me that Carter took a step back, those guys could look scary if they wanted to. Rugged looks, tall tattooed and muscled bodies. Yep. Definitely scary to someone who didn’t know them.
Molly McAdams (Taking Chances (Taking Chances, #1))
9-14-18 A date that will forever be drilled into my mind. A date that holds a lot of pain for me. A date that I could have ever emotionally prepared for. Pa, i’m not going to lie. These past 2 years have been the hardest years of my entire life, especially these last 6-7 months. But i have also had some of the greatest moments in these two years. I wish you were here to see me through both. The world is so different now that you are gone. So many things i wish you could have seen.. So many things i wish i could have came and talk to you about. So many nights i have laid in bed missing you so much that i couldn’t even sleep. So many days where everything reminded me of you. So many tears. So many hurts. I try and take everyone’s advice and only think about the good stuff. but even the good stuff holds pain. I try and think of all the laughs we had together but then it just makes me miss hearing your laugh ten times more... along with our long talks.. our motorcycle rides... our random pickle runs.. the many many many nights i stayed with you. All the beautiful memories that me and you hold together... I don’t know when the pain of loosing you will start to not hurt as much.. i don’t think it ever will... Because pain of loosing your best friend.. someone you spent so much of ur time with. someone you shared so many things with.. it doesn’t just go away.. i just become stronger and learn how to handle it better. some days i am weak and i can’t do anything but cry and miss you.. but other days i just keep the good memories in mind and it keeps me smiling through the day. I try and bring you up as often as i can. I continue to tell our adventures to everyone. i continue to talk about you to my siblings. i keep ur name going. because i don’t want anyone to forgot how amazing you truly were pa. When i’m older and start my own family i will share all of this with them too.. and we will keep ur name very close in our hearts... Not a day goes by where you don’t cross my mind. Gone but never forgotten. I love and miss you endlessly pa..
James Hilton
The thirty-day no-contact rule Recovering from a breakup on a more practical basis can be likened to getting over an addiction. You go through periods of major withdrawal where you become overwhelmed by a cocktail of emotions, including guilt, fear, randomly missing him, and suddenly feeling like what he did to you ‘wasn’t that bad’. You start to play the mental showreel of all your good times (even if you only had a few), and suddenly you can’t remember why you left. Feeling this cluster of imbalanced emotions can be very confusing and irritating, but all hope is not lost. Contrary to popular belief, breakups don’t actually have to be hard. We assign so much spiritual and emotional value to these men, that by the time we finally distance ourselves from them, we feel distant from ourselves. And that’s really heartbreaking, because no man is worth losing yourself over. Ever. They say it takes about thirty days to break a habit. Texting your ex, stalking his profile from your second account, deliberately asking your mutual friends certain questions to get updates on his life and his new girl – it all needs to stop. So right now, go cold turkey, block his number on whatever messaging app you use, remove him from all your social media. Maintaining little corridors of access to him means he’s still on a pedestal. It also means your value system when it comes to men is warped, because naturally you’re going to keep comparing new guys to him as long as he holds this much space in your head. You want to evict him from that space so that someone new can blow you away when the time is right! This guy is not the be-all and end-all of your experiences with men, and the outcome of your situation with him really doesn’t have to define your future relationships. This thirty-day period of making yourself the centre of your world has a 100 per cent success rate, because by the time you get to day thirty, if it’s done honestly and correctly, you will have either a) met a new guy or b) found a whole heap of new reasons to love your healing self. But the thirty-day no-contact rule must be adhered to strictly, and if you break the pact with yourself, you must start all the way from the beginning – which might feel like torture.
Chidera Eggerue (How To Get Over A Boy)
Let me explain to you what casual is. Casual is a random text from someone you haven’t seen in two weeks, asking for a hookup. Casual is wearing a condom. Casual is fucking several people at once. Casual is not texting me every day, is not telling me you miss me, not sleeping over and having pancakes the next morning. So, what do you want from me, sweetheart?
Penelope Sky (The Butcher (Fifth Republic, #1))
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