Random Shots Quotes

When school kids are shot by a random shooter, nobody asks whether the victims should have taken more precautions. Nobody suggests that maybe the victims should have skipped school that day. Nobody ever blames the victims. So why is it that when women are attacked, the onus is on them?

If those, who call the shots, are tightrope-walking between unconcern and ignorance, giving way to unrestrained vagaries, and bypassing all the priorities of our environment, we mustn’t fail to value those who take courage to stand up against random practices, institutional malfunction and flagrant injustice, and speak out against social decay and moral obliviousness. (" High noon)

It’s not that bad. Conspiracy theories come up whenever people feel like the universe is too random. Absurd. If it’s all an enemy plot, at least there’s someone calling the shots.

Hey, I don’t call the shots,” he says. “If I was good at marketing, I’d spin you an empty story that sounds profound. But the truth is that we’re all just stumbling around in the dark. Sometimes we hit something terrible.” “That’s it? It can’t be as random as that.” I don’t know what I want to hear, but that’s not it. “It’s always as random as that.” He sounds more like a seasoned soldier than any angel I’ve ever heard of. One thing’s for sure—I’m not going to get a lot of answers out of him. My hand stays out with the offered food long enough to make the moment awkward. “Don’t you want it?” I ask. “That depends on why you’re giving it to me.” I shrug. “Sometimes, as we’re stumbling along in the dark, we hit something good.

If my hair was on fire and llamas came to put it out, he'd tell me the shot was great.

When school kids are shot by a random shooter, nobody asks whether the victims should have taken more precautions. Nobody suggests that maybe the victims should have skipped school that day. Nobody ever blames the victims. So why is it that when women are attacked, the onus is on them? “If only she hadn’t walked home alone.” “If only she hadn’t cut through the park.” “If only she’d taken a cab.” When it comes to rape, it seems to me “if only” is used all the time. Never about the man. Nobody ever says “if only” he hadn’t raped her. It’s always about the woman. If only …

I shall be the wild park in the midst of the nightmare of perfection, the still, unshakeable dream in the midst of frenzied activity, the random shot on the white billiard table of logic, I shall know neither how to weep nor protest, but I shall be there always in absolute silence to receive and to restore.

But before I ran out and got shot by someone I merely hadn't seen, I examined the remote. There were a lot of buttons on it. None of them were marked. Naturally, I considered hitting some at random but decided I was thrilled to still be alive and unscathed.

What?” Richardson snarled. “No smart retort, Mr. Gautier? Cat swallow your tongue?” Nick gave her a charming grin he didn’t really feel. “No, ma’am. A gator named Sense Formerly Known as Common.” Sneering at him, she tottered her way to her desk so that she could insult someone else and ruin their day. Caleb let out an annoyed breath. -Great,- he projected to Nick. -Now I have to get detention, too. I really hate you, Gautier.- Nick batted his eyelashes at Caleb. -But I wubs you, Caliboo.- That succeeded in wringing a groan out of Caleb. “What was that, Mr. Malphas?” Richardson asked. “Severe intestinal woe caused by an external hemorrhoid that seems to be growing on my right-hand side.” He cast a meaningful glower toward Nick. The class erupted into laughter as Richardson shot to her feet. “Enough!” She slammed her hands on her desk. “For that, Mr. Malphas, you can join Mr. Gautier in after-school detention.” Caleb let out an irritated sigh. --More quality time with my hemorrhoid. Just what I wanted for Christmas. Yippee ki-yay.--

Morelli was wearing a blazer over a black knit shirt, He took a seat, and his jacket swung wide, exposing the gun at his hip. "Nice piece!" Grandma said. "What is it? Is that a forty-five?" "It's a nine- millimeter." "Don't suppose you'd let me see it," Grandma said. "I'd sure like to get the feel of a gun like that." "No!" said everyone in unison. "I shot a chicken once," Grandma explained to Morelli. "It was an accident." "Where did you shoot it?" he finally asked. "In the gumpy," Grandma said. "Shot it clear off.

Conspiracy theories come up whenever people feel like the universe is too random. Absurd. If it’s all an enemy plot, at least there’s someone calling the shots.

Ginny had seen enough shows in her lifetime to know that this wasn’t a very good show. It didn’t actually make any sense. There were a lot of random things going on, like a guy who sometimes rode through the scene on a bike for no reason that Ginny could figure. And at one point, there was a shooting in the background, but the guy who got shot just kept on singing, so his injuries obviously weren’t that bad.

Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.

I went first. The card I drew was "Watergate." "Oh, come on," I said. "This is ridiculous." "Don't whine," said Carter, his grin annoyingly smug. "We all take a random chance here." They started the timer. I drew some remedial waves that immediately got a "Water!" from Cody. That was promising. Then, I drew what I hoped looked like a wall with a door in it. Apparently, I did too good a job. "Wall," said Hugh. "Door," said Cody. I added some vertical lines to the door to emphasize the gate aspect. After a moment's thought, I drew a plus sign between the water and wall to show their connection. "Aqueduct," said Cody. "A bridge over troubled water," guessed Hugh. "Oh my God," I groaned. Unsurprisingly, my time ran out before my teammates could figure it out, though not before they guessed "Hoover Dam" and "Hans Brinker." With a groan, I flounced onto the couch. The other team then got a shot at it. "Watergate," said Carter right away. Hugh turned on me, face incredulous. "Why didn't you just draw a gate?

The dude gunned his BMW 528i (of course it had to be a BMW) and shot down Commonwealth Avenue, ignoring the lights, honking at other cars, weaving randomly from lane to lane. “You missed a pedestrian,” I said. “You want to go back and hit her?” Randolph was too distracted to answer.

Consider a more extreme example than the casino experiment. Assume a collection of people play Russian roulette a single time for a million dollars—this is the central story in Fooled by Randomness. About five out of six will make money. If someone used a standard cost-benefit analysis, he would have claimed that one has an 83.33 percent chance of gains, for an “expected” average return per shot of $833,333. But if you keep playing Russian roulette, you will end up in the cemetery. Your expected return is … not computable.

I guess it’s worth a shot.” More than likely a wasted bullet, but I’ll fire anyway.

In Minneapolis, tires were slashed and windows smashed. A high school student getting off a bus was hit in the face and told to “go back to China.” A woman was kicked in the thighs, face, and kidneys, and her purse, which contained the family’s entire savings of $400, was stolen; afterwards, she forbade her children to play outdoors, and her husband, who had once commanded a fifty-man unit in the Armée Clandestine, stayed home to guard the family’s belongings. In Providence, children walking home from school were beaten. In Missoula, teenagers were stoned. In Milwaukee, garden plots were vandalized and a car was set on fire. In Eureka, California, two burning crosses were placed on a family’s front lawn. In a random act of violence near Springfield, Illinois, a twelve-year-old boy was shot and killed by three men who forced his family’s car off Interstate 55 and demanded money. His father told a reporter, “In a war, you know who your enemies are. Here, you don’t know if the person walking up to you will hurt you.

On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.

By the time James had dressed and made his way down to the Great Hal for breakfast, it was nearly ten o’clock. Less than a dozen students could be seen moving disconsolately among the detritus of the morning’s earlier rush. At the far corner of the Slytherin table, Zane sat hunched and squinting under a beam of sunlight. Across from him was Ralph, who saw James enter and waved him over. As James made his way across the Hal , four or five house-elves, each wearing large linen napkins with the Hogwarts crest embroidered on them, circled the tables, meandering in what at first appeared to be random paths. Occasional y, one of them would duck beneath the surface of a table and then reappear a moment later, tossing a stray fork or half a biscuit casual y onto the mess of the table. As James passed one of the elves, it straightened, raised its spindly arms, and then brought them swiftly down. The contents on the table in front of him swirled together as if caught in a miniature cyclone. With a great clattering of dishes and silverware, the corners of the tablecloth shot upwards and twisted around the pile of breakfast debris, creating a huge clanking bag floating improbably over the polished wood table. The house-elf leaped from floor to bench to tabletop, and then jumped, turning in midair and landing lightly on top of the bag. It grasped the twisted top of the bag, using the knot as if it were a set of reins, and turned the bag, driving it bobbingly toward the gigantic service doors in the side of the Hal . James ducked as the bag swooped over his head.

They’re making a movie, Joe is doing the camera work, he’s never done it before but David says they’re the new Renaissance Men, you teach yourself what you need to learn. It was mostly David’s idea, he calls himself the director: they already have the credits worked out. He wants to get shots of things they come across, random samples he calls them, and that will be the name of the movie too: Random Samples.

This will happen again,” Nathaniel explained. “Even if we manage not to hurt each other, eventually one of us will get sick or get bored, or someone else will get in the way. Maybe they won’t mean to. Maybe my mom will need me when she’s older and I’ll have to go to her—” “I’d go with you,” Kelly offered. “—or maybe one of us will die young or maybe you’ll fall out of love with me because emotions can’t be controlled. Or maybe we’ll get to a point where we want to hurt each other. I know that’s hard to imagine now, but relationships only get more complicated as time goes by.” “So we better avoid them?” Kelly snapped. “Why do you even leave the house? Why aren’t you constantly scared of getting hit by a car or shot by some random lunatic?” Nathaniel exhaled.“ I never was before. Not until I fell in love with you.

This was supposed to be the Presidential Suite," she said, gazing into the room at the holes in the wall. well, even presidents get shot," I said. I was just going to say that myself," she said, smiling. "But I didn't want to scare you." I didn't know whether this was interesting--that we were both thinking the same gruesome thing--or even whether it was actually the case. Perhaps it was just rhetorical ESP: Kreskin's Guide to Etiquette. But even if it was true, that we were about to say the same thing, did this connect us in some deep private way? Or was it just a random obviousness shared between strangers? The deeper life between two people I had yet to read with confidence. It seemed a kind of vaporous text that kept revising its very alphabet. An exfoliating narrative, my professors would probably say. The paratext of the possible.

Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.

shot through and through.  Cocked rifles swept the bush with nervous apprehension.  But there was no rustle, no movement; nothing but the humid oppressive silence. “Bushmen he no stop,” Binu Charley called out, the sound of his voice startling more than one of them.  “Allee same damn funny business.  That fella Koogoo no look ’m eye belong him.  He no savvee little bit.” Koogoo’s arms had crumpled under him, and he lay quivering where he had fallen.  Even as Binu Charley came to the front the stricken black’s breath passed from him, and with a final convulsive stir he lay still. “Right through the heart,” Sheldon said, straightening up from the stooping examination.  “It must have been a trap of some sort.” He noticed Joan’s white, tense face, and the wide eyes with which she stared at the wreck of what had been a man the minute before. “I recruited that boy myself,” she said in a whisper.  “He came down out of the bush at Poonga-Poonga and right on board the Martha and offered himself.  And I was proud.  He was my very first recruit—” “My word!  Look ’m that fella,” Binu Charley interrupted, brushing aside the leafy wall of the run-way and exposing a bow so massive that no one bushman could have bent it. The Binu man traced out the mechanics of the trap, and exposed the hidden fibre in the tangled undergrowth that at contact with Koogoo’s foot had released the taut bow. They were deep in the primeval forest.  A dim twilight prevailed, for no random shaft of sunlight broke through the thick roof of leaves and creepers overhead.  The Tahitians were plainly awed by the silence and gloom and mystery of the place and happening, but they showed themselves doggedly unafraid, and were for pushing on.  The Poonga-Poonga men, on the contrary, were not awed.  They were bushmen themselves, and they were used to this silent warfare, though the devices were different from those employed by them in their own bush.  Most awed of all were Joan and Sheldon, but, being whites, they were

My mom is having a Scentsy party tomorrow," he said. "The scented-wax thingies? Random. But go on." He laced his fingers together on his lap. "I was thinking... I know how much you love to smell things." I nodded. I could spend hours in a candle store sticking my nose inside every jar. "True. I do love to smell." "Well, instead of going on your suicide mission, you could just come to the party. We could go smell crazy and even sneak a few of my mom's JELL-O shots. Eh?" He poked a finger in my ribs. "Epic, right?

The Burial of Sir John Moore after Corunna" Not a drum was heard, not a funeral note, As his corse to the rampart we hurried; Not a soldier discharged his farewell shot O’er the grave where our hero we buried. We buried him darkly at dead of night, The sods with our bayonets turning; By the struggling moonbeam’s misty light And the lantern dimly burning. No useless coffin enclosed his breast, Nor in sheet nor in shroud we wound him, But he lay like a warrior taking his rest With his martial cloak around him. Few and short were the prayers we said, And we spoke not a word of sorrow; But we steadfastly gazed on the face that was dead, And we bitterly thought of the morrow. We thought, as we hollowed his narrow bed And smoothed down his lonely pillow, That the foe and the stranger would tread o’er his head, And we far away on the billow! Lightly they’ll talk of the spirit that’s gone And o’er his cold ashes upbraid him, But little he’ll reck, if they let him sleep on In the grave where a Briton has laid him. But half of our heavy task was done When the clock struck the hour for retiring; And we heard the distant and random gun That the foe was sullenly firing. Slowly and sadly we laid him down, From the field of his fame fresh and gory; We carved not a line, and we raised not a stone, But left him alone with his glory.

Look around your house. There is probably enough material there to allow you to make a human being. If you, the new professor Frankenstein, put all the bits together in exactly the right way, and then you shot some electricity into the body, would you be able to stand back, raise your hands to the heavens and cry, 'It’s alive!'. You would need to be a fucking lunatic to believe that such a thing is possible. But, deep down, every materialist believes it. After all, they think they will create conscious robots from scrapyard metal. Emergence – how stupid things become smarter together. Not! Emergence – how Not-X comes from X just by randomly shuffling X around long enough.

So many things in this world were cracked and sad, and still a glowing showed through and moments came when everything was lit and love happened. Every tree stood where it belonged, each bird had perfect feathers folded against its tiny body, each holding a heart beating madly. Life was a vibration of light and dark, and love illuminated that life. Then darkness descended and your heart was ripped apart. So that was part of it, a requirement of the miracle. Death stayed, lurking in the shadow of beauty. In the bargain, life both had meaning and had none. So, she kept thinking, what to do? What to do? A pressure in her would not stop asking. There were not many things she could make better, not many things she could change. And yet…and yet…sparks of possibility still shot out. Unasked for, they came and randomly flew up.

Come on, Bob, kill it!” “I’m trying, Tom. It won’t stop moving.” I looked at Wolf and whispered, “What do you think they are trying to kill?” Wolf shrugged. “Let’s go check it out.” We snuck forward until we could get a visual on what was happening. We saw that there were two large slimes and one baby slime. Judging by the way the large slimes were protecting the baby, I assumed it was their child rather than a random baby slime. The two players were slashing at the large slimes who were trying to defend themselves but failing. Eventually the players chopped the two large slimes into medium slimes, then into small slimes until they had finally killed all the pieces. That left the baby slime all alone. Bob and Tom looked at each other. “I think we should kill it,” said Tom. “Otherwise, it’s going to grow into an adult slime and try to get its revenge on us.” Where have I heard this story before? Bob laughed. “Slimes are stupid. It won’t be able to get revenge because it will be dead.” The players began to move forward to the baby slime. And that’s when something snapped in me. I was reminded of the night my parents sacrificed their lives for me. I couldn’t let this baby slime be killed. I jumped up and rushed to the players. Wolf shout-whispered, “No! Don’t do it!” I didn’t care. I ran up to the two players and without giving them a chance to surrender, mercilessly assassinated them. The baby slime looked at me with fear in its eyes and backed away, fearful that I would kill it too. But I didn’t. I put my sword back into my inventory and reached down and gently picked up the slime. “Can you talk?” I asked. The slime made cooing and booping noises, but apparently was too young to be able to speak yet. “I wish I could talk to you, Child. I would tell you that everything is going to be alright. I’ll be your new guardian.” Wolf arrived by my side a moment later. “It’s not part of the Way to kill players unless the killing falls under a specific rule or arises from self-defense.” I shot a look at Wolf. “I was defending the life of another. Is that not the same as self-defense?” “I guess, but it’s … hurrr … it’s a slime.” “Are you saying a slime has less right to be alive than us?” “I’m not saying that, but now that you mention it….” “Shut up. I’m taking charge of this child.” Wolf shook his head. “You realize that according to the Way, if you take the life of an orphan into your hands you have to protect it and see that it makes it to adulthood, just as I have with you.

You should give him a picture of you to keep him company, if you know what I mean.” She frowns at me. “Do you know what I mean?” “Like, a sexy picture? No way!” I start backing away from her. “Look, I’ve gotta go to class.” The last thing I want to do is think about Peter and random girls. I’m still trying to get used to the idea that we won’t be together at UVA this fall. Chris rolls her eyes. “Calm down. I’m not talking about a nudie. I would never suggest that for you of all people. What I’m talking about is a pinup-girl shot, but not, like, cheesy. Sexy. Something Kavinsky can hang up in his dorm room.” “Why would I want him to hang up a sexy picture of me in his dorm room for all the world to see?” Chris reaches out and flicks me on the forehead. “Ow!” I shove her away from me and rub the spot where she flicked me. “That hurt!” “You deserved it for asking such a dumb question.” She sighs. “I’m talking about preventative measures. A picture of you on his wall is a way for you to mark your territory. Kavinsky’s hot. And he’s an athlete. Do you think other girls will respect the fact that he’s in a long-distance relationship?” She lowers her voice and adds, “With a Virgin Mary girlfriend?” I gasp and then look around to see if anyone heard. “Chris!” I hiss. “Can you please not?” “I’m just trying to help you! You have to protect what’s yours, Lara Jean. If I met some hot guy in Costa Rica with a long-distance gf who he wasn’t even sleeping with? I don’t think I’d take it very seriously.” She gives me a shrug and a sorry-not-sorry look. “You should definitely frame the picture too, so people know you’re not someone to mess with. A frame says permanence. A picture taped on a wall says here today, gone tomorrow.” I chew on my bottom lip thoughtfully. “So maybe a picture of me baking, in an apron--” “With nothing underneath?” Chris cackles, and I flick her forehead lightning quick. “Ow!” “Get serious then!

King of the Ruskin was my show last year, last May, in New College Long Room. I filled that old room with seven big paintings. Big, colourful paintings. King of the Ruskin included better work than Abstractionism. I’ve tried since to paint like that and I can’t. The King of the Ruskin paintings were it. I didn’t realise it at the time but they were the best paintings I would ever make. They were the paintings I wanted to see and they did everything I wanted painting to do at that time. So these are my last paintings. I will never paint again. But why didn’t I stop in the first place? No one ever knows when to stop. They just decline. For me, I had to kill my painting. With King of the Ruskin I had delivered the mortal wounds but one rarely has the pleasure of a quick and graceful exit. No, it has been slow, painful and distressing. Of course I am speaking in hindsight; I only realised it was the end with the randomly themed, scrappy, clustered paintings where it finally became apparent to me that I had no skills, no ideas, no interest, no pride and no pleasure in painting. I was like a dying cowboy, making a final, feeble bid at victory with random, aimless shots at an invisible enemy.

Some martial arts, or combat sports at least, offer a career path that includes fame and riches. An Olympic gold medal, perhaps. But that is not true of ours. I train martial arts because they can offer moments of utter transcendence. The ineffable made manifest. This is traditionally described as “beyond words” or “indescribable” but, as a martial artist and a writer, that would feel like a cop-out. I will take this feeling and wrestle it down onto the page, or at least give it my best shot. It is a moment when every atom in your body is exactly where it should be. Every step you have taken on life’s path makes sense, and is part of a coherent story. The pain of every mistake is made worthwhile by the lessons contained within. There is a feeling of physical power without limit; strength without stiffness; flow without randomness; precision without pedantry; focus without blinkers; breadth and depth; massive destructive capability, but utter gentleness; self-awareness without self-consciousness; force without fury; your body alive as it has never been, all fear and pain burned away in a moment of absolute clarity; certainty without dogma; and an overpowering love, even for your enemies, that enables you to destroy them without degrading them. For a religious person it is the breath of God within you; for an atheist it is a moment of attaining perfection as a human being.

In the classic demonstration of the illusion of control, the Harvard psychologist Ellen Langer had students guess the outcome of a coin toss, heads or tails. They were then told whether they were correct or not in their guesses. In three separate setups, the outcomes were predetermined in a specific order: they could be distributed in an intuitively random pattern, there could be more correct guesses clustered near the beginning, or there could be more correct guesses clustered near the end. In each case, the absolute numbers were the same. The only difference was the order. But the results couldn’t have been more different. After the guesses concluded, Langer asked each participant a series of questions: Did they feel they could improve on this task? Did they feel they were particularly talented at it? Did they need more time to get better? Would they be better with limited distraction? And so on. In each case, the obvious answer is no: to answer otherwise is to classify something that is the outcome of chance (a coin toss) as being in the realm of skill. But the obvious answer is not the answer she got. When students had a random progression or one where the accuracy clustered near the end, they did indeed answer in the negative. But when the correct answers were clustered up front, they developed a sudden myopia. Why yes, they said, they are quite good at this, and yes, they would improve with time. Success led to an abject failure of objectivity: suddenly, they were in the throes of the illusion of control. They thought that they could actually predict the results of a coin toss. If we lose early, we have a shot at objectivity. But when we win at the start, that’s when we see the illusion of control playing out in full swing. As Langer titled her paper: “Tails, I Win. Heads, It’s Chance.

So you hook up with strangers?" Liam asked in a hushed whisper as the cashier rang up their order. "Were you with someone last night?" "Yes. His name is Max." She pulled out her phone. "I have a selfie of us together." She held it up for the cashier to see, keeping the screen away from Liam's line of vision. "Oh, he's gorgeous," the cashier said. "He's got the nicest eyes." "Let me see." Liam felt his protective instincts rise. "Who is he? Max who?" "He doesn't have a last name." "Jesus Christ, Daisy," he spluttered. "Does Sanjay know you do this? What about your dad?" "They know all about Max," Daisy said. "In fact, my dad took a picture of us cuddled together in bed the night before he left on his trip, and the cutest one of Max on my pillow. I bought some pajamas but he refused to wear them. He likes to sleep au naturel." Bile rose in Liam's throat. "And your dad took... pictures?" "Photography is his new hobby. He took some great shots when I was giving Max a bath..." "Stop." Liam held up a hand. "Just... I can't. I don't know what's happened to you, but it ends now. We're engaged and that means no more random hookups, no pornographic pictures, and no flashing pictures of strangers in the nude." "Amina doesn't mind. She's my second cousin." Daisy introduced them before turning her phone around. "And this is Max." Liam was a heartbeat away from shutting his eyes when his brain registered the picture of a fluffy white dog on a pink duvet. His tension left him in a rush. "Max is a dog." "He's a Westie. Layla got him for me as an emotional support dog at a bad time in my life." Liam bit back the urge to ask Daisy about a time so bad she'd needed extra love. It was her business, and he could only hope she would tell him when she was ready so he could offer his support. "That wasn't funny." "Amina and I were amused." "I heard you were engaged." Amina's gaze flicked to Liam and she blushed. "He's almost as cute as Max.

The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224

We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.

above all, intellectual. Anti-intellectualism is one of the grand unifying themes of the backlash, the mutant strain of class war that underpins so many of Kansas’s otherwise random-seeming grievances. Contemporary conservatism holds as a key article of faith that it is fruitless to scrutinize the business pages for clues about the way the world works. We do not labor under the yoke of some abstraction like market forces, or even flesh-and-blood figures like executives or owners. No, it is intellectuals who call the shots,

Hate crimes impact not just individuals, but entire communities. When a family is attacked because of the color of their skin, it’s not just the family that feels violated, but every resident of that neighborhood. When a teenager is murdered because he is gay, the entire community feels a sense of helplessness and despair. And when innocent people are shot at random because of their religious beliefs—real or perceived—our nation is left at a loss.

We do not know whether the killer of Reverend Pinckney and eight others knew all this history. But he surely sensed the meaning of his violent act. It was an act that drew on a long history of bombs, and arson, and shots fired at churches—not random, but as a means of control, a way to terrorize and oppress. An act that he imagined would incite fear and recrimination; violence and suspicion; an act that he presumed would deepen divisions that trace back to our nation’s original sin.

Prestos jogged back to the edge of the pit, lifting a whistle to her lips. A huge timer appeared high up above, glittering with magic as it readied to count down from five minutes- was that all? Before I could ask Sofia for more information, Prestos's whistle screeched and Darius swung a fist right into the Starlight Captain's face. As he lurched sideways I saw the name Quentin on the back of his shirt alongside the position of Earthraider. “Oh my god,” I gasped as Darius lunged to pick up the ball, only to receive a knee right to his chin. Darius was ready, lurching back and throwing a kick while the entire stadium bellowed in encouragement. Quentin took the blow to the stomach, stumbling away and Darius grabbed the ball which looked pretty damn heavy. The second he had it, the two teams charged forward. Geraldine roared like she was going into battle, magically tearing up the ground beneath the feet of the Starlight team so they stumbled wildly, unable to get their hands on Darius. He made a beeline for the Pit as the four Keepers grouped in around it. “Go on!” Orion roared from my right, rising to his feet as more and more people stood up all around us. ... Max tried to knock her aside with a blast of water, but stumbled to a halt before he could cast it well enough, clasping onto his neck and rubbing like mad. “Ahhh it burns!” Tory and I fell apart into laughter as I noticed his skin was turning blotchy with violent purple patches. “Ahhhh!” “Rigel! What the fuck is going on?” Orion bellowed just as a blaring BUZZZZZZZZ announced Starlight getting the ball into the Pit. A scoreboard lit up above the stands, showing Starlight had scored one point but then words in red flashed beside it. ... “Now it's round two. Every round lasts five minutes. After an hour, it'll be half time then they play for a final hour. Just watch, it's about to get seriously intense.” She pointed to the four corners of the pitch. “There's only one ball in play per round, it'll be fired into the pitch randomly from the four Elemental Quarters. A Fireball is scorching hot, an Earthball is seriously heavy, an Airball is light and will be shot far up toward the roof and a Waterball is freezing to touch. If no one gets the ball in the Pit before the five minutes are up – boom!” She mimed an explosion with her hands and my mouth fell open. “Holy shit,” Tory breathed and I nodded in absolute agreement of that. “If the ball is dropped at any point in the game, including just before it explodes, the team loses five points. So everyone on that pitch is prepared for the injuries they'll get if it goes off,” Sofia explained. “That's insane,” I breathed. “Nope.” Diego leaned forward from his chair with a manic gleam in his eyes. “That's Pitball.” (darcy)

It’s impossible to hum while holding your nose.” Of course, we tested and confirmed the random fact to be true while pinching our noses and giving it our best shot.

Dude, she told you she had something to take care of and then walked out on her own, she wasn’t snatched by random guys in a van,” Bobby shot back. Alex paused briefly in his pacing. “When you think about it we’re the random guys in a van,” He observed before starting his pacing up again.

Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.

George would come in and say, ‘Hey, we’re going to have this giant snow battle, start doing some storyboards,’ ” says Johnston. “But there was no script! But George would say, ‘Don’t worry about that, just do the storyboards.’ The process then was to lay out random shots and pick out some that would conceivably work. George would work on the script at home while I would be working on the boards.

There’s no such thing as Divergent magic, Mar,” says Lynn. “And if there is, we shouldn’t be consulting it,” says Shauna. It’s the first thing she’s said since we sat down. She doesn’t even look at me when she says it; she just scowls at her younger sister. “Shauna--” Zeke starts. “Don’t ‘Shauna’ me!” she says, focusing her scowl on him instead. “Don’t you think someone with the aptitude for multiple factions might have a loyalty problem? If she’s got aptitude for Erudite, how can we be sure she’s not working for Erudite?” “Don’t be ridiculous,” says Tobias, his voice low. “I am not being ridiculous.” She smacks the table. “I know I belong in Dauntless because everything I did in that aptitude test told me so. I’m loyal to my faction for that reason--because there’s nowhere else I could possibly be. But her? And you?” She shakes her head. “I have no idea who you’re loyal to. And I’m not going to pretend like everything’s okay.” She gets up, and when Zeke reaches for her, she throws his hand aside, marching toward one of the doors. I watch her until the door closes behind her and the black fabric that hands in front of it settles. I feel wound up, like I might scream, only Shauna isn’t here for me to scream at. “It’s not magic,” I say hotly. “You just have to ask yourself what the most logical response to a particular situation is.” I am greeted with blank stares. “Seriously,” I say. “If I were in this situation, staring at a group of Dauntless guards and Jack Kang, I probably wouldn’t resort to violence, right?” “Well, you might, if you had your own Dauntless guards. And then all it takes is one shot--bam, he’s dead, and Erudite’s better off,” says Zeke. “Whoever they send to talk to Jack Kang isn’t going to be some random Erudite kid; it’s going to be someone important,” I say. “It would be a stupid move to fire on Jack Kang and risk losing whoever they send as Jeanine’s representative.” “See? This is why we need you to analyze the situation,” Zeke says. “If it was me, I would kill him; it would be worth the risk.” I pinch the bridge of my nose. I already have a headache. “Fine.” I try to put myself in Jeanine Matthews’s place. I already know she won’t negotiate with Jack Kang. Why would she need to? He has nothing to offer her. She will use the situation to her advantage. “I think,” I say, “that Jeanine Matthews will manipulate him. And that he will do anything to protect his faction, even if it means sacrificing the Divergent.” I pause for a moment, remembering how he held his faction’s influence over our heads at the meeting. “Or sacrificing the Dauntless. So we need to hear what they say in that meeting.” Uriah and Zeke exchange a look. Lynn smiles, but it isn’t her usual smile. It doesn’t spread to her eyes, which look more like gold than ever, with that coldness in them. “So let’s listen in,” she says.

An hour later, I laughed as Fallon danced around Luke. Everyone, except Ryder and me, had finished off several more shots, and Fallon was drunk. Usually I found drunk people annoying, but tonight she was pretty hilarious. She even made drinking look fun. Ryder grinned. “You’re friend isn’t going to be able to stand upright much longer.” Fallon spun in our direction. “Hey, she’s the one over a table, not walking right.” She pointed at me. I slapped my hand over my mouth and tried not to laugh at her random slew of Ryder comments meshed into one indecipherable sentence. “What?” Ryder’s eyebrows scrunched as he stared at her then me. “Nothing. She’s drunk.” I pressed my lips together to avoid laughing. He smirked. “Are you?” I shook my head. “Nope.” Fallon jumped back in. “No way. Brinley’s drunk!” Her eyes widened. “Hell just froze over.” She shifted her gaze to Ryder. “Don’t be taking advantage of my roomie. I know you want to occupy Vagistan and all that but she’d be sooo pissed at—” “Oh my God. We’re done.” I pressed my hand to her mouth as my face seared with embarrassment. Luke bent over in hysterics. “I think I love your friend.” “Awesome. She’s yours. Just don’t let her talk anymore.” “Keep her mouth busy? On it.

Ten minutes,” Butch whispered into Marissa’s ear. “Can I have ten minutes with you before you go? Please, baby…” V rolled his eyes and was relieved to be annoyed at the lovey-dovey routine. At least all the testosterone in him hadn’t dried up. “Baby…please?” V took a pull on his mug. “Marissa, throw the sap bastard a bone, would you? The simpering wears on my nerves.” “Well, we can’t have that, can we?” Marissa packed up her papers with a laugh and shot Butch a look. “Ten minutes. And you’d better make them count.” Butch was up out of that chair like the thing was on fire. “Don’t I always?” “Mmm…yes.” As the two locked lips, V snorted. “Have fun, kiddies. Somewhere else.” They’d just left when Zsadist came in at a dead run. “Shit. Shit…shit…” “What’s doing, my brother?” “I’m teaching and I’m late.” Zsadist grabbed a sleeve of bagels, a turkey leg out of the refridg and a quart of ice cream from the freezer. “Shit.” “That’s your breakfast?” “Shut up. It’s almost a turkey sandwich.” “Rocky Road don’t count as mayo, my brother.” “Whatever.” He beelined back for the door. “Oh, by the way, Phury’s here again, and he brought that Chosen with him. Figured you’d want to know in case you see a random female ghosting around here.” Whoa. Surprise. “How’s he doing?” Zsadist paused. “I don’t know. He’s pretty tight about shit. Not real talkative. The bastard.” “Oh, and you’re a candidate for The View?” “Right back at you, Bahbwa.” “Touché.” V shook his head. “Man, I owe him.” “Yeah, you do. We all do.” “Hold up, Z.” V tossed the spoon he’d used to sugar his coffee across the room. “You’re going to want this, true.” Z caught the thing on the fly. “Ah, would have spaced that. Thanks. Man, I got Bella on the brain all’a time, feel me?” The butler’s door flapped shut.

Zhang's success, along with related work of other contemporary big shots like Ben Green and Terry Tao, points to a prospect even more exciting than any individual result about primes: that we might, in the end, be on our way to developing a richer theory of randomness. Say, a way of specifying precisely what we mean when we say that numbers act as if randomly scattered with no governing structure, despite arising from completely deterministic processes. How wonderfully paradoxical: what helps us break down the final mysteries about prime numbers may be new mathematical ideas that structure the concept of structurelessness itself.

His fury peaked in that moment. He refused to die because of something so random, without cause or purpose. He had to know the reason. There had to be an answer to it. He would not die now, ended by a bullet from a nameless assassin. He saw the killer shift his stance, moving to line up his shot. He was heavy-set and broad across the shoulders, easily Marc’s superior in terms of muscle and power, even without the matter of the semi-automatic pistol in his hand. He didn’t have a plan. There wasn’t any training he had gone through for a scenario such as this one. But he had no other choice

What do you get when you offer a blonde a penny for her thoughts?” Maggie asked randomly. “Huh?” Johnny shot a look at her from under his hood. “It’s a joke.” What do you get when you offer a blonde a penny for her thoughts?” “What?” “Change,” Maggie supplied, waggling her eyebrows. Johnny stared at her for a moment and shook his head. Maggie tried again. “What do you call a brunette with a blonde on either side?” Johnny didn’t reply. “An interpreter,” Maggie answered, a little less cheerfully this time. Johnny didn’t even look up from the car’s engine. “What did the blonde say when she looked in the box of Cheerios?” she said, her voice subdued. This was her favorite one. It used to be his. No reply again. “Oh, look! Donut seeds...” Maggie’s voice faded off. Johnny slammed the hood and wiped his hands on a nearby rag. “Did I used to laugh at your jokes?” he asked brusquely. “Only the blond jokes. I used to tell knock knock jokes but you told me they were terrible

At the age of 12, Jay Z shot his drug-addicted brother for stealing money from him.

Outside the walls the confusion was indescribable. If the city represented a carved miniature of the world, the suburbs represented the same model broken into a thousand pieces, tumbled in a bag and shot out at random.

When school kids are shot by a random shooter, nobody asks whether the victims should have taken more precautions. Nobody suggests that maybe the victims should have skipped school that day. Nobody ever blames the victims.

I did not kiss colleagues. I did not kiss people I knew next to nothing about. I did not kiss men I had no intention of dating, or men I was incompatible with. I didn’t let random bouts of lust call the shots.

I want you to kiss me,” I said. “What?” he said. “I want you to kiss me, Colton,” I repeated louder. “Not some random guy I met at a club called Shots. Not a stranger. You.

I was very close to the age where I would have been sent to train, but was saved from that fate when we were forced out of Pinyudo, all forty thousand of us, by the Ethiopian forces that overthrew President Mengistu. ... The area near the river was marshy and the group was soaked, wading through the heavy water. The river, when we arrived, was high and moving quickly. Trees and debris flew with the current. The first shots seemed small and distant. I turned to follow the sound. I saw nothing, but the gunfire continued and grew louder. The attackers were nearby. The sounds multiplied, and I heard the first screams. A woman up the river spat a stream of blood from her mouth before falling, lifeless, into the water. She had been shot by an unseen assailant, and the current soon took “her toward my group. Now the panic began. Tens of thousands of us splashed through the shallows of the river, too many unable to swim. To stay on the bank meant certain death, but to jump into that river, swollen and rushing, was madness. “The Ethiopians were attacking, their Eritrean cohorts with them, the Anyuak doing their part. They wanted us out of their country, they were avenging a thousand crimes and slights. I paddled and kicked. I looked again for the spot on the riverbank where I had last seen the crocodiles. They were gone. —The crocodiles! —Yes. We must swim fast. Come. There are so many of us. We’re at a mathematical advantage. Swim, Achak, just keep paddling. A scream came from very close. I turned to see a boy in the jaws of a crocodile. The river bloomed red and the boy’s face disappeared. —Keep going. Now he’s too busy to eat you. We were halfway across the river now, and my ears heard the hiss under the water and the bullets and mortars cracking the air. Each time my ears fell below the surface, a hiss overtook my head, and it felt like the sound of the crocodiles coming for me. I tried to keep my ears above the surface, but when my head was too high, I pictured a bullet entering the back of my skull. ... I pushed my face into the dirt, but secretly I watched the slaughter below. Thousands of boys and men and women and babies were crossing the river, and soldiers were killing them randomly and sometimes with great care. There were a few SPLA troops fighting from our side of the river, but for the most part they had already escaped, leaving the Sudanese civilians alone and unprotected. The Ethiopians, then, had their choice of targets, most of them unarmed. “they chased the Sudanese from their land with machetes and the few rifles they possessed. They hacked and shot those running to the river, and they shot those flailing across the water. Shells exploded, sending plumes of white twenty feet into the air. Women dropped babies in the river. Boys who could not swim simply drowned... Some of the dead were then eaten by crocodiles. The river ran in many colors that day, green and white, black and brown and red. “—Come here!" a woman said. I looked to find the source of the voice, and turned to see an Ethiopian woman in a soldier’s uniform. —Come here and I will help you find Pochalla! she said. The other boys began walking toward her. —No! I said. —See how she’s dressed! —Don’t fear me, she said. I am just a woman! I am a mother trying to help you boys. Come to me, children! I am your mother! Come to me! The unknown boys ran toward her. Achor stayed with me. When they were twenty feet from her, the woman turned, lifted a gun from the grass, and with her eyes full of white, she shot the taller boy through the heart. I could see the bullet leaving his back. His body kneeled and then fell on its side, his head landing before his shoulder. “Run! he said, grabbing my shirt from behind. We ran from her, diving into the grass and then crawling and hurtling away fom the woman, who was still shouting at us. "Come back!" she said. "I am your mother, come back, my children!

It reminds him that beyond stale predictability lies hidden moments, random and beautiful… Beyond depressing comfort zones of stagnation are happy meadows of growth… Beyond tears are laughs waiting to be laughed and beyond darkness is light waiting to unravel itself… Beyond it all is life waiting to be lived… Kumbh taught me how to be alone in a swarm of people. To find your little islets of peace amidst a sea of teeming people. How you have to find your way even where there are a million others around you trying to find theirs. How you do not necessarily have to stop and ask each time you feel lost. Kumbh had planted its magic that was to blossom in the days that followed…

There are waves in history, as we have seen, including some vast tsunamis. But the idea that those waves are like waves of light and sound is an illusion. In the 1920s, the Soviet economist Nikolai Kondratieff sought to show that there were such patterns in capitalism, inferring from British, French, and German economic statistics the existence of fifty-year cycles of expansion followed by depression.114 For this contribution, which continues to be influential with many investors today, Stalin had Kondratieff arrested, imprisoned, and later shot. Unfortunately, modern research dispels the idea of such regularity in economic life. The economic historian Paul Schmelzing’s meticulous reconstruction of interest rates back to the thirteenth century points instead to a long-run, “supra-secular” decline in nominal rates, driven mostly by the process of capital accumulation, punctuated periodically but randomly by inflationary episodes nearly always associated with wars.115 Yet

He shakes his head. “That’s insane.” “Nope. That’s telekinesis, Kyle.” I’ve always called it psychokinesis, not telekinesis. But what the hell: when life gives you a shot at a Tenacious D joke, you take it. Even if it means compromising your standards.

The newer tactic of scattering bodies on city streets, as happened when Joaquín Guzmán’s goons pushed thirty-five bloody corpses (twelve of them women) off two trucks on Manuel Ávila Camacho Boulevard, near a shopping mall in the prettier part of the port city of Veracruz one day in September 2011, to terrorize their adversaries... Guzmán, known as El Chapo (Shorty) for his small stature, ran the largest airborne opera- tion in Mexico; he owned more aircraft than Aeromexico, the national air- line. Between 2006 and 2015, Mexican authorities seized 599 aircraft — 586 planes and 13 helicopters—from the Sinaloa cartel; by comparison, Aeromexico had a piddling fleet of 127 planes.... One Zeta atrocity I knew nothing about took place in 2010, in the small town of San Fernando, south of Reynosa. A roaming band of Zetas stopped two buses of migrants—men, women, and children from Central and South America, who were fleeing the violence in their countries. The Zetas demanded money. The migrants had no money. The Zetas demanded that the migrants work for them, as assassins or operatives or drug mules. The migrants refused. So they were taken to a building in the village of El Huizachal, blindfolded, their hands and legs bound, and each one was shot in the head. Seventy-two of them died. One man (from Ecuador) played dead, escaped, and raised the alarm... The gory details of this massacre became known when one of the perpetrators was arrested, Édgar Huerta Montiel, an army deserter known as El Wache, or Fat Ass. He admitted killing eleven of the migrants person- ally, in the belief (so he said) that they were working for a gang hostile to his own. A year later, near the same town, police found 47 mass graves containing 193 corpses — mostly migrants or passengers in buses hijacked and robbed while passing through this area of Tamaulipas state, about eighty miles south of the US border... But in the early 2000s headless bodies began to appear, tossed by the roadside, while human heads were displayed in public, at intersections, and randomly on the roofs of cars. This butchery was believed to be inspired by a tactic of the Guatemalan military’s elite commandos, known as Kaibiles. A man I was to meet in Matamoros, on my traverse of the border, explained how the Kaibiles were toughened by their officers. The officers encouraged recruits to raise a dog from a puppy, then, at a certain point in their training, the recruit was ordered to kill the dog and eat it.... When the Kaibiles became mercenaries in the Mexican cartels, the first beheadings occurred, the earliest known taking place in 2006: a gang in Michoacán kicked open the doors of a bar and tossed five human heads on the dance floor. Decapitations are now, according to one authority on the business, “a staple in the lexicon of violence” for Mexican cartels....

Holy fuck. I don’t even know what to do with this. The markings on his fingers aren’t random symbols. They don’t spell out “love” and “hate” or some shit like that. They’re numbers. The month, day, and year of the night I was shot.

James Edward Garcia spent 3 nights in the hotel after Elisa’s death, bringing with him an EVP recorder. He believes the spirit of Elisa came through to him, while in his hotel bedroom. He asks, “Who killed you?” A voice replies, on the EVP recording, “They did.” In the elevator, the same one Elisa was last seen in, he captures a voice saying; “You better keep out! Keep out!” He says, “The creepy whispering voices sound p…d. They are either warning me – or threatening me.” Down in the lobby, a whispered female voice says, “James” several times. Back in his room, his recording equipment picks up what seems to be many voices; a cacophony of them. A female voice comes through, “Save me, please save me!” A man’s voice says, “She died.” A male voice says, “Yeah, blood.” “Killing” the voice says. The female voice returns, “Please save me,” to which James shouts, “Who are you?” A very deep voice replies, “They killed her,” followed by a higher pitch voice saying, “A demon seed.” One night he also slept in the room serial killer Richard Ramirez called his home while on his killing spree. ‘I returned to the room only to find the TV Remote on the floor with the battery cover off and a Tylenol bottle on its side on the table between the beds. I thought that Hotel Security must have been rummaging through my room. I setup a static camera to film my night. I was not aware that my Night Shot Infrared camera picked up a skull face that had bled through the paint on the wall behind me. You can clearly see it and it is pretty scary. At one point my face seems to have morphed into some type of demon possessed creature while I was asleep. It sounds outrageous but watch the footage and you will see what I’m talking about.” Is the Cecil Hotel imbued with demons who play with those who stay there; who get inside their heads? Newsblaze reporter John Kays asks, ‘Isn’t it logical to postulate that whoever killed Elisa Lam (if that’s what happened) was in the throes of the same evil spirit that Jack Unterweger was possessed with?’ Or the spirit of serial killer Richard Ramirez? He is referring to the two serial killers who called this hotel their home. Perhaps Elisa’s death had been part of a serial killer’s quest; but it could just as easily have been a crime of opportunism, by a random, solitary and as yet uncaptured killer; indeed, an un-sought-after-killer too at this

Caio Cesar, a Brazilian voice actor who dubbed Daniel Radcliffe as Harry Potter, was also a police officer and died when he was only 27 after being shot in his neck in the slums of Rio de Janeiro.

There is no rhyme or reason for any of it. Life is just a casino—numbers, probabilities, and cigarette smoke—that is all we are. Life is like this. You walk into a casino. You walk over to the bar and the bartender gives you two shots of cheap whiskey. You walk in hungry, tired. Maybe you’re already a bit drunk. The whiskey goes straight to your head and you light a cigarette—you know, to calm the nerves. You walk over to a craps table. But with all of the smoke, with your eyes blurry from the alcohol, you can hardly tell what it is. Nonetheless, the dice are rolled. Nobody asks you any questions. They roll the dice and whatever the number is, that’s how long you have to play. That’s life. Just a numbers game.

Eat- Yō Sandwich (Lunch) It is a foot long; Ha- better than six inches, said Maddie. Karly- Suck on your meatballs… ‘You should know you’ve done both.’ Some girl down the table- said. Let’s talk about books, said Olivia. God just shot me in the head, so I can die, ha- hey see the sped? Nice- book’s- Maddie- ha! Karly- I think movies like Twilight freaking suck, (Throwing both middle fingers in the air making a skilling face.) The sporting actress made fame, what it is. Look at her and the look at that, what is- that, I love Anna Kendrick? Teach walking by saying that a mother-week Barns. Liv- I think she would have made a better Bella, than the girl with no personality, yet that’s the book I read that thing and it was painful. I guess that my assignment in life is over my Karly kiss my ass where it is brown and holy! And that another one, sure it is… Suck my clit. No! Yes, you want to! (Sexy eyes) That's it- you're expelled- Good now I can party and have some fun sleeping and not doing this crap, so you're going to punish me by not being here, freak yeah! The towing sickness of a teacher whose name is Mr. Abdèlaziz Okay smart-ie, in-school suspension, then right. Karly- Freaking-, ho-bag, psycho, b*tch, p*ssy-tart- cunt! Under her breath. (She gets taken out by her hair, by the officer what’s his name, roughly, I might add.) Like who paints a room all black, and faces the desks at the wall, where you could only piss two times… no air to speak of and some fat ass smelling like crap farting up and down the five by thirdly long skinny room, next to you is what… I got six out of seven freaking hours, all week I might add. ~*~ (Flashback) I love bands that are not cool so what do you do here? Freak yeah, at least I made it as one of our dumb ho’s… in a short skirt that shows nothing under it, to think I made it, wow good to think… you think I am good enough to be the same look, and size or whatever, yet you can’t say the N-word or a knotty little swore ward… Yet- yet- teachers can call me every name you can think of… in the urban book of crap, like I cannot even wear a tank… without a bra in the halls, yet, this girl can… do you see all the bouncing, and nipples pointing, at you, I sure do?

Starting in the early 1980s, the frequency of rampage shootings in the United States began to rise more and more rapidly until it doubled around 2006. Rampages are usually defined as attacks where people are randomly targeted and four or more are killed in one place, usually shot to death by a lone gunman.

If you think about it, shouldn't we be spending more money against qualified prospective buyers versus shots in the dark at bagging a random stranger? Of course we should. It's a complete no-brainer. (p. 8) ... Our cardinal mistake is to forget that it is these four simple truths (or metrics) that keep us in business: 1. Getting more customers to buy from us; 2. More often; 3. To spend more with us in the process; 4. AND to recommend us to their friends (p. 15)

Meanwhile, the net celebrates kids whose antics are the most sensationalist and, as a result, often reckless and self-destructive. An entire genre of YouTube video known as Epic Fail features amateur footage of wipeouts and other, well, epic failures. "FAIL Blog," part of The Daily What media empire, solicits fail videos from users and features both extreme sports stunts gone awry along with more random humiliations—like the guy who tried to shoplift an electric guitar by shoving it down his pants. Extreme sports clips are competing on the same sensationalist scale and result in popular classics such as "tire off the roof nut shot" and "insane bike crash into sign." Daring quickly overtakes what used to be skill. In "planking" photos and videos, participants seek to stay frozen in a horizontal plank position as they balance on a flagpole, over a cliff, or on top of a sleeping tiger. For "choking" videos, young people strangle one another to the point of collapse and, sometimes, death.

Law enforcement did a lot of shooting during the weekend. They shot looters and also fired at random into crowds, hitting uninvolved bystanders on the sidelines and even some in their homes.

boom of shots firing nearby. To fall to the ground and cover our heads. To feel like an animal, prey in a pile on the ground. We’ve known the shooter could show up anywhere, anywhere people gathered, we’ve expected to see him in our periphery, a masked shadow moving through the crowd, picking people off at random, semiautomatic booms putting bodies down, sending them flailing through the broken air. A bullet is a thing so fast it’s hot and so hot it’s mean and so straight it moves clean through a body, makes a hole, tears, burns, exits, goes on, hungry, or it remains, cools, lodges, poisons. When a bullet opens you up, blood pours like out of a mouth too full. A stray bullet, like a stray dog, might

That’s ridiculous,” Christopher said. “It is as if one was bitten by a duck and years later one shot a completely different duck and ate it for dinner, and called that revenge.