Ranch Sorting Quotes

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I followed suit, a little bit nervous, and very unaware of what I was supposed to do. I had that same sensation you get when you were new to a school and had no idea who anyone was in your lunch period. You’d take your lunch tray and sort of stand around for a moment looking for a good spot to take a seat but the entire time you’re searching, all you can feel is everyone’s eyes on you. That’s a shitty feeling.
Fisher Amelie (Greed (The Seven Deadly, #2))
Unexpectedly, she took several trotting steps and then threw in a couple of feeble attempts at bucking! She felt good enough to try and play! ... Instead of slowing down, she broke into a very awkward canter, punctuated by all sorts of goofy attempts to throw her heels up. I couldn't help but laugh out loud at her faltering display of joyful rejuvenation.
Kim Meeder (Bridge Called Hope: Stories of Triumph from the Ranch of Rescued Dreams)
Don’t you know how being fired works? Step one: never tell anyone the truth—claim you won the lottery, inherited a cattle ranch in Wyoming, got a huge offer in New York, that sort of thing. Step two: drink to excess until you figure out what to do. Jesus. It’s like you’re not familiar with TV’s tribal ways!
Bonnie Garmus (Lessons in Chemistry)
She came to the ranch on one of the first pale chilly days of an autumn, hired to cook for us for a few months, and stayed on in our lives for almost three years. Her time with us is a strange season all mist and dusk and half-seen silhouettes, half-heard cries. there is nothing like it in the sortings of my memory.
Ivan Doig (This House of Sky: Landscapes of a Western Mind)
The sheepdog trial is a contest of farm and ranch dogs doing the same work they do every day at home. It's a simple test: dog runs out, gathers sheep, and fetches them to his shepherd. Dog drives the sheep through obstacles. Then dog and man sort the sheep and pen them. Any halfway decent sheepdog can do it but some are better than others
Donald McCaig (Mr. and Mrs. Dog: Our Travels, Trials, Adventures, and Epiphanies)
a man named Dalton, a District 10 refugee who’d made it to 13 on foot a few years ago, leaked the real motive to me. “They need you. Me. They need us all. Awhile back, there was some sort of pox epidemic that killed a bunch of them and left a lot more infertile. New breeding stock. That’s how they see us.” Back in 10, he’d worked on one of the beef ranches, maintaining the genetic diversity of the herd with the implantation of long-frozen cow embryos. He’s very likely right about 13, because there don’t seem to be nearly enough kids around. But so what? We’re not being kept in pens, we’re being trained for work, the children are being educated. Those over fourteen have been given entry-level ranks in the military and are addressed respectfully as “Soldier.” Every single refugee was granted automatic citizenship by the authorities of 13.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It seemed the morrow's holding had become a sort of peoples park in the suburbs of Cleveland. The other on the block, those who still lived in the fading jerry-built ranch houses with birdbaths or plaster dwarves on their lawns had appropriated it. I could imagine them gathering there at dusk, their children swaying creakily on the swings as the women planted sunflower seeds and murmured over the day's events. It was slightly criminal, an unfounded claim made by people who were not prospering but only getting by, and as such the property had passed beyond reclamation. To own this parcel of land you would have to wrest it back from those who had learned to care for it. If you leveled their tiny works and put up a new house you would be an invader, not much different from a colonial, and the land would be tainted until your house fell down again. This suburban quarter-acre had returned to its wilder purpose, and could not be redomesticated without a fight that would leave the victor's hands stained.
Michael Cunningham (A Home at the End of the World)
You’re dreaming of miracles, Willem,” Idriss would say if he knew what he was thinking, and he knew he was. But then again, he would think, what about his life—and about Jude’s life, too—wasn’t it a miracle? He should have stayed in Wyoming, he should have been a ranch hand himself. Jude should have wound up—where? In prison, or in a hospital, or dead, or worse. But they hadn’t. Wasn’t it a miracle that someone who was basically unexceptional could live a life in which he made millions pretending to be other people, that in that life that person would fly from city to city, would spend his days having his every need fulfilled, working in artificial contexts in which he was treated like the potentate of a small, corrupt country? Wasn’t it a miracle to be adopted at thirty, to find people who loved you so much that they wanted to call you their own? Wasn’t it a miracle to have survived the unsurvivable? Wasn’t friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely? Wasn’t this house, this beauty, this comfort, this life a miracle? And so who could blame him for hoping for one more, for hoping that despite knowing better, that despite biology, and time, and history, that they would be the exception, that what happened to other people with Jude’s sort of injury wouldn’t happen to him, that even with all that Jude had overcome, he might overcome just one more thing?
Hanya Yanagihara
Wyatt." She tore it open and stood there, drinking him in.Just the sight of him had her heart doing a happy dance in her chest. "Don't throw me out." He lifted a hand. "I come in peace.With food." When she didn't say a word he added, "Pizza.With all your favorite toppings.Sausage, mushrooms, green..." "Well,then." To hide the unexpected tears that sprang to her eyes,she turned away quickly. "Since you went to so much trouble,you may as well come in." "It was no trouble.I just rode a hundred miles on my Harley,fought my way through the smoke screen at the Fortune Saloon,had to fend off Daffy's attempts to have her way with me, and discovered that I'd left my wallet back at the ranch,which meant I had to sign away my life before Vi would turn over this pizza,wine,and dessert. But hey, no trouble at all.It's the sort of thing I do nearly every day." He followed her to the kitchen, where he set down the pizza box and a brown bag. He glanced over at the stove. "Are you going to lift that kettle, or did I interrupt you making a recording of you whistling along with it in harmony?" Despite her tears,she found herself laughing hysterically at his silly banter. Oh,how she'd missed it. He set the kettle aside.The sudden silence was shocking. Because she had her back to him, he fought the urge to touch her.Instead he studied the way her shoulders were shaking. Troubled,he realized he'd made her cry. "Sorry." Deflated,his tone lowered. "I guess this was a bad idea." "Wyatt." He paused. "It was a good idea.A very good idea." She turned,and he saw the tears coursing down her cheeks. "Oh,God,Marilee,I'm sorry.I didn't mean to make you..." "I'm not crying." She brushed furiously at the tears. "I mean I was,but then you made me laugh and..." "This is how you laugh?" He caught her by the shoulders and held her a little away. "Woman,I didn't realize just how weird you are. Wait a minute.Do you think being weird might be contagious? Maybe I ought to get out of here before I turn weird,too." The more she laughed,the harder the tears fell. Through a torrent of tears she wrapped her arms around his waist and held on, burying her face in his neck. "You can't leave.I won't let you." He tipped up her face,wiping her tears with his thumbs. "You mean that? You really don't want me to go?" "I don't.I really want you to stay, Wyatt." "For dinner?" "And more." "Dessert?" "And more." His smile was quick and dangerous. "I'm beginning to like the 'and more.'" She smiled through her tears. "Me,too." "Maybe we could have the 'and more' as an appetizer, before the pizza." Her laughter bubbled up and over, wrapping itself around his heart. "Oh, how I've missed your silly sense of humor." "You have?" "I have.I've missed everything about you." "Everything?" He leaned close to nibble her ear,sending a series of delicious shivers along her spine. "Everything." Catching his hand,she led him to the bedroom. "I worked very hard today making up the bed with fresh linens. Want to be the first to mess it up?" He looked from the bed to her and then back again. "Oh,yeah." He drew her close and brushed her mouth with his. Just a soft,butterfly kiss, but she felt it all the way to her toes. "I mean I want to really, really mess it up." "Me,t..." And then there was no need for words.
R.C. Ryan (Montana Destiny)
Uh oh,” my dad comes in the room but dramatically stops short. “Are we talking about boys?” I roll my eyes. “No, we’re talking about stubborn men.” “So we are talking about boys,” he says and comes over to stand beside me, helping himself to some of the veggies off the platter. “Who did what this time?” he asks Jill. She raises her hands in defense. “This time it isn’t my problem.” “Travis is not exactly being the ideal muse,” I say while I dip one of the carrots into the ranch dressing. “And you really expect him to be?” he asks, trying to hide his smile. “Well, I expected him to try a little harder,” I say defensively. “I never understand how you manage to talk him into these things,” my dad says, leaning across the counter for a piece of bruschetta. “Even Scott gave up most times. But you were always able to convince Travis to stick it out with you.” “Well, we aren’t ten anymore,” I argue. “And apparently he’s taken a card from Scott’s book.” “I don’t know,” my dad says, wiping his mouth. “He’s always been team Etty. You can’t just switch.” “Have you and Mom been watching the Twilight series again?” I accuse. My dad just raises his eyebrows but doesn’t say anything. My dad is team Jacob; Mom is team Edward; I’m team I don’t care. Not that I have anything against Twilight, it’s just when you come into the house and your parents are in the middle of a legitimate argument over what creature they would like their daughter to date… things just got weird for me. I toldScott not to drop those movies off at their house; now whenever they have to decide on something they say they are “team so-and-so”.
Emily Harper (My Sort-of, Kind-of Hero)
After experiencing all sorts of bizarre activity during his research on UFOs, John Keel formulated his “ultraterrestrial” hypothesis, which postulates that Earth has shared living space for millennia with other intelligent beings who interact with humans when they choose to, who are more intelligent than us, and who manipulate our physical and psychic reality for their own obscure agendas.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
don't want money that comes from depriving others of their homes. They all have a right to live, a chance." "Of course!" Gunter was impatient. "We've gone over all this before! But I tell you most of these people are trash, and no matter about that, they all will be put off that land, anyway. The government is going to buyout whoever has control. That will mean us, and that means we'll get a nice, juicy profit." "From the government? Your own government, Uncle?" Connie studied him coolly. "I fail to understand the sort of man who will attempt to defraud his own government. There are people like that, I suppose, but somehow I never thought I'd find one in my own family." "Don't be silly, child. You know nothing of business ... you aren't practical." "I suppose not. Only I seem to remember that a lot of worthwhile things don't seem practical at the moment. No, I believe I'll withdraw my investment in this deal and buy a small ranch somewhere nearby. I will have no part in it.
Louis L'Amour (RIDERS OF THE WESTERN TRAILS: : The Second Louis L’Amour 4 Book Western Bundle - Showdown On The Hogback, Rider Of Lost Creek, The Rider Of The Ruby Hills, Ride, You Tonto Raiders!)
I can’t be trusted with oxytocin—you know this. I’m so delusional, if a guy is sort of nice to me I fall in love with him.
Bailey Hannah (Seeing Red (Wells Ranch, #2))
We stared at each other for way longer than was socially acceptable, and he flashed me a small smile that hinted at a dimple on either side of his face. Not fucking dimples. Those should be illegal. Or at least require some sort of warning before flashing them at people. Warning: Dimples may appear and cause panty-dropping.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch #2))
For somehow, against probability, some sort of indigenous, recognizable culture has been growing on western ranches and in western towns and even in western cities. It is the product not of the boomers but of the stickers, not of those who pillage and run but of those who settle, and love the life they have made and the place they have made it in.
Wallace Stegner (Where the Bluebird Sings to the Lemonade Springs)
spot.  She stood in the doorway of the first class car as if waiting for the applause of her subjects.  Her eyes swept the area, looking for her ride.  Clara raised a friendly hand and waved at her.  No sense in giving her too much deference, Clara knew – settling the guests into the easygoing ways of the West as soon as possible, that was the best cure for all sorts of problems. “Good morning, Countess.  Can I call you Maria?” The Countess lifted an eyebrow.  “You may...” Clara extended her hand.  “I’m Clara Crawford.  I’ll be your escort to the Wild J, your hostess while you’re there, your tour guide around the area, and your witness at court six weeks from today.” The Countess was like any other woman, Clara could see.  Something inside every one of them relaxed when Clara gave that speech. What
Angelina Vance (The Cowboy's New Bride (The Wild J Divorce Ranch, #1))
Don’t you want to know why I’m here?” Emma made herself meet his eyes. “No,” she said. “I do not.” He chuckled, unmoved, as always, by her discourtesy. “We’re going on a picnic Saturday,” he announced. Emma had had all she could take of Steven Fairfax’s audacity. She glared at him, her cheeks throbbing. “I hardly think that will be possible. You see, I’ve agreed to attend a party with Fulton on Saturday evening.” Steven sighed. “So you’re still seeing the banker, huh?” “Honestly,” Emma snapped, amazed, “you are insufferable. And I’m not going on any picnic with you, now or ever!” The silk crumpled between her clenched fingers, and she nearly stuck herself with the needle. “Perhaps I have finally made myself clear?” He smiled. “I do comprehend what you’re trying to say, Miss Emma. I just disagree with you, that’s all.” Emma hurled down the bodice of the dress she’d been sewing and bolted out of her chair. “What on earth gives you the idea that it matters, whether you and I agree or not?” His eyes glittered with firelight and humor as he watched her. “You are indeed a beauty, Miss Emma—the kind of prize a man dreams of winning. Win you I will, and when I do, I intend to have you well and often.” A tremor of mingled fury and desire coursed through Emma’s slender frame. “What will it take to make you go away and leave me alone?” she whispered, clasping her hands together as though she were praying. Steven drew her to him without moving, without extending a hand. Before she knew what was happening, Emma was standing on the hearth, looking up into his face. He touched her lips, very lightly, with his finger, sending a storm of fire all through her. “Go on the picnic with me,” he said quietly. “Then if you still want me to leave, I will.” Emma’s eyes widened. She felt hope, but also a raw sort of dismay. “You mean you’ll actually saddle your horse and leave Whitneyville entirely? You won’t even work on Big John’s ranch anymore?” “That’s right,” Steven answered hoarsely, winding an escaped tendril of Emma’s blaze-colored hair around the same finger that had caressed her lips. “If you can tell me you never want to see me again after our picnic, I’ll ride out.” Emma bit her lip and laid one hand to her heart, as though to slow its rapid beat so Steven wouldn’t hear it. “But the dance…” “You’ll be back in plenty of time for that.” Within Emma’s breast, reason and whimsy did battle. And as so often happened where this man was concerned, whimsy won. “All right,” she sighed with resolution. “But I expect you to keep your word.” She waggled a finger at him. “There’ll be no backing out after I say I never want to see you again.” He bent his head and kissed her lightly, tantalizingly, on the lips. “You have my word of honor,” he told her between soft samplings of her mouth that sent sweet shocks jolting to her nerve endings. Emma
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
the kitchen and petting them for at least a short time every day. They were both filling out and looking much better. Ariana thought a lot about the Boots & Bangles Gala. Not only about the gala, but about what it meant to be involved with Trey Kelly. It would be hard to impossible to be with Trey and not be involved in public functions. The Kellys were the heart of Whiskey River. Both the ranch and Kelly Boots employed a large portion of the town residents, as well as some from nearby towns. They were involved in all sorts of philanthropic endeavors, often through their foundation. Coming up in just a couple of weeks was the charity gala. After that came Founder’s Day. With Booze Kelly being the founder of Whiskey River,
Eve Gaddy (One Night with the Cowboy (Whiskey River, #2))
Not fucking dimples. Those should be illegal. Or at least require some sort of warning before flashing them at people. Warning: Dimples may appear and cause panty-dropping.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
She never considered that her mother’s leaving could cause her to be stuck in a sort of darkness, afraid to move. Yeah, she needed the sunrise like she needed breath.
Susan May Warren (Sunrise (Sky King Ranch, #1))
It’s like the mere sight of her has short-circuited my brain, opened the floodgates to me gawking at her like some sort of slack-jawed neanderthal.
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
Skinwalkers are purely evil in intent. I’m no expert on it, but the general view is that skinwalkers do all sorts of terrible things—they make people sick, they commit murders. They are grave robbers and necrophiliacs.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
It started with Isabella trying to escape from Dexter, who Miles led you to believe at the beginning wasn’t a good guy, except he tries to keep Isabella comfortable and he never touches her. But she’s being held against her will, so that didn’t engender any warm and fuzzy feelings between them. In fact, the insults she lobbed at him were fantastic, like, You pikey pillock. [...] Dexter, for his part, took them all in stride and never retaliated, not even when she told him his mother must have been a slag. Yikes. The only time Dexter exerted any force was when he came in to bring her food and she used her feminine charm on him. Poor Dexter was stupid enough to believe it might be real. Wishful thinking on his part. Except when Isabella did get close to him, she felt a little something and it startled her. [...] She kneed him in the groin anyway and ran away. Dexter recovered quickly enough to catch her. That’s when he started sleeping in her room to make sure she didn’t escape. And that was when things started to get interesting. Isabella meant to lure him into believing she was interested in him to gain his trust, but the more she got to know him, the more she can’t help but like him. I read their exchanges as they talked late into every night, with him on the floor and her on the bed, asking all sorts of questions from his family to how he felt about politics. [...] [Dexter] possessed a calm reassurance about himself and a deep understanding of people and situations. [...] Poor Isabella thought she was getting the upper hand in all of this, but it didn’t take her long to realize she was losing ground. She began looking forward to their nights spent talking and sometimes playing Stop the Bus, a card game she used to play with her father. Dexter began using these moments to gain her trust, to start telling her the truth of her situation. It was enough that when they were discovered by two men clad in black who claimed to be there to rescue Isabella, she chose to flee with Dexter after some kick-butt fight scenes. [...] Isabella and Dexter fled to France. They almost kind of had a moment there. Isabella was furious with him because she felt like he was hiding something from her. She goes to slap him, but he grabs her hand before she can make contact. The unspoken words and emotion between them were totally hot. You thought he was going to kiss her, and so did she. She found herself yearning for it and she hated herself for it. [...] While in Paris, Isabella discovered a clue in her father’s journal that led them to Colorado. It had to do with a town legend involving a tree where lovers carved their names. It was said any pair to carve their name into the Aspen tree would only be parted by death. I loved that he used an Aspen tree. That was where they began to see how intertwined their lives were. Dexter’s mother’s name and Isabella’s father’s name were carved together into the tree long before either of them was born, but Isabella’s father’s name was crossed out. At first, I was grossed out thinking that they might be siblings, but Dexter was ten years older than Isabella, and his mother died before Isabella was born. But their parents were lovers. Interesting. [...] While they tried to figure out who might have crossed out Isabella’s father’s name, Isabella and Dexter started dancing on the edge of their feelings. Miles made the cabin they were staying in at the Ranch one room, not just one bedroom. A large, single room with only a bathroom for any privacy. Inch by inch, the sexual tension between them grew. Little touches here and there. But more than that, there was an emotional connection. Isabella began to let down her guard. She owned how afraid she was that her life had been a lie. But on the flipside, she had this desperate hope her father was innocent. More than that, she longed to be able to trust someone, but she didn’t know how.
Jennifer Peel (My Not So Wicked Boss (My Not So Wicked, #3))
The second scene was centered round this ominous figure with attributes that were clearly not human. Fully upright, its body had wide, rounded shoulders which tapered in unbroken lines down to the feet. There were no distinguishable arms or legs. The head was skull-shaped with large round and pupil-less eyes. There was some sort of weird tubular shit that looked
Erick Rhetts (Lost on Skinwalker Ranch)
almost like ram horns coming out of the top of the head. It looked to me to be standing before some sort of opening. Drawn at its feet were multiple prone figures crudely shaped like gingerbread men—only etched like skeletons. No doubt they were supposed to be dead. Then there were others, similarly drawn, but upright—dead but standing, like zombies or the walking dead. Towards the outer edges of the scene were other figures much like the one in the middle, only with less detail and not as fantastic. Here and there was some other stuff that may have been the flames of a fire, like a campfire, and what looked to be urns or jars, the clay kind.
Erick Rhetts (Lost on Skinwalker Ranch)
But these two just sort of claimed me and haven’t let me go, and I’m not complaining.
Elsie Silver (The Front Runner (Gold Rush Ranch, #3))
This enthusiasm was interpreted as kindness. But a man named Dalton, a District 10 refugee who’d made it to 13 on foot a few years ago, leaked the real motive to me. “They need you. Me. They need us all. Awhile back, there was some sort of pox epidemic that killed a bunch of them and left a lot more infertile. New breeding stock. That’s how they see us.” Back in 10, he’d worked on one of the beef ranches, maintaining the genetic diversity of the herd with the implantation of long-frozen cow embryos. He’s very likely right about 13, because there don’t seem to be nearly enough kids around. But so what? We’re not being kept in pens, we’re being trained for work, the children are being educated. Those over fourteen have been given entry-level ranks in the military and are addressed respectfully as “Soldier.” Every single refugee was granted automatic citizenship by the authorities of 13.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
would feel so good to get that off my chest, to say the words that have solidified and gone stagnant there. Like when you don’t quite swallow that pill, and it’s just sort of lodged there in your throat.
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
I’m not dealing with you. I’m here because I want to be. I want to sort this shit out together. Because this,”—my finger circles between us—“thing that’s happening with us is worth it. You’re worth it.
Bailey Hannah (Alive and Wells (Wells Ranch, #1))