Ranch It Up Quotes

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George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.
John Steinbeck (Of Mice and Men)
A partner to share the ups and downs with. Honor and strength, and knowing you're stronger together than apart
Donna Alward (Hired by the Cowboy (Windover Ranch, #1))
I'm fine." "You know how Flynn defines 'fine' as an answer?" Jake asked him conversationally. "He says it usually translates as an anagram: Fucked up, Insecure, Neurotic and Emotional. So which one do you want to go for?
Rolf and Ranger (Silver Bullet Everest)
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
Joan Didion (The White Album)
There are a lot of ways to castrate a bull," I said, my words deliberate and slow. "You can band the balls off, so they shrivel up and die. Or you can take a knife, and slide it just so." I demonstrated with my free hand. "I grew up on a ranch. I know a lot about castrating bulls.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
I grew up on a working ranch, and there was way too much to do.” “You what? A working ranch? Like…a cowboy?” Cam rolled his eyes. “I guess.” “You’re a cowboy and a fireman?” “Yes, Daniel,” Cam said dryly. “It’s almost as if I am half of the Village People, all rolled into one.
Z.A. Maxfield (The Book Of Daniel (St. Nacho's, #4))
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
Jeannette Walls (Half Broke Horses)
It’s not about managing, it’s about taste. Your sandwiches taste better.” Ty started cracking up. “Oh my fucking God, are you spoiled. It’s about throwing some meat, cheese, and mayo between two pieces of bread. The taste doesn’t change whether it’s me or you slapping it together.
S.J.D. Peterson (Ty's Obsession (Whispering Pines Ranch, #3))
I was brought up on a ranch but, because of my father, the romance of guns had somehow escaped me. In his eyes, a gun was a tool, not some half-assed deity. Guys who named their guns worried him and me. I
Craig Johnson (The Cold Dish (Walt Longmire, #1))
The ups and downs, the dreams and struggles, had all been part of the journey, she realized—a journey that led to a cattle ranch near a town called King, where she had fallen in love with a cowboy named Luke.
Nicholas Sparks (The Longest Ride)
For fifty thousand years, right up to the industrial revolution, human civilization was about one thing and one thing only: food. Every culture that existed put most of their time, energy, manpower, and resources into food. Hunting it, gathering it, farming it, ranching it, storing it, distributing it…it was all about food.
Andy Weir (Project Hail Mary)
She’s a live wire, and I am the idiot happy to see what happens when I pick up the loose end. When those walls come down, and I know they will, she and I will light each other on fire.
Elsie Silver (Off to the Races (Gold Rush Ranch, #1))
But then again, he would think, what about his life- and about Jude's life, too- wasn't it a miracle? He should have stayed in Wyoming, he should have been a ranch hand himself. Jude should have wound up - where? In prison, or in a hospital, or dead, or worse. But they hadn't. Wasn't it a miracle that someone who was basically unexceptional could life a life in which he made millions pretending to be other people, that in that life that person would fly from city to city, would spend his days having his every need fulfilled, working in which he was treated like the potentate of a small, corrupt country? Wasn't it a miracle to be adopted at thirty, to find people who loved you so much that they wanted to call you their own? Wasn't it a miracle to have survived the unsurvivable?Wasn't friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely? Wasn't this house, this beauty, this comfort, this life a miracle?
Hanya Yanagihara (A Little Life)
I was feeling like all that crazy sea inside me was settling into a calm. He had drawn it all out of the bottle I kept it in, but when I looked up at him like that, it settled, because if my wild insides were a sea, those gray eyes were the world's biggest fucking bowl, and they held me. Caught me and held me and bore me up.
Heidi Cullinan (Nowhere Ranch)
Again the ranch is on the market and they’ve shipped out the last of the horses, paid everybody off the day before, the owner saying, ‘Give them to the real estate shark, I’m out a here,” dropping the keys in Ennis’s hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream.
Annie Proulx (Brokeback Mountain)
Song of myself I am of old and young, of the foolish as much as the wise, Regardless of others, ever regardful of others, Maternal as well as paternal, a child as well as a man, Stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine, One of the Nation of many nations, the smallest the same and the largest the same, A Southerner soon as a Northerner, a planter nonchalant and hospitable down by the Oconee I live, A Yankee bound my own way ready for trade, my joints the limberest joints on earth and the sternest joints on earth, A Kentuckian walking the vale of the Elkhorn in my deer-skin leggings, a Louisianian or Georgian, A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye; At home on Kanadian snow-shoes or up in the bush, or with fishermen off Newfoundland, At home in the fleet of ice-boats, sailing with the rest and tacking, At home on the hills of Vermont or in the woods of Maine, or the Texan ranch, Comrade of Californians, comrade of free North-Westerners, (loving their big proportions,) Comrade of raftsmen and coalmen, comrade of all who shake hands and welcome to drink and meat, A learner with the simplest, a teacher of the thoughtfullest, A novice beginning yet experient of myriads of seasons, Of every hue and caste am I, of every rank and religion, A farmer, mechanic, artist, gentleman, sailor, quaker, Prisoner, fancy-man, rowdy, lawyer, physician, priest. I resist any thing better than my own diversity, Breathe the air but leave plenty after me, And am not stuck up, and am in my place.
Walt Whitman
It reminds me of something Hank told me a long time ago, about growing up on a ranch, training new horses. He'd been good at it, apparently, and attributed that to his patience. He could wait out any bad mood. The anger of an animal didn't make him angry. It helps you understand them better, he told me. You don't want that anger becoming fear. You want it turning into trust.
Emily Henry (Happy Place)
Instead of the macho, trigger-happy man our culture has perversely wanted him to be, the cowboy is more apt to be convivial, quirky, and softhearted. To be "tough" on a ranch has nothing to do with conquests and displays of power. More often than not, circumstances - like the colt he's riding or an unexpected blizzard - are overpowering him. It's not toughness but "toughing it out" that counts. In other words, this macho, cultural artifact the cowboy has become is simply a man who possesses resilience, patience, and an instinct for survival. "Cowboys are just like a pile of rocks - everything happens to them. They get climbed on, kicked, rained and snowed on, scuffed up by wind. Their job is 'just to take it,' " one old-timer told me.
Gretel Ehrlich (The Solace of Open Spaces)
The phrase she was so mad she could chew nails and spit screws ran though his mind at her look. Damn. He had really fucked things up between them. Why hadn’t he taken her calls again? Oh, yeah, to give her a chance at a good life.
Tamara Hoffa (Roping Love (Circle R Ranch, #1))
don’t hate horses.” Pippy snorts and bats her eyelashes at him. Another one down, apparently. “Okay. You said you don’t like horses.” “Yup.” He grunts as he turns his back on me and crouches down to line up two boards. “But I like you.
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don’t belong no place. They come to a ranch an’ work up a stake and then they go inta town and blow their stake, and the first thing you know they’re pound-in’ their tail on some other ranch. They ain’t got nothing to look ahead to.
John Steinbeck (Of Mice and Men)
Ya smell like sun," he murmured. D's voice was raw, like a man under hypnosis. "Ya know that smell? That toasty-skin smell, like ya get after goin' ta the beach?" He nodded a little. "I love that smell." He straightened, eyes lowered to the ground. "Reminds me a workin' on the ranch, when I was a kid. Ridin' with my brother, up in the hills, sun beatin' down turnin' our necks brown, our hands." Jack didn't dare speak, or breathe, or make the tiniest move to disturb the so-rare Reverie. This glimpse into D's secret mind was like having a skittish deer approach him on a wooded trail; one false move and it would dart away into the brush, leaving him with only a flash of white tail before vanishing.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
Life's too short to say no when love shows up at your door.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
I grew up on a ranch and my daddy always said, "If the milk is sour move the herd". Well things have been sour here for a while and getting worse...gotta let (it) go.
Dean Lorey (Nightmare Academy (Nightmare Academy, #1))
What if you woke up tomorrow with only the things you took time to thank God for today?
Ruth Logan Herne (Peace in the Valley (Double S Ranch, #3))
See something you like?" Miller tensed, going tight as a guitar string. "No, but God...Have you ever seen a dick that big before?" Garrett couldn't resist teasing Miller a little. "Every morning when I take a piss." "You wish." Miller tore his gaze away from the room's occupants and turned to stare at Garrett. "I remember your dick just fine, and it didn't look anything like that." "Ah. Now you've gone and hurt my dick's feelings. Maybe you should kiss and make up.
Amanda Young (Recession (Chicken Ranch #2))
I listened to the static echoing in my ear and thought of those herds of horses you get in the vast wild spaces of America and Australia, the ones running free, fighting off bobcats or dingoes and living lean on what they find, gold and tangled in the fierce sun. My friend Alan from when I was a kid, he worked on a ranch in Wyoming one summer, on a J1 visa. He watched guys breaking those horses. He told me that every now and then there was one that couldn't be broken, one wild to the bone. Those horses fought the bridle and the fence till they were ripped up and streaming blood, till they smashed their legs or their necks to splinters, till they died of fighting to run.
Tana French (The Likeness (Dublin Murder Squad, #2))
We fill up space as if it were a pie shell, with things whose opacity further obstructs our ability to see what is already there. OBITUARY One of the largest sheep ranches in northern Wyoming went under this week.
Gretel Ehrlich (The Solace of Open Spaces: Essays)
No… I’m NOT a city girl. Well, I mean I am ‘cause I grew up in Austin and all. I want nothing more than to get away from Austin and live in a small town with lots of land, and I would love to have a beautiful ranch style home and go outside every morning and feed the chickens. I want to hear nothing but nature. No cars, no horns, no freaking people blowing their damn cigarette smoke in my face. I want to be able to look up into the sky and see the millions of stars every night. I’ve never seen what a true night time sky looks like with all the stars. I would love that.
Kelly Elliott (Wanted (Wanted, #1))
There's a feeling you get driving down to Casper at night from the north, and not only there, other places where you come through hours of darkness unrelieved by any lights except the crawling wink of some faraway ranch truck. You come down a grade and all at once the shining town lies below you, slung out like all western towns, and with the curved bulk of mountain behind it. The lights trail away to the east in a brief and stubby cluster of yellow that butts hard up against the dark. And if you've ever been to the lonely coast you've seen how the shore rock drops off into the black water and how the light on the point is final. Beyond are the old rollers coming on for millions of years. It is like that here at night but instead of the rollers it's the wind. But the water was here once. You think about the sea that covered this place hundreds of millions of years ago, the slow evaporation, mud turned to stone. There's nothing calm in those thoughts. It isn't finished, it can still tear apart. Nothing is finished. You take your chances.
Annie Proulx (Close Range: Wyoming Stories)
He ran his fingers over the moist ends of her hair and across her face. Her eyes were wet. Jesus Christ. How many nights had he heard Lily crying. As some parents sleep through fire, thunderstorms, and voices at the back door only to wake at a child’s whisper, so Everett heard Lily crying at night. Her muffled sobs seemed to have broken his dreams for years. He had heard her even at Fort Lewis, even in Georgia, finally at Bliss. That was Lily crying in the wings whenever the priest came to tear up his mother’s grave. Lily cried in the twilight field where he picked wild poppies with Martha; Lily’s was the cry he heard those nights the kiln burned, the levee broke, the ranch went to nothing.
Joan Didion (Run River)
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent. They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness. And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite. The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story..... I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them. I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
Rebecca Solnit (The Faraway Nearby)
All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can’t stop ramming those sno balls down your throat every night, knowing they’ll have to come back up again, you sad weak girl. Because of all this, Coach surely can’t tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she? She can. Coach can say anything. And there’s Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo. I kick, I do. She would do the same for me.
Megan Abbott (Dare Me)
When a husky laugh echoed behind her, Lily's stomach absolutely fell to her feet. She knew how a rattlesnake sounded in the brittlebush on the ranch and the raspy croak of a passing raven. She knew the trickling of water in a spring and the impatient huff of Bonnie when she was done for the day. And Lily knew—even after all this time—the deep, vibrating sound of Leo Grady's voice in the morning, the way it warmed up slowly, from rocks to gravel to a smooth, polished stone.
Christina Lauren (Something Wilder)
My parents stopped by. We need to go to the ranch for dinner tomorrow.” I braced, just like I had at the hotel. Shoulders pinned. Breath held. That muscle – the angry muscle – feathered Jasper’s jaw. “I’m not one for family functions.” “And I’m not one for anal play but I still let you shove your finger up my ass last night.
Devney Perry (Jasper Vale (The Edens, #4))
. As she stepped up to the stall door the two men inside turned at her approach. Her heart stopped in her chest. It couldn’t be—God couldn’t be that cruel to her. She blinked, certain her eyes were playing tricks on her, but no they weren’t, staring back at her was Chance Ryan. The man who had broken her heart ten years ago.
Tamara Hoffa (Roping Love (Circle R Ranch, #1))
A tiny spark in the dry desert wood can grow to a blaze and run wild, burning bright orange and red. It devours the land and exhales thick black smoke that overtakes the sky, dimming the sun for miles, ash falling like snow. Habitats—brush and shrubs and trees—and homes—cabins and mansions and bungalows, ranches and vineyards and farms—go up in smoke and leave behind a scorched earth. But that land is young once again, ready to grow something new. Destruction. And renewal, rising from the ashes. The story of fire. •
Taylor Jenkins Reid (Malibu Rising)
Unexpectedly, she took several trotting steps and then threw in a couple of feeble attempts at bucking! She felt good enough to try and play! ... Instead of slowing down, she broke into a very awkward canter, punctuated by all sorts of goofy attempts to throw her heels up. I couldn't help but laugh out loud at her faltering display of joyful rejuvenation.
Kim Meeder (Bridge Called Hope: Stories of Triumph from the Ranch of Rescued Dreams)
First one turned up at my family's ranch jus' days aft' I buried my parents. Arbiter Colm he called himself.” Betrim fixed Green with a cold stare. “Ya never forget ya first time. He was there ta look about my parent's death. Seems he thought they died of unnatural circumstances.” “Did they?” Green asked. “Well seeing as how I stabbed 'em both myself. Aye.
Rob J. Hayes (The Heresy Within (The Ties That Bind, #1))
Consider yourself warned, Frankie. Something about these mountains convinces previously sane women to give up Starbucks for saddle sores.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
we suggest going to sleep for a couple of years. Then you can wake up and learn Android programming once Gingerbread devices no longer make up a meaningful share of the market.
Brian Hardy (Android Programming: The Big Nerd Ranch Guide)
You like legs?" she asked. "On you, yes. On a chicken, I prefer wings and breasts." She picked up both legs with her fingers. "Then we are going to get along just fine.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Samuel said that Tom was quavering over greatness, trying to decide whether he could take the cold responsibility. Samuel knew his son’s quality and felt the potential of violence, and it frightened him, for Samuel had no violence—even when he hit Adam Trask with his fist he had no violence. And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. Violence and shyness—Tom’s loins needed women and at the same time he did not think himself worthy of a woman. For long periods he would welter in a howling celibacy, and then he would take a train to San Francisco and roll and wallow in women, and then he would come silently back to the ranch, feeling weak and unfulfilled and unworthy, and he would punish himself with work, would plow and plant unprofitable land, would cut tough oakwood until his back was breaking and his arms were weary rags.
John Steinbeck (East of Eden)
She kissed him with all the built-up frustration inside her and drew it out, gently biting his lower lip. He groaned, and she moved her lips to his ear. "The longer you make me wait, the harder I'm gonna make you work for it.
Cindi Madsen (Second Chance Ranch (Hope Springs, #1))
It turned out plant collecting was a solitary occupation. In the past Robert had enjoyed being alone, or so he thought. Actually he had rarely been alone for long: working in hotels, in stables, on ranches and farms, and as a miner, he had always been around others. Now, out in the woods or up in the hills or out on the flat central plain, he could go for days without speaking to anyone. His throat seemed to close up and he had to keep clearing it, singing songs aloud or reciting the Latin names of plants, just to check that he still had a voice. 'Araucaria imbricata. Sequoia sempervirens. Pinus lambertiana. Abies magnifica'. He was surprised at how much he missed people..
Tracy Chevalier (At the Edge of the Orchard)
Ingredients 1 package (8 oz.) cream cheese, softened 1 can (12 oz.) chunk white chicken, drained (you can also use chopped-up leftover roast chicken—about 1–2 cups) 1/2 cup Buffalo wing sauce (my friends prefer it spicy!) 1/2 cup ranch dressing 2 cups shredded cheese (you can go for something like a spicy Havarti, Colby, even cheddar—whatever you like most) Preheat oven to 350 degrees. Spread cream cheese on the bottom of an ungreased baking dish. We used one of my mom’s that’s rectangular and shallow and holds about a quart. On top of the cream cheese, layer your chicken. Then place wing sauce on top, and salad dressing on top of that. Finally, sprinkle cheese on top and bake until you see all the cheese melted and bubbly. It should take about 20 minutes; any longer and it might burn, so keep an eye on it. Go ahead and dip your chips in it; it’s pretty delicious on anything—even bread or a pretzel.
Maddie Ziegler (The Maddie Diaries: A Memoir)
...On their first day in the new house, Addams had gotten up in the dark. From the surrounding swamp came bloodcurdling screams - the sound of possums mating, Tee later speculated, though it was perhaps a fisher, the dark-colored marten who stalked the wetlands, rooting rabbits from their nests. Addams returned to bed. "Someone is murdering babies in the swamp," he said. "Oh darling," came the sleepy reply from the pillows, "I forgot to tell you about the neighbors." "All my life I wanted to live in one of those Addams Family houses, but I've never achieved that," Addams had recently told a reporter. "I do my best to add little touches," he said. ...Still, he conceded, "it's hard to convert a ranch-type house into a Victorian monster."
Linda H. Davis (Chas Addams: A Cartoonist's Life)
The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.
John Steinbeck (Of Mice and Men)
You look good to me," he said, his eyes raking appreciatively over her. "I think ranch life must suit you." "Thanks. You look good to me too." He was dressed in his customary faded jeans and a worn denim jacket, but Keith would look good in a burlap sack.
Victoria Vane (Saddle Up (Hot Cowboy Nights #4))
They didn't have very far to fall - I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board. My childhood visits to the family doctor were stressful events for that reason. He'd ask me gentle questions: How was I feeling? How would I describe the pain? Was it more sharp or more spread out? I'd just look at him with desperation. I needed to be told, that was the whole point of going to the doctor. To take a test, be put through a machine that could comb my insides with radiated precision and tell me what the truth was. Of course the girls didn't leave the ranch: there is a lot that can be borne. When I was nine, I'd broken my wrist falling from a swing. The shocking crack, the blackout pain. But even then, even with my wrist swelling with a cuff of trapped blood, I insisted I was fine, that it was nothing, and my parents believed me right up until the doctor showed them the X-ray, the bones snapped clean.
Emma Cline (The Girls)
To me, if someone is a true friend, it doesn’t matter how often you see them, or even how often you talk. What matters is that when you do see each other, nothing has changed. You’ve got news to catch up on, but you’re still the same people. You still love each other.” Carter
S.J. McCoy (Carter (Remington Ranch, #3))
The mythic American character is made up of the virtues of fairness, self-reliance, toughness, and honesty. Those virtues are generally stuffed into a six-foot-tall, dark-haired, can-do kind of guy who is at once a family man, attractive to strange women, carefree, stable, realistic, and whimsical. in the lore of America, that man lives on the Great Plains. he's from Texas, Dodge City, Cheyenne, the Dakotas, or somewhere in Montana. In fact, the seedbed of this American character, from the days of de Tocqueville through Andrew Jackson, Wyattt Earp, Pony Express riders, pioneers, and cowboys to modern caricatures played by actors such as Tom Mix, Gary Cooper, and John Wayne has aways been the frontier. It's a place with plenty of room to roam, great sunsets, clear lines between right and wrong, and lots of horses. It's also a place that does not exist and never has. The truth is that there has never been much fairness out here.
Dan O'Brien (Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch)
In the Amazon, the turn to swidden was unfortunate. Slash-and-burn cultivation has become one of the driving forces behind the loss of tropical forest. Although swidden does permit the forest to regrow, it is wildly inefficient and environmentally unsound. The burning sends up in smoke most of the nutrients in the vegetation—almost all of the nitrogen and half the phosphorus and potassium. At the same time, it pours huge amounts of carbon dioxide into the air, a factor in global warming. (Large cattle ranches are the major offenders in the Amazon, but small-scale farmers are responsible for up to a third of the clearing.) Fortunately, it is a relatively new practice, which means it has not yet had much time to cause damage. More important, the very existence of so much healthy forest after twelve thousand years of use by large populations suggests that whatever Indians did before swidden must have been ecologically more sustainable.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
The whole town is a Confederate museum, replied Louis, holding his hands up palm out. I’m not saying your whole town is housist or anything! Housist! Housist was Louis-speak for racist, invoked after Daron tried explaining that just because someone preferred a mansion didn’t mean they’d torch a ranch. Housist, Loose?
T. Geronimo Johnson (Welcome to Braggsville)
Oh. My. God." he murmured as it all ended in a crescendo complete with beautiful sparks and all the bells and whistles of fantastic makeup sex. Five full minutes later he propped up on a an elbow and kissed the tip of her nose. "Can we fight again tomorrow?" She smiled up at him. "I was thinking of starting an argument right now.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
No hotdog stands. The Ferris wheel isn’t going around and around at Coney Island tonight. No one’s having a nightcap at the Space Needle in Seattle. Someone finally found a way to clean up the dope in Boston’s Combat Zone and the chicken-ranch business in Times Square. Those were terrible things, but I think the cure was a lot worse than the disease. Know what I mean?
Stephen King (The Stand)
Trump did not enjoy his own inauguration. He had hoped for a big blowout. Tom Barrack, the would-be showman—in addition to Michael Jackson’s Neverland Ranch, he had bought Miramax Pictures from Disney with the actor Rob Lowe—may have declined the chief of staff job, but, as part of his shadow involvement with his friend’s White House, he stepped up to raise the money for the inaugural and to create an event that—seemingly quite at odds with the new president’s character, and with Steve Bannon’s wish for a no-frills populist inauguration—he promised would have a “soft sensuality” and “poetic cadence.” But Trump, imploring friends to use their influence to nail some of the A-level stars who were snubbing the event, started to get angry and hurt that stars were determined to embarrass him.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Don't suppose you'd want to stay long enough to scrub my back for me, would you?" Lizzy might have had a wonderful experience when she rose up from the bathwater, but it damn sure hadn't set her free enough to do what Toby asked. She shook her head and smiled. "This is not a real relationship, darlin'." "I'd be willin' to turn it into a real one for a good woman to give me a bath." His eyes glittered.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Daniel!" She waved the letter. "I have news," she called in the English she always used with him. Her son straightened up from the horse. "What, Mama?" Eager expectancy glowed in his blue eyes, and for a moment he looked so much like his father that a familiar pain pierced her heart and tempered her excitement. From long practice, she shoved her sadness aside. "I've inherited Uncle Ezra's ranch in Montana.
Debra Holland (Starry Montana Sky (Montana Sky, #2))
Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer. As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb")
Michael Shea (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
So let’s get this straight right now. Have you ever seen a teen movie or TV show with a big, raging party scene? Get that out of your mind. This is high school, not college, and it’s Texas. In Texas, we do bonfires on the ranch…not mansions and hotel rooms. We do daisy dukes, backward baseball caps and faded blue jeans…not sparkling cocktail dresses or fancy button ups. I love Texas. I love the laid-back, country style of my hometown and my people.
Michele G. Miller (Out of Ruins (From the Wreckage #2))
Wyatt. I've just received a letter from Mrs. Samantha Sawyer Rodriguez. She's Ezra's niece and has inherited his ranch." ... "She lives in Argentina." ... She's a widow with one son." ... "She's moving out here." ... "Going to breed horses and take in orphan boys to raise up as God-fearing citizens." "You say this Rodriguez woman is goin' to raise horses?" ... "Horses from Argentina?" "A stallion and five mares. Falabellas. Must be some South American breed.
Debra Holland (Starry Montana Sky (Montana Sky, #2))
If you’re a fly, you keep flying and being a nuisance. If you lived in Linares at that time, you could never stop going out to the fields or ranches to tend to your crops or animals. You might close the store for a few days because of the initial shock, but you would open it again because, even if your relatives were sick or dead, your needs and the needs of others—those who sold to you and those who bought from you—persisted. If you lived at that time, you could not avoid having to go out to buy food, and not a day could pass without washing diapers or underpants, even if you sent your mother to the cemetery two hours earlier. In the midst of this crisis, you had tooth decay, infected toenails, and stomach upsets—slight or severe—that you put up with for a while before having to seek help from a doctor, if you could find one. Others went out to sell goat milk, or whistles, yo-yos, and spinning tops in the square, in the hope that there were still children alive to buy them.
Sofía Segovia (The Murmur of Bees)
I grin. “It’s just a party,” I assure her. “Nothin’ big.” “There ain’t nothin’ that happens on this ranch that’s organized by your mama that ain’t big. That woman’s about as subtle as a shotgun.” “A shotgun can be subtle if it ain’t bein’ fired,” I point out. She narrows her eyes. I think she’s about to quip back with something super sassy, but then a smile wrinkles up her face. “You sayin’ I’m better off to keep the shotgun from firin’?” “I’m sayin’ quit playin’ with the trigger, Grandma.
Daryl Banner (Football Sundae (Spruce Texas Romance, #1))
I sat this afternoon to read during the boys’ nap. I was going through the botanical theory book, and while I was reading I remembered something Blue Horse said to me back before Gilbert was born. He said wisdom is not a path, it is a tree. At the time I was too busy to give it much thought, so I nodded politely but didn’t pay much attention. Now I see that he was surely right. I have been sad almost a whole year, thinking that taking that test was somehow the end of my learning and that not having that as a possibility in my future left a big empty spot in my life that the children and the ranch didn’t fill. But my life is not like that, it is a tree, and I can stay in one place and spread out in all directions, and I can do more learning shading this brood of mine than if I was all alone. I declare, it is like some other part of me made up some rules about happiness and I just went along with them without thinking. My heart is lightened so much that I am amazed at how sad I felt for so long.
Nancy E. Turner (These Is My Words)
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Rory's big labradoodle made a snap judgement that Frankie was everything her life had been missing up until now. She flung herself into the girl's arms, wiggling and whining, a shaggy mass of chocolate-colored enthusiasm. "Mistral likes you, I see." While he, the one who filled the dog's food dish, had gotten nothing but suspicious glances since he arrived two days earlier. "of course you like me" she said, baby-talking into the dog's fur, "I'm extremely likeable." If the dog's expression was any indication, Frankie was about to get nominated for sainthood.... She glanced at him. "Maybe she'd like you more if you weren't so... testosterone-y." "But then you might like me less
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
Zane Nicholson believed in listening to his gut. At nine fifty-five that morning, it was telling him that today wasn’t going to be a good day. He glanced out the window at the rolling hills that made up the Nicholson Ranch and wondered if being a farmer would have been easier. Crops didn’t break through fences in the night and wander away. Crops didn’t try to be born breech. He could be growing corn. Or wheat. Wheat was patriotic. All those amber waves. He turned his attention back to his paperwork and shook his head. Who was he kidding? He was a fifth generation rancher. The closest he would come to farming was the vegetable garden the ranch cook grew out behind the bunkhouse.
Susan Mallery (Kiss Me (Fool's Gold, #17))
When Jobs was losing his footing at Apple in the summer of 1985, he went for a walk with Alan Kay, who had been at Xerox PARC and was then an Apple Fellow. Kay knew that Jobs was interested in the intersection of creativity and technology, so he suggested they go see a friend of his, Ed Catmull, who was running the computer division of George Lucas’s film studio. They rented a limo and rode up to Marin County to the edge of Lucas’s Skywalker Ranch, where Catmull and his little computer division were based. “I was blown away, and I came back and tried to convince Sculley to buy it for Apple,” Jobs recalled. “But the folks running Apple weren’t interested, and they were busy kicking me out anyway.
Walter Isaacson (Steve Jobs)
Grinning to himself, Blue went out the door pulling out on his T-shirt. So sue him, he had changed his mind, but he sure wasn’t going to quite admit it. She’d laugh like a hyena, and he had some pride. He found his hat, made sure to clean up Roy’s kitchen, and went out to see to the horses. God, had he ever had so much fun in a relationship before? Most of them had been just about sex, and he and Jenna still hadn’t even done that. Maybe that was the secret. Liking someone first and then realizing you wanted to make love to them made a lot more sense. Blue put on his hat. And he would be making love with Jenna, he was damned sure about that. Sometimes even a Marine had to reassess his priorities. 44%
Kate Pearce (The Maverick Cowboy (Morgan Ranch, #2))
Our sister needs a man, Sinclair." Rider's head shot up at that. Nick gave his brother a dirty look. "What Gavin means to say, is that Willow needs someone young and strong to handle the ranch when we're not here." "I meant exactly what I said." Gavin scowled at his older brother. "The girl needs a husband and Sinclair, here, is obviously sweet on 'er and I think if she'd admit it, she's sweet on him, too." "Whoa, hold on there, boys!" Rider chuckled. "I think highly of your sister, but getting married isn't my style. And if you'd take the time to ask, I think you'd find that Willow isn't exactly in love with the idea either." "Lay off 'im, Gavin," Nick growled. "We agreed to ask Sinclair to foreman the ranch, not marry our sister.
Charlotte McPherren (Song of the Willow)
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.
R.C. Ryan (Montana Destiny)
Happy Camper Tip #10   Veggie Pancakes—These are delicious, healthier than regular pancakes, and can be made ahead and warmed up. Grate two cups of zucchini and one cup of carrots. Add one cup of corn—frozen works best. Stir in one egg, two tablespoons of plain yogurt, one half teaspoon of salt and one eighth teaspoon of pepper. Combine one half cup of flour, one half cup of corn meal and two teaspoons of baking powder and add to veggie mixture. Stir well and add one half cup of cheese. In a skillet with a small amount of oil, use a scant quarter cup of batter for each pancake and flatten slightly with a fork. Cook about three minutes on a side and drain on paper towels. Store in the refrigerator between layers of waxed paper and reheat in the microwave. Excellent with butter and syrup or ranch dressing.
Karen Musser Nortman (Peete and Repeat (The Frannie Shoemaker Campground Mysteries #3))
You wanna know if I'm religious? I sure haven't made a dent in the pew, but boy do I thank God. For ever morning I get to wake up and my coffee's hot and your mom's right there next to me at the breakfast table. I thank God I get to work this ranch for a living instead of having to put on a necktie and commute to some office. I get to smell sage and pinon instead of traffic exhaust. Somebody or something made a beautiful place in this ugly world, and saw fit to put me right in the middle of it. Now, whether there's some old fella with a beard floating on a cloud up there or just some...cosmic energy or whatnot, I got no idea. But whatever God is, wherever He lives, I thank Him because, I tell you what, I can look back on every minute of it, good and bad, and I can tell you that I've had one hell of a life. Pardon my French" -Walter
Meagan Brothers (Weird Girl and What's His Name)
He set her down and held her steady until he was sure she wasn’t dizzy, then he turned on the girls, growled at them, and charged. They squealed and ran, but they didn’t run out of the room. They just dashed around in circles, colliding with each other. Clay snagged Mandy first, and while he held her and tickled her with his whiskery face, Laura toddled up and latched on to his leg. Being careful not to shake her loose while he dragged her around after the others almost made it a fair fight. He grabbed Beth when she danced too close, then, with his hands full, Sally jumped on his back. By the time they were done, Clay was flat on the kitchen floor, buried under three sets of petticoats and one soggy diaper. He remembered his first impression when he’d regained consciousness in that awful shed, that he’d died and he was surrounded by angels. He hadn’t been far from wrong.
Mary Connealy (Petticoat Ranch (Lassoed in Texas #1))
On the road leading from his ranch to Samantha's, Wyat t drove his surrey up a small hill and caught his breath as the beauty of the large crescent moon dangling just out of reach over the crest A full moon would have been plump with luminescence, yet the pearly surface of the sickle still cast enough light to shadow his surroundings and seemed close enough that once he drove to the top of the hill, he'd be able to touch the bottom horn or at least toss a rope around it. He slackened the reins, slowing the horse, knowing that the higher he climbed, the sooner the illusion of closeness would disappear and he wanted to preserve for a moment the fantasy that the moon was within his grasp. The stars, by contrast, were distant pricks of diamond light farther out than a man could dream. He sighed. Life as a rancher or as a rancher's wife was not moon and stars easy or romantic. What would put stars in Samantha's eyes?
Debra Holland (Starry Montana Sky (Montana Sky, #2))
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
The loud ring of my car phone disrupted my introspection. Startled, I picked up the phone, certain it would be J calling from the airport after, probably, persistently calling all night. Another phone confrontation. But at least this time I’d be ready. I’d just had a four-hour dose of Marlboro Man. I could handle anything. “Hello?” I said, readying myself. “Hey, you,” the voice said. The voice. That voice. The one that had infiltrated my dreams. It was Marlboro Man, calling to say he missed me, a mere five minutes after I’d pulled away from his house. And his words weren’t scripted or canned, like the obligatory roses sent after a date. They were impulsive, spur-of-the-moment--the words of a man who’d had a thought and acted on it within seconds. A man who, in his busy life on the ranch, had neither the time nor the inclination to wait to call a girl or play it cool. A man who liked a woman and called her just as she left his house, simply to tell her he wished she hadn’t.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When they got to the table, it was easy to recognize some of the dishes just from their pictures in the book. Skillet Broken Lasagna, which smelled of garlic and bright tomato; Fluffy Popovers with Melted Brie and Blackberry Jam (she started eating that the minute she picked it up and could have cried at the sweet, creamy-cheesy contrast to the crisp browned dough). There were also the two versions of the coconut rice, of course, and Trista had placed them next to the platter of gorgeously browned crispy baked chicken with a glass bowl of hot honey, specked with red pepper flakes, next to it, and in front of the beautifully grilled shrimp with serrano brown sugar sauce. Every dish was worthy of an Instagram picture. Which made sense, since Trista had, as Aja had pointed out, done quite a lot of food porn postings. There was also Cool Ranch Taco Salad on the table, which Margo had been tempted to make but, as with the shrimp dish, given that she had been ready to bail on the idea of coming right up to the last second, had thought better of, lest she have taco salad for ten that needed to be eaten in two days. Not that she couldn't have finished all the Doritos that went on top that quickly. But there hadn't been a Dorito in her house since college, and she kind of thought it ought to be a cause for celebration when she finally brought them back over the threshold of Calvin's ex-house. The Deviled Eggs were there too, thank goodness, and tons of them. They were creamy and crunchy and savory, sweet and- thanks to an unexpected pocket of jalapeño- hot, all at the same time. Classic party food. Classic church potluck food too. Whoever made those knew that deviled eggs were almost as compulsively delicious as potato chips with French onion dip. And, arguably, more healthful. Depending on which poison you were okay with and which you were trying to avoid. There was a gorgeous galaxy-colored ceramic plate of balsamic-glazed brussels sprouts, with, from what Margo remembered of the recipe, crispy bacon crumbles, sour cranberries, walnuts, and blue cheese, which was- Margo tasted it with hope and was not disappointed- creamy Gorgonzola Dolce.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
A hundred bucks,cuz.And judging by that spectacular toss over the rail, I'd say you earned it." Wyatt tucked the money into his pocket. "It was pretty spectacular, wasn't it? And it worked. It got the attention of our pretty little medic." Jesse,Amy,and Zane stopped dead in their tracks. Amy laughed. "You did all that to get Lee's attention?" "Nothing else I've tried has worked. I was desperate." Jesse shook his head in disbelief. "Did you ever think about just buying her a beer at the Fortune Saloon? I'd think that would be a whole lot simpler than risking broken bones leaping off a bull." "But not nearly as memorable.The next time she sees me at the saloon, she'll know my name." Zane threw back his head and roared. "So will every shrink from here to Helena. You have to be certifiably nuts to do all that just for the sake of a pretty face." "Hey." Wyatt slapped his cousin on the back. "Whatever works.'" Zane pulled out a roll of bills. "Ten says she's already written you off as someone to avoid at all costs." Wyatt's smile brightened. "Chump change. If you want to bet me, make it a hundred." "You got it." Zane pulled a hundred from the roll and handed it to Jesse. "Now match it, cuz. I was going to bet that you can't persuade Marilee Trainor to even speak to you again. But just to make things interesting, I'm betting that you can't get her to have dinner with you tonight." "Dinner? Tonight? Now you're pushing the limits,cuz. She's already refused me." "Put up or shut up." Wyatt arched a brow. "You want me to kiss and tell?" "I don't say anything about kissing. I don't care what you do,after you get her to have dinner with you.That's the bet. So if you're ready to admit defeat, just give me the hundred now." "Uh-oh." Wyatt stopped dead in his tracks. "Is that a dare?" Amy stood between them,shaking her head. "You sound like two little kids." Wyatt shot her a wicked grin. "Didn't you know that all men are just boys at heart?" He reached into his pocket and handed Zane a bill before he strolled away. Over his shoulder he called, "I'll catch you back at the ranch. You can pay me then." He left his cousins laughing and shaking their heads.
R.C. Ryan (Montana Destiny)
Maggie chiuse gli occhi e contò sino a dieci. Uno, due, tre… Se voleva arrivare a casa di sua sorella prima che facesse notte, non aveva altra scelta che chiedere al cowboy di accompagnarla. Certo, avrebbe sempre potuto optare per il motel e attraversare quelle duecento iarde pullulanti di lupi. Un altro ululato. No, non avrebbe potuto. «Lupi» disse Mitch, il braccio sinistro che sporgeva indolente dal finestrino, il mozzicone del sigaro stretto tra le dita. «Lupi» ripeté lei con un’alzata di spalle, come se si trattasse di barboncini addestrati. Poi mosse un paio di passi esitanti verso il pick-up. Quell’affare era così alto che dovette allungare il collo e sollevare la testa per parlare al cowboy. «Mi chiedevo…» mormorò vincendo ogni residua resistenza. Lui rimase immobile, se non per il sopracciglio sinistro che scattò verso l’alto. «… se per caso tu non potessi darmi uno strappo.» Lui finse di prendere in considerazione la cosa. Poi, con un altro sbuffo di fumo, disse: «Mi sembrava che avessi rifiutato la mia offerta, dieci minuti fa...». «Perché non intendevo esserti di disturbo» rispose lei come se si stesse rivolgendo alla duchessa di Kent. E di fatti lui scoppiò a ridere. «Essermi di disturbo? Dopo avermi assalito come un ninja? Ma sarò magnanimo. Dai, sali.» Maggie tirò un sospiro di sollievo. Era così stanca e infreddolita che anche quel pick-up scassato le parve per un istante una limousine. «Dove metto la valigia?» «Buttala dietro, nel cassone.» Buttare nel cassone la sua Samsonite rosa, costata una cifra improponibile? «Preferirei sistemarla in cabina, se non ti spiace.» «In cabina non c’è posto, qua dietro è pieno di roba. A meno che tu preferisca viaggiare nel cassone e la valigia sul sedile…» Lei rimase zitta, gli occhi sgranati, per nulla certa che quella fosse solo una battuta. «Ok, ci penso io» tagliò corto lui, aprendo la portiera e scivolando a terra con un balzo. Afferrò il trolley per la maniglia e, senza un’altra parola, lo fece volare nel cassone. Oh! Il botto risuonò nelle orecchie di Maggie come una granata. Risistemandosi lo Stetson sulla testa, il cowboy girò intorno al pick-up e con un sorriso esagerato aprì la portiera del passeggero. «Sali, sorella di Suzie, o vuoi che dia una mano anche a te?»
Viviana Giorgi (Tutta colpa del vento (e di un cowboy dagli occhi verdi))
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Thus, I have always been more of an envious observer than a participant in physical activities, but there have been glowing exceptions, such as what happened at the end of a summer-solstice celebration I attended in California, on a ranch in the foothills of the Sierras. The women at the event were of all ages. But in the evening, when they had found a swing, they became a group of young girls. The swing was on a long rope and swept out over a slope. In the twilight, it was like flying to the stars. Or so they said. Everyone had tried it except me. When the others had wandered indoors, I stayed, looking at the swing and feeling that old shame of being the scaredy-cat, even though probably no one had noticed. Then a woman much younger than I appeared and offered to show me how to use the swing. I said no, I didn’t want to. But she ignored that. She promised she would never push me harder than I wanted. And she held out the swing. It took some time. But somehow I felt safe with her, and I built up the courage to swing out toward the stars like the others. I never saw that young woman again, but I will always be grateful not only for the experience but for the respect and understanding she showed as she taught me how—one gentle swing at a time.
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
Outside, he almost missed seeing a man's shadowed form disappearing into the bunkhouse. Hick's name formed a curse on his lips. How long had the man stood at the kitchen window? The idea that he might have seen any part of his and Willow's lovemaking made him sick to his stomach. Cursing, he headed back to the cookhouse. He hoped Providence would one day grant him the opportunity to kill that bastard! "Who was it?" Her attire repaired, Willow unlocked the door and fell into his arms. Unable to dirty what they had just shared, Rider forced himself to chuckle. "Just a coyote, sneaking up on the henhouse. Good thing he alerted us or we'd have been caught out here buck naked when your hens started to alert the whole ranch." He felt her relax and he let her go. "It's late, darlin', and I think we've tested fate enough for one night. We better turn in." Willow handed him his boots and then his shirt. They took one last look around the kitchen to make sure they'd left no embarrassing calling cards. Then he walked her to the house. At the back door, she pressed a lingering kiss to his lips, then silently disappeared inside. Rider took his time as he headed toward his lonely bed in the bunkhouse. As much as he'd enjoyed being with Willow tonight, something told him he was going to regret it.
Charlotte McPherren (Song of the Willow)
Get off your horse, Jack." "Why don't you just ride outta here, missy, and I'll forget this ever happened." Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy." Still grinning his contempt, he did as he asked. "That's good. Now, real slow like, take your gunbelt off and toss it my way." "Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet. "Now,strip them britches off, underwear, too," she ordered. "You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view. "My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?" If looks could kill, Willow would have been dead and buried ten times over, then and there. "Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation. He wheeled around, gaining a modicum of privacy while he complied. "You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?" "You're gonna pay for this,you little slut!" "Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on." He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands. "Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too." Cursing, he again turned around and obeyed. "Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned." Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant. "Step away from your horse and start walking toward the ranch, Scofield." "You're out of your mind!" "Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady." "You? A lady? Ha!" Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.
Charlotte McPherren (Song of the Willow)
As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath. “Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me. It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string? I would add this to the growing list of things I still needed to figure out.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The boy shows talent. The overheard words still rankled. Boy! At twenty-four! He’d like to see that banker do a man’s work around a ranch. He’d have blisters on those smooth hands inside of two hours. Not to mention how he’d feel after a long day in the saddle. Elizabeth wouldn’t be happy with Livingston. He knew it. True, the man had money, a large house, and a purebred pedigree—all the things she probably wanted in a man. But it wouldn’t be enough. He had instincts about her in the same way he knew horses—what they needed, how to touch them. In the last week, there’d been times when she’d thawed and shown her feelings. He’d bet anything a special woman lurked beneath her proper Boston exterior. With Livingston, that woman would never emerge. He straightened and ground a fist into his palm. He couldn’t step back and let Livingston waltz away with her. It wouldn’t be right. He’d have to change. Force himself past his shyness. Force himself to open up. Nick wasn’t sure how he’d do it. Aside from what he’d learned from Miz Carter, he’d not had any training in proper society manners. Now, he’d seen for himself how different things were in the East. But something in Elizabeth had touched him, something that went beyond social barriers, and he knew she’d sensed it too. He might not have much wealth to offer, but there were other things he could do to make her happy, and he’d love her with all his heart.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
He walked me to the door--the same one to which I’d been escorted many times before by pimply high school boys and a few miscellaneous suitors along the way. But this time was different. Bigger. I felt it. I wondered for a moment if he felt it, too. That’s when the spike heel of my boot caught itself on a small patch of crumbling mortar on my parents’ redbrick sidewalk. In an instant, I saw my life and any ounce of pride remaining in my soul pass before my eyes as my body lurched forward. I was going to bite it for sure--and right in front of the Marlboro Man. I was an idiot, I told myself, a dork, a klutz of the highest order. I wanted desperately to snap my fingers and magically wind up in Chicago, where I belonged, but my hands were too busy darting in front of my torso, hoping to brace my body from the fall. But someone caught me. Was it an angel? In a way. It was Marlboro Man, whose tough upbringing on a working cattle ranch had produced the quick reflexes necessary to save me, his uncoordinated date, from certain wipeout. Once the danger was over, I laughed from nervous embarrassment. Marlboro Man chuckled gently. He was still holding my arms, in the same strong cowboy grip he’d used to rescue me moments earlier. Where were my knees? They were no longer part of my anatomy. I looked at Marlboro Man. He wasn’t chuckling anymore. He was standing right in front of me…and he was still holding my arms.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun. He met me at my car, wearing jeans, boots, and a soft, worn denim shirt. I climbed out of the car and stepped right into his arms. It was just after 8:00 A.M., and within seconds we were leaning against my car, sharing a passionate, steamy kiss. Leave it to Marlboro Man to make 8:00 A.M. an acceptable time to make out. I never would have known this if I hadn’t met him. “So…what are we gonna do today?” I asked, trying to remember what day it was. “Oh, I thought we’d drive around for a while…,” he said, his arms still grasping my waist, “and talk about where we might want to live.” I’d heard him mention before, in passing, that someday he wanted to move to a different spot on the ranch, but I’d never paid much attention to it. I’d never really cared much where he lived, just as long as he took his Wranglers with me. “I want it to be your decision, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
Besides,I like working outdoors. Pa and the boys have always let me help with the ranch chores." This was received with a raised eyebrow. "Indeed. How kind of them. Willow,the men in your family treat you more like a slave than the young lady you are. It's a sin, I tell you, a deplorable sin!" Willow shrugged. "Hell...er, ah, heck, I'd rather round up cows than be stuck in the house all day. Besides, there ain't much house work with Pa and the boys gone." "Humph! Too bad your pa didn't teach you more about the joys of being a lady." The girl bristled. "I am a lady! I may not wear those fancy, highfalutin clothes, or walk around looking helpless, but that ain't what really makes a lady, you know." "And what, pray tell, in your opinion, makes a lady, Willow?" "A woman is a lady as long as she keeps her distance from horny critters of the opposite sex." She grinned proudly and declared, "I do.That makes me a lady!" "Horny crit-" Shocked, Mrs. Brigham stared a moment, then nodded firmly. "My dear, someone needs to take you in hand, and I know my duty when I see it. Now listen to me, young lady-mind you, I use the term lightly. There's much more to being a lady than avoiding the opposite sex. For instance, ladies don't wear men's pants. Ladies don't herd cattle. And ladies don't smoke, curse, or sneak whiskey. I have it on good authority that you've done all those things and more. And, furthermore, ladies don't know the meaning of...horny!" Willow's lips pursed in annoyance. "Mrs. Brigham, I live with five men. They don't mince words just because I'm a woman." "Your father took the easy way out by raising you as another son. He's done you a terrible injustice.
Charlotte McPherren (Song of the Willow)
We had a second date that night, then a third, and then a fourth. And after each date, my new romance novel protagonist called me, just to seal the date with a sweet word. For date five, he invited me to his house on the ranch. We were clearly on some kind of a roll, and now he wanted me to see where he lived. I was in no position to say no. Since I knew his ranch was somewhat remote and likely didn’t have many restaurants nearby, I offered to bring groceries and cook him dinner. I agonized for hours over what I could possibly cook for this strapping new man in my life; clearly, no mediocre cuisine would do. I reviewed all the dishes in my sophisticated, city-girl arsenal, many of which I’d picked up during my years in Los Angeles. I finally settled on a non-vegetarian winner: Linguine with Clam Sauce--a favorite from our family vacations in Hilton Head. I made the delicious, aromatic masterpiece of butter, garlic, clams, lemon, wine, and cream in Marlboro Man’s kitchen in the country, which was lined with old pine cabinetry. And as I stood there, sipping some of the leftover white wine and admiring the fruits of my culinary labor, I was utterly confident it would be a hit. I had no idea who I was dealing with. I had no idea that this fourth-generation cattle rancher doesn’t eat minced-up little clams, let alone minced-up little clams bathed in wine and cream and tossed with long, unwieldy noodles that are difficult to negotiate. Still, he ate it. And lucky for him, his phone rang when he was more than halfway through our meal together. He’d been expecting an important call, he said, and excused himself for a good ten minutes. I didn’t want him to go away hungry--big, strong rancher and all--so when I sensed he was close to getting off the phone, I took his plate to the stove and heaped another steaming pile of fishy noodles onto his plate. And when Marlboro Man returned to the table he smiled politely, sat down, and polished off over half of his second helping before finally pushing away from the table and announcing, “Boy, am I stuffed!” I didn’t realize at the time just how romantic a gesture that had been.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The emphasis was on “soft.” No matter what else happened, the wranglers were to stay soft while riding the horses. Soft hands, soft seat, and soft legs. There was to be absolutely no hitting, kicking, slapping, or yelling at any time for any reason. The penalty for doing such things was to be placed on a two-day suspension. A second offense would lead to termination. Neither penalty was ever needed. At times it wasn’t easy to stay quiet with the horses because so many of them had been “used up” over the years, dulled to any form of cue. However, we remained consistent in our focus and the horses responded. The wranglers were instructed to ride the horses with the softest cues possible, often using nothing more than a light squeeze to get forward movement and a shift of weight in the saddle, along with light pressure on the reins, for a stop. They were also instructed to look for, find, and then release their cues at the slightest try from the horse—something they all became very adept at doing. With everyone riding in the same manner from one day to the next, all the horses began to respond within a few weeks. Before we knew it, all of our horses, including the very old ones that had been in the program for years and years, became responsive to the lightest of cues. We’d taught our horses to be responsive to these light cues, but a question remained. How could we keep them that way, particularly with the hundreds of different people who would be riding each horse over the summer? The answer was simple. Everyone needed to remain consistent. So, instead of expecting our horses to respond to the conflicting cues that each new rider was bound to give, we taught each rider how to communicate with our horses. Each week when a new batch of guests arrived at the ranch, we held an orientation in the riding arena. During this orientation, we explained how our horses were trained and what was expected of them as a rider of one of our horses. We gave them a demonstration in the saddle of proper seat and hand position, so they could keep their balance. We showed them the cues for walk, stop, trot, lope, and turn, using a horse right out of the string. Once we had demonstrated how our horses worked, we got everyone on horseback in the arena and helped them to practice giving the cues, allowing the horse to respond, and releasing the cues so that the horse would remain responsive. Of note is the fact that after
Mark Rashid (Horses Never Lie: The Heart of Passive Leadership)
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Well, how come you didn’t just have Carl drop you off there?” I asked. Mike didn’t always take the most reasonable course. “Because I t-t-t-told him my sister would be glad to take me!” Mike replied. Mike liked to sign me up for things without my consent. I wasn’t budging, though; I wasn’t going to let Mike bully me. “Well, Mike,” I said, “I’ll take you to the mall in a little bit, but I’ve got to finish getting dressed. So just chill out, dude!” I loved telling Mike to chill out. Marlboro Man had been watching the whole exchange, clearly amused by the Ping-Pong match between Mike and me. He’d met Mike several times before; he “got” what Mike was about. And though he hadn’t quite figured out all the ins and outs of negotiating him, he seemed to enjoy his company. Suddenly, Mike turned to Marlboro Man and put his hand on his shoulder. “C-c-c-can you please take me to the mall?” Still grinning, Marlboro Man looked at me and nodded. “Sure, I’ll take you, Mike.” Mike was apoplectic. “Oh my gosh!” he said. “You will? R-r-r-really?” And with that he grabbed Marlboro Man in another warm embrace. “Okeydoke, Mike,” Marlboro Man said, breaking loose of Mike’s arms and shaking his hand instead. “One hug a day is enough for guys.” “Oh, okay,” Mike said, shaking Marlboro Man’s hand, apparently appreciating the tip. “I get it now.” “No, no, no! You don’t need to take him,” I intervened. “Mike, just hold your horses--I’ll be ready in a little bit!” But Marlboro Man continued. “I’ve gotta get back to the ranch anyway,” he said. “I don’t mind dropping him off.” “Yeah, Ree!” Mike said belligerently. He stood beside Marlboro Man in solidarity, as if he’d won some great battle. “M-m-m-mind your own beeswax!” I gave Mike the evil eye as the three of us walked downstairs to the front door. “Are we gonna take your white pickup?” Mike asked. He was about to burst with excitement. “Yep, Mike,” Marlboro Man answered. “Wanna go start it?” He dangled the keys in front of Mike’s face. “What?” Mike said, not even giving Marlboro Man a chance to answer. He snatched the keys from his hand and ran to the pickup, leaving Marlboro Man and me alone on our old familiar front step. “Well, uh,” I said playfully. “Thanks for taking my brother to the mall.” Mike fired up the diesel engine. “No problem,” Marlboro Man said, leaning in for a kiss. “I’ll see you tonight.” We had a standing date. “See you then.” Mike laid on the horn. Marlboro Man headed toward his pickup, then stopped midway and turned toward me once again. “Oh, hey--by the way,” he said, walking back toward the front step. “You wanna get married?” His hand reached into the pocket of his Wranglers. My heart skipped a beat.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)