Raise A Toast Quotes

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I raise a plastic glass. “To family.” “And Faerieland,” says Taryn, raising hers. “And pizza,” says Oak. “And stories,” says Heather. “And new beginnings,” says Vivi. Cardan smiles, his gaze on me. “And scheming great schemes.” To family and Faerieland and pizza and stories and new beginnings and scheming great schemes. I can toast to that.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Anarchy wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators then can build another world. Rubble, once achieved, makes further ruins' means irrelevant. Away with our explosives, then! Away with our destroyers! They have no place within our better world. But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable. Let's drink their health... then meet with them no more.
Alan Moore (V for Vendetta)
As Aristocleia raised her cup to toast Xanthippus, her gown slipped from her shoulders, exquisite as Aphrodite’s, and flowed like the water that slid over her naked breasts when she allowed him to watch her bathe. It was wonderful to possess a gem of a woman. It made a man feel beautiful and godlike himself, briefly.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin...
Shirley Jackson (The Haunting of Hill House)
Be advised my passport's green. No glass of ours was ever raised to toast the Queen.
Seamus Heaney
i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
Raising his glass, Ivan motioned for another toast. “Here’s to meeting the real Jaden Thorne. Your beauty took my breath away, but your mind has stopped my heart.
Ivan Rusilko (Appetizers (The Winemaker's Dinner, #1))
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
My “Best Woman” speech Good evening everyone, my name is Rosie and as you can see Alex has decided to go down the non-traditional route of asking me to be his best woman for the day. Except we all know that today that title does not belong to me. It belongs to Sally, for she is clearly his best woman. I could call myself the “best friend” but I think we all know that today that title no longer refers to me either. That title too belongs to Sally. But what doesn’t belong to Sally is a lifetime of memories of Alex the child, Alex the teenager, and Alex the almost-a-man that I’m sure he would rather forget but that I will now fill you all in on. (Hopefully they all will laugh.) I have known Alex since he was five years old. I arrived on my first day of school teary-eyed and red-nosed and a half an hour late. (I am almost sure Alex will shout out “What’s new?”) I was ordered to sit down at the back of the class beside a smelly, snotty-nosed, messy-haired little boy who had the biggest sulk on his face and who refused to look at me or talk to me. I hated this little boy. I know that he hated me too, him kicking me in the shins under the table and telling the teacher that I was copying his schoolwork was a telltale sign. We sat beside each other every day for twelve years moaning about school, moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths on a Monday morning. Now Alex has that life and I’m so proud of him. I’m so happy that he’s found his best woman and his best friend in perfect little brainy and annoying Sally. I ask you all to raise your glasses and toast my best friend Alex and his new best friend, best woman, and wife, Sally, and to wish them luck and happiness and divorce in the future. To Alex and Sally!
Cecelia Ahern (Love, Rosie)
Raise a toast to the fog, on clear days
kim taehyung
Corned beef and cabbage and leprechaun men. Colorful rainbows hide gold at their end. Shamrocks and clovers with three leaves plus one. Dress up in green—add a top hat for fun. Steal a quick kiss from the lasses in red. A tin whistle tune off the top of my head. Friends, raise a goblet and offer this toast— 'The luck of the Irish and health to our host!'
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
He raised his wine for a toast. “To the Exquisite Nightmare.
A.G. Howard (RoseBlood)
'Adult life is a series of compromises, Adrien.' 'Yeah, only you're negotiating with the Devil.' Still not looking at me, he growled, 'Oh, go to hell.' I raised my water in a toast. 'Sure. I'll follow the trail of bread crumbs you're scattering.'
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
The man raised his glass, 'To you!' Can't you think of a wittier toast?' Something was beginning to irritate him about the girl's game. Now sitting face to face with her, he realized it wasn't just the words which were turning her into a stranger, but that her whole persona had changed, the movements of her body and her facial expression, and that she unpalatably and faithfully resembled that type of woman whom he knew so well and for whom he felt some aversion. And so (holding his glass in his raised hand), he corrected his toast: 'O.K., then I won't drink to you, but to your kind, in which are combined so successfully the better qualities of the animal and the worse aspects of the human being.
Milan Kundera (Laughable Loves)
People keep asking what I do for a living and I keep saying that I don’t believe in making a living. That it’s a concept that has been twisted. I tell them I believe in making a life and money is a distracting object if there’s anything left at the end of the day and I just want to go on well. Make it through the day. So I smile and raise my glass and they laugh and take my hand, saying ”here’s to the youth”, pointing at me. And I might just be young and naive for I still believe in the freedom of choice of how to spend your life. So they toast to the youth, who still think she’s free, and that’s all fine by me.
Charlotte Eriksson
I raise a plastic glass. 'To family.' 'And Faerieland,' says Taryn, raising hers. 'And pizza,' says Oak. 'And stories,' says Heather. 'And new beginnings,' says Vivi. Cardan smiles, his gaze on me. 'And scheming great schemes.' To family and Faerieland and pizza and stories and new beginnings and scheming great schemes. I can toast to that.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Obviously, I have no idea what it’s like to carry a baby, and I never will—cheers to owning a dick. And while our metaphorical glasses are still raised in a toast to my gender, I think a ‘cheers’ to my ability in evading the evil curse known as Couvade Syndrome is also warranted. Clink!
K.M. Golland (Attainment (Temptation, #3.5))
The Last Toast I drink to our demolished hose, to all this wickedness, to you, our loneliness together, I raise my glass - And to the dead-cold eyes, the lie that has betrayed us, the coarse, brutal world, the fact that God has not saved us. 1934
Anna Akhmatova (Selected Poems)
We gotta have a toast." Rocky on her pins, Peabody used the table for balance. She managed to raise her glass without spilling more than half its contents on Eve's head. "To the best fucking cop in the whole stinking city, who's gonna marry the sexiest sumbitch I, personally, have ever laid eyes on, and who, because she's so goddamn smart, has seen to it that I'm perman'ly attached to Homicide. Which is where any half-blind asshole could tell you I belong. So there." She downed the rest of her drink, fell backward into her chair, and grinned foolishly. "Peabody," Eve said and flicked a finger under her eyes. "I've never been more touched." "I'm shit faced. Dallas." "The evidence points to it.
J.D. Robb (Immortal in Death (In Death, #3))
A royal seal for her and a wide-open starscape for me. Nothing between me and the rest of the galaxy but time and cruiser fuel. I raise my glass high and drink it all down. That’s a toast I can get behind.
Rebecca Coffindaffer (Crownchasers (Crownchasers, #1))
If anyone poisoned your drink, I’m not to blame.”  She bared her teeth.  “This time.” A hard swat on her shoulder made her jerk away.  Cinnia glared at her, a blush dusting her cheekbones.  “Lou, stop being so rude!”   She offered a conciliatory smile to Ambrose.  “My apologies, Ambrose.  She’s always been a scold in the morning.” He huffed and raised his tankard in mock toast to Louvaen.  “You must live a life of eternal morning.
Grace Draven (Entreat Me)
Betwixt and between,” I said. “That’s the worst.” “Is that a poem?” Niamh asked. “Darnell is an idiot,” Lara said, pointing a french fry menacingly at Niamh. “Besides, the problem isn’t the city. If he got a job offer there I bet you he’d move in a heartbeat. He’s just intimidated by the thought of following around a strong woman while she chases her career instead of the other way around.” “Preach!” said Niamh, raising her Diet Coke in a toast.
Sophie Gonzales (Only Mostly Devastated)
Watching the Archer brothers eat was like watching a twister blow through the room. Meredith sat with her elbows tucked close to her side, afraid to do more than occasionally raise her fork to her mouth for fear of being rammed by a reaching arm or thumped by a tossed biscuit. The venison steak was overdone, the beans gluey, and the biscuits were dry as unbuttered toast, yet the Archers attacked their food like a pack of dogs fighting over a fresh kill. No one spoke. They just ate.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Cromwell raised a brow. "You can't even boil an egg, son." He paused. "Or toast bread without burning it." I couldn't help it, I laughed. "Nice." Hayden frowned at me. "I can toast bread." "You tried to shove a fork in the toaster to get your bread out- that was only a few years ago." "Oh. Wow." I grinned at Hayden. "Thanks, Dad." Hayden pushed himself off the counter.
Jennifer L. Armentrout
Cherish the past and see it ensconsed in a golden glow. Every phase of life seems better as it passes. As teenagers they look back at their childhood years, in their twenties sigh about hostel life, in their thirties raise a toast for their twenties and so on.
Greenstone Lobo
What is the opposite of a perfect storm? That is what this was, one of those rare moments when the world seems to shed all shyness and display every possible permutation of beauty. Oliver said it well as we took up our plates and began heading back downstairs: “I’m glad I’m not dead.” This came out rather loudly, as he is a bit deaf. Even so, he looked surprised by his own utterance, as if it were something he was feeling but didn’t really mean to say aloud—a thought turned into an exclamation. “I’m glad you’re not dead, too,” said a neighbor gaily, taking up the refrain. “I’m glad we’re all not dead,” said another. There followed a spontaneous raising of glasses on the rooftop, a toast to the setting sun, a toast to us.
Bill Hayes (Insomniac City: New York, Oliver Sacks, and Me)
Another toast to Alex. May he live long and prosper, and have lots of prospering, long-living babies!” Elizabeth raised her glass; all the toasts she’d led so far had been Star Trek related, and this was the second live-long-and-prosper toast, which was how I knew it was time to cut her off.
Penny Reid (Love Hacked (Knitting in the City, #3))
We met every morning, still bearded with toast crumbs from our continental breakfasts.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
I raised my wine glass to him and sipped a toast to the future, to what lay ahead.
Elizabeth Haynes (Into the Darkest Corner)
I raise my glass. We toast like the bookworms we are. "To the end of a chapter." "To Turning the page," Dorothy adds. "And Starting a new one.
Wendy Wax (The Break-Up Book Club)
She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin.
Shirley Jackson (The Haunting of Hill House)
I made decaf,” he said. “Caffeine isn’t good for you.” “Thank you, Mama Lane.” He made a face at her. “Tate and I used to share everything. Let him go off in a snit. I’ll share his baby. If he doesn’t come back, I’ll appropriate it, and you.” “That’s one area where all your commando skills will fail, dear man,” she said affectionately. “I like you very much, and you can be baby’s godfather. But I’m raising this child myself.” “Godfather.” He was savoring the word when the toast popped up. “Bad choice of words,” she murmured. “I wouldn’t want to give you any bad ideas. I don’t want my child outfitted in a fedora and a machine gun.” “Commando godfathers are a different breed.” “Black bags and camo gear aren’t much better,” she informed him. “Spoilsport. Where’s your sense of adventure?” “Hanging in the shower trying to dry out.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Stalin raised a toast: “We will mercilessly destroy anyone who, by his deeds or his thoughts—yes, his thoughts!—threatens the unity of the socialist state. To the complete destruction of all enemies, themselves and their kin!”29
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
–I'll just play the notes inside my skull alone in the dark where they roam around loose. 'Cause playing like a slave, I'd just step myself straight into a hangman's noose." On Sissieretta Jones, Jess writes: "See, Sissie would know how to let folks into one mask and out through another. She'd even raise a toast to the mask, jokin about whether folk–black and white–really believed that the opera was wearing her as a mask, or if it just tickled them to see her puttin on that white mask of Vivaldi. Was it her voice or someone else's? they'd seem to ask. Well, it was all her. Every note, in whiteface or blackface or in just plain old American, went straight down to her bones. That's what I heard when I truly listened, anyway. She'd pour those opera songs all over her body and then dress herself in the church frock of hymns. She told me one time, that in order to hear her true voice, she'd had to ask herself about her own masks. What kind of mask might I have on? she said. Because let me tell you, most don't even know they're wearing a mask. You've got to know which masks, how many masks you're wearing before you can put it down and see your true self. Those that do, they know just how to slide in and out of it, how to make the world spin inside it and out of it. How to spread their song all over that mask and make it one with the world, no matter how thick or thin the truth in that song might be.
Tyehimba Jess (Olio)
— Yuv fucked this one up, ya daft cunt, the man said to him, raising a pint of eighty shillings to his lips. — Eh? What? Boab was surprised again. — You, Boab Coyle. Nae hoose, nae joab, nae burd, nae mates, polis record, sair face, aw in the space ay a few ooirs. Nice one, he winked and toasted Boab with his pint. This angered, but intrigued Boab. — How the fuck dae you ken? Whae the fuckin hell ur you? The man shook his head, — It's ma fuckin buisness tae ken. Ah'm God.
Irvine Welsh (The Acid House)
He laughed again and showed Liam a t-shirt with a dancing heart-shaped toast and the words ‘Nothing say’s I love you quite like Coffee and Toast’. “Do they have one saying ‘Nothing says I love you quite like anal’?” Liam raised an eyebrow. “Huh?” Ryan just stared at him, unsure of what Liam meant. Liam pouted and moved his hands to the front of the garment, as if he were holding someone’s hips in place. “I don’t want my t-shirts to lie.” “Awww. You’re such an honest person.
K.A. Merikan (Special Needs: The Complete Story)
champagne, n. You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne. You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water. "The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time." You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour. "But why?" I ask as you hand me my glass. You raise yours and ask, "Why not? What better way to start the day?" We drink a toast to that.
David Levithan (The Lover's Dictionary)
Amanda raised her glass in a toast. “Here’s a wet one to Saint Iris of the Hummocks!” Then she winced and scowled at Riker, who had kicked her under the table. Polly raised her glass and quoted from Hamlet: “And flights of angels sing thee to thy rest.
Lilian Jackson Braun (The Cat Who Talked to Ghosts)
Dr. S didn’t notice. “Do you remember the cartoons of Rube Goldberg? An inventor of the most ludicrous contraptions. You know: a lever is pulled, causing a boot to kick a dog, whose bark motivates a hamster to run on a wheel which winds a pulley that raises a gate that releases a bowling ball and so on? Until, at the end, finally, the machine does something incredibly mundane, like making a piece of toast. Yes? Well, as it turns out, that’s the world. All these incredibly complex, inscrutably intertwined Rube Goldberg machines that can only be seen in retrospect when something happens.
Adam Felber (Schrödinger's Ball)
This is a man who has shown a complete disregard for human life, cynicism and hypocrisy, and a willingness to use war and the deaths of thousands of Russian soldiers and innocent civilians as a PR instrument in his election campaign. This is a man who raised a toast on the anniversary of Stalin’s birth, had the plaque commemorating former KGB head Yury Andropov restored to its place on the wall of the Lubyanka—Federal Security Service headquarters—and dreams of seeing the statue of butcher Felix Dzerzhinsky, founder of the Soviet secret police, stand once again in the center of Moscow.
Garry Kasparov (Winter Is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped)
Education is like a fine wine, getting better with age and never losing its taste. It's the fountain of wit and wisdom that keeps on flowing, making you the classiest connoisseur of information. So, raise your glass to lifelong learning, and let's toast to being the savvy scholar with an endless appetite for education!
lifeispositive.com
I fought to stay awake and keep the car on the road. And I thought back to texts I had read from the British Army in India, during the Raj, at the height of their empire. Young subalterns trapped in junior ranks had their own mess. They would dine together in splendid dress uniforms and talk about their chances of promotion. But they had none, unless a superior officer died. Dead men's shoes was the rule. So they would raise their crystal glasses of fine French wine and toast "bloody wars and dread diseases" because a casualty further up the chain of command was their only way to get ahead. Brutal, but that's how it's always been, in the military.
Lee Child (Persuader (Jack Reacher, #7))
celebration. The designs of men are notoriously subservient to happenstance, hesitation, and haste; but had the Count been given the power to engineer an optimal course of events, he could not have done a better job than Fate was doing on its own. So with a smile on his lips, he raised his glass. But to toast Fate is to tempt Fate; and sure enough,
Amor Towles (A Gentleman in Moscow)
If you are going to start psychoanalyzing me, Legna, just stop it right now,” Noah warned her. “You have had my undivided love and attention practically since the day I was born, Noah. Has it never occurred to you that you are simply unwilling to share me with anyone else? You joke about it, but there are reasons why you are not interested in finding a companion of your own. Why should you? You have a perfectly kept home, a beautiful hostess to manage your social affairs, and she is pretty much emotionally maintenance free. I give you completely unconditional love, respect, and admiration. I keep you company when there are so many around, but none are really close enough to your heart to safely be a King’s confidant. There is only one thing I cannot do for you, and I already know you have your ways of obtaining that.” “Legna,” he protested, his face flushing. “That is not true.” “Which part?” she countered, raising a single brow. “I . . .” He hesitated, looking away from her penetrating gaze, realizing that she saw so much more than he had ever given her credit for. “Well, for one, the rafters of my ‘perfectly kept home’ are full of cobwebs,” he said sheepishly. Legna suddenly, gratefully, found herself laughing. It was a short burst of amusement that instantly defused the painful tension between them. “As if it would kill you to spare a thought to giving them a two-second toasting and getting rid of them yourself?
Jacquelyn Frank (Gideon (Nightwalkers, #2))
She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin. . . .
Shirley Jackson (The Haunting of Hill House)
Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside. You tick: Other.
Salena Godden
Everyone had a glass in their hand at the reception, so Beckett helped himself to a little more. He was just finishing off the bottle when he saw them raise their glasses to him—to him!—via Eve’s hummingbird camera. At that moment Beckett was glad he was alone. After joining the toast, his eyes blurry with tears, Beckett threw the bottle against the wall where it shattered spectacularly. This video was testament to exactly how normal his brothers’ lives would be without him.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Without slavery, as a matter of fact, there is no definitive solution. I very soon realized that. Once upon a time, I was always talking of freedom: At breakfast I used to spread it on my toast, I used to chew it all day long, and in company my breath was delightfully redolent of freedom. With that key word I would bludgeon whoever contradicted me; I made it serve my desires and my power. I used to whisper it in bed in the ear of my sleeping mates and it helped me to drop them. I would slip it… Tchk! Tchk! I am getting excited and losing all sense of proportion. After all, I did on occasion make a more disinterested use of freedom and even – just imagine my naiveté -- defended it two or three times without of course going so far as to die for it, but nevertheless taking a few risks. I must be forgiven such rash acts; I didn't know what I was doing. I didn't know that freedom is not a reward or a decoration that is celebrated with champagne. Nor yet a gift, a box of dainties designed to make you lick your chops. Oh, no! It’s a choice, on the contrary and a long-distance race, quite solitary and very exhausting. No champagne, no friends raising their glasses as they look at your affectionately. Alone in a forbidding room, alone in the prisoner's box before the judges, and alone to decide in face of oneself or in the face others' judgment. At the end of all freedom is a court sentence; that's why freedom is too heavy to bear, especially when you're down with a fever, or are distressed, or love nobody.
Albert Camus
At a dinner many decades ago, the physicist Robert W. Wood was asked to respond to the toast, “To physics and metaphysics.” By “metaphysics,” people then meant something like philosophy, or truths you could recognize just by thinking about them. They could also have included pseudoscience. Wood answered along these lines: The physicist has an idea. The more he thinks it through, the more sense it seems to make. He consults the scientific literature. The more he reads, the more promising the idea becomes. Thus prepared, he goes to the laboratory and devises an experiment to test it. The experiment is painstaking. Many possibilities are checked. The accuracy of measurement is refined, the error bars reduced. He lets the chips fall where they may. He is devoted only to what the experiment teaches. At the end of all this work, through careful experimentation, the idea is found to be worthless. So the physicist discards it, frees his mind from the clutter of error, and moves on to something else.* The difference between physics and metaphysics, Wood concluded as he raised his glass high, is not that the practitioners of one are smarter than the practitioners of the other. The difference is that the metaphysicist has no laboratory.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin....
Shirley Jackson (The Haunting of Hill House)
IT’S ABOUT TIME!” the queen yelled, and hit the table with a clenched fist. “How dare you keep your emperors waiting! Do it again and you’ll lose your head!” “My deepest apologies,” the cook said. The cook trembled in the emperors’ presence and could barely keep her hands still enough to pour wine into their glasses. When she was finished pouring, she bowed and rushed out of the room. The pirate and the queen raised their glasses before taking the first sip, but the hag didn’t join them. “None for me,” she growled. “I’m not much of a drinker.” “To us,” the pirate toasted. “May the three great emperors continue their mighty reign as the conquerors of the new world!” “Hear,
Chris Colfer (Worlds Collide (The Land of Stories #6))
At the same time that he was devising a response to the Afghanistan incursion, Carter had to confront a much more acute crisis in Iran, where he had brought the greatest disaster of his presidency down upon himself. In November 1977, he welcomed the shah of Iran to the White House, and on New Year’s Eve in Tehran, raising his glass, he toasted the ruler. Though the shah was sustained in power by a vicious secret police force, Carter praised him as a champion of “the cause of human rights” who had earned “the admiration and love” of the Iranian people. Little more than a year later, his subjects, no longer willing to be governed by a monarch imposed on them by the CIA, drove the shah into exile. Critically ill, he sought medical treatment in the United States. Secretary of State Cyrus Vance warned that admitting him could have repercussions in Iran, and Carter hesitated. But under pressure from David Rockefeller, Henry Kissinger, and the head of the National Security Council, Zbigniew Brzezinski, he caved in. Shortly after the deposed shah entered the Mayo Clinic, three thousand Islamic militants stormed the US embassy compound in Tehran and seized more than fifty diplomats and soldiers. They paraded blindfolded US Marine guards, hands tied behind their backs, through the streets of Tehran while mobs chanted, “Death to Carter, Death to the Shah,” as they spat upon the American flag and burned effigies of the president—scenes recorded on camera that Americans found painful to witness.
William E. Leuchtenburg (The American President: From Teddy Roosevelt to Bill Clinton)
Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Here’s a crash course in the economy,” said Hunter. “Americans get up each morning and go to factories and farms and fire stations and work their whole lives, creating actual products you can hold in your hands. Or some service that benefits. I mean, what the fuck’s that about?” “Work isn’t good?” “It’s the damn workers who crashed the economy.” “I thought it was you,” said Serge. “Don’t be a comedian.” Hunter started counting off on his fingers. “They lost their retirement accounts, their mortgages, their homes, even their jobs. Can’t these assholes do anything right?” “You on the other hand?” “We ended up with all the cash. And then the people turned to the government and went, ‘Holy shit! What happened to all our goddamn money? Do something!’ So the government takes even more money from the workers and—this part is absolutely priceless—they give it all to us again! Now you tell me who’s the success story.” “But what’s so hard about accepting free money?” “That’s exactly what I was thinking when half the country screamed, ‘I’ll kick your fucking ass if you give me health care!’ ” “Sounds too good for words,” said Serge. “It’s good enough for one word,” said Hunter. “Socialism.” Serge pounded the bar with his fist. “Fuck socialism.” “Don’t say that!” Hunter took a swig. “I love socialism.” “You do?” Hunter nodded hard. “Finest word in the English language. Just mention socialism, and everyone gets blinded by rage, takes their eyes off us and prints up T-shirts that insult the president.” Bleadoph raised his hands toward the ceiling in exultation. “Thank God he was elected!” “Forgive my ignorance,” said Serge, “but weren’t the bailouts socialism?” Hunter shook his head. “It’s only socialism if the money goes down, not up.” “A toast,” said Serge. “To socialism!” “To socialism!
Tim Dorsey (Electric Barracuda (Serge Storms #13))
He woke each dawn at 5:30, without need for an alarm, though he set one anyway just to be sure. On Mondays, Wednesdays, and Fridays, he lifted. On Tuesdays and Thursdays, he jogged. Down along the Charles. Beneath the sagging boughs of honey locusts fat with fruit. Following his workout, he prepared a shake. After, he showered beneath the rainwater showerhead in the third-story bath-room, water beating down his back, the radio blaring classical music from its place on the marble vanity. Classical, not rock or country or top forty, because he'd been raised on Handel and Tchaikovsky and because sometimes, when he was very tightly wound, the instrumentals were the only things that eased the tension in his chest. When that was done, he dressed, made his bed--tucking his corners in with the militaristic precision his nanny had demanded of him when he was still small and belligerent and went downstairs to make eggs. Over easy, paired with whole-grain toast and a glass of orange juice. He had his routine down to a science, and he did the same thing every morning.
Kelly Andrew (The Whispering Dark)
Then came lunch back at the house, attended by the family, the godparents, and the church rector. Beaverbrook stood up to propose a toast to the child. But Churchill rose immediately and said, “As it was my birthday yesterday, I am going to ask you all to drink to my health first.” A wave of good-natured protest rose from the guests, as did shouts of “Sit down, Daddy!” Churchill resisted, then took his seat. After the toasts to the baby, Beaverbrook raised a glass to honor Churchill, calling him “the greatest man in the world.” Again Churchill wept. A call went up for his reply. He stood. As he spoke, his voice shook and tears streamed. “In these days,” he said, “I often think of Our Lord.” He could say no more. He sat down and looked at no one—the great orator made speechless by the weight of the day. Cowles found herself deeply moved. “I have never forgotten those simple words and if he enjoyed waging the war let it be remembered that he understood the anguish of it as well.” The next day, apparently in need of a little attention himself, Beaverbrook resigned again.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
To the wreck hunters," Orion said, raising his water bottle, "And to whale songs." "To truthing," said Liv. "To tea leaves," said Felix. We kept toasting: To Fidelia and Ransome. To the rest of the Lyric passengers whose bones has been picked clean by fish. To adventures. Our voices overlapped and were indistinguishable. To baseball caps, to Patsy Cline. To whiskey and blow jobs and cunnilingus, birth control, treasure, no treasure, sleeping bags, bug spray, headphones, and crosswords. "To family," I called. "Surviving," said Sam. "Please can you keep it down!" yelled a voice from inside the kayakers' tent. "To angry, reluctant chaperones," Mariah stage-whispered. We all collapsed into stifled giggles, then put out the fire and trekked down to the beach to stage an impromtu, perfectly imperfect reading of Cousteau! by cell-phone light. Same had brought the latest printout of the script with him. That night, it didn't matter what had come before and what was going to come after. In that moment, we were the last true poets of the sea, and what mattered more than anything else was our quest.
Julia Drake (The Last True Poets of the Sea)
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night. Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior. “Absolutely exquisite,” Duncan agreed. “She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.” “To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.” That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.” “I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
Judith McNaught (Almost Heaven (Sequels, #3))
It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women. "A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor. "Miss," one of them begged, "I entreat you to cast my dice for me." "Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
You... you were telling me about your diet?" "Well, mostly I was raised on milk, potatoes, dulse, fish-" "I beg your pardon, did you say 'dulse'? What is that, exactly?" "A kind of seaweed," MacRae said. "As a lad, it was my job to go out at low tide before supper and cut handfuls of it from the rocks on shore." He opened a cupboard to view a small store of cooking supplies and utensils. "It goes in soup, or you can eat it raw." He glanced at her over his shoulder, amusement touching his lips as he saw her expression. "Seaweed is the secret to good health?" Merritt asked dubiously. "No, milady, that would be whisky. My men and I take a wee dram every day." Seeing her perplexed expression, her continued, "Whisky is the water of life. It warms the blood, keeps the spirits calm, and the heart strong." "I wish I liked whisky, but I'm afraid it's not to my taste." MacRae looked appalled. "Was it Scotch whisky?" "I'm not sure," she said. "Whatever it was, it set my tongue on fire." "It was no' Scotch, then, but rotgut. Islay whisky starts as hot as the devil's whisper... but then the flavors come through, and it might taste of cinnamon, or peat, or honeycomb fresh from the hive. It could taste of a long-ago walk on a winter's eve... or a kiss you once stole from your sweetheart in the hayloft. Whisky is yesterday's rain, distilled with barley into a vapor that rises like a will-o'-the-wisp, then set to bide its time in casks of good oak." His voice had turned as soft as a curl of smoke. "Someday we'll have a whisky, you and I. We'll toast health to our friends and peace to our foes... and we'll drink to the loves lost to time's perishing, as well as those yet to come.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
So what will you do?” Joseph, Lord Kesmore, asked his brothers-by-marriage. Westhaven glanced around and noted Their Graces were absent, and the ladies were gathered near the hearth on the opposite side of the large, comfortable family parlor. “Do? I wasn’t aware we were required to do anything besides eat and drink in quantities sufficient to tide us over until summer of next year,” Westhaven said. The Marquess of Deene patted his flat tummy. “Hear, hear. And make toasts. One must make holiday toasts.” St. Just shifted where he lounged against the mantel. “Make babies, you mean. My sister looks like she’s expecting a foal, not a Windham grandchild, Deene.” Gentle ribbing ensued, which Westhaven knew was meant to alleviate the worry in Deene’s eyes. “The first baby is the worst,” Westhaven said. “His Grace confirms this. Thereafter, one has a sense of what to expect, and one’s lady is less anxious over the whole business.” “One’s lady?” Lord Valentine scoffed. “You fool nobody, Westhaven, but Kesmore raises an excellent point. Every time I peek into the studio in search of my baroness, all I see is that Harrison and Jenny are painting or arguing.” “Arguing is good,” Kesmore informed a glass that did not contain tea. “Louisa and I argue a great deal.” Respectful silence ensued before the Earl of Hazelton spoke up. “Maggie and I argue quite a bit as well. I daresay the consequences of one of our rousing donnybrooks will show up in midsummer.” Toasting followed, during which Lord Valentine admitted congratulations were also in order regarding his baroness, and St. Just allowed he suspected his countess was similarly blessed, but waiting until after Christmas to make her announcement. When
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Thunk. I jump back in alarm, my heart pounding against my ribs. And then I hear, “Jemma!” A loud whisper, coming from below. I open up the doors and step outside. Moving quickly to the railing, I lean against it and peer down to find Ryder standing there, staring up at me. He’s dressed in a suit and tie--the same charcoal suit he wore to the gala, with a narrow silver-blue tie. “What are you doing?” I call down to him. He drops a handful of pebbles, scattering them into the grass by his feet. “Shh! Can I come up?” I lower my voice to match his. “What’s wrong with the front door?” He eyes me with raised brows. “Really?” I picture my parents downstairs. Imagine what questions they’d ask, what gleeful conclusions they’d leap to at the sight of him here, asking to see me. I shake my head and reach a hand down toward him. “Here, can you climb?” There’s a vine-covered trellis against the house beside my balcony. If he can just get a foothold, he’s tall enough to swing himself up and over the railing. Which he does in less than two minutes. Pretty impressive, actually. Once he’s got both feet on the balcony, he casually brushes himself off. Somehow, he manages to look like he just stepped off the cover of GQ. I tip my head toward the window. “You wanna come in?” “You think it’s safe?” “Just let me go lock the door,” I say before hurrying back inside. And don’t think I’m not amused by the irony. Because unlike normal people, we’re not sneaking around to avoid being caught and punished. Nope. On the contrary, our parents would celebrate if they caught us in my bedroom together. I’m talking music and streamers and champagne toasts. As quietly as possible, I turn the key in the lock, listening for the click. Sorry, folks. No party tonight.
Kristi Cook (Magnolia (Magnolia Branch, #1))
May they enjoy a long and fruitful life together." Normally, that ancient toast brings about a predictable reaction: The groom always smiles proudly because he's convinced he's accomplished something quite wonderful. The bride smiles because she's been able to convince him of it. The guests smile because, amongst the nobility, a marriage connotes the linking of two important families and two large fortunes—which in itself is cause for great celebration and abnormal gaiety. But not today. Not on this fourteenth day of October, 1497. Having made the toast, the groom's brother raised his goblet and smiled grimly at the groom. The groom's friends raised their goblets and smiled fixedly at the bride's family. The bride's family raised their goblets and smiled frigidly at each other. The groom, who alone seemed to be immune to the hostility in the hall, raised his goblet and smiled calmly at his bride, but the smile did not reach his eyes. The bride did not bother to smile at anyone.
Anonymous
raised a bite of eggs in a mock toast. “That’s my brother. He may be an asshole but he’s an asshole with flare.
Adrienne Wilder (Seven (The Others Project #1))
Raise it up and let's propose a toast, to the thing that hurts you most.
Mike Patton
Merrick swilled down the rest of his ale. A strange heat traveled from his belly to loins to his head. ’Twas like his blood came alive.… …Since Clio was the bride, they toasted her lips, and her hips. They drank to her eyes, and her thighs. Her luscious meal fare and her glorious hair. Her small nose and her bare toes. But even Merrick was surprised when he himself stood and bellowed, “Here’s to Lady Clio with her mouth full of sass.” … He grinned, then raised his cup high. “And her small, tight ass.
Jill Barnett (Wonderful (Medieval Trilogy, #1))
You know, we’re really not in Kansas anymore,” Brandt chuckled as he lifted his glass. “Congratulations, my friend,” toasted Donnelly, raising his glass to Brandt. “A Dorothy reference means that you are officially a member of Gay Club.
Xavier Mayne (Frat House Troopers (Brandt and Donnelly Caper, #1))
thought he saw a brief glance down at Ellie. Everyone else took their wine glasses in hand, and murmured a second to Randall’s toast before taking a sip. David saw that Ellie hesitated before taking a sip. “I’m not usually a fan of red wine,” she whispered to him. “Linda, this is an excellent wine,” she said a bit too loud across the table to her friend. David wondered what had happened to her in her life that made her worry so much about outward appearances. He thought that the small digs that had been taken at her expense in the library may be weighing on her, and it surprised him to feel a twitch of anger. Ellie seemed so strong at times, but so frail at others. “Thank you, but I can’t take credit. Randall picked it out,” Linda said as she raised her own glass. “Of course he did,” Melanie Wilson uttered in a low undertone. “What, dear?” Linda glanced down the table at Melanie. “Nothing, nothing, Linda. I was also complimenting Randall on his fine wine selection,” Melanie said into her wine glass. From what David could tell from his short acquaintance with Melanie Wilson, it seemed almost impossible for her to keep a rein on her tongue. He saw a look on her husband’s face that
Cege Smith (Edge of Shadows)
On the last day of voting, when it was all over, after thousands of people had voted and no bombs had gone off, the people of Randfontein opened a bottle of sherry, pouring tiny tots into plastic cups. We raised our cups to toast each other and thanked them for being such gracious hosts. They said it was a pleasure, and I think they meant it. Leftover cookies were put back into a plastic bag, the powdered milk resealed. Tables and voting booths were quickly removed, because an under 16s dance was going to be held there the next night. “Do you think brothers and sisters go with each other?” Sarah joked as we got in the car to drive away. Normalcy, Randfontein style, had resumed.
Jillian Reilly (Shame - Confessions of an Aid Worker in Africa)
He shouldn’t have walked out, because now the awkwardness was going to fester until she felt a need to talk about the incident in the bathroom. He could have laughed it off as morning wood, making it clear the pronounced lump had nothing to do with her. That would have been a lie, of course. He’d been up for several hours and it most definitely had something to do with her. But she might have bought the story and not had to talk about it. The kitchen felt claustrophobic all of a sudden, what with the two women he barely knew and the elephant in the room, so he took his coffee and muttered about catching the morning news. He turned on the TV in the living room and sank onto the couch with a sigh of relief. It would take a few minutes to make the French toast, so he had a few minutes of normal. “Can I talk to you for a second?” It was Emma, of course, and there went his normal. He sighed and moved over on the couch. “Knock yourself out.” She sat down, far enough away so none of their body parts touched. “I get the whole guy thing. Morning…you know, and I don’t want this to be weird.” “It’s no big deal.” “Okay.” She took a sip of her coffee, then wrapped both hands around the mug. “We’ll probably have more moments like this if we’re going to live together for a month. Probably best to just laugh them off.” He raised an eyebrow at her. “Actually, when a guy’s standing in front of you, fully hard and wearing nothing but a towel, laughing might not be the best way to handle it.” “True.” Her cheeks turned a pretty shade of pink and she laughed softly. “If we were in a movie, the towel would have fallen off. Could’ve been worse.” “With my luck, I’m surprised it didn’t.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
The first toasts were being raised, and already becoming less and less coherent.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Let us sail to the colourful island of mixed identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboard. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let’s toast to the minorities who are the majority. There is no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now.
Nikesh Shukla (The Good Immigrant)
As she pulled the freezer door open to get more ice, something fell from the top of the refrigerator and landed on Deanna’s head. She touched her hair and was horrified to discover something was stuck in it! Deanna screamed and tore at her hair. Along with a hank of blonde locks, she yanked out a black, palm-sized spider. “Aargh!” Deanna yelled, flinging it away. The spider bounced against the refrigerator door and fell to the ground. It was a rubber tarantula. Deanna growled, then nearly came to tears. Hiding spiders around the house had been a favorite prank of her mother’s. She’d done it as long as Deanna could remember. And now, even from the grave, Melody had gotten her once again. “Good one, Mom,” Deanna hissed, and stomped the spider. She kicked it under the refrigerator and grabbed a handful of ice. She poured herself a double shot of vodka, drank it down, and poured herself another. She raised a toast to her mother’s ghost. “Cheers, Melody.
Margaret Lashley (What She Forgot (Mind's Eye Investigations #1))
Our Toast Not to the Future, nor to the Past; No drink of Joy or Sorrow; We drink alone to what will last; Memories on the Morrow. Let us live as Old Time passes; To the Present let Bohemia bow. Let us raise on high our glasses To Eternity--the ever-living Now.
Clarence E. Edwords (Bohemian San Francisco, Its Restaurants and Their Most Famous Recipes: The Elegant Art of Dining (Classic Reprint))
How about we toast to finding our missing pieces and becoming whole?” I asked. We raised our glasses high. “Becoming whole.
Ruby Vincent (The Elites (Breakbattle Academy #4))
PROTEIN one serving: ¼ egg, 2 thin strips of chicken, ½ meatball, 1 ounce fish, or 2 table-spoons purée. Good protein choices include meat, fish, poultry, eggs, tofu, or beans and lentils. grain one serving: ½ cup oatmeal or cooked rice, quinoa, pasta, or couscous; 2 slices baked oatmeal; or ½ slice toast, cut into sticks. fruit or vegetable one serving: 2 pieces, such as 2 slices of soft pear or steamed apple, 2 steamed carrot sticks, ¼ medium avocado, 2 small steamed broccoli florets, or 2 tablespoons purée. dairy one serving: ½ cup (4 ounces) full-fat yogurt; ¾ ounce full-fat cheese, shredded or cut into thin sticks. Cow’s milk is not recommended as a main drink for infants under 12 months. 4 to 6 months FIRST THING IN THE MORNING: Breastmilk on demand or 6–7 ounces formula BREAKFAST: 1–2 tablespoons cereal • 1–2 tablespoons fruit or vegetable MIDMORNING: Breastmilk on demand or 6–7 ounces formula LUNCH: 1–2 tablespoons cereal • 1–2 tablespoons fruit or vegetable OR breastmilk on demand or 6–7 ounces formula
Jenna Helwig (Baby-Led Feeding: A Natural Way to Raise Happy, Independent Eaters)
GOEBBELS AND HITLER had a conference about the Grynzspan agitation. “He decides: Let the demonstrations continue,” Goebbels wrote. “Pull back the police. The Jews should for once feel the anger of the people.” Party leaders called their subordinates, and the Gestapo sent out, by Teletype, rules to guide the rioting throughout Germany that was to be the consequence of Ernst vom Rath’s assassination. It was to be savage but orderly. The burning of synagogues was permitted “only if there is no danger of fires for the neighborhood.” Jewish homes and businesses “may be destroyed but not looted.” And foreigners “may not be molested even if they are Jews.” It began at 1:00 in the morning on November 10, 1938. Otto Tolischus reported on it for The New York Times. “There was scarcely a Jewish shop, cafe, office or synagogue that was not either wrecked, burned severely, or destroyed,” he said. “Before synagogues, demonstrators stood with prayer books from which they tore leaves.” The wealthy synagogue on Fasanenstrasse “was a furnace.” Twenty-five thousand people were sent as hostages to concentration camps. It was called Kristallnacht, Crystal Night, because it happened at night and a lot of plate glass was broken, and because the word “crystal” simultaneously distracted from, and raised a toast to, the ferociousness of the rioting—and perhaps finally also because the word echoed the title of one of Goebbels’s favorite books on propaganda technique, Edward Bernays’s Crystallizing Public Opinion. Goebbels had successfully used vom Rath’s assassination to crystallize German anti-Semitism.
Nicholson Baker (Human Smoke: The Beginnings of World War II, the End of Civilization)
Imagine life without parties. Imagine life without the thousand things we do, large and small, that give shape to who we are, that give extra meaning and value to people, to occasions, to the way we do things. I guess you can just about imagine living without any little outward signs as to what you were thinking – no hugs and kisses at the start and end of the day, no wave of the hand, no handshakes, no raising of a glass to toast a bride, or a colleague, or an exam passed. I suppose we might, if we tried very hard, be able to organize our lives without special meals on special occasions, without special trips to special places, without all those things that bring colour and depth to our world. We might just manage it. But life would be very dull.
N.T. Wright (The Meal Jesus Gave Us, Revised Edition)
I thought back to texts I had read from the British Army in India, during the Raj, at the height of their empire. Young subalterns trapped in junior ranks had their own mess. They would dine together in splendid dress uniforms and talk about their chances of promotion. But they had none, unless a superior officer died. Dead men’s shoes was the rule. So they would raise their crystal glasses of fine French wine and toast bloody wars and dread diseases, because a casualty further up the chain of command was their only way to get ahead. Brutal, but that’s how it’s always been, in the military. I
Lee Child (Persuader (Jack Reacher, #7))
Right now, in front of all of you, I’m gonna make the vows my dad showed me you should make when you fall in love with a woman.” “Oh shit,” Cher murmured. Ethan turned and looked down at his bride. “I vow to take care of you. I vow that every day you’ll feel safe because you know that down to your bones, seein’ as I’ll be breakin’ my back givin’ it to you. And I vow to give you shit when you’re bein’ a wiseass.” Laughter filled the room, but Ethan was not done speaking. “I also vow to take your shit when I’m bein’ one. I vow to make sure you got what you want as often as I can give it to you. I vow to love the children we make, spend time with them as often as humanly possible, and knock myself out to make them feel safe. I vow to guide them to the right paths in life, showin’ them I’m proud they’re mine, they’re ours, even when they don’t do anything special to make me feel that way.” His voice dipped before he went on. “And most importantly, green eyes, I vow to make you laugh at least once every day for the rest of the beautiful life I also vow to give you. I vow to make you do it hard. I vow to give it from the heart so I can make it come from your gut, and you’ll never forget how happy you make me because I vow to bust my ass to make you the same. I love you, baby, and I cherish you, and that’s what you’re gonna get from me until one or the other of us stops breathing.” “Oh, Ethan!” his girl cried, surging out of her seat, throwing herself in Ethan Merrick’s arms, and shoving her face in his neck. He wrapped one around her and kissed her hair before he turned to the room, raised his glass, and finished. “So toast with me, with my bride, to what real love means—care and safety and laughter and givin’ your baby shit when she’s bein’ a wiseass.
Kristen Ashley (Hold On (The 'Burg, #6))
I know today is special for everyone,” I said with a soft smile. “But it’s particularly special for me. So I’d like to end with a toast that I was told was one of my father’s favorites. May you never lie, steal, cheat, or drink.” “Whoa now,” Tara chuckled, and she raised a hand. “Let me finish,” I laughed. “May you never lie, steal, cheat, or drink. But if you must lie, lie in each other’s arms. If you must steal, steal kisses. If you must cheat, cheat death. And if you must drink, drink with us, your friends.
Eric Vall (Without Law 7 (Without Law, #7))
To a peaceful August in Pompeii, then," saaid Flavia's father, and raised his cup in a toast. "Pompeii," they all echoed, and raised their wine cups.
Caroline Lawrence (The Thieves of Ostia (Roman Mysteries, #1))
A toast,” Buck said, raising his glass. “To the Montana Hamiltons!” Cheers rose…
B.J. Daniels (Honor Bound (The Montana Hamiltons, #6))
I can’t breathe. I’m 97% sure that my nerve endings are literally on fire, and true to his promise, walking today, or the days in the near future, will be a challenge. God bless him. “God, Sarah.” If I could move right now, I’d open my eyes and look down at him, but I can’t. He’s still inside me, his body also still quivering. I didn’t think it was possible, but this round might be better than any of the previous six. Six. Rounds. Of sex. In one twelve-hour period. I collapse on his chest, bury my face in his neck, try to regain use of my extremities, and purr when he wraps his arms around my back and hugs me close. His arms make me want to bite him. In the best sexual way possible. I don’t know what he does to keep them so…awesome, but dear sweet Moses, am I thankful. “I’ll make you breakfast,” he murmurs against my neck, sending a fresh round of goose bumps over my skin. “Okay. I’ll get off of you in about a month.” He chuckles and slaps my ass, and then before I know it, I’m flat on my back and he’s leaning over me, smiling down at me with those amazing green eyes of his. “How can you move?” “Quick recovery,” he says and kisses my nose. “You stay here and collect yourself and I’ll go cook.” “Cook what?” I ask. “There’s nothing in your fridge.” “The bagel place delivers.” He winks, places a smacking kiss on my lips, then jumps up and saunters out of the bedroom. Naked. Holy shit. I cover my face with my hands and can’t help but smile. What a night! Adam didn’t wait until this morning to have his way with me again. No, that happened sometime around 2:00 a.m. It seems that man can’t keep his hands off of me, and that doesn’t hurt my feelings in the least. I was so right. One night with Adam Spencer was unforgettable and a giant boost to my ego. I giggle and sit up, sighing when my muscles complain. Good lord, muscles I didn’t even know existed are protesting after the night of exhausting sex I just had. I had sex. A lot. With the hottest man ever. I giggle once more and stand, groaning now at the uncomfortable pull of my inner thigh muscles, and walk into his bathroom to clean up. The shower is quick, and before I know it, I’m in his kitchen, wearing last night’s clothes, kind of excited about the walk of shame I’ll do when he drops me off. “I like that smile,” Adam says as he walks into the kitchen holding a brown bag that was just delivered. “You put it there,” I reply with a wink. “You put on shorts.” He raises a brow. “I can take them back off.” “No.” I shake my head and laugh as Adam opens the bag of food. He smirks and passes me a bagel, already toasted with cream cheese. “How do you feel?” “Sore.” I lick cream cheese off my thumb and grin at the sexy man taking a bite of his breakfast. “Well sexed.” “Mission accomplished then.” He reaches over the island and drags his thumb down my cheek. He kisses my forehead, then pulls away. “Thank you.” “For?” “Dinner. Breakfast.” The most amazing sex of my entire life. “You’re welcome.
Kristen Proby (Easy For Keeps (Boudreaux #3.5))
Gia turned on the burner and reached for a saucepan. She lightly crushed two cloves of garlic with the side of a knife, then minced and sautéed them in olive oil and a knob of butter. She whisked in a little flour, toasting it in the oil, added a pinch of salt, then raised the heat and whisked it in a cup of homemade chicken broth from the fridge until the soup began to thicken. She beat two eggs together in a bowl with some grated Parmesan and added them gently to the soup, where they poached into gold and white strands of savory-soft egg and cheese. Gia selected a big earthenware bowl, ladled in her soup, ground in some fresh black pepper, and placed it in front of Angelina with a napkin and a spoon. "Stracciatella. For you." Angelina leaned over the bowl with her eyes closed and let the delicious wisps of steam rise up to her face. She picked up the spoon and sulkily nicked off a piece of egg. Gia returned to her cup of coffee, with an experienced parent's complete indifference as to whether the meal she'd prepared was eaten or not. Angelina stole a glance from her and dipped into the bowl, seduced by the aroma of toast laced with sweet and savory garlic, mingled with the soothing sustenance of good chicken broth. She sipped and felt warm comfort spread into her belly, across the bridge of her nose and the back of her neck.
Brian O'Reilly (Angelina's Bachelors)
He refilled his own and raised his glass above the center of the table. “To new friends and new futures.” Susie furrowed her brow. “That’s a strange toast.” “It’s my motto. It keeps me looking forward without dwelling too much on the past,” Young explained.
Mac Flynn (Garden of the Wolf #1)
Pick up your water,” Tabby said. “Why?” “We’re doing a toast.” Jo lifted her battered blue water bottle, predictably situated next to her. “Ready?” Tabby said. “Ready,” Jo said. “Happy birthday to Eleanor Teale, the flower whisperer who made everyone and everything around her bloom. Her light is still with us, growing love across the universe.” Jo raised her bottle to the gray sky and drank. “Thanks,” she said, wiping fingers on her lower lashes. “That was a good toast.
Glendy Vanderah (Where the Forest Meets the Stars)
In the Jewish quarter of Konya, in a tavern owned by a Christian, we, a mixed bunch of wine lovers of all faiths, raised our glasses and toasted together, hard though it was to believe, to a God who could love and forgive us even when we ourselves clearly failed to do so.
Elif Shafak (The Forty Rules of Love)
When Stalin, Roosevelt, and Churchill first met at Tehran in 1943, and Stalin raised his glass in a toast “to American production, without which this war would have been lost,” it was a stunning tribute from the leader of world Communism to the forces of American capitalism.
Arthur Herman (Freedom's Forge: How American Business Produced Victory in World War II)
And I've never been all that passionate about brunch food in general." My mouth dropped open. "Then clearly you've never had good brunch food." He raised an eyebrow, obviously amused. That tiny gesture made something hot tweak below my stomach. Down, girl. "I've eaten brunch at some of the best restaurants in the world." "But not from my kitchen," I countered. Now it wasn't so much about caring about how he felt: it was about proving I was right. "Come on. We're going to make a full Ashkenazi breakfast spread. I'm talking blintzes. I'm talking challah French toast. I'm talking bagels and lox and shakshuka. I'm talking matzah brei." "I've never heard of that last one." "See? You have never had a good brunch.
Amanda Elliot (Sadie on a Plate)
Large fountain glasses arrived at our table, layered with sweet beans, caramelized saba bananas, jackfruit, palm fruit, nata de coco, and strips of macapuno topped with shaved ice, evaporated milk, a slice of leche flan, a healthy scoop of ube halaya, and a scattering of pinipig, the toasted glutinous rice adding a nice bit of crunch. This frosty rainbow confection raised my spirits every time I saw it, and both Sana and I pulled out our phones to take pictures of the dish. She laughed. "This is almost too pretty to eat, so I wanted to document its loveliness before digging in." "This is for the restaurant's social media pages. My grandmother only prepares this dish in the summer, so I need to remind our customers to come while it lasts." "How do we go about this?" Rob asked, looking at his rapidly melting treat in trepidation. "Up to you. You can mix everything together like the name says so that you get a bit of everything in each bite. Or you can tackle it layer by layer. I'm a mixing girl, but you better figure it out fast or you're going to be eating dessert soup." We all dug in, each snowy bite punishing my teeth making me shiver in delight. I loved the interplay of textures---the firmness of the beans versus the softness of the banana and jackfruit mingling with the chewiness of the palm fruit, nata de coco, and macapuno. The fluffy texture of the shaved ice soaked through with evaporated milk, with the silky smoothness of the leche flan matched against the creaminess of the ube halaya and crispiness of the pinipig. A texture eater's (and sweet tooth's) paradise. "This is so strange," Valerie said. "I never would've thought of putting all these things together, especially not in a dessert. But it works. I mean, I don't love the beans, but they're certainly interesting. And what are these yellow strips?" "Jackfruit. When ripe, they're yellow and very sweet and fragrant, so they make a nice addition to lots of Filipino desserts. They were also in the turon I brought to the meeting earlier. Unripe jackfruit is green and used in vegetarian recipes, usually.
Mia P. Manansala (Homicide and Halo-Halo (Tita Rosie's Kitchen Mystery, #2))
At headquarters, Goldwater raised a toast to his staff and to his nation. “Here’s to the greatest country in the world,” he said. “As Harry Golden says, only in America would the first Jewish presidential nominee be an Episcopalian.
Matthew Continetti (The Right: The Hundred-Year War for American Conservatism)
Sirius took a breath, and then tapped his spoon on his wine glass. The reception was quiet as they all looked to him. All eyes were on him now. It was time for the Best Man to make his own vow. He had to support them. He had to smile for them. They were happy. And he knew that James would be happy for him if their roles were switched. James was looking right at him, and so was Lily. They wanted him to rise and talk. And so he did, holding his glass in his hands. "Well," Sirius said, his voice echoing through the now silent Leaky Cauldron. They were all staring at him, "I'm supposed to make a speech, being the Best Man and all . . . but I'm really not one for speeches. That was always James's department. . ." There was a small laugh through the crowd. "When I first met you, Evans," Sirius said, as the room went quiet again, "I swore that you were wrong for James. And yes, I was jealous. And yes, I acted like an idiot. But I know James, and now I know you, and I know that you both were made for each other." Lily smiled warmly at him, and Sirius cleared his throat and continued. "Who would have thought I would be sitting here, making a toast to that four eyed freak that came running into my compartment that first day of school?" he said, "I know I wouldn't have guessed it. But I'm glad that I can see you on the happiest day of your life. I'm glad I was a part of it." He raised his glass to James, and got that mischievous smile again, "You were right, mate. It is like a fairy tale. And we all know what happens at the end of fairy tales. All evil's conquered, everything's set right, and Prince Charming and his girl go riding off in the distance happily ever after. So don't be scared, James. Because you two were written out to live happily ever after. I see the real thing in you two. Something that none of us here in this room is ever going to have for ourselves. You really do love each other." James took Lily's hand, and smiled down on his best friend. Sirius smiled back, and then turned to the crowd, his glass still raised, "So, here's a toast to true love, mates. Here's a toast to my brother," he turned, and looked to Lily, "And my sister." "Here, here!" the audience roared, clashing their glasses together, and Lily looked to Sirius, in an expression that she had never given him. Not one of loathing, or disgust or annoyance. . . but of surprise. Sirius grinned, and raised his glass to her again with a nod. She returned the nod, her smile rising again, and then Sirius took his seat. "Touching," Remus said. "Don't push it, wolf," Sirius growled as he went back to playing with his food. Lily was still staring at him from where she was sitting. He could feel her eyes on him, trying to get him to look at her again. But he wouldn't let himself. He had said what he had said, and there was nothing else about it.
Mordred (Forever Alive)
Sirius took a breath, and then tapped his spoon on his wine glass. The reception was quiet as they all looked to him. All eyes were on him now. It was time for the Best Man to make his own vow. He had to support them. He had to smile for them. They were happy. And he knew that James would be happy for him if their roles were switched. James was looking right at him, and so was Lily. They wanted him to rise and talk. And so he did, holding his glass in his hands. "Well," Sirius said, his voice echoing through the now silent Leaky Cauldron. They were all staring at him, "I'm supposed to make a speech, being the Best Man and all . . . but I'm really not one for speeches. That was always James's department. . ." There was a small laugh through the crowd. When I first met you, Evans," Sirius said, as the room went quiet again, "I swore that you were wrong for James. And yes, I was jealous. And yes, I acted like an idiot. But I know James, and now I know you, and I know that you both were made for each other." Lily smiled warmly at him, and Sirius cleared his throat and continued. "Who would have thought I would be sitting here, making a toast to that four eyed freak that came running into my compartment that first day of school?" he said, "I know I wouldn't have guessed it. But I'm glad that I can see you on the happiest day of your life. I'm glad I was a part of it." He raised his glass to James, and got that mischievous smile again, "You were right, mate. It is like a fairy tale. And we all know what happens at the end of fairy tales. All evil's conquered, everything's set right, and Prince Charming and his girl go riding off in the distance happily ever after. So don't be scared, James. Because you two were written out to live happily ever after. I see the real thing in you two. Something that none of us here in this room is ever going to have for ourselves. You really do love each other." James took Lily's hand, and smiled down on his best friend. Sirius smiled back, and then turned to the crowd, his glass still raised, "So, here's a toast to true love, mates. Here's a toast to my brother," he turned, and looked to Lily, "And my sister." "Here, here!" the audience roared, clashing their glasses together, and Lily looked to Sirius, in an expression that she had never given him. Not one of loathing, or disgust or annoyance. . . but of surprise. Sirius grinned, and raised his glass to her again with a nod. She returned the nod, her smile rising again, and then Sirius took his seat. "Touching," Remus said. "Don't push it, wolf," Sirius growled as he went back to playing with his food. Lily was still staring at him from where she was sitting. He could feel her eyes on him, trying to get him to look at her again. But he wouldn't let himself. He had said what he had said, and there was nothing else about it.
Mordred
Mark raised his eyebrows. "Toast?" "That's my toast," Ty pointed out. "Right." Mark crossed the room, side-eyeing Julian as he went. Julian was still wordless, slumped against the stove. "And what do you want on your toast?" "Pudding," Ty said promptly. "Pudding?" Julian echoed. Emma had to admit that when she'd imagined the first word Julian was going to say out loud in this situation, it hadn't been "pudding.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
As the Count refilled their glasses, he was struck by a memory of his own that seemed in keeping with the conversation. “I spent a good part of my youth in the province of Nizhny Novgorod,” he said, “which happens to be the world capital of the apple. In Nizhny Novgorod, there are not simply apple trees scattered about the countryside; there are forests of apple trees—forests as wild and ancient as Russia itself—in which apples grow in every color of the rainbow and in sizes ranging from a walnut to a cannonball.” “I take it you ate your fair share of apples.” “Oh, we’d find them tucked in our omelets at breakfast, floating in our soups at lunch, and stuffed in our pheasants at dinner. Come Christmas, we had eaten every single variety the woods had to offer.” The Count was about to lift his glass to toast the comprehensiveness of their apple eating, when he waved a self-correcting finger. “Actually, there was one apple that we did not eat. . . .” The actress raised one of her bedeviling eyebrows. “Which?” “According to local lore, hidden deep within the forest was a tree with apples as black as coal—and if you could find this tree and eat of its fruit, you could start your life anew.” The Count took a generous drink of the Montrachet, pleased to have summoned this little folktale from the past. “So would you?” the actress asked. “Would I what?” “If you found that apple hidden in the forest, would you take a bite?” The Count put his glass on the table and shook his head. “There’s certainly some allure to the idea of a fresh start; but how could I relinquish my memories of home, of my sister, of my school years.” The Count gestured to the table. “How could I relinquish my memory of this?” And Anna Urbanova, having put her napkin on her plate and pushed back her chair, came round the table, took the Count by the collar, and kissed him on the mouth.
Amor Towles (A Gentleman in Moscow)
We should do away with sexuality,’ Josh announced. ‘It shouldn’t be an assumption.’ I laughed. ‘That’s ridiculously good!’ ‘Just leave it ambiguous for kids until they tell you.’ ‘It eliminates closets and the need for coming out of them. It’s brilliant.’ We ordered another round of martinis and raised a toast to our bisexual-unless-proven-otherwise unborn children.
Sean Szeps (Not Like Other Dads)
let’s raise a toast: here’s to the Museum of Ordinary People 2.0! And let’s hope it doesn’t end with us all getting arrested!
Mike Gayle (The Museum of Ordinary People)
Seriously man, shut it.” “Alright, alright. You’re the driver,” He raised his chip bag in toast, “My life is in your hands.
Finn Eccleston (The Community (Project M Book 1))