Formal Wear Quotes

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Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
John Green (The Fault in Our Stars)
Both of us widened our eyes and said, "Whoa." Then I immediately blushed. Oh my God, had I just looked at Archer and said, "Whoa"? But...wait a minute. Had Archer just looked at me and said, "Whoa"? We just kind of stared at each other. Archer more than deserved his "whoa." This was a boy who could make a school uniform look good. What he did to formal wear was damn near criminal.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
This is a formal affair. Kali is wearing twelve skulls.” Nïx’s eyes went wide. “I should’ve vajazzled!
Kresley Cole (Dark Skye (Immortals After Dark, #14))
What is it about wearing a tuxedo or that little black dress, that makes us feel confident, beautiful, splendid, even invincible? We put on formal wear and suddenly we become extraordinary. On the days when you feel low and invisible, why not try this on for size: imagine you are wearing a fantastic tailored tuxedo or a stunning formal gown. And then proceed with your day.
Vera Nazarian (The Perpetual Calendar of Inspiration)
What's your problem with the Guild?" "The only way to resolve it involves me being entangled in running it and I don't want to do it." I waved my arms. "I have the Consort crap and I have the Cutting Edge crap and whatever other bullshit the two of you throw my way. I don't want to go to the Guild every month and deal with their crap on top of everything else." Curran leaned toward me. "I have to dress up and meet with those corpsefuckers once every three months and be civil while we're eating at the same table. You can deal with the Guild." "You dress up? Wow, I had no idea that putting on your formal sweatpants was such a huge burden." "Kate," Curran snarled. "They're not sweatpants, they are slacks and they have a belt. I have to wear shoes with fucking laces in them.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Ballet aficionados are just sports fans in formal wear.
S.L. Price (Far Afield: A Sportswriting Odyssey)
If Judas Iscariot were alive, and a woman, and attending formal functions, wearing this dress would still represent a disproportionate punishment for his sins.” “Her
Daniel O'Malley (Stiletto (The Checquy Files, #2))
This was a boy who could make a school uniform look good. What he did to formal wear was damn near criminal.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Moving parts in rubbing contact require lubrication to avoid excessive wear. Honorifics and formal politeness provide lubrication where people rub together. Often the very young, the untravelled, the naive, the unsophisticated deplore these formalities as "empty," "meaningless," or "dishonest," and scorn to use them. No matter how "pure" their motives, they thereby throw sand into machinery that does not work too well at best.
Robert A. Heinlein
Thieves are not so bad, and killing wears all possible costumes. There is no death, no murder that is better than any other. If you can kill me, the manner hardly bears consideration. You want to kill your own father, and you think it will make your sleep easier for the next seventy years if you can say you did it honorably. But your honor is blackened by patricide, and no amount of high-sounding formalities will make it white again.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
Through a bombed cemetery, long-forgotten Londoners unearthed and flung into trees, grinning in rotted formal wear. A curlicued swing set in a cratered playground. The horrors piled up, incomprehensible, the bombers now and then dropping flares to light it all with the pure, shining white of a thousand camera flashes. As if to say: Look. Look what we made.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
France implemented a law in 1800 that said women could not wear pants; it was not formally removed until 2013.
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
i'm off to an island nation where formal wear consists of a leaf tired around a penis.
J. Maarten Troost (Getting Stoned with Savages: A Trip Through the Islands of Fiji and Vanuatu)
Samantha sometimes found Miles absurd and, increasingly, dull. Every now and then, though, she enjoyed his pomposity in precisely the same spirit as she liked, on formal occasions, to wear a hat.
J.K. Rowling (The Casual Vacancy)
For pomp is a tenacious force. And a wily one too. How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at a formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities. The soldiers of the common man may toss the banners of the old regime on the victory pyre, but soon enough trumpets will blare and pomp will take its place at the side of the throne, having once again secured its dominion over history and kings. Nina
Amor Towles (A Gentleman in Moscow)
Girls think they're only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I'm going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
John Green (The Fault in Our Stars)
Do you have a formal gown to wear?' I made a face. 'Of course not.' 'What size are you?' 'Size awesome.' He gave me a blank stare. He didn't get it
J.C. McKenzie (Beast Coast (Carus, #2))
You look nice,” he said. I was wearing this just-past-the-knees dress I’d had forever. “Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
John Green (The Fault in Our Stars)
Do you think we're being robbed?" I whispered. He nodded gravely, then crawled over to my closet and opened it. "Did you want to borrow something more formal to wear for the robbery? I'm not sure I have anything in your size." "Shh," he whispered. "Don't you at least have a tennis racket or anything?" "You think they came here looking for a doubles partner?" He turned quickly and gave me a look, then whipped a Wiffle bat out of the mess. "Wow," I said. "You jock-type people really are single-minded, aren't you? Uh-oh, we're being robbed. Let's play ball!" "It's for a weapon," Carson whispered. "You're gonna hit them with a Wiffle bat?" "What else you got?" "Um...A pillow" "Exactly" ... "Stay behind me," he whispered. "Can I just say that I never knew this about me before, but weirdly enough this whole protective he-man thing actually turns me on." "Josie." "What," I asked. "Shut Up." I grabbed my pillow, just in case, so to speak, and tiptoed behind him around the mussed-up bed. "Maybe we should just hide in the closet." He turned around, rolled his eyes and kissed me. "Shh," he repeated.
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
For pomp is a tenacious force. And a wily one too. How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at the formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities.
Amor Towles (A Gentleman in Moscow)
I realised that I had set so many of my novels and stories abroad, because custom had prevented me from seeing how exotic my own country is. Britain really is an immense lunatic asylum. That is one of the things that distinguishes us among the nations... We are rigid and formal in some ways, but we believe in the right to eccentricity, as long as the eccentricities are large enough... Woe betide you if you hold your knife incorrectly, but good luck to you if you wear a loincloth and live up a tree.
Louis de Bernières
She called me Nerdy because I wore glasses and read books and ate yogurt on my lunch break. I'm not really a nerd: I only aspire to be one. Because of the high-school-dropout thing, I'm a self-didact. (Not a dirty word, look it up.) I read constantly. I think. But I lack formal education. So I'm left with the feeling that I'm smarter than everyone around me but that if I ever got around really smart people - people who went to universities and drank wine and spoke Latin - that they'd be bored as hell by me. It's a lonely way to go through life. So I wear the name as a badge of honor. That someday I may not totally bore some really smart people. The question is: How do you find smart people?
Gillian Flynn (The Grownup)
That civet-jasmine blend you're wearing tonight absolutely clashes with the third-level formal style of your dress, you know.
Lois McMaster Bujold (Cetaganda (Vorkosigan Saga, #9))
I was attending a formal dinner.” He grimaced. “They make us wear armor to these things so we don't stab ourselves out of sheer boredom.
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
What does one wear to an ambush?” he asked. “Is it a formal affair? I ask only because I can’t seem to decline to invitation.
Robyn Bennis (The Guns Above (Signal Airship, #1))
Iris is wearing a 1950s vintage prom dress, a black blazer, and Chuck Taylors. I adore the dress, but the blazer and shoes . . . they’re cool and all, but not exactly right for a formal dance.
Liz Lawson (The Night In Question)
Augustus glanced away from the screen ever so briefly. “You look nice,” he said. I was wearing this just-past-the-knees dress I’d had forever. “Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
John Green
Mrs. Davenport - There's no cause to be so snippy. Gertrude - There's no cause to embarrass a person either, but that didn't stop you from sending me off to a formal engagement celebration wearing a birdcage attached to my behind.
Jen Turano (Out of the Ordinary (Apart From the Crowd, #2))
Bradley Headstone, in his decent black coat and waistcoat, and decent white shirt, and decent formal black tie, and decent pantaloons of pepper and salt, with his decent silver watch in his pocket and its decent hair-guard round his neck, looked a thoroughly decent young man of six-and-twenty. He was never seen in any other dress, and yet there was a certain stiffness in his manner of wearing this, as if there were a want of adaptation between him and it, recalling some mechanics in their holiday clothes. He had acquired mechanically a great store of teacher's knowledge. He could do mental arithmetic mechanically, sing at sight mechanically, blow various wind instruments mechanically, even play the great church organ mechanically. From his early childhood up, his mind had been a place of mechanical stowage. The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers history here, geography there, astronomy to the right, political economy to the left—natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places—this care had imparted to his countenance a look of care; while the habit of questioning and being questioned had given him a suspicious manner, or a manner that would be better described as one of lying in wait. There was a kind of settled trouble in the face. It was the face belonging to a naturally slow or inattentive intellect that had toiled hard to get what it had won, and that had to hold it now that it was gotten. He always seemed to be uneasy lest anything should be missing from his mental warehouse, and taking stock to assure himself.
Charles Dickens (Our Mutual Friend)
Pink was for girls. Girly girls who wore flavored lip gloss and read magazines and talked on the phone lying on their perfect, lacy bedspreads with their feet in the air. Girls who spent six months looking for the perfect dress to wear to the school formal. Girls who liked boys.
Lili Wilkinson (Pink)
The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?" His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him. "You could change. More easily than could I." "True," he ackowledged with a chuckle. "But I look perfect." "Well,I'm sure you could look perfect in something else." "Oh,doubtless, but why duplicate what is perfect when one could improve what is not?" I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again. "If I change, my hair will be ruined." "You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras." "We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly." "Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?" I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do. "I'll wait," Steldor said, accurately reading my expression.
Cayla Kluver (Allegiance (Legacy, #2))
Poppy is wearing a loose-fitting dress made of blue and white striped cotton, with navy woolen tights and a pair of navy leather pumps. Her brown hair is tied back and has two small red clips in it. It’s a very formal outfit for a young girl, Laurel feels. The sort of thing she’d have had to bribe both her girls to wear when they were that age
Lisa Jewell (Then She Was Gone)
simple obviously being in her mind a key word in dealing with overwhelmed and cranky grooms. “Really really simple and neutral.” It seemed to be registry protocol that the groom should be allowed to select the casual china (I guess for all those Super Bowl parties I would be hosting with the guys, ha ha) while the “formal ware” should be left to the experts: the ladies. “It’s fine,” I said, more curtly than I’d meant to, when I realized they were waiting for me to say something. Plain, white, modern earthenware wasn’t something I could work up a lot of enthusiasm for, particularly when it went for four hundred dollars a plate. It made me think of the nice old Marimekko-clad ladies I sometimes went to see in the Ritz Tower: gravel-voiced, turban-wearing, panther-braceleted widows looking to move to Miami,
Donna Tartt (The Goldfinch)
Kiera blushes deeply as she continues tearfully, “Jeff, our life has been crazy since the moment we met. Yet, with each challenge we face, we grow stronger. You told me before we even had our first formal date that you’d like to prove to me that you’d love me until the stars fall from the sky. Although at first, I was scared to believe, you have demonstrated in big ways and small that you love me. So, for me this ring is a tangible sign of my love for you.” Gabriel walks over to Kiera and hands her a ring, which she slides on my finger as she asks, “Jeffery Charles Whitaker, will you take this ring as a symbol of my love and faithfulness until the stars fall from the sky?” To my shock, it is the simple gold band that I’ve seen my dad wear in countless pictures before he died. My eyes tear up as I breathe, “Oh Pip, this is perfect. I wanted him to be here.” In a much louder voice, I reply, “Of course I will.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
began to walk home, very quickly. A car full of high-school girls screeched around the corner. They were the girls who ran all the clubs and won all the elections in Allison’s high-school class: little Lisa Leavitt; Pam McCormick, with her dark ponytail, and Ginger Herbert, who had won the Beauty Revue; Sissy Arnold, who wasn’t as pretty as the rest of them but just as popular. Their faces—like movie starlets’, universally worshiped in the lower grades—smiled from practically every page of the yearbook. There they were, triumphant, on the yellowed, floodlit turf of the football field—in cheerleader uniform, in majorette spangles, gloved and gowned for homecoming; convulsed with laughter on a carnival ride (Favorites) or tumbling elated in the back of a September haywagon (Sweethearts)—and despite the range of costume, athletic to casual to formal wear, they were like dolls whose smiles and hair-dos never changed.
Donna Tartt (The Little Friend (Vintage Contemporaries))
In a plot that smacks of James Bond (and has all the hallmarks of an Elliott ruse), a Dutch agent named Peter Tazelaar was put ashore near the seafront casino at Scheveningen, wearing full evening dress and covered with a rubber suit to keep him dry. Once ashore, Tazelaar peeled off his outer suit and began to “mingle with the crowd on the front” in his dinner jacket, which had been sprinkled with brandy to reinforce the “party-goer’s image.” Formally dressed and alcoholically perfumed, Tazelaar successfully made it past the German guards and picked up a radio previously dropped by parachute. The echo of 007 may not be coincidental: among the young blades of British intelligence at this time was a young officer in naval intelligence named Ian Fleming, the future author of the James Bond books. Ian Fleming and Nicholas Elliott had both experienced the trauma of being educated at Durnford School; they became close friends.
Ben Macintyre (A Spy Among Friends: Kim Philby and the Great Betrayal)
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up. He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face. “You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away. Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so. Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs. “The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too. “Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky. Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly. On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
They saw the governor himself erect and formal within his silkmullioned sulky clatter forth from the double doors of the palace courtyard and they saw one day a pack of viciouslooking humans mounted on unshod indian ponies riding half drunk through the streets, bearded, barbarous, clad in the skins of animals stitched up with thews and armed with weapons of every description, revolvers of enormous weight and bowieknives the size of claymores and short twobarreled rifles with bores you could stick your thumbs in and the trappings of their horses fashioned out of human skin and their bridles woven up from human hair and decorated with human teeth and the riders wearing scapulars or necklaces of dried and blackened human ears and the horses rawlooking and wild in the eye and their teeth bared like feral dogs and riding also in the company a number of half-naked savages reeling in the saddle, dangerous, filthy, brutal, the whole like a visitation from some heathen land where they and others like them fed on human flesh.
Cormac McCarthy (Blood Meridian)
before their clan’s elders. They wear clothes too formal for them: layered robes of muted color for the boys, intricate shadesilk wraps for the girls. Parents line the walls nearby, anxious to hear the nature of their children laid bare. One by one, the children step before their clan’s First Elder. He holds a shallow bowl, twice as wide as a dinner plate, that holds nothing more than still water. But it is not water, the parents know. It is madra, raw power of spirit, purified and distilled. The material from which souls are made.
Will Wight (Unsouled (Cradle, #1))
Look at me, Elizabeth,” he commanded. His voice dark and deep. “Lizzie,” I corrected without thought, completely out of habit. My eyes widened. I couldn’t believe I had just corrected him. Instinctively I felt that was something people just didn’t do around this man. If he said the sky were purple with pink spots, I’m pretty sure everyone would agree wholeheartedly… and worse, actually believe it. He just seemed to exude that kind of authoritative power. The kind that could make you believe just about anything he said. He gave my hair a painful tug with both hands. “Elizabeth,” he stated emphatically, as if he were a god or a king commanding it be so. “I left a package in your dressing room. It’s a dress. I want you to wear it tonight.” Tonight was the cast party. It was taking place right after our final curtain call. I had no idea he was even attending. Wait, a dress? “The party is at The Brewery next door. I don’t think the cast party is that formal,” I offered, still trying to process why this man would buy me a dress. Realizing quickly that I might sound ungrateful, I stammered, “Not that I don’t appreciate it… I mean I’m sure it’s lovely and—” “Elizabeth.” The sharp command of his voice stopped my rambling. “Yes, sir?” “Wear the dress,” he ordered, not expecting a refusal and not getting one. “Yes, sir,” I whispered. Releasing my hair, he stroked the back of his knuckles down my cheek. “Good girl.” The moment I heard the Hall door close on his retreating back, I sank to my knees in the middle of the stage, feeling shaken and more than a little alarmed. What the hell had just happened?
Zoe Blake (Ward (Dark Obsession Trilogy #1))
Three reasons, my dear sister. One, I know nothing about lady's evening wear. Two, you read the invitation yourself. It specifically said this was to be a casual get together.’ Her brother tried valiantly to suppress a smirk. ‘If you do not know the difference between a formal ball and a casual evening with friends, our father obviously wasted his money on that expensive finishing school, to which he sent you. And three, you would not have listened to me anyway, because you never do. So, there would have been no point in saying anything.
Sydney Salier (You asked for it...: A Pride & Prejudice Variation with a Twist)
Museum Work and Museum Problems” course, the first academic program specifically designed to cultivate and train men and women to become museum directors and curators. In addition to the connoisseurship of art, the “Museum Course” taught the financial and administrative aspects of running a museum, with a focus on eliciting donations. The students met regularly with major art collectors, bankers, and America’s social elite, often at elegant dinners where they were required to wear formal dress and observe the social protocol of high culture. By 1941, Sachs’s students had begun to fill the leadership positions of American museums, a field they would come to dominate in the postwar years.
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
He was wearing a suit that appeared to have been constructed by 1) Dressing him in a blouse with twenty-foot long sleeves of the most expensive linen. 2) Bunching the sleeves up in numerous overlapping gathers on his arms. 3) Painting most of him in glue. 4) Shaking and rolling him in a bin containing thousands of black silk doilies. 5) (because king Charles II, who’d mandated a few years earlier that all courtiers wear black and white, was getting bored with it, but had not formally rescinded the order) adding dashes of color here and there primarily in the form of clusters of elaborately gathered and knotted ribbons, enough ribbon all told to stretch all the way to whatever shop in Paris where the Earl had bought all of this stuff.
Neal Stephenson
In any sizable park or green space, you’ll likely find two kinds of paths: the formal kind, paved with brick or concrete, and the informal kind, the paths made by people walking over and over a stretch of grass, wearing away the green and carving a scruffy emergent line in its place. These are paths made by sheer repetitive use; they’re not anyone’s executive decision but arise one choice at a time, collected in aggregate. Most of us know them as friendly disobedience: they’re shortcuts, maybe, or just the most commonsense pathway from one frequented site to another. Urban planners call these paths “desire lines,” or sometimes “cow paths,” “pirate paths,” or the slightly stuffier “counter-grid trajectories.” They indicate yearning, some planners say—either to have formal paved lines where there are none or to actively carve out a different path where one had been prescribed.
Sara Hendren (What Can a Body Do?: How We Meet the Built World)
Can I make you a cup of tea?” He says that would be wonderful, and she smiles handsomely; then her face darkens in terrible sorrow. “And I am so sorry, Mr. Arthur,” she says, as if imparting the death of a loved one. “You are too early to see the cherry blossoms.” After the tea (which she makes by hand, whisking it into a bitter green foam—“Please eat the sugar cookie before the tea”) he is shown to his room and told it was, in fact, the novelist Kawabata Yasunari’s favorite. A low lacquered table is set on the tatami floor, and the woman slides back paper walls to reveal a moonlit corner garden dripping from a recent rain; Kawabata wrote of this garden in the rain that it was the heart of Kyoto. “Not any garden,” she says pointedly, “but this very garden.” She informs him that the tub in the bathroom is already warm and that an attendant will keep it warm, always, for whenever he needs it. Always. There is a yukata in the closet for him to wear. Would he like dinner in the room? She will bring it personally for him: the first of the four kaiseki meals he will be writing about. The kaiseki meal, he has learned, is an ancient formal meal drawn from both monasteries and the royal court. It is typically seven courses, each course composed of a particular type of food (grilled, simmered, raw) and seasonal ingredients. Tonight, it is butter bean, mugwort, and sea bream. Less is humbled both by the exquisite food and by the graciousness with which she presents it. “I most sincerely apologize I cannot be here tomorrow to see you; I must go to Tokyo.” She says this as if she were missing the most extraordinary of wonders: another day with Arthur Less. He sees, in the lines around her mouth, the shadow of the smile all widows wear in private. She bows and exits, returning with a sake sampler. He tries all three, and when asked which is his favorite, he says the Tonni, though he cannot tell the difference. He asks which is her favorite. She blinks and says: “The Tonni.” If only he could learn to lie so compassionately.
Andrew Sean Greer (Less (Arthur Less, #1))
Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.
Bill Bryson
arrived in Cambridge, and made an appointment to meet the formidable Krister Stendahl, a Swedish scholar of fierce intelligence, now to be my first adviser. We met in his office. I was nervous, but also amused that this tall and severe man, wearing a black shirt and clerical collar, looked to me like an Ingmar Bergman version of God. After preliminary formalities, he abruptly swiveled in his chair and turned sternly to ask, “So really, why did you come here?” I stumbled over the question, then mumbled something about wanting to find the essence of Christianity. Stendahl stared down at me, silent, then asked, “How do you know it has an essence?” In that instant, I thought, That’s exactly why I came here: to be asked a question like that—challenged to rethink everything. Now I knew I had come to the right place. I’d chosen Harvard because it was a secular university, where I wouldn’t be bombarded with church dogma. Yet I still imagined that if we went back to first-century sources, we might hear what Jesus was saying to his followers when they walked by the Sea of Galilee—we might find the “real Christianity,” when the movement was in its golden age. But Harvard quenched these notions; there would be no simple path to what Krister Stendahl ironically called “play Bible land” simply by digging through history. Yet I also saw that this hope of finding “the real Christianity” had driven countless people—including our Harvard professors—to seek its origins. Naive as our questions were, they were driven by a spiritual quest. We discovered that even the earliest surviving texts had been written decades after Jesus’s death, and that none of them are neutral. They reveal explosive controversy between his followers, who loved him, and outsiders like the Roman senator Tacitus and the Roman court historian Suetonius, who likely despised him. Taken together, what the range of sources does show, contrary to those who imagine that Jesus didn’t exist, is that he did: fictional people don’t have real enemies. What came next was a huge surprise: our professors at Harvard had file cabinets filled with facsimiles of secret gospels I had never heard of—the Gospel of Thomas, the Gospel of Philip, the Gospel of Mary Magdalene, the Gospel of Truth—and dozens of other writings, transcribed by hand from the original Greek into Coptic, and mimeographed in blue letters on pages stamped TOP SECRET. Discovered in 1945, these texts only recently had become available to scholars. This wasn’t what I’d expected to find in graduate school, or even what I wanted—at least, not so long as I still hoped to find answers instead of more questions
Elaine Pagels (Why Religion?: A Personal Story)
Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.
Diane Seuss
After this interlude we return to the question of the parcel. Yes, says the Postmaster, it has been here – actually here in the office! But it is here no longer. It has been removed to the custody of the Customs. Monsieur B. must realize that parcels are subject to Customs dues. B. says that it is personal wearing apparel. The Postmaster says: ‘No doubt, no doubt; but that is the affair of the Customs.’ ‘We must, then, go to the Customs office?’ ‘That will be the proper procedure,’ agrees the Postmaster. ‘Not that it will be any use going today. Today is Wednesday, and on Wednesdays the Customs are closed.’ ‘Tomorrow, then?’ ‘Yes, tomorrow the Customs will be open.’ ‘Sorry,’ says B. to Max. ‘I suppose it means I shall have to come in again tomorrow to get my parcel.’ The Postmaster says that certainly Monsieur B. will have to come in tomorrow, but that even tomorrow he will not be able to get his parcel. ‘Why not?’ demands B. ‘Because, after the formalities of the Customs have been settled, the parcel must then go through the Post Office.’ ‘You mean, I shall have to come on here?’ ‘Precisely. And that will not be possible tomorrow, for tomorrow the Post Office will be closed,’ says the Postmaster triumphantly. We go into the subject in detail, but officialdom triumphs at every turn. On no day of the week, apparently, are both the Customs and the Post Office open!
Agatha Christie (Come, Tell Me How You Live: An Archaeological Memoir)
You’ll need a dress,” I tell her and wait for the objection I know is coming. “I have dresses,” she replies, but tiny lines of concern mar her forehead and I’ve been with enough women to know what’s going through her head. Does she have the right dress for this? How fancy is the event? What will everyone else be wearing? Add to that—she can’t have the budget for a dress. She’s fresh out of college and on a teacher’s salary, both of which tell me it isn’t likely she has an appropriate dress hanging in her closet. Shit, this entire scheme is pure genius, I think, as I make a mental note to cancel the date I had lined up for this wedding when I get home. This is a formal event. We’ll pick up a dress this weekend.” She gives me a dirty look. “What do you mean we’ll pick up a dress this weekend?” “I mean shopping. I’ll pick you up at ten on Saturday.” “I can find a dress by myself,” she says firmly. “Please. You were wearing pants with donuts on them the second time I saw you. If you can even call those things pants.” Fucking leggings left nothing to the imagination. And I’ve done a lot of imagining. Mostly involving her legs wrapped around my hips. “Half my family is going to be there. I’ll pick out the dress.” I could give a fuck about the dress. I want to spend time with her that she thinks isn’t a date, so she’ll relax and be herself. “Well, that was rude,” she deadpans. I shrug. “Besides, you’re doing me a favor,” I remind her, “so the dress is on me.” “Whatever,” she agrees sullenly. “You’re welcome,” I reply.
Jana Aston (Trust (Cafe, #3))
How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—
Jerome K. Jerome (Three Men in a Boat)
But you don’t wear an engagement ring.” “I don’t have one.” He studied the bangle, turning it slowly around. “What kind of man proposes without a ring?” She explained, then, that there had not been a proposal, that she hardly knew Navin. She was looking away, at a dried-out plant on the terrace, but she felt his eyes on her, intrigued, unafraid. “Then why are you marrying him?” She told him the truth, a truth she had not told anybody. “I thought it might fix things.” He did not question her further. Unlike her friends back in America, who either thought she was doing something outrageously stupid or thrillingly bold, Kaushik neither judged nor commended her, and the formal presentation of the facts, the declaration that she was taken, opened the door. Only his kisses, rough, aggressive kisses that were nothing like Navin’s schoolboy behavior at her door, made Hema feel guilty. But the rest of what they did that night felt fresh, new, because she and Navin had never done them before, and there was nothing with which to compare. Navin had never looked at her body unclothed, never explored her with his hands, never told her she was beautiful. Hema remembered that it was Kaushik’s mother who had first paid her that compliment, in a fitting room shopping for bras, and she told this to Kaushik. It was the first mention, between them, of his mother, and yet it did not cause them to grow awkward. If anything it bound them closer together, and Hema knew, without having to be told, that she was the first person he’d ever slept with who’d known his mother, who was able to remember her as he did. His bare feet were warm, surprisingly smooth against her soles as they lay afterward side by side. He slept on his back and at one point was startled awake by a nightmare, lunging forward and springing off the edge of the bed before falling asleep again. It was Hema who stayed awake, listening to him breathing, craving his touch again as light came into the sky. In the morning, looking into the small mirror over the sink in Kaushik’s bathroom, she saw that the area around her lips, at the sides of her mouth, was covered with small red bumps. And she was pleased by that unbecoming proof, pleased that already he had marked her.
Jhumpa Lahiri (Unaccustomed Earth)
I'm sorry, sir, but we have a dress code," said the official. I knew about this. It was in bold type on the website: Gentlemen are required to wear a jacket. "No jacket, no food, correct?" "More or less, sir." What can I say about this sort of rule? I was prepared to keep my jacket on throughout the meal. The restaurant would presumably be air-conditioned to a temperature compatible with the requirement. I continued toward the restaurant entrance, but the official blocked my path. "I'm sorry. Perhaps I wasn't clear. You need to wear a jacket." "I'm wearing a jacket." "I'm afraid we require something a little more formal, sir." The hotel employee indicated his own jacket as an example. In defense of what followed, I submit the Oxford English Dictionary (Compact, 2nd Edition) definition of jacket:1(a) An outer garment for the upper part of the body. I also note that the word jacket appears on the care instructions for my relatively new and perfectly clean Gore-Tex jacket. But it seemed his definition of jacket was limited to "conventional suit jacket." " We would be happy to lend you one, sir. In this style." "You have a supply of jacket? In every possible size?" I did not add that the need to maintain such an inventory was surely evidence of their failure to communicate the rule clearly, and that it would be more efficient to improve their wording or abandon the rule altogether. Nor did I mention that the cost of jacket purchase and cleaning must add to the price of their meals. Did their customers know that they were subsidizing a jacket warehouse?
Graeme Simsion
I drove out to the zoo, used the public facilities, and looked at penguins. Most people like them, but I feel sorry for them, trapped in their formal wear with nowhere to go and no understanding of what life is all about once they’ve been removed from their habitat—like a lot of people in the Federal District.
L.E. Modesitt Jr. (Ghosts of Columbia (Ghost, #1-2))
On all the roads we traversed between Yozgat and Kayseri, about 80 per cent of the Muslims we encountered (there were no Christians left in these parts) were wearing European clothes, bearing on their persons proof of the crimes they had committed. Indeed, it was an absurd sight: overcoats, frock coats, jackets—various men’s and women’s European garments of the finest materials—on villagers who were also wearing sandals and traditional baggy pants [shalvars]. Barefoot Turkish peasant boys wore formal clothes; men sported gold chains and watches. It was reported that the women had confiscated many pieces of diamond jewelry, but [as they were sequestered] we had no way of encountering them.34
Thomas de Waal (Great Catastrophe: Armenians and Turks in the Shadow of Genocide)
I read somewhere that the New Orleans citizenry bought fewer copies of the New York Times than any other city in the United States, although they made up for it by buying more formal wear than anywhere else. If you’re going out to formal dinners every evening, you don’t get much time to read the New York Times.
John Connolly (Every Dead Thing (Charlie Parker, #1))
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Thank goodness you’re not dead, my dear,” Abigail began, stopping a few feet away from Lucetta. “I was certain you were going to drown when you went into the moat the first time, given that you were wearing such a heavy coat. But wasn’t it just so fortunate that my grandson was there to jump in and rescue you?” The reason behind the lack of urgency in Abigail getting to Lucetta immediately became clear. Shooting a glance to the man she’d assumed was the gardener—although the quality of his shirt should have been an indication he was nothing of the sort—Lucetta turned back to Abigail. “This is your grandson?” Abigail sent her a less than subtle wink. “Too right he is.” To Lucetta’s absolute relief, the grandson in question stepped forward before Abigail had an opportunity to begin waxing on about what a dish her grandson had turned out to be, a subject that would have embarrassed Lucetta no small amount, and probably the grandson as well. “Grandmother, this is certainly an unexpected surprise,” the man who was apparently Bram Haverstein said. Abigail beamed a smile Bram’s way and held out her hands, her beaming increasing when Bram immediately strode to her side, picked up both of her hands, and kissed them. “I’m sure you are surprised to see me, dear, just as I’m sure you meant to say delightful surprise, not unexpected, but enough about that. Even though you and Lucetta are dripping wet, we mustn’t ignore the expected pleasantries, so do allow me to formally introduce the two of you. Bram, this is my darling friend, Miss Lucetta Plum, and Lucetta, dear, this is my grandson, the one I’ve been telling you so much about, Mr. Bram Haverstein.” Trepidation was immediate when Bram flashed a big smile her way. Rising to her feet, Lucetta inclined her head. “It’s a pleasure to meet you, Mr. Haverstein.” “The pleasure is mine, Miss Plum,” Bram responded as he moved right up beside her and took her hand firmly in his, the heat from his skin sending a jolt of what she could only assume was alarm straight up her arm. “Do know that I’m a great, great admirer of your work.” Her sense of alarm promptly increased. Gentlemen who had no qualms admitting they were great, great admirers of her work were known to be rather . . . zealous. The very last circumstance Lucetta needed, or wanted for that matter, was to add another great admirer to her unwanted collection of them. Disappointment stole through her as Mr. Haverstein lifted her hand to his lips and placed a lingering kiss on her knuckles, that disappointment increasing when he lowered her hand and began speaking. “I must admit that I do think your role in The Lady of the Tower is your best to date. Why, I’ve come to the conclusion that Mr. Grimstone, the playwright, obviously had you in mind to play the part of Serena Seamore from the moment he began penning the story.” Abigail, apparently realizing that her grandson was not making a favorable impression—which certainly wouldn’t aid her matchmaking attempt—squared her shoulders, looking quite determined. “How lovely to discover you’re already familiar with my dear Lucetta and her work,” Abigail said. “But as both of you are dripping wet and certain to catch a cold if we linger, I’m going to suggest we repair to the castle and leave further talk of, uh, theater behind us.” She
Jen Turano (Playing the Part (A Class of Their Own, #3))
The door of the dressing room that adjoined her bedchamber and the duke's opened after a light tap, and Eversleigh entered the room. Henry's eyes opened wide with surprise and apprehension. "Good evening, your Grace," she said formally. "What do you want?" Her heart was beating uncomfortably fast as she noticed that he was wearing a blue satin dressing gown. He stopped inside the door and folded his arms across his chest. "I am lost for an answer, Henry," he said calmly after a moment. "It is our wedding night you know." Henry stood her ground. "But what do you want?" she asked. That gleam was in his eyes again, she noticed. "The answer is really very simple now that I have had time to think of it," he said. "You, my love.
Mary Balogh (The Double Wager)
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The model of semantic interpretation we construct should reflect the particular properties and difficulties of natural language, and not simply be an application of a ready-to-wear logical formalism to a new body of data
James Pustejovsky (The Generative Lexicon)
New members signed enlistment papers as if in an army. The groups were organized into companies and battalions, with their own sergeants, lieutenants, and captains, each wearing appropriately fancier versions of the Wide Awake uniform. These officers, many of them veterans of the Mexican War, taught enlistees formal military drill using official army handbooks.
Adam Goodheart (1861: The Civil War Awakening)
After ordering, they’d sniffed around at each other at first, talking about the weather and state politics until their food arrived. She didn’t know what she thought of him yet. He was polite enough, more formal than she was used to, and had stood up when she came in. His big mustache hid his mouth and he had the dead-eyed cop look down cold. His hands were huge and reminded her of bear paws when he grasped them together on the table. Legerski seemed serious, if somehow forced, as if he were playacting at being vigilant and extremely sincere. He had a gruff low voice and a drawn-out, western way of speaking. Legerski chose his words carefully and seemed to want to use as few of them as possible. He didn’t wear a wedding ring. She’d said, “I understand you were married to the sister of our dispatcher, Edna.” He’d nodded, and said, “Love is grand, but divorce is a hundred grand.” It was the kind of thing men said to each other and generally didn’t say to women, she thought. But she gave him the benefit of the doubt and hoped he thought of her as serious, as well as a colleague. Since he was a state trooper and she was an investigator for an out-of-county sheriff’s department, the hierarchy was clear. But he didn’t act superior. “Thanks for meeting me this morning,” she said. “You bet,” he said, between mouthfuls of food. “But it’s kind of a busy time.
C.J. Box (The Highway (Highway Quartet #2))
Then the doors were thrown open for us, and inside was a scene from a painting, a dining hall even grander and more ornate than Maudlin's, all stone and stained glass, with an enormous tree in the corner, decorated and lit. On the long wooden tables turkeys gleamed like chestnuts, bowls of cranberry sauce and piles of potatoes and stuffing and roast vegetables. Christmas crackers were laid out at each place, and students were filing in, wearing their formal caps and gowns.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
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I don’t believe in texting while dining, sending one-word e-mails in lieu of formal thank-you cards, wearing shorts to the theater, or settling for any of the modern trends that favor comfort over politeness, ease over style. Manners are simply about asking yourself, What’s the right thing to do?
Tim Gunn (Gunn's Golden Rules: Life's Little Lessons for Making It Work)
What does a Star Destroyer wear to a formal occasion? A bow Tie!
Jacen Solo
Instead of just sort of doing a very gentle regal handshake she’d go out of her way to really reach into the crowd and touch people. She was a very touchy person and that became apparent very quickly because she was touching everybody. I think she quickly worked out that this is the best way to deal with it . . . If you see the Queen doing a walkabout it’s very dignified and quite formal. She’ll walk down the edge of a barrier and she’ll take some flowers very gently and elegantly, and maybe occasionally she might shake a hand. But they normally don’t shake hands. And normally the royal ladies would always have these long white gloves on. Diana didn’t wear gloves. It was completely different.
Tim Clayton (Diana: Story of a Princess)
1968 The Oriental Club   This was one such occasion when I felt liberated. With no chaperone or guardian in tow, a sense of autonomy washed over me as I dressed to meet my stalker. Tad was spiffed and ready for an entrancing evening when we met at the hotel lobby. He looked handsome in formal wear, and I was his date, the envy of many.
Young (Turpitude (A Harem Boy's Saga Book 4))
anything useful?’ ‘I’m afraid not,’ Brennan said. ‘I’ve sent officers to the hospital to get a formal statement from her, but the kidnapper was wearing a balaclava of some sort when
Jaime Raven (The Mother)
He was looking at me with a kind of need that somehow managed to be raw and tender at the same time. He took my breath away. We looked at each other, a little awkward. Finally I raised my hand. “Hi.” “Hi,” he said. “I made dinner. At least I made the steaks. The rest came from the kitchen . . . would you like to sit down?” “Yes, I would.” He held out my chair and I sat. He sat across from me. There was some kind of food on the table and a bottle of something, probably wine. “You’re wearing a formal shirt,” I said. “I had no idea you owned one.” The way he looked at me short-circuited the link between my mouth and my brain. Formal shirt? What the hell was I going on about? “I figured I’d match the dress,” he said. He seemed slightly shocked.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
I put on a suit, then changed into a jeans and a checked shirt, then thought 'to hell with it!' and got into my shorts and a black T-shirt with an inscription that said: 'My friend was clinically dead, but all he brought me from the next world was this T-shirt!' I might look like a German tourist, but at least I would retain the semblance of a holiday mood in front of Gesar.
Sergej Lukjanenko (Twilight Watch (Watch, #3))
I Am a Tinder Guy Holding a Fish and I Will Provide for You Photo No. 1 Behold my mackerel. I have caught it for you and it is for you to eat. Love me, for I shall fill your dinner table with many fish such as this one in the days to come. During our time together, you will never go hungry or fear famine. You will never want for trout, salmon, or otherwise. I will sustain you with my love and with my fish. Photo No. 2 As you may have suspected, my talents do not end at fishing. I excel in many areas. Working out, for instance. In this picture I display for you my abdomen. Abdomens are important for fishing excursions and mirror selfies, such as this one. I flex for you. What do you think? Photo No. 3 To get a better idea of me, here is a closeup selfie of my face with a high-contrast filter. In it, I make an expression like that young boy star Justin Bieber, but, rest assured, I am a man. I crease my forehead and raise my eyebrows, like a man. In my gaze, you can see the soul of a man. My mouth is as straight as the line I will walk for you. Peer into the depths of my heart, a small ocean of the meatiest haddock. Photo No. 4 Feast your eyes upon my Mitsubishi. In it, we will traverse the continent running your errands. Tell me about an appointment and I will offer you a ride faster than anyone has ever offered before. This and many other adventures await us. Name an ocean and I will drive to it and fish for you there. The farthest reaches of the shoreline are within our grasp. Photo No. 5 Worry not about the woman with the face scribbled out in this picture of me in formal wear. She is no one. Cast your eyes upon me as I might cast a fishing line into a bountiful river. Look unto my face, for it is chiseled. This is the face of a man who would never scribble out your face and upload the picture onto a dating app. This is the face of a man with an abdomen rock-hard and fishing rods numerous. Photo No. 6 Now I am spreading my arms wide in front of a landscape. Behold my mountain, my sky, my clouds, my wingspan. These are the arms with which I will hold you during long, dark nights. I will claim you as I have claimed this landscape, as I have claimed myriad salmon. I will fight for you as I have fought for the right to so many weight machines already in use by someone else at the Y.M.C.A. My arms ache for you, and I have nothing left but to stretch them out and fly home to your heart. For mine are the wings of an albatross that shall descend upon the water’s surface, pluck out the ripest flounder, and place it at your feet as a small offering of my love, if you swipe right.
Amy Collier
Americans used to pity and be amused at countries where the citizens all wore drab work clothes and the leaders were belligerently under-dressed for state occasions; now those people have discovered fashion, and we wear drab work clothes and are suspicious of formality.
Judith Martin (Miss Manners' Guide to Excruciatingly Correct Behavior)
6 P.M. on Thursday, April 11, the sound of the Titanic’s bugler was heard on deck, indicating it was time for passengers to dress for dinner. The dress code had been waived on the first night at Cherbourg but from then onward “full dress was always en règle” as the Washington aristocrat and amateur historian Archibald Gracie noted approvingly. For Gracie and the other first-class men, this simply meant donning white tie and tails or a tuxedo, a standard part of any traveling wardrobe. Archie Butt had slightly more sartorial choice since his seven trunks were packed with both his regular and dress uniforms along with civilian evening wear. (At the White House, Archie often changed clothes six times a day.) For this first formal evening he may have simply chosen his regular uniform or even civilian mufti, reserving a show of gold lace for later in the voyage. Most of the women, too, had a different gown packed in tissue paper for each night of the crossing but were saving their most splendid apparel for Sunday or Monday night. The beauty of the women on board “was a subject both of observation and admiration” according to Archibald Gracie.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
The greatest proof of my status is my uniform. Every single day I go to class in clothing that many men wear only once in their lives, if at all: a morning suit, identical to the clothing of a bridegroom. It consists of a black tailcoat, a black waistcoat under which I wear a white shirt with a starched collar and thin white cotton tie, a pair of black pinstriped trousers and black shoes. By the time my teens are over, I will have worn one of the smartest outfits in anyone's wardrobe hundreds of times. The effect of this is that, when I put on a business suit for work or any formal occasion, I look as relaxed as if I am wearing a pair of pyjamas.
Musa Okwonga (One of Them)
running around a bubble machine. Not this grown woman wearing a formal
Lea Coll (First Comes Love: A First in Series Collection)
There never was a Scottish national identity. It was always Highlanders and Lowlanders, clans. National identity only came into existence after it became part of Britain. A lot of it was invented by Sir Walter Scott, this kind of theme-park identity we have now. That kilt everybody wears at weddings – it’s an eighteenth-century thing; that wedding look is based on the formal dress of a Highland regiment of the British Army.
Frankie Boyle (Meantime)
Tunics are one of the most popular and versatile garments in fashion. They can be worn in a variety of ways to create different looks. Here are some tips on how to wear a tunic: Pair tunic tops for women with leggings or skinny jeans for a comfortable and stylish look. Wear a belt around your waist to define your figure and create an hourglass shape. Layer long tunics for women over a collared shirt or turtleneck for a chic and polished look. Add interest to your outfit with accessories such as statement necklaces, scarves, or belts. For a more casual look, pair a tunic with shorts or Capri pants. To dress up your outfit, wear heels or wedges with your tunic. How to Style a Tunic ? Tunics are a versatile and comfortable item of clothing that can be worn in a variety of ways. They are perfect for both casual and formal occasions, and can be styled to suit any taste. Here are some tips on how to style a tunic: -Pair your designer tunics online with leggings or skinny jeans for a casual look. -Wear it over a dress or skirt for a more formal outfit. -Layer it under a jacket or cardigan for extra warmth. Tunics For Women Fashion: A Guide to Using This All-Time Favorite Tunic Fashion is an all-time favorite for many women. Wearing one makes you feel light and confident all at once – the perfect combination! Tunics come in a variety of patterns, lengths, and sleeves, so there’s something for every woman no matter what your personal style might be. Tunic Lengths Tunic fashion is all about comfort and style. This all-time favorite can be dressed up or down, making it a versatile piece in your wardrobe. The key to finding the right tunic length is to know your body type and what looks best on you. Petite women should look for tunics that hit at the hip or above. This will prevent the tunic from overwhelming your small frame. If you’re tall, you can get away with long tunics for women length. Just make sure it doesn’t drag on the ground – no one wants to deal with that! If you’re pear-shaped, look for tunics that cinch at the waist to flatter your figure. A-line tunics are also a good option for this body type. And if you have an hourglass figure, show off your curves with a fitted tunic top. No matter what your body type, there’s a tunic length out there that will look great on you! What to Wear with a Tunic ? Assuming you want a guide on how to wear a tunic: Tunics for women are one of the most versatile, easy-to-wear items in any woman’s wardrobe. Whether you’re looking for something to wear to the office or on a casual weekend, a tunic can be dressed up or down to suit any occasion. But with so many different styles and silhouettes out there, it can be hard to know what to pair with your tunic. Here are a few tips on what to wear with a tunic dress for women, no matter what the occasion: For work: To give your tunic a more polished look for work, try pairing it with tailored trousers or a pencil skirt. Add a blazer for extra warmth and style points. And don’t forget the accessories! A great pair of earrings or a statement necklace can really elevate your look. For weekends: On weekends, you can afford to dress your girls tunic tops down a bit. Try pairing it with jeans or leggings for a comfortable, casual look. Slip on some flats or sneakers and you’re good to go! For evenings out: To dress up your tunic for an evening out, try pairing it with slim-fit pants or a skirt in a rich fabric like velvet or satin. Add heels and some sparkling jewelry to really make your outfit shine. How to Wear a Tunic ? -Accessorize with jewelry, scarves, or belts to personalize your look. What Types of Tunics are Available? Ladies tunic dresses come in a wide range of styles, from fitted to loose and flowing. They can be made from a variety of fabrics, including cotton, linen, Silk, and wool. You can find tunics in solid colors, patterns, and prints.
kanshika
He was still wearing the khaki pants, his more formal shirt now unbuttoned and a little askew, the sleeves rolled up just past his elbows. His dark hair hung over one eye, but I could see his gaze sweeping over me, taking me in. At least this time I wasn't wearing coffee-stained pajama pants. I'd put on what was essentially my uniform that morning--- black leggings, black T-shirt, my long hair in a messy bun, and winged eyeliner because fuck it why not.
Alicia Thompson (Love in the Time of Serial Killers)
The most important thing about India, the thing to be gone into and understood and not seen from the outside, was the people. It was as though, in these small, crowded spaces, no one really felt at home. Everyone felt that the other man, the other group, was laughing; everyone lived with the feeling of siege. The emptiness of the yard was an aspect of its cleanliness. The emptiness of the space was live luxury. Gandhianism was almost a mass hysteria in India, but of a healthy kind. It was the good old values, but packaged in a modern-looking way, very mass-based. As in old Rome, so in modern Bangalore: the more important the man, the greater the crowd at his door. Where there is no want, there is no god. The very idea of the latrine was a non-brahmin idea: to enter such a polluted place was itself pollution. No old-time brahmin would have even contemplated the idea. Good brahmins, traditional brahmins, used open-air sites, a fresh one each time. In the palace where the brahmin had served there had been splendor and extravagance beyond human need, almost as though in the Hindu scheme one of the functions of great wealth was to remind men of the vanity of the senses. In Christian thinking the eternal opposites are the forces of good and evil. In Hindu or brahmin thought the opposites are worldliness and the life of the spirit. One can retreat from one to the other. When the world fails one, one can sink into the spirit, the idea of the world as the play of illusion. Bad architecture in a poor tropical city is more than an aesthetic matter. It spoils people's day to day lives; it wears down their nerves; it generates rages that can flow into many different channels. That station lets you into the very worst of the Bengali small-town atmosphere - ugly, noisy, crowded, full of the kind of deprivation I see in the style of urbanization in our country, the deprivation of mind, of basic needs. I've been practicing yoga for about 15 years now and it's helped me tremendously to arrive at this mental state in which I could take an enormous amount of chaos and confusion around me, for a while, without losing my own peace of mind. Formally, I'm an atheist, but I've reached a state where I separate spirituality from theism and religion. To me the Upanishads represent man's effort to understand the universe and himself at the very highest level of spirituality.
Naipaul V S
Monty inclines his head in my direction, then says to Felicity, as though I can’t hear him, “Isn’t he tall?” “Should I be amazed?” Felicity asks without looking up. “I was hoping for outrage. Be outraged with me! Every precious centimeter you and I would have coveted got shaved off and reallocated to him.” “Speak for yourself,” Felicity replies, tipping the wormwood onto a scale and adjusting the weights. “Not all of us are so cripplingly insecure about our height.” “I’m not insecure.” “You were delivered to my house with a broken leg, wearing heels.” “You didn’t throw them out, did you?” “Are those the only shoes you brought for a voyage to Morocco?” “No. But they were the least formal.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
It wasn't a formal dinner by any means- though Lucien, standing near the windows and watching the sun set over Velaris, was wearing a fine green jacket embroidered with gold, his cream-coloured pants showing off muscled thighs, and his knee-high black boots polished enough that the chandeliers of faelight reflected off them. He'd always had a casual grace about him, but here, tonight, with his hair tied back and a jacket buttoned to his neck, he truly looked the part of a High Lord's son. Handsome, powerful, a bit rakish- but well-mannered and elegant.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
How do I know you’re the owner? What if you just know the owner? Or what if you’re casing the joint to figure out when the house will be empty next?” “You’ve found me out. I’m a burglar. I’m the tuxedo burglar, and I only burgle while wearing last night’s formal wear. Whatever shall I take first?
Pippa Grant (The Last Eligible Billionaire)
Ironically, when Meghan did dress like a princess, wearing a £56,000 gown by the London-based Ralph & Russo for her formal engagement portraits, she was criticized for her extravagance. First in line was her half-sister Samantha, who wondered how she could spend so much on a dress when her father Tom Senior was in need of a helping financial hand. Meghan was discovering, as Diana and Kate had before her, that whatever she chose to wear, someone would have a critical opinion.
Andrew Morton (Meghan: A Hollywood Princess)
He was disappointed on his first Vietnam tour in 1965 when he’d seen little action. Now, with his own company, he was eager to be put to use. His ears stuck out on either side of his high-and-tight and he wore US Marine Corps–issued glasses in thick black plastic frames. In his wallet, he carried a formal portrait of his wife, Missy, and daughter, Marianne, both wearing pink. The politics of the war didn’t concern him at all. He was a marine; there was a war on.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
But they were both over twenty-one, and had come out in the summer before the War, and been finished in Paris and been to real dances and could talk about race-meetings, and evidently knew thousands of people. Although they were wearing blue cotton uniform dresses exactly like her own, they seemed a better shape, and their hair looked as if they visited the hairdresser every day. They looked quite different altogether. . . . Pippa had felt utter despair of ever attaining to their standard of sophistication when she had first caught sight of her future companions, seated side by side, in the becoming firelight, in the formal white and green staff-room at Woodside,
Carola Oman (Somewhere in England)
This is my theory," she said. "If everybody is dressing formal, wear jeans. If everybody is wearing jeans, dress formal. Be different. They'll notice you.
Reba McEntire
The whole set of stylizations that are known as 'camp' (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about 'camp' is that it has become fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, 'Either she scored her last social triumph in 1926 or it is a man in drag.' Perhaps 'camp' is set in the 'twenties because after that differences between the sexes—especially visible differences—began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to re-live it. The whole structure of society was at that time much more rigid than it has ever been since, and in two main ways. The first of these was sexual. The short skirts, bobbed hair and flat chests that were in fashion were in fact symbols of immaturity. No one ever drew attention to this, presumably out of politeness. The word 'boyish' was used to describe the girls of that era. This epithet they accepted graciously. They knew that they looked nothing like boys. They also realized that it was meant to be a compliment. Manliness was all the rage. The men of the 'twenties searched themselves for vestiges of effeminacy as though for lice. They did not worry about their characters but about their hair and their clothes. Their predicament was that they must never be caught worrying about either. I once heard a slightly dandified friend of my brother say, 'People are always accusing me of taking care over my appearance.' The sexual meaning of behaviour was only sketchily understood, but the symbolism of clothes was recognized by everyone. To wear suede shoes was to be under suspicion. Anyone who had hair rather than bristle at the back of his neck was thought to be an artist, a foreigner or worse. A friend of mine who was young in the same decade as I says that, when he was introduced to an elderly gentleman as an artist, the gentleman said, 'Oh, I know this young man is an artist. The other day I saw him in the street in a brown jacket.' The other way in which society in the 'twenties was rigid was in its class distinctions. Doubtless to a sociologist there were many different strata merging here and there but, among the people that I was now getting to know, there were only two classes. They never mingled except in bed. There was 'them', who acted refined and spoke nice and whose people had pots of money, and there was 'us', who were the salt of the earth.
Quentin Crisp (The Naked Civil Servant)
Nothing makes a woman more beautiful than the belief she is gorgeous. Because you’re a woman, people will force their thinking, boundaries on you. They’ll tell you how to dress, how to behave, who you can meet and where you can go; don’t live in the shadows of people’s judgment. Make your own choices in the light of your wisdom. The way you dress is an expression of your personality; there’s no need to wear like everyone else. It’s much more fun to create your look! While a wedding on the beach may sound like a unique concept, it has been happening on various beaches of the world. A lot of brides are opting for exotic beach locations for their weddings instead of a traditional church wedding. To pick the right bridal attire for a particular wedding, you will need to consider many different elements. This can depend on the location, season and local practices or customs, as well as the type of beach itself, can be an important factor when selecting beach wedding dresses. Choosing from all the different beach wedding dresses can be one of the most fun things to choose from. Do you want to have an elegant and formal wedding, a casual and simple wedding, or a semi-formal or semi-casual wedding? Whichever you prefer, you can find the right style of dress for it.
Jana Ann Bridal Couture San Diego Wedding Dress Styles
As a modern society, we have largely abandoned traditional mourning rituals. We are as eager to hear someone say that they are 'okay' as we are to say it ourselves. I used to wish that I could wear all black like a Victorian widow—a veil over my face that said, “Be gentle with me.” I used to wish there was an etiquette book for grief: a protective formality written into the code of our society, a temporary insanity clause defendable in the court of life.
Kyleigh Leddy (The Perfect Other: A Memoir of My Sister)
Hours later Nancy was seated with Ned on a bench outside the gaily lighted porch of the yacht club. Lively music and singing came pulsing out the wide open doors and windows. “On a hunch I brought something for the chemistry expert,” she said, and handed him the envelope containing the bits of paper she had picked up in the woods. “I’m no expert,” he protested. Ned’s eyes filled with mischief. “You don’t expect me to look at this, do you, when I could be looking at you?” Nancy blushed and laughed. She was wearing a simple rose-colored formal and her hair was piled high with a gardenia tucked in it.
Carolyn Keene (Password to Larkspur Lane (Nancy Drew, #10))
Trust me when I say there are many different types of intelligence and education. Nobody has them all. Maybe you're a social charmer who can read any room with no formal education or perhaps you're a physics professor who has to wear Velcro shoes and can't read an analogue clock - there really shouldn't be a hierarchy of these skills. One is not cleverer than the others.
Kaiya Stone (Everything Is Going to Be K.O.: An illustrated memoir of living with specific learning difficulties)
Instead, he whistled idly as the wizard and his miserable human caboose led him to a parlor done entirely in black on black. Really with this color scheme? Jadren liked black just fine, particularly in formal wear and lingerie on beautiful women, but this was too much. He was going to start referring to Sammael as House Over the Top.
Jeffe Kennedy (Shadow Wizard (Renegades of Magic #1))
She pounced. He remained standing, having caught her enthusiastic bounce. He was also more than ready and willing for the hot smooch she planted on him. Lip-gloss be damned. She smeared it all over his mouth as she tasted the wonderful virility that was all Leo. She could have kissed him all night. Screw the barbecue and festivities. She had everything she needed right here. With him. Alas, he apparently didn’t want to miss the party because he pulled back. “We should get moving. We’re expected.” “Being late is fashionable.” “Being late also means we only get dinner scraps.” “Good point. We should hustle.” She didn’t protest when he placed her back on the floor. “Aren’t you forgetting something?” He stared at her bare toes. “What about my toes?” “Aren’t they missing something?” “Did you change your mind about having me dig them into your back as you give me oral?” One tic under the eye? Check. She was getting to him. “I meant they’re missing those.” He stared pointedly at some heels by the door. She sighed. Loudly. “You mean I have to wear shoes too?” “This is a semi-formal function.” “You are way too serious, Pookie." “I resent being called too serious. I’m just as carefree as the next guy.” She snorted as she slipped on her heels. “Prove it.” “I didn’t wear a tie.” “Bah. I’m not wearing any underwear,” she announced as she sashayed past him into the hall. It wasn’t the smack on her ass that had her stumbling but rather his claim of, “Neither am I.” -Leo & Meena
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
The coat went over his shoulder. It was too hot here for that, and hotter still where he was going. He’d have to wear a coat there. It was expected, one of those curious rules of formal behavior that demanded the maximum discomfort to attain the proper degree of decorum.
Tom Clancy (The Sum of All Fears (Jack Ryan, #6))
His attire was not something to be dismissed casually. It was what he happened to be wearing when he died. Mr. Wiggam must have died wearing his formal dinner suit but it seemed Mr. Beaufort—Jacob—had been somewhat more casually dressed. It's the reason why I'll never sleep naked.
C.J. Archer (The Medium (Emily Chambers Spirit Medium Trilogy #1))
When Paxton was a teenager, her friends had even envied her relationship with her mother. Everyone knew that neither Paxton nor Sophia scheduled anything on Sunday afternoons, because that was popcorn-and-pedicures time, when mother and daughter sat in the family room and watched sappy movies and tried out beauty products. And Paxton could remember her mother carrying dresses she'd ordered into her bedroom, almost invisible behind tiers of taffeta, as they'd planned for formal dances. She'd loved helping Paxton pick out what to wear. And her mother had exquisite taste. Paxton could still remember dresses her mother wore more than twenty-five years ago. Imprinted in her memory were shiny blue ones, sparkly white ones, wispy rose-colored ones.
Sarah Addison Allen (The Peach Keeper)
Obedience had never been deemed a pure virtue among the Tiste Andii. To follow must be an act born of deliberation, of clear-eyed, cogent recognition that the one to be followed has earned the privilege. So often, after all, formal structures of hierarchy stood in place of such personal traits and judgements. A title or rank did not automatically confer upon the one wearing it any true virtue, or even worthiness to the claim. Nimander
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))