“
Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
”
”
John Green (The Fault in Our Stars)
“
Both of us widened our eyes and said, "Whoa."
Then I immediately blushed. Oh my God, had I just looked at Archer and said, "Whoa"?
But...wait a minute. Had Archer just looked at me and said, "Whoa"?
We just kind of stared at each other. Archer more than deserved his "whoa." This was a boy who could make a school uniform look good. What he did to formal wear was damn near criminal.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
This is a formal affair. Kali is wearing twelve skulls.”
Nïx’s eyes went wide. “I should’ve vajazzled!
”
”
Kresley Cole (Dark Skye (Immortals After Dark, #14))
“
What is it about wearing a tuxedo or that little black dress, that makes us feel confident, beautiful, splendid, even invincible?
We put on formal wear and suddenly we become extraordinary.
On the days when you feel low and invisible, why not try this on for size: imagine you are wearing a fantastic tailored tuxedo or a stunning formal gown.
And then proceed with your day.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
What's your problem with the Guild?"
"The only way to resolve it involves me being entangled in running it and I don't want to do it." I waved my arms. "I have the Consort crap and I have the Cutting Edge crap and whatever other bullshit the two of you throw my way. I don't want to go to the Guild every month and deal with their crap on top of everything else."
Curran leaned toward me. "I have to dress up and meet with those corpsefuckers once every three months and be civil while we're eating at the same table. You can deal with the Guild."
"You dress up? Wow, I had no idea that putting on your formal sweatpants was such a huge burden."
"Kate," Curran snarled. "They're not sweatpants, they are slacks and they have a belt. I have to wear shoes with fucking laces in them.
”
”
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Ballet aficionados are just sports fans in formal wear.
”
”
S.L. Price (Far Afield: A Sportswriting Odyssey)
“
If Judas Iscariot were alive, and a woman, and attending formal functions, wearing this dress would still represent a disproportionate punishment for his sins.” “Her
”
”
Daniel O'Malley (Stiletto (The Checquy Files, #2))
“
This was a boy who could make a school uniform look good. What he did to formal wear was damn near criminal.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
Moving parts in rubbing contact require lubrication to avoid excessive wear. Honorifics and formal politeness provide lubrication where people rub together. Often the very young, the untravelled, the naive, the unsophisticated deplore these formalities as "empty," "meaningless," or "dishonest," and scorn to use them. No matter how "pure" their motives, they thereby throw sand into machinery that does not work too well at best.
”
”
Robert A. Heinlein
“
Thieves are not so bad, and killing wears all possible costumes. There is no death, no murder that is better than any other. If you can kill me, the manner hardly bears consideration. You want to kill your own father, and you think it will make your sleep easier for the next seventy years if you can say you did it honorably. But your honor is blackened by patricide, and no amount of high-sounding formalities will make it white again.
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
Through a bombed cemetery, long-forgotten Londoners unearthed and flung into trees, grinning in rotted formal wear. A curlicued swing set in a cratered playground. The horrors piled up, incomprehensible, the bombers now and then dropping flares to light it all with the pure, shining white of a thousand camera flashes. As if to say: Look. Look what we made.
”
”
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
“
France implemented a law in 1800 that said women could not wear pants; it was not formally removed until 2013.
”
”
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
“
i'm off to an island nation where formal wear consists of a leaf tired around a penis.
”
”
J. Maarten Troost (Getting Stoned with Savages: A Trip Through the Islands of Fiji and Vanuatu)
“
Samantha sometimes found Miles absurd and, increasingly, dull. Every now and then, though, she enjoyed his pomposity in precisely the same spirit as she liked, on formal occasions, to wear a hat.
”
”
J.K. Rowling (The Casual Vacancy)
“
For pomp is a tenacious force. And a wily one too. How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at a formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities. The soldiers of the common man may toss the banners of the old regime on the victory pyre, but soon enough trumpets will blare and pomp will take its place at the side of the throne, having once again secured its dominion over history and kings. Nina
”
”
Amor Towles (A Gentleman in Moscow)
“
Girls think they're only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I'm going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
”
”
John Green (The Fault in Our Stars)
“
Do you have a formal gown to wear?'
I made a face.
'Of course not.'
'What size are you?'
'Size awesome.'
He gave me a blank stare.
He didn't get it
”
”
J.C. McKenzie (Beast Coast (Carus, #2))
“
the backdrop was black with flames—redolent of an open-fire grill, a Harley-Davidson logo, or Guy Fieri’s formal wear.
”
”
Geraldine DeRuiter (If You Can't Take the Heat: Tales of Food, Feminism, and Fury)
“
You look nice,” he said. I was wearing this just-past-the-knees dress I’d had forever. “Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
”
”
John Green (The Fault in Our Stars)
“
Do you think we're being robbed?" I whispered.
He nodded gravely, then crawled over to my closet and opened it.
"Did you want to borrow something more formal to wear for the robbery? I'm not sure I have anything in your size."
"Shh," he whispered. "Don't you at least have a tennis racket or anything?"
"You think they came here looking for a doubles partner?"
He turned quickly and gave me a look, then whipped a Wiffle bat out of the mess.
"Wow," I said. "You jock-type people really are single-minded, aren't you? Uh-oh, we're being robbed. Let's play ball!"
"It's for a weapon," Carson whispered.
"You're gonna hit them with a Wiffle bat?"
"What else you got?"
"Um...A pillow"
"Exactly" ... "Stay behind me," he whispered.
"Can I just say that I never knew this about me before, but weirdly enough this whole protective he-man thing actually turns me on."
"Josie."
"What," I asked.
"Shut Up."
I grabbed my pillow, just in case, so to speak, and tiptoed behind him around the mussed-up bed. "Maybe we should just hide in the closet."
He turned around, rolled his eyes and kissed me. "Shh," he repeated.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
For pomp is a tenacious force. And a wily one too.
How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at the formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities.
”
”
Amor Towles (A Gentleman in Moscow)
“
I realised that I had set so many of my novels and stories abroad, because custom had prevented me from seeing how exotic my own country is. Britain really is an immense lunatic asylum. That is one of the things that distinguishes us among the nations... We are rigid and formal in some ways, but we believe in the right to eccentricity, as long as the eccentricities are large enough... Woe betide you if you hold your knife incorrectly, but good luck to you if you wear a loincloth and live up a tree.
”
”
Louis de Bernières
“
That civet-jasmine blend you're wearing tonight absolutely clashes with the third-level formal style of your dress, you know.
”
”
Lois McMaster Bujold (Cetaganda (Vorkosigan Saga, #9))
“
What does one wear to an ambush?” he asked. “Is it a formal affair? I ask only because I can’t seem to decline to invitation.
”
”
Robyn Bennis (The Guns Above (Signal Airship, #1))
“
I was attending a formal dinner.” He grimaced. “They make us wear armor to these things so we don't stab ourselves out of sheer boredom.
”
”
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
“
Iris is wearing a 1950s vintage prom dress, a black blazer, and Chuck Taylors. I adore the dress, but the blazer and shoes . . . they’re cool and all, but not exactly right for a formal dance.
”
”
Liz Lawson (The Night In Question)
“
Augustus glanced away from the screen ever so briefly. “You look nice,” he said. I was wearing this just-past-the-knees dress I’d had forever. “Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
”
”
John Green
“
Mrs. Davenport - There's no cause to be so snippy.
Gertrude - There's no cause to embarrass a person either, but that didn't stop you from sending me off to a formal engagement celebration wearing a birdcage attached to my behind.
”
”
Jen Turano (Out of the Ordinary (Apart From the Crowd, #2))
“
He was disappointed on his first Vietnam tour in 1965 when he’d seen little action. Now, with his own company, he was eager to be put to use. His ears stuck out on either side of his high-and-tight and he wore US Marine Corps–issued glasses in thick black plastic frames. In his wallet, he carried a formal portrait of his wife, Missy, and daughter, Marianne, both wearing pink. The politics of the war didn’t concern him at all. He was a marine; there was a war on.
”
”
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
“
Bradley Headstone, in his decent black coat and waistcoat, and decent white shirt, and decent formal black tie, and decent pantaloons of pepper and salt, with his decent silver watch in his pocket and its decent hair-guard round his neck, looked a thoroughly decent young man of six-and-twenty. He was never seen in any other dress, and yet there was a certain stiffness in his manner of wearing this, as if there were a want of adaptation between him and it, recalling some mechanics in their holiday clothes. He had acquired mechanically a great store of teacher's knowledge. He could do mental arithmetic mechanically, sing at sight mechanically, blow various wind instruments mechanically, even play the great church organ mechanically. From his early childhood up, his mind had been a place of mechanical stowage. The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers history here, geography there, astronomy to the right, political economy to the left—natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places—this care had imparted to his countenance a look of care; while the habit of questioning and being questioned had given him a suspicious manner, or a manner that would be better described as one of lying in wait. There was a kind of settled trouble in the face. It was the face belonging to a naturally slow or inattentive intellect that had toiled hard to get what it had won, and that had to hold it now that it was gotten. He always seemed to be uneasy lest anything should be missing from his mental warehouse, and taking stock to assure himself.
”
”
Charles Dickens (Our Mutual Friend)
“
The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?"
His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him.
"You could change. More easily than could I."
"True," he ackowledged with a chuckle. "But I look perfect."
"Well,I'm sure you could look perfect in something else."
"Oh,doubtless, but why duplicate what is perfect when one could improve what is not?"
I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again.
"If I change, my hair will be ruined."
"You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras."
"We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly."
"Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?"
I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do.
"I'll wait," Steldor said, accurately reading my expression.
”
”
Cayla Kluver (Allegiance (Legacy, #2))
“
Poppy is wearing a loose-fitting dress made of blue and white striped cotton, with navy woolen tights and a pair of navy leather pumps. Her brown hair is tied back and has two small red clips in it. It’s a very formal outfit for a young girl, Laurel feels. The sort of thing she’d have had to bribe both her girls to wear when they were that age
”
”
Lisa Jewell (Then She Was Gone)
“
She called me Nerdy because I wore glasses and read books and ate yogurt on my lunch break. I'm not really a nerd: I only aspire to be one. Because of the high-school-dropout thing, I'm a self-didact. (Not a dirty word, look it up.) I read constantly. I think. But I lack formal education. So I'm left with the feeling that I'm smarter than everyone around me but that if I ever got around really smart people - people who went to universities and drank wine and spoke Latin - that they'd be bored as hell by me. It's a lonely way to go through life. So I wear the name as a badge of honor. That someday I may not totally bore some really smart people. The question is: How do you find smart people?
”
”
Gillian Flynn (The Grownup)
“
Look at me, Elizabeth,” he commanded. His voice dark and deep. “Lizzie,” I corrected without thought, completely out of habit. My eyes widened. I couldn’t believe I had just corrected him. Instinctively I felt that was something people just didn’t do around this man. If he said the sky were purple with pink spots, I’m pretty sure everyone would agree wholeheartedly… and worse, actually believe it. He just seemed to exude that kind of authoritative power. The kind that could make you believe just about anything he said. He gave my hair a painful tug with both hands. “Elizabeth,” he stated emphatically, as if he were a god or a king commanding it be so. “I left a package in your dressing room. It’s a dress. I want you to wear it tonight.” Tonight was the cast party. It was taking place right after our final curtain call. I had no idea he was even attending. Wait, a dress? “The party is at The Brewery next door. I don’t think the cast party is that formal,” I offered, still trying to process why this man would buy me a dress. Realizing quickly that I might sound ungrateful, I stammered, “Not that I don’t appreciate it… I mean I’m sure it’s lovely and—” “Elizabeth.” The sharp command of his voice stopped my rambling. “Yes, sir?” “Wear the dress,” he ordered, not expecting a refusal and not getting one. “Yes, sir,” I whispered. Releasing my hair, he stroked the back of his knuckles down my cheek. “Good girl.” The moment I heard the Hall door close on his retreating back, I sank to my knees in the middle of the stage, feeling shaken and more than a little alarmed. What the hell had just happened?
”
”
Zoe Blake (Ward (Dark Obsession Trilogy #1))
“
simple obviously being in her mind a key word in dealing with overwhelmed and cranky grooms. “Really really simple and neutral.” It seemed to be registry protocol that the groom should be allowed to select the casual china (I guess for all those Super Bowl parties I would be hosting with the guys, ha ha) while the “formal ware” should be left to the experts: the ladies. “It’s fine,” I said, more curtly than I’d meant to, when I realized they were waiting for me to say something. Plain, white, modern earthenware wasn’t something I could work up a lot of enthusiasm for, particularly when it went for four hundred dollars a plate. It made me think of the nice old Marimekko-clad ladies I sometimes went to see in the Ritz Tower: gravel-voiced, turban-wearing, panther-braceleted widows looking to move to Miami,
”
”
Donna Tartt (The Goldfinch)
“
In any sizable park or green space, you’ll likely find two kinds of paths: the formal kind, paved with brick or concrete, and the informal kind, the paths made by people walking over and over a stretch of grass, wearing away the green and carving a scruffy emergent line in its place. These are paths made by sheer repetitive use; they’re not anyone’s executive decision but arise one choice at a time, collected in aggregate. Most of us know them as friendly disobedience: they’re shortcuts, maybe, or just the most commonsense pathway from one frequented site to another. Urban planners call these paths “desire lines,” or sometimes “cow paths,” “pirate paths,” or the slightly stuffier “counter-grid trajectories.” They indicate yearning, some planners say—either to have formal paved lines where there are none or to actively carve out a different path where one had been prescribed.
”
”
Sara Hendren (What Can a Body Do?)
“
Kiera blushes deeply as she continues tearfully, “Jeff, our life has been crazy since the moment we met. Yet, with each challenge we face, we grow stronger. You told me before we even had our first formal date that you’d like to prove to me that you’d love me until the stars fall from the sky. Although at first, I was scared to believe, you have demonstrated in big ways and small that you love me. So, for me this ring is a tangible sign of my love for you.”
Gabriel walks over to Kiera and hands her a ring, which she slides on my finger as she asks, “Jeffery Charles Whitaker, will you take this ring as a symbol of my love and faithfulness until the stars fall from the sky?”
To my shock, it is the simple gold band that I’ve seen my dad wear in countless pictures before he died. My eyes tear up as I breathe, “Oh Pip, this is perfect. I wanted him to be here.” In a much louder voice, I reply, “Of course I will.
”
”
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
“
In a plot that smacks of James Bond (and has all the hallmarks of an Elliott ruse), a Dutch agent named Peter Tazelaar was put ashore near the seafront casino at Scheveningen, wearing full evening dress and covered with a rubber suit to keep him dry. Once ashore, Tazelaar peeled off his outer suit and began to “mingle with the crowd on the front” in his dinner jacket, which had been sprinkled with brandy to reinforce the “party-goer’s image.” Formally dressed and alcoholically perfumed, Tazelaar successfully made it past the German guards and picked up a radio previously dropped by parachute. The echo of 007 may not be coincidental: among the young blades of British intelligence at this time was a young officer in naval intelligence named Ian Fleming, the future author of the James Bond books. Ian Fleming and Nicholas Elliott had both experienced the trauma of being educated at Durnford School; they became close friends.
”
”
Ben Macintyre (A Spy Among Friends: Kim Philby and the Great Betrayal)
“
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up.
He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face.
“You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away.
Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so.
Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs.
“The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too.
“Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky.
Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly.
On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
before their clan’s elders. They wear clothes too formal for them: layered robes of muted color for the boys, intricate shadesilk wraps for the girls. Parents line the walls nearby, anxious to hear the nature of their children laid bare. One by one, the children step before their clan’s First Elder. He holds a shallow bowl, twice as wide as a dinner plate, that holds nothing more than still water. But it is not water, the parents know. It is madra, raw power of spirit, purified and distilled. The material from which souls are made.
”
”
Will Wight (Unsouled (Cradle, #1))
“
First-generation immigrants are a species all their own. They wear a lot of beige, grey or brown. Colours that do not stand out. Colours that whisper, never shout. There is a tendency to formality in their mannerisms, a wish to be treated with dignity. They move with a slight ungainliness, not quite at ease in their surroundings. Both eternally grateful for the chances life has given them and scarred by what it has snatched away, always out of place, separated from others by some unspoken experience, like survivors of a car accident.
”
”
Elif Shafak (The Island of Missing Trees)
“
Museum Work and Museum Problems” course, the first academic program specifically designed to cultivate and train men and women to become museum directors and curators. In addition to the connoisseurship of art, the “Museum Course” taught the financial and administrative aspects of running a museum, with a focus on eliciting donations. The students met regularly with major art collectors, bankers, and America’s social elite, often at elegant dinners where they were required to wear formal dress and observe the social protocol of high culture. By 1941, Sachs’s students had begun to fill the leadership positions of American museums, a field they would come to dominate in the postwar years.
”
”
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
“
He was wearing a suit that appeared to have been constructed by
1) Dressing him in a blouse with twenty-foot long sleeves of the most expensive linen.
2) Bunching the sleeves up in numerous overlapping gathers on his arms.
3) Painting most of him in glue.
4) Shaking and rolling him in a bin containing thousands of black silk doilies.
5) (because king Charles II, who’d mandated a few years earlier that all courtiers wear black and white, was getting bored with it, but had not formally rescinded the order) adding dashes of color here and there primarily in the form of clusters of elaborately gathered and knotted ribbons, enough ribbon all told to stretch all the way to whatever shop in Paris where the Earl had bought all of this stuff.
”
”
Neal Stephenson
“
Can I make you a cup of tea?” He says that would be wonderful, and she smiles handsomely; then her face darkens in terrible sorrow. “And I am so sorry, Mr. Arthur,” she says, as if imparting the death of a loved one. “You are too early to see the cherry blossoms.” After the tea (which she makes by hand, whisking it into a bitter green foam—“Please eat the sugar cookie before the tea”) he is shown to his room and told it was, in fact, the novelist Kawabata Yasunari’s favorite. A low lacquered table is set on the tatami floor, and the woman slides back paper walls to reveal a moonlit corner garden dripping from a recent rain; Kawabata wrote of this garden in the rain that it was the heart of Kyoto. “Not any garden,” she says pointedly, “but this very garden.” She informs him that the tub in the bathroom is already warm and that an attendant will keep it warm, always, for whenever he needs it. Always. There is a yukata in the closet for him to wear. Would he like dinner in the room? She will bring it personally for him: the first of the four kaiseki meals he will be writing about. The kaiseki meal, he has learned, is an ancient formal meal drawn from both monasteries and the royal court. It is typically seven courses, each course composed of a particular type of food (grilled, simmered, raw) and seasonal ingredients. Tonight, it is butter bean, mugwort, and sea bream. Less is humbled both by the exquisite food and by the graciousness with which she presents it. “I most sincerely apologize I cannot be here tomorrow to see you; I must go to Tokyo.” She says this as if she were missing the most extraordinary of wonders: another day with Arthur Less. He sees, in the lines around her mouth, the shadow of the smile all widows wear in private. She bows and exits, returning with a sake sampler. He tries all three, and when asked which is his favorite, he says the Tonni, though he cannot tell the difference. He asks which is her favorite. She blinks and says: “The Tonni.” If only he could learn to lie so compassionately.
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.
”
”
Bill Bryson
“
arrived in Cambridge, and made an appointment to meet the formidable Krister Stendahl, a Swedish scholar of fierce intelligence, now to be my first adviser. We met in his office. I was nervous, but also amused that this tall and severe man, wearing a black shirt and clerical collar, looked to me like an Ingmar Bergman version of God. After preliminary formalities, he abruptly swiveled in his chair and turned sternly to ask, “So really, why did you come here?” I stumbled over the question, then mumbled something about wanting to find the essence of Christianity. Stendahl stared down at me, silent, then asked, “How do you know it has an essence?” In that instant, I thought, That’s exactly why I came here: to be asked a question like that—challenged to rethink everything. Now I knew I had come to the right place. I’d chosen Harvard because it was a secular university, where I wouldn’t be bombarded with church dogma. Yet I still imagined that if we went back to first-century sources, we might hear what Jesus was saying to his followers when they walked by the Sea of Galilee—we might find the “real Christianity,” when the movement was in its golden age. But Harvard quenched these notions; there would be no simple path to what Krister Stendahl ironically called “play Bible land” simply by digging through history. Yet I also saw that this hope of finding “the real Christianity” had driven countless people—including our Harvard professors—to seek its origins. Naive as our questions were, they were driven by a spiritual quest. We discovered that even the earliest surviving texts had been written decades after Jesus’s death, and that none of them are neutral. They reveal explosive controversy between his followers, who loved him, and outsiders like the Roman senator Tacitus and the Roman court historian Suetonius, who likely despised him. Taken together, what the range of sources does show, contrary to those who imagine that Jesus didn’t exist, is that he did: fictional people don’t have real enemies. What came next was a huge surprise: our professors at Harvard had file cabinets filled with facsimiles of secret gospels I had never heard of—the Gospel of Thomas, the Gospel of Philip, the Gospel of Mary Magdalene, the Gospel of Truth—and dozens of other writings, transcribed by hand from the original Greek into Coptic, and mimeographed in blue letters on pages stamped TOP SECRET. Discovered in 1945, these texts only recently had become available to scholars. This wasn’t what I’d expected to find in graduate school, or even what I wanted—at least, not so long as I still hoped to find answers instead of more questions
”
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Elaine Pagels (Why Religion?: A Personal Story)
“
Ballad"
Oh dream, why do you do me this way?
Again, with the digging, again with the digging up.
Once more with the shovels.
Once more, the shovels full of dirt.
The vault lid. The prying. The damp boards.
Mother beside me.
Like she’s an old hat at this.
Like all she’s got left is curiosity.
Like curiosity didn’t kill the red cat.
Such a sweet, gentle cat it was.
Here we go again, dream.
Mother, wearing her take-out-the-garbage coat.
I haven’t seen that coat in years.
The coat she wore to pick me up from school early.
She appeared at the back of the classroom, early.
Go with your mother, teacher said.
Diane, you are excused.
I was a little girl. Already a famous actress.
I looked at the other kids. I acted lucky.
Though everyone knows what an early pick-up means.
An early pick-up, dream.
What’s wrong, I asked my mother. It is early spring.
Bright sunlight. The usual birds.
Air, teetering between bearable and unbearable.
Cold, but not cold enough to shiver.
Still, dream, I shiver.
You know, my mother said.
Her long garbage coat flying.
There was a wind, that day.
A wind like a scurrying grandmother, dusting.
Look inside yourself, my mother said.
You know why I have come for you.
And still I acted lucky. Lucky to be out.
Lucky to be out in the cold world with my mother.
I’m innocent, I wanted to say.
A little white girl, trying out her innocence.
A white lamb, born into a cold field.
Frozen almost solid. Brought into the house.
Warmed all night with hair dryers.
Death? I said. Smiling. Lucky.
We’re barely to the parking lot.
Barely to the car ride home.
But the classroom already feels like the distant past.
Long ago, my classmates pitying me.
Arriving at this car full of uncles.
Were they wearing suits? Death such a formal occasion.
My sister, angry-crying next to me.
Me, encountering a fragment of evil in myself.
Evilly wanting my mother to say it.
What? I asked, smiling. My lamb on full display at the fair.
He’s dead! my sister said. Hit me in the gut with her flute.
Her flute case. Her rental flute. He’s dead!
Our father.
Our father, who we were not supposed to know had been dying.
He’s dead! The flute gleaming in its red case.
Here, my mother said at home.
She’d poured us each a small glass of Pepsi
We normally couldn’t afford Pepsi.
Lucky, I acted.
He’s no longer suffering, my mother said.
Here, she said. Drink this.
The little bubbles flew. They bit my tongue.
My evil persisted. What is death? I asked.
And now, dream, once more you bring me my answer.
Dig, my mother says. Pry, she says.
I don’t want to see, dream.
The lid so damp it crumbles under my hands.
The casket just a drawerful of bones.
A drawerful. Just bones and teeth.
That one tooth he had. Crooked like mine.
”
”
Diane Seuss
“
After this interlude we return to the question of the parcel. Yes, says the Postmaster, it has been here – actually here in the office! But it is here no longer. It has been removed to the custody of the Customs. Monsieur B. must realize that parcels are subject to Customs dues. B. says that it is personal wearing apparel. The Postmaster says: ‘No doubt, no doubt; but that is the affair of the Customs.’ ‘We must, then, go to the Customs office?’ ‘That will be the proper procedure,’ agrees the Postmaster. ‘Not that it will be any use going today. Today is Wednesday, and on Wednesdays the Customs are closed.’ ‘Tomorrow, then?’ ‘Yes, tomorrow the Customs will be open.’ ‘Sorry,’ says B. to Max. ‘I suppose it means I shall have to come in again tomorrow to get my parcel.’ The Postmaster says that certainly Monsieur B. will have to come in tomorrow, but that even tomorrow he will not be able to get his parcel. ‘Why not?’ demands B. ‘Because, after the formalities of the Customs have been settled, the parcel must then go through the Post Office.’ ‘You mean, I shall have to come on here?’ ‘Precisely. And that will not be possible tomorrow, for tomorrow the Post Office will be closed,’ says the Postmaster triumphantly. We go into the subject in detail, but officialdom triumphs at every turn. On no day of the week, apparently, are both the Customs and the Post Office open!
”
”
Agatha Christie (Come, Tell Me How You Live: An Archaeological Memoir)
“
You’ll need a dress,” I tell her and wait for the objection I know is coming.
“I have dresses,” she replies, but tiny lines of concern mar her forehead and I’ve been with enough women to know what’s going through her head. Does she have the right dress for this? How fancy is the event? What will everyone else be wearing? Add to that—she can’t have the budget for a dress. She’s fresh out of college and on a teacher’s salary, both of which tell me it isn’t likely she has an appropriate dress hanging in her closet. Shit, this entire scheme is pure genius, I think, as I make a mental note to cancel the date I had lined up for this wedding when I get home.
This is a formal event. We’ll pick up a dress this weekend.”
She gives me a dirty look. “What do you mean we’ll pick up a dress this weekend?”
“I mean shopping. I’ll pick you up at ten on Saturday.”
“I can find a dress by myself,” she says firmly.
“Please. You were wearing pants with donuts on them the second time I saw you. If you can even call those things pants.” Fucking leggings left nothing to the imagination. And I’ve done a lot of imagining. Mostly involving her legs wrapped around my hips. “Half my family is going to be there. I’ll pick out the dress.” I could give a fuck about the dress. I want to spend time with her that she thinks isn’t a date, so she’ll relax and be herself.
“Well, that was rude,” she deadpans.
I shrug. “Besides, you’re doing me a favor,” I remind her, “so the dress is on me.”
“Whatever,” she agrees sullenly.
“You’re welcome,” I reply.
”
”
Jana Aston (Trust (Cafe, #3))