Rainbow Rhythms Quotes

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somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
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Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
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I know this is one of the unthinkable taboos of our society, but I had discovered in myself a talent for a wonderful, unrepentant laziness, the kind most people never know after childhood. I had a prism from an old chandelier hanging in my window, and I could spend entire afternoons lying on my bed and watching it flick tiny chips of rainbow around the room. I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better-- Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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It was undeniable, bright and massive. It was a rainbow, a unicorn, a million-dollar lottery ticket and happiness incarnate all rolled into one thing.
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Mariana Zapata (Rhythm, Chord & Malykhin)
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He gave us taste buds, then filled the world with incredible flavors like chocolate and cinnamon and all the other spices. He gave us eyes to perceive color and then filled the world with a rainbow of shades. He gave us sensitive ears and then filled the world with rhythms and music. Your capacity for enjoyment is evidence of God's love for you. He could have made the world tasteless, colorless, and silent. The Bible says that God "richly provides us with everything for our enjoyment." He didn't have to do it, but he did, because He loves us.
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Rick Warren (The Purpose of Christmas)
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How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
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Claire Robson (Love in Good Time: A Memoir)
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But it is already light. How long has it been light? All this while, light has come percolating in, along with the cold morning air flowing now across his nipples: it has begun to reveal an assortment of drunken wastrels, some in uniform and some not, clutching empty or near-empty bottles, here draped over a chair, there huddled into a cold fireplace, or sprawled on various divans, un-Hoovered rugs and chaise longues down the different levels of the enormous room, snoring and wheezing at many rhythms, in self-renewing chorus, as London light, winter and elastic light, grows between the faces of the mullioned windows, grows among the strata of last nightโ€™s smoke still hung, fading, from the waxed beams of the ceiling. All these horizontal here, these comrades in arms, look just as rosy as a bunch of Dutch peasants dreaming of their certain resurrection in the next few minutes.
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Thomas Pynchon (Gravity's Rainbow)
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An inquiry which I once made into the psychology of the Indian sign language with a view to discovering a possible relation between it and Greek manual gesture as displayed in ancient graphic art, led to the conclusion that Indian rhythms arise rather in the centre of self-preservation than of self-consciousness. Which is only another way of saying that poetry is valued primarily by the aboriginal for the reaction it produces within himself rather than for any effect he is able to produce on others by means of it.
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Carl Sandburg (The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America)
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Most reality is invisible, inaudible. There is plenty to be seen and heard and touched and tasted and smelled: a rainbow of colors in flowers and sunsets; a symphony of tunes and melodies, rhythms and accents; textures smooth and rough; flavors sweet and sour; fragrance and stench. But life in the kingdom is an immersion in a much larger, more comprehensive reality. Most of what I see and hear, smell, touch, and taste, I soon discover is an opening, a window or door, to something invisible: beauty, truth, goodness, and most of all, God.
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Eugene H. Peterson (As Kingfishers Catch Fire: A Conversation on the Ways of God Formed by the Words of God)
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Mary had known what to do. She and Debbie had worked everything out in advanceโ€”whom to call and in what order: the funeral parlor, the credit card companies, the friends. There was already an obituary ready to go. Leonardโ€™s photo would be in all the newspapers, on Twitter. Itโ€™d be in the black-and-white photo montage at the Oscars, with someone singing โ€œSomewhere Over the Rainbowโ€ in a ball gown. Alice made some of the calls to friendsโ€”she and Debbie split up the list. No one was surprised. Everyone was kind. Alice cried during the first few, nearly unable to get the words out, but then she got used to the rhythm of the conversation and found that she was able to make it through. That lasted a few minutes and then she was crying again. Alice hugged Mary longer than sheโ€™d ever hugged a relative stranger in her life. This was how people felt about their midwives, or platoon mates, or fellow hostagesโ€”they had seen things together that no one else would ever fully understand.
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Emma Straub (This Time Tomorrow)
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The fortress site sat unattended and unexplored. It was scaring everyone away, and even the wildlife abandoned it. Mother Earth knew of the empty skies where birds used to call, so it longed for the natural rhythms to be restored. But no one looked upon this place and thought of it as anything natural. It was an abhorrence, an eyesore worthy of destruction.
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BB Clifford (Rainbow Warrior: The Tale of Ares, The Battle-Lustful Son)
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I may be black, but I have no rhythm whatsoever,โ€ I informed him. โ€œIโ€™m a terrible dancer, and I mean awful. Iโ€™ll step on your toesโ€”โ€ He
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J.J. McAvoy (Black Rainbow (Rainbows, #1))
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Jabrilโ€™s epicurean tongue rimmed at my anal receptacle before jabbing into my tunnel of love with abandon. His commanding lividity drove my tilting pelvis to receive slivers of his dripping saliva. He was preparing me for the feast of the gods. And I was delighted to suffice. Much like my Valet relishing the helmsmanโ€™s mightiness, Victor devoured the captainโ€™s prowess with avid ferocity. Spittle of beaming wetness coated their organs. Tad led me above deck while the men followed suit. Pulling me atop a comfortable mattress, I straddled the athlete with aplomb, kissing his succulent mouth with wanton fervency. Quivers of euphoric rhapsody surged through my body when his tumid avidity eased into my passageway of forbidden love. His bouncing gyrations commingled with my lustful kisses brought our hankering spirits into a unified entity. Just as this newfound vivacity took hold, I felt another force in my core. This elevated double entry catapulted me into an uncharted and blissful realm. The captain and the champion tantalized my tightness with symmetrical cadences as we tangoed to the rhythm of the lapping waves. Tadโ€™s provocative expertise, coalescing with Fahribโ€™s rousing mastery, hurled my frenzied soul to an intensified crescendo of erotic gratification. Rainbows of aesthetic enthusiasm flashed before me as Andy and Victor mirrored one another as the Levantine logerez himself onto their throbbing hardness simultaneously. He was at once in agony and ecstasy before his misshapen expression transformed into gleeful entrancement. Heaving sighs of euphoric relief, he accommodated both obelisks with pride.
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Young (Turpitude (A Harem Boy's Saga Book 4))
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Thereโ€™s something about being on the backside of a racetrack just before dawn that is truly magical--standing along the rail when the lightโ€™s just coming up, watching the horses move fluidly across the damp earth, their dark shapes silhouetted against a rainbow sky. You stand there, breathing in the clean air, listening to the steady primal rhythm of a galloping horse, and the rest of the world simply does not exist.
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Kit Ehrman (TRIPLE CROSS (Steve Cline Mysteries Book 4))
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Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon ํ•ด๋‹น์—…์ฒด๋“ค์—์„œ๋Š” ๊ฐ๊ฐ ํ•ด๋‹น ์žฅ,๋‹จ์ ์ด ์กด์žฌํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋ฌด์—‡์ด ์–ด๋””๊ฐ€ ์ข‹๊ณ  ์˜ณ๊ณ  ๊ทธ๋ ‡๋‹ค๊ณ  ํŒ๋‹จํ•˜๊ธฐ๋Š” ์กฐ๊ธˆ ๊ณค๋ž€ํ•˜์ง€ ์•Š๋‚˜ ์‹ถ์Šต๋‹ˆ๋‹ค. ์นดํ†กใ€AKR331ใ€‘ํ…”๋ ˆใ€RDH705ใ€‘๋ผ์ธใ€SPR331ใ€‘์œ„์ปคใ€SPR705ใ€‘ ์ €ํฌ๋Š” 2015๋…„๋„ ๋ถ€ํ„ฐ ์ง€๊ธˆ 2018๋…„๋„ ๊นŒ์ง€ ์˜จ๋ผ์ธ์ƒ (๊ตฌ๊ธ€)์—์„œ ๋งŒ 4๋…„๊ฐ„ ํŒ๋งค๋ฅผ ํ•ด์˜จ์—…์ฒด์ž…๋‹ˆ๋‹ค. ์ด๋•Œ๊นŒ์ง€ ๋‹จ ํ•œ๋ฒˆ์˜ ๊ฐ€ํ’ˆ์œผ๋กœ ์Šค์บ”๋“ค ๋‚œ์ ๋„ ์—†์„๋ฟ๋”๋Ÿฌ, ์‚ฌ๊ณ ์œจ 0% ์žฌ๊ตฌ๋งค์œจ 1๋“ฑ ์ถ”์ฒœ์œจ 1๋“ฑ ํ•ฉ๋ฆฌ์ ์ธ ํŒจํ‚ค์ง€ ๊ฐ€๊ฒฉ์œผ๋กœ ๋ฏฟ์Œ๊ณผ ์‹ ๋ขฐ๊ฐ€ ๋‘ํ„ฐ์šด ์—…์ฒด ์ž…๋‹ˆ๋‹ค. 24์‹œ๊ฐ„์–ธ์ œ๋“ ์ง€ ์—ฐ๋ฝ์ฃผ์„ธ์š” Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Shorey Jay) Love is not as many times in your life as the number of letters. The more we think of ourselves now, More mysterious and magical encounters If I had not been there before then I wonder if I had met you before Sometimes it feels like there 's someone in heaven who' I do not need to listen to sad songs anymore. I'll give you a sunny morning instead of sleeping and a rainy night. And those flowers, I love your beauty, what do you like? When asked, the rainbow in the sky is not the color of a beautiful one. It's beautiful itself, just like you Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon ์•„์ด์Šค,์•„์ด์Šค ๊ตฌ์ž…,์•„์ด์Šค ๊ตฌ๋งค,์•„์ด์Šค ํŒ๋งค,์•„์ด์Šค ๊ฐ€๊ฒฉ,์•„์ด์Šค ๊ตฌ๋งค๋ฐฉ๋ฒ•,์•„์ด์Šค ๊ตฌ์ž…๋ฐฉ๋ฒ•,์•„์ด์Šค ์„ฑ๋ถ„,์•„์ด์Šค์ง€์†์‹œ๊ฐ„,์•„์ด์Šค ์ฆ์ƒ,์•„์ด์Šค ํ›„๊ธฐ,์•„์ด์Šค ์ฒ˜๋ฐฉ์ „,์•„์ด์Šค ๊ตฌ๋งค์ฒ˜,์•„์ด์Šค ๊ตฌ์ž…์ฒ˜,์•„์ด์Šค ํŒ๋งค์ฒ˜,์•„์ด์Šค ํŒ๋‹ˆ๋‹ค,์•„์ด์Šค ํŒŒ๋Š”๊ณณ,์•„์ด์Šค ํšจ๊ณผ,์•„์ด์Šค ํšจ๋Šฅ,์•„์ด์Šค ์‚ฝ๋‹ˆ๋‹ค,์•„์ด์Šค ์‚ฌ๋Š”๊ณณ,์•„์ด์Šค ๊ตฌ๋งค์‚ฌ์ดํŠธ,์•„์ด์Šค ํŒ๋งค์‚ฌ์ดํŠธ,์•„์ด์Šค ์ธํ„ฐ๋„ท๊ตฌ์ž…,์•„์ด์Šค ์ธํ„ฐ๋„ทํŒ๋งค,์•„์ด์Šค ๋ณต์šฉ๋ฒ•,์•„์ด์Šค ์‚ฌ์šฉ๋ฒ•,์•„์ด์Šค ์‚ฌ์šฉ๋ฐฉ๋ฒ•,์•„์ด์Šค ๋ถ€์ž‘์šฉ,์•„์ด์Šค ์น˜์‚ฌ๋Ÿ‰,์•„์ด์Šค ์ฒ˜๋ฐฉ์ „,์•„์ด์Šค ๋‚ด์„ฑ,์•„์ด์Šค์ด๋ญ”๊ฐ€์š”,์•„์ด์Šค๊ฐ€ ๋ญ์—์š”,์•„์ด์Šค ์„ญ์ทจ๋ฐฉ๋ฒ•,์•„์ด์Šค ๊ตฌ์ž…ํ•˜๊ธฐ,์•„์ด์Šค ์šฉ๋Ÿ‰,์•„์ด์Šค์ •ํ’ˆํŒ๋งค์ฒ˜,์•„์ด์Šค์ •ํ’ˆ๊ตฌ๋งค์ฒ˜,์•„์ด์Šค์ •ํ’ˆ๊ตฌ์ž…์ฒ˜,์ •ํ’ˆ์•„์ด์Šค Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Lettuce) Love is when you first hold my hand, Love is the thrill of the moment when the phone rings, I can not answer my question about why you laugh Love is like a tear of my heart Love is living in a dream, flying in the sky with you Knowing that giving is happier now, not in writing, but in the heart Endless excitement and happy waiting Many stories of crying and laughing under his name You are another name for love This melody and rhythm is for you love song You do not have to say love Love is to read the mind One smile on your smile Heart Love is not sad Love is the flow of tears I want to give you more everything I have. Name of chest pain
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์•„์ด์Šค๋“œ๋ž์ฒ˜,์นดํ†กใ€AKR331ใ€‘์•„์ด์Šค์ง๊ตฌ,ํ•„๋กœํฐํŒŒ๋Š”๊ณณ,ํ…”๋ ˆใ€RDH705ใ€‘ํ•„๋กœํฐ๊ฐ€๊ฒฉ,ํ•„๋กœํฐํŒ๋‹ˆ๋‹ค