Equine Quotes

You can’t blame me,” Ascanio said. “Anybody in my place would be concerned. You don’t even have a proper horse. You’re riding a mutant equine of unknown origin.” “Don’t disrespect my donkey

I was drawn to horses as if they were magnets. It was in my blood. I must have inherited from my grandfather a genetic proclivity toward the equine species. Perhaps there's a quirk in the DNA that makes horse people different from everyone else, that instantly divides humanity into those who love horses and the others, who simply don't know.

Sometimes a wild horse needs to feel that his rider is just a little bit wilder.

The worst predijudice is unknowing. We think we treat others as equals, but, in our deepest heart, we regard ourselves as superior. In part, this is because we are, in ways, powerful. But that does not make the race of humans (funanga) better than that of the dog or equine.

Damn it all. "Ascanio!" The bouda sauntered forward, a picture of pure innocence on his face. "What the hell are you doing?" I growled. He pulled on a disarming smile like a shield. "Following you." "Why?" "Because." So help me God, I would brain him with something heavy in a minute. "Because why?" "I wanted to come. It's too dangerous for you and I'm concerned." Derek snarled quietly under his breath. "You can't blame me," Ascanio said. "Anybody in my place would be concerned. You don't even have a proper horse. You're riding a mutant equine of unknown origin.

I had such a beautiful evening planned. Candlelight, dancing, maybe a few flirtatious threats. And what do I get? Grand Theft Equine.

Alec put his hands up. “Okay, stop.” The four vampires stared at him. “Horses? As in equine, My Little Pony, clippety-clop fucking horses?

Julian is bluff and sturdy, royal; he possesses a gracefully muscular, equine beauty so natural it suggests that beauty itself is a fundamental human condition and not a mutation in the general design.

I stood with my hands on the horses' necks, feeling the electricity of their thinking, the blood moving throughout their veins, and the history held neatly within the fabric of every organ of their equine anatomy, as if the body were a storage unit of memory. As I absorbed every nuance of the four-legged creatures, I touched my own stomach, lower back, liver, and spleen to see what the energies felt like. I compared one horse to another, then to myself, fascinated by the way each was so unique yet so the same.

known suffering, redemption, resurrection, the horse, Marie believed, had become a kind of equine saint.

Don't say 'Horse shite,' Amelia-Rose whispered, drawing even with him. What should I call it, then, digested equine grass lumps?

Reasons for cancellation order: 1. Baby-eating aquatic faerie equines do not exist.

When you turn around, you'll see something I bet you've never seen before. If it takes your breath away, then you'll fit in nicely. If you don't feel anything, then maybe you don't belong here.

He killed, his sword shearing, shield and horse a ram, pushing in, and further in, opening a space by force alone for the momentum of the men behind him. Beside him a man fell to a spear in the throat. To his left, an equine scream as Rochert's horse went down. In front of him, methodically, men fell, and fell, and fell. He split his attention. He swept a sword cut aside with his shield, killed a helmed soldier, and all the while flung out his mind, waiting for the moment when Touar's lines split open. The most difficult part of commanding from the front was this--staying alive in the moment, while tracking in his mind, critically, the whole fight. Yet it was exhilarating, like fighting with two bodies, at two scales.

olemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.

Every addiction story wants a villain. But America has never been able to decide whether addicts are victims or criminals, whether addiction is an illness or a crime. So we relieve the pressure of cognitive dissonance with various provisions of psychic labor - some addicts got pitied, others get blamed - that keep overlapping and evolving to suit our purposes: Alcoholics are tortured geniuses. Drug addicts are deviant zombies. Male drunks are thrilling. Female drunks are bad moms. White addicts get their suffering witnessed. Addicts of color get punished. Celebrity addicts get posh rehab with equine therapy. Poor addicts get hard time. Someone carrying crack gets five years in prison, while someone driving drunk gets a night in jail, even though drunk driving kills more people every year than cocaine. In her seminal account of mass incarceration, The New Jim Crow, legal scholar Michelle Alexander points out that many of these biases tell a much larger story about 'who is viewed as disposable - someone to be purged from the body politic - and who is not.' They aren't incidental discrepancies - between black and white addicts, drinkers and drug users - but casualties of our need to vilify some people under the guise of protecting others.

The unspeakable rituals of the heathen, who might think nothing of sacrificing a horse and then making sport with its phallus, were echoed in grim tales of Christian women transforming themselves into equine form, and revelling in the bestial.

The last person to come through the line was Chiron himself, pushed in his wheelchair by Rachel Dare. The old centaur gave Leo a warm, fatherly smile. “My boy, I am so pleased to have you back. And you freed Calypso, I see. Well done, and welcome, both of you!” Chiron spread his arms for a hug. “Uh, thanks, Chiron.” Leo leaned forward. From underneath Chiron’s lap blanket, his equine foreleg shot out and implanted a hoof in Leo’s gut. Then, just as quickly, the leg disappeared. “Mr. Valdez,” Chiron said in the same kindly tone, “if you ever pull a stunt like that again—” “I got it, I got it!” Leo rubbed his stomach. “Dang, for a teacher, you got a heck of a high kick.

The knight finished what he was doing, turned to her, and dropped to one knee as if he was offering fealty. Slate recoiled, then saw that he was actually offering her his interlaced hands as a mounting block. “Ohthankyougod,” she said, stepping into his hands. “Not a god, just a paladin,” he muttered, then belied his irritated tone by waiting patiently while she used his shoulder as a stepladder and ascended the heights of Mt. Equine.

Ah,steeds,steeds,what is steeds! Has the whirlwind a home in your manes? Is there a sensitive ear, alert as a flame, in your every fiber? Hearing the familiar song from above, all in one accord you strain your bronze chests and, hooves barely touching the ground, turn into straight lines cleaving the air, and all inspired by God it rushes on!

Damn it all. “Ascanio!” The bouda sauntered forward, a picture of pure innocence on his face. “What the hell are you doing?” I growled. He pulled on a disarming smile like a shield. “Following you.” “Why?” “Because.” So help me God, I would brain him with something heavy in a minute. “Because why?” “I wanted to come. It’s too dangerous for you and I’m concerned.” Derek snarled quietly under his breath. “You can’t blame me,” Ascanio said. “Anybody in my place would be concerned. You don’t even have a proper horse. You’re riding a mutant equine of unknown origin.” “Don’t disrespect my donkey. If you wanted to come, why didn’t you say so?” Ascanio gazed at me, broadcasting sincerity. “Because you would say no. And I would never disobey you, Alpha.” Argh. “Did you tell Jim where you were going?” He looked taken aback. “Of course not!” “Why not?” He spread his arms. “Because he would say no.” I put my hand over my face. “Technically, I haven’t disobeyed any orders,” Ascanio said. I pointed at him. “Okay.” Ascanio took a step back. “I understand you need a moment.

Then there were all the diseases one is vulnerable to in the woods — giardiasis, eastern equine encephalitis, Rocky Mountain spotted fever, Lyme disease, ehrlichiosis, schistosomiasis, brucellosis, and shigellosis, to offer but a sampling. Eastern equine encephalitis, caused by the prick of a mosquito, attacks the brain and central nervous system. If you’re lucky you can hope to spend the rest of your life propped in a chair with a bib around your neck, but generally it will kill you. There is no known cure. No less arresting is Lyme disease, which comes from the bite of a tiny deer tick. If undetected, it can lie dormant in the human body for years before erupting in a positive fiesta of maladies. This is a disease for the person who wants to experience it all. The symptoms include, but are not limited to, headaches, fatigue, fever, chills, shortness of breath, dizziness, shooting pains in the extremities, cardiac irregularities, facial paralysis, muscle spasms, severe mental impairment, loss of control of body functions, and — hardly surprising, really — chronic depression.

In his 2007 book Farewell to Alms, the Scottish-American economist Gregory Clark points out that we can learn a thing or two about our future job prospects by comparing notes with our equine friends. Imagine two horses looking at an early automobile in the year 1900 and pondering their future. “I’m worried about technological unemployment.” “Neigh, neigh, don’t be a Luddite: our ancestors said the same thing when steam engines took our industry jobs and trains took our jobs pulling stage coaches. But we have more jobs than ever today, and they’re better too: I’d much rather pull a light carriage through town than spend all day walking in circles to power a stupid mine-shaft pump.” “But what if this internal combustion engine thing really takes off?” “I’m sure there’ll be new new jobs for horses that we haven’t yet imagined. That’s what’s always happened before, like with the invention of the wheel and the plow.

I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.

And I learned this long ago, that sweet freedom can be found in the middle of a meadow, upon the back of a faithful mare. Careless and wild we both shall be, on our ride across familiar fields, with steps that blend into the earth below.

Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.

His chief failing was a habit of cracking heavy pedantic jokes; he was unable to let a good idea drop, and remarked several times during the course of the film that the heroine looked like she ought to be playing the horse. The comment had some truth in it, in that the heroine did have an equine cast of feature, but he made it too often, and with too little variation; however, she was willing to forgive him, in view of his evident tolerance of her social errors, such as an inability to say whether or not she wanted an ice cream.

Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Stubbs painted this magnetic masterpiece to illustrate the nature of the sublime, which was one of his era's most popular philosophical concepts,and its relation to a timelessly riveting feeling: fear. The magnificent horse galloping through a vast wilderness encounters the bottom-up stimulus of a crouching predator and responds with a dramatic display of what psychologists mildly call "negative emotion." The equine superstar's arched neck, dilated eyes, and flared nostrils are in fact the very picture of overwhelming dread. The painting's subject matter reflects he philosopher Edmund Burke's widely circulated Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, which asserts that because "terror" is unparalleled in commanding "astonishment," or total, single-pointed,--indeed, rapt--attention, it is "the ruling principle of the sublime.

A horse in a stall is safe, but that is not what horses are made for.

For his son-in-law the Pope suffered no further spasms of morality. Rather, judging from Burchard’s diary, the last inhibitions, if any, dropped away. Two months after Alfonso’s death, the Pope presided over a banquet given by Cesare in the Vatican, famous in the annals of pornography as the Ballet of the Chestnuts. Soberly recorded by Burchard, fifty courtesans danced after dinner with the guests, “at first clothed, then naked.” Chestnuts were then scattered among candelabra placed on the floor, “which the courtesans, crawling on hands and knees among the candelabra, picked up, while the Pope, Cesare and his sister Lucrezia looked on.” Coupling of guests and courtesans followed, with prizes in the form of fine silken tunics and cloaks offered “for those who could perform the act most often with the courtesans.” A month later Burchard records a scene in which mares and stallions were driven into a courtyard of the Vatican and equine coupling encouraged while from a balcony the Pope and Lucrezia “watched with loud laughter and much pleasure.” Later they watched again while Cesare shot down a mass of unarmed criminals driven like the horses into the same courtyard.

I am Sir Buddy the Magnificent, of the estimable line of talking equine companions.” If anything, the girl’s mouth gaped open even more. “Talking equine companion?” “He means that we have an agreement.” Basil wasn’t sure if he should try to pry the girl’s clinging grip off him or let her be. “He provides transportation and companionship—” “And wise advice. Don’t forget the wise advice,” Buddy added.

I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood. Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.

In front of her was a large…animal. She supposed it resembled something equine, but its mane and tail were made of black and blue flames, and its body was black like night and spotted with starlight. Perched on its back was a woman she thought beautiful and exquisite. She looked just a few years older than Dylan’s almost eighteen years, but every inch of her was gorgeous enough to banish the darkness laying claim to Dylan’s soul. The beautiful woman wore a dress, ocean blue and glittering in the dim light of the forest. As Dylan watched, it changed into a blue-green color.

Back in the pens, once the herd was gathered, the men gingerly and methodically guided the calves into a separate gated area. The cows mooed and their babies bawled once they realized the extent of the physical distance between them, and my bottom lip began to tremble in sympathy. Before that moment, I had no hands-on experience of the tug of motherhood and the tangible connection between the hearts of a mother and child, whether it be bovine, equine, or human. And while I knew that what I was witnessing was a rite of passage, a normal part of agriculture, I realized for the first time that this enormous thing that would be happening in a few short months--this motherhood thing--was serious business. It took a morning among cows for me to understand.

PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.

A battle between two worlds. She realised that St. Mawr drew his hot breaths in another world from Rico's, from our world. Perhaps the old Greek horses had lived in St. Mawr's world. And the old Greek heroes, even Hippolytus, had known it. With their strangely naked equine heads, and something of a snake in their way of looking round, and lifting their sensitive, dangerous muzzles, they moved in a prehistoric twilight where all things loomed phantasmagoric, all on one plane, sudden presences suddenly jutting out of the matrix. It was another world, an older, heavily potent world. And in this world the horse was swift and fierce and supreme, undominated and unsurpassed.--"Meet him half-way," Lewis said. But half-way across from our human world to that terrific equine twilight was not a small step. It was a step, she knew, that Rico could never take. She knew it. But she was prepared to sacrifice Rico.

How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.

He ambled towards the abyss again, Acquiescing to the adroit turns of his Abtenauer, his Altai horse, his Appaloosa, His Ardennais, and his Australian Brumby….. Agilely each equine adumbrates the aesthetics Of aestivating, much like aficionados of nature And much like ailurophiles, too…… Ambrosial aromas attract his attention to the Assemblage of amaranth foliage growing At the abyss’s edge. “Anglophile!” “Antediluvian!” “Aplomb!” “Apocryphal!” “Apophenia!” “Apothecary!” Each petal calls out to him as he captures their vision in his Aqueous humor. Now an arabesque they display, Then some archipelago formation, as they (those purple perennials) Give in to the Wind’s whimsy. “What’s in my arsenal?” He asks himself. “Do I have Authenticity, like Astrophysics and Astronomy?” “Am I at last in my Autumn, torn asunder by Avarice? Shall I now step toward Winter to wither and waste away, without rebirth?” The Summer’s azure skies call him back, reminding him of his herd. Homeward he must turn. The pony pushes him back to the plain. And, as he trudges away from the abyss, the warriors of darkness— His old battle buddies who left him behind as they raced toward Providence— Rattle in his mind with their Paleolithic war toys, on the war path, chanting: “The greatest battles we face are in the silent chambers of our own souls…..” -----from the poem 'Summer Battle' in the book HOT STUFF: CELEBRATING SUMMER'S SIMMER AND SIZZLE, by Mariecor Ruediger

I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye.

Interestingly enough, creative geniuses seem to think a lot more like horses do. These people also spend a rather large amount of time engaging in that favorite equine pastime: doing nothing. In his book Fire in the Crucible: The Alchemy of Creative Genius, John Briggs gathers numerous studies illustrating how artists and inventors keep their thoughts pulsating in a field of nuance associated with the limbic system. In order to accomplish this feat against the influence of cultural conditioning, they tend to be outsiders who have trouble fitting into polite society. Many creative geniuses don’t do well in school and don’t speak until they’re older, thus increasing their awareness of nonverbal feelings, sensations, and body language cues. Einstein is a classic example. Like Kathleen Barry Ingram, he also failed his college entrance exams. As expected, these sensitive, often highly empathic people feel extremely uncomfortable around incongruent members of their own species, and tend to distance themselves from the cultural mainstream. Through their refusal to fit into a system focusing on outside authority, suppressed emotion, and secondhand thought, creative geniuses retain and enhance their ability to activate the entire brain. Information flows freely, strengthening pathways between the various brain functions. The tendency to separate thought from emotion, memory, and sensation is lessened. This gives birth to a powerful nonlinear process, a flood of sensations and images interacting with high-level thought functions and aspects of memory too complex and multifaceted to distill into words. These elements continue to influence and build on each other with increasing ferocity. Researchers emphasize that the entire process is so rapid the conscious mind barely registers that it is happening, let alone what is happening. Now a person — or a horse for that matter — can theoretically operate at this level his entire life and never receive recognition for the rich and innovative insights resulting from this process. Those called creative geniuses continuously struggle with the task of communicating their revelations to the world through the most amenable form of expression — music, visual art, poetry, mathematics. Their talent for innovation, however, stems from an ability to continually engage and process a complex, interconnected, nonlinear series of insights. Briggs also found that creative geniuses spend a large of amount of time “doing nothing,” alternating episodes of intense concentration on a project with periods of what he calls “creative indolence.” Albert Einstein once remarked that some of his greatest ideas came to him so suddenly while shaving that he was prone to cut himself with surprise.

Stallions," Frank said, "they're fightin' over a girl. - DANIEL'S ESPERANZA

I’m sure there’ll be new new jobs for horses that we haven’t yet imagined. That’s what’s always happened before, like with the invention of the wheel and the plow.” Alas, those not-yet-imagined new jobs for horses never arrived. No-longer-needed horses were slaughtered and not replaced, causing the U.S. equine population to collapse from about 26 million in 1915 to about 3 million in 1960.55 As mechanical muscles made horses redundant, will mechanical minds do the same to humans?

So who’s right: those who say automated jobs will be replaced by better ones or those who say most humans will end up unemployable? If AI progress continues unabated, then both sides might be right: one in the short term and the other in the long term. But although people often discuss the disappearance of jobs with doom-and-gloom connotations, it doesn’t have to be a bad thing! Luddites obsessed about particular jobs, neglecting the possibility that other jobs might provide the same social value. Analogously, perhaps those who obsess about jobs today are being too narrow-minded: we want jobs because they can provide us with income and purpose, but given the opulence of resources produced by machines, it should be possible to find alternative ways of providing both the income and the purpose without jobs. Something similar ended up happening in the equine story, which didn’t end with all horses going extinct. Instead, the number of horses has more than tripled since 1960, as they were protected by an equine social-welfare system of sorts: even though they couldn’t pay their own bills, people decided to take care of horses, keeping them around for fun, sport and companionship. Can we similarly take care of our fellow humans in need?

Emily, not as comfy or thrilled around the new equines now that they were out and right in front of us, just sat there staring at the scraggly one. She didn’t say anything, but she was probably grossed out. Her eyes, big as cookies, volleyed from horse to horse, and I could see her mentally comparing them.

When a horse operates with tight muscles, his muscle fibers are shorter and more contracted than they should be; therefore, they cannot stretch as readily or quickly as they need to. This tightening then spreads from one muscle group to another because as one group tightens, the neighboring muscle group is not able to stretch enough to accommodate the necessary movement. This second group will then tighten and will pass along the stress to the next muscle group, and so on, creating a ripple effect.

Like humans, horses have both shallow sleep and a deeper rest period of rest known as rapid eye movement (REM) sleep. Horses need about fifteen minutes of REM sleep each day, and they can get that only while lying down.

Whitney Sanderson has loved horses since she was a child, riding in a 4-H club and reading series like The Saddle Club and The Black Stallion. In addition to always having a horse or two in the backyard, she grew up surrounded by beautiful equine artwork created by her mother, Horse Diaries illustrator Ruth Sanderson. Whitney is the author of Horse Diaries #5: Golden Sun and Horse Diaries #10: Darcy, as well as another chapter book called Horse Rescue: Treasure.

He too was running off, but it was in the direction of the barn, and he was making a case for not being a jockey but a racing equine himself.

Even our equine friends cannot escape the proliferation of millennial pink.

Horse Trainer: Shaping Equine Athletes

Equine Artist: Capturing Equine Beauty

Equine Event Planner: Creating Unforgettable Experiences

Equine Journalism: Storytelling in the Horse World

Because I am able to work with horses on a daily basis, I find that I smile a whole lot more, I have confidence in myself, and I believe that my equine coaching business is where my passion and joy lie.

Apparently there was some all-girls college not far from Wes’s house that had an equine program.

supporting

So a rider might continue to take lessons, not from an inability to learn, but a desire to improve, fueled by respect for an equine partner. Riding is sometimes like interpretive dance, creative and spontaneous.

The Dark Horse stretched his neck forward, his wicked grin revealing huge fangs. "Do You really believe that You are truly the Light Horse, Son of the Great Horse and King of all Equines?

Emmie had not told her vicar she would marry him, but as October drifted into November, St. Just knew she hadn’t turned the man down, either. It had taken some time to see why the decision was difficult, though he’d initially considered that he held the trump card—Winnie. Except there were low cards in his hand, as well, something he was finding it difficult to come to grips with. In the army, his men had become loyal to him for three reasons. He did not have charm, luck, or diplomacy in sufficient quantity to inspire followers, but he was, first, foremost, and to the marrow of his bones, a horseman. In the cavalry, a man who truly admired and understood the equine, and the cavalry mount in particular, was respected. St. Just’s unit was always a little better mounted, their tack in a little better shape, and their horses in better condition, primarily because St. Just saw to it. He commandeered the best fodder, requisitioned the best gear, and insisted on sound, sane animals, though it might cost him his personal coin to see to it. The second attribute that won him the respect of his subordinates was a gentleman’s quotient of simple common sense. Stupid orders, written for stupid reasons, were commonplace. St. Just would not disobey such an order, but he would time implementation of it to ensure the safety of his men. In rare cases, he might interpret an order at variance with its intended meaning, if necessary, again, to protect the lives of his men and their mounts. But when battle was joined, St. Just’s third strength as a commander of soldiers manifested itself. His men soon found those fighting in St. Just’s vicinity were safer than their comrades elsewhere. Once the order to charge was given, St. Just fought with the strength, size, speed, and skill of the berserkers of old, leaving murder, mayhem, and maiming on all sides until the enemy was routed. His capacity for sheer, cold-blooded brutality appalled, even as it awed, particularly when, once victory was assured, his demeanor became again the calm, organized, slightly detached commanding officer. And Emmie Farnum had no use for that latent capacity for brutality. She’d seen its echoes in his setbacks and his temper, in his drinking and insomnia, and St. Just knew in his bones she was smart enough to sense exactly what she’d be marrying were she to throw in with him. Barbarians might be interesting to bed, but no sane woman let one take her to wife. Nonetheless, having reasoned to this inevitable, uncomfortable conclusion, St. Just was still unable to fathom why, on the strength of one intimate interlude, he could not convince himself to stop wanting her to do just that.

I wonder if this is what racehorses feel like. Where does the expression “pee like a racehorse” come from anyway? Does a full bladder make them run faster? Or is it all horses? Do the other equines tease the racehorses about holding it so long?

Simon came and found me in time, and from then on they’d call him to come get me. Since he couldn’t be reached at work, and he didn’t come home until six, and since it caused a great stampede to scare me in any way, I found plenty of time to pursue equine grace.

I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye. We stand quietly for awhile eating these first

Having a good feel up there, Gareth? Sure are taking a damned long time about it!" "Can't blame him. Tisn't every day that a man gets to grope a stone horse!" "Wish I was hung half so well!" "You mean you aren't, Chilcot?" "Lord Gareth is!" cried Tess. "Why, 'e's built foiner than any stallion Oi've ever seen, stone or not!" Drunken laughter rang out, both male and female, and yet another bottle of Irish whiskey made its way among the shadowy figures who stood, or rather swayed, beneath poor Henry on his about-to-be-disgraced charger. "Hey Gareth!  Didn't know yer pref'rences ran to — hic! — bestiality!  What else haven't you tol' us about yershelf, eh?" "Shut up down there, you bacon-brains," Gareth said. "D'you want to wake up the whole damned village?"  But he was as foxed as the rest of them, and no one took him seriously. "Hic! — c'mon, Gareth, it can't take you more than five minutes to — hic! — paint its bollocks blue!" "This is not blue, it's purple. Royal purple. As befits its royal rider." Chilcot gave a credible imitation of a neighing stallion. Cokeham snorted, horselike, and clutched his stomach as he tried to contain his laughter. But the Irish whiskey was too much for him, and, losing his balance, he fell face‑first into the damp grass, still guffawing and holding his side. "Oh!  Oh, I fear I shall cast up my accounts if this keeps up ... oh, dear God...." Without missing a beat, Gareth dipped his brush in the paint and flicked it over the bewigged and powdered heads of his friends below. Howls pierced the night as he calmly went back to his task. "A plague on you, Gareth! — hic — you've jesht ruined my best wig!" "To hell with your damned wig, Hugh, look what he just did to my coat!" Chilcot gave another equine whicker, tucked his chin, and with his beautifully turned out leg began pawing the ground. "Shhhh‑h‑h‑h‑h‑h‑h!" "Oh ... oh, I do feel sick...." "Keep it up, you pillocks, and I shall dump the entire bucket on your heads," Gareth called down from above.

decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye.

The following biological toxins are known by the security services to have been weaponised:   Smallpox Anthrax Plague Pneumonic Tularemia Viral Equine Encephalitis Botulinum Ricin T-2 Mycatoxin   It is not known how many terrorist organisations are in possession of these weapons.

Pliny assured his readers that wonders never ceased in the natural world; the result of his labors was a Ripley’s Believe-It-or-Not catalog tinged with the classics. “That women have changed into men is not a myth,” he wrote. “We find in historical records that . . . a girl at Casinum became a boy before her parents’ very eyes.” To emphasize his point, Pliny claimed to have firsthand knowledge of the phenomenon: “In Africa, I myself saw someone who became a man on his wedding-day.” There was more; he claimed that people in Eastern Europe had two sets of eyes, backward-facing heads, or no heads at all. In Africa, Pliny wrote, lived people who combined both sexes in one body, yet managed to reproduce; people who survived without eating; people with ears large enough to blanket their entire bodies; and people with equine feet. In India, he said, there were people with six hands. These marvelous accounts were subsequently retold by various respected chroniclers and widely credited up through Magellan’s time.

I had such a beautiful evening planned. Candlelight, dancing, maybe a few flirtatious threats. And what do I get? Grand Theft Equine.

General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever

After multiple suicide attempts Maria was placed in one of our residential treatment centers. Initially she was mute and withdrawn and became violent when people got too close to her. After other approaches failed to work, she was placed in an equine therapy program where she groomed her horse daily and learned simple dressage. Two years later I spoke with Maria at her high school graduation. She had been accepted by a four-year college. When I asked her what had helped her most, she answered, “The horse I took care of.” She told me that she first started to feel safe with her horse; he was there every day, patiently waiting for her, seemingly glad upon her approach. She started to feel a visceral connection with another creature and began to talk to him like a friend. Gradually she started talking with the other kids in the program and, eventually, with her counselor.

Training horses should always follow this equation: 50 percent of time spent on schooling; 50 percent of time spent on conditioning. Schooling should never outweigh work on basic conditioning.

Norcroft Equestrian Developments Ltd have over forty years experience to the equine market and expertise in fencing the worlds leading Stud Farms and Training Centres, supplying Pressure Creosoted Post & Rail Fencing, Stud Entrance & Paddock Gates - Norcroft provide the complete service from concept to completion. Building on a reputation for quality and service we continue to pioneer new fencing systems and revolutionising fencing construction.

On the surface, it seems absurd that an animal as big as a horse would be afraid of anything, let alone a fluttering piece of paper. Yet most horses are real scaredy-cats, easily frightened by objects they can’t readily identify, especially if these things are moving.

Human eyes are set in the front of our heads. This gives us binocular, stereoscopic vision, which means that our eyes combine the images we see to obtain a three-dimensional effect. This results in excellent depth perception, also shared by other hunters, such as dogs, cats, hawks, and owls. Horses, however, have eyes set on the sides of their heads, providing excellent lateral vision, a trait they share with other prey species, such as sheep, deer, rabbits, ducks, and pigeons.

These days, training is increasingly about getting a horse to work “with” us instead of “for” us, and that takes knowledge, not just of what a horse can do and be made to do, but how a horse thinks and can learn to trust us.

A zebroid is a zebra with any other equine animal. A ligur is a male lion with a lady tiger. A mule is a jack donkey with a female horse. A hinny is a jenny with a male horse. And a grolar bear is a polar bear with a grizzly. Very rare but presumably utterly terrifying.

The 32 Society by Stewart Stafford Fight to the last piece, they said, Icons of state bring up the rear, Grunt pawn's first blood duty, Let the board's body count commence. Equine knight in dog-legged battle, Warrior bishop's angular support, Scorpion's claw pincer movement, Then, the trap slams mercilessly shut. The field wiped clean of combatants, The aristocracy's barren playground, Royals tour their chequered court, Pieces reassembled as war restarts. © Stewart Stafford, 2024. All rights reserved.

Dismiss the thought,” protested Lindsay from a certain equine altitude, “for it would make us no better than common thieves.

As we hammer to shod the mule's hooves With a succinct kick, the equine reproves.

Collin Pittman is a finance manager and business owner with a diverse skill set. Based in Rochester, NY, Collin is an expert in credit repair and finance. He is also an experienced horse trainer with a passion for equine training. he hopes to expand his business and help people form meaningful bonds with horses.

Collin Pittman is a finance manager and business owner with a passion for equine training. Based in Rochester, NY, Collin is an expert in credit repair and finance. His long-term goals include expanding his business and running a successful equine training facility, all while making a positive impact on the community.

Ode To The Stretchy Trot Oh stretchy trot, friend of friends, honest and true, how do I love thee? Let me count the ways. There in the beginning, and there at the end, thy calming presence evolving into the finest equine dance. Compulsory test circle or ultimate personal choice, available at a moment's notice, thou art the true collaborator. Releasing tension, transmitting serenity to the mind, encouraging relaxation, improving weight carriage; Steadfastly the soothing one during tumultuous times. . I know when thou art here: soft ears, loose muscles, bounciness, floating light-stepped-ness, and the ever-pervasive snorts! . Not a mere "neck down" or some prescribed posture to behold, thou art an overall body stretch through the topline from tail to ear. I cannot express enough love for thee, save that I will be here, lingering, eagerly awaiting your next appearance.

Sincerely, stop and wait to appreciate the awareness if your horse offers you an ear, an eye, or a head turn. If the horse approaches you, extend a brief greeting in return. There is nothing more important at that time. The horse learns that you are listening when you respond.

No amount of charms could persuade a wart to take root on her handsome if slightly equine features, and vast intakes of sugar only served to give her boundless energy. A wizard she’d consulted had explained it was on account of her having a metabolism, which at least allowed her to feel vaguely superior to Nanny Ogg, who she suspected had never even seen one.

my little equine eroticist.

The Yorkshire was something of a landmark, and facing it across the river was another, Botterill’s Horse Repository, a startling and ornate building in red and yellow brick. Here the gentlemen who rode or drove into York could leave their horses. The stalls were arranged on several storeys, with ramps leading up from floor to floor – the equine equivalent, Teddy supposed, of one of those new blocks of ‘flats’ one heard about in London – and if York grew any more crowded, they would all end up living on top of each other, like the horses, he thought.

My eyes wander again to that faded photograph, mentioned much earlier, of Lata and Norma, head by head, radiant in the glow of their great triumph. It is, I realize, a picture of two friends: equals; perhaps even kindred spirits. Lata's gift for seeing through equine eyes was not simply a means to an end. In some ways, I suspect, it was more basic than that: the worldview of the horse actually overlapped her own.

V. Kendall, “Therapeutic Nutrition for the Cat, Dog, and Horse.” 1998;

Horseback Dinner given in 1903 by Mr. C. K. G. Billings. For this party, also at Sherry’s, the ballroom was filled with live trees and shrubs to represent a forest glade. The floor was sodded, and all about the room “blue bloods of the equine world

JA has an undergraduate degree in equine science and fully planned on becoming a veterinarian until

Jennifer began to change. Her clothes fell from her body in rotten tatters, like the wrappings of a mummy. The skin shifted on her body, turning a pallid gray, covered with black patches of mold. It glistened with some kind of interior light—a luminous rot. She seemed taller, stronger, more beautiful. She was naked, but her body was androgynous: gorgeous, magnetic, dead. Through her failing flesh he saw an equine skull bearing too many pale, sightless eyes. She was at once regal and putrid, her body wavering between her own elderly form and the holy beauty of the Corpse, as though seen beneath rippling water.

Racing is not what it used to be. The purity's gone. In the beginning, people lived or the thunder of hoofs against the brown dirt track. Horses were treated like royalty. Now, they're like slaves.

Most frightening of all was Alibek’s recounting of experiments to insert the gene of Venezuelan equine encephalitis, a mosquito-borne virus that attacks the brain—into vaccinia, the smallpox vaccine. If this were successful, it would be only a small step to put it into smallpox itself, with which he assured us Biopreparat had been well stocked, creating a superweapon against which the US vaccine would not work. This research was part of an organized program, he told us, known as the Chimera Project.

Horses are not just smart; they are learning machines. They scout for cues everywhere and soak up information. Once acquired, new knowledge sticks to a horse’s brain like superglue. If there’s a problem with equine learning, it’s that horses learn too quickly—and forget too poorly—to accommodate human errors.

Were Lord and Lady Berwick kind to her?” he asked gruffly. “I believe so. She speaks of them with affection.” Helen paused. “The family was very strict. There were many rules, and they were enforced with severity. They value self-restraint perhaps too much.” She smiled absently. “The only exception is the subject of horses. They’re all quite horse-mad. The night before Kathleen’s wedding, at dinner, they had an enthusiastic conversation about pedigrees and equine training, and rhapsodized about the fragrance of the stables as if it were the finest perfume. It went on for nearly an hour. Theo was a bit annoyed, I think. He felt somewhat left out, since he didn’t share their passion for the subject.” Biting back an observation about his cousin’s lack of interest in any subject except himself, Devon glanced outside.

The end, now that it had arrived, threw new light on what had come before. All the reminders I had received over the past fifteen years that I was remarkable—the highest-paid advertising woman in America, et cetera—were now swept away by this final reminder that I was not. I had loved this place, and I had succeeded here, but my successes had done nothing to change it in any real way, no more than Clever Hans the counting horse had opened up opportunities for equine bookkeepers. All the articles that I had clipped and mailed home to my mother to prove that I was right and she was wrong now seemed to be saying something different: that I was a novelty, not a paragon. A freak. The exception that p’d the r, all right.

Abby used to tell him that someone would come to his place one day that he wished he would've picked up for. And wouldn't you know it, that time had finally come.

Girl, every one of us has regretted a decision. Don't let this be yours.

I PALE HORSE 1 THE VIRUS NOW known as Hendra wasn’t the first of the scary new bugs. It wasn’t the worst. Compared to some others, it seems relatively minor. Its mortal impact, in numerical terms, was small at the start and has remained small; its geographical scope was narrowly local and later episodes haven’t carried it much more widely. It made its debut near Brisbane, Australia, in 1994. Initially there were two cases, only one of them fatal. No, wait, correction: There were two human cases, one human fatality. Other victims suffered and died too, more than a dozen—equine victims—and their story is part of this story. The subject of animal disease and the subject of human disease are, as we’ll see, strands of one braided cord. The original emergence of Hendra virus didn’t seem very dire or newsworthy unless you happened to live in eastern Australia. It couldn’t match an earthquake, a war, a schoolboy gun massacre, a tsunami. But it was peculiar. It was spooky. Slightly better known now, at least among disease scientists and Australians, and therefore slightly less spooky, Hendra virus still seems peculiar. It’s a paradoxical thing: marginal, sporadic, but in some larger sense representative. For exactly that reason, it marks a good point from which to begin toward understanding the emergence of certain virulent new realities on this planet—realities that include the death of more than 30 million people since 1981. Those realities involve a phenomenon called zoonosis. A zoonosis is an animal infection transmissible to humans. There are more such diseases than you might expect. AIDS is one. Influenza is a whole category of others. Pondering them as a group tends to reaffirm the old Darwinian truth (the darkest of his truths, well known and persistently forgotten) that humanity is a kind of animal, inextricably connected with other animals: in origin and in descent, in sickness and in health. Pondering them individually—for starters, this relatively obscure case from Australia—provides a salubrious reminder that everything, including pestilence, comes from somewhere.

It was the first time I thought about my age in terms of being old, but it didn’t take me long to forget about it. I became accustomed to waking every day with a different pain that kept changing location and form as the years passed. At times it seemed to be the clawing of death, and the next day it would disappear. This was when I heard that the first symptom of old age is when you begin to resemble your father. I must be condemned to eternal youth, I thought, because my equine profile will never look like my father’s raw Caribbean features or my mother’s imperial Roman ones. The truth is that the first changes are so slow they pass almost unnoticed, and you go on seeing yourself as you always were, from the inside, but others observe you from the outside. In

Horses are fiercely loyal and committed. They give us tremendous gifts, if we only allow ourselves to be open to them.