Rain Related Quotes

She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.

There is nothing more alone than being in a car at night in the rain. I was in the car. And I was glad of it. Between one point on the map and another point on the map, there was the being alone in the car in the rain. They say you are not you except in terms of relation to other people. If there weren't any other people there wouldn't be any you because what you do which is what you are, only has meaning in relation to other people. That is a very comforting thought when you are in the car in the rain at night alone, for then you aren't you, and not being you or anything, you can really lie back and get some rest. It is a vacation from being you. There is only the flow of the motor under your foot spinning that frail thread of sound out of its metal guy like a spider, that filament, that nexus, which isn't really there, between the you which you have just left in one place and the you which you will be where you get to the other place.

Having better prediction raises the value of judgment. After all, it doesn’t help to know the likelihood of rain if you don’t know how much you like staying dry or how much you hate carrying an umbrella. Prediction machines don’t provide judgment. Only humans do, because only humans can express the relative rewards from taking different actions. As AI takes over prediction, humans will do less of the combined prediction-judgment routine of decision making and focus more on the judgment role alone.

London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will

It would be ridiculous to talk of male and female atmospheres, male and female springs or rains, male and female sunshine.... how much more ridiculous is it in relation to mind, to soul, to thought, where there is as undeniably no such thing as sex, to talk of male and female education and of male and female schools. [written with Elizabeth Cady Stanton]

But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks. "You write down your criticisms, do you?" "I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all." "But what good does it do?" "None at all." "A waste of effort." "A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however. A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence.

I’ll give you a theory: Man’s closest relative is not the chimpanzee, as the TV people believe, but is, in fact, the dog.

The moonlight rained down on the beach as if to shine a spotlight on my solitude, and I wanted to cry out at it, ‘Why did you take her? You, surrounded by all of your twinkling stars and infinite wonders and darkness. There’s already enough beauty where you are.

But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The seas, rains, necessity, desire, the struggle against death--these are things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual, but the reality of the world is common to us all. Striving towards realism is therefore legitimate, for it is basically related to the artistic adventure.

It's raining in Washington tonight. Plump, warm summer rain that covers the sidewalks with leopard spots. Downtown, elderly ladies carry their houseplants out to set them on the fire-escapes, as if they were infirm relatives or Boy Kings. I like that.

A good deal of the corporate planning I have observed is like a ritual rain dance; it has no effect on the weather that follows, but those who engage in it think it does. Moreover, it seems to me that much of the advice and instruction related to corporate planning is directed at improving the dancing, not the weather.

Man's closest relative is not the chimpanzee, as the TV people believe, but is, in fact, the dog. "Enzo" I admire the female sex. The life makers. It must be amazing to have a body that can carry an entire creature inside. "Enzo

Still I can't get it out of my mind what a discrepancy there is between ideas and living. A permanent dislocation, though we try to cover the two with a bright awning. And it won't go. Ideas have to be wedded to action; if there is no sex, no vitality in them, there is no action. Ideas cannot exist alone in the vacuum of the mind. Ideas are related to living: liver ideas, kidney ideas, interstitial ideas, etc. If it were only for the sake of an idea Copernicus would have smashed the existent macrocosm and Columbus would have foundered in the Sargasso Sea. The aesthetics of the idea breeds flowerpots and flowerpots you put on the window sill. But if there be no rain or sun of what use putting flowerpots outside the window?

i'm beginning to feel like this. caught the incredible sunshine just in the nick of time today on my walk. the wall of rain approaching from the west desert was pretty spectacular, too. along with being gorgeous, it was sooo muddy. which made driving home in no shoes so very fun :) if only i could post photos here! a picture is worth a thousand words, yes? If a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up.

When people related by blood were so careful with each other, when they were so very polite, there was soon nothing left to say. Only niceties that meant so little they might as well have been spoken to a complete stranger. Pass the butter, open the door, see you after school, there's rain again, it's sunny, it's cold. Has the dog eaten? Has the window been shut? Where are you going? Why is it I don't know you at all? Such statements did not add up to anything like a family...

What best remind us of a person is precisely what we had forgotten (because it was of no importance, and we therefore left it in full possession of its strength). That is why the better part of our memories exist outside us, in a blatter of rain, in the smell of an unaired room or of the first crackling brushwood fire in a cold grate: wherever, in short, we happen upon what our mind, having no use for it, had rejected, the last treasure that the past has in store, the richest, that which, when all our flow of tears seems to have dried at the source, can make us weep again. Outside us? Within us, rather, but hidden from our eyes in an oblivion more or less prolonged. It is thanks to this oblivion alone that we can from time to time recover the person that we were, place ourselves in relation to things as he was placed, suffer anew because we are no longer ourselves but he, and because he loved what now leaves us indifferent. In the broad daylight of our habitual memory the images of the past turn gradually pale and fade out of sight, nothing remains of them, we shall never recapture it. Or rather we should never recapture it had not a few words been carefully locked away in oblivion, just as an author deposits in the National Library a copy of a book which might otherwise become unobtainable.

Do you mind?’ He inquired politely as he lowered himself into the chair. ‘Do I mind what?’ She examined his ears as if they were curious phenomena. ‘Rabies, dogs, aged relatives or standing around in the rain?’ ‘Do you mind me sitting here?’ ‘I can please myself whether or not I endure it. That’s freedom, isn’t it?

And also--to add to my problems--my parents and relatives kept telling me how they'd grown up feeling so close to the Almighty that they'd spoken to Him on a daily basis as one would speak to a friend and how, now and then, God had actually spoken back to them in the form of miracles.

To the Druidic mind, trees are sentient beings. Far from being unique to the Celts, this idea was shared by many of the ancient civilizations that lived in the vast virgin wildwoods of the past. The Celts believed a tree’s presence could be felt more keenly at night or after a heavy rain, and that certain people were more attuned to trees and better able to perceive them. There is a special word for this recognition of sentience, mothaitheacht. It was described as a feeling in the upper chest of some kind of energy or sound passing through you. It’s possible that mothaitheacht is an ancient expression of a concept that is relatively new to science: infrasound or “silent” sound. These are sounds pitched below the range of human hearing, which travel great distances by means of long, loping waves. They are produced by large animals, such as elephants, and by volcanoes. And these waves have been measured as they emanate from large trees.

Everything is so precariously held together here that you might want a helping hand. Nobody is going to teach you that right after a harvest, poorly paid labourers were hungry enough to smoke out rodent holes and steal back the grains of paddy pilfered by rats. But you will manage. You will learn to relate without family trees. You will learn to make do without a village map. You will learn that criminal landlords can break civil laws to enforce caste codes. You will learn that handfuls of rice of rice can consume half a village. You will loafer learn that in the eyes of the law, the rich are incapable of soiling their hands with either mud or blood. You will learn to wait for revenge with the patience of a village awaiting rain.

Because when all is said and done the setting doesn’t matter: the space, the walls, the light. It makes no difference whether I’m under a clear blue sky or caught in the rain or swimming in the transparent sea in summer. I could be riding a train or traveling by a car or flying in a plane, among the clouds that drift and spread on all sides like a mass of jellyfish in the air. I’ve never stayed still, I’ve always been moving, that’s all I’ve ever been doing. Always waiting either to get somewhere or to come back. Or to escape. I keep packing and unpacking the small suitcase at my feet. I hold my purse in my lap, it’s got some money and a book to read. Is there any place we’re not moving through? Disoriented, lost, at sea, at odds, astray, adrift, bewildered, confused, uprooted, turned around. I’m related to these related terms. These words are my abode, my only foothold. On the Train There are five of them, four men and a woman, all more or less the same age.

You cannot divide a child's heart in two" she had observed to Mma Makutsi, "and yet that is what some people wish to do. A child has only one heart." "And the rest of us?" Mma Makutsi had asked. "Do we not have one heart too?" Mma Ramotswe nodded. "Yes, we have only one heart, but as you grow older you heart grows bigger. A child loves only one or two things; we love so many things." "Such as?" Mma Ramotswe smiled. "Botswana. Rain. Cattle. Friends. Our children. Our late relatives. The smell of woodsmoke in the morning. Red bush tea...

As if reading his mind, Lily huffed. “You’re as predictable as the spring rains, son of mine, and as boring as drying paint. Unless there’s an emergency, you’re home every night by seven, you eat dinner by yourself, go for a run, watch exactly one hour of TV by yourself, and go to bed at ten o’clock. If God ever loses his watch, he only has to look at Lance Beaufort to get back on schedule.” ... “I’ve been having trouble with my phone,” he tried. Lily took two strides to the desk, leaned over it with both hands braced on the surface, and stared. “Okay, yes! I have been over there. But it’s for work. And…and it’s work related!” “Oh? Explain that to me, because I thought you were the sheriff, not in training for a role in Lassie.

In his autobiography Stravinsky relates that the first music he remembers was made by a peasant, working his hand in his armpit to produce a rhytmic farting.

Perhaps we ought to feel with more imagination. As today the sky 70 degrees above zero with lines falling The way September moves a lace curtain to be near a pear, The oddest device can't be usual. And that is where The pejorative sense of fear moves axles. In the stars There is no longer any peace, emptied like a cup of coffee Between the blinding rain that interviews. You were my quintuplets when I decided to leave you Opening a picture book the pictures were all of grass Slowly the book was on fire, you the reader Sitting with specs full of smoke exclaimed How it was a rhyme for "brick" or "redder." The next chapter told all about a brook. You were beginning to see the relation when a tidal wave Arrived with sinking ships that spelled out "Aladdin." I thought about the Arab boy in his cave But the thoughts came faster than advice. If you knew that snow was a still toboggan in space The print could rhyme with "fallen star.

Pain patterns are vicious cycles, unconsciously passed from generation to generation in deeply entrenched behavioral and relational paradigms. They cannot be changed from the outside, only from within. Fear gives way to comfort, pain to healing, anger to peace, despair to hope, only when the heart of a person or the soul of a people feel safe enough to emerge from the hardened shell of self-preservation and become open to new possibilities. A hurting humanity cannot be healed by force, by arguing, shaming, threatening, manipulating. Those merely feed the pain patterns and harden their protective shells. Love, acceptance, empathy, compassion, those are the gentle rain that blossoms hurt into healing, transforming pain patterns into the peaceful flowering of a healthy, heart-whole humanity.

I will here give a brief sketch of the progress of opinion on the Origin of Species. Until recently the great majority of naturalists believed that species were immutable productions, and had been separately created. This view has been ably maintained by many authors. Some few naturalists, on the other hand, have believed that species undergo modification, and that the existing forms of life are the descendants by true generation of pre existing forms. Passing over allusions to the subject in the classical writers (Aristotle, in his "Physicae Auscultationes" (lib.2, cap.8, s.2), after remarking that rain does not fall in order to make the corn grow, any more than it falls to spoil the farmer's corn when threshed out of doors, applies the same argument to organisation; and adds (as translated by Mr. Clair Grece, who first pointed out the passage to me), "So what hinders the different parts (of the body) from having this merely accidental relation in nature? as the teeth, for example, grow by necessity, the front ones sharp, adapted for dividing, and the grinders flat, and serviceable for masticating the food; since they were not made for the sake of this, but it was the result of accident. And in like manner as to other parts in which there appears to exist an adaptation to an end. Wheresoever, therefore, all things together (that is all the parts of one whole) happened like as if they were made for the sake of something, these were preserved, having been appropriately constituted by an internal spontaneity; and whatsoever things were not thus constituted, perished and still perish." We here see the principle of natural selection shadowed forth, but how little Aristotle fully comprehended the principle, is shown by his remarks on the formation of the teeth.), the first author who in modern times has treated it in a scientific spirit was Buffon. But as his opinions fluctuated greatly at different periods, and as he does not enter on the causes or means of the transformation of species, I need not here enter on details.

To be honest, it's a real relief to go to Canada where I can be among my relatives. Just the kind of break I need. Strange enough, when I'm there, I can't wait to get back to Guyana. There's something that's always calling me back, something in the blood, I guess." Father Martin to Carl Dias in Racing With The Rain.

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping.

relates to the world of shadow and light, and exactly what she’s willing to do to stand her ground. In our society ‘dark’ is automatically viewed as ‘evil’; and ‘light’ is automatically viewed as ‘good’. We’re expected to live completely within one realm and to totally avoid the other. This creates imbalance and is a great injustice to the true spirit of the ancient wise woman.

As if to demonstrate the possibilities of socialism, the People's Republic of China not only survived but is prospering just when the productive decrepitude of capitalism is more apparent than ever, its imperial offer unable to obtain submission and its military power unable to compel it, only to rain destruction on societies that are the targets - such as Afghanistan, Iraq or Syria - or proxies - such as Ukraine today - in vain efforts to do so. Against this background, Chinese and other persisting socialisms demonstrate to increasingly interested publics worldwide, particularly amid the pandemic and the war, that there are saner ways to organise society, material production, politics and culture as well as a society's relations with nature and other societies.

Every story is narrated by someone, and since everyone has a viewpoint, every story is misnarrated (is narrated subjectively). Since all narration is misnarration, Gogol says, let us misnarrate joyfully. It’s like a prose version of the theory of relativity: no fixed, objective, “correct” viewpoint exists; an unbalanced narrator describes, in an unbalanced voice, the doings of a cast of unbalanced characters. In other words, like life.

In 7.81 square miles of vaunted black community, the 850 square feet of Dum Dum Donuts was the only place in the "community" where one could experience the Latin root of the word, where a citizen could revel in common togetherness. So one rainy Sunday afternoon, not long after the tanks and media attention had left, my father ordered his usual. He sat at the table nearest the ATM and said aloud, to no one in particular, "Do you know that the average household net worth for whites is $113,149 per year, Hispanics $6,325, and black folks $5,677?" "For real?" "What's your source material, nigger?" "The Pew Research Center." Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction. Pops politely asked the manager to dim the lights. I switched on the overhead projector, slid a transparency over the glass, and together we craned our necks toward the ceiling, where a bar graph titled "Income Disparity as Determined by Race" hovered overhead like some dark, damning, statistical cumulonimbus cloud threatening to rain on our collective parades. "I was wondering what that li'l nigger was doing in a donut shop with a damn overhead projector.

No doubt you are aware that the winds have colour... A record of this belief will be found in the literature of all ancient peoples. There are four winds and eight sub-winds each with its own colour. The wind from the east is a deep purple, from the south a fine shining silver. The north wind is a hard black and the west is amber. People in the old days had the power of perceiving these colours and could spend a day sitting quietly on a hillside watching the beauty of the winds, their fall and rise and changing hues, the magic of neighbouring winds when they are inter-weaved like ribbons at a wedding. It was a better occupation than gazing at newspapers. The sub-winds had colours of indescribable delicacy, a reddish-yellow half-way between silver and purple, a greyish-green which was related equally to black and brown. What could be more exquisite than a countryside swept lightly by cool rain reddened by the south-west breeze'.

The traffic jam, rained-out picnic, misplaced keys, and lost sales are all easier to accept. We become more comfortable with the reality that sometimes we’ll get the date or the promotion and other times we won’t. By letting go of our struggle to control everything, we become less easily thrown by life’s daily ups and downs—and less likely to get caught in emotional problems like depression and anxiety or stress-related physical problems like chronic pain and insomnia.

Loss aversion refers to the relative strength of two motives: we are driven more strongly to avoid losses than to achieve gains. A reference point is sometimes the status quo, but it can also be a goal in the future: not achieving a goal is a loss, exceeding the goal is a gain. As we might expect from negativity dominance, the two motives are not equally powerful. The aversion to the failure of not reaching the goal is much stronger than the desire to exceed it. People often adopt short-term goals that they strive to achieve but not necessarily to exceed. They are likely to reduce their efforts when they have reached an immediate goal, with results that sometimes violate economic logic. New York cabdrivers, for example, may have a target income for the month or the year, but the goal that controls their effort is typically a daily target of earnings. Of course, the daily goal is much easier to achieve (and exceed) on some days than on others. On rainy days, a New York cab never remains free for long, and the driver quickly achieves his target; not so in pleasant weather, when cabs often waste time cruising the streets looking for fares. Economic logic implies that cabdrivers should work many hours on rainy days and treat themselves to some leisure on mild days, when they can “buy” leisure at a lower price. The logic of loss aversion suggests the opposite: drivers who have a fixed daily target will work many more hours when the pickings are slim and go home early when rain-drenched customers are begging to be taken somewhere.

If you are not spending all of your waking life in discontent, worry, anxiety, depression, despair, or consumed by other negative states; if you are able to enjoy simple things like listening to the sound of the rain or the wind; if you can see the beauty of clouds moving across the sky or be alone at times without feeling lonely or needing the mental stimulus of entertainment; if you find yourself treating a complete stranger with heartfelt kindness without wanting anything from him or her... it means that a space has opened up, no matter how briefly, in the otherwise incessant stream of thinking that is the human mind. When this happens, there is a sense of well-being, of alive peace, even though it may be subtle. The intensity will vary from a perhaps barely noticeable background sense of contentment to what the ancient sages of India called ananda - the bliss of Being. Because you have been conditioned to pay attention only to form, you are probably not aware of it except indirectly. For example, there is a common element in the ability to see beauty, to appreciate simple things, to enjoy your own company, or to relate to other people with loving kindness. This common element is a sense of contentment, peace, and aliveness that is the invisible background without which these experiences would not be possible. Whenever there is beauty, kindness, the recognition of the goodness of simple things in your life, look for the background to that experience within yourself. But don't look for it as if you were looking for something. You cannot pin it down and say, "Now I have it," or grasp it mentally and define it in some way. It is like the cloudless sky. It has no form. It is space; it is stillness, the sweetness of Being and infinitely more than these words, which are only pointers. When you are able to sense it directly within yourself, it deepens. So when you appreciate something simple - a sound, a sight, a touch - when you see beauty, when you feel loving kindness toward another, sense the inner spaciousness that is the source and background to that experience.

Natural selection builds child brains with a tendency to believe whatever their parents and tribal elders tell them. Such trusting obedience is valuable for survival: the analogue of steering by the moon for a moth. But the flip side of trusting obedience is slavish gullibility. The inevitable by-product is vulnerability to infection by mind viruses. For excellent reasons related to Darwinian survival, child brains need to trust parents, and elders whom parents tell them to trust. An automatic consequence is that the truster has no way of distinguishing good advice from bad. The child cannot know that ‘Don’t paddle in the crocodile-infested Limpopo’ is good advice but ‘You must sacrifice a goat at the time of the full moon, otherwise the rains will fail’ is at best a waste of time and goats. Both admonitions sound equally trustworthy. Both come from a respected source and are delivered with a solemn earnestness that commands respect and demands obedience. The same goes for propositions about the world, about the cosmos, about morality and about human nature.

And this one is relatively common: iatrophobia, or fear of doctors. Or gynophobia, which is fear of women, and naturally only afflicts only men. Very widespread in Mexico, although it manifests itself in different ways. Isn't that a slight exaggeration? Not a bit: almost all Mexican men are afraid of women. I don't know what to say to that, said Juan de Dios Martínez. Then there are two fears that are really very romantic: ombrophobia and thalassophobia, or fear of rain and fear of the sea. And two others with a touch of the romantic: anthophobia, or fear of flowers, and dendrophobia, fear of trees. Some Mexican men may be gynophobes, said Juan de Dios Martínez, but not all of them, it can't be that bad. What do you think optophobia is? asked the director. Opto, opto, something to do with the eyes, my God, fear of the eyes? Even worse: fear of opening the eyes. In a figurative sense, that's the answer to what you just said about gynophobia. In a literal sense, it leads to violent attacks, loss of consciousness, visual and auditory hallucinations, and generally aggressive behavior.

To be aware is to be responsible. In Gestalt therapy, this word is used in two ways. First, we are responsible if we are aware of what is happening to us. To take responsibility means, in part, to embrace our existence as it occurs. The other and related meaning of responsibility is that we own up to our acts, impulses, and feelings. We identify with them, accepting all of what we do as ours. These are distinct and different meanings. We are responsible for things we clearly do - for being angry, or obstinate, or irresponsible; for breaking dishes and giving gifts. We are responsible as well for the injuries inflicted on us, and the presents we receive, for what is done to us. Here we are responsible for our part in the event - for the pain we feel and the taking of the gift. When it rains, we get wet. While we didn't make it rain, we are responsible for being wet. We are also responsible for our middle mode experiences, for the things we participate in and give ourselves to. We do not make ourselves love, or hate, but they are the feelings we have. We are responsible for having those feelings, not because we caused them to be, but because they are our existence at this moment.

Mimicry flows like beauty from Mexico City’s faucets, space and time are relative, and instead of the usual floral-and-stone façade, there’s dahlia and obsidian. In the course of time, what was yesterday a lake of water becomes asphalt today, and the past is a perpetual duplication that drowns the future. Yesterday’s omens come back, the same substance in a different shape. The city is a nagual that becomes a wall of skulls, an intelligent domotique structure: the Huitzilopochtli temple in a cathedral and Castile roses in cactus bouquets. Time is measured simultaneously with the Aztec, Julian, and Gregorian calendars and the cesium fountain atomic clock; the heart of Mexico City is made of mud and green rocks, and the God of Rain continues to cry over the whole country.

That exactly is how my father and mother met and became man and wife. There were no home ceremonials, such as the seeking and obtaining of parental consent, because there were no parent; no conferences by uncles and grand-uncles, or exhortations by grandmothers and aunts; no male relatives to arrange the marriage knot, nor female relations to herald the family union, and no uncles of the bride to divide the bogadi (dowry) cattle as, of course, there were no cattle. It was a simple matter of taking each other for good and or ill with the blessing of the ‘God of Rain’. The forest was their home, the rustling trees their relations, the sky their guardian and the birds, who sealed the marriage contract with the songs, the only guests. Here they stablished their home and names it Re-Nosi (We-are-alone). [41]

Keeping a new church outwardly focused from the beginning is much easier than trying to refocus an inwardly concerned church. In order to plant a successful church, you have to know that you know that you are undeniably called by God. The call to start a new church plant is not the same as the call to serve in an existing church or work in a ministry-related organization. You may be the greatest preacher this side of Billy Graham but still not be called to start a church. If you think you may have allowed an improper reason, voice or emotion to lead you to the idea of starting a new church, back away now. Spend some more time with God. You don’t want to move forward on a hunch or because you feel “pretty sure” that you should be planting a church. You have to be completely certain. “You’re afraid? So what. Everybody’s afraid. Fear is the common ground of humanity. The question you must wrestle to the ground is, ‘Will I allow my fear to bind me to mediocrity?’” When you think of a people group that you might be called to reach, does your heart break for them? If so, you may want to consider whether God is specifically calling you to reach that group for His kingdom. Is your calling clear? Has your calling been confirmed by others? Are you humbled by the call? Have you acted on your call? Do you know for certain that God has called you to start a new church? Nail it down. When exactly were you called? What were the circumstances surrounding your call? How did it match up with the sources of proper calling? Do you recognize the four specific calls in your calling? How? How does your call measure up to biblical characteristics? What is the emerging vision that God is giving you with this call? As your dependence on God grows, so will your church. One of the most common mistakes that enthusiastic and well-meaning church starters make is to move to a new location and start trying to reach people without thinking through even a short-term strategy. Don’t begin until you count the cost. why would you even consider starting a church (the only institution Jesus left behind and the only one that will last forever) without first developing a God-infused, specific, winning strategy? There are two types of pain: the pain of front-end discipline and the pain of back-end regret. With the question of strategy development, you get to choose which pain you’d rather live with. Basically, a purpose, mission and vision statement provides guiding principles that describe what God has called you to do (mission), how you will do it (purpose) and what it will look like when you get it done (vision). Keep your statement simple. Be as precise as possible. Core values are the filter through which you fulfill your strategy. These are important, because your entire strategy will be created and implemented in such a way as to bring your core values to life. Your strategic aim will serve as the beacon that guides the rest of your strategy. It is the initial purpose for which you are writing your strategy. He will not send more people to you than you are ready to receive. So what can you do? The same thing Dr. Graham does. Prepare in a way that enables God to open the floodgates into your church. If you are truly ready, He will send people your way. If you do the work we’ve described in this chapter, you’ll be able to build your new church on a strong base of God-breathed preparation. You’ll know where you are, where you’re going and how you are going to get there. You’ll be standing in the rain with a huge bucket, ready to take in the deluge. However, if you don’t think through your strategy, write it down and then implement it, you’ll be like the man who stands in the rainstorm with a Dixie cup. You’ll be completely unprepared to capture what God is pouring out. The choice is yours!

Whereas Einstein was not the James Joyce of scientists and James Joyce was not the Einstein of novelists who no one could go beyond because beyond was a space where all is curved and comes around again to its beginning in a relative sort of way and after all isn't that what a river does always turning back upon itself like a serpent eating its tail which is life itself and everyone's life like a rushing stream down a mountain into the greatest river and the river always coming back to itself after it flows to the ocean and returns in clouds and rain and sunsets although today sunsets are dying the rivers dying and how much longer will the river be returning and returning as if a river really ever could come home again with its voyagers and that far wanderer James Joyce always leaning back to listen to old River Liffey telling him the great tale always whispering to him that wake of words for all of us to wail upon along a riverrun homing in the gloaming

You who thoroughly cultivated loving-kindness are the spiritual guide of all beings. Unshakeable like Mount Meru, you remain utterly unperturbed. —THE KING OF MEDITATION SUTRA, CHAPTER 14 When the Buddha sat beneath the Bodhi Tree and the hordes of demons, known as maras, rose up around him, hurling spears and shooting arrows, his samadhi transformed the weapons into a rain of blossoms. Loving-kindness has the power to turn enemies into teachers and aggressions into adornments. It is the ground from which the other three immeasurables draw their power. When we train in loving-kindness, we expand outward into the experience of those around us. Our tightness loosens, our compassion grows. We feel the joys and sufferings of others more deeply, and we are moved to help them. We take delight in the successes of our friends. Our equanimity becomes rooted in an indestructibly pure intention, in which distance and closeness of relation are no longer relevant. This is why the Buddha said we can become unshakeable like Mount Meru.

I have never hated anything as much as I hated being a teenager. I could not have been more ill-suited to the state of adolescence. I was desperate to be an adult; desperate to be taken seriously. I hated relying on anyone for anything. I'd have sooner cleaned floors than be given pocket money or walked three miles in the rain at night than be given a lift home by a parent. I was looking up the price of one-bedroom flats in Camden when I was fifteen, so I could get a head start on saving up with my babysitting money. I was using my mum's recipes and dining table to host 'dinner parties' at the same age, forcing my friends round for rosemary roast chicken tagliatelle and raspberry pavlova with a Frank Sinatra soundtrack, when all they wanted to was eat burgers and go bowling. I wanted my own friends, my own schedule, my own home, my own money and my own life. I found being a teenager one big, frustrating, mortifying, exposing, co-dependent embarrassment that couldn't end fast enough. Alcohol, I think, was my small act of independence. It was the one way I could feel like an adult.

After two weeks came the first letter from Alexander. Tatiasha, Can there be anything harder than this? Missing you is a physical aching that grips me early in the morning and does not leave me, not even as I draw my last waking breath. My solace in these waning empty summer days is the knowledge that you’re safe, and alive, and healthy, and that the worst that you have to go through is serfdom for four well-meaning old women. The wood piles I’ve left are the lightest in the front. The heaviest ones are for the winter. Use them last, and if you need help carrying them, God help me, ask Vova. Don’t hurt yourself. And don’t fill the water pails all the way to the top. They’re too heavy. Getting back was rough, and as soon as I came back, I was sent right out to the Neva, where for six days we planned our attack and then made a move in boats across the river and were completely crushed in two hours. We didn’t stand a chance. The Germans bombed the boats with the Vanyushas, their version of my rocket launcher, the boats all sank. We were left with a thousand fewer men and were no closer to crossing the river. We’re now looking at other places we can cross. I’m fine, except for the fact that it’s rained here for ten days straight and I’ve been hip deep in mud for all that time. There is nowhere to sleep, except in the mud. We put our trench coats down and hope it stops raining soon. All black and wet, I almost felt sorry for myself until I thought of you during the blockade. I’ve decided to do that from now on. Every time I think I have it so tough, I’m going to think of you burying your sister in Lake Ladoga. I wish you had been given a lighter cross than Leningrad to carry through your life. Things are going to be relatively quiet here for the next few weeks, until we regroup. Yesterday a bomb fell in the commandant’s bunker. The commandant wasn’t there at the time. Yet the anxiety doesn’t go away. When is it going to come again? I play cards and soccer. And I smoke. And I think of you. I sent you money. Go to Molotov at the end of August. Don’t forget to eat well, my warm bun, my midnight sun, and kiss your hand for me, right in the palm and then press it against your heart. Alexander Tatiana read Alexander’s letter a hundred times, memorizing every word. She slept with her face on the letter, which renewed her strength.

Maya is Time, the illusion of the ego, the stuff of individual existence, the dream that separates us from a true perception of the whole. It is often likened to a sealed glass vessel that separates the air within from the clear and unconfined air all around, or water from the all encompassing sea. Yet the vessel is not different from the sea, and to shatter or dissolve it brings about the reunion with all universal life that mystics seek, the homegoing, the return to the lost paradise of our "true nature." Today science is telling us what the Vedas have taught mankind for three thousand years, that we do not see the universe as it is. What we see is Maya, or Illusion, the "magic show" of Nature, a collective hallucination of that part of our consciousness which is shared with all of our own kind, and which gives a common ground, a continuity, to the life experience. According to Buddhists (but not Hindus), this world perceived by the senses, this relative but not absolute reality, this dream, also exists, also has meaning; but it is only one aspect of the truth, like the cosmic vision of this goat by the crooked door, gazing through sheets of rain into the mud.

No event "creates" another event, but is merely a preceding link in the great orderly chain of events flowing from the creative energy of THE ALL. There is a continuity between all events precedent, consequent and subsequent. There is a relation existing between everything that has gone before, and everything that follows. A stone is dislodged from a mountain side and crashes through a roof of a cottage in the valley below. At first sight we regard this as a chance effect, but when we examine the matter we find a great chain of causes behind it. In the first place there was the rain which softened the earth supporting the stone and which allowed it to fall; then back of that was the influence of the sun, other rains, etc., which gradually disintegrated the piece of rock from a larger piece; then there were the causes which led to the formation of the mountain, and its upheaval by convulsions of nature, and so on ad infinitum. Then we might follow up the causes behind the rain, etc. Then we might consider the existence of the roof. In short, we would soon find ourselves involved in a mesh of cause and effect, from which we would soon strive to extricate ourselves.

These assurances were taken by the PLO to constitute binding commitments, and it was on their basis that it agreed to leave Beirut. On August 12, after epic negotiations, final terms were reached for the PLO’s departure. The talks were conducted while Israel carried out a second day of the most intense bombardment and ground attacks of the entire siege. The air and artillery assault on that day alone—over a month after the PLO had agreed in principle to leave Beirut—caused more than five hundred casualties. It was so unrelenting that even Ronald Reagan was moved to demand that Begin halt the carnage.37 Reagan’s diary relates that he called the Israeli prime minister during the ferocious offensive, adding, “I was angry—I told him it had to stop or our entire future relationship was endangered. I used the word holocaust deliberately & said the symbol of his war was becoming a picture of a 7 month old baby with its arms blown off.”38 This sharp phone call impelled Begin’s government to halt its rain of fire almost immediately, but Israel refused to budge on the crucial issue of international protection for the Palestinian civilian population as a quid pro quo for the PLO’s evacuation.

✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn

If you want the reader to feel intimately related to your subject, try a close-up shot. Describe the character, object or scene as if it were positioned directly in front of your eyes, close enough to touch. Let the reader see the hand-etched signature on the bottom of the wooden bowl or the white strip on the divorcée’s finger where a wedding ring once lay. Let him smell the heaviness of the milking barn after a night of rain, hear the squeak of the farmer’s rubber boots. If you want to get even closer, take the reader inside a character’s body and let him experience her world—the reeling nausea of Lydia’s first morning sickness, the tenderness of her breasts, the metallic taste in her mouth—from the inside out. Then, when you need to establish distance, to remove the reader from the scene as Shirley Jackson did in “The Lottery,” pull back. Describe your object from a great distance. The wooden bowl is no longer a hand-crafted, hand-signed original, or if it is, you can’t tell from where you’re standing. The pregnant woman is no longer Lydia-of-the-tender-breasts; she’s one of dozens of other faceless women seated in the waiting room of the county clinic. As you vary the physical distance between your describer and the subjects being described, you may find that your personal connection with your subjects is altered. Physical closeness often presages emotional closeness. Consider how it is possible that kind and loving men (like my father, who served in three wars) are capable of dropping bombs on “enemy” villages. One factor is their physical distance from their targets. The scene changes dramatically when they face a villager eye to eye; no longer is the enemy a tiny dot darting beneath the shadow of their planes, or a blip on the radar screen. No, this “enemy” has black hair flecked with auburn and a scar over her left eyebrow; she’s younger than the wives they left behind. If

One find in Western Australia turned up zircon crystals dated to 4.4 billion years ago, just a couple of hundred million years after the earth and the solar system formed. By analyzing their detailed composition, researchers have suggested that ancient conditions may have been far more agreeable than previously thought. Early earth may have been a relatively calm water world, with small landmasses dotting a surface mostly covered by ocean.15 That’s not to say that earth’s history didn’t have its moments of flaming drama. Roughly fifty to one hundred million years after its birth, earth likely collided with a Mars-sized planet called Theia, which would have vaporized the earth’s crust, obliterated Theia, and blown a cloud of dust and gas thousands of kilometers into space. In time, that cloud would have clumped up gravitationally to form the moon, one of the larger planetary satellites in the solar system and a nightly reminder of that violent encounter. Another reminder is provided by the seasons. We experience hot summers and cold winters because earth’s tilted axis affects the angle of incoming sunlight, with summer being a period of direct rays and winter being a period of oblique ones. The smashup with Theia is the likely cause of earth’s cant. And though less sensational than a planetary collision, both the earth and the moon endured periods of significant pummelings by smaller meteors. The moon’s lack of eroding winds and its static crust have preserved the scars but earth’s thrashing, less visible now, was just as severe. Some early impacts may have partially or even fully vaporized all water on earth’s surface. Despite that, the zircon archives provide evidence that within a few hundred million years of its formation, earth may have cooled sufficiently for atmospheric steam to rain down, fill the oceans, and yield a terrain not all that dissimilar from the earth we now know. At least, that’s one conclusion reached by reading the crystals.

It’s common in the middle of a drought . . . to forget that rain is the norm. Or in the middle of a flood to forget that floods rarely happen. Or when bad news comes from the doctor to forget that, for most of us, this comes after many years of relatively good health.

Have you been travelling, my young friend? Come in out of the darkness and rain. Sit by the fire, eat, drink and rest yourself. Life is one long journey from beginning to end, you know. We all walk different roads, both with our bodies and our minds. Some of us lose heart and fall by the wayside, whilst others go on to realise their dreams and desires. Let me tell you a story of travellers, and the paths they followed. Of young ones, like yourself, sometimes uncertain of their direction, and often reluctant to listen to the voices of sense and wisdom. Of a mighty warrior, set on a course of destiny and vengeance, unstoppable in his resolve. Of an evil one and his crew, cruel and ruthless, bound on a march of destruction and conquest. Of a simple maid and her friends, homebodies whose only aims were peace and well-being for all. Of wicked, foolish wanderers, chasing fantasies and fables, consumed by their own greed. Of small babes who dreamed small dreams, not knowing what the future held in store for them. And, finally, of two friends, faithful and true, who had roamed many highways and together chose their own way. The lives I will tell you of are intertwined by fate—good and evil bringing their just rewards to each, as they merited them. Listen whilst I relate this story. For am I not the Teller of Tales, the Weaver of Dreams!

and at as after an add act adjective answer ask am animal ant ax Africa Medial that can had back last has than man hand plant began stand black happen fast apple /a/ LONG A, OPEN SYLLABLE RULE Initial able acre agent apron Asia apex April Medial paper lady baby radio crazy labor lazy flavor tomato navy station basic label equator relation vapor enable volcano vibration basis hazy potato ladle vacation tablecloth table /a/ LONG A, FINAL E RULE Initial ate age ache ale ape ace Medial make made face same came state late tale place name wave space gave base plane game shape baseball spaceship racetrack shapeless cake /a/ LONG A, AI DIGRAPH Initial aim aid ailment ail Medial rain train wait tail chain jail mail pain sail strait afraid brain claim detail explain fail gain main obtain paid remain wait plain laid faint grain rail nail See also List 7, Suggested Phonics Teaching Order; List 8, Phonics Research Basis. // LONG A, AY DIGRAPH Medial always mayor layer maybe gayly haystack wayside payment rayon jaywalk player daylight Final day say away play may today pay gray bay stay birthday highway repay anyway way pray lay gay hay crayon

Why have you done this?” he asked. “First you murdered the air with your greed, now you send us machines that bring water from nothing. You have stretched our agony across time. We live on the price of your pity, coins you have cast away. Miserable beggars whose piety and distress is our only weapon. We are reduced to eternal ~ compassion victims. If you truly pity us, give us back our dependence on the weather. Bring back the rain and the wind. Then all men may be equal in our dependency again.” She had understood what the headman had meant, how he felt. The insulting humiliation of relying on a technology he couldn’t begin to understand, sent as a gift by people he did not know, reducing him and his relatives to little more than chattels. A primitive culture preserved by godlike science, a throw-away act of charity. He’d lost every shred of dignity, his entire existence subject to whims outside his control. Whims of a culture that had wrecked his land in the pursuit of its own comfort. Unforgivable.

The contradiction in our relation to nature is that the more vigorously we attempt to force its agreement with our own designs the more subject we are to its indifference, the more vulnerable to its unseeing forces. The more power we exercise over natural process the more powerless we become before it. In a matter of months we can cut down a rain forest that took tens of thousands of years to grow, but we are helpless in repulsing the desert that takes its place. And the desert, of course, is no less natural than the forest.

Similarly, as God “is kind to the ungrateful and the wicked” (Luke 6:35), and as he allows the blessings of nature to come “on the evil and on the good” (Matt. 5:45), so our love must be given without consideration to the relative merits or faults of the person we encounter. We are to love like the sun shines and like the rain falls: indiscriminately. We are to “be merciful, just as [our] Father is merciful” (Luke 6:36). We are to give to beggars, lend to those in need, not resist evildoers, and give without expecting anything in return (e.g., Matt. 5:39–42; Luke 6:31–36). In other words, we are to love without strings attached, without conditions, without any consideration whatsoever of the apparent worthiness of the person we encounter.

We accept gravity, aerodynamics, photosynthesis, thermodynamics, relativity, quantum mechanics, sexual reproduction, rain, thunder, earthquakes, volcanoes, and tidal waves, all based on science. But when it comes to the origin and nature of life itself we take leave of our senses for a trip into the supernatural. We literally lose our minds. Even

The author's postscript relating the ceremony on Harney Peak does little to buoy hope. There the old man prayed that the sacred tree might bloom again and the people find their way back to the sacred hoop and the good red road. He cried out, "O make my people live!"-and in reply a low rumble of thunder sounded, and a drizzle of rain fell from a sky that shortly before had been cloudless. Whether this sign was a hopeful one or, more likely, a tragic recognition of the power that Black Elk had been given but failed to use is one of the dynamic issues that makes the book a literary success. Black Elk Speaks can be best characterized as an elegy, the commemoration of a man who has failed in his life's work, as well as of a people whose way of life has passed.

The ancients believed that the perspective one has on time and phenomena is related to one’s life-form. If you are a housefly (which lives for 15 to 30 days) and you are born during the Indian monsoon season, you would conclude that India is the land of unceasing rain. But if you’re born a human being (which I suspect is the case), you would know better. Passage of time lends perspective to one’s observations; perspective then leads to wisdom. And remember this: as the housefly is to a human being, a human being is to a nation.

I didn’t know what sort of relationship we had—was he my relative, my blood brother, that guy I did an embarrassing thing with that we’d never mention again, or was he just some dude who’d tricked me out of my soul to extend his own existence? I

This place is spooky. What kind of family is this? And why are there so many relatives living in this one mansion? And why do they all look as if the Terminator T-800 used his futuristic medical advances to impregnate the She-Hulk, and out comes Dial and all his relatives one after the other?” “Vividly

His name was Clarence Atkins. I asked him if he was related to the guy who invented the diet, and, if so, if he knew of any low-carb chocolate donuts that were available nearby. He said that no, he wasn’t related to that Atkins, and that he doubted a low-carb chocolate donut existed, or would ever exist. I told him that if we could put a man on the moon, we could invent a low-carb chocolate donut. He asked if I was okay, and I told him I’d never felt better. He seemed skeptical, but told me his story anyway. First,

These days her family, particularly her sisters, Jane and Sarah and brother Charles, are aware of the appalling problems she has endured. Jane has always given sensible advice and Sarah, from being dubious of her kid sister’s success, is now very protective. “You never criticize Diana in front of her,” notes a friend. Her relations with her mother and her father, when he was alive, are patchier. While Diana enjoys a sporadic but affectionate relationship with her mother, she was robust in her reaction to news that her second husband, Peter Shand Kydd had left her for another woman. Last summer her bond with her father went through a difficult period following publicity surrounding the secret sale of treasures from Althorp House. The children, including the Princess, had written to their father objecting to the trade in family heirlooms. There were bitter exchanges, subsequently regretted, which deeply hurt the Princess of Wales. Even the Prince of Wales intervened, voicing his concern to Raine Spencer who was typically robust in her response. Last autumn a reconciliation between father and daughter was effected. During a leisurely tour around the world the late Earl Spencer was deeply touched by the affection shown towards his youngest daughter by so many strangers. He telephoned from America to tell her just how proud of her that made him feel.

Milloy is well-known for his attacks on science related to all kinds of environmental issues, including global warming (which he calls a “swindle”), acid rain (which he notes helps slow global warming—although he doesn’t believe in global warming anyway), and the ozone hole (which he considers to be of no real significance).68 Milloy’s current project is junkscience.com, but, as we saw in chapter 5 “junk science” was a term invented by the tobacco industry to discredit science it didn’t like. Junkscience.com was originally established in a partnership with the Cato Institute, which, after Milloy’s continued tobacco funding came to light, severed its ties.

Ebola is a rather simple virus—as simple as a firestorm. It kills humans with swift efficiency and with a devastating range of effects. Ebola is distantly related to measles, mumps, and rabies. It is also related to certain pneumonia viruses: to the parainfluenza virus, which causes colds in children, and to the respiratory syncytial virus, which can cause fatal pneumonia in a person who has AIDS. In its own evolution through unknown hosts and hidden pathways in the rain forest, Ebola seems to have developed the worst elements of all the above viruses. Like measles, it triggers a rash all over the body. Some of its effects resemble rabies—psychosis, madness. Other of its effects look eerily like a bad cold.

The Stoic tells us of what the world consists; what was the beginning and what will be the end of things; what is the relation of the system of things to God. He develops a physics and a logic as well as a system of ethics. The Epicurean informs us that the world originated in a rain of atoms through space; he examines into the foundations of human knowledge; and he proceeds to make himself comfortable in a world from which he has removed those disturbing elements, the gods. The Skeptic decides that there is no such thing as truth, before he enunciates the dogma that it is not worth while to worry about anything. The philosophy of each school includes a view of the system of things as a whole. The philosopher still regarded the universe of knowledge as his province.

I A. A violent order is a disorder; and B. A great disorder is an order. These Two things are one. (Pages of illustrations.) II If all the green of spring was blue, and it is; If all the flowers of South Africa were bright On the tables of Connecticut, and they are; If Englishmen lived without tea in Ceylon, and they do; And if it all went on in an orderly way, And it does; a law of inherent opposites, Of essential unity, is as pleasant as port, As pleasant as the brush-strokes of a bough, An upper, particular bough in, say, Marchand. III After all the pretty contrast of life and death Proves that these opposite things partake of one, At least that was the theory, when bishops' books Resolved the world. We cannot go back to that. The squirming facts exceed the squamous mind, If one may say so . And yet relation appears, A small relation expanding like the shade Of a cloud on sand, a shape on the side of a hill. IV A. Well, an old order is a violent one. This proves nothing. Just one more truth, one more Element in the immense disorder of truths. B. It is April as I write. The wind Is blowing after days of constant rain. All this, of course, will come to summer soon. But suppose the disorder of truths should ever come To an order, most Plantagenet, most fixed. . . . A great disorder is an order. Now, A And B are not like statuary, posed For a vista in the Louvre. They are things chalked On the sidewalk so that the pensive man may see. V The pensive man . . . He sees the eagle float For which the intricate Alps are a single nest. -Wallace Stevens, "Connoisseur of Chaos

Especially did his [Seth Jones] intense belief in the efficacy of the “Prayer of Faith” produce a deep impression—partly due to this unquestioned fact: During a distressing drought (I think near Sackett’s Harbor, N.Y.) an assemblage of farmers in open field expressed in his presence utter hopelessness with regard to rain, saying that a single day more would ruin every crop. “If you would pray for rain with Faith it would come,” he said. “But we have no faith! Will not you exercise it for us?” Whereupon he knelt down upon a stump and prayed mightily for three hours, while (it was related) copious showers fell from the eyes of his hearers. When he descended , the first great drops of a “glorious rain” were dashing down. At eighty-three he presided over a Universalist convention…” ~ Amanda Jones

You will invariably face jobs that are associated with uncomfortable feelings, ranging from relatively minor annoyance (e.g., taking out the garbage in the rain) to more persistent and recurring feelings of stress and discomfort (e.g., dissertation, organizing income taxes) that activate your procrastination script. Even a minimal degree of stress or inconvenience (what we have come to describe as the feeling of “Ugh”) can be potent enough to make you delay action. Think about some of the mundane examples of procrastination, such as watching a boring television show because the remote control is out of reach (e.g., “It’s ALL THE WAY over there.”) or exercise (e.g., “I’m TOO TIRED to change into my workout clothes.”). The use of capital letters is meant to illustrate the tone of voice of your selftalk, which serves to exaggerate and convince you of the difficulty of what you want to do. You are capable to perform the action, but your thoughts and feelings (including feeling tired or “low energy”) makes you conclude that you are not at your best and therefore cannot and will not follow through (for seemingly justifiable reasons). You might think, “I have to be in the mood to do some things.” But, how often are any of us in the mood to do many of the tasks on which we end up procrastinating? The very fact that we have to plan them indicates that these tasks require some targeted planning and effort. When facing emotional discomfort, ADHD adults are particularly at risk for bolting to pleasant, easy, and yet often unsatisfying activities, such as eating junk food, watching television, social networking, surfing the Internet, etc. In fact, sometimes you may escape from stressful tasks by performing other, lower priority errands or chores. Thus, you rationalize violating your high-priority project plan in order to run out to fill your car with gas. This strategy can be seen as a form of “plea bargaining”—“I will do something productive in order to justify not doing the higher priority but less appealing task.” Moreover, these errands are often more discrete and time limited than the task you are putting off (i.e., “If I start mowing the lawn now, I will be done in 1 hour. I don’t know how long taxes will take me.”), which is often their appeal—even though they are low priority, you are more confident you will get them done. You need not be “in the mood” for a task in order to perform it. A useful reframe is the reminder that you have “enough” energy to get started and recall that once you get started on the first step, you usually feel better and more engaged. Breaking the task down into its discrete steps and setting an end time help you to reframe the plan (e.g., “I’m tired, but I have enough energy to do this task for 15 minutes.”). Rather than setting up the unrealistic expectation that you must be stress-free and 100% energized before you can do tasks, the notion of acceptance of discomfort is a useful mindset to adopt and practice.

Ticking away the moments that make up a dull day You fritter and waste the hours in an offhand way Kicking around on a piece of ground in your home town Waiting for someone or something to show you the way Tired of lying in the sunshine, staying home to watch the rain You are young and life is long, and there is time to kill today And then one day you find ten years have got behind you No one told you when to run, you missed the starting gun So you run and you run to catch up with the sun but it's sinking Racing around to come up behind you again The sun is the same in a relative way but you're older Shorter of breath and one day closer to death Every year is getting shorter never seem to find the time Plans that either come to naught or half a page of scribbled lines Hanging on in quiet desperation is the English way The time is gone, the song is over Thought I'd something more to say

They always seem content, don’t they?” Hadrian mentioned to Royce as they sat under the canopy of their tent watching the Vintu preparing the evening meal. “It could be blazingly hot or raining like now, and they don’t seem to care one way or the other.” “Are you now saying we should become Vintu?” Royce asked. “I don’t think you can just apply for membership into their tribe. I think you need to be born into it.” “What’s that?” Wyatt asked, coming out of the tent the three shared, wiping his freshly shaved face with a cloth. “Just thinking about the Vintu and living a simple existence of quiet pleasures,” Hadrian explained. “What makes you think they’re content?” Royce asked. “I’ve found that when people smile all the time, they’re hiding something. These Vintu are probably miserable—economically forced into relative slavery, catering to wealthy foreigners. I’m sure they would smile just as much while slitting our throats to save themselves another day of hauling Dilladrum’s packs.” “I think you’ve been away from Gwen too long. You’re starting to sound like the old Royce again.” Across the camp they spotted Staul, Thranic, and Defoe. Staul waved in their direction and grinned. “See? Big grin,” Royce mentioned

The Contract had an air of esoteric mysticism when it covered topics related to the universe’s deepest secrets, yet it was gratuitously specific regarding the wrath of Thotash and the penalty for default. Huge swaths of the unholy text were dedicated to the terrors and woes that would fall upon those who failed to meet the Terms, including pestilences of the skin, debilitating afflictions of vital organs, nameless horrors from forgotten dimensions, and the “rain of teeth,” though whose teeth was uncertain. Article VIII, section 3, subsection B was particularly unsettling, assuming one had sufficient familiarity with anatomy to grasp it fully

clear enough. I asked Birenbaum what he was ultimately trying to preserve by keeping Walden technology free. Was it the land, the cabins, and the lake, and leaving those spaces undisturbed by the outside world? Or were his efforts to keep the digital barbarians at the gate driven by a desire to preserve something deeper, that universal truth that not only made Walden what it was, but drove the Revenge of Analog in all its various forms? Birenbaum didn’t hesitate to answer. “We look at the heart of what we do, and it is interpersonal relationships,” he said. Any debate about technology’s use came down to a simple binary question: will it impact interpersonal relationships or not? “This camp could be wiped out by a meteor tomorrow, and we could rebuild across the road and we’d still be Walden,” he said. What mattered were the relationships and the uniquely analog recipe that enabled their formation. First, you place lots of people together, and have them relate to one another with the guidance of caregivers, who encourage and enforce mutual respect. Next, you mix in a program that creates various stresses, frustrations, and challenges that campers need to confront. This ranges from the simplest task of getting to breakfast on time to ten-day canoe trips in the harsh Canadian wilderness where twelve-year-olds might be expected to carry a 60-pound canoe on their head for a mile or more in the pouring rain, as blackflies gnaw at their ankles. These situations eventually lead to individual perseverance and self-respect . . . what most people call character. And that character is the glue that allows the relationships built at camp to last a lifetime, as my own friendships formed at Walden have. “You go a bit out of your comfort zone, endure a little hardship, people push you and help you to succeed, and you end up with friendships, confidence, and an inner fortitude that ends in a sense of belonging to a greater, interdependent community,” Birenbaum said. “This is one of the most basic aspects of the human condition.

There's Ireland for you now, McGlynn, all of it. Unending rain rattling the windows, and inside a kindly woman boasting about her clerical relations, and two men drinking whiskey, and outside the rest of the world. If Michelangelo painted the Resurrection on her smoky ceiling she wouldn't give it a look or him a thank-you if her portly cousin His Reverence were within miles of the place. Once upon a time we exported scholars and culture to the Continent. Now we export nothing but beasts and priests, God help us.

I walked the short distance to Nogizaka, then strolled up and down Gaienhigashi-dori. It took awhile, but I finally spotted it. There was no sign, only a small red rose on a black awning. The entrance was flanked by two black men, each of sufficient bulk to have been at home in the sumo pit. Their suits were well tailored and, given the size of the men wearing them, must have been custom-made. Nigerians, I assumed, whose size, managerial acumen, and relative facility with the language had made them a rare foreign success story, in this case as both middle management and muscle for many of the area’s entertainment establishments. The mizu shobai, or “water trade” of entertainment and pleasure, is one of the few areas in which Japan can legitimately claim a degree of internationalization. They bowed and opened the club’s double glass doors for me, each issuing a baritone irasshaimase as they did so. Welcome. One of them murmured something into a microphone set discreetly into his lapel. I walked down a short flight of stairs. A ruddy-faced, prosperous-looking Japanese man whom I put at about forty greeted me in a small foyer. Interchangeable J-Pop techno music was playing from the room beyond. “Nanmeisama desho ka?” Mr. Ruddy asked. How many? “Just one,” I said in English, holding up a finger. “Of course.” He motioned that I should follow him. The room was rectangular, flanked by dance stages on either end. The stages were simple, distinguished only by mirrored walls behind them and identical brass poles at their centers. One stage was occupied by a tall, long-haired blonde wearing high heels and a green g-string and nothing more. She was dancing somewhat desultorily, I thought, but seemed to have the attention of the majority of the club’s clientele regardless. Russian, I guessed. Large-boned and large-breasted. A delicacy in Japan. Harry hadn’t mentioned floorshows. Probably he was embarrassed. My sense that something was amiss deepened.

Art is long. Life is short, but it deserves our attentive devotion. Embrace life. No person has a monopoly on wisdom. Despite the plethora of written books and e-books covering virtually every imaginable subject, advances in human knowledge and changes in the physical environment will cause recurrent alterations in the human condition that writers are uniquely able to express, explain, explicate, and elucidate. The complexities of human life demand humanistic persons to explore and offer guidance and solace to troubled souls. The world is not in the need of any more corporate entities devoted to milling money. What the world needs is writers, singers, poets, and philosophers whom can expand upon the universal desire to display an intense and absorbing respect for life and honor the principles of truthfulness and charity in human relations. I wish for every person to cull the lyrical prose from their stroll in the meadow of life and express the vivacity of their inner daemon in whatever artistic methodology stirs their imagination and voices their uniqueness. I call upon each person to use logic, intuition, and imagination to share all their adventures in this world of rocks and stones, earth and sky, sunshine and rain. Splash it out there for everyone to witness your appreciativeness of nature’s glory, verification of your meaningful existence demands that you settle for nothing less.

It’s funny how when bad things start happening in a series, it almost seems as if they’re all related somehow, as if each one is causing the next. I remember you talking about that one time, about what you called your Domino Catastrophe Theory. You said the universe is filled to the brim with bad things waiting to happen, not only the universe of everything but also each one of our own personal universes too. “There’s a 50–50 chance that one fuckup, no matter how small, is going to trigger another one,” you said. “And if that happens, there’s a 70–30 chance that the second one will trigger a total clusterfuck.

causation is what creates the appearance of meaning. “The queen died, and then the king died” (E. M. Forster’s famous formulation) describes two unrelated events occurring in sequence. It doesn’t mean anything. “The queen died, and the king died of grief ” puts those events into relation; we understand that one caused the other.

First of all, we can use imagination to see ourselves and our work in some perspective. Everyone knows how a child identifies himself utterly with all he owns and does, with all those who care for him. He is outraged if asked to share his possessions, the breaking of a beloved toy is a tragedy, if it rains on the day when a picnic was planned one would think the sun could never shine for him again. If a mother or nurse leaves him while he is awake, he has been most treacherously betrayed. In fact, much early education has as its one goal the teaching of the little egotist to see himself in somewhat truer relation to his world. More or less successfully, each of us has had to learn this lesson; but it is almost never fully understood. To our last days there is still a trace of that childish egotism in us—sometimes so very much more than a trace that an adult suffers, resents, sulks, and complains in a way only too reminiscent of the nursery.

The following chapters will explore some of the more formalized “content cartels” in further detail, but in seeking to illustrate how backdoor agreements further increase the existing repression, one example stands out: the close relationship between Facebook and the Israeli government. For Palestinians, many of whom are physically cut off from the world by occupation and border controls, the internet is—in the words of author Miriyam Aouragh—“a mediating space through which the Palestinian nation is globally ‘imagined’ and shaped,” bringing together a dispersed diaspora along with a geographically fragmented nation.24 Social media has not only enabled long-lost relatives and friends to come together virtually, but has also provided space for organizing and the development of an alternate narrative to that provided by the mainstream media, which has long privileged the Israeli political position over that of the Palestinian one. But just as Palestinian activist voices have been historically devalued and silenced by mainstream media, so too have they been censored by social media platforms—while Israeli hate speech on the same platforms often goes ignored. In the summer of 2014, a few months after US-brokered peace talks faltered, three Israeli youth were kidnapped and murdered in the occupied West Bank. In retaliation, three Israeli men abducted and murdered a Palestinian teenager, leading to increased tensions, violent clashes, and an increase in rockets fired by Hamas into Israeli territory. Israel responded with airstrikes, raining rockets into Gaza and killing more than two thousand Palestinians and injuring more than ten thousand more—a majority of whom were civilians. As the violence played out on the ground, social media became a secondary battlefield for both sides, as well as their supporters and detractors.

weather and climate are not at all the same thing. 1 The relationships between the two are complicated, especially for weather phenomena related to precipitation, otherwise known as rain and snow. For example, though it may seem counterintuitive, rising temperatures can indeed lead to more snow—for instance, if a rise in low temperatures keeps the Arctic Ocean from freezing in winter, more water will evaporate into the atmosphere.

Loneliness rises all around me like a fog in the early morning. And I realize how much I miss the friends that don't make my stomach hurt.

To be a relation, you merely need to relate to another,” explained Achak. “Besides, if we did have family, any evidence of them has been taken by the No More.

Ali was biting his tongue so hard it hurt. He could only thank God it was a dry, sunny day - otherwise he was fairly certain he'd be learning new, murderous things to do with rain.

I'll give you a theory: Man's closest relative is not the chimpanzee, as the TV people believe, but it, in fact, the dog.

Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)

Most times, you will realize that value is relative. Just as the rain is convenient to a farmer and convenient to a hunter, so is life. Some will like you; others will loathe you. Some will applaud you; others will criticize you. Some will stand with you, others will backstab you. Learn to accept these realities, and you will not be fazed by unfavourable conditions.

Schumacher has no flaws. He has the best car, the best-financed team, the best tries, the most skill. Who can rejoice in his wins? The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer! I will often admire a beautiful sunrise, but I will never consider the sun a champion for having risen. So. For me to relate the history of Denny, who is a true champion, without including his missteps and failings would be doing a disservice to all involved.

in my experience, one of the guiding principles of human relations is “what have you done for me lately”—but it was something, a small antidote against the potential poison of his professional affiliations.

Redelmeier soon returned with the widely held belief that arthritis pain was related to the weather. For thousands of years, people had imagined this connection; it could be traced back to Hippocrates, who wrote, in 400 BC, about the effect of wind and rain on disease. In the late 1980s, doctors were still suggesting to arthritis patients that they move to warmer climates. Working with Amos, Redelmeier found a large group of arthritis patients and asked them to report their pain levels. He then matched these to weather reports. Pretty quickly, he and Amos established that, despite the patients’ claims that their pain changed with the weather, there was no meaningful correlation between the two.

The intellect is the wrong tool for relating to non-dualistic reality, in the same way that a bucket is the wrong tool for scooping up the summer wind, or that bars are unfit to confine the rain, or that a sealed coffin can’t hold sunlight.

When the first sunlight at the new house came to inquire about life from that day personal sunlight of this house personal breeze air personal cloudiness took birth everything which is exclusively for this house just as some sunlight enter domesticity to live with some rains Just as local tries to get disconnected from metalanguage just like weakness for personal sunlight once I had observed flax flower creeper to take turn seen Grandma's longing for sunlight even now I remember on our dining table at Darbhanga a shard of sunlight as our tea drinking companion passing sunlight had a different relation with school ending bell just as we have secret correspondence with some shadows Just as some sunlight some shadow are saved in personal kitty just as local tries to get disconnected with metalanguage.

I wanted that bold nonchalance for myself. I wanted to feel confident when I showed a man affection, not just within the walls of an apartment or the relative safety of a gay bar, not just during Pride. I wanted to kiss a man whenever and wherever I felt like it—on a sidewalk in the rain, at a crowded bus stop, in a shopping mall parking lot on a Monday afternoon. I wanted to kiss a man whose presence made the rest of the world vanish into irrelevance, a man whose touch erased every tinge of fear and every knot of knee-jerk shame I'd felt for having the audacity to display a love like mine in a world like ours.

The League was created to govern relations between these Galactic Civilizations. Though the initial League had no binding power over the individual civilizations that had joined on, various governments of each species adopted into law many of the informal recommendations and protocols developed by the League. In 3061, all four Galactic Civilizations signed on to a treaty that would become central to the mission of the League of Galactic Civilizations, the Developing Civilizations Non-Intervention Compact.

In workshop, we talk a lot about "raising the stakes" of a story. Semyon just did this. There was a bare wire labeled "Marya" and a bare wire labeled "Peasants in a Teahouse" and electricity was coursing through each but they were laid out parallel to one another, several feet apart. Semyon, by reacting to the swearimg, just crossed them. Marya and those gathered peasants had nothing to do with one another, were not in relation. Now they do, and are.

found that by copying the distinctive prints and scratches made by other animals we could gain a new power; here was a method of identifying with the other animal, taking on its expressive magic in order to learn of its whereabouts, to draw it near, to make it appear. Tracing the impression left by a deer’s body in the snow, or transferring that outline onto the wall of the cave: these are ways of placing oneself in distant contact with the Other, whether to invoke its influence or to exert one’s own. Perhaps by multiplying its images on the cavern wall we sought to ensure that the deer itself would multiply, be bountiful in the coming season…. All of the early writing systems of our species remain tied to the mysteries of a more-than-human world. The petroglyphs of pre-Columbian North America abound with images of prey animals, of rain clouds and lightning, of eagle and snake, of the paw prints of bear. On rocks, canyon walls, and caves these figures mingle with human shapes, or shapes part human and part Other (part insect, or owl, or elk.) Some researchers assert that the picture writing of native North America is not yet “true” writing, even where the pictures are strung together sequentially—as they are, obviously, in many of the rock inscriptions (as well as in the calendrical “winter counts” of the Plains tribes). For there seems, as yet, no strict relation between image and utterance. In a much more conventionalized pictographic system, like the Egyptian hieroglyphics (which first appeared during the First Dynasty, around 3000 B.C.E. and remained in use until the second century C.E.),4 stylized images of humans and human implements are still interspersed with those of plants, of various kinds of birds, as well as of serpents, felines, and other animals. Such pictographic systems, which were to be found as well in China as early as the fifteenth century B.C.E., and in Mesoamerica by the middle of the sixth century B.C.E., typically include characters that scholars have

A story is a series of incremental pulses, each of which does something to us. Each puts us in a new place, relative to where we just were. Criticism is not some inscrutable, mysterious process. It’s just a matter of: (1) noticing ourselves responding to a work of art, moment by moment, and (2) getting better at articulating that response.