Railroads Quotes

A man who has never gone to school may steal a freight car; but if he has a university education, he may steal the whole railroad.

Happy. Just in my swim shorts, barefooted, wild-haired, in the red fire dark, singing, swigging wine, spitting, jumping, running—that's the way to live. All alone and free in the soft sands of the beach by the sigh of the sea out there, with the Ma-Wink fallopian virgin warm stars reflecting on the outer channel fluid belly waters. And if your cans are redhot and you can't hold them in your hands, just use good old railroad gloves, that's all.

I know in the spy movies it always looks really cool when the operative goes from a maid's uniform to a slinky, sexy, ballgown in the amount of time it takes an elevator to climb three floors. Well, I don't know how it is for TV spies, but I can tell you that even with Velcro, the art of the quick change is one that must take a lot of practice (not to mention better lighting than one is likely to find in a tunnel that was once part of the underground railroad).

You don’t get it, do you?" I said. “It’s not a question of ‘what then’. Some people get a kick out of reading railroad timetables and that’s all they do all day. Some people make huge model boats out of matchsticks. So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?

Slavery is a sin when whites were put to the yoke, but not the African. All men are created equal, unless we decide you are not a man.

These times are too progressive. Everything has changed too fast. Railroads and telegraphs and kerosene and coal stoves -- they're good to have but the trouble is, folks get to depend on 'em.

And America, too, is a delusion, the grandest one of all. The white race believes--believes with all its heart--that it is their right to take the land. To kill Indians. Make war. Enslave their brothers. This nation shouldn't exist, if there is any justice in the world, for its foundations are murder, theft, and cruelty. Yet here we are.

The world may be mean, but people don't have to be, not if they refuse.

Stolen bodies working stolen land. It was an engine that did not stop, its hungry boiler fed with blood.

Ever bike? Now that's something that makes life worth living!...Oh, to just grip your handlebars and lay down to it, and go ripping and tearing through streets and road, over railroad tracks and bridges, threading crowds, avoiding collisions, at twenty miles or more an hour, and wondering all the time when you're going to smash up. Well, now, that's something! And then go home again after three hours of it...and then to think that tomorrow I can do it all over again!

I am not one of those who believe - broadly speaking - that women are better than men. We have not wrecked railroads, nor corrupted legislatures, nor done many unholy things that men have done; but then we must remember that we have not had the chance.

Cora didn't know what optimistic meant. She asked the other girls that night if they were familiar with the word. None of them had heard it before. She decided that it meant trying.

COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter... Mal looks at his across the railroad tracks. Replies- MAL: Because you'll always be together.

And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, - we need never read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications?

Sometimes a useful delusion is better than a useless truth.

Do I understand, sir, that you mean the Cause for which our heroes have died is not sacred?' If you were run over by a railroad train your death wouldn’t sanctify the railroad company, would it?' asked Rhett and his voice sounded as if he were humbly seeking information.

I asked a man in prison once how he happened to be there and he said he had stolen a pair of shoes. I told him if he had stolen a railroad he would be a United States Senator.

I love songs about horses, railroads, land, Judgment Day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother. And God.

The whites came to this land for a fresh start and to escape the tyranny of their masters, just as the freemen had fled theirs. But the ideals they held up for themselves, they denied others.

Life is a railroad station; soon I will set out - for where? I will not say.

I realized that I was really tired of people popping on and off of my property like it was a train station on the supernatural railroad.

Truth was a changing display in a shop window, manipulated by hands when you weren’t looking, alluring and ever out of reach.

And even now she beats her head against the bars in the same old way and wonders if there is a bigger place the railroads run to from Chicago where maybe there is romance and big things and real dreams that never go smash.

Our inventions are wont to be pretty toys, which distract our attention from serious things. They are but improved means to an unimproved end, an end which it was already but too easy to arrive at; as railroads lead to Boston or New York. We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.

Lay my head on the railroad line. Train come along; pacify my mind.

I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.

The only way to know how long you are lost in the darkness is to be saved from it.

She was fifteen when it occurred to her for the first time that women did not run railroads and that people might object. To hell with that, she thought- and never worried about it again.

It is still news to her that passion could steer her wrong though she went down, a thousand times strung out across railroad tracks, off bridges under cars, or stiff glass bottle still in hand, hair soft on greasy pillows, still it is news she cannot follow love (his burning footsteps in blue crystal snow) & still come out all right.

Stranded in this mill town railroad yard while the whole world was converging elsewhere, we seemed to be nothing but children playing among heroic men.

At the onset of the Civil War, our stolen bodies were worth four billion dollars, more than all of American industry, all of American railroads, workshops, and factories combined, and the prime product rendered by our stolen bodies—cotton—was America’s primary export.

Some days my heart beats so fast my ribcage sounds like a fucking railroad track and my breath is a train I just can't catch.

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and cock and hand and asshole holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the cocks of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!

And that was as far as he got before i heard it. The thumping of footsteps, running up the lawn toward me: It seemed like I could hear it through the grass, like leaning your ear to a railroad track and feeling the train coming, miles away. As the noise got closer I could hear ragged breaths, and then a voice. It was my mother.

The whole blear world of smoke and twisted steel around my head in a railroad car, and my mind wandering past the rust into futurity: I saw the sun go down in a carnal and primeval world, leaving darkness to cover my railroad train because the other side of the world was waiting for dawn.

If only I had some grease I could fix some kind of a light," Ma considered. "We didn't lack for light when I was a girl before this newfangled kerosene was ever heard of." "That's so," said Pa. "These times are too progressive. Everything has changed too fast. Railroads and telegraph and kerosene and coal stoves--they're good things to have, but the trouble is, folks get to depend on 'em.

A plantation was a plantation; one might think one’s misfortunes distinct, but the true horror lay in their universality.

She wasn’t surprised when his character revealed itself—if you waited long enough, it always did. Like the dawn.

Poetry and prayer put ideas in people’s heads that got them killed, distracting them from the ruthless mechanism of the world.

Freedom was a community laboring for something lovely and rare.

Of course, in our train of thought, we would all like to think we're on the right track, or at least the same railroad company as the right track.

You see how it is, my dear friends. There's no pleasing everyone. It's hopeless to even try, and the more you play the peacemaker, the less peaceful things become.

When railroading time comes you can railroad—but not before.

If you want to see what this nation is all about, you have to ride the rails. Look outside as you speed through, and you’ll find the true face of America. It was a joke, then, from the start. There was only darkness outside the windows on her journeys, and only ever would be darkness.

Years after I'd seen him for the last time I found myself thinking of him unexpectedly and often. You know how certain places grow powerful in the mind with passing time. In those early morning dreams when I come back to bed after a sleepy pee and fall quickly into the narrow end of the night, there is one set of streets I keep returning to, one dim mist of railroad rooms and certain figures reappear, borderline ghosts.

Every great day has a story and a song!

Men start off good and then the world makes them mean. The world is mean from the start and gets meaner every day. It uses you up until you only dream of death.

American coffee can be a pale solution served at a temperature of 100 degrees centigrade in plastic thermos cups, usually obligatory in railroad stations for purposes of genocide, whereas coffee made with an American percolator, such as you find in private houses or in humble luncheonettes, served with eggs and bacon, is delicious, fragrant, goes down like pure spring water, and afterwards causes severe palpitations, because one cup contains more caffeine than four espressos.

The Outing An outburst of anger near the road, a refusal to speak on the path, a silence in the pine woods, a silence across the old railroad bridge, an attempt to be friendly in the water, a refusal to end the argument on the flat stones, a cry of anger on the steep bank of dirt, a weeping among the bushes.

My lovers suffocate me! Crowding my lips, and thick in the pores of my skin, Jostling me through streets and public halls...coming naked to me at night, Crying by day Ahoy from the rocks of the river...swinging and chirping over my head, Calling my name from flowerbeds or vines or tangled underbrush, Or while I swim in the bath....or drink from the pump on the corner....or the curtain is down at the opera.....or I glimpse at a woman’s face in the railroad car; Lighting on every moment of my life, Bussing my body with soft and balsamic busses, Noiselessly passing handfuls out of their hearts and giving them to be mine

God didn't come down and kill us. I don't see God shooting children and priests. None of us met God beating up Jews and shoving them into railroad cars. This is men doing the murdering. Talk to men about their evil, kill the evil men, but pray to God. You can't expect God to come down and do our living for us. We have to do that ourselves.

Yet when his classmates put their blades to a colored cadaver, they did more for the cause of colored advancement than the most high-minded abolitionist. In death the negro became a human being. Only then was he the white man’s equal.

I had read it some time ago but was so completely immersed that I retained nothing. This has been an intermittent, lifelong enigma. Through early adolescence I sat and read for hours in a small grove of weed trees near the railroad track in Germantown. Like Gumby I would enter a book wholeheartedly and sometimes venture so deeply it was as if I were living within it. I finished many books in such a manner there, closing the covers ecstatically yet having no memory of the content by the time I returned home. This disturbed me but I kept this strange affliction to myself. I look at the covers of such books and their contents remain a mystery that I cannot bring myself to solve. Certain books I loved and lived within yet cannot remember.

It will be hard James but you come from sturdy peasant stock men who picked cotton and dammed rivers and built railroads and in the teeth of the most terrifying odds achieved an unassailable and monumental dignity You come from a long line of great poets some of the greatest poets since Homer. One of them said "The very time I thought I was lost My dungeon shook and my chains fell off." You know and I know that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free. God bless you James and Godspeed.

Racial prejudice rotted one's faculties.

When the heart is full it runs out of the eyes.

And now she hates me and I can’t even leave Dauntless to join the factionless, like I was going to, because Eric’s eye is on her like it was on Amar last year, right before he turned up dead on the pavement near the railroad tracks. All the Divergent end up dead except me, because of my fluke aptitude test result, and if Eric is watching her, she’s probably one, too. My thoughts skip back to the night before, how touching her sent warmth into my hand and through the rest of me, though I was frozen with fear. I press my hands to my head, press the memory away. I can’t leave now. I like her too much. There, I said it. But I won’t say it again.

In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women. If a married couple come to settle in the town, somehow the gentleman disappears; he is either fairly frightened to death by being the only man in the Cranford parties, or he is accounted for by being with his regiment, his hip, or closely engaged in business all the week in the great neighbouring commercial town of Drumble, distant only twenty miles on a railroad. In short, whatever does become of the gentlemen, they are not at Cranford.

Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning...proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.

But we have all been branded even if you can't see it, inside if not without

There was an order of misery, misery tucked inside miseries, and you were meant to keep track.

The almanac had a strange, soapy smell and made a cracking noise like fire as she turned the pages. She’d never been the first person to open a book.

If niggers were supposed to have their freedom, they wouldn't be in chains. If the red man was supposed to keep hold of his land, it'd still be his. If the white man wasn't destined to take this new world, he wouldn't own it now. Here was the true Great Spirit, the divine thread connecting all human endeavor--if you can keep it, it is yours. Your property, slave or continent. The American imperative.

Students of public speaking continually ask, "How can I overcome self-consciousness and the fear that paralyzes me before an audience?" Did you ever notice in looking from a train window that some horses feed near the track and never even pause to look up at the thundering cars, while just ahead at the next railroad crossing a farmer's wife will be nervously trying to quiet her scared horse as the train goes by? How would you cure a horse that is afraid of cars—graze him in a back-woods lot where he would never see steam-engines or automobiles, or drive or pasture him where he would frequently see the machines? Apply horse-sense to ridding yourself of self-consciousness and fear: face an audience as frequently as you can, and you will soon stop shying. You can never attain freedom from stage-fright by reading a treatise. A book may give you excellent suggestions on how best to conduct yourself in the water, but sooner or later you must get wet, perhaps even strangle and be "half scared to death." There are a great many "wetless" bathing suits worn at the seashore, but no one ever learns to swim in them. To plunge is the only way.

it seems a shame to have to sneak to get to the truth.To make the truth such a dirty old nasty thing.You gotta sneak to get to the truth, the truth is condemned.The truth is in the gas chamber.The truth has been in your stockyards.Your slaughterhouses.The truth has been in your reservations, building your railroads, emtying your garbage.The truth is in your ghettos.In your jails.In your young love,not in your courts or congress where the old set judgement on the young.What the hell do the old know about the young?They put a picture of old George on the dollar and tell you that he's your father, worship him.Look at the madness that goes on, you can't prove anything that happened yesterday.Now is the only thing that's real.Everyday, every reality is a new reality.Every new reality is a new horizon,a brand new experience of living.I got a note last night from a friend of mine.He writes in this note that he's afraid of what he might have to do in order to save his reality, as i save mine.You can't prove anything.There's nothing to prove.Every man judges himself.He knows what he is. You know what you are, as i know what i am,we all know what we are.Nobody can stand in judgement, they can play like they're standing in judgement.They can play like they stand in judgement and take you off and control the masses, with your human body.They can lock you up in penitentiaries and cages and put you in crosses like they did in the past,but it doesn't amount to anything. What they're doing is, they're only persecuting a reflection of themselves. They're persecuting what they can't stand to look at in themselves,the truth.

White man trying to kill you slow every day, and sometimes trying to kill you fast. Why make it easy for him? That was one kind of work you could say no to.

Disney World?” Ari felt like his head was about to explode. “Disney World?” His gravelly voice rose into a harsh shriek. “They’re not on vacation! They’re on the run! They’re running for their lives! Death is following them like a bullet, and they’re on the Big Thunder Mountain Railroad?

Real evidence is usually vague and unsatisfactory. It has to be examined---sifted. But here the whole thing is cut and dried. No, my friend, this evidence has been very cleverly manufactured---so cleverly that it has defeated its own ends.

Poems were too close to prayer, rousing regrettable passions. Waiting for God to rescue you when it was up to you. Poetry and prayer put ideas in people's heads that got them killed, distracting them from the ruthless mechanism of the world.

The other patrollers were boys and men of bad character; the work attracted a type. In another country they would have been criminals, but this was America.

When the railroad trains moaned, and river-winds blew, bringing echoes through the vale, it was as if a wild hum of voices, the dear voices of everybody he had known, were crying: "Peter, Peter! Where are you going, Peter?" And a big soft gust of rain came down. He put up the collar of his jacket, and bowed his head, and hurried along.

A little muzhik was working on the railroad, mumbling in his beard. And the candle by which she had read the book that was filled with fears, with deceptions, with anguish, and with evil, flared up with greater brightness than she had ever known, revealing to her all that before was in darkness, then flickered, grew faint, and went out forever.

We teach our child many things I don’t believe in, and almost nothing I do believe in. We teach punctuality, particularly if the enforcement of it disturbs the peace. My father taught me, by example, that the greatest defeat in life was to miss a train. Only after many years did I learn that an escaping train carries away with it nothing vital to my health. Railroad trains are such magnificent objects we commonly mistake them for Destiny.

As the years pass, Valentine observed, racial violence only becomes more vicious in its expression. It will not abate or disappear, not anytime soon, and not in the south.

I saw the best minds of my generation destroyed by madness, starving, hysterical, naked... who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war... who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of Atlantic City Hall... who wandered around and around at midnight in the railroad yard wondering where to go, and went, leaving no broken hearts...

Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.

Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucinations holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!

He told her that every one of her enemies, all the masters and overseers of her suffering, would be punished, if not in this world then the next, for justice may be slow and invisible, but it always renders its true verdict in the end.

In 1930 the price of cotton dropped. And so, in the spring of 1931, Papa set out looking for work, going as far north as Memphis and as far south as the Delta country. He had gone west too, into Louisiana. It was there he found work laying track for the railroad. He worked the remainder of the year away from us, not returning until the deep winter when the ground was cold and barren. The following spring after the planting was finished, he did the same. Now it was 1933, and Papa was again in Louisiana laying track. I

And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe. The great chiefs and leaders recruit the greatest number, and that's what their power is. There's one image that gets out in front to lead the rest and can impose its claim to being genuine with more force than others, or one voice enlarged to thunder is heard above the others. Then a huge invention, which is the invention maybe of the world itself, and of nature, becomes the actual world - with cities, factories, public buildings, railroads, armies, dams, prisons, and movies - becomes the actuality. That’s the struggle of humanity, to recruit others to your version of what’s real. Then even the flowers and the moss on the stones become the moss and the flowers of a version.

Then she understood that what she needed was the motion to a purpose, no matter how small or in what form, the sense of an activity going step by step to some chosen end across a span of time. The work of cooking a meal was like a closed circle, completed and gone, leading nowhere. But the work of building a path was a living sum, so that no day was left to die behind her, but each day contained all those that preceded it, each day acquired its immortality on every succeeding tomorrow. A circle, she thought, is the movement proper to physical nature, they say that there's nothing but circular motion in the inanimate universe around us, but the straight line is the badge of man, the straight line of a geometrical abstraction that makes roads, rails and bridges, the straight line that cuts the curving aimlessness of nature by a purposeful motion from a start to an end. The cooking of meals, she thought, is like the feeding of coal to an engine for the sake of a great run, but what would be the imbecile torture of coaling an engine that had no run to make? It is not proper for man's life to be a circle, she thought, or a string of circles dropping off like zeros behind him--man's life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum, like a journey down the track of a railroad, from station to station to--oh, stop it!

One Monday, just for sport, Charlie grabbed an eggplant that a spectacularly wizened granny was going for, but instead of twisting it out of his hand with some mystic kung fu move as he expected, she looked him in the eye and shook her head - just a jog, barely perceptible really - it might have been a tic, but it was the most eloquent of gestures. Charlie read it as saying: O White Devil, you do not want to purloin that purple fruit, for I have four thousand years of ancestors and civilization on you; my grandparents built the railroads and dug the silver mines, and my parents survived the earthquake, the fire, and a society that outlawed even being Chinese; I am mother to a dozen, grandmother to a hundred, and great-grandmother to a legion; I have birthed babies and washed the dead; I am history and suffering and wisdom; I am a Buddha and a dragon; so get your fucking hand off my eggplant before you lose it.

Muddiness is not merely a disturber of prose, it is also a destroyer of life, of hope: death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram. Think of the tragedies that are rooted in ambiguity, and be clear! When you say something, make sure you have said it. The chances of your having said it are only fair.

It feels like ancient history," said Naoko. But anyhow, sorry about last night. I don't know, I was a bundle of nerves. I really shouldn't have done that after you came here all the way from Tokyo." "Never mind," I said. "Both of us have a lot of feelings we need to get out in the open. So if you want to take those feelings and smash somebody with them, smash me. Then we can understand each other better." "So if you understand me better, what then?" "You don't get it, do you?" I said. "It's not a question of 'what then.' Some people get a kick out of reading railroad timetables and that's all they do all day. Some people make huge model boats out of matchsticks. So what's wrong if there happens to be one guy in the world who enjoys trying to understand you?

...better not to do than to do, better to meditate than to act, better his astrophysics, the threshold of the Unknowable, than my chemistry, a mess compounded of stenches, explosions and small futile mysteries. I thought of another moral, more down to earth and concrete, and I believe that every militant chemist can confirm it: that one must distrust the almost-the-same (sodium is almost the same as potassium, but with sodium nothing would have happened_, the practically identical, the approximate, the or-even, all surrogates, and all patchwork. the difference can be small, but they can lead to radically different consequences, like a railroad's switch points; the chemist's trade consists in good part in being aware of these differences, knowing them close up, and foreseeing their effects. And not only the chemist's trade.

Does it follow that I reject all authority? Perish the thought. In the matter of boots, I defer to the authority of the bootmaker; concerning houses, canals, or railroads, I consult the architect or the engineer For such special knowledge I apply to such a "savant." But I allow neither the bootmaker nor the architect nor the "savant" to impose his authority on me. I listen to them freely and with all the respect merited by their intelligence, their character, their knowledge, reserving always my incontestable right of criticism and censure. I do not content myself with consulting a single authority in any special branch; I consult several; I compare their opinions and choose that which seems to me soundest. But I recognize no infallible authority, even m special questions; consequently, whatever respect I may have for the honesty and the sincerity of an individual, I have no absolute faith in any person. Such a faith would be fatal to my reason, to my liberty, and even to the success of my undertakings; it would immediately transform me into a stupid slave, the tool of other people's will and interests.

Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence. Place bronze statues beneath the southern California sun, and of course they're going to get hot. Cannons are supposed to be loud, that's their claim to fame, and - like it or not - the moving sidewalk is bound to end sooner or later. It's hard trying to explain a country whose motto has become You can't claim I didn't warn you. What can you say about the family who is suing the railroad after their drunk son was killed walking on the tracks? This pretty much sums up my trip to Texas.

Despair Who is he? A railroad track toward hell? Breaking like a stick of furniture? The hope that suddenly overflows the cesspool? The love that goes down the drain like spit? The love that said forever, forever and then runs you over like a truck? Are you a prayer that floats into a radio advertisement? Despair, I don't like you very well. You don't suit my clothes or my cigarettes. Why do you locate here as large as a tank, aiming at one half of a lifetime? Couldn't you just go float into a tree instead of locating here at my roots, forcing me out of the life I've led when it's been my belly so long? All right! I'll take you along on the trip where for so many years my arms have been speechless

The music stopped. The circle broke. Sometimes a slave will be lost in a brief eddy of liberation. In the sway of a sudden reverie among the furrows or while untangling the mysteries of an early morning dream. In the middle of a song on a warm Sunday night. Then it comes, always - the overseer's cry, the call to work, the shadow of the master, the reminder that she is only a human being for a tiny moment across the eternity of her servitude.

The broken are not always gathered together,of course, and not all mysteries of the flesh are solved. We speak of "senseless tragedies" but really: Is there any other kind? Mothers and wives disappear without a trace. Childeren are killed. Madamen ravage the world, leaving wounds immeasurably deep, and endlessy mourned. loved ones whose presence once filled us move into the distance; our eyes follow them as long as possible as they recede from view. Maybe we chase them clumsily, across railroad tracks and trafficked streets; Over roads new printed with their foot steps,the dust still whirling in the wake of them; through impossibly big cities people with strangers whose faces and bodies carry fragments of their faces and bodies, whose laughter, steadiness, pluck, stuberness remind us of the beloved we seek. Maybe we stay put, left behind, and look for them in our dreams. But we never stop looking, not even after those we love become part of the unreachable horizon. we can never stop carrying the heavy weight of love on this pilgimage; we can only transfigure what we carry. We can only shatter it and send it whirling into the world so that it can take shape in some new way.

Of course my ex didn’t walk me home. Instead I wandered, drunk, from Main Street down to the railroad tracks, lay down there and listened to the quiet world. Smoked a cigarette on my back, feeling a part of the ground, one of night’s dark and lost creatures. For as long as I can remember, this has been one of my favorite feelings. To be alone in public, wandering at night, or lying close to the earth, anonymous, invisible, floating. To be “a man of the crowd,” or, conversely, alone with Nature or your God. To make your claim on public space even as you feel yourself disappearing into its largesse, into sublimity. To practice for death by feeling completely empty, but somehow still alive. It’s a sensation that people have tried, in various times and places, to keep women from feeling.

Who are you after you finish something this magnificent—in constructing it you have also journeyed through it, to the other side. On one end there was who you were before you went underground, and on the other end a new person steps out into the light. The up-top world must be so ordinary compared to the miracle beneath, the miracle you made with your sweat and blood. The secret triumph you keep in your heart.

It was a magnificent operation, from seed to bale, but not one of them could be prideful of their labor. It had been stolen from them. Bled from them. The tunnel, the tracks, the desperate souls who found salvation in the coordination of its stations and timetables—this was a marvel to be proud of. She wondered if those who had built this thing had received their proper reward.

Every once in a while, in newspapers, magazines, and biographical dictionaries, I run upon sketches of my life, wherein, delicately phrased, I learn that it was in order to study sociology that I became a tramp. This is very nice and thoughtful of the biographers, but it is inaccurate. I became a tramp — well, because of the life that was in me, of the wanderlust in my blood that would not let me rest. Sociology was merely incidental; it came afterward, in the same manner that a wet skin follows a ducking. I went on "The Road" because I couldn't keep away from it; because I hadn't the price of the railroad fare in my jeans; because I was so made that I couldn't work all my life on "one same shift"; because — well, just because it was easier to than not to.

But nobody wanted to speak on the true disposition of the world. And no one wanted to hear it... The whites came to this land for a fresh start and to escape the tyranny of their masters, just as the Freeman had fled theirs. But the ideals they held up for themselves, they denied others. Cora had heard Michael recite the Declaration of Independence back on the Randall plantation many times, his voice drifting through the village like an angry phantom. She didn't understand the words, most of them at any rate, but created equal was not lost on her. The white men who wrote it didn't understand it either, if all men did not truly mean all men. Not if they snatched away what belonged to other people, whether it was something you could hold in your hand, like dirt, or something you could not, like freedom.

I would rather go mad, gone down the dark road to Mexico, heroin dripping in my veins, eyes and ears full of marijuana, eating the god Peyote on the floor of a mudhut on the border or laying in a hotel room over the body of some suffering man or woman; rather jar my body down the road, crying by a diner in the Western sun; rather crawl on my naked belly over the tincans of Cincinnati; rather drag a rotten railroad tie to a Golgotha in the Rockies; rather, crowned with thorns in Galveston, nailed hand and foot in Los Angeles, raised up to die in Denver, pierced in the side in Chicago, perished and tombed in New Orleans and resurrected in 1958 somewhere on Garret Mountain, come down roaring in a blaze of hot cars and garbage, streetcorner Evangel in front of City I-Tall, surrounded by statues of agonized lions, with a mouthful of shit, and the hair rising on my scalp, screaming and dancing in praise of Eternity annihilating the sidewalk, annihilating reality, screaming and dancing against the orchestra in the destructible ballroom of the world, blood streaming from my belly and shoulders flooding the city with its hideous ecstasy, rolling over the pavements and highways by the bayoux and forests and derricks leaving my flesh and my bones hanging on the trees.

True, hundreds of millions may nevertheless go on believing in Islam, Christianity or Hinduism. But numbers alone don’t count for much in history. History is often shaped by small groups of forward-looking innovators rather than by the backward-looking masses. Ten thousand years ago most people were hunter-gatherers and only a few pioneers in the Middle East were farmers. Yet the future belonged to the farmers. In 1850 more than 90 per cent of humans were peasants, and in the small villages along the Ganges, the Nile and the Yangtze nobody knew anything about steam engines, railroads or telegraph lines. Yet the fate of those peasants had already been sealed in Manchester and Birmingham by the handful of engineers, politicians and financiers who spearheaded the Industrial Revolution. Steam engines, railroads and telegraphs transformed the production of food, textiles, vehicles and weapons, giving industrial powers a decisive edge over traditional agricultural societies.

The park sustained them, the green harbor they preserved as the town extended itself outward, block by block and house by house. Cora thought of her garden back on Randall, the plot she cherished. Now she saw it for the joke it was - a tiny square of dirt that had convinced her she owned something. It was hers like the cotton she seeded, weeded, and picked was hers. Her plot was a shadow of something that lived elsewhere, out of sight. The way poor Michael reciting the Declaration of Independence was an echo of something that existed elsewhere. Now that she had run away and seen a bit of the country, Cora wasn't sure the document described anything real at all. America was a ghost in the darkness, like her.

Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.

Style still matters, for at least three reasons. First, it ensures that writers will get their message across, sparing readers from squandering their precious moments on earth deciphering opaque prose. When the effort fails, the result can be calamitous-as Strunk and White put it, "death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram." Governments and corporations have found that small improvements in clarity can prevent vast amounts of error, frustration, and waste, and many countries have recently made clear language the law of the land. Second, style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily. Here is how one technology executive explains why he rejects job applications filled with errors of grammar and punctuation: "If it takes someone more than 20 years to notice how to properly use it's, then that's not a learning curve I'm comfortable with." And if that isn't enough to get you to brush up your prose, consider the discovery of the dating site OkCupid that sloppy grammar and spelling in a profile are "huge turn-offs." As one client said, "If you're trying to date a woman, I don't expect flowery Jane Austen prose. But aren't you trying to put your best foot forward?" Style, not least, adds beauty to the world. To a literate reader, a crisp sentence, an arresting metaphor, a witty aside, an elegant turn of phrase are among life's greatest pleasures. And as we shall see in the first chapter, this thoroughly impractical virtue of good writing is where the practical effort of mastering good writing must begin.