Rag Picker Quotes

My weakness consists in not having a discriminating eye for the incidental --- for the externals, --- no eye for the hod of the rag-picker or the fine linen of the next mean. Next man---that's it. I have met so many men." he pursued, with momentary sadness--- "met them too with a certain, certain impact, let us say; like this fellow, for instance--- and in each case all I could see was merely a human being. A confounded democratic quality of vision which may be better than total blindness, but has been of no advantage to me-- I can assure you. Men expect one to take into account their fine linen. But I never could get up any enthusiasm about these things. Oh! It's a failing; and then comes a soft evening; a lot of men too indolent for whist-- and a story...." [p.44]

Is it nonsense," I asked, managing to suppress what I felt—"is it nonsense when he says that the tassets and cuissards of the enamelled suit of armor commonly known as the 'Prince's Emblazoned' can be found among a mass of rusty theatrical properties, broken stoves, and rag-picker's refuse in a garret in Pell Street?

bone-pickers, rag-gatherers, pure-finders, dredgermen, mud-larks, sewer-hunters, dustmen, night-soil men, bunters, toshers, shoremen.

Fortunately, getting hold of people’s garbage was a cinch. Indian detectives were much luckier than their counterparts in, say, America, who were forever rooting around in people’s dustbins down dark, seedy alleyways. In India, one could simply purchase an individual’s trash on the open market. All you had to do was befriend the right rag picker. Tens of thousands of untouchables of all ages still worked as unofficial dustmen and women across the country. Every morning, they came pushing their barrows, calling, “Kooray Wallah!” and took away all the household rubbish. In the colony’s open rubbish dump, surrounded by cows, goats, dogs and crows, they would sift through piles of stinking muck by hand, separating biodegradable waste from the plastic wrappers, aluminium foil, tin cans and glass bottles.

The gossips of the Rue de Thorigny busied themselves only with their own concerns. Three of them were portresses, and the fourth was a rag-picker with her basket on her back. All four of them seemed to be standing at the four corners of old age, which are decrepitude, decay, ruin, and sadness. The rag-picker was humble. In this open-air society, it is the rag-picker who salutes and the portress who patronizes. This is caused by the corner for refuse, which is fat or lean, according to the will of the portresses, and after the fancy of the one who makes the heap. There may be kindness in the broom.

were passing by. Once I heard him making fun of Jules. Jules was walking down the street carrying a lamp in his hand that he’d obviously just pulled out of some garbage heap. “Look at the garbage picker man!” Alphonse said. “That motherfucker is sad. He tried to sell me a comforter once! I said get the hell away from me. He’s out all night looking for rags and bones. What year we living in, man? Get a real job, motherfucker.” Jules couldn’t stand Alphonse either. He said Alphonse was a pimp. I didn’t know what a pimp did exactly. I was almost certain that it meant he had prostitutes working for him, but I wasn’t sure. I told a kid at school that I knew a pimp and he said, “Bullshit. It’s not fucking possible. You’re making it up.” So I guessed I’d made a mistake. Or maybe the word “pimp” had two different meanings.   I DIDN’T DO ANYTHING to make older guys want to treat me like I was one of them,

It was a lodging for the kind of people who have no permanent lodging. In all towns, and particularly in seaports, there is always to be found, below the general population, a residue. Lawless characters—so lawless that even the law sometimes cannot get its hands on them—pickers and stealers, tricksters living by their wits, chemists of villainy continually brewing up life in their crucibles; rags of every kind and every way of wearing them; withered fruits of roguery, bankrupt existences, consciences that have declared themselves insolvent; the incompetents of breaking and entering (for the big men of burglary are above all this); journeymen and journeywomen of evil, rascals both male and female; scruples in tatters and out at elbow; scoundrels who have sunk into poverty, evildoers who have had little reward from their work, losers in the social duel, devourers who now go hungry, the low earners of crime, beggars and villains: such are the people who form this residue. Human intelligence is to be found here, but it is bestial. This is the rubbish heap of souls, piled up in a corner and swept from time to time by the broom that is called a police raid. La Jacressarde was a corner of this kind in Saint-Malo.

I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye.

decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye.

I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye. We stand quietly for awhile eating these first

It hurts to see what civilization has done to reduce (within 100km) a princess to the status of a rag picker and make smiling nymph of nature a toothless old crone.

What fatherland can the international banker and rag-picker have in common?

Convincing unprivileged students for studying was never a mammoth task as they were already working as labourers or rag pickers to feed their families. Nowadays, a lot of children, who start working in early years of growing, tend to get addicted to smoking and drugs. I would ask them to share their daily habits and experience. When we get along well, I asked them to study, and a lot of them proved to be good students.

Dylan writes of the heron-priested shore and his sensation-seekers suitably amaze: but the heron is no priest to sober eyes as, like some litter-picker, it slips about the sea-weed backs of skerries at low tide (as often I have seen it in St. Andrews) or stands grey and silent in the burn like old grey rags hung among the reeds, its cold eye and old-age pensioner look (straggles of grey hair sticking out behind) seemingly as vacant as the sky till some frog stirs or an eel or trout drifts near and the javelin beak on the S neck leaps into life: or weary as Methuselah near his end heavily flaps towards the patient woods where the raucous heronry outcaws the rooks and makes the trees a dirty aerial slum.

A man will remain a rag picker as long as he has only a rag picker’s vision.

Query: Why am I so bitter against Life? And why do I see her as a rag-picker on the American cinema, shuffling along wrapped in a filthy shawl with her old claws crooked over a stick? Answer: The direct result of the American cinema acting upon a weak mind.

One warm June morning, during rush hour, a man appeared at the entrance to the rag picker's shack. 'I am intruding,' the mysterious man said, startling the rag picker. The first thing Sam noticed was the green tie. Sam had seen green ties before certainly, it was just that Sam wasn't sure that he had ever seen that particular shade of green. It made him think of the green in a rainbow he had once seen, sparkling and brilliant, or a flash of green he once saw in a botanical garden. Sam wasn't sure, but the essence of the color resonated deep inside Sam. The tie was paired with shoes the shade and shine of the was red lips children sometimes wear at Halloween. With the conservative black suit and shirt, the outfit should have looked ridiculous. On this man it did not. Sam tried to collect his wits. 'O my soul. Who are you?' he asked more in wonder at the visitor than in fear. Sam was no longer used to people. He didn't give many people the time of day. Nevertheless, there was something about this one that was fascinating. It was as if he exuded life from every pore in his body. 'My name is Mr. Khadir. I am from the Middle East.' Sam thought the stranger was referring to the East End of Long Island. He figured the man was a commuter whose car had probably overheated on the Expressway. 'I am a stranger,' Mr Khadir continued, 'and so are you; come with me in these deserts so that you may seek God.

The neon dust falls slowly, filtering through the stone canyons, settling on hats and fire hydrants, collecting on delicatessen awnings, filling the shopping carts and rickety baby carriages of the rag pickers with soft powdery snow.