Radio Funny Quotes

It's not true that I had nothing on. I had the radio on.

Whitney Houston’s cover of “I Will Always Love You” was constantly on my FM Walkman radio around that time. I think that made me cry because I associated it with absolutely no one.

You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.

The crowd quieted as a whole, but more than one creature cursed under his breath, "Not Regin." A drunk hunched over the bar muttered, "That glowing one made me eat a transistor radio once.

Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!

Dear America, I suppose we should introduce ourselves: We're South Louisiana...You probably already know that we talk funny and listen to strange music and eat things you'd probably hire an exterminator to get out of your yard. We dance even if there's no radio. We drink at funerals. We talk too much and laugh too loud and live too large and, frankly,we're suspicious of others who don't.

It's called the Infinity Effect.

Lachlain and Emma: 'So you expect us to sit in this enclosed compartment the entire way in silence?' 'Of course not.' She clicked on the radio.

The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked their heads when they got out of line and squabbled with the wife about how much spending money they were to get and what programs they could have on the radio or TV set. I might even get rich - small-town rich, an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with a cast-iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.

Same as you, Arthur. I hitched a ride. After all, with a degree in maths and another in astrophysics it was either that or back to the dole queue on Monday. Sorry I missed the Wednesday lunch date, but I was in a black hole all morning.

Marketing is so powerful that it can make even an extremely untalented musician a one-hundred-hits wonder.

The literal mind is baffled by the ironic one, demanding explanations that only intensify the joke. A vintage example, and one that really did occur, is that of P.G. Wodehouse, captured by accident during the German invasion of France in 1940. Josef Goebbels’s propaganda bureaucrats asked him to broadcast on Berlin radio, which he incautiously agreed to do, and his first transmission began: Young men starting out in life often ask me—“How do you become an internee?” Well, there are various ways. My own method was to acquire a villa in northern France and wait for the German army to come along. This is probably the simplest plan. You buy the villa and the German army does the rest. Somebody—it would be nice to know who, I hope it was Goebbels—must have vetted this and decided to let it go out as a good advertisement for German broad-mindedness. The “funny” thing is that the broadcast landed Wodehouse in an infinity of trouble with the British authorities, representing a nation that prides itself above all on a sense of humor.

Will looked at Evie funny. "Advertising?" "Yes. You've heard of it, haven't you? Swell modern invention. It lets people know about something they need. Soap, lipstick, radios—or your museum, for instance. We could start with a catchy slogan, like, 'The Museum of American Folklore, Superstition, and the Occult—we've got the spirit!

So a scientist and an engineer are tossed into separate rooms, stocked with tools and parts, and told that they aren't allowed out until they've produced a working prototype for a radio receiver. After two days, the scientist has covered the walls in scribbling and looks like a mad man, raving about how not only is it impossible to build a receiver with the parts given but that he's proven that radio is theoretically impossible anyway. When they check on the engineer, they find that he'd built the receiver in less than a day, fashioned a crude speaker and antenna, and had found a radio broadcast he liked and hadn't bothered to tell them he'd finished.

She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!" I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud." That like saying don't think of elephants, Josh said, "and then all you can think about is elephants." Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently. Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton.

Old houses make funny noises. One time I stayed in a decaying place that made sounds like John Waite's 1984 radio hit "Missing You." Personally, I liked it, but the 13 ducks I was sharing a bathtub with didn't agree, so they made me take them to the luxury hotel known as Motel 6.

In just about 50 years of radio and latterly TV listening and watching, this strikes me as the most fatuous, inane, childish, pointless, codswalloping drivel… It is not even remotely funny.

The first thing that went wrong, according to Fat, had to do with the radio. Listening to it one night- he had not been able to sleep for a long time- he heard the radio saying hideous words, sentences which it could not be saying. Beth, being asleep, missed that. So that could have been Fat's mind breaking down; by then his psyche was disintegrating at a terrible velocity. Mental illness is not funny.

Over the roar of our motor, we catch snippets of radio hits blasting off the boats we pass: Taylor Swift’s “Cruel Summer” and Sheryl Crow’s “Soak Up the Sun” and Otis Redding’s “(Sittin’ On) The Dock of the Bay.

On summer nights when the windows are open, you can listen in on people's lives—babies crying, kids laughing, radios blaring, mothers yelling, couples fighting. Funny thing is, the sounds are always the same. Even though different people come and go, the sounds stay the same. I like that. It makes me feel a part of something big, something never ending, like the stars.

Mia tapped the radio again. "And they called it puppy love." She burst into hysterical laughter, loud enough that everyone turned and gaped at her. Sirius stood by, an amused expression on his face as he tried to understand what exactly was so bloody funny.

It’s one of the secrets to life that no one ever tells you. Joy cures everything.” I flared my nostrils. “Everything?” I challenged, pointing at the bandage over my stitches.” “Everything emotional,” Max clarified. “I don’t think you can cure emotions,” I said. But Max just nodded. “Joy is an antidote to fear. To anger. To boredom. To sorrow.” “But you can’t just decide to feel joyful.” “True. But you can decide to do something joyful.” I considered that. “You can hug somebody. Or crank up the radio. Or watch a funny movie. Or tickle somebody. Or lip-synch your favorite song. Or buy the person behind you at Starbucks a coffee. Or wear a flower hat to work.

I don’t know. We have everything we need to be happy, but we’re not happy. Something’s missing. I looked around. The only thing I positively knew was gone was the books I’d burned in ten or twelve years. So I thought books might help.” “You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the "parlour families” today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget.

He says, "It's just a hat." But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.

The gun was lying next to the sprinkler, under a bush, about seventy-five feet - or halfway - up the steep hill. Steven had watched "Dragnet" on TV; he knew how guns should be handled. Picking it up very carefully by the top of the barrel, so as not to eradicate prints, Steven took the gun back to his house and showed it to his father, Bernard Weiss. The senior Weiss took one look and called LAPD. Officer Micheal Watson, on patrol in the area, responded to the radio call. More than a year later Steven would be asked to describe the incident from the witness stand: Q. "Did you show him [Watson] the gun?" A. "Yes." Q. "Did he touch the gun?" A. "Yes." Q. "How did he touch it?" A. "With both hands, all over the gun." So much for "Dragnet.

I laughed too and wished I had the guts to say something funny, but I didn’t because I wasn’t a funny person when I was around them. I was just boring.

Sample device radio signal strong.' Rocky says. 'Getting closer. Be ready.' 'I'm ready.' 'Be very ready.' 'I am very ready. Be calm.' 'Am calm. You be calm.' 'No, you be cal- wait. I see the sampler!

I feel sorry for that dog, Jace, breaking his heart and dying like he did. Funny thing about a dog, a dog never passes judgment just sticks right to the finish whether you are good or bad worth it or not.

me to see a therapist and take Y ——. The medication took away my sadness and replaced it with something else—not happiness, but more like a low dull hum, a weak radio frequency of feeling that couldn’t be turned up or down.

There is a special pleasure in the irony of a moralist brought down for the very moral failings he has condemned. It’s the pleasure of a well-told joke. Some jokes are funny as one-liners, but most require three verses: three guys, say, who walk into a bar one at a time, or a priest, a minister, and a rabbi in a lifeboat. The first two set the pattern, and the third violates it. With hypocrisy, the hypocrite’s preaching is the setup, the hypocritical action is the punch line. Scandal is great entertainment because it allows people to feel contempt, a moral emotion that gives feelings of moral superiority while asking nothing in return. With contempt you don’t need to right the wrong (as with anger) or flee the scene (as with fear or disgust). And best of all, contempt is made to share. Stories about the moral failings of others are among the most common kinds of gossip,3 they are a staple of talk radio, and they offer a ready way for people to show that they share a common moral orientation. Tell an acquaintance a cynical story that ends with both of you smirking and shaking your heads and voila, you’ve got a bond.

Nisker wasn’t really in the mood for an LSD trip. After all, he was in a car and heading toward the Oakland–San Francisco Bay Bridge. Then Scoop started thinking to himself. Well, the guy is the “high priest of LSD.” What else can I do? When else am I going to get a chance like this? So, Nisker dropped the acid. By the time they got to the radio station Scoop was so stoned he couldn’t put two words together. But Leary sat down behind the microphone and just let out all this beautiful, flowing prose. He was his usual glib, funny self. Nisker was melting into the floor, mumbling to himself. But there was Leary, totally in charge of himself—so charismatic, so facile. What a performance!

Things known to start the dog barking include, but are not limited to: sunrise, sunset, darkness, rain, helicopters, radios, clouds, children’s laughter, anyone entering any of the back yards adjoining the yard where my neighbor has penned his dog, garbage collectors, birds, squirrels, and air.

Philips was setting up a new ‘underground’ label called Vertigo when we were looking for a deal. We were a perfect fit. But the funny thing was that Vertigo wasn’t even up and running in time for our first single, ‘Evil Woman’, so it was originally released on another Philips label, Fontana, before being reissued on Vertigo a few weeks later. Not that it made any f**king difference: the song went down like a concrete turd both times. But we didn’t care, because the BBC played it on Radio 1. Once. At six o’clock in the morning. I was so nervous, I got up at five and drank about eight cups of tea. ‘They won’t play it,’ I kept telling myself, ‘They won’t play it...’ But then: BLAM...BLAM... Dow-doww... BLAM... Dow-dow-d-d-dow, dooooow... D-d-d-d-d-d-d-d-d DUH-DA! Do-doo-do DUH-DA! Do-doo-do... It’s impossible to describe what it feels like to hear yourself on Radio 1 for the first time. It was magic, squared. I ran around the house screaming, ‘I’m on the radio! I’m on the f**king radio!’ until my mum stomped downstairs in her nightie and told me to shut up.

You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for!

Joy is an antidote to fear. To anger. To boredom. To sorrow.” “But you can’t just decide to feel joyful.” “True. But you can decide to do something joyful.” I considered that. “You can hug somebody. Or crank up the radio. Or watch a funny movie. Or tickle somebody. Or lip-synch your favorite song. Or buy the person behind you at Starbucks a coffee. Or wear a flower hat to work.

Roosevelt was running for a third term; the Republicans were nominating Wendell Willkie for the futile job of running against him. What about a Gracie-for-President stunt? She would run as a candidate from the Surprise Party. Again she turned up unannounced on rival programs, appearing for a moment with a lamebrained pitch for votes and a bit of screwball political philosophy. Her lines were funny and widely quoted. “The president of today is merely the postage stamp of tomorrow,” she would declare.

You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them, at all. The magic is only in what books say,

The firm’s fourth partner, Jeff Nussbaum, had carved out a niche writing jokes for public figures. It was he who taught me about the delicate balance all public-sector humorists hope to strike. Writing something funny for a politician, I learned, is like designing something stunning for Marlon Brando past his prime. The qualifier is everything. At first I didn’t understand this. In June, President Obama’s speechwriters asked Jeff to pitch jokes for an upcoming appearance at the Radio and Television Correspondents’ Dinner. I sent him a few ideas, including one about the president and First Lady’s recent trip to see a Broadway show: “My critics are upset it cost taxpayer dollars to fly me and Michelle to New York for date night. But let me be clear. That wasn’t spending. It was stimulus.” Unsurprisingly, my line about stimulating America’s first couple didn’t make it into the script. But others did. The morning after the speech, I watched on YouTube as President Obama turned to NBC reporter Chuck Todd. “Chuck embodies the best of both worlds: he has the rapid-fire style of a television correspondent, and the facial hair of a radio correspondent.” That was my joke! I grabbed the scroll bar and watched again. The line wasn’t genius. The applause was largely polite. Still, I was dumbfounded. A thought entered my brain, and then, just a few days later, exited the mouth of the president of the United States. This was magic. Still, even then, I had no illusions of becoming a presidential speechwriter. When friends asked if I hoped to work in the White House, I told them Obama had more than enough writers already. I meant it.

New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.

His shows on tape do not wear well. Topical humor can be hilarious at the time, but it seldom holds up. The moment is lost, the immediacy gone, and a modern listener is left, perhaps, with a sense of curiosity. The opening of the June 2, 1942, show from Quantico is a good example. There is little doubt that Hope is playing to the best crowds of his life, a cheering section that many another comedian would die for. His theme is all but drowned in the wild cheering, and he sings his way (“… aaah, thank you, so much …”) into the opening monologue. “This is Bob Quantico Marine Base Hope, telling you leathernecks to use Pepsodent and you’ll never have teeth that’d make a cow hide.” The Marines find this a scream. Hope continues with local color. He had an easy time finding Quantico: “I just drove down U.S. 1 and turned left at the first crap game.” The boys love it. On another show, Hope talks of the coming baseball season. “This is Bob Baseball Season Hope, telling you if you use Pepsodent on your teeth, you may not be able to pitch like Bob Feller, but at dinnertime you’ll be able to pitch in with what’s under your smeller.” This is hardly timeless humor, though it was timely in the extreme. That’s the way to listen to Hope today: with a keen sense of history, with an appreciation of what the world found funny in an unfunny time.

Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.

I glanced over and saw Wyatt glaring at me. Journey’s “Lovin’ Touchin’, Squeezin’” was playing on the radio. “What?” I asked. “You secretly hate me, don’t you.” He gestured toward the radio. “You can’t stand the thought of me taking a much needed nap and leaving you to drive without conversation. You’re torturing me with this sappy stuff.” “It’s Journey. I love this song.” Wyatt mumbled something under his breath, picked up the CD case, and started looking through it. He paused with a choked noise, his eyes growing huge. “You’re joking, Sam. Justin Bieber? What are you, a twelve-year old girl?” There’s gonna be one less lonely girl, I sang in my head. That was a great song. How could he not like that song? Still, I squirmed a bit in embarrassment. “A twelve-year old girl gave me that CD,” I lied. “For my birthday.” Wyatt snorted. “It’s a good thing you’re a terrible liar. Otherwise, I’d be horrified at the thought that a demon has been hanging out with a bunch of giggling pre-teens.” He continued to thumb through the CDs. “Air Supply Greatest Hits? No, no, I’m wrong here. It’s an Air Supply cover band in Spanish.” He waved the offending CD in my face. “Sam, what on earth are you thinking? How did you even get this thing?” “Some tenant left it behind,” I told him. “We evicted him, and there were all these CDs. Most were in Spanish, but I’ve got a Barry Manilow in there, too. That one’s in English.” Wyatt looked at me a moment, and with the fastest movement I’ve ever seen, rolled down the window and tossed the case of CDs out onto the highway. It barely hit the road before a semi plowed over it. I was pissed. “You asshole. I liked those CDs. I don’t come over to your house and trash your video games, or drive over your controllers. If you think that will make me listen to that Dubstep crap for the next two hours, then you better fucking think again.” “I’m sorry Sam, but it’s past time for a musical intervention here. You can’t keep listening to this stuff. It wasn’t even remotely good when it was popular, and it certainly hasn’t gained anything over time. You need to pull yourself together and try to expand your musical interests a bit. You’re on a downward spiral, and if you keep this up, you’ll find yourself friendless, living in a box in a back alley, stinking of your own excrement, and covered in track marks.” I looked at him in surprise. I had no idea Air Supply led to lack of bowel control and hard core drug usage. I wondered if it was something subliminal, a kind of compulsion programmed into the lyrics. Was Russell Hitchcock a sorcerer? He didn’t look that menacing to me, but sorcerers were pretty sneaky. Even so, I was sure Justin Bieber was okay. As soon as we hit a rest stop, I was ordering a replacement from my iPhone.

She had a little plan then. She would look as he wanted her to. He would come home and find the glamorous thing he had married waiting for him. She spent the afternoon getting ready. Had a wave put in her hair. A little perfume but heavy enough to cut with a knife. New eyes, new lips, new lashes, out of little boxes. A baby chandelier dangling from each ear. She saw herself in the glass. “How cheap I look,” she said. Men were funny. Maybe she would have to do this once or twice a week. But after she had taken it all off again, there would always be the radio and coffee, each time.

Cantor began a practice, long associated with Vallee, of introducing new talent via radio. Gracie Allen made her first radio appearance with Cantor: Burns and Allen would occasionally be mentioned, only half-jokingly, as a Cantor “discovery,” but George Burns had his own grim version of that affair (see BURNS AND ALLEN). A more legitimate discovery was Harry Einstein. Cantor was in Boston in 1934 when he happened to hear, on a local radio station, a man doing a funny Greek dialect. Einstein was then the advertising director of Boston’s Kane Furniture Company. He had been dabbling radio for years and had created a character named Nick Parkyakakas, a comedy candidate for mayor who could be heard on WNAC Mondays and Fridays at 10:30. Cantor thought it the funniest Greek impersonation he had ever heard: by wire, he offered Einstein a slot on NBC, and the following Sunday Parkyakakas played to the nation for the first time.

Hollywood was called Tinseltown for a reason and I was caught up in its glitter. My friend Ken seemed to know everyone and once took me to the NBC Studios in Burbank, where he introduced me to Steve Allen. “Steverino,” as he was known by friends, must have thought that I wanted to get into show business and promised that if I applied myself, I would go places. I hadn’t really given show business much thought, but it sounded good to me. However, I’m glad that I didn’t count on his promise of becoming a star, because that was the end of it. I never saw Steve Allen again, other than on television, and I guess that’s just the way it was in Hollywood. Later Steve Allen starred in NBC’s The Tonight Show, which in more recent times has been hosted by Jack Paar, Johnny Carson, Jay Leno and now by Jimmy Fallon. Steve Allen had a rider in his contract that whenever he was introduced as a guest, the introduction would include: “And now our next guest is world-renowned recording artist, actor, producer, playwright, best-selling author, composer of thousands of songs, Emmy winning comic genius and entertainer – Steve Allen.” He was a funny guy and he would crack me up, but more than that, he would frequently crack himself up. Steve was loved or hated by people. It was said that he was enormously talented, and if you didn’t believe that, just ask him. Jack Paar, who followed Steve on The Tonight Show, once said, “Steve Allen has claimed to have written over 1,000 songs; name one???” The truth is that he did write a huge number of songs, including the 1963 Grammy award-winning composition, The Gravy Waltz. He wrote about 50 books, one of which is Steve Allen’s Private Joke File, published in 2000, just prior to his death in that same year. He also has two stars on the “Hollywood Walk of Fame,” one for radio and one for TV. Say what you want…. He cracked up at least two people with his humor, himself and me!

It’s funny that when you decide you want to do creative work—journalism or music or films or whatever—nobody tells you how much of your time you’ll be spending simply hunting for something worth writing about.

Patrice O’Neal once said that Anthony could “access funny” faster than anyone he’d ever met.

Imagine how cool it would be to share this with someone. It's cozy, you can build things from scratch, there's this whole radiation-weather-hermit-hole vibe, endless books, terrible movies, and giant fuck-you monsters wait right outside. Imagine the adventure!

grown men who wear water shoes to the grocery store deserve all the scorn which is heaped upon them

National Public Radio’s long-running show called Car Talk. The show consisted of brothers Tom and Ray Magliozzi—both MIT graduates—taking calls from people with questions about their cars. Improbably enough, it was hysterically funny, especially to them. They would laugh endlessly at their own jokes.

I was just beginning to relax when the radio crackled to life, and nearly gave me a heart attack. "I see something, I see something!" Maddy was screaming and sounded terrified. "I see something moving!" There was a weird, muffled sound, and then Skylar’s voice came on. "Please disregard that emergency broadcast.  Madeline has just seen her first cow.

Two passing jetliners reported to controllers they’d seen a man with a gun seated on a deck chair at eleven thousand feet…

Madison! This is too perfect. Join us.” Reed stood coolly in the middle of the hall, oblivious to the swarm of kids around him. “Reed, I’d love to join you,” Madison shouted above the bustle. “But I told Piper I’d meet her in the parking lot.” “This’ll just take a minute,” Reed insisted. Madison hesitated. Much as she wanted to avoid talking to Jeremy, she didn’t want to look like a rude jerk. She maneuvered her way around Jeremy and stood next to Reed. “Of course you know Jeremy,” Reed said, not letting her off the hook. Jeremy answered for her. “We’re like this,” he said, holding up two fingers at arm’s length. “Funny,” Madison replied without a smile. Reed seemed oblivious to their awkwardness. “Listen up. My mom’s a marketing specialist and she might be able to get us some airtime on some of the local radio stations. What do you think?” Jeremy nodded. “That would be extremely cool.” “Would the interviews be separate?” Madison asked, not wanting to spend any time in close proximity to Jeremy. “I’d prefer to do mine alone--or with you, Reed.” Jeremy scowled. “What is it with you, Madison? Can’t you at least be civil?” “Not to you,” Madison said with an angry toss of her head. “Give me a break,” Jeremy snapped. “Whoa! Time out! Truce!” Reed quickly stepped between them and draped his arms around their shoulders. “Look, this is just an election. You don’t need to get so malignant.” “Save the lecture for someone who needs it,” Jeremy grumbled. “Like Miss Stuck-up.” Madison clutched her chest as if she’d been shot in the heart. “Oh, you got me,” she said melodramatically. “I’m mortally wounded.” Jeremy’s cheeks flared a deep red. Clenching his fists at his sides, he took several deep breaths. Clearly he was trying not to say anything back to Madison. At last he turned to Reed and said evenly, “The radio station idea is a good one. I’ll catch you later to discuss it.” He turned on his heel and strode away. Madison felt the heat creep into her own face. Most of the students nearby had witnessed the entire exchange. Madison felt pretty certain that, at this moment, she looked like a complete, raving idiot. Reed shook his head in amazement. “Wow. I don’t need to do a thing to win this election,” he said with a chuckle. “I’ll just stand back and let you two destroy each other.

To her surprise, Linc was waiting around the first curve on the road, listening to the radio. She could see his hand tapping a beat on the back of the other seat. Kenzie slowed her car to a stop when their windows lined up. He rolled his down. “Hey. How’d it go?” “No big deal. I handed the papers to his temp assistant. What the hell are you doing here?” Linc studied her face. “I wanted to see if the beacon I put on your car was working.” She should have known. “Is that necessary?” “The readout is on this.” He tapped the face of his watch. “I can’t see. And I don’t believe you.” Kenzie put her car into park, got out, and walked around. He turned his wrist to show her. “Check it out. Your dot merged into my dot.” “Isn’t that sweet.” He grinned. “It’s not a problem to remove the beacon if you don’t like it.” “No. It’s all right. You’re the only person who knows where I am most of the time now.” That didn’t seem to have occurred to him. “Really?” She nodded. “So where are you off to?” Kenzie shot him a mocking look. “You don’t have to ask, do you?” Linc laughed. “The beacon can’t read your mind.” She rolled her eyes. “Thank God for that. If you want to know, I was heading to the drugstore to print out some of the photos for Mrs. Corelli. Where are you going?” “Just running errands,” he said. “Need anything from the electronics store?” “I don’t think so.” “Okay. I’m just picking up a couple of components.” Kenzie gave a little yelp. “Yikes--that reminds me. Yesterday my boss asked me to pick something up for him out in the boondocks. I forgot until you said that. So if my dot falls off your watch, you’ll know why.” He smiled at her warmly as he bent his arm and rested it on the bottom of the window frame. The bicep under the flannel rounded up very nicely as he lifted a hand and chucked her gently under the chin. “Funny.” The friendly touch was unexpectedly intimate. In fact, it triggered a dangerous sensation of giving in. She smiled at him, feeling weak. His brown eyes were dark and warm. She felt herself blush under his steady gaze. Linc was the real deal. Maybe she didn’t have to be so tough all the time. It was okay to be protected. More than okay. Back when she’d had Tex at her side, she’d actually liked the feeling. Like all military working dogs, he’d been trained to maintain an invisible six-foot circle around her, and woe to anyone who crossed into it without her permission. Including guys she was dating. “Kenzie?” She snapped out of it. “Sorry. You knocked on my stupid spot.” “I’ll have to remember that.” She shook her head in mock dismay. “Please don’t. Let’s touch base around four or five o’clock.” He nodded and turned the key in the ignition. “Works for me.” His gaze stayed on her a moment longer. “Call me if you need anything.” “I will. Thanks.” She glanced back at the gray monolith a little distance behind them and her mouth tightened. But when her green gaze met Linc’s brown eyes, she managed a quick smile. He raised his left hand in a quick good-bye wave and eased his car ahead of hers, rolling up the window again. She watched him go, then got back into hers and drove on, turning off on the road to the firing range.

She flipped on the radio to get her own voice out of her head and replace it with whatever inanity was on the morning drive. People who host morning radio programs cannot believe how funny they are. She moved it to AM—did anyone listen to AM anymore?—and put on the all-news channel. There was comfort to the almost military precision and predictability. Sports on the quarter hour. Traffic every ten minutes. She was distracted, half listening at best, when a story caught her attention: “Notorious hacker Corey the Whistle has promised a treasure chest of new leaks this week that he claims will not only embarrass a leading official in the current administration but also will definitely lead to resignation and, most likely, prosecution . . .” Despite

It looks like they want to silence women and unions everywhere. And what's it for but money? People are awfully funny. Always thinking lots of money makes them special, and thus superior, and so they ought to exercise the superiority. It's a wonder they don't try to revoke the Magna Carta.

Uh-oh.” Brent reached into the console and picked up his two-way radio, pretending to turn it on, then holding it up to his mouth. “This is car two-two-nine requesting backup. We’ve got an officer down. I repeat, officer down. Dispatch, please alert medical personnel that officer is whipped.” “Please remind me why we’re friends.” “Aw, you love me, you dick.

Great is our LORD and mighty in power; his understanding has no limit. PSALM 147:5 OCTOBER 18 One day, a radio and television producer I know was sitting in the airport reading the New Testament. A soldier sitting next to him said, “You know, I don’t think Jesus ever lived at all. It’s all a myth and a fairy tale. He never lived.” “It’s funny you would say that,” the producer said, “because He was with me here just a minute ago.” “He was with you a minute ago?” asked the soldier. “Is that why you look so peaceful and so happy?” “Yes, and you, too, can be peaceful and happy if you will let Him help you get rid of your conflicts and fears. He loves you as much as He loves me.” The soldier took my friend’s hand and said, “Okay. I think maybe you’ve got something here. I’ll try.” Now all that any of us can do is to try. And as we try, God will meet our feeble efforts much more than halfway. He will give us the power to stand up against fears, disappointments, frustration, opposition, misunderstanding—everything—and we will walk with our heads above it all into victory.

Here are my Top 5 hallmarks of a charismatic person: 1)      Confidence. They don't apologize for being them-selves. They embrace it. They don't think they're too short, too tall, too fat, too thin, too bald, too much hair, too old, too young. They've stopped all that nonsense cold. Charismatic people know that the best version of me, is me! So they embrace it. And then they own it. Confidence is contagious. That's charismatic. 2)      Ask questions. One of the most noticeable attributes of a charismatic person is that they make you feel like you are special. They are really INTO you. They don't just rattle on about how awesome they are, they focus on you and ask you questions about yourself. They ask open ended questions (more on that in a later reading) and wait eagerly for your answer. Get really good as asking questions. That's charismatic. 3)      Listen well. Another striking quality of charismatic people is how well they listen. When you are talking, they are not busy formulating answers or thinking of the next question (remember, they are confident). Instead, they are 100% focused on you as you answer their questions. They listen for ways to connect and relate. Become a good listener. That's charismatic. 4)      Have something interesting to say. A key element of a charismatic person is how they seem to always have an engaging tidbit to share. They pay attention to the world, and others are interested in their observations. They read books, blogs, and newspapers. They listen to podcasts and radio and even occasionally go to movies or watch TV. So when it's time to talk, they’re interesting. That's charismatic. 5)      Laugh at yourself. Don't take yourself so seriously! Charismatic people understand the power of laughter and the first joke is always on them. So learn how to be funny and start with yourself. Look for the humor in daily life and share. Everyone loves to laugh, and charismatic people live and lead with laughter. That's charismatic.

The Daring Bicyclist Jim was always trying different things.  On this particular day he decided he wanted to see how fast a person could ride a bicycle before it became too hard to ride. So he asked a friend if he could tie his bike to the bumper of his car as he drove faster and faster.  His friend agreed. Before they got going they agreed on a way to communicate.  Jim would ring the bell on his bicycle once if he wanted to go faster, twice if the speed was good and repeatedly if he wanted to go slower. So the two adventurers took off and things were going pretty well.  The driver got up to over 50 miles per hour and Jim was able to handle that speed, following along on his bike. All of a sudden a shiny red sports car came up from behind.  The driver pulled alongside and revved up his engine as if he wanted to race.  Jim’s friend accepted the challenge and started to speed up.  He went faster and faster and soon forgot all about poor Jim tied to his bumper. A little way down the road, as the cars raced side by side, a policeman with a radar gun sat and watched as they sped past.  The policeman clocked them at 99 miles per hour. Before the policeman started to pursue the speeding cars, he reported in to headquarters on his radio.  “You are not going to believe this,” the policeman said.  “I am about to go after two cars racing down the road doing almost 100 miles per hour and there is this guy on a bicycle riding behind them waving his arms and ringing a bell trying to pass them!

My Car Was Broken Into An elderly woman calls 911 to report that her car had been broken into.  She was crying and didn’t know what to do. She explained to the 911 dispatcher, “Someone broke into my car and stole everything.  The stereo is gone, the steering wheel, the gear shift, even the floor pedals are missing!  What will I do?” “Stay calm, we will have an officer over there soon,” the dispatcher assured.  He reported the incident and sent an officer to the elderly woman’s location. A few minutes later, the dispatcher radioed the officer again and said, “Disregard that, she was sitting in the back seat by mistake!

Dick Tracy is a hayseed nightmare, a petrified hick’s vision of big city America. While Tracy and his gal Tess Trueheart are drawn taut and chalk white, the crooks are fat, greasy, beady-eyed, and beastly. Gould’s city is full of physical mutants who look funny, who talk funny, have funny names — like Flattop, B.O. Plenty, The Brow, and the Blank. It’s the kind of thing you see when Pat Robertson’s 700 Club does an investigative report on raves or porn, hysteria boiled down to four panels a day and ten on Sunday. As street hoods turned into executive syndicates, “Dick Tracy” turned to 50s-60s sci-fi two-way wrist radios, moon girls, and Gould lecturing interviewers on how stupid NASA was with its clunky jet propulsion systems. If the aliens weren’t on the city streets, Gould sent Tracy into space to find more.

Graphicforest - Logo design gig Cosminmala - Multiple business designs gig Bnn_marketing - Whiteboard gig Youngceaser - SEO backlink gig Dtongsports - Radio podcast gig Twistedweb123 - Website improvement gig Om2000_cuet - WordPress problem/solution gig Esalaah - Creative beatbox gig Funny gigs for FUN and crazy ideas: Welshbloke - Happy Birthday in Welsh gig Thegsaad - Video claiming to make love to your friend's mother gig Mr_marcus - Juggling chainsaws and knives gig

She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.

Some say America's forgotten workin' men rose up in a single, inchoate scream of rage at a system that for too long had provided them with nothing but empty promises, bad trade deals, and government-subsidized carbs. Some claim it's from a generation weaned on talk radio, Fox News, and the comments sections of a million tea party websites. Some say it's a sign of a merciless god testing us to the breaking point. I still think it's because we didn't let that old gypsy woman vote when she couldn't produce a photo ID back in 2012.

The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked there heads when the get out of line and squabbled with the wife about how much spending money they were to get and what programs the could have on the radio or TV set. I might even have got rich -small town rich- an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with cast iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.

When challenged with the point that installing tile is perhaps different from building a radio, he would always reply, “Not really.

The chicken was good. Melissa made it, with carrots and potatoes, while Mom fiddled with the radio, made a salad, set the table, and said she was learning so much. Lizette said the chicken was almost as good as Mom’s lasagna. Mom looked at me, and we both started laughing. “What?” Lizette kept saying. “What?” But we wouldn’t tell her. — After dinner, Mom pushed her plate away, looked at Melissa, and said, “I got Dan’s wedding invitation.” “Got mine, too,” Melissa said. “We did, too!” Lizette said. She sounded way happier about it than Mom did, but Lizette didn’t notice. She started telling them all about the cake her grandma was planning. “That reminds me,” Melissa said. “I brought brownies!” Then Lizette and I looked at each other and laughed, because of all the cake we’d eaten before dinner. It was Mom’s turn to say, “What’s so funny? What?” But we wouldn’t tell her. We ate the brownies. And then we taught Melissa about dance-party cleanup. — When Lizette and Melissa were gone, the apartment felt really quiet. I kept trying to get Red to jump onto my bed, but he wouldn’t, and I gave up. The wedding was in five weeks. Mission had not sent back the little card saying he would come. I emailed Sonia before I went to bed.

TOM CLARE From a child, I was gripped by the amazing imagination on display in Alice in Wonderland. In my teens, the wild and wacky Goon Show came into being on the radio. Later, I became a huge fan of Tom Sharpe and his wickedly funny books. The more Gothic writing of Daphne du Maurier, especially in Rebecca and Don't Look Now, and the time manipulation novels of William Boyd, linger in my memory. Absurdity, in all its forms, is my type of humour. In retirement, all these sources, together with the stranger events from my life, inspired me to take up writing.

Out of New York came a governor from the moneyed class, Franklin Delano Roosevelt, and he drove Murray to fits—being from that hated family. (FDR’s cousin, Teddy, had forced Murray to remove a white supremacist plank from the Oklahoma constitution before he would allow it to join the union.) At first, Franklin Roosevelt was dismissed as a man without heft, a dilettante running on one of the nation’s great names. Then he took up the cause of the “forgotten man”—the broken farmer on the plains, the apple vendor in the city, the factory hand now hitting the rails. And though he spoke with an accent that sounded funny to anyone outside the mid-Atlantic states, and he seemed a bit jaunty with that cigarette holder, Roosevelt roused people with a blend of hope and outrage. He knew hardship and the kind of emotional panic that comes when your world collapses. He had been felled by double pneumonia in 1918, which nearly killed him, and polio in 1921, which left him partially paralyzed. He had been told time and again in the prime of his young adulthood that he had no future, that he would not walk again, that he might not live much longer. “If you spent two years in bed trying to wiggle your toe, after that anything would seem easy,” he said. Hoover believed the cure for the Depression was to prime the pump at the producer end, helping factories and business owners get up and running again. Goods would roll off the lines, prosperity would follow. Roosevelt said it made no sense to gin up the machines of production if people could not afford to buy what came out the factory door. “These unhappy times call for the building of plans that rest upon the forgotten, the unorganized, the indispensable units of economic powers,” FDR said on April 7, 1932, in a radio speech that defined the central theme of his campaign. He called for faith “in the forgotten man at the bottom of the economic pyramid.” That forgotten man was likely to be a person with prairie dirt under the fingernails. “How much do the shallow thinkers realize that approximately one half of our population, fifty or sixty million people, earn their living by farming or in small towns where existence immediately depends on farms?

This episode plays wonderfully on radio because, just as the raft fills the room, so the imaginations of listeners expand to their fullest to visualize the incongruous scene and the expressions on the faces of thunderstruck visitors. “The Curious Thing About Women” episode of The Dick Van Dyke Show, in which Laura Petrie opens a package which contains a life raft, is funny, but the raft doesn’t consume the whole room as the McGee raft extends to all corners of our minds.

You can hug somebody. Or crank up the radio. Or watch a funny movie. Or tickle somebody. Or lip-synch your favorite song. Or buy the person behind you at Starbucks a coffee. Or wear a flower hat to work.

The Press in 1914 had no Cinema, no Radio, and no Politics: so the painter could really become a 'star'. There was nothing against it. Anybody could become one, who did anything funny. And Vorticism was replete with humour, of course; it was acclaimed the best joke ever. Pictures, I mean oil-paintings, were 'news'. Exhibitions were reviewed in column after column. And no illustrated paper worth its salt but carried a photograph of some picture of mine or of my 'school', as I have said, or one of myself, smiling insinuatingly from its pages.

For me, writing any piece of advertising is unnerving. You sit down with your partner and put your feet up. You read the strategist's brief, draw a square on a pad of paper, and you both stare at the damned thing. You stare at each other's shoes. You look at the square. You give up and go to lunch. You come back. The empty square is still there. Is the square gonna be a poster? Will it be a branded sitcom, a radio spot, a website? You don't know. All you know is the square's still empty. So you both go through the brand stories you find online, on the client's website, what people are saying in the Amazon reviews. You go through the reams of material the account team left in your office. You discover the bourbon you're working on is manufactured in a little town with a funny name. You point this out to your partner. Your partner keeps staring out the window at some speck in the distance. (Or is that a speck on the glass? Can't be sure.) He says, “Oh.” Down the hallway, a phone rings. Paging through an industry magazine, your partner points out that every few months the distillers rotate the aging barrels a quarter turn. You go, “Hmm.” On some blog, you read how moss on trees happens to grow faster on the sides that face a distillery's aging house. Now that's interesting. You feel the shapeless form of an idea begin to bubble up from the depths. You poise your pencil over the page…and it all comes out in a flash of creativity. (Whoa. Someone call 911. Report a fire on my drawing pad 'cause I am SMOKIN' hot.) You put your pencil down, smile, and read what you've written. It's complete rubbish. You call it a day and slink out to see a movie. This process continues for several days, even weeks, and then one day, completely without warning, an idea just shows up at your door, all nattied up like a Jehovah's Witness. You don't know where it comes from. It just shows up. That's how you come up with ideas. Sorry, there's no big secret. That's basically the drill.

It immediately became clear to me that ‘modern’ to Sister Stephen meant any time after the Middle Ages and that she obviously didn’t own a radio or television.

At sea, the darker the night the closer you will get to your past. The music you decide to play is the radio dial of your history. Van Morrison’s “Have I Told You Lately” played as I stared at the setting moon. This is a song that always transports me to a New Hampshire backroad of my youth. Her name was Katie. She was tall, blond, and wore the girl next door look like an angel. She was smart, funny, and kind. She infatuated me from the moment I met her at Wentworth Marina. She was the daughter of two well-to-do doctors from upstate New York. It was her plan to sail around the world, and she wanted me to join her. “Just to mate” she would always say with a wink. She told me, “Pull over, pull over. I love this song. We have to dance.” So I found myself with goosebumps despite dancing in the warmth of the summer air. The sky around us filled with the flashing luminance of fireflies, and it seemed like we were dancing in the heavens above. You could almost touch the music as it drifted out of my truck windows. I will never forget the look in those crystal-blue eyes as we danced to that song alongside my Dodge Ram pickup. Little did I know it would be the last night I would ever get to look into them again.

That and the music was blaring. So loud that the radio station asked if they could keep it down as they cared about the safety of their listeners.

The female marine had beaten Hidaka senseless while singing along to the radio. It had been an entirely punitive retribution with the primary purpose of humiliating the man and breaking his spirit. A level three sanction. They had assumed, correctly, that he would never speak of it, shamed into silence, but even if he had, it was within their accepted rules of engagement. “Something funny?” Jones asked. “Not really,” Kolhammer said as he fitted his powered shades in place. “I was just thinking of serendipity. Do you remember the exact song that was playing?” “Not really,” Jones said, looking nonplussed. “Well, I don’t know whether you heard or not. I think you were talking to Chief Rogas at the time. But Hidaka, he was sort of whimpering after she broke his arm, begging De Marco to tell him what she was going to do.” “And?” “And so she leaned into him and told him they were going to boogie-oogie-oogie until they simply could not boogie no more.” Jones’s rich baritone laughter rolled out over the naval base. Kolhammer allowed himself a chuckle, too, now that they were out of earshot of the typing pool