Rack Stock Quotes

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The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.
Don DeLillo (White Noise)
stocked with staples: juice, milk, eggs, bacon, a few bags of deli meats and cheeses, a plastic carton of potato salad. There’s a rack of Poland Spring water, a rack of Coke,
Stephen King (Billy Summers)
Just down the street from his apartment, Allen discovered the perfect independent bookstore. It was the first in the country to sell nothing but paperbacks. Until that time, cheap paperback books were not sold in “real” bookstores, but instead were relegated to spinning racks in drugstores and bus stations. They were usually stocked without any regard for the quality of the literature, and finding a good book was hit or miss. This particular bookstore had been founded in 1953 by Peter Martin, the publisher of a little magazine christened City Lights in honor of the Charlie Chaplin film of the same name. Martin had decided to open a store to subsidize the magazine, and while he was putting the sign over the door, a thirty-four-year-old man passed by and struck up a conversation.
Bill Morgan (The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation)
I was afraid of other people’s houses. After school sometimes a friend might talk me into going to his house or apartment to do our homework together. It was a shock, the way people lived, other people, those who weren’t me. I didn’t know how to respond, the clinging intimacy of it, kitchen slop, pan handles jutting from the sink. Did I want to be curious, amused, indifferent, superior? Just walking past a bathroom, a woman’s stocking draped over the towel rack, pill bottles on the windowsill, some open, some capsized, a child’s slipper in the bathtub. It made me want to run and hide, partly from my own fastidiousness. The bedrooms with unmade beds, somebody’s socks on the floor, the old woman in nightclothes, barefoot, an entire life gathered up in a chair by the bed, hunched frame and muttering face. Who are these people, minute to minute and year after year? It made me want to go home and stay there.
Don DeLillo
Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.
Michael Stigman
I gave them the same advice that had worked for me: Start by stocking your sense memory. Smell everything and attach words to it. Raid your fridge, pantry, medicine cabinet, and spice rack, then quiz yourself on pepper, cardamom, honey, ketchup, pickles, and lavender hand cream. Repeat. Again. Keep going. Sniff flowers and lick rocks. Be like Ann, and introduce odors as you notice them, as you would people entering a room. Also be like Morgan, and look for patterns as you taste, so you can, as he does, “organize small differentiating units into systems.” Master the basics of structure—gauge acid by how you drool, alcohol by its heat, tannin by its dryness, finish by its length, sweetness by its thick softness, body by its weight—and apply it to the wines you try. Actually, apply it to everything you try. Be systematic: Order only Chardonnay for a week and get a feel for its personality, then do the same with Pinot Noir, and Sauvignon Blanc, and Cabernet Franc (the Wine Folly website offers handy CliffsNotes on each one’s flavor profile). Take a moment as you drink to reflect on whether you like it, then think about why. Like Paul Grieco, try to taste the wine for what it is, not what you imagine it should be. Like the Paulée-goers, splurge occasionally. Mix up the everyday bottles with something that’s supposed to be better, and see if you agree. Like Annie, break the rules, do what feels right, and don’t be afraid to experiment.
Bianca Bosker (Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste)
We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
In the previous four quarters, Yahoo! had racked up $433 million in revenues and $34.9 million in net income. So Yahoo!’s stock was now priced at 263 times revenues and 3,264 times earnings. (Remember that a P/E ratio much above 25 made Graham grimace!)5
Benjamin Graham (The Intelligent Investor)
Some people smoked when they were upset, some did yoga, or drank, or paced, or picked fights, or counted to one hundred. Georgia cooked. As a small girl growing up in Massachusetts, she'd spent most of her time in her grandmother's kitchen, watching wide-eyed as Grammy kneaded the dough for her famous pumpernickel bread, sliced up parsnips and turnips for her world-class pot roast, or, if she was feeling exotic, butterflied shrimp for her delicious Thai basil seafood. A big-boned woman of solid peasant stock, as she herself used to say, Grammy moved around the cramped kitchen with grace and efficiency, her curly gray hair twisted into a low bun. Humming pop songs from the forties, her cheeks a pleasing pink, she turned out dish after fabulous dish from the cranky Tappan stove she refused to replace. Those times with Grammy were the happiest Georgia could remember. It had been almost a year since she died, and not a day passed that Georgia didn't miss her. She pulled out half a dozen eggs, sliced supermarket Swiss and some bacon from the double-width Sub-Zero. A quick scan of the spice rack yielded a lifetime supply of Old Bay seasoning, three different kinds of peppercorns, and 'sel de mer' from France's Brittany coast. People's pantries were as perplexing as their lives.
Jenny Nelson (Georgia's Kitchen)
Jana Ann Bridal Couture Bridal Stores San Diego Hundreds of dresses available off-the-rack, yet none that catch your eye? We’ve been there before, and we understand the frustration. Take all the frustration out of your wedding dress search by taking a quick stop into the best bridal store in San Diego, at Jana Ann Bridal Couture. The Jana Ann Bridal Couture has a different approach to the wedding dress dilemma. Rather than stocking hundreds of dresses that only appeal to a small percentage of people, we reserve samples of dresses that you can customize from the bottom up. This ensures that every bride-to-be can find the dress of their dreams with ease at our bridal store in San Diego. We make sure that every frill and foil on the dress is customized to the bride’s choice. From the materials used to the form and fitting, each detail is used to express the bride’s identity and her love for her spouse-to-be! We create a love story out of the white gown worn at the wedding ceremony. Whether Priyanka Chopra Jonas or Megan Markle inspires you, you can use your wedding dress as a definite fashion statement that can keep you joyful; even in the memory of the day! The majority of stores tagged as bridal stores in San Diego tend to lack the glitz and glamour of a custom-made wedding gown! We at Jana Ann Coutier recognize that wedding dresses are not one-type-fits-all. Brides come in all shapes and sizes, so we can help you determine which silhouette is most flattering. We add features and style elements to hide your trouble areas and accentuate your curves for a more captivating look on your big day! Brides also come with different tastes and preferences. Some like to stay simpler, while others want to go all out with embellishments. Don’t limit yourself if you’re going to go big or remain traditional. Since most San Diego bridal stores search leads you to boutiques creating designer wear replicas, our specialty will satisfy your expectations for the dream wedding dress! We hope to help you create the dress of your dreams and feel fantastic on your wedding day, with the knowledge that your dress is one-of-a-kind, just like you! For a bridal store that values your opinion and time, stop by our location in San Diego today. Ready to get started? Get an appointment with Jana Ann to create the wedding ensemble of your dreams. Call us: (619) 649-2439 #San_Diego_Wedding_Dresses #Bridal_Shops_San_Diego #San_Diego_Bridal_Boutique #Custom_Wedding_Dresses_San Diego #Plus_Size_Wedding_Dresses_San_Diego #Beach_Wedding_Dresses_San_Diego #Bridal_Stores_San_Diego #Simple Wedding_Dresses_San_Diego #Wedding_Shops_San_Diego #San_Diego_Bridal_Shops
Jana Ann Couture Bridal
Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.
Daniel Thomas
In Minnesota, they were seizing cars from every siding, from the Mesabi Range, from the ore mines of Paul Larkin where the cars had stood waiting for a dribble of iron. They were pouring wheat into ore cars, into coal cars, into boarded stock cars that went spilling thin gold trickles along the track as they clattered off. They were pouring wheat into passenger coaches, over seats, racks and fixtures, to send it off, to get it moving, even if it went moving into trackside ditches in the sudden crash of breaking springs, in the explosions set off by burning journal boxes. They fought for movement, for movement with no thought of destination, for movement as such, like a paralytic under a stroke, struggling in wild, stiff, incredulous jerks against the realization that movement was suddenly impossible. There were no other railroads: James Taggart had killed them; there were no boats on the Lakes: Paul Larkin had killed them. There was only the single line of rail and a net of neglected highways. The trucks and wagons of waiting farmers started trickling blindly down the roads, with no maps, no gas, no feed for horses—moving south, south toward the vision of flour mills awaiting them somewhere, with no knowledge of the distances ahead, but with the knowledge of death behind them—moving, to collapse on the roads, in the gullies, in the breaks of rotted bridges. One farmer was found, half a mile south of the wreck of his truck, lying dead in a ditch, face down, still clutching a sack of wheat on his shoulders. Then rain clouds burst over the prairies of Minnesota; the rain went eating the wheat into rot at the waiting railroad stations; it went hammering the piles spilled along the roads, washing gold kernels into the soil.
Ayn Rand (Atlas Shrugged)
French Onion Soup Ingredients: 3 lbs onions, sliced into thin rings 2 bay leaves 1 tsp dried thyme 1/4 tsp salt 1/2 stick (1/4 cup) unsalted butter, cut in half 1/4 cup all purpose flour 1/4 cup dry white wine 6 cups beef stock 1/2 day-old baguette 3 tsp butter Onion salt or powder 1 cup grated Gruyere cheese Directions: Cook onions, bay leaves, thyme, salt, and half the butter in a large, heavy pot over moderate heat, uncovered, stirring frequently until onions are very soft and deep golden brown, about 45 minutes. It’s okay if the bottom of the pan browns, as long as it doesn’t burn. The brown “stuff” on the bottom of the pan is the fond, and having lots of it will make your soup taste richer. If it seems as though it may start to brown, turn down the heat. Once the onions are browned and you have lots of fond, add flour and cook for 1 minute, stirring constantly. Add wine and cook 2 minutes, stirring constantly. Add stock and simmer, uncovered and stirring occasionally, for 30 minutes. While soup simmers, put oven rack in middle position and preheat oven to 350º F. Cut the baguette into large cubes and toss with the remaining butter and onion salt to taste. Arrange bread in a single layer on a large baking sheet and toast, turning once, until golden brown, about 15 minutes. They’ll be like large, slightly soft croutons. Remove from oven. Preheat broiler. Put 4 ovenproof soup crocks on a cookie sheet. Discard bay leaves from soup and divide soup among crocks, then top each crock with croutons. Sprinkle Gruyere to cover tops of crocks. Broil 4-5 inches from heat until cheese is melted and bubbly, 1-2 minutes.
Sandra Byrd (Bon Appetit (French Twist #2))
In the days of his health and strength, Owen would have confidently refuted this picture of hopelessness, but he was tired and ill. His room now remained unheated most of the time and he was racked with coughs and ominous chest pains. In the long, miserable hours when sleep would not come, he found his eyes turning to that mouldy stain upon the wall, and he began to harbour dark thoughts. What was all this talk of the soul anyway? It could not be weighed or measured; die surgeon never discovered it. In any case it could not grant insight into stock market prices, could create no visible wealth. Indeed, there were brilliant people with titles like 'professor', people whose name trailed endless letters, who even after the most rigorous deliberations, most elegant applications of logic, doubted that such a thing as the soul existed at all. And after all, was not The City full of Smugsbys who possessed no discernible soul, yet lived after their fashion? The Great Mystery was nothing to them. They did not seek the Great Answer; they were not aware that there had ever been a Great Question! What business had he, a starving wretch, in seeking to nurture through his writings an invisible, odourless, weightless abstraction of dubious commercial value, when the very process merely drew attention away from the 'real' business of getting on? "The White Road
Ron Weighell (The White Road)
Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again. Call cleared his throat. “I’ll be home in a couple of minutes, Toby.” “Yes, sir. I’ll have your breakfast waiting.” With a wave good-bye, he set off down the path the way he had come. When Charity turned, she saw Call watching her, his face dark, his expression closed up as it usually was. “I didn’t mean for that to happen.” Oh, God. He was obviously sorry it had and it made her even more embarrassed. “Neither did I. I don’t make a habit of…of…I don’t exactly know what happened.” She studied her feet, then stared off toward the creek. “It must have been the fear, you know? They say when your life is threatened you revert to your most basic instincts.” She risked a glance at him, saw that his jaw looked iron-hard. “Yeah, that must be it.” She glanced away, trying not to think of what they’d just done. Trying not to wonder what would have happened if Toby hadn’t arrived when he did. “You’d better go,” she said, making an effort to smile. “Your breakfast is waiting and I’ve got work to do.” As she started to turn, the sun peeked out from behind a cloud, casting shadows beneath his cheekbones and the little indentation on his chin. He didn’t move when she grabbed the plastic bag of garbage and headed for one of the heavy iron trash cans that were supposed to be bear-proof. She saw him walk over and pick up his rifle, his fingers wrapping around the stock with a casual ease that said he was comfortable with the weapon. He didn’t walk away as she expected. Instead, he stood there watching, waiting until she disappeared inside the house.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
Marjan chose a cream dress with a nice scooped collar, one that revealed her slender collarbones and neck. Instead of the high boots of the earlier evening, she slipped on a pair of tan leather pumps over her stocking-clad feet. With her hair tied back and her mother's ruby earrings, she felt just about ready. She took her best coat from the rack and opened the kitchen door. Julian looked at her hungrily as she stepped out of the back gate. "Breathless," he said, shaking his head. "That's what you do to me, Miss Aminpour. Leave me breathless.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))