Racing Stripes Quotes

We've searched our database for all the quotes and captions related to Racing Stripes. Here they are! All 26 of them:

Making these choices [to attend school instead of skipping], as it turned out, wasn't about willpower. I always admired people who “willed” themselves to do something, because I have never felt I was one of them. If sheer will were enough by itself, it would have been enough a long time ago, back on University Avenue, I figured. It wasn't, not for me anyway. Instead, I needed something to motivate me. I needed a few things that I could think about in my moments of weakness that would cause me to throw off the blanket and walk through the front door. More than will, I needed something to inspire me. One thing that helped was a picture I kept in mind, this image that I used over and over whenever I was faced with these daily choices. I pictured a runner running on a racetrack. The image was set in the summertime and the racetrack was a reddish orange, divided in white racing stripes to flag the runners’ columns. Only, the runner in my mental image did not run alongside others; she ran solo, with no one watching her. And she did not run a free and clear track, she ran one that required her to jump numerous hurdles, which made her break into a heavy sweat under the sun. I used this image every time I thought of things that frustrated me: the heavy books, my crazy sleep schedule, the question of where I would sleep and what I would eat. To overcome these issues I pictured my runner bolting down the track, jumping hurdles toward the finish line. Hunger, hurdle. Finding sleep, hurdle, schoolwork, hurdle. If I closed my eyes I could see the runner’s back, the movement of her sinewy muscles, glistening with sweat, bounding over the hurdles, one by one. On mornings when I did not want to get out of bed, I saw another hurdle to leap over. This way, obstacles became a natural part of the course, an indication that I was right where I needed to be, running the track, which was entirely different from letting obstacles make me believe I was off it. On a racing track, why wouldn't there be hurdles? With this picture in mind—using the hurdles to leap forward toward my diploma—I shrugged the blanket off, went through the door, and got myself to school.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
When the striped pole slips by I slide low in the saddle and give Kali room to go. One moment she's bottled up, and the next she's a stream of copper, her chestnut mane smacking me hard in the face while her strides lengthen and everything becomes a droning rumble of hooves and wind.
Mara Dabrishus (Stay the Distance)
For white Americans of every ideological stripe—from radical southern racists to northern progressives—African American criminality became one of the most widely accepted bases for justifying prejudicial thinking, discriminatory treatment, and/or acceptance of racial violence as an instrument of public safety.
Khalil Gibran Muhammad (The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America)
What looks good to you?” he asked as if we were out for ice cream. Rocky road or pistachio? Like my Corvette sitting back in the shop, he had a penchant for American-made classics, the ones Detroit had long-since forgotten it once knew how to make. Slowly, I walked around looking at each one—the acid green Shelby Mustang with white racing stripes, the powder blue Ford Fairlane, the black Chevy Bel-Air— each in pristine condition and only because his blood and sweat coursed through them as surely as gasoline. But if he was serious that I could take my pick and drive it out of here, there was only one choice for me: the cherry red 1955 Ford Bronco.
Leesa Freeman
On occasion we say to ourselves, panting, ‘Gosh, life is racing by.’ But that’s not it at all, it’s the contrary: life is still. It is we who are racing by.
Yann Martel (What is Stephen Harper Reading?: Yann Martel's Recommended Reading for a Prime Minister and Book Lovers of All Stripes)
Society remains uneasy with female strength of any stripe and still prefers and champions delicate damsels—an outdated sentiment that limits all women. But because the damsel’s face is still viewed as unequivocally white and female, it is a particular problem for black women. As long as vulnerability and softness are the basis for acceptable femininity (and acceptable femininity is a requirement for a woman’s life to have value), women who are perpetually framed because of their race as supernaturally indestructible will not be viewed with regard. This may be why we so rarely see the black women who are victims of violence on true-crime television, despite the fact that black women are more likely to be victims of sexual violence and domestic homicidal violence.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Then, with a horror of pitiful amazement, she saw a great cross marked in two cruel stripes on his back; and the thoughts that thereupon went coursing through her loving imagination, it would be hard to set forth. Could it be that the Lord was still, child and man, suffering for his race, to deliver his brothers and sisters from their sins? -- wandering, enduring, beaten, blessing still? accepting the evil, slaying it, and returning none? his patience the one rock where the evil word finds no echo; his heart the one gulf into which the dead-sea wave rushes with no recoil -- from which ever flows back only purest water, sweet and cool; the one abyss of destroying love, into which all wrong tumbles, and finding no reaction, is lost, ceases for evermore?
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
Annie Dillard (Pilgrim at Tinker Creek)
Do you guys ever feel like you're locked inside a car that's moving really fast? "What kinda car?" Chris asks. Like a fucking red Monte Carlo with a black racing stripe cutting through the middle of it, and there's some superintense Fantomas shit jolting from the car speakers, like Mike Patton and Buzz Osbourne just completely losing it, but no steering wheel. The car doesn't have one. And the car is so out of control, right? It's swerving all over the road, and you're crying, pounding your fists against the window trying to jump out of it, trying to bail from it, and then all of these people start popping up on the road, like your parents and your sister and your friends, and the car is playing human dodgeball with them. It's trying to not run anyone over, but it's not slowing down, either, and then some junkie babe pops up in the middle of the road and the car destroys her, leaving her mangled body in its burnt rubber path, and then it keeps on going and going even though it can't maintain anything close to the same speed.
Jason Myers (Exit Here.)
Let’s each take a Sailfish and have a race,” George cried, running over to a pretty light-blue boat, with a yellow sail wrapped neatly around the mast. The mast and rudder had been placed carefully next to the hull. “That sounds like fun,” Nancy said enthusiastically. “Which boat would you like, Bess?” Nancy was eying a dark-green one with a red stripe around it. Its white sail, mast, and rudder were placed exactly like the others. “Someone keeps things shipshape around here,” she thought admiringly. “These boats look like painted wooden soldiers all lined up.” “I’ll stick to the rowboat, thanks,” Bess said. “I’d rather be under my own steam. If I took a sailboat, the wind might blow me somewhere I didn’t want to go,” she added, glancing at a breakwater of rocks not far away. “Don’t worry, Bess,” said Nancy. “Why don’t you come with me? We can always tack back when you say the word. It’s a light offshore wind,” she added, looking up at the pennant on the boathouse. “And I promise to head up into the wind, whenever you’re scared, although I don’t relish getting in irons. Oh well, if we do, you can jump out and push!” Nancy laughed.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
The traumatic aspect of drinking ayahuasca is that in order to heal yourself, you must first confront the wound; by forcing you to deal with your own inner garbage, ayahuasca shows you things about yourself that you might not want to see. I wish that a whole country could drink ayahuasca—not merely every individual citizen of a country, but the country itself, the spirit of the country. I wish that a flag could drink ayahuasca, that we could just fold the Stars and Stripes into the shape of a cup, pour in the tea, and transport Uncle Sam into another dimension. He’d have to fight his way out of some nightmares, but he’d be cleansed. What would he find? William S. Burroughs wrote that when you drink ayahuasca, “The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian—new races as yet unconceived and unborn, combinations not yet realized—pass through your body.” When Burroughs drank, he actually saw himself transformed into both a black man and a black woman. What if some freedom-hating narcoterrorists snuck into the Fox News studios and put ayahuasca in Sean Hannity’s coffee, just before he went live? What would be the day’s fair and balanced news for America? If America drank ayahuasca and then withdrew into the filthy pit of its own heart, confronting all its fears and hate and finally purging itself of that negative energy, maybe America would come out Muslim: sucked through a black hole by the Black Mind, young Latter-Day Saint crackers with smooth cheeks, short-sleeved white shirts, and name tags confront nightmarish visions of getting swallowed whole by giant grotesque “Jolly Nigger” coin banks and then find themselves vomited back up as Nubian Islamic Hebrews in turbans and robes selling incense on the subways. The “God Hates Fags” pastor, eyes wild with a new passion for Allah, boards a helicopter to drop thousands of Qur’ans upon the small towns below. I want to see ayahuasca’s vine goddess clean out America’s poison. But what would happen if a religion could drink the vine? What if I poured ayahuasca into my Qur’an?
Michael Muhammad Knight (Tripping with Allah: Islam, Drugs, and Writing)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Annie Dillard
1856 a Virginia master offered “a reward of six cents for the apprehension of his boy ‘Sam,’ who absconded some time in the month of March.… He has a down look, and, on his back, wears the stripes of a recent whipping. One tooth is knocked out, and I believe he has a scar under the left
James Oakes (The Ruling Race)
Pretty soon after we start talking with a white person, that white person will bring up Indians, sure as anything.” “It's true, Nerburn,” Grover chimed in. Dan kept on. “They might talk about some other Indian they knew or they might talk about some movie or something to do with Indians. Probably it's to show us how much they claim to like Indians. But you sure know that they're going to bring up Indians. It's like that's the biggest thing when they meet me. I could be the president or have a cure for cancer, but before anyone could talk about it, they'd have to say something about Indians. “Black people have told me it's the same for them, too. You white people just seem to see race first, no matter what. “Then the really funny thing is that you pretend you don't see race. Like the other night, I was sitting with Grover. We were watching a boxing match on TV.” He turned toward Grover for confirmation. “You remember that?” “Sure do. Lousy fight.” “Anyway, the announcer kept talking about the one guy in black trunks with a white stripe and the other guy in black trunks with a gold stripe. Hell, I couldn't even see the difference. But that was how he kept talking about them. And you know what? One guy was white and the other guy was black! But the announcer couldn't say, ‘the white guy’ and ‘the black guy’ because you're not supposed to see that. It was the damndest thing I ever saw.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
In the day Maskelyne worked on the preparations for the transit expeditions and during the cold nights he observed the skies from Greenwich, no doubt sporting his brand-new ‘observing suit’ – a quilted outfit including a waistcoat, as well as trousers with all-in-one feet and an enormous padded bottom made of thick flannel and fine gold-, red- and cream-striped silk which reputedly Maskelyne’s brother-in-law Robert Clive had sent from India.
Andrea Wulf (Chasing Venus: The Race to Measure the Heavens)
Next to him stands a Water Human wearing one of the elaborate canvas suits held up with a clockwork frame that allows him, or her, to survive in the open air. The machine is like a tank with legs. Plates of glass affixed in the sides allow glimpses of the Human inside, colored blue and scarlet like a singing bird, with stripes of turquoise, black, and mottled gold, a profusion of fins and frills like drowned fans. Not for the first time, I wonder how one water-based race has managed to define itself as Human while all the rest are considered Beasts. That must have taken some fine-grained negotiation.
Cat Rambo (Beasts of Tabat (Tabat Quartet, #1))
As far as she could tell, basketball involved a herd of impossibly tall men racing up and down a polished wooden floor, passing a ball back and forth until one of them forged ahead to the basket to try to score. It seemed that whenever the contest became interesting, the referees would blow their whistles and everything would come to a grinding halt. She couldn’t understand why the referees chose to wear zebra-striped shirts, either, since it wasn’t likely anyone would confuse the short, balding men with the players.
Debbie Macomber (The Manning Grooms: Bride on the Loose / Same Time, Next Year)
Before moving to America, I did not see the world through a "Black" lens...We had doctors, teachers, wealthy men. Indeed, we had successful men of all stripes. We did not have Black doctors, Black businessmen, or any so-called role models. We had people doing things we children knew we could just as easily do when we grew up.
Sun Yung Shin (A Good Time for the Truth: Race in Minnesota)
and pink striped tail that started to swish back and forth behind her. “No. Wait. A cat? A cat-woman? What are you?” Alister gave the cat-woman a wary look. A dark shadow flickered over the cat-woman’s face, but it was gone so fast that Alister was sure he’d imagined it. “My race is known as the Cheshire Cat People. We
KuroKoneko Kamen (Handsome and the Yeti (Genderbent Fairytales Collection, Book 1) (Twisted Fairytales Collection))
I had a fast thought of I am just going to be posted here spread eagle for some poor person to find me. Surely, after, I am roadkill; yes, I felt as if I was going to be his canvas for his twisted artwork! I was running for my life barefoot. I could feel the stones cut me up as I was trying to outrun his car over and over, he was teasing me by speeding up and slowing down for miles, it was a sick game to him! Just flat-out terrifying to me! I even tried running into a wheat field, and he chased me with his car until I was trapped, and I got pinned up against a barbwire fence and he then floored it, and the wires ripped into my back and my butt, and legs. Oh, how it was a wonder I was not cut completely in half, or decapitated! I do not know why he stopped, he could have killed me then and there, no he wanted me to feel more pain. Oh, what he called his love! I ran! I dashed! I jogged! I sprinted until I could not run anymore and he was behind the wheel laughing his head off at me falling tripping to the concrete, and gravel, and then I had to get back up and run some more. He would run that reddish-orange Dodge Challenger with the black racing stripes; bumper right up on me until it touched my nude petite butt, as I was running, and I know there was nowhere to run but forwards down the road, all day until late evening and the nightfall. Besides, after I collapsed from exhaustion, he would scoop me up and throw me back into the car, and get his way once more, and I would be too tired to fight him off me.
Marcel Ray Duriez (Nevaeh Struggle with Affections)
The orange wave was real. Layton and the NDP won 103 seats on May 2, 2011, and for the first and only time in its history, the party formed the official opposition with Layton at the helm. It was a huge accomplishment for the NDP, but for Jack Layton there was very little time to celebrate. The cancer had returned. It was about to race through his body. Just one hundred and twelve days after election night, the battle against it ended. On August 22, just before five in the morning, my phone rang. I've been around long enough to know that when the phone rings in the middle of the night the odds are it's not good news. It wasn't. "Jack just passed away. We will be announcing it publicly in a few hours. Perhaps you could make it known before then." I got up, showered, and dressed. I drove into Toronto from our home in Stratford thinking about those last conversations we'd had during the campaign. In St. John's after that interview had ended, I'd thanked him for being so frank about his health and his hopes in the few days we'd just spent together. Standing on the dock I'd told him that while he and I had done many interviews in the years before, all my questions in those past years had been so predictable. Before I could say anything, he smiled and looked at me. "And all my answers were so predictable too." We both laughed. It was so true. But 2011 had been different. I parked my car and walked into the studio where Heather Hiscox was hosting her morning show and, to her surprise, I sat down, unannounced, beside her. She could tell something wasn't right and, on air, she asked me what was up. "Jack Layton has just died." Heather's face said it all. She was shocked and saddened, just like so many Canadians of all political stripes were, as they found out in that same moment. A person's life have been stolen from them at the pinnacle of their professional career. The country was instantly in mourning. Two weeks later, Layton's widow, Olivia Chow, returned with me to the spot on Toronto Island where they had been married twenty-three years before and talked about what the final moments had been like. "It was very difficult, but he had no fear. He had no fear. He was ready, so I thought, okay. So we held him.
Peter Mansbridge (Off the Record)
Don’t you have your suit on?” he asks, pulling off his shoes. I nod and wait for him to get distracted again before shedding layers, turning my back on him as I pull out my sunscreen and work the cool lotion into my face, down my arms, stomach and legs. A grunt escapes my mouth, the hard to reach spot on my back mocking me. No. The cliché Can you rub this on my back? is most definitely not happening. Assuming the plan is to soak up some rays and chat, I lie down on my back, hiding the vulnerable strip of unprotected skin, determined not to ask for help. His eyes are on me. I can feel it. I suck in, flattening out my stomach as much as possible, before turning my head and squinting at him. I was right. He’s staring. “What?” I ask. “Do you want me to get your back for you?” Cringe. “No, I’m fine.” “Okay, then could you get mine? I don’t really want the striped look you’re going for. A little too trendy for me.” He laughs, snapping the lid shut on his sunscreen bottle. He shakes it hard to force the lotion to the end, every muscle in his body tensing, releasing, tensing, releasing. My jaw goes slack. He asked me a question. What was it? The cliché come to life? I hesitantly sit up and he’s already on his knees on the end of my mat, back to me. “Oh. Okay, sure.” I take the bottle from him and smear the lotion on the middle of his back as fast as I can. Why isn’t it rubbing in? Too much, I took too much. His body is solid under my fingertips. And tan. And solid. And sweaty. Overstimulation. Accelerated heart rate. Bad thoughts, Pippa. Stop. The lotion finally blends into his skin and I wipe my hands on my towel. “That wasn’t so terrible, was it?” Darren twists around and winks. “Now are you going to be stubborn or do you want me to finish your back for you?” I give in for lack of a reasonable excuse and toss him my higher SPF. He kneels behind me and gently rubs even the places I know he saw me reach myself. When he nears the small of my back, I sit up straight as a board, goose bumps racing down my arms and legs, pulse loud in my ears. I need a distraction, fast.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
There are, in our race, natural and nomadic instincts that no education or captivity can eradicate; an inborn passion for freedom and enjoyment; this, in man, is damned with texts by your priests, and in dogs, is chastised with stripes by your keepers. But, as a rule, being of itself innocent, and desirable, and even noble, it is too strong always for either priests or keepers; and under the damnation, or the dogwhip, will turn the man criminal, and the dog mad. This instinct awaking in me, and I, being a little foolish, guileless thing, deprived by my mode of life of many of my proper qualities of self-preservation and of foresight, and rendered helpless and dependent against my very will, was vaguely moved by it, and, knowing no better, moved to my own destruction.
Ouida (Puck)
The history of the land is a history of blood. In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming. It’s all in the telling. The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow. Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness. Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.) The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting. The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded. The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb. All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing. One nation, under the earth. E Pluribus unum mortuis. Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
Libba Bray
The bouquets of brilliant anemones undulated ceaselessly in the invisible current, twisted shells scurried about the edges, obscuring the crabs within them, starfish stuck motionless to the rocks and each other, while one small black eel with white racing stripes wove through the bright green weeds, waiting for the sea to return.
Stephenie Meyer (Twilight (Twilight, #1))