Racing In The Rain Quotes

We've searched our database for all the quotes and captions related to Racing In The Rain. Here they are! All 100 of them:

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There is no dishonor in losing the race. There is only dishonor in not racing because you are afraid to lose.
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Garth Stein (The Art of Racing in the Rain)
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He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave.
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Garth Stein (The Art of Racing in the Rain)
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That which we manifest is before us; we are the creators of our own destiny. Be it through intention or ignorance, our successes and our failures have been brought on by none other than ourselves.
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Garth Stein (The Art of Racing in the Rain)
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The true hero is flawed. The true test of a champion is not whether he can triumph, but whether he can overcome obstacles - preferably of his own making - in order to triumph.
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Garth Stein (The Art of Racing in the Rain)
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That which is around me does not affect my mood; my mood affects that which is around me.
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Garth Stein (The Art of Racing in the Rain)
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To live every day as if it had been stolen from death, that is how I would like to live. To feel the joy of life, as Eve felt the joy of life. To separate oneself from the burden, the angst, the anguish that we all encounter every day. To say I am alive, I am wonderful, I am. I am. That is something to aspire to.
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Garth Stein (The Art of Racing in the Rain)
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So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.
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Garth Stein (The Art of Racing in the Rain)
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The human language, as precise as it is with its thousands of words, can still be so wonderfully vague.
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Garth Stein (The Art of Racing in the Rain)
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You should shine with all of your light all the time.
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Garth Stein (The Art of Racing in the Rain)
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The car goes where the eyes go.
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Garth Stein (The Art of Racing in the Rain)
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My soul has learned what it came to learn, and all the other things are just things. We can't have everything we want. Sometimes, we simply have to believe.
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Garth Stein (The Art of Racing in the Rain)
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Somewhere, the zebra is dancing.
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Garth Stein (The Art of Racing in the Rain)
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[T]he race is long - to finish first, first you must finish.
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Garth Stein (The Art of Racing in the Rain)
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That which we manifest is before us.
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Garth Stein (The Art of Racing in the Rain)
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People and their rituals. They cling to things so hard sometimes.
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Garth Stein (The Art of Racing in the Rain)
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I know this much about racing in the rain. I know it is about balance. It is about anticipation and patience... [it is also] about the mind! It is about owning one's body... It is about believing that you are not you; you are everything. And everything is you.
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Garth Stein (The Art of Racing in the Rain)
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I suddenly realized. The zebra. It is not something outside of us. The zebra is something inside of us. Our fears. Our own self-destructive nature. The zebra is the worst part of us when we are face-to-face with our worst times. The demon is us!
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Garth Stein (The Art of Racing in the Rain)
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People are always worried about what's happening next. They often find it difficult to stand still, to occupy the now without worrying about the future. People are generally not satisfied with what they have; they are very concerned with what they are going to have.
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Garth Stein (The Art of Racing in the Rain)
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To separate oneself from the burden, the angst, the anguish that we all encounter everyday. To say I am alive, I am wonderful, I am. I am. That is something to aspire to.
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Garth Stein (The Art of Racing in the Rain)
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I don't understand why people insist on pitting concepts of evolution and creation against each other. Why can't they see that spiritualism and science are one? That bodies evolve and souls evolve and the universe is a fluid package that marries them both in a wonderful package called a human being. What's wrong with that idea?
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Garth Stein (The Art of Racing in the Rain)
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This is a rule of racing: No race has ever been won in the first corner; many have been lost there.
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Garth Stein (The Art of Racing in the Rain)
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We too, must shatter the mirrors. We must look in to ourselves and root out the distortions until that thing which we know in our hearts is perfect and true, stands before us.
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Garth Stein (The Art of Racing in the Rain)
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We had a good run, and now it’s over; what’s wrong with that?
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Garth Stein (The Art of Racing in the Rain)
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Such a simple concept, yet so true: that which we manifest is before us; we are the creators of our own destiny. Be it through intention or ignorance, our successes and our failures have been brought on by none other than ourselves.
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Garth Stein (The Art of Racing in the Rain)
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The race is long. It is better to drive within oneself and finish the race behind the other than it is to drive too hard and crash.
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Garth Stein (The Art of Racing in the Rain)
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In racing, they say that your car goes where your eyes go. The driver who cannot tear his eyes away from the wall as he spins out of control will meet that wall; the driver who looks down the track as he feels his tires break free will regain control of his vehicle.
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Garth Stein (The Art of Racing in the Rain)
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Inside each of us resides the truth, I began, the absolute truth. But sometimes the truth is hidden in a hall of mirrors. Sometimes we believe we are viewing the real thing, when in fact we are viewing a facsimile, a distortion.
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Garth Stein (The Art of Racing in the Rain)
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[M]emory is time folding back on itself. To remember is to disengage from the present.
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Garth Stein (The Art of Racing in the Rain)
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Those monkey-thumbs were meant for dogs. Give me my thumbs, you fu**ing monkeys!
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Garth Stein (The Art of Racing in the Rain)
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Any problems that may occur have ultimately been caused by you, because you are responsible for where you are and what you are doing there.
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Garth Stein (The Art of Racing in the Rain)
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The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer! I will often admire beautiful sunrise, but I will never consider the sun a champion for having risen.
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Garth Stein (The Art of Racing in the Rain)
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To live every day as if it had been stolen from death, that is how I would like to live.
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Garth Stein (The Art of Racing in the Rain)
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Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
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Garth Stein (The Art of Racing in the Rain)
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We are all afforded our physical existence so we can learn about ourselves.
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Garth Stein (The Art of Racing in the Rain)
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Gestures are all that I have; sometimes they must be grand in nature.
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Garth Stein (The Art of Racing in the Rain)
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King Karma; I know that karma is a force in this universe, and that people will receive karmic justice for their actions. I know that this justice will come when the universe deems it appropriate and it may not be in this lifetime or the next, or the one after that.... but it will come.
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Garth Stein (The Art of Racing in the Rain)
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Sometimes I believe...Sometimes I really do believe.
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Garth Stein (The Art of Racing in the Rain)
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When I return to the world, I will be a man. I will walk among you. I will lick my lips with my small, dexterous tongue. I will shake hands with other men, grasping firmly with my opposable thumbs. And I will teach all people that I know. And when I see a man or a woman or a child in trouble, I will extend my hand, both metaphorically and physically. I will offer my hand. To him. To her. To you. To the world. I will be a good citizen, a good partner in the endeavour of life that we all share.
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Garth Stein (The Art of Racing in the Rain)
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In Mongolia, when a dog dies, he is buried high in the hills so people cannot walk on his grave. The dog’s master whispers in the dog’s ear his wishes that the dog will return as a man in his next life. Then his tail is cut off and put beneath his head, and a piece of meat of fat is cut off and placed in his mouth to sustain his soul for its journey; before he is reincarnated, the dog’s soul is freed to travel the land, to run across the high desert plains for as long as it would like. I learned that from a program on the National Geographic Channel, so I believe it is true. Not all dogs return as men, they say; only those who are ready. I am ready.
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Garth Stein (The Art of Racing in the Rain)
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Many of us have convinced ourselves that compromise is necessary to achieve our goals, that all of our goals are not attainable so we should eliminate the extraneous, prioritize our desires, and accept less than the moon.
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Garth Stein (The Art of Racing in the Rain)
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Here is why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. ...I beg of you, pretend you are a dog like me and LISTEN to other people rather than steal their stories.
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Garth Stein (The Art of Racing in the Rain)
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But what is worse, smelling the roast and not feasting, or not smelling the roast at all?
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Garth Stein (The Art of Racing in the Rain)
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That which you manifest is before you. The visible becomes inevitable. Your car goes where your eyes go.
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Garth Stein (The Art of Racing in the Rain)
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She was my rain. She was my unpredictable element. She was my fear. But a racer should not be afraid of rain; a racer should embrace the rain.
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Garth Stein (The Art of Racing in the Rain)
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Rain amplifies your mistakes, and water on the track can make your car handle unpredictably. When something unpredictable happens you have to react to it; if you’re reacting at speed, you’re reacting too late. And so you should be afraid.
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Garth Stein (The Art of Racing in the Rain)
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My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. β€œThey gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. β€œspiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. β€œI have three.” I asked you what you do when it rains. β€œsleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. β€œhow about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
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Caitlyn Siehl (What We Buried)
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Because memory is time folding back on itself. To remember is to disengage from the present. In order to reach any kind of success in automobile racing, a driver must never remember.
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Garth Stein (The Art of Racing in the Rain)
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The full moon rises. The fog clings to the lowest branches of the spruce trees. The man steps out of the darkest corner of the forest and finds himself transformed into... A monkey? I think not.
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Garth Stein (The Art of Racing in the Rain)
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It’s so hard to communicate because there are so many moving parts. There’s presentation and there’s interpretation and they’re so dependent on each other it makes things very difficult.
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Garth Stein (The Art of Racing in the Rain)
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Very gently. Like there are eggshells on your pedals, and you don’t want to break them. That’s how you drive in the rain.
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Garth Stein (The Art of Racing in the Rain)
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It makes one realize that the physicality if our world is a boundary to us only if our will is weak; a true champion can accomplish things that a normal person would think impossible.
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Garth Stein (The Art of Racing in the Rain)
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To be a champion, you must have no ego at all. You must not exist as a separate entity. You must give yourself over to the race. You are nothing if not for your team, your car, your shoes, your tires. Do not mistake confidence and self-awareness for egotism.
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Garth Stein (The Art of Racing in the Rain)
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I had always wanted to love Eve as Denny loved her, but I never had because I was afraid. She was my rain. She was my unpredictable element. She was my fear. But a racer should not be afraid of the rain; a racer should embrace the rain. I, alone, could manifest a change around me. By changing my mood, my energy, I allowed Eve to regard me differently. And while I cannot say that I am a master of my own destiny, I can say that I have experienced a glimpse of mastery, and I know what I have to work toward.
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Garth Stein (The Art of Racing in the Rain)
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The visible becomes inevitable...
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Garth Stein (The Art of Racing in the Rain)
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I marveled at them both; how difficult it must be to be a person. To constantly subvert your desires. To worry about doing the right thing, rather than doing what is most expedient. At that moment, honestly, I had grave doubts as to my ability to interact on such a level. I wondered if I could ever become the human I hoped to be.
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Garth Stein (The Art of Racing in the Rain)
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To separate oneself from the burden, the angst, the anguish that we all encounter every day. To say I am alive, I am wonderful, I am. I am. That is something to aspire to.
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Garth Stein (The Art of Racing in the Rain)
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And I wonder: Have I squandered my dogness? Have I forsaken my nature for my desires? Have I made a mistake by anticipating my future and shunning my present?
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Garth Stein (The Art of Racing in the Rain)
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In Seattle we live among the trees and the waterways, and we feel we are rocked gently in the cradle of life. Our winters are not cold and our summers are not hot and we congratulate ourselves for choosing such a spectacular place to rest our heads.
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Garth Stein (The Art of Racing in the Rain)
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People speak of a will to live. They rarely speak of a will to die. Because people are afraid of death. Death is dark and unknown and frightening. But not for me. It is not the end.
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Garth Stein (The Art of Racing in the Rain)
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Demon. Gremlin. Poltergeist. Ghost. Phantom. Spirit. Shadow. Ghoul. Devil. People are afraid of them, so they relegate their existence to stories, volumes of books that can be closed and put on the shelf or left behind at a bed and breakfast; they clench their eyes shut, so they will see no evil. But trust me when I tell you that the zebra is real. Somewhere, the zebra is dancing.
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Garth Stein (The Art of Racing in the Rain)
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So what if man's body evolved from the monkeys? Whether he came from monkeys or fish is unimportant. The important idea is that when the body became "human" enough, the first human soul slipped into it.
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Garth Stein (The Art of Racing in the Rain)
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The true hero is flawed. The true test of a champion is not whether he can triumph, but whether he can overcome obstacles--preferably of his own making--in order to triumph. A hero without a flaw is of no interest to an audience or to the universe, which, after all, is based on conflict and opposition, the irresistible force meeting the unmovable object.
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Garth Stein (The Art of Racing in the Rain)
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There is no dishonor in losing the race, Don said. There is only dishonor in not racing because you are afraid to lose. ~p 227
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Garth Stein (The Art of Racing in the Rain)
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What I want now is what I've always wanted.
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Garth Stein (The Art of Racing in the Rain)
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Slow Dance: Have you ever watched kids, On a merry-go-round? Or listened to the rain, Slapping on the ground? Ever followed a butterfly's erratic flight? Or gazed at the sun into the fading night? You better slow down. Don't dance too fast. Time is short. The music won't last. Do you run through each day, On the fly? When you ask: How are you? Do you hear the reply? When the day is done, do you lie in your bed, With the next hundred chores, Running through your head? You'd better slow down, Don't dance too fast. Time is short, The music won't last. Ever told your child we'll do it tomorrow? And in your haste, Not see his sorrow? Ever lost touch, Let a good friendship die, Cause you never had time, To call and say Hi? You'd better slow down. Don't dance so fast. Time is short. The music won't last. When you run so fast to get somewhere, You miss half the fun of getting there. When you worry and hurry through your day, It is like an unopened gift thrown away. Life is not a race. Do take it slower. Hear the music, Before the song is over.
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Timothy Ferriss (The 4-Hour Workweek)
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These are things that only dogs and women understand because we tap into the pain directly, we connect to pain directly from its source, and so it is at once brilliant and brutal and clear, like white-hot metal spraying out of a fire hose, we can appreciate the aesthetic while taking the worst of it straight in the face. Men, on the other hand, are all filters and deflectors and timed release.
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Garth Stein (The Art of Racing in the Rain)
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Racing is about discipline and intelligence, not about who has the heavier foot. The one who drives smart will always win in the end.
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Garth Stein (The Art of Racing in the Rain)
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.."consider this. It took the earth's population thousand of years-from the early dawn of man all the way to the early 1800s-to reach one billion people. Then astoundingly, it took only about a hundred years to double the population to two billion in the 1920s. After that, it took a mere fifty years for the population to double again to four billion in the 1970s. As you can imagine, we're well on track to reach eight billion very soon. Just today, the human race added another quarter-billion people to planet Earth. A quarter million. And this happens ever day-rain or shine. Currently every year er 're adding the equivalent of the entire country of Germany.
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Dan Brown (Inferno (Robert Langdon, #4))
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To finish the race first, you must first finish the race.
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Garth Stein (The Art of Racing in the Rain)
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The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
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Bob Dylan (Chronicles, Volume One)
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People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
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Garth Stein (The Art of Racing in the Rain)
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The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
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John Richard Spencer
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When a dog dies, his soul is released to run until he is ready to be reborn
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Garth Stein (The Art of Racing in the Rain)
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People, like dogs, love repetition. Chasing a ball, lapping a course in a race car, sliding down a slide. Because as much as each incident is similar, so it is different.
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Garth Stein (The Art of Racing in the Rain)
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But somewhere, a child surprises himself with his endurance, his quick mind, his dexterous hands. Somewhere a child accomplishes with ease that which usually takes great effort. And this child, who has been blind to his past, but his heart still beats for the thrill of the race, this child's soul awakens. And a new champion walks among us.
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Garth Stein (The Art of Racing in the Rain)
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She died that night. Her last breath took her soul, I saw it in my dream. I saw her soul leave her body as she exhaled, and then she had no more needs, no more reason; she was released from her body, and being released, she continued her journey elsewhere, high in the firmament where soul material gathers and plays out all the dreams and joys of which we temporal beings can barely conceive, all the things that are beyond our comprehension, but even so, are not beyond our attainment if we choose to attain them, and believe that we truly can.
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Garth Stein (The Art of Racing in the Rain)
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Did he understand, as those interminable minutes ticked by, that being alone is not the same as being lonely? That being alone is a neutral state… something that exists only in the mind, not in the world, and, like a virus, is unable to survive without a willing host?
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Garth Stein (The Art of Racing in the Rain)
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Suppressing the symptom does nothing but force the true problem to express itself on a deeper level at some other time.
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Garth Stein (The Art of Racing in the Rain)
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I’ve always felt almost human. I’ve always known that there’s something about me that’s different than other dogs. Sure, I’m stuffed into a dog’s body, but that’s just the shell. It’s what’s inside that’s important. The soul. And my soul is very human.
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Garth Stein (The Art of Racing in the Rain)
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Well, good afternoon, sunshine. How are you feeling?" "Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
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Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
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It’s not winning the race that’s important. It’s this moment right here, when I’m lying in the mud staring up at the dark sky with rain falling in my eyes. It’s facing the pain, facing failure, facing myself, and finding a way to make it to the end.
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Helen Hoang (The Heart Principle (The Kiss Quotient, #3))
β€œ
I could have grabbed his shirt collar. I could have pulled him close to me, so close he could feel my breath on his skin, and I could have said to him, "This is just a crisis. A flash! A single match struck against the implacable darkness of time! You are the one who taught me to never give up. You taught me that new possibilities emerge for those who are prepared, for those who are ready. You have to believe!
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Garth Stein (The Art of Racing in the Rain)
β€œ
If you taught me to read and provided for me the same computer system as someone has provided for Stephen Hawking, I, too, would write great books. And yet you don't teach me to read, and you don't give me a computer stick I can push around with my nose to point at the next letter I wish typed. So whose fault is it that I am what I am?
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Garth Stein (The Art of Racing in the Rain)
β€œ
My mother always said that I was born out of a bottle of vinegar instead of born from a womb and that she and my father bathed me in sugar for three days to wash it off. I try to behave, but I always go back to the vinegar." When Dad was in one of his rare, fanciful moods, he told guests that the pixies left me on the doorstep because I bit their fingers too often. My favorite was always when Mum said that before I was born, it rained for seven days and seven nights solid, and when she went out into the yard to ask the sky what it was weeping for, I dropped out of the clouds at her feet and the sun came out. I always liked the idea of being such a bother that I affected even the weather.
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Maggie Stiefvater (The Scorpio Races)
β€œ
The uncertainty, the fear of the unknown was driving him, almost to the point of desperation. He felt as if he was going down a dark stairway, missing a step, hurtling into the unknown and having no idea where he would land.
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Ken Puddicombe (Racing With The Rain)
β€œ
He is so brilliant. He shines. He's beautiful with his hands that grab things and his tongue that says things and the way he stands and chews his food for so long, mashing it into a paste before he swallows.
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Garth Stein (The Art of Racing in the Rain)
β€œ
But that day I was anxious. I was nervous and worried, uneasy and distracted. I paced around and never felt settled. I didn't care for the sensation, yet I realized it was possibly a natural progression of my evolving soul, and therefore I tried my best to embrace it.
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Garth Stein (The Art of Racing in the Rain)
β€œ
I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture. It could rain in a room this big.
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Hugh Laurie (The Gun Seller)
β€œ
However, I don’t understand why people insist on pitting the concepts of evolution and creation against each other. Why can’t they see that spiritualism and science are one? That bodies evolve and souls evolve and the universe is a fluid place that marries them both in a wonderful package called a human being. What’s wrong with that idea?
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Garth Stein (The Art of Racing in the Rain)
β€œ
This is something I'd heard him say before: getting angry at another driver for a driving incident is pointless. You need to watch the drivers around you, understand their skill, confidence and aggression levels, and drive with them accordingly. Know who is driving next to you. Any problems that may occur have ultimately been caused by you, because you are responsible for where you are and what you are doing there.
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Garth Stein (The Art of Racing in the Rain)
β€œ
Here's why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. it's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
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Garth Stein (The Art of Racing in the Rain)
β€œ
I know this much about racing in the rain. I know it is about balance. It is about anticipation and patience. I know all of the driving skills that are necessary for one to be successful in the rain. But racing in the rain is also about the mind! It is about owning one's own body. About believing that one's car is merely an extension of one's body. About believing that the track is an extension of the car, and the rain is an extension of the track, and the sky is an extension of the rain. It is about believing that you are not you; you are everything. And everything is you.
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Garth Stein (The Art of Racing in the Rain)
β€œ
I know the truth, and I will tell you now: He was admired, loved, cheered, honored, respected. In life as well as in death. A great man, he is. A great man, he was. A great man he will be. He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave. And I knew, as Denny sped me toward the doctor who would fix me, that if I had already accomplished what I set out to accomplish here on earth, if I had already learned what I was meant to learn, I would have left the curb one second later than I had, and I would have been killed instantly by that car. But I was not killed. Because I was not finished. I still had work to do.
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Garth Stein (The Art of Racing in the Rain)
β€œ
Cover me!' Augustus said as he jumped out from behind the wall and raced toward the school. Isaac fumbled for his controller and then started firing while the bullets rained down on Augustus, who was shot once and then twice but still ran, Augustus shouting,'YOU CAN’T KILL MAX MAYHEM!' and with a final flurry of button combinations, he dove onto the grenade, which detonated beneath him. His dismembered body exploded like a geyser and the screen went red. A throaty voice said, 'MISSION FAILURE,' but Augustus seemed to think otherwise as he smiled at his remnants on the screen. He reached into his pocket, pulled out a cigarette, and shoved it between his teeth. 'Saved the kids' he said. 'Temporarily' I pointed out. 'All salvation is temporary' Augustus shot back. 'I bought them a minute. Maybe that’s the minute that buys them an hour, which is the hour that buys them a year. No one’s gonna buy them forever, Hazel Grace, but my life bought them a minute. And that’s not nothing.
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John Green (The Fault in Our Stars)
β€œ
You must know the story of how the race of ancient days reached the stars, and how they bargained away all the wild half of themselves to do so, so that they no longer cared for the taste of the pale wind, no for love or lust, nor to make new songs nor to sing old ones, nor for any of the other animal things they believed they had brought with them out of the rain forests al the bottom of time--though in fact, so my uncle told me, those things brought them
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Gene Wolfe (The Sword of the Lictor (The Book of the New Sun, #3))
β€œ
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he i A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive
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Garth Stein (The Art of Racing in the Rain)
β€œ
Inside each of us resides the truth,” I began, β€œthe absolute truth. But sometimes the truth is hidden in a hall of mirrors. Sometimes we believe we are viewing the real thing, when in fact we are viewing a facsimile, a distortion. As I listen to this trial, I am reminded of the climactic scene of a James Bond film, The Man with the Golden Gun. James Bond escaped his hall of mirrors by breaking the glass, shattering the illusions, until only the true villain stood before him. We, too, must shatter the mirrors. We must look into ourselves and root out the distortions until that thing which we know in our hearts is perfect and true, stands before us. Only then will justice be served.
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Garth Stein (The Art of Racing in the Rain)
β€œ
On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down.... Please believe me when I tell you that I picked up each would that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They ere French, they were Jews, and they were you.
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Markus Zusak (The Book Thief)
β€œ
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. β€œThey gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. β€œspiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. β€œI have three.” I asked you what you do when it rains. β€œsleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. β€œhow about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
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Caitlyn Siehl (What We Buried)
β€œ
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
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Frederick Buechner (Godric)