“
Why should any guy want to be only friends with a girl? It’s like agreeing to be near a chocolate cake and never eat it. It’s like sitting in a racing car but not driving it.
”
”
Chetan Bhagat (2 States: The Story of My Marriage)
“
The car goes where the eyes go.
”
”
Garth Stein (The Art of Racing in the Rain)
“
We judge others instantly by their clothes, their cars, their appearance, their race, their education, their social status. The list is endless. What gets me is that most people decide who another person is before they have even spoken to them. What's even worse is that these same people decide who someone else is, and don't even know who they are themselves.
”
”
Ashly Lorenzana
“
Each thing I do, I rush through so I can do something else. In such a way do the days pass---a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car I see all that I love falling away: books unread, jokes untold, landscapes unvisited...
”
”
Stephen Dobyns
“
Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
”
”
Ray Bradbury (Fahrenheit 451)
“
In racing, they say that your car goes where your eyes go. The driver who cannot tear his eyes away from the wall as he spins out of control will meet that wall; the driver who looks down the track as he feels his tires break free will regain control of his vehicle.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Have you ever watched the jet cars race on the boulevard?...I sometimes think drivers don’t know what grass is, or flowers, because they never see them slowly...If you showed a driver a green blur, Oh yes! He'd say, that’s grass! A pink blur! That’s a rose garden! White blurs are houses. Brown blurs are cows.
”
”
Ray Bradbury (Fahrenheit 451)
“
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Some problems we share as women, some we do not. You fear your children will grow up to join the patriarchy and testify against you; we fear our children will be dragged from a car and shot down in the street, and you will turn your backs on the reasons they are dying.
”
”
Audre Lorde
“
People want to see the car crash instead of the race. But, when you're the one in the car that's crashing, it's not much fun. I'm enjoying the race.
”
”
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
“
I raced alongside the car but they were too far down the road. Brokenheartedly, I roared out in hopelessness and grief. She was gone.#Ren
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.
”
”
Ray Bradbury (Fahrenheit 451)
“
Auto racing is boring except when a car is going at least 172 miles per hour upside down.
”
”
Dave Barry
“
That which you manifest is before you.
The visible becomes inevitable. Your car goes where your eyes go.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Rain amplifies your mistakes, and water on the track can make your car handle unpredictably. When something unpredictable happens you have to react to it; if you’re reacting at speed, you’re reacting too late. And so you should be afraid.
”
”
Garth Stein (The Art of Racing in the Rain)
“
To be a champion, you must have no ego at all. You must not exist as a separate entity. You must give yourself over to the race. You are nothing if not for your team, your car, your shoes, your tires. Do not mistake confidence and self-awareness for egotism.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Until you got here,” he rasps, “all this place had ever been was a reminder of the ways I was a disappointment, and now you’re here, and—I don’t know. I feel like I’m okay. So if you’re the ‘wrong kind of woman,’ then I’m the wrong kind of man.”
I can see all of the shades of him at once. Quiet, unfocused boy. Precocious, resentful preteen. Broody high schooler desperate to get out. Sharp-edged man trying to fit himself back into a place he never belonged to begin with.
That’s the thing about being an adult standing beside your childhood race car bed. Time collapses, and instead of the version of you you’ve built from scratch, you’re all the hackneyed drafts that came before, all at once.
”
”
Emily Henry (Book Lovers)
“
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
”
”
André Aciman (Call Me by Your Name)
“
We declare that the splendor of the world has been enriched by a new beauty: the beauty of speed. A racing automobile with its bonnet adorned with great tubes like serpents with explosive breath...a roaring motor car which seems to run on machine-gun fire, is more beautiful than the Victory of Samothrace.
”
”
Filippo Tommaso Marinetti
“
Racing cars which have been converted for road use never really work. It's like making a hard core adult film, and then editing it so that it can be shown in British hotels. You'd just end up with a sort of half hour close up of some bloke's sweaty face.
”
”
Jeremy Clarkson
“
And suddenly I realized that I was no longer driving the car consciously. I was driving it by a kind of instinct, only I was in a different dimension.
”
”
Ayrton Senna
“
This is my driver,’ Nico said. ‘Jules-Albert finished first in the Paris–Rouen motorcar race back in 1895, but he wasn’t awarded the prize because his steam car used a stoker.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
A man is just a woman's strategy for making other women. Not that your father wasn't a nice guy and all, but... there's something missing in them, even the nice ones. It's like they're permanently absent-minded, like they can't quite remember who they are. They look at the sky too much. They lose touch with their feet. They aren't a patch on a woman except they're better at fixing cars and playing football, just what we need for the improvement of the human race, right?
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won’t shake.) (So my heart won’t race.) (So my face won’t thaw.) (So my blood won’t mold.) (So the voices won’t scream.) (So I don’t reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won’t rattle.) (So I don’t weep on the bus.) (So I don’t wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don’t jump at car horns.) (So I don’t jump at cat-calls.) (So I don’t jump a bridge.) (So I don’t twitch.) (So I don’t riot.) (So I don’t slit a strange man’s throat.)
”
”
Jeanann Verlee
“
People, like dogs, love repetition. Chasing a ball, lapping a course in a race car, sliding down a slide. Because as much as each incident is similar, so it is different.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Old Money
Blue hydrangea, cold cash, divine,
Cashmere, cologne and white sunshine.
Red racing cars, Sunset and Vine,
The kids were young and pretty.
Where have you been? Where did you go?
Those summer nights seem long ago,
And so is the girl you used to call,
The Queen of New York City.
But if you send for me you know I'll come,
And if you call for me you know I'll run.
I'll run to you, I'll run to you, I'll run, run, run.
I'll come to you, I'll come to you, I'll come, come, come.
Ohh, Ohh.
Ahh, Ahh.
The power of youth is on my mind,
Sunsets, small town, I'm out of time.
Will you still love me when I shine,
From words but not from beauty?
My father's love was always strong,
My mother's glamour lives on and on,
Yet still inside I felt alone,
For reasons unknown to me.
But if you send for me you know I'll come,
And if you call for me you know I'll run.
I'll run to you, I'll run to you, I'll run, run, run.
I'll come to you, I'll come to you, I'll come, come, come.
Ohh, Ohh.
Ahh, Ahh.
And if you call, I'll run, run, run,
If you change your mind, I'll come, come, come.
Ohh, Ohh.
Ahh, Ahh.
Blue hydrangea, cold cash, divine,
Cashmere, cologne and hot sunshine.
Red racing cars, Sunset and Vine,
And we were young and pretty.
”
”
Lana Del Rey
“
Out of a human population on earth of four and a half billion, perhaps twenty people can write a book in a year. Some people lift cars, too. Some people enter week-long sled-dog races, go over Niagara Falls in a barrel, fly planes through the Arc de Triomphe. Some people feel no pain in childbirth. Some people eat cars. There is no call to take human extremes as norms.
”
”
Annie Dillard (The Writing Life)
“
People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Craziness is only a matter of degree, and there are lots of people besides me who have the urge to roll heads. They go to stock-car races and the horror movies and the wrestling matches they have in Portland Expo. Maybe what she said smacked of all those things, but I admired her for saying out loud, all the same--the price of honesty is always high. She had an admirable grasp of the fundamentals. Besides, she was tiny and pretty.
”
”
Richard Bachman (Rage)
“
You ask me about tragic accidents? If I am on my tractor at my farm and it rolls over on me and kills me, that's a tragic accident. If I die in a race car, that's life. I died doing what I love.
”
”
Dale Earnhardt Jr.
“
Somewhere, a dark car raced along a night road. A hand gripped the wheel, leather bands looped over the wrist bone. The Greywaren. Ronan. In this dreamplace, all times were the same time, and so Adam had a strange, lucid beat of reliving the moment Ronan had offered his hand to help Adam up from the asphalt. Stripped of context, the physical sensations exploded: the surprising shock of heat from that skin-to-skin grip; the soft hiss of the bracelets against Adam’s wrist; the sudden bite of possibility —
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Well, good afternoon, sunshine. How are you feeling?"
"Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
”
”
Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
“
I've always wanted to race cars, even since I was a young boy, as I think a lot of guys have.
”
”
Paul Walker (2 Fast 2 Furious)
“
If you're not a race driver, stay the hell home. Don't come here and grumble about going too fast. Get the hell out of the race car if you've got feathers on your legs or butt. Put a kerosene rag around your ankles so the ants won't climb up and eat that candy ass.
”
”
Dale Earnhardt Jr.
“
Your car goes where your eyes go. Simply another way of saying that which you manifest is before you.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Rich people have small TVs, small cars, but big libraries.
”
”
Manoj Arora (From the Rat Race to Financial Freedom)
“
I know this much about racing in the rain. I know it is about balance. It is about anticipation and patience. I know all of the driving skills that are necessary for one to be successful in the rain. But racing in the rain is also about the mind! It is about owning one's own body. About believing that one's car is merely an extension of one's body. About believing that the track is an extension of the car, and the rain is an extension of the track, and the sky is an extension of the rain. It is about believing that you are not you; you are everything. And everything is you.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Here's why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. it's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
”
”
Garth Stein (The Art of Racing in the Rain)
“
The better you get, the less you run around showing off as a muscle guy. You know, you wear regular shirts-not always trying to show off what you have. You talk less about it. It's like you have a little BMW - you want to race the hell out of this car, because you know it's just going 110. But if you see guys driving a ferrari or a lamborghini, they slide around at 60 on the freeway because they know if they press on that accelerator they are going to go 170. These things are the same in every field.
”
”
Arnold Schwarzenegger
“
I know the truth, and I will tell you now: He was admired, loved, cheered, honored, respected. In life as well as in death. A great man, he is. A great man, he was. A great man he will be. He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave. And I knew, as Denny sped me toward the doctor who would fix me, that if I had already accomplished what I set out to accomplish here on earth, if I had already learned what I was meant to learn, I would have left the curb one second later than I had, and I would have been killed instantly by that car. But I was not killed. Because I was not finished. I still had work to do.
”
”
Garth Stein (The Art of Racing in the Rain)
“
He wanted the word "Daddy" added to his list of names. He wanted to teach his son to skate, just as he'd been taught by Ernie. Like every other father in the world, he wanted to stay up late on Christmas Eve and put together tricycles, bicycles, and race-car sets. He wanted to dress up his son as a vampire, or a pirate, and take him trick-or-treating.
”
”
Rachel Gibson (Simply Irresistible (Chinooks Hockey Team, #1))
“
Faster is fatal, slower is safe.
”
”
Amit Kalantri (Wealth of Words)
“
overweight children are more likely to be hit by cars when they’re crossing the street. It’s not because they walk more slowly; it’s because they’re impulsive.
”
”
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
“
It was during that journey to Via Orazio that I began to be made unhappy by my own alienness. I had grown up with those boys, I considered their behavior normal, their violent language was mine. But for six years now I had also been following daily a path that they were completely ignorant of and in the end I had confronted it brilliantly. With them I couldn’t use any of what I learned every day, I had to suppress myself, in some way diminish myself. What I was in school I was there obliged to put aside or use treacherously, to intimidate them. I asked myself what I was doing in that car. They were my friends, of course, my boyfriend was there, we were going to Lila’s wedding celebration. But that very celebration confirmed that Lila, the only person I still felt was essential even though our lives had diverged, no longer belonged to us and, without her, every intermediary between me and those youths, that car racing through the streets, was gone. Why then wasn’t I with Alfonso, with whom I shared both origin and flight? Why, above all, hadn’t I stopped to say to Nino, Stay, come to the reception, tell me when the magazine with my article’s coming out, let’s talk, let’s dig ourselves a cave that can protect us from Pasquale’s driving, from his vulgarity, from the violent tones of Carmela and Enzo, and also—yes, also—of Antonio?
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
Thousands of cars and a million guitars
Screaming with power in the air!
We've found the place where the decibels race
This army of rock will be there
To ram it down
Ram it down!
Straight to the heart of this town.
Ram it down.
Ram it down.
Razing the place to the ground,
Ram it down!
”
”
Rob Halford
“
From the moment you’re born, people start folding you into neat pieces and tucking you inside a box of their own design. No, it starts even before then, the moment the sonogram shows a faded blur. Blue for a boy, tractors and race-cars, big and strong and brave. Pink for a little princess, pretty and sweet. They dress you up in their own expectations, before you even have a chance to understand the constrictions of your fate. That box becomes so cosy and warm, you never really notice that you’re bent double, fighting for room to breathe.
”
”
Abigail Haas
“
Behind all Kings and Presidents
all Government and Law,
Are army-corps and cannoneers
to hold the world in awe
And sword-strong races own the earth
and ride the Conqueror's Car
And Liberty has ne'er been won,
Except by deeds of war.
”
”
Ragnar Redbeard
“
Though the white liberal imagination likes to feel temporarily bad about black suffering, there really is no mode of empathy that can replicate the daily strain of knowing that as a black person you can be killed for simply being black: no hands in your pockets, no playing music, no sudden movements, no driving your car, no walking at night, no walking in the day, no turning onto this street, no entering this building, no standing your ground, no standing here, no standing there, no talking back, no playing with toy guns, no living while black. Eleven
”
”
Jesmyn Ward (The Fire This Time: A New Generation Speaks about Race)
“
How did your mother die?” asked Delk.
“Car accident,” Katie replied, gazing out over the water. “She’d been to mass. A tire blew on the way home, and she was gone. I was nineteen, Pather’s age, when it happened. My brother was only eleven.” She paused. “I do know what you’re going through.” Katie looked at her.
“Pather told you?” Katie nodded. Delk was glad Pather had told his sister; she was relieved not to have to tell the story again. “Does it ever . . . you know . . . get any better?”
Katie shrugged her narrow shoulders and smiled. “In some ways it does, but it’s a bit like running a long race with a rock in your shoe. You get used to it, but it always hurts a little.
”
”
Suzanne Supplee (When Irish Guys Are Smiling)
“
He slammed her door shut and spun her so she was facing him.
“One more for the road.” She stared at him with a perplexed expression but didn’t back away. “I want another taste,” he said, feeling his heart race. He leaned her against the car and crushed his lips against hers. This time she ran her fingers through his hair, making him moan. He wanted to touch the curves of her body through the thick fabric of her dress, but he forced himself to concentrate all his efforts on her sexy, soft, pouty lips. When he released her, they were both breathless. Her lips were chapped, and those golden eyes were on fire with a carnal sexuality. There was so much electricity between them that, if harnessed, they could power the whole damn city.
”
”
M.K. Schiller (The Do-Over)
“
Fifteen minutes, a myriad of cups, kleenexes and freshly-vacuumed floor mats and seat cushions later, Kay had the interior of the limousine looking ship-shape. Inching backward out of the car on her knees, she caught a glimpse of one last bit of trash she’d missed hiding under the driver’s seat. Lowering her chest to the floor, she stretched her arm under the seat as far as it would go. She grabbed the item and pulled it out and raised herself up from her crouched position. She took one look at the used condom swinging from her fingers, screamed and flung it across the top of the front seat, where it stuck to the air conditioner vents on the dash. She knelt there staring at the thin latex mess, a million scenarios racing through her mind.
”
”
Delora Dennis (Same Old Truths (The Reluctant Avenger, #2))
“
Desire is the key to motivation, but it's determination and commitment to an unrelenting pursuit of your goal--a commitment to excellence--that will enable you to attain the success you seek.
--Mario Andretti
”
”
Mario Andretti (Race to Win: How to Become a Complete Champion Driver: How to Become a Champion Race Car Driver)
“
What I have always liked best is when he talks about having no memory. No memory of things he'd done just a second before. Good or bad. Because memory is time folding back on itself. To remember is to disengage from the present. In order to reach any success in automobile racing, a driver must never remember. Which is why drivers compulsively record their every move, their every race, with cockpit cameras, in-car video, data mapping; a driver cannot be a witness to his own greatness. This is what Danny says. He says racing is doing. It is being a part of a moment and being aware of nothing else but that moment. Reflection must come at a later time. The great champion Julian Sabella Rosa has said: “When I am racing, my mind and my body are working so quickly and so well together, I must be sure not to think, or else I will definitely make a mistake.
”
”
Garth Stein (The Art of Racing in the Rain)
“
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good.
I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down!
I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it.
I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me.
Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time.
Reproduction – what could be more existentially repulsive?
How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it.
Old age is the only relief.
I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor.
I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children.
Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate.
I hate the way humans worship power – one of the most disgusting of all human traits.
I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant.
I hate the vacuous, false, banal conversation that goes on among people.
Sometimes I feel suffocated; I want to flee from it.
For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
”
”
Robert Crumb
“
Would you like me to drive so you can manage your social life?” I asked. It came out much snippier than I'd intended but he was oblivious to my tone, still looking at his newest message.
“No, no, I'm fine.”
“We'd better not get in an accident because you're busy sexting and driving,” I said. He burst out laughing.
“I've got my hearing senses on the car in front of us is two and three-quarter car lengths ahead, and the one behind us is a quarter of a mile back. Next to him a compact car is passing. Engine sounds foreign, probably a Honda. He'll be passing us in about twelve seconds. He's got extra-thick treads, racing-quality tires. Sexting...”
He laughed again. Twelve seconds later a Civic zoomed past, low to the ground, with wide tires. Show-off.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Numbness settled into my body as I twisted in the seat, staring out the back window as we raced around cars and narrowly avoided panicked people in the streets. We were leaving the city behind – leaving Paris, Andrew, and Ash behind.
I kept staring out the back window, watching Vegas burn.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
Marcus tries to stay calm for the sake of his family.
“I’m not asking. Step out of the damned car!” The officer is becoming unglued.
“I’m getting out, damn you, but, here, let me just show you my—”
“Don’t reach. Stop!”
“I’m getting what you asked for, just going to show you my—”
“Put your hands where I can see them!” The officer snarls.
“Jesus H. Christ, officer. I’m not—”
Thunderous shots ring out, and Marcus slumps away from the dash, back toward the driver’s seat.
”
”
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
“
Is the child in that old photograph really an erstwhile version of you, your little hand waving farewell? The face of that child is nothing like the face you have now. That child’s face is now melding with the blackness behind you, before you, around you. The child is waving and smiling and fading as your car keeps skidding toward your abruptly curtailed future. Bye-bye.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
“
Ars Poetica
I taught my words to love,
I showed them my heart
and would not give up until their syllables
did not start to beat.
I showed them trees
and what words wouldn't rustle
I hanged, without pity, from the branches.
In the end, words
needed to resemble both me
and the world.
Then
I came to me,
I braced myself between two banks
of a river,
to present a bridge,
a bridge between a bull's horn and grass,
between black stars of light and earth,
between the temple of a woman's head and a man's,
letting words travel over me
like racing cars, electric trains,
only so they could cross faster,
only so they would learn to transport the world,
from itself,
to itself.
”
”
Nichita Stănescu (Wheel With a Single Spoke: and Other Poems)
“
[I] threw open the door to find Rob sitting on the low stool in front of my bookcase, surrounded by cardboard boxes. He was sealing the last one up with tape and string. There were eight boxes - eight boxes of my books bound up and ready for the basement!
"He looked up and said, 'Hello, darling. Don't mind the mess, the caretaker said he'd help me carry these down to the basement.' He nodded towards my bookshelves and said, 'Don't they look wonderful?'
"Well, there were no words! I was too appalled to speak. Sidney, every single shelf - where my books had stood - was filled with athletic trophies: silver cups, gold cups, blue rosettes, red ribbons. There were awards for every game that could possibly be played with a wooden object: cricket bats, squash racquets, tennis racquets, oars, golf clubs, ping-pong bats, bows and arrows, snooker cues, lacrosse sticks, hockey sticks and polo mallets. There were statues for everything a man could jump over, either by himself or on a horse. Next came the framed certificates - for shooting the most birds on such and such a date, for First Place in running races, for Last Man Standing in some filthy tug of war against Scotland.
"All I could do was scream, 'How dare you! What have you DONE?! Put my books back!'
"Well, that's how it started. Eventually, I said something to the effect that I could never marry a man whose idea of bliss was to strike out at little balls and little birds. Rob countered with remarks about damned bluestockings and shrews. And it all degenerated from there - the only thought we probably had in common was, What the hell have we talked about for the last four months? What, indeed? He huffed and puffed and snorted and left. And I unpacked my books.
”
”
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
“
The wheels of the cars stormed underneath. Woods and pastures ran up and receded, the rails of sidings sheathed in rust, the dipping racing wires, and on the right the blue of the Sound, deeper, stronger than before. Then the enameled shells of the commuters' cars, and the heaped bodies of junk cars, the shapes of old New England mills, with narrow, austere windows; villages, convents; tugboats moving in the swelling fabric-like water; and then plantations of pine, the needles on the ground of a life-giving russet color. So, thought Herzog, acknowledging that his imagination of the universe was elementary, the novae bursting and the worlds coming into being, the invisible magnetic spokes by means of which bodies kept one another in orbit. Astronomers made it all sound as though the gases were shaken up inside a flask. Then after many billions of years, light-years, this childlike but far from innocent creature, a straw hat on his head, and a heart in his breast, part pure, part wicked, who would try to form his own shaky picture of this magnificent web.
”
”
Saul Bellow (Herzog)
“
Disasterology
The Badger is the thirteenth astrological sign.
My sign. The one the other signs evicted: unanimously.
So what? ! Think I want to read about my future
in the newspaper next to the comics?
My third grade teacher told me I had no future.
I run through snow and turn around
just to make sure I’ve got a past.
My life’s a chandelier dropped from an airplane.
I graduated first in my class from alibi school.
There ought to be a healthy family cage at the zoo,
or an open field, where I can lose my mother
as many times as I need.
When I get bored, I call the cops, tell them
there’s a pervert peeking in my window!
then I slip on a flimsy nightgown, go outside,
press my face against the glass and wait…
This makes me proud to be an American
where drunk drivers ought to wear necklaces
made from the spines of children they’ve run over.
I remember my face being invented
through a windshield.
All the wounds stitched with horsehair
So the scars galloped across my forehead.
I remember the hymns cherubs sang
in my bloodstream. The way even my shadow ached
when the chubby infants stopped.
I remember wishing I could be boiled like water
and made pure again. Desire
so real it could be outlined in chalk.
My eyes were the color of palm trees
in a hurricane. I’d wake up
and my id would start the day without me.
Somewhere a junkie fixes the hole in his arm
and a racing car zips around my halo.
A good God is hard to find.
Each morning I look in the mirror
and say promise me something
don’t do the things I’ve done.
”
”
Jeffrey McDaniel
“
People who say that they’re too busy to have lunch have a misguided sense of their importance. Anyone can take a lunch break. Even if it’s a half-hour. Step away, have a meal, and relax. First, not doing it is counterproductive. To have your mind working nonstop for eight hours is not healthy. Even race cars take breaks. They can’t go full rev for eight hours, they need pit stops. Your mind and body are more complex than a race car, so you need pit stops also.
”
”
Art Rios (Let's Talk: ...About Making Your Life Exciting, Easier, And Exceptional)
“
The symbolic evidence of women’s invisibility in the human race is most clear perhaps in her suppression, her camouflage, her negation even in language. Women are subsumed, excised, erased by male pronouns, by male terminology, by male prayers about brotherhood and brethren, even and always by exclusively male images of God. The tradition that will call God spirit, rock, key door, wind, and bird will never ever call God mother. So much for the creative womb of God; so much for “I am who am.” So much for “Let us make human beings in our own image, male and female, let us make them.” What kind of spirituality is that? To take the position that using two pronouns for the human race is not important in a culture that has thirty words for car, multiple words for flowers, and dozens of words for dog breeds is to say that women are not important.
”
”
Joan D. Chittister (Heart of Flesh: Feminist Spirituality for Women and Men)
“
Racers are often called selfish and egotistical. I myself have called race car drivers selfish; I was wrong. To be a champion, you must have no ego at all. You must not exist as a separate entity.
You must give yourself over to the race. You are nothing if not for your team, your car, your shoes, your tires. Do not mistake confidence and self-awareness for egotism.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Here’s why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
”
”
Garth Stein (The Art of Racing in the Rain)
“
I pull over a colored guy who’s driving, probably stoned, with his kids in the car! I smell marijuana! Out of the blue, this scumbag tells me he’s got a gun and a license to carry. Why does he tell me that? Does he plan to shoot me?
“Show me your hands, I tell him. He ignores me, Brenda! He reaches down into his pocket. Is he reaching for the gun? Why won’t he show me his hands? He’s not ‘the black guy’ or ‘the white guy,’ dammit! He’s the guy with the fucking gun!
”
”
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
“
. . . car il n'est point vrai que l'oeuvre de l'homme est finie
que nous n'avons rien à faire au monde
que nous parasitons le monde
qu'il suffit que nous nous mettions au pas du monde
mais l'oeuvre de l'homme vient seulement de commencer
et il reste à l'homme à conquérir toute interdiction immobilisée aux coins de sa ferveur et aucune race ne possède le monopole de la beauté, de l'intelligence, de la force . . .
”
”
Aimé Césaire (Cahier d'un retour au pays natal)
“
Here’s why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never change the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein (Racing in the Rain: My Life as a Dog)
“
All billionaire kids have bodyguards--at least that's what Max's dad had told him. But none were more qualified than Logan, who was a martial arts expert (with more black belts than one could count on tne fingers), a stunyt man (who had credits in no less than a dozen blockbuster action movies), a champion race-car driver (with a choice collection of exotic sports cars), and who could make a seriously mean peanut butter and jelly sandwich.
”
”
Derek Benz
“
Booker T. Washington tells an anecdote told to him by Frederick Douglass, about a time he was traveling and was asked to move and ride in the baggage car because of his race. A white supporter rushed up to apologize for this horrible offense. “I am sorry, Mr. Douglass, that you have been degraded in this manner,” the person said. Douglass would have none of that. He wasn’t angry. He wasn’t hurt. He replied with great fervor: “They cannot degrade Frederick Douglass. The soul that is within me no man can degrade. I am not the one that is being degraded on account of this treatment, but those who are inflicting it upon me.
”
”
Ryan Holiday (Ego Is the Enemy)
“
That's the myth of it, the required lie that allows us to render our judgments. Parasites, criminals, dope fiends, dope peddlers, whores--when we can ride past them at Fayette and Monroe, car doors locked, our field of vision cautiously restricted to the road ahead, then the long journey into darkness is underway. Pale-skinned hillbillies and hard-faced yos, toothless white trash and gold-front gangsters--when we can glide on and feel only fear, we're well on the way. And if, after a time, we can glimpse the spectacle of the corner and manage nothing beyond loathing and contempt, then we've arrived at last at that naked place where a man finally sees the sense in stretching razor wire and building barracks and directing cattle cars into the compound.
It's a reckoning of another kind, perhaps, and one that becomes a possibility only through the arrogance and certainty that so easily accompanies a well-planned and well-tended life. We know ourselves, we believe in ourselves; from what we value most, we grant ourselves the illusion that it's not chance in circumstance, that opportunity itself isn't the defining issue. We want the high ground; we want our own worth to be acknowledged. Morality, intelligence, values--we want those things measured and counted. We want it to be about Us.
Yes, if we were down there, if we were the damned of the American cities, we would not fail. We would rise above the corner. And when we tell ourselves such things, we unthinkably assume that we would be consigned to places like Fayette Street fully equipped, with all the graces and disciplines, talents and training that we now posses. Our parents would still be our parents, our teachers still our teachers, our broker still our broker. Amid the stench of so much defeat and despair, we would kick fate in the teeth and claim our deserved victory. We would escape to live the life we were supposed to live, the life we are living now. We would be saved, and as it always is in matters of salvation, we know this as a matter of perfect, pristine faith.
Why? The truth is plain:
We were not born to be niggers.
”
”
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
“
Do you know what’s going to happen when the world ends? We call it the end of the world, but it’s only the end of us. The world will go on, the planet and the life that lives on it. Rivers will keep flowing, the sun and the moon will keep turning, vines will creep up across the cars and the concrete. There will come soft rain. The world will forget that we were ever here. Human thought—the glorious zenith of five billion years of evolution—will go out like a candle, gone forever. Not because it was time, not because the world moved past us, but because we, as a people, were fools. Too selfish to live in peace, and too proud to stop our wars long after they ceased to have any real meaning...The only thing left of any value on this entire planet is their lives, but that’s not worth anything while the other guy still has his, so they kill each other. They are in a desperate race toward the final death. The winner will be the last one standing, and his prize is the final and most terrible solitude this world has ever known.
”
”
Dan Wells (Ruins (Partials Sequence, #3))
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
I felt that it was unfair that my lack of a few pounds of flesh should deprive me of a chance at a good job but I had long ago emotionally rejected the world in which I lived and my reaction was: Well, this is the system by which people want the world to run whether it helps them or not. To me, my losing was only another manifestation of that queer, material way of American living that computed everything in terms of the concrete: weight, color, race, fur coats, radios, electric refrigerators, cars, money ... It seemed that I simply could not fit into a materialistic life.
”
”
Richard Wright (Black Boy)
“
What made them love you now when they didn’t before?
I’ll tell you why. You had the balls to do what they never did. You got inside the car and pushed yourself to be the best. You did that. No one else did.
What they don’t understand is that there will always be confessions that bared no sound and lived inside my head, my heart, and were my own desire. They were my own aspirations and something they never took the time to discover.
I race for me. It’s not selfish. It’s me being me.
I do it because that’s what I am and what is embedded into every fiber of my being.
I race for the adrenaline, the power, the rumbling in my chest when behind the wheel. The sense of belonging in a sport that’s quick to prove you’re nothing but still, I race for me. That is what defined me.
”
”
Shey Stahl (The Champion (Racing on the Edge, #4))
“
On the other hand it is possible that human control over the
machines may be retained. In that case the average man may have
control over certain private machines of his own, such as his car of
his personal computer, but control over large systems of machines will
be in the hands of a tiny elite -- just as it is today, but with two
difference. Due to improved techniques the elite will have greater
control over the masses; and because human work will no longer be
necessary the masses will be superfluous, a useless burden on the
system. If the elite is ruthless the may simply decide to exterminate
the mass of humanity. If they are humane they may use propaganda or
other psychological or biological techniques to reduce the birth rate
until the mass of humanity becomes extinct, leaving the world to the
elite. Or, if the elite consist of soft-hearted liberals, they may
decide to play the role of good shepherds to the rest of the human
race. They will see to it that everyone's physical needs are
satisfied, that all children are raised under psychologically hygienic
conditions, that everyone has a wholesome hobby to keep him busy, and
that anyone who may become dissatisfied undergoes "treatment" to cure
his "problem." Of course, life will be so purposeless that people will
have to be biologically or psychologically engineered either to remove
their need for the power process or to make them "sublimate" their
drive for power into some harmless hobby. These engineered human
beings may be happy in such a society, but they most certainly will
not be free. They will have been reduced to the status of domestic
animals.
”
”
Theodore John Kaczynski
“
Well… maybe so. This may be the year when we finally come face to face with ourselves; finally just lay back and say it—that we are really just a nation of 220 million used car salesmen with all the money we need to buy guns, and no qualms at all about killing anybody else in the world who tries to make us uncomfortable. The tragedy of all this is that George McGovern, for all his mistakes and all his imprecise talk about “new politics” and “honesty in government,” is one of the few men who’ve run for President of the United States in this century who really understands what a fantastic monument to all the best instincts of the human race this country might have been, if we could have kept it out of the hands of greedy little hustlers like Richard Nixon. McGovern made some stupid mistakes, but in context they seem almost frivolous compared to the things Richard Nixon does every day of his life, on purpose, as a matter of policy and a perfect expression of everything he stands for. Jesus! Where will it end? How low do you have to stoop in this country to be President?
”
”
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
“
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
Est-il préférable pour une société de parler une langue commune ou de maintenir plusieurs langues en même temps?
Les personnes vivant dans une société multilingue sont souvent confrontées au dilemme de choisir la langue à utiliser.
Par conséquent, il est crucial d'avoir une langue commune au sein d'une nation, car le multilinguisme peut entraîner des malentendus, de la confusion et des divisions.
Il n'est donc pas étonnant que les premières tentatives de créer une langue commune remontent à l'Antiquité, lorsque les anciens Grecs qualifiaient de "barbares" (barbaros) ceux qui ne parlaient pas le grec.
”
”
Mouloud Benzadi
“
I knew she had been right about her situation: while doctors are able to help many people, for her, they could only tell her what couldn't be done. And I knew that once they identified her disease for her, once everyone around her accepted her diagnosis and reinforced it and repeated it back to her time and again, there was no way she could stop it. The visible becomes inevitable. Your car goes where your eyes go.
”
”
Garth Stein (The Art of Racing in the Rain)
“
My mind feels like a race car on the track, getting faster and faster every time I pause to think or blink or try to focus on anything. Nothing can keep up to it, not the other cars, not my body, not anyone else in the bar. It’s a rush, pure exhilaration, and I’m having the time of my life. But instead of driving, I’m in the passenger seat, along for the ride, watching myself race around the track from my barstool.
”
”
Shannon Mullen (See What Flowers)
“
Air and earth form an anthill traversed, level upon level, by roads live with traffic. Air trains, ground trains, underground trains, people mailed through tubes special-delivery, and chains of cars race along horizontally, while express elevators pump masses of people vertically from one traffic level to another; at the junctions, people leap from one vehicle to the next, instantly sucked in and snatched away by the rhythm of it, which makes a syncope, a pause, a little gap of twenty seconds during which a word might be hastily exchanged with someone else. Questions and answers synchronize like meshing gears; everyone has only certain fixed tasks.
”
”
Robert Musil (The Man Without Qualities: Volume I)
“
This afternoon I walked through the city, making for a café where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.
”
”
Susanna Clarke (Piranesi)
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
How lucky, I thought, were people who had known from earliest childhood what they wanted to do. All the children in my grammar school, who said they wanted to be doctors, had grown up to become doctors. This was also the case apparently with firemen, veterinarians, songwriters, and race car drivers.
I had opted for a kind of pure experience, which, as Doo-Wah had pointed out, is not usually something you get paid for. I did not want to write a book about it. I did not want to write so much as an article. I wanted to be left alone with my experience and go on to the next thing, whatever that was.
”
”
Laurie Colwin (Goodbye Without Leaving)
“
Wow wow wow is all I can say! Remember how I always buy lunchtime Scratch-Off ticket? Have I said? Maybe did not say? Well, every Friday, to reward self for good week, I stop at store near home, treat self to Butterfinger, plus Scratch-Off ticket. Sometimes, if hard week, two Butterfingers. Sometimes, if very hard week, three Butterfingers. But, if three Butterfingers, no Scratch-Off. But Friday won ten grand!! On Scratch-Off! Dropped both Butterfingers, stood there holding dime used to scratch, mouth hanging open. Kind of reeled into magazine rack. Guy at register took ticket, read ticket, said, Winner! Guy righted magazine rack, shook my hand.
Raced home on foot, forgetting car. Raced back for car. Halfway back, thought, What the heck, raced home on foot. Pam raced out, said, Where is car? Showed her Scratch-Off ticket. She stood stunned in yard.
Are we rich now? Thomas said, racing out, dragging Ferber by collar.
Not rich, Pam said.
Richer, I said.
Richer, Pam said. Damn.
All began dancing around yard, Ferber looking witless at sudden dancing, then doing dance of own, by chasing own tail.
”
”
George Saunders (Tenth of December)
“
Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story , you, upon hearing the words 'soccer' and 'neighbor' in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that no, you grew up in Brazil on the streets of Tres Coracoes with Pele and I might say, I thought you were from Tennessee, and you might say, not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein
“
The most fantastic parking-lot attendant in the world, he can back a car forty miles an hour into a tight squeeze and stop at the wall, jump out, race among fenders, leap into another car, circle it fifty miles an hour in a narrow space, back swiftly into tight spot, hump, snap the car with the emergency so that you see it bounce as he flies out; then clear to the ticket shack, sprinting like a track star, hand a ticket, leap into a newly arrived car before the owner’s half out, leap literally under him as he steps out, start the car with the door flapping, and roar off to the next available spot, arc, pop in, brake, out, run; working like that without pause eight hours a night, evening rush hours and after-theater rush hours, in greasy wino pants with a frayed fur-lined jacket and beat shoes that flap.
”
”
Jack Kerouac (On the Road)
“
I remember: it happened yesterday, or eternities ago. A young Jewish boy discovered the Kingdom of Night. I remember his bewilderment, I remember his anguish. It all happened so fast. The ghetto. The deportation. The sealed cattle car. The fiery altar upon which the history of our people and the future of mankind were meant to be sacrificed. I remember he asked his father, “Can this be true? This is the twentieth century, not the Middle Ages. Who would allow such crimes to be committed? How could the world remain silent?” And now the boy is turning to me. “Tell me,” he asks, “what have you done with my future, what have you done with your life?” And I tell him that I have tried. That I have tried to keep memory alive, that I have tried to fight those who would forget. Because if we forget, we are guilty, we are accomplices. And then I explain to him how naïve we were, that the world did know and remained silent. And that is why I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Wherever men and women are persecuted because of their race, religion, or political views, that place must—at that moment—become the center of the universe.
”
”
Elie Wiesel
“
I believe the signs we are seeing today most certainly point to the rapture of the church. These are indeed end times. I believe that one day very soon, Jesus Christ Himself will come in the clouds and millions of people will see their battles end...
I believe that followers of Christ from all around the world, of every race, creed, color, age, economic standing, and religious affiliation will vanish in a single moment of time ... gone. The Word of God describes it as a 'twinkling of an eye.' In an instant, there will be boardrooms without directors, classrooms without teachers, hospitals without doctors and nurses, cars without drivers, airplanes without pilots, and loved ones disappearing mid-sentance and mid-morning coffee. I am sure that complete chaos won't even begin to describe it. I imagine a worldwide crescendo of screaming voices.
When the dust clears, everone left on earth will know emptiness beyond description and a greater sense of evil than has ever been thought to exist. It will be the condition of things. Overwhelming sadness, confusion, loss, and insecurity will be worldwide. It will happen at that time, even as it did on that September morning.
”
”
Leslie Haskin (Between Heaven and Ground Zero: One Woman's Struggle for Survival and Faith in the Ashes of 9/11)
“
It has occurred to me that I should try and view in a similar spirit something which, over these three weeks I have been here in Shanghai, has come to be a perennial source of irritation: namely, the way people here seem determined at every opportunity to block one’s view. No sooner has one entered a room or stepped out from a car than someone or other will have smilingly placed himself right within one’s line of vision, preventing the most basic perusal of one’s surroundings. Often as not, the offending person is one’s very host or guide of that moment; but should there be any lapse in this quarter, there is never a shortage of bystanders eager to make good the shortcoming. As far as I can ascertain, all the national groups that make up the community here—English, Chinese, French, American, Japanese, Russian—subscribe to this practice with equal zeal, and the inescapable conclusion is that this custom is one that has grown up uniquely here within Shanghai’s International Settlement, cutting across all barriers of race and class.
”
”
Kazuo Ishiguro (When We Were Orphans)
“
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
”
”
Vladimir Nabokov
“
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
”
”
Stephen King ('Salem's Lot)
“
Very few people know where they will die,
But I do; in a brick-faced hospital,
Divided, not unlike Caesarean Gaul,
Into three parts; the Dean Memorial
Wing, in the classic cast of 1910,
Green-grated in unglazed, Aeolian
Embrasures; the Maud Wiggin Building, which
Commemorates a dog-jawed Boston bitch
Who fought the brass down to their whipcord knees
In World War I, and won enlisted men
Some decent hospitals, and, being rich,
Donated her own granite monument;
The Mandeville Pavilion, pink-brick tent
With marble piping, flying snapping flags
Above the entry where our bloody rags
Are rolled in to be sponged and sewn again.
Today is fair; tomorrow, scourging rain
(If only my own tears) will see me in
Those jaundiced and distempered corridors
Off which the five-foot-wide doors slowly close.
White as my skimpy chiton, I will cringe
Before the pinpoint of the least syringe;
Before the buttered catheter goes in;
Before the I.V.’s lisp and drip begins
Inside my skin; before the rubber hand
Upon the lancet takes aim and descends
To lay me open, and upon its thumb
Retracts the trouble, a malignant plum;
And finally, I’ll quail before the hour
When the authorities shut off the power
In that vast hospital, and in my bed
I’ll feel my blood go thin, go white, the red,
The rose all leached away, and I’ll go dead.
Then will the business of life resume:
The muffled trolley wheeled into my room,
The off-white blanket blanking off my face,
The stealing secret, private, largo race
Down halls and elevators to the place
I’ll be consigned to for transshipment, cased
In artificial air and light: the ward
That’s underground; the terminal; the morgue.
Then one fine day when all the smart flags flap,
A booted man in black with a peaked cap
Will call for me and troll me down the hall
And slot me into his black car. That’s all.
”
”
L.E. Sissman
“
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars.
You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing?
I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance.
And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
”
”
Lang Leav (Memories)
“
But most of all," she said, "I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they're going. Sometimes I even go to the Fun Parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy.
Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do
you know what?"
"What?"
"People don't talk about anything."
"Oh, they must!"
"No, not anything. They name a lot of cars or clothes or swimming-pools mostly and say how swell! But they all say the same things and nobody says anything different from anyone else. And most of the time in the cafes they have the jokeboxes on and the same jokes most of the time, or the musical wall lit and all the coloured patterns running up and down, but it's only colour and all abstract. And at the museums, have you ever been? All abstract. That's all there is now.
”
”
Ray Bradbury (Fahrenheit 451)
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Only a few days after my encounter with the police, two patrolmen tackled Alton Sterling onto a car, then pinned him down on the ground and shot him in the chest while he was selling CDs in front of a convenience store, seventy-five miles up the road in Baton Rouge. A day after that, Philando Castile was shot in the passenger seat of his car during a police traffic stop in Falcon Heights, Minnesota, as his girlfriend recorded the aftermath via Facebook Live.
Then, the day after Castile was killed, five policemen were shot dead by a sniper in Dallas. It felt as if the world was subsumed by cascades of unceasing despair. I mourned for the family and friends of Sterling and Castille. I felt deep sympathy for the families of the policemen who died. I also felt a real fear that, as a result of what took place in Dallas, law enforcement would become more deeply entrenched in their biases against black men, leading to the possibility of even more violence.
The stream of names of those who have been killed at the hands of the police feels endless, and I become overwhelmed when I consider all the names we do not know—all of those who lost their lives and had no camera there to capture it, nothing to corroborate police reports that named them as threats. Closed cases. I watch the collective mourning transpire across my social-media feeds. I watch as people declare that they cannot get out of bed, cannot bear to go to work, cannot function as a human being is meant to function. This sense of anxiety is something I have become unsettlingly accustomed to. The familiar knot in my stomach. The tightness in my chest. But becoming accustomed to something does not mean that it does not take a toll. Systemic racism always takes a toll, whether it be by bullet or by blood clot.
”
”
Clint Smith
“
Yes, I have seen a great many things in this world. I attend the greatest disasters and work for the greatest villains. But then there are other moments. There’s a multitude of stories (a mere handful, as I have previously suggested) that I allow to distract me as I work, just as the colors do. I pick them up in the unluckiest, unlikeliest places and I make sure to remember them as I go about my work. The Book Thief is one such story. When I traveled to Sydney and took Liesel away, I was finally able to do something I’d been waiting on for a long time. I put her down and we walked along Anzac Avenue, near the soccer field, and I pulled a dusty black book from my pocket. The old woman was astonished. She took it in her hand and said, “Is this really it?” I nodded. With great trepidation, she opened The Book Thief and turned the pages. “I can’t believe …” Even though the text had faded, she was able to read her words. The fingers of her soul touched the story that was written so long ago in her Himmel Street basement. She sat down on the curb, and I joined her. “Did you read it?” she asked, but she did not look at me. Her eyes were fixed to the words. I nodded. “Many times.” “Could you understand it?” And at that point, there was a great pause. A few cars drove by, each way. Their drivers were Hitlers and Hubermanns, and Maxes, killers, Dillers, and Steiners …. I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn’t already know? I wanted to explain that I am constantly overestimating and underestimating the human race—that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant. None of those things, however, came out of my mouth. All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you. A LAST NOTE FROM YOUR NARRATOR I am haunted by humans.
”
”
Markus Zusak (The Book Thief)