“
You have a roommate."
"Yeah." He sounds confused.
"The, um, picture on your door surprised me."
"NO. No. I prefer my women with...fewer carnivorous beasts and less weaponry." He pauses and smiles. "Naked is okay. What she needs are a golden retriever and a telescope. Maybe then it would do it for me."
I laugh.
"A squirrel and a laboratory beaker?"
"A bunny rabbit and a flip chart," I say.
"Only if the flip chart has mathematical equations on it."
I fake swoon onto his bed. "Too much, too much!
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. When we have eyes that can stare into the sun, eyes that only squint for the Shenikah, then we will see laughing children pulling cobras by their tails, and hawks and rabbits playing tag.
”
”
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
“
Simon didn’t think Meg really wanted to know how to eviscerate a rabbit. He could be wrong about that, but he just couldn’t picture Meg pouncing on a bunny and ripping it open with her teeth.
Maybe if he tried harder to picture it?
”
”
Anne Bishop (Written in Red (The Others, #1))
“
Peter Rabbit, for all its gentle tininess, loudly proclaims that no story is worth the writing, no picture worth the making, if it is not a work of imagination.
”
”
Maurice Sendak (Caldecott & Co.: Notes on Books and Pictures)
“
Don’t be afraid,” the fox said, “I would never hurt you.” She smiled sweetly but the bunny was still a little scared.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
The bunny was thrilled that her ears no longer dragged on the ground. They would stay nice and clean.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
There are lots of different kinds of bows and Cleo loves them all.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
Finally, the fox gently pulled both ear loops outward at the same time to make a pretty bow on top of the bunny’s head. The tips of her ears, hung just at her cheek bones.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
Here’s a story that helps her tie the “bunny ear bow” exactly the same way every time.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
Birdy sang out, “It’s true. She’s a friendly fox.” The deer chimed in, “She’s helped us all in some way.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
Great Job! Now you have a bow just like Cleo.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
Follow along at home to tie a bow just like the fox. Go find a scarf or ribbon that will fit around your waist or try these moves with your shoe laces.
”
”
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
“
You can tie them, Yes you can. Just take those laces in both hands. Loop and swoop and tie them off. You can show them who’s the boss.
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
I don’t need to know knots for the things I do. Why should I learn to tie my shoes?
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
Exercises in manual dexterity build self-esteem in children. Knowing how to tie shoe-strings, scarves and more into a bow is a useful and rewarding skill.
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
Teach a child a useful skill. Build confidence and self-esteem that lasts a lifetime.
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
The promise of a reward can help encourage children to keep at a hard task. Offer something fun each time the child takes time to practice.
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
Lacing and knotting is not just for shoes. Looping and tying are skills you can use.
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
Don’t give up. Let’s try again,” cheered on the bunny’s very best friend.
”
”
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
“
He tries to picture how it will end, with an empty baseball field, a dark factory, and then over a brook in a dirt road, he doesn’t know. He pictures a huge vacant field of cinders and his heart goes hollow.
”
”
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
“
There is nothing to suggest a trangression of the universal laws of egotism and malice. It is ridiculous to imagine that at the edge of the cosmos, other well-intentioned and wise beings await to guide us toward some sort of harmony. In order to imagine how they might treat us were we to come into contact with them, it might be best to recall how we treat "inferior intelligences" such as rabbits and frogs. In the best cases they serve as food for us, sometimes also, often in fact, we kill them for the sheer pleasure of killing. Thus, [Author: Lovecraft] warned, would be the true picture of our future relationship to those other intelligent beings. Perhaps some of the more beautiful human species would be honored and would end up on a dissection table - that's all.
”
”
Michel Houellebecq (H.P. Lovecraft: Against the World, Against Life)
“
One minute I'm just another rabbit and happy about it, next minute whazzaam, I'm thinking. That's a major drawback if you're looking for happiness as a rabbit, let me tell you. You want grass and sex, not thoughts like "What's it all about, when you get right down to it?
”
”
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
“
The rabbit is one of the few animals that (de facto) enjoys screwing: after copulating it does a backward flip and drums on the ground. If it could light up a fag, it would no doubt do that too, and blow smoke rings into the sky.
”
”
Péter Zilahy (The Last Window-Giraffe: A Picture Dictionary for the over Fives)
“
Demetri and advice…" Jaymeson sighed. "… two words that should never go together in a sentence. Almost like ketchup and bunny rabbits.
”
”
Rachel Van Dyken (Capture (Seaside Pictures, #1))
“
Out story never ends.
You pull the pin out of a hand grenade, and in a few seconds it explodes and men in a small area get killed and wounded. That makes bodies to be buried, hurt men to be treated. It makes widows and fatherless children and bereaved parents. It means pension machinery, and it makes for pacifism in some and for lasting hatred in others. Again, a man out of the danger area sees the carnage the grenade creates, and he shoots himself in the foot. Another man had been standing there just two minutes before the thing went off, and thereafter he believes in God or in a rabbit’s foot. Another man sees human brains for the first time and locks up the picture until one night years later, when he finally comes out with a description of what he saw, and the horror of his description turns his wife away from him....
”
”
John O'Hara (Appointment in Samarra)
“
thought Alice, “without pictures or conversation?” So she was considering, in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing
”
”
Lewis Carroll (Alice's Adventures in Wonderland (Original 1865 Edition))
“
Well, fuck a duck,” comes Morris’s delighted voice.
I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over.
“I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.”
I narrow my eyes. “He told you about the picture?”
“About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.”
Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this.
“I wish I was gay,” he says ruefully.
A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.”
“Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.”
“Gee, thanks.”
“Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
They say fiction is the closest we ever get to magic. Forget top hats and rabbits: open a book and an entire world will pop out. And it doesn't matter if it's dragons or Victorian orphans or wizards. You are immediately somewhere else and someone else. Transported. It's not like that with textbooks.
”
”
Holly Smale (Picture Perfect (Geek Girl, #3))
“
Many of us with anxiety don’t look like we’ve got a problem because outwardly we function ludicrously well. Or so the merry story goes. Our anxiety sees us make industrious lists and plans, run purposefully from one thing to the next, and move fast upstairs and across traffic intersections. We are a picture of efficiency and energy, always on the move, always doing.
We’re Rabbit from Winnie the Pooh, always flitting about convinced everyone depends on us to make things happen and to be there when they do. And to generally attend to happenings.
But beneath that veneer were being pushed by fear and doubt and a voice that tells us we’re a bad husband, and insufficient sister, we’re wasting time, we’re not producing enough, - that we turn everything into a clusterfuck.
”
”
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
“
American dream: when he first heard the phrase as a kid he pictured God lying sleeping, the quilt-colored map of the U.S. coming out of his head like a cloud.
”
”
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
“
The cells of your body are dying and growing again every day, and you are always in the process of becoming something new. You're not sure yet who you will be, but you are ready to find out. You know some things a little better now, and your rabbit heart has grown steadier, and you are learning to be gentler to that soft girl with the bow in her hair who is still somewhere inside of you.
”
”
N.D. Stevenson (The Fire Never Goes Out: A Memoir in Pictures)
“
And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.
But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself—for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing.
”
”
Richard Yates
“
Are these black cats like the hare?"
"No. They're smaller; they only want me to play with them. Fly away with them to a place on the other side of the moon. There's a garden there, all silvery-gold, and the cats and hares dance and jump round and round. They can jump so much farther than they can on earth; it's like flying, and they love it so. Sometimes I've felt as if I'd like to dance and jump through the air too, they looked so happy, and I've thought maybe if I did I wouldn't be afraid any more, but when I look they're all dancing round a Figure that sits still in the middle of the garden. A big black Figure with a hood on. And It hasn't got any face. Its face is so awful that It keeps it covered. And then I get so terribly afraid. And everything stops."
"And you see all that in the picture?"
"I don't know." She hesitated again. "I think it's partly dreams. After I've thought they were at the windows - the cats and the big hare. They sit there and watch, you see, after I've gone to sleep. But they don't come often. I don't usually know what's there."
She came closer and whispered, her blue eyes earnest and weird, "I don't think it's an animal hare. I think it's Aunt Sarai's hare, that maybe it came from hell. It isn't swearing to say that word just as the name of a place, is it? That's why people used to be so scared of witches' black cats, isn't it, because they thought they weren't earth-cats, they were from the devil? Mother says there isn't any hell or any witches. But Aunt Sarai was a witch; that's why she can come back. I think they've all been witches here; the house is mad because mother wouldn't be; that's why it wants me now."
Carew said, "It was all dreams, Betty. There is no hell. There is no garden on the other side of the moon. It's a dead world, full of volcanic craters, with no air for anything to grow in or breathe. A hare frightened you and, being nervous, you've had nightmares about it - pictures that fear paints on your mind just as an artist would on canvas, with paints and brushes.
"Every dream is now a movie we make for ourselves in our sleep...
”
”
Evangeline Walton (Witch House)
“
Miss Climpson's active mind quickly conjured up a picture of the rabbit-fair-haired and a little paunchy, with a habit of saying, "I'll ask the wife." Miss Climpson wondered why Providence saw fit to create such men. For Miss Climpson, men were intended to be masterful, even though wicked or foolish. She was a spinster made and not born- a perfectly womanly woman.
”
”
Dorothy L. Sayers
“
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, 'and what is the use of a book,' thought Alice 'without pictures or conversation?' So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch
”
”
Lewis Carroll (Alice's Adventures in Wonderland (Alice's Adventures in Wonderland, #1))
“
And sonograms distort reality in another, more subtle way: You can only take a picture of the embryo/fetus if you erase the body of the pregnant woman. As with the famous optical illusion of the duck-rabbit, you can’t see them both at the same time. In a sonogram the fetus is the subject, the woman is the background; the case for its personhood is made by turning her into gray-and-white wallpaper.
”
”
Katha Pollitt (Pro: Reclaiming Abortion Rights)
“
As you take the stairs down, away from the scanning department, you feel the notion, the idea of the child leaving you with each step. You feel its fingers loosening, disentangling themselves from yours. You sense its corporeality disintegrating, becoming mist. Gone is the child with blond or dark or auburn hair; gone is the person they might have been, the children they themselves might have had. Gone is that particular coded mix of your and your husband’s genes. Gone is the little brother or sister you pictured for your son. Gone is the knitted rabbit, wrapped and ready in tissue paper, pushed to the back of a cupboard, because you cannot bring yourself to throw it out or give it away. Gone are your plans for and expectations of the next year of your life. Instead of a baby, there will be no baby.
”
”
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
“
Here, as in the Book of the Duchesse, the old garden of the Rose is used to paint a picture of love itself, of love at rest. If a man will compare the beauties of this garden—the almost imperceptible wind, the darting fish, the rabbits playing in the grass, and the ‘ravishing sweetness’ of stringed instruments— with any literal portrayal of the same thing, he will find out what allegory was made for. This is the kind of symbolism that never grows old.
”
”
C.S. Lewis (THE ALLEGORY OF LOVE)
“
Words, pictures, questions, and finally—dreams; it always begins with a dream, doesn’t it? Alice’s dream by the river, her head in her sister’s lap, dreaming of a rabbit, a white rabbit; my dream, also. My dreams. One of them—I remember one dream when I was small; a dream after a long walk on a summer day. A dream on a train, my head against Mr. Dodgson’s shoulder, as I dreamed of babies on flower stems; Papa walking along, crying; a man in a tall black hat, gray gloves, a stiff way about him. “May they be happy,” he whispered to me, and I smiled.
”
”
Melanie Benjamin (Alice I Have Been)
“
Poem for My Father
You closed the door.
I was on the other side,
screaming.
It was black in your mind.
Blacker than burned-out fire.
Blacker than poison.
Outside everything looked the same.
You looked the same.
You walked in your body like a living man.
But you were not.
would you not speak to me for weeks
would you hang your coat in the closet without saying hello
would you find a shoe out of place and beat me
would you come home late
would i lose the key
would you find my glasses in the garbage
would you put me on your knee
would you read the bible to me in your smoking jacket after your mother died
would you come home drunk and snore
would you beat me on the legs
would you carry me up the stairs by my hair so that my feet never touch the bottom
would you make everything worse
to make everything better
i believe in god, the father almighty,
the maker of heaven, the maker
of my heaven and my hell.
would you beat my mother
would you beat her till she cries like a rabbit
would you beat her in a corner of the kitchen
while i am in the bathroom trying to bury my head underwater
would you carry her to the bed
would you put cotton and alcohol on her swollen head
would you make love to her hair
would you caress her hair
would you rub her breasts with ben gay until she stinks
would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot
would you come on the sheet while i am sleeping. later i look for the spot
would you go to embalming school with the last of my mother's money
would i see your picture in the book with all the other black boys you were the handsomest
would you make the dead look beautiful
would the men at the elks club
would the rich ladies at funerals
would the ugly drunk winos on the street
know ben
pretty ben
regular ben
would your father leave you when you were three with a mother who threw butcher knives at you
would he leave you with her screaming red hair
would he leave you to be smothered by a pillow she put over your head
would he send for you during the summer like a rich uncle
would you come in pretty corduroys until you were nine and never heard from him again
would you hate him
would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements
would you hate him for fucking the woman who gave birth to you
hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him
(bye bye
to the will of grandpa
bye bye to the family fortune
bye bye when he stompled that hat,
to the gold watch,
embalmer's palace,
grandbaby's college)
mother crying silently, making floating island
sending it up to the old man's ulcer
would grandmother's diamonds
close their heartsparks
in the corner of the closet
yellow like the eyes of cockroaches?
Old man whose sperm swims in my veins,
come back in love, come back in pain.
”
”
Toi Derricotte
“
In two months, I think, my college job will end. In two months I will have no office, no college, no salary, no home. Everything will be different. But, I think, everything already is. When Alice dropped down the rabbit-hole into Wonderland she fell so slowly she could take things from the cupboards and bookshelves on the walls, look curiously at the maps and pictures that passed her by. In my three years as a Cambridge Fellow there’d been lectures and libraries and college meetings, supervisions, admissions interviews, late nights of paper-writing and essay-marking, and other things soaked in Cantabrian glamour: eating pheasant by candlelight at High Table while snow dashed itself in flurries against the leaded glass and carols were sung and the port was passed and the silver glittered upon dark-polished refectory tables. Now, standing on a cricket pitch with a hawk on my hand, I knew I had always been falling as I moved past these things. I could reach out and touch them, pick them off their shelves and replace them, but they were not mine. Not really ever mine. Alice, falling, looked down to see where she was headed, but everything below her was darkness.
”
”
Helen Macdonald (H is for Hawk)
“
On this bald hill the new year hones its edge.
Faceless and pale as china
The round sky goes on minding its business.
Your absence is inconspicuous;
Nobody can tell what I lack.
Gulls have threaded the river’s mud bed back
To this crest of grass. Inland, they argue,
Settling and stirring like blown paper
Or the hands of an invalid. The wan
Sun manages to strike such tin glints
From the linked ponds that my eyes wince
And brim; the city melts like sugar.
A crocodile of small girls
Knotting and stopping, ill-assorted, in blue uniforms,
Opens to swallow me. I’m a stone, a stick,
One child drops a carrette of pink plastic;
None of them seem to notice.
Their shrill, gravelly gossip’s funneled off.
Now silence after silence offers itself.
The wind stops my breath like a bandage.
Southward, over Kentish Town, an ashen smudge
Swaddles roof and tree.
It could be a snowfield or a cloudbank.
I suppose it’s pointless to think of you at all.
Already your doll grip lets go.
The tumulus, even at noon, guargs its black shadow:
You know me less constant,
Ghost of a leaf, ghost of a bird.
I circle the writhen trees. I am too happy.
These faithful dark-boughed cypresses
Brood, rooted in their heaped losses.
Your cry fades like the cry of a gnat.
I lose sight of you on your blind journey,
While the heath grass glitters and the spindling rivulets
Unpool and spend themselves. My mind runs with them,
Pooling in heel-prints, fumbling pebble and stem.
The day empties its images
Like a cup of a room. The moon’s crook whitens,
Thin as the skin seaming a scar.
Now, on the nursery wall,
The blue night plants, the little pale blue hill
In your sister’s birthday picture start to glow.
The orange pompons, the Egyptian papyrus
Light up. Each rabbit-eared
Blue shrub behind the glass
Exhales an indigo nimbus,
A sort of cellophane balloon.
The old dregs, the old difficulties take me to wife.
Gulls stiffen to their chill vigil in the drafty half-light;
I enter the lit house.
”
”
Sylvia Plath
“
When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?''
``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.''
``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?''
``I know. I was plagued with them too. Rabbits in waistcoats.''
``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.''
``On the raft.''
``On the raft. And a boy was sitting on the raft.''
``Among the rabbits in waistcoats and the owls and the reindeer.''
``Precisely there. A boy of the cheery gypsy ragamuffin variety.''
``Ugh.''
``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time.
``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.''
She shrugged.
``Good story?'' she said.
``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.''
Fenchurch laughed and hugged her legs.
``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
For just a moment, I thought about it. I pictured how it would be, dusting off the rusty Romance Lindsey, long hidden in some box in the back closet of my mind, under piles of more important boxes filled with Work Lindsey, and Mommy Lindsey, Divorce Court Lindsey, and now Shared Custody Lindsey, and Depressed Insane Lindsey.
Was Romance Lindsey even there anymore? Probably not. She had sat forgotten for so long that, like the Skin Horse and the Velveteen Rabbit, she had ceased to be real. I never even thought about her anymore. Until now. Which was a bad sign that the boxes were getting jumbled up and Control Freak Lindsey needed to get to work.
....
He grinned wickedly, and my stomach fluttered like a firecracker the instant the chain reaction starts inside the casing. Romance Lindsey and Tomboy Lindsey grabbed Mommy Lindsey, shoved her into a box, and sat down on the lid. Control Freak Lindsey ran away screaming.
”
”
Lisa Wingate (Over the Moon at the Big Lizard Diner (Texas Hill Country #3))
“
He boots up his story and scrolls down to where Taco was handing the squad bullhorn to Fareed, their terp. He’s about to pick up where he left off when Merton Richter interrupted him, then notices there’s a picture on the wall. He gets up for a closer look, because it’s in the far corner—weird place for a painting—and the morning light doesn’t quite reach there. It appears to show a bunch of hedges that have been clipped into animal shapes. There’s a dog on the left, a couple of rabbits on the right, two lions in the middle, and what might be a bull behind the lions. Or maybe it’s supposed to be a rhinoceros. It’s a poorly executed thing, the greens of the animals too violent, and the artist has for some reason plinked a dab of red in the lions’ eyes to give them a devilish aspect. Billy takes the painting down and turns it to face the wall. He knows that if he doesn’t his eyes will be continually drawn to it. Not because it’s good but because it isn’t.
”
”
Stephen King (Billy Summers)
“
ALICE'S ADVENTURES IN WONDERLAND Lewis Carroll THE MILLENNIUM FULCRUM EDITION 3.0 CHAPTER I Down the Rabbit-Hole Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, 'and what is the use of a book,' thought Alice 'without pictures or conversation?' So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the
”
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Lewis Carroll (Alice's Adventures in Wonderland (Alice's Adventures in Wonderland, #1))
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Next to my own skin, her pearls. My mistress
bids me wear them, warm them, until evening
when I'll brush her hair. At six, I place them
round her cool, white throat. All day I think of her,
resting in the Yellow Room, contemplating silk
or taffeta, which gown tonight? She fans herself
whilst I work willingly, my slow heat entering
each pearl. Slack on my neck, her rope.
She's beautiful. I dream about her
in my attic bed; picture her dancing
with tall men, puzzled by my faint, persistent scent
beneath her French perfume, her milky stones.
I dust her shoulders with a rabbit's foot,
watch the soft blush seep through her skin
like an indolent sigh. In her looking-glass
my red lips part as though I want to speak.
Full moon. Her carriage brings her home. I see
her every movement in my head.... Undressing,
taking off her jewels, her slim hand reaching
for the case, slipping naked into bed, the way
she always does.... And I lie here awake,
knowing the pearls are cooling even now
in the room where my mistress sleeps. All night
I feel their absence and I burn.
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Carol Ann Duffy
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In 1995, the gray wolf was reintroduced to Yellowstone National Park after a seventy-year hiatus. Scientists expected an ecological ripple effect, but the size and scope of the trophic cascade took them by surprise.7 Wolves are predators that kill certain species of animals, but they indirectly give life to others. When the wolves reentered the ecological equation, it radically changed the behavioral patterns of other wildlife. As the wolves began killing coyotes, the rabbit and mouse populations increased, thereby attracting more hawks, weasels, foxes, and badgers. In the absence of predators, deer had overpopulated the park and overgrazed parts of Yellowstone. Their new traffic patterns, however, allowed the flora and fauna to regenerate. The berries on those regenerated shrubs caused a spike in the bear population. In six years’ time, the trees in overgrazed parts of the park had quintupled in height. Bare valleys were reforested with aspen, willow, and cottonwood trees. And as soon as that happened, songbirds started nesting in the trees. Then beavers started chewing them down. Beavers are ecosystem engineers, building dams that create natural habitats for otters, muskrats, and ducks, as well as fish, reptiles, and amphibians. One last ripple effect. The wolves even changed the behavior of rivers—they meandered less because of less soil erosion. The channels narrowed and pools formed as the regenerated forests stabilized the riverbanks. My point? We need wolves! When you take the wolf out of the equation, there are unintended consequences. In the absence of danger, a sheep remains a sheep. And the same is true of men. The way we play the man is by overcoming overwhelming obstacles, by meeting daunting challenges. We may fear the wolf, but we also crave it. It’s what we want. It’s what we need. Picture a cage fight between a sheep and a wolf. The sheep doesn’t stand a chance, right? Unless there is a Shepherd. And I wonder if that’s why we play it safe instead of playing the man—we don’t trust the Shepherd. Playing the man starts there! Ecologists recently coined a wonderful new word. Invented in 2011, rewilding has a multiplicity of meanings. It’s resisting the urge to control nature. It’s the restoration of wilderness. It’s the reintroduction of animals back into their natural habitat. It’s an ecological term, but rewilding has spiritual implications. As I look at the Gospels, rewilding seems to be a subplot. The Pharisees were so civilized—too civilized. Their religion was nothing more than a stage play. They were wolves in sheep’s clothing.8 But Jesus taught a very different brand of spirituality. “Foxes have dens and birds have nests,” said Jesus, “but the Son of Man has no place to lay his head.”9 So Jesus spent the better part of three years camping, fishing, and hiking with His disciples. It seems to me Jesus was rewilding them. Jesus didn’t just teach them how to be fishers of men. Jesus taught them how to play the man! That was my goal with the Year of Discipleship,
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Mark Batterson (Play the Man: Becoming the Man God Created You to Be)
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It wasn’t that he’d been talking to a dog. People often talked to dogs. The same applied to the cat. And maybe even the rabbit. It was the conversation with the mouse and the duck that might be considered odd.
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Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
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Barnes & Noble, notes from your bookseller:
Scott Slater's brilliant debut Down the Hole is a mosaic of Julia Donaldson charm, Jon Klassen magnetism and Ryan T. Higgins humor. Adam Ming's art is the perfect pairing for Slater's story about a fox and rabbit trying to outsmart each other... with possible dire consequences. Down the Hole has everything you'd want in a picture book.
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Scott Slater (Down the Hole)
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There was definitely a cat and another animal, probably a rabbit, in the shed. Her suspicions were confirmed soon enough. Madeleine lit a candle, its light illuminating a wooden hutch where an enormous rabbit was nibbling at some freshly picked clover. In her lap, the little grey cat was all grown up; it was the same cat Madeleine had been holding on the balcony the day when one look from her teal-colored eyes had been enough to floor poor Solange. Holy pictures were pinned over the hutch: Saint Anne, the Miraculous Virgin of the Smile (who cured ten-year-old Thérèse), Saint Veronica holding her veil, and Saint Joan of Arc had all been carefully pinned in a row, looking down tenderly over the big orange rabbit who went on munching his clover. Pinned to the frame of the hutch was a piece of wax paper with the animal's name- Lazarus- written on it.
"His name's Lazarus," Madeleine whispered as she grabbed him by the ears.
Solange winced in pain.
"You have to pick them up by the ears or else you hurt them. I'll set him down on your lap."
Solange had never touched a living rabbit before. She stroked Lazarus, who right then seemed to her to be the gentlest, most charming thing to ever have walked this earth.
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Éric Dupont (The American Fiancée)
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I’m pretty sure that this is the guy I met the night before Easter in 1989. You see these?” He picked out Polaroids depicting a severed penis, a black male’s scalp with a large Jheri curl still attached, and a painted skull. “These belong to him.” This was the first time he kept his victim’s body parts. He met Anthony Sears at closing time in front of a dance club called La Cage. He was with a friend, a white man, and after accepting Dahmer’s offer to come home with him, the friend gave them a ride to 57th and National. They walked the remainder of the way to Grandma’s, and Dahmer gave him the drink mixed with Halcion. He had sex with him before and after death. On Easter Sunday, while Grandma attended church, Dahmer dismembered the body by severing the flesh, keeping the individual’s scalp, genitals, and skull. He wanted to preserve these body parts, so he went to a hardware store and told the clerk he was interested in drying and treating a wild rabbit pelt. They informed him that acetone would do the trick, and he purchased some. After cleaning the body parts, Dahmer treated them with the acetone for preservation. “It actually worked quite well, as you can see from the pictures. When they were dried, I wore his scalp. It helped me to fantasize and remember the night I was with him. I could suck on his penis and masturbate.
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Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
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You know, big stories and smash pictures always have a way of breaking around him. He’s better than a rabbit’s foot any day!” “We were lucky yesterday,” Flash admitted with a grin. “Those auto crashes seemed to have been staged for our special benefit.
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Mildred A. Wirt (The Flash Evans Complete Series MEGAPACK®)
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And if little children would grow up good and loved and happy, they must learn, like the soft-eared dog, to do as they are told. It is not a nice sight to see boys and girls pouting and crying because they cannot always have the things they wish. We once felt sorry to see a rosy-cheeked child with his mouth full of sweetmeats worrying his mother for more. She looked very pale and ill, as if she could scarcely bear the noise he made; but when she told him more would make him sick, he cried with passion. Now Carlo would like a race round the yard after the young rabbits, who eat their supper in peace on the low table under which he lies; but he does not do what he likes, because, though he is only a dog, he learned to obey. And should a dog behave better than a child?
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Edwin Henry Landseer (The Landseer series of picture books: containing sixteen coloured illustrations)
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Of course the rabbits must be killed, as they are good food for man, and the land would be overrun with them if they were not destroved; still we cannot but regret that putting them to death should give delight rather than pain. Dogs know no better than to take pleasure in worrying and killing the furry creatures that cannot defend themselves; but kind-hearted children will never enjoy such cruel sport. They would say, “You tell us the poor rabbits must be destroyed; but we have watched them frisking for joy in the twilight, and we would rather not see them die.
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Edwin Henry Landseer (The Landseer series of picture books: containing sixteen coloured illustrations)
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She leaned down and took a clipping of Boomer's fur. "In case we want to clone him later," she said, and everyone nodded, picturing a house full of very good dogs.
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Annie Hartnett
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When he tried to picture what his life would be like without her, he saw only emptiness. She had to believe him.
Afraid as he had never been, he reached out to her, his hand palm up and open. For an endless moment she stared at his outstretched fingers; then, with a strangled cry, she ran toward him. As her hand met his, Hunter caught her slight form to his chest with his uninjured arm and hugged her until he feared her bones might break. Flowers in springtime. Soft as rabbit fur. Warm as sunshine.. A sob caught in his chest.
“Your shoulder. You’ll hurt yourself.”
“It is as nothing.” It wasn’t a lie. The pain seemed distant now, like a hawk hovering and circling. Later it would descend to tear at his flesh, but for now he could ignore it. Hunter buried his face in the curve of her neck, his favorite place. So many nights he had dreamed of this, yearned for her. Tears filled his eyes, and a tremor coursed through his body. “I have such great love for you, little one. Such great love.”
“I love you just as much, Hunter. I thought I’d die when you left me.”
“You will go from this place with me, walk in my footsteps?”
A strained silence settled between them.
“Oh, yes, Hunter, yes.”
“Do not make a promise of it quick. We must go west. Alone, Blue Eyes, leaving all that we are behind. All those we love, your people, my people.”
Loretta caught his face between her hands, shaking with the intensity of her emotions. “Hunter, you are my people. I’ll follow you anywhere.
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Catherine Anderson (Comanche Moon (Comanche, #1))
Steve Kid (MINECRAFT: Minecraft Beginners Handbook for Kids With Pictures - Master the Minecraft Quest (Minecraft Handbooks for Kids))
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Writing my memoirs brought back many wonderful memories. The universe does have ways of making us deal with issues that we had kept under wraps these many years. I’m sure when my books are published you’ll have the opportunity to read my memoirs, but for now I am enjoying the writing process. Connecting with you again is certainly an unexpected bonus through my current journey of self-discovery. Do send me pictures of your lovely family, especially Turtle and Rabbit. We have a beautiful “daughter,” Kali Durga, a fluffy Himalayan who is as adorable as Husni – remember my white Persian kitty? Their personalities are very similar. They are all about giving unconditional love and more love.
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Young (Unbridled (A Harem Boy's Saga, #2))
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So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--”
She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure.
Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found!
Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away.
Christopher.
It seemed the entire world stopped.
Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus…now a warrior hardened by bitter experience.
His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness.
How bleak he looked. How alone.
She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest.
She heard herself speak in a voice that wasn’t quite steady. “Welcome home, Captain Phelan.”
He was silent, staring at her without apparent recognition. Dear Lord, those eyes…frost and fire, his gaze burning through her awareness.
“I’m Beatrix Hathaway,” she managed to say. “My family--”
“I remember you.”
The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face.
To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn’t aware of it.
Her hand moved gently over Albert’s rough fur. “You were absent in London,” she said. “There was a great deal of hullabaloo on your behalf.”
“I wasn’t ready for it.”
So much was expressed in that spare handful of words. Of course he wasn’t ready. The contrast would be too jarring, the blood-soaked brutality of war followed by a fanfare of parades and trumpets and flower petals. “I can’t imagine any sane man would be,” she said. “It’s quite an uproar. Your picture is in all the shop windows. And they’re naming things after you.”
“Things,” he repeated cautiously.
“There’s a Phelan hat.”
His brows lowered. “No there isn’t.”
“Oh, yes there is. Rounded at the top. Narrow-brimmed. Sold in shades of gray or black. They have one featured at the milliner’s in Stony Cross.”
Scowling, Christopher muttered something beneath his breath.
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Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
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Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, ‘and what is the use of a book,’ thought Alice ‘without pictures or conversation?’ So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, ‘Oh dear! Oh dear! I shall be late!’ (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time
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Anonymous
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Natalie’s house, not least because of the seventeen-inch Zenith, inside a pale wood cabinet, the biggest television Miri had ever seen. Her grandmother had a set but it was small with rabbit ears and sometimes the picture was snowy. The furniture in the Osners’ den all matched, the beige sofas and club chairs arranged around a Danish modern coffee table, with its neat stacks of magazines—Life, Look, Scientific American, National Geographic. A cloth bag with a wood handle, holding Mrs. Osner’s latest needlepoint project, sat on one of the chairs. A complete set of the Encyclopaedia Britannica took up three shelves of the bookcase, along with family photos, including one of Natalie at summer camp, in jodhpurs, atop a sleek black horse, holding her ribbons, and another of her little sister, Fern, perched on a pony. In one corner of the room was a game table with a chess set standing ready, not that she and Natalie knew how to play, but Natalie’s older brother, Steve, did and sometimes he and Dr. Osner would play for hours.
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Judy Blume (In the Unlikely Event)
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Broadcast on, speech: – to prepare. The right length. Know when to stop. Time it. Write it out word for word. Make it sound as if extempore & from the heart. So write for reading, – to be spoken. Slower than ordinary conversation. Go slow. Speak out of your own experience, a picture in words, – you are painting a picture. You must be absolutely sincere. A little humour if possible. Some detail the audience does not know & some details they know.... Today
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Denis Judd (The Private Diaries of Alison Uttley: Author of Little Grey Rabbit and Sam Pig)
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Before him stood a tall bay horse, a very fine hunter, and on it sat the man. He was as large as his voice and, thought Jack, a most peculiar sight: a picture of softened sharpness. He was middle-aged and of a rather fair, but rich colouring, with glinting eyes and ruddy cheeks. He wore colourful clothes, a beautiful embroidered waistcoat of gold and green and pink and red, beneath a riding coat of a familiar shade of green, and bright white breeches with polished black top boots that had lovely brown trim. But there was nothing cheery about these colours, they were strong and shone like metal. Just like a suit of armour, thought Jack.
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Chiara Kilian (The First Tale of the Tinners' Rabbits)
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Don’t laugh though.” “What do you mean?” said Emma. Biff didn’t say anything. He reached into his inventory and pulled out his bed and tossed it on the floor. I’m sorry, but I had to laugh. Emma laughed too. The bed had a blanket with a chicken face on it. His pillow case had the picture of a bunny rabbit on it. “Stop laughing! My mom got me the blanket and the pillowcase when I was little. Hurrr, I just never got around to replacing them.” I was still laughing and said, “No worries, Bro. Looks comfortable.” Emma, who had stopped laughing, yawned. It was contagious. Biff and I both yawned. “Okay, guys, I’m going to sleep. Good night,” said Emma. Biff and I both wished her good night and we each got into our beds and went to sleep. * * * I suppose it will come as no surprise to you that I was visited in my dreams that evening. One of the visitors I had almost expected. But the other…. The visitor I was more or less expecting to show up was, of course, the Rainbow Creeper. It appeared without any attempt to conceal itself in a mysterious form or behind a cloud of dream smoke. You know, the typical weird dream-type stuff. It spoke with the strange lilting voice that had been created when Claire had been joined to it. “Jimmy. I understand that you have rescued Emma from the witch.” “Yes, RC, I did. If Claire still has any independent memory, I hope she’s relieved.” There was a pause for a moment and then the Creeper said, “Yes, she is.” There was another brief pause and then the Rainbow Creeper changed the subject. “Have you had any luck locating Entity 303’s piece in Baby Zeke’s dimension?” I shook my head. “No, but this dimension’s Ender King, Herobrine, and Notch are working on ways to find it. We are going to establish a search party tomorrow using volunteers. It may take a while, but we will leave no stone unturned.” “Excellent,” said the Rainbow Creeper. “I’m sure Entity 303 will not be able to escape your reconnaissance.” “How are things going in my native dimension?” “They are still searching as well. No news.” The Rainbow Creeper was beginning to fade from my dream when I remembered. “Creeper? Wait a minute. Something else happened.” The Creeper’s form solidified again and it looked at me, its expressionless
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Dr. Block (Diary of a Surfer Villager, Books 16-20 (Diary of a Surfer Villager #16-20))
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Roy was probably the most overrated bird dog in history. He wasn’t much of a hunter at all; he would point rabbits, for example. But the associates and the customers got a kick out of visiting with him in the stores, and once we put his name and picture on our private label dog food, it sold tons. Another thing about Roy that was very unusual: he was a great tennis dog. He would go with me to the tennis court and lay there, and whenever the ball went out of the court, over the fence, or whatever, he would go chasing after it and bring it back to me.
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Sam Walton (Sam Walton: Made In America)
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Though the garden brought no profit in winter, it had its own beauty. The white canopy over the glass house sparkled on bright days. The gazing ball grew a crystalline moon. Downy snow on the herb beds and flower gardens caught the light in soft, variant blues and mauves. Reddily clustered berries against the drifts formed a pretty picture. A frosted crescent blanketed the bench where Lavender and her father used to sit, listening to Amaryllis Fitch's divine harp concerts. And the winter garden wasn't silent, either. Chickadees in their black caps twittered about, and Lavender left a pan of seeds out for them. Rabbits' tracks crooked across the slumbering perennials and bulbs.
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Jeanette Lynes (The Apothecary's Garden)
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I did try,” said Henry. He had stared and stared at the paper. His imagination had been whirling with pictures, and the pictures in his imagination had wiggled down into his arm and kicked inside of his fingers, wanting to come out. But he knew they were the wrong pictures. They were pictures of purple lettuce leaves growing upside-down out of the nostrils of a three-eyed asparagus monster. They were pictures of rabbits that jumped so high they tore holes in the clouds and landed on Mars. His drawings would be different from everyone else’s. They would be laughed at. And so he had to shake the pictures out of his fingers and squeeze them back into his imagination and shut the door of his brain tightly so they wouldn’t come out. “A hanging box of bunnies is the worst Art Project ever,” he sighed.
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Jennifer Trafton (Henry and the Chalk Dragon)
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The tutor requested a companion for Master Walter,’ he went on urbanely. ‘I suggested your boy. This comes to you as a favour from his lordship, to help you since your husband is missing. This is what it is to serve a good lord. Remember it.’ She dropped a deep curtsey. ‘I’m very grateful.’ He gave her a hard look. ‘If anyone asks, you will tell them that his lordship is generous to poor tenants.’ She dipped a curtsey again. ‘Yes, Sir. I know, Sir.’ She turned and walked to the lich-gate with Alys on one side of her, Rob on the other. The two women, mother and daughter, kept their eyes on the ground, and their white capped heads bowed, the picture of submissive obedience. ‘He doesn’t know about the rabbit then,’ Alys said with satisfaction.
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Philippa Gregory (Tidelands (The Fairmile #1))
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I’m sorry I accidentally knocked my desk over on you and you thought I did it on purpose. This wouldn’t have happened if I hadn’t drawn a picture of you being eaten by sharks. Now that I’ve had some time to think about it, I think I would have rather drawn a picture of you buried up to your necks in sand, surrounded by deadly fire ants. What I have learned from this experience is that if I ever want to draw pictures of my classmates dying painful deaths, I should do it at home so I can pin the picture to the corkboard in my bedroom and admire it any time I want.
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Rachel Elizabeth Cole (The Rabbit Ate My Homework)