“
In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Rabbits live close to death and when death comes closer than usual, thinking about survival leaves little room for anything else.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
There is not a day or night but a doe offers her life for her kittens, or some honest captain of Owsla his life for his Chief Rabbit's. Sometimes it is taken, sometimes it is not. But there is no bargain, for here, what is, is what must be.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
We go by the will of the black rabbit. When he calls you, you have to go
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
Men can imagine their own deaths, they can see them coming, and the mere though of impending death acts like an aphrodisiac. A dog or rabbit doesn't behave like that. Take birds -- in a lean season they cut down on the eggs, or they won't mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.
As a species were doomed by hope, then?
You could call it hope. That, or desperation.
But we're doomed without hope, as well, said Jimmy.
Only as individuals, said Crake cheerfully.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
He said that people who loved [animals] to excess were capable of the worst cruelties toward human beings. He said that dogs were not loyal but servile, that cats were opportunists and traitors, that peacocks were heralds of death, that macaws were simply decorative annoyances, that rabbits fomented greed, that monkeys carried the fever of lust, and that roosters were damned because they had been complicit in the three denials of Christ.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Tam Lin says rabbits give up when they're caught by coyotes [...]. He says they consent to die because their animals and can't understand hope. But humans are different. They fight against death no matter how bad things seem, and sometimes, even when everything's against them, they win.
”
”
Nancy Farmer (The House of the Scorpion (Matteo Alacran, #1))
“
I want to love somebody because I want to be loved. In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of the wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home. I have lived in boxes above, below, and down the hall from girls who think hard, feel similarly, and long companionably, and I have not bothered to cultivate them because I did not want to, could not, sacrifice the time. People know who I am, and the harder I try to know who they are, the more I forget their names - I want to be alone, and yet there are times when the liquid eye and the cognizant grin of a small monkey would send me into a crying fit of brotherly love. I work and think alone. I live with people, and act. I love and cherish both. If I knew now what I wanted I would know when I saw it, who he was.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
But Noah was like the Velveteen Rabbit. I would love his whiskers off, love him until he turned gray, until he lost shape. I would love him to death. And he would let me. Gladly.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
This was their way of honoring the dead. The story over, the demands of their own hard, rough lives began to re-assert themselves in their hearts, in their nerves, their blood and appetites. Would that the dead were not dead! But there is grass that must be eaten, pellets that must be chewed, hraka that must be passed, holes that must be dug, sleep that must be slept. Odysseus brings not one man to shore with him. Yet he sleeps sound beside Calypso and when he wakes thinks only of Penelope.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
At least my balls are bigger than yours,” she sneered, shocking me. O-kay. Not so lost anymore.
“You sure about that?" Gavin sneered right back, and I couldn’t be sure, but it kind of looked like he was fighting a…smile? “Take off your pants and show me.”
“The only way I’ll ever take off my pants in your presence is to use the material to choke you to death.
”
”
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
“
Bargains, bargains, El-ahrairah," he said. "There is not a day or night but a doe offers her life for her kittens, or some honest captain of Owsla his life for his Chief Rabbit's. Sometimes it is taken, sometimes it is not. But there is no bargain, for here what is is what must be.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
I always thought I wasn't afraid to die. No... No one is afraid of death itself. Your pain and suffering is over in an instant. What really makes me suffer... Is seeing you crying over me... From the darkness of the Milky Way.
I'm sorry... Please don't make that face. You look best when you're smiling, you know.
”
”
Inio Asano (Solanin (Solanin, #1-2))
“
Do not go seeking the Rabbit, else you wish for more death and madness.
”
”
Christina Henry (Alice (The Chronicles of Alice, #1))
“
Last reason for reading horror: it’s a rehearsal for death. It’s a way to get ready. People say there’s nothing sure but death and taxes. But that’s not really true. There’s really only death, you know. Death is the biggie. Two hundred years from now, none of us are going to be here. We’re all going to be someplace else. Maybe a better place, maybe a worse place; it may be sort of like New Jersey, but someplace else. The same thing can be said of rabbits and mice and dogs, but we’re in a very uncomfortable position: we’re the only creatures—at least as far as we know, though it may be true of dolphins and whales and a few other mammals that have very big brains—who are able to contemplate our own end. We know it’s going to happen. The electric train goes around and around and it goes under and around the tunnels and over the scenic mountains, but in the end it always goes off the end of the table. Crash.
”
”
Stephen King
“
What good is a crow to a pack of grieving humans? A huddle. A throb. A sore. A plug. A gape. A load. A gap. So, yes. I do eat baby rabbits, plunder nests, swallow filth, cheat death, mock the starving homeless, misdirect, misinform. Oi, stab it! A bloody load of time wasted. But I care, deeply. I find humans dull except in grief.
”
”
Max Porter (Grief is the Thing with Feathers)
“
I’d figured out by now that death never makes sense, no matter how someone dies: murder, accident, old age, cancer, suicide, you’re never ready to lose someone you love. I decided death will always feel unexplained; we will never be ready for it, and you just have to do the best you can with what you have left.
”
”
Annie Hartnett (Rabbit Cake)
“
Tam Lin says rabbits give up when they're caught by coyotes," Matt said after he'd calmed enough to trust his voice. "He says they consent to die because they're animals and can't understand hope. Hit humans are different.. They fight against death no matter how bad things seem, and sometimes, even when everything's against them, they win."
"Yeah. About once in a million years," said Chacho.
"Twice in a million," said Matt. "There's who of us."
"You are one dumb bunny," said Chacho, but he stopped crying.
”
”
Nancy Farmer (The House of the Scorpion (Matteo Alacran, #1))
“
I rested my forehead against the wall and closed my eyes. It wasn’t just my curiosity, or my fascination with anatomy, or how I could unhesitatingly chop a rabbit’s head off with an ax when a roomful of boys couldn’t. Those things were all symptoms of the same sickness - a kind of madness inherited from my father. It was a dangerous pull in my gut drawing me toward the dark possibilities of science, toward the thin line between life and death, toward the animal impulses hidden behind a corset and a smile.
”
”
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
“
Come, my child," I said, trying to lead her away. "Wish good-bye to the poor hare, and come and look for blackberries."
"Good-bye, poor hare!" Sylvie obediently repeated, looking over her shoulder at it as we turned away. And then, all in a moment, her self-command gave way. Pulling her hand out of mine, she ran back to where the dead hare was lying, and flung herself down at its side in such an agony of grief as I could hardly have believed possible in so young a child.
"Oh, my darling, my darling!" she moaned, over and over again. "And God meant your life to be so beautiful!
”
”
Lewis Carroll (Sylvie and Bruno)
“
I was over in Australia during Easter, which was really interesting. You know, they celebrate Easter the exact same way we do, commemorating the death and resurrection of Jesus by telling our children that a giant bunny rabbit … left chocolate eggs in the night. Now … I wonder why we're fucked up as a race. I've read the Bible. I can't find the word "bunny" or "chocolate" anywhere in the fucking book.
”
”
Bill Hicks
“
Standing amid the tan, excited post-Christmas crowd at the Southwest Florida Regional Airport, Rabbit Angstrom has a funny sudden feeling that what he has come to meet, what's floating in unseen about to land, is not his son Nelson and daughter-in-law Pru and their two children but something more ominous and intimately his: his own death, shaped vaguely like an airplane.
”
”
John Updike (Rabbit at Rest (Rabbit Angstrom, #4))
“
Death is easily fooled. If the churches don't work, a filter will do.
”
”
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
“
No pain, no death, is more terrible to a wild creature than its fear of man. A red-throated diver, sodden and obscene with oil, able to move only its head, will push itself out from the sea-wall with its bill if you reach down to it as it floats like a log in the tide. A poisoned crow, gaping and helplessly floundering in the grass, bright yellow foam bubbling from its throat, will dash itself up again and again on to the descending wall of air, if you try to catch it. A rabbit, inflated and foul with myxomatosis, just a twitching pulse beating in a bladder of bones and fur, will feel the vibration of your footstep and will look for you with bulging, sightless eyes. Then it will drag itself away into a bush, trembling with fear. We are the killers. We stink of death. We carry it with us. It sticks to us like frost. We cannot tear it away.
”
”
J.A. Baker (The Peregrine)
“
Each October I walk into the woods
looking for bones: rabbit skulls,
a grackle spine, the pelvis of a deer
with the blood bleached out. What died
in the lush of roses and mint
shines out from the tangle of twigs
that bind it to the place
of its last leaping. The living lack
that kind of clarity. In late April,
when the water spreads out and out
till everything is lilies and seepage,
there is only the mystery of tracks,
a rustle receding in the many reeds.
And so the bones accumulate
across my windowsill: the flightless
wings and exaggerated grins,
the silent unmoving reminders
of where the glories of April lead.
”
”
Charles Rafferty (Where the Glories of April Lead)
“
The syrup of lilies hangs thick and sweet in the air, its cloying scent the traditional mask of death and rebirth: ashes and incense, rain and dirt, and something like rosin. It's the scent Hector associates with God. The scent of heavenly things.
”
”
Kimberly Morgan (On Angels and Rabbit Holes)
“
Kuoletko sinä?" kysyin, ja äiti nauroi kuin olisin kertonut vitsin, ja se nauru merkitsi minulle enemmän kuin miljoona eitä.
”
”
Sarah Winman (When God Was a Rabbit)
“
Yuan opens his eyes. White rabbits wandering all around, poking him, touching him, rubbing their noses at his feet, or merely exploring the thick grass, ignoring his presence. As if showing their appearance alone is enough of a favor. Yuan sees the tiniest rabbit struggling to reach him. One of its legs wounded, and a dark rotten feather sticking to its body. The feather smells of death. There must be a dead bird somewhere.
Dead bird! Why didn’t he smell it earlier? Yuan, removing the feather, stretches his hand towards the rabbit. It hops on, sensing the burst of healing energy. All living creatures always sense what heals their woe—a code in their subconscious.
”
”
Misba (The High Auction (Wisdom Revolution, #1))
“
Let us sleep,” he said, and he felt the long light body, warm against him, comforting against him, abolishing loneliness against him, magically, by a simple touching of flanks, of shoulders and of feet, making an alliance against death with him, and he said, “Sleep well, little long rabbit.
”
”
Ernest Hemingway (For Whom the Bell Tolls)
“
What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is part of the flowers and the apple tree and the hawthorn bush now.
When people die they are sometimes put into coffins which means that they don't mix with the earth for a very long time until the wood of the coffin rots.
But Mother was cremated. This means that she was put into a coffin and burnt and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think that there are molecules of Mother up there, or in clouds over Africa or the Antartic, or coming down as rain in rainforests in Brazil, or in snow somewhere.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Are you not afraid of death?'
I am not in the least afraid!... I would rather die than drink that bitter medicine.'
At that moment the door of the room flew open, and four rabbits as black as ink entered carrying on their shoulders a little bier.
What do you want with me?' cried Pinocchio, sitting up in bed in a great fright.
We are come to take you,' said the biggest rabbit.
To take me?... But I am not yet dead!...'
No, not yet: but you have only a few minutes to live, as you have refused the medicine that would have cured you of the fever.'
Oh, Fairy, Fairy!' the puppet then began to scream, 'give me the tumbler at once... be quick, for pity's sake, for I will not die--no... I will not die....
”
”
Carlo Collodi (Pinocchio)
“
After death, you go on a very long way, that is going up. As you go, little by little, your features change. Your nose and ears retract in the flesh of your face like the little legs of a shellfish. Your fingers retract in your palm, your hands rebsorb in your shoulders. The same, your feet retract to your hips and you don’t walk anymore, you just float along a red brick wall, on which you leave your shadow like a streched disk.
You are so round, that you become translucent and begin to see on all sides at once. While we are alive, we see through a postal box, but after death, we see around, with all our skin.
Floating and looking at the the brick wall closer and closer, we get to a round place. There, in the middle, there is a cell, for we are in a mother’s womb. We enter the cell, and as the stages of our birth take place, we can see through the eyes of all beings, of the flea, of the rabbit, of the cat, the dog, the monkey, the man.. and with a little bit of luck, we can see through the eyes of the wonderful beings that follow the human being.
A dead man is now looking at you through my eyes.
”
”
Mircea Cărtărescu
“
To be detached from the world, (in the sense that Buddhist and Taoists and Hindus often talk about detachment), does not mean to be non-participative. By that I don't mean that you just go through doing everything mechanically and have your thoughts elsewhere. I mean a complete participation, but still detached.
And the difference between the two attitudes is this..
On the one hand, there is a way of being so anxious about physical pleasure, so afraid that you won't make it, that you grab it too hard..that you just have to have that thing, and if you do that, you destroy it completely.. and therefore after every attempt to get it, you feel disappointed, you feel empty, you feel something was lost..and so you want it again, you have to keep repeating, repeating, repeating, repeating..because you never really got that. And it is this that's the hang up, this is what is meant by attachment to this world...
But on the other hand, pleasure in its fullness cannot be experienced, when one is grasping it..
I knew a little girl to whom someone gave a bunny rabbit. She was so delighted with the bunny rabbit and so afraid of losing it, that taking it home in the car, she squeezed it to death with love. And lots of parents do that to their children. And lots of spouses do it to each other. They hold on too hard, and so take the life out of this transient, beautifully fragile thing that life is.
To have it, to have life, and to have its pleasure, you must at the same time let go of it.
”
”
Alan W. Watts
“
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground.
It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up.
She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground.
She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone.
She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself.
She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face.
To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
”
”
Pamela Todd (The Blind Faith Hotel)
“
He turned her into his arms as they stepped into the studio, ran his hands over her hips. "I missed you. I miss spending large quantities of time with you."
She felt the heat kindle between her thighs, hotter, lustier than the moment called for. Her breasts tingled with it. "I missed you, too. Why don't we figure out how to cut the evening short, go home, and fuck like rabbits?"
He was hard as iron. As he leaned down to nip at her ear, he found himself struggling not to tug at her clothes. "Good thought. Christ, I want you.
”
”
J.D. Robb (Rapture in Death (In Death, #4))
“
…Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.’
‘How do you account for that?’ said Jimmy.
‘Imagination,’ said Crake, ‘Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds - in a lean season they cut down on the eggs, or they don’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.’
‘As a species we’re doomed by hope then?’
‘You could call it hope. That, or desperation.’
‘But we’re doomed without hope, as well,’ said Jimmy.
‘Only as individuals,’ said Crake cheerfully.
‘Well, it sucks.’
‘Jimmy, grow up.’
Crake wasn’t the first person who ever said that to Jimmy.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
I always thought I wasn't afraid to die. No... no one is afraid of death itself. Your pain and suffering is over in an instant. What really makes me suffer... Is seeing you crying over me... From the darkness of the Milky Way.
I'm sorry... Please don't make that face. You look best shdn you're smiling, you know.
”
”
Inio Asano (Solanin (Solanin, #1-2))
“
So far, you have read of the deaths of 557,017 people – one of whom was killed by a streetcar, one of whom died of bronchitis and one of whom died in a barn with her rabbits.
”
”
Timothy Findley (The Wars)
J.D. Robb (Down the Rabbit Hole (In Death, #41.5))
“
Fucking this girl was like playing footsie with the grim reaper. Undeniably dangerous. Addicting, too, when near death felt this good.
”
”
Aiden Pierce (Prey for Rabbit (Holiday Horrors))
“
You going to the game tonight?"
I was about to answer,but another voice rang out from just behind me.
"She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it.
"Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever.
But now he was here. It was my waist he held. It didn't seem real.
"I can't carry the team to victory without you," he said. "You're my rabbit's foot."
I craned my neck around to look at him. "I've always dreamed of some guy saying that to me."
He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered.
"It doesn't take much. We're in the middle of the hallway."
"You want to know what else I love?" His tone was playful.
"No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered.
"That."
I could feel his smile against my ear. Jack was always smiling.It was what made him so likable.
By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk.
Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us.
"Uh-oh," I said.
Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback.
"Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?"
I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal.
We hadn't even been together then.
It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing.
Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Inside, upstairs, where the planes are met, the spaces are long and low and lined in tasteful felt gray like that cocky stewardess's cap and filled with the kind of music you become aware of only when the elevator stops or when the dentist stops drilling. Plucked strings, no vocals, music that's used to being ignored, a kind of carpet in the air, to cover up a silence that might remind you of death.
”
”
John Updike (Rabbit at Rest (Rabbit Angstrom, #4))
“
Why do we sometimes suffer from grief over loved ones or defeat in our own lives?" asked the Rabbit.
The Eagle replied: "The path to serenity is paved by adversity. Hardship makes us endure tragedy or setbacks. There is no content ending to anyone's story since we all inherit the same fault in the conclusion of our own breath. While one story will end in happiness, the other will end in terrible heartache; and it is you who decides the life you truly deserve.
”
”
D.L. Lewis
“
I can even see that little flourish he often does with his hand. The one that looks like a magician pulling a rabbit out of a hat, only the rabbit is your dignity and the hat is him slowly strangling it to death in front of you. Certainly
”
”
Charlotte Stein (The Professor (Cold Hearts Book 2))
“
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
”
”
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
“
Harry, I’m sorry for whatever pain this is causing you, truly sorry, but it’s very important that at this point in our lives we don’t let guilt feelings motivate us. I’m trying to look honestly into myself, too see who I am, and where I should be going. I want us both, Harry, to come to a decision we can live with. It’s the year nineteen sixty-nine and there’s no reason for two mature people to smother each other to death simply out of inertia. I’m searching for a valid identity and I suggest you do the same.
”
”
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
“
When your body is clear there is control. When your body is clear you can choose whom to let in. There is love everywhere.
Please cradle my rabbit heart. Please navigate yourself around me well. I know too much. I can recognize darkness because he is my brother, my maker. I can drink lightness because it is the only way to survive. I can shut off my heart but that leads to evil, so I express her and revel in the nuance of blood currents, and the sacred demons. I fear and quake with my eyes darting fight or flight love or die. The lightning comes from below this time and rips out of my throat for the world to see. They all see my rabbit and I have trained her to hunt. In her perfect glory she is shy and extroverted, chaste and perverted, my sweet near-death more alive than ever. Take her. Take me while I am ripe and open, rub berries on my lips and bear fat in my hair. Tattoo me with a needle and impale me with your warmth. Heal me, fuck me, and work my heart till she beats strong and unafraid. Haunches bared, teeth sharpened, wide-eyed and aware. Hurry. I want to feel safe.
”
”
Tanya Tagaq (Split Tooth)
“
I thought this is how it would be if the sun died. The gentle shutting down of an organ; sleepy no longer working. No explosion at the end of life just the slow disintegration into darkness where life as we know it never wakes up because nothing reminds us that we have to.
”
”
Sarah Winman (When God Was a Rabbit)
“
The moon rises. The red cubs rolling
In the ferns by the rotten oak
Stare over a marsh and a meadow
To the farm's white wisp of smoke.
A spark burns, high in heaven.
Deer thread the blossoming rows
Of the old orchard, rabbits
Hop by the well-curb. The cock crows
From the tree by the widow's walk;
Two stars in the trees to the west,
Are snared, and an owl's soft cry
Runs like a breath through the forest.
Here too, though death is hushed, though joy
Obscures, like night, their wars,
The beings of this world are swept
By the Strife that moves the stars.
”
”
Randall Jarrell
“
But most of all I wrote about him - now called Max - my brother, our friend, missing now for 10 days. And I wrote about what I’d lost that morning. The witness of my soul, my shadow in childhood when dreams were small and attainable for all. When sweets were a penny and God was a rabbit.
”
”
Sarah Winman (When God Was a Rabbit)
“
I dont know why
I put the china rabbit
In my suitcase and
Brought her to Ireland
I sit her on this table
Looking at me
As I write this
There are things
That we hold on
We hold on tightly
Time can pass
And years go by
And these things
And these objects
And these people
And these ideas
That we held so tightly
We have to let them go
We hold them in
Hold them down to be
Who we think they are
What we want them to be and what they mean to us and holding on to people
Like old ideas and bad habits
Or like china rabbits
Now we don't need to be
Doing that now
Do we.
”
”
Salena Godden (Mrs Death Misses Death)
“
The two boys had come along and found the rabbit dying by the bank. The breeze was up a little and it was nice because it had been dry for so long, and still, and the rabbit was wet and matted like a cloth, like a dog when it gets wet. At first they thought it was dead. It had the shapelessness of meat.
”
”
Cynan Jones (The Long Dry)
“
..and of AIDS. The virus too small to imagine travelling through our fluids, even a drop or two of saliva or cunt slime, and unlocking our antibodies with its little picks, so that our insides lose their balance and we topple into pneumonia, into starvation. Love and death, they can't be pried apart anymore.
”
”
John Updike (Rabbit at Rest (Rabbit Angstrom, #4))
“
Sam studied his brother. At one time he thought Frankie had a good head on his shoulders. Sure, he had a temper. And he was conceited. But he always used common sense. But now he wasn’t so sure if that were true. He had brought him his lifeless fiancé. Like a dog dragging in a dead rabbit looking for praise.
”
”
Holly Hood
“
He will lift up the limp bodies of the rabbits and show me how he caught them square between the eyes, and the bright bodies of male and female pheasants with shot in the breast and their necks hanging broken and their eyes half open in the voluptuous death he loves. He will be a knife leaning above me as he kisses me.
”
”
Meridel Le Sueur (Harvest)
“
I was six when I first saw kittens drown.
Dan Taggart pitched them, ‘the scraggy wee shits’,
Into a bucket; a frail metal sound,
Soft paws scraping like mad. But their tiny din
Was soon soused. They were slung on the snout
Of the pump and the water pumped in.
‘Sure isn’t it better for them now?’ Dan said.
Like wet gloves they bobbed and shone till he sluiced
Them out on the dunghill, glossy and dead.
Suddenly frightened, for days I sadly hung
Round the yard, watching the three sogged remains
Turn mealy and crisp as old summer dung
Until I forgot them. But the fear came back
When Dan trapped big rats, snared rabbits, shot crows
Or, with a sickening tug, pulled old hens’ necks.
Still, living displaces false sentiments
And now, when shrill pups are prodded to drown,
I just shrug, ‘Bloody pups’. It makes sense:
‘Prevention of cruelty’ talk cuts ice in town
Where they consider death unnatural,
But on well-run farms pests have to be kept down.
”
”
Seamus Heaney (Death of a Naturalist)
“
He said that dogs were not loyal but servile, that cats were opportunists and traitors, that peacocks were heralds of death, that macaws were simply decorative annoyances, that rabbits fomented greed, that monkeys carried the fever of lust, and that roosters were damned because they had been complicit in the three denials of Christ.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
The rabbits and chickens lived in the courtyard space at the far end of the big two-story guardhouse. Everything wooden, the fences, the wall, the hutches on their stilts, was painted dark green, a flat ugly color against the complex natural greens of the cactus and the hedges and the trees. Trotsky put on his work gloves—he was very finicky about his hands—and got the rabbits out of their hutches, looking over each one for ticks or skin problems or signs of hairballs. He had read up on rabbit food and designed their diets himself, and learned about their diseases and habits, as absorbed in this task, as precise and methodical, as he had been in building the Red Army.
”
”
Cecelia Holland (The Death of Trotsky (Kindle Single))
“
And they were always young, Air Corps pilots and ensigns, and good-looking girls in fur coats, and always the government secretary or two, the working girl as a carry-over from the fraternity parties when she was always the girl who could be made because in some mysterious way the women of the lower classes could be depended upon to copulate like jack rabbits. And they all knew they were going to die soon with a sentimental and unstated English attitude which was completely phony. It came from books they had never read, and movies they shouldn’t have seen; it was fed by the tears of their mothers, and the knowledge quite shocking, quite unbelievable, that a lot of them did die when they went overseas. Its origins were spurious; they never could connect really the romance of their impending deaths with the banal mechanical process of flying an airplane and landing and living in the barren eventless Army camps that surrounded their airfields. But nevertheless they had discovered it was a talisman, they were going to die soon, and they wore it magically until you believed in it when you were with them. And they did magical things like pouring whisky on each other’s hair, or setting mattresses afire, or grabbing hats on the fly from the heads of established businessmen. Of all the parties those were perhaps the best, but he had come to them too old.
”
”
Norman Mailer (The Naked and the Dead)
“
I want to love somebody because I want to be loved. In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of the wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
But there is a limit, and beyond it one is no longer willing, one finds it too repulsive, to be a reasonable little rabbit. And that is the limit beyond which rabbits are enlightened by the common understanding that all rabbits are foredoomed to become only meat and pelts, and that at best, therefore, one can gain only a postponement of death and not life in any case.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago, Volume I)
“
For I had extorted from Françoise, who though opposed to war was cruel, that she would cause no undue suffering to the rabbit which she had to kill, and I had had no report yet of its death. Françoise assured me that it had passed away as peacefully as could be desired, and very swiftly. “I have never seen a beast like it; it died without uttering a word; you would have thought it was dumb.
”
”
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
“
As you take the stairs down, away from the scanning department, you feel the notion, the idea of the child leaving you with each step. You feel its fingers loosening, disentangling themselves from yours. You sense its corporeality disintegrating, becoming mist. Gone is the child with blond or dark or auburn hair; gone is the person they might have been, the children they themselves might have had. Gone is that particular coded mix of your and your husband’s genes. Gone is the little brother or sister you pictured for your son. Gone is the knitted rabbit, wrapped and ready in tissue paper, pushed to the back of a cupboard, because you cannot bring yourself to throw it out or give it away. Gone are your plans for and expectations of the next year of your life. Instead of a baby, there will be no baby.
”
”
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
“
We might treat a rabbit as a pet or become emotionally attached to a goose, but we had come from cities and supermarkets, where flesh was hygienically distanced from any resemblance to living creatures. A shrink-wrapped pork chop has a sanitized, abstract appearance that has nothing whatever to do with the warm, mucky bulk of a pig. Out here in the country there was no avoiding the direct link between death and dinner.
”
”
Peter Mayle (A Year in Provence (Provence, #1))
“
It all got too busy, suddenly. Troops were getting into battles at the Moro Bridge and then into Urbino. Maybe in Urbino I stopped. You felt you could be shot any time there, not just if you were a soldier, but a priest or a nurse. It was a rabbit warren, those narrow tilted streets. Soldiers were coming in with just bits of their bodies, falling in love with me for an hour and then dying. It was important to remember their names. But I kept seeing the child whenever they died. Being washed away. Some would sit up and rip all their dressings off trying to breathe better. Some would be worried about tiny scratches on their arms when they died. Then the bubble in the mouth. That little pop. I leaned forward to close a dead soldier’s eyes, and he open them and sniggered, “Can’t wait to have me dead? You bitch!” He sat up and swept everything on my tray to the floor. So furious. Who would want to die like that? To die with that kind of anger. You bitch! After that I always waited for the bubble in their mouths. I know death now, David. I know all the smells, I know how to divert them from agony. When to give the quick jolt of morphine in a major vein. The saline solution. To make them empty their bowels before they die. Every damn general should have had my job. Every damn general. It should have been a pre-requisite for any river crossing. Who the hell were we to be given this responsibility, expected to be wise as old priests, to know how to lead people towards something no one wanted and somehow make them feel comfortable. I could never believe in all those services they gave for the dead. Their vulgar rhetoric. How dare they! How dare they talk like that about a human being dying.
”
”
Michael Ondaatje (The English Patient)
“
Art is two parts agency and one part inner heat. The artist loves going down rabbit holes, working toward and against something at the same time, translating sensory and extrasensory impressions that all have their own sovereignty or joy, each of them on a journey to bring something back from a personal underworld, to build a new body out of disparate parts and materials. In this way, art is something like an undoing of death.
”
”
Jerry Saltz (Art Is Life: Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night)
“
Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t act like that. Take birds - in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
Poor old Nixon, even his own commissions beat on him. What the hell can he do? He can’t go into every ghetto and fix the plumbing himself. He can’t give every copped-out junkie a million dollars and a Ph.D. Nixon, who’s Nixon? He’s just a typical flatfooted Chamber of Commerce type who lucked his way into the hot seat and is so dumb he thinks it’s good luck. Let the poor bastard alone, he’s trying to bore us to death so we won’t commit suicide.
”
”
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
“
But in the Petit Palais, which Daphne had not visited in thirty years, Roland had what she liked to call ‘a moment’. He retired early from the paintings and waited in the main hall. After she had joined him and they were walking away he let rip. He said that if he ever had to look at one more Madonna and Child, Crucifixion, Assumption, Annunciation and all the rest he would ‘throw up’. Historically, he announced, Christianity had been the cold dead hand on the European imagination. What a gift, that its tyranny had expired. What looked like piety was enforced conformity within a totalitarian mind-state. To question or defy it in the sixteenth century would have been to take your life in your hands. Like protesting against Socialist Realism in Stalin’s Soviet Union. It was not only science that Christianity had obstructed for fifty generations, it was nearly all of culture, nearly all of free expression and enquiry. It buried the open-minded philosophies of classical antiquity for an age, it sent thousands of brilliant minds down irrelevant rabbit holes of pettifogging theology. It had spread its so-called Word by horrific violence and it maintained itself by torture, persecution and death. Gentle Jesus, ha! Within the totality of human experience of the world there was an infinity of subject matter and yet all over Europe the big museums were stuffed with the same lurid trash. Worse than pop music. It was the Eurovision Song Contest in oils and gilt frames. Even as he spoke he was amazed by the strength of his feelings and the pleasure of release. He was talking – exploding – about something else. What a relief it was, he said as he began to cool down, to see a representation of a bourgeois interior, of a loaf of bread on a board beside a knife, of a couple skating on a frozen canal hand in hand, trying to seize a moment of fun ‘while the fucking priest wasn’t looking. Thank God for the Dutch!
”
”
Ian McEwan (Lessons)
“
Well, there’s another place, another country, isn’t there? We go there when we sleep; at other times, too; and when we die. El-ahrairah comes and goes between the two as he wants, I suppose, but I could never quite make that out, from the tales. Some rabbits will tell you it’s all easy there, compared with the waking dangers that they understand. But I think that only shows they don’t know much about it. It’s a wild place, and very unsafe. And where are we really- there or here?
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
I want to sit around a Gypsy campfire, eating freshly caught rabbit in the company of bare knuckle fighters, and listen to stories about their fights. I want to sit with King Arthur and the Knights of the Round Table after they’ve defeated the barbarians in battle. I want to be there when Arthur pulls Excalibur from the stone, and I want to be surrounded by dragons, wizards and sorcerers. I want to meet the Muslim leader, Saladin, who occupied Jerusalem in 1187, and despite the fact that a number of holy Muslim places had been violated by Christians, preferred to take Jerusalem without bloodshed. He prohibited acts of vengeance, and his army was so disciplined that there were no deaths or violence after the city surrendered. I want to sit around the desert campfire with him.
I want to drink with Caribbean buccaneers of the 17th century and listen to their tales of preying on shipping and Spanish settlements. I want to witness Celtic Berserkers fighting in ritual warfare in a trance-like fury. I want to spend time working on a scrap cruise, the very last cruise before the ship’s due to be scrapped, so there’s no future in it, and it attracts all the mad faces of the Merchant Navy. Faces that are known in that industry, who couldn’t survive outside ‘the life’ and who for the most part are quite dangerous and mad themselves. I’d rather have one friend who’ll fight like hell over ten who’ll do nothing but talk shit. And I want to ride with highwaymen on ribbons of moonlight over the purple moor.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
There is no place left for the buffalo to roam. There’s only corn, wheat, and soy. About the only animals that escaped the biotic cleansing of the agriculturalists are small animals like mice and rabbits, and billions of them are killed by the harvesting equipment every year. Unless you’re out there with a scythe, don’t forget to add them to the death toll of your vegetarian meal. They count, and they died for your dinner, along with all the animals that have dwindled past the point of genetic feasibility.
”
”
Lierre Keith (The Vegetarian Myth: Food, Justice, and Sustainability (Flashpoint Press))
“
was a teenager she’d bought a red clay Buddha in a charity shop, and when her mother asked her why she wanted it, she told her she preferred to look at a fat god laughing rather than a skinny one dying. Rabbit never needed to believe in any god to marvel at the world, to feel joy, hope, love and contentment. Rabbit lived in the moment. She didn’t know what came next, nor did she care. It was likely that death meant a full stop and that didn’t scare her. In fact, when she thought about it, the notion of eternity was far more worrying
”
”
Anna McPartlin (The Last Days of Rabbit Hayes)
“
That’s the way of pure math; you need a PhD in the subject to even have a hope of crawling into the specific rabbit hole that a mathematician inhabits. And an individual project—a lifetime of work—may very well appear to non-mathematicians to be pointless, a piece of exquisite but inapplicable math work. It could turn out to be extremely valuable but not until years after your death, in a field you couldn’t have dreamed into existence. Pure math is the stuff of dreams, strands of gossamer built to be thrown to smarter men in the future.
”
”
Ann Napolitano (Dear Edward)
“
I displayed from my earliest years the greatest sensibility of disposition. I cannot say with what passion I loved every thing even the inanimate objects that surrounded me. I believe that I bore an individual attachment to every tree in our park; every animal that inhabited it knew me and I loved them. Their occasional deaths filled my infant heart with anguish. I cannot number the birds that I have saved during the long and severe winters of that climate; or the hares and rabbits that I have defended from the attacks of our dogs, or have nursed when accidentally wounded.
”
”
Mary Wollstonecraft Shelley
“
I’m not sure what I believe, I say, sharply. No one deserves to go through this. That’s all I know. You’re lovely.
I leave the room. I take my rage out on the kettle and cutlery drawer. The nurses can hear me make the tea, fucking London can hear me make the tea. Onto a plate, I pile biscuits that I don’t even feel like eating, and return to his room.
How are you with food? I ask him.
Not too good right now, he says.
These are mine then, I say, and I sit down and place the chocolate bourbons on my lap.
You’ll get fat, he says.
I am fat, and I lift up my jumper. This wasn’t here yesterday, I say. This is trespassing.
”
”
Sarah Winman (When God was a Rabbit / A Year of Marvellous Ways / Tin Man)
“
to die a thousand painful deaths.” Kat nodded, saying, “And that’s not even the worst part. He put her on the back of his unicorn and rode off into the rainbow. He’s never taken me to a rainbow.” Wait. “What are you talking about?” “My dream last night,” she said easily, then sipped her hot chocolate. “Your dream.” Reeve shook her head. “You’re more mad at him than ever because of a dream?” “Hey! I always behave myself in dreams,” she said. “He should, too. And if he can’t, he needs to apologize with more than my favorite flowers.” “He actually brought you flowers?” Stunned, I blinked at her. “For what he did in a dream?
”
”
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
“
No set of numbers can tell the whole story, but when it comes to the annual slaughter of farmed animals, the numbers have such an oppressive weight that they can easily overwhelm the stories behind them: 69 billion chickens, 1.5 billion pigs, 656 million turkeys, 574 million sheep, 479 million goats and 302 million cows. In total, 72.5 billion farmed animals were killed for human consumption in 2018. Ten times the global human population, slaughtered every year. Nor does this number include the ducks, rabbits, horses, geese, kangaroos, bison and other land animals killed so that we can eat their meat, And what about the fishes?
”
”
Jo-Anne McArthur (Hidden: Animals in the Anthropocene)
“
He was going for those Reagan Democrats,” Joe continues explaining. “Except there aren’t any Reagan Democrats, there’re just cut-and-dried rednecks. Now that I’m down south here, I understand better what it’s all about. It’s all about blacks. One hundred thirty years after Abe Lincoln, the Republicans have got the anti-black vote and it’s bigger than any Democratic Presidential candidate can cope with, barring a massive depression or a boo-boo the size of Watergate. Ollie North doesn’t do it. Reagan being an airhead didn’t do it. Face it: the bulk of this country is scared to death of the blacks. That’s the one gut issue we’ve got.
”
”
John Updike (Rabbit at Rest (Rabbit Angstrom #4))
“
But Spitz, cold and calculating even in his supreme moods, left the pack and cut across a narrow neck of land where the creek made a long bend around. Buck did not know of this, and as he rounded the bend, the frost wraith of a rabbit still flitting before him, he saw another and larger frost wraith leap from the overhanging bank into the immediate path of the rabbit. It was Spitz. The rabbit could not turn, and as the white teeth broke its back in mid air it shrieked as loudly as a stricken man may shriek. At sound of this, the cry of Life plunging down from Life’s apex in the grip of Death, the fall pack at Buck’s heels raised a hell’s chorus of delight.
”
”
Jack London (The Call of the Wild)
“
And I've been counting and recounting all the finite experiences that it never seemed to matter at all: riding on a subway, getting sand in my shoes at the beach, being woken up by the sound of a neighbor's barking dog.
Because do you ever look at your life and say, hey, how many more times will I ever pack a suitcase for a trip, or write my name with a mechanical pencil, or use a tape measure?
Every experience we have, everything is finite. That’s what it is to be human - because everything we do, or don't do but think about doing, is strained through our awareness of limits. Maybe there was some comfort, some beauty, in being a cog where the infinite was feasible.
”
”
Andrew Smith
“
My friend David Kritchevsky, who was probably the leading researcher in this area until his death, found40 that “protein of animal origin is more cholesterolemic [leading to higher cholesterol in the bloodstream] and atherogenic [contributing to heart disease] than protein of plant origin for rabbits,” citing several studies41—a distinction between types of protein that was first noted in regard to atherosclerosis more than sixty years ago.42 He found the same to be true for humans, as well.43 We observed a similar distinction between soy and casein protein (the principle protein in milk) in my lab when they were compared in our studies on experimental cancer with rats.
”
”
T. Colin Campbell (The Low-Carb Fraud)
“
He smiled, and some of the knots in my stomach loosened. He would keep my secret.
Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching.
“Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.”
“Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?”
I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets.
“How do you know about my mom?” I croaked out.
“I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.”
I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears.
“It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.”
His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him.
“I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.”
“Do you really mean that?” he whispered.
“I do.”
Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat.
Then I pulled my hand out from under his and stepped away.
Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him.
But I couldn’t.
Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
You smell nice,’ she said.
‘Chanel,’ he said.
‘Wasted on you,’ she said and he reached into his bag and pulled out an almond tart.
‘Look what I’ve got,’ he said triumphantly as he lowered it under her nose.
‘Almonds,’ she said, ‘just like Paris.’
‘For us to share,’ he said, ‘just like Paris.’
I never knew if she had any real appetite or not for she hadn’t eaten solids for days. But he broke a piece off and held it to her mouth and she ate hungrily for it was the memory she was tasting again and the memory tasted good.
I moved a chair close to the bed for him and he sat down and held her hand. his own death he’d made peace with years ago but everyone else’s still frightened him and so he held her hand to not let her go. He held her hand because he wasn’t ready to let her go.
”
”
Sarah Winman (When God Was a Rabbit)
“
In a flash Buck knew it. The time had come. It was to the death. As they circled about, snarling, ears laid back, keenly watchful for the advantage, the scene came to Buck with a sense of familiarity. He seemed to remember it all, — the white woods, and earth, and moonlight, and the thrill of battle. Over the whiteness and silence brooded a ghostly calm. There was not the faintest whisper of air — nothing moved, not a leaf quivered, the visible breaths of the dogs rising slowly and lingering in the frosty air. They had made short work of the snowshoe rabbit, these dogs that were ill-tamed wolves; and they were now drawn up in an expectant circle. They, too, were silent, their eyes only gleaming and their breaths drifting slowly upward. To Buck it was nothing new or strange, this scene of old time. It was as though it had always been, the wonted way of things.
”
”
Jack London (The Call of the Wild)
“
Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
While being intensely observed, I was forced to watch as the boy was first tortured with cigarette burns and threats of death, then forced to kill his dog with a knife. Afterward, sobbing and terrified, he was tied to the chair. I was told he was weak and therefore unworthy to live. As a tribute to me, I was ordered to kill him and release him from his life bonds. Saying “no” under such circumstances, especially as a child, was not an option, but even so I found myself unable to commit such an act. I complained that I couldn’t do it because he was looking at me, my hope being that my excuse would excuse me from committing murder. The men were not to be daunted. Grabbing hold of the boy’s head, proclaiming they were doing it in my honor, they removed his eyes with a scalpel. I still hear the boy’s screams. Once they realized that the screams were bothering me, they removed his tongue. The sounds of his gurgling screams were finally enough; I plunged the knife handed to me into his chest.
”
”
David Shurter (Rabbit Hole: A Satanic Ritual Abuse Survivor's Story)
“
Physician, professor, and author Atul Gawande tells of a doctor working at a nursing home who persuaded its administrator to bring in dogs, cats, parakeets, a colony of rabbits, and even a group of laying hens to be cared for by the residents. The results were significant. “The residents began to wake up and come to life. People who we had believed weren’t able to speak started speaking. … People who had been completely withdrawn and nonambulatory started coming to nurses’ station and saying, ‘I’ll take the dog for a walk.’ All the parakeets were adopted and named by the residents.”5 The use and need for psychotropic drugs for agitation dropped significantly, to 38 percent of the previous level. And “deaths fell 15 percent.” Why? The architect of these changes concluded, “I believe that the difference in death rates can be traced to the fundamental human need for a reason to live.”6 Gawande goes on to ask “why simply existing—why being merely housed and fed and safe and alive—seems empty and meaningless to us. What more is it that we need in order to feel that life is worthwhile? The answer … is that we all seek a cause beyond ourselves.
”
”
Timothy J. Keller (Making Sense of God: An Invitation to the Sceptical)
“
Christopher Robin
[In April of 1996 the international press carried the news of the death, at age seventy-five, of Christopher Robin Milne, immortalized in a book by his father, A.A. Milne, Winnie-the-Pooh, as Christopher Robin.]
I must think suddenly of matters too difficult for a bear of little brain. I have never asked myself what lies beyond the place where we live, I and Rabbit, Piglet and Eeyore, with our friend Christopher Robin. That is, we continued to live here, and nothing changed, and I just ate my little something. Only Christopher Robin left for a moment.
Owl says that immediately beyond our garden Time begins, and that it is an awfully deep well. If you fall in it, you go down and down, very quickly, and no one knows what happens to you next. I was a bit worried about Christopher Robin falling in, but he came back and then I asked him about the well. 'Old bear,' he answered. 'I was in it and I was falling and I was changing as I fell. My legs became long, I was a big person, I grew old, hunched, and I walked with a cane, and then I died. It was probably just a dream, it was quite unreal. The only real thing was you, old bear, and our shared fun. Now I won't go anywhere, even if I'm called in for an afternoon snack.
”
”
Czesław Miłosz (Road-side Dog)
“
Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.”
“How do you account for that?” said Jimmy.
“Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.”
“As a species we’re doomed by hope, then?”
“You could call it hope. That, or desperation.”
“But we’re doomed without hope, as well,” said Jimmy.
“Only as individuals,” said Crake cheerfully.
“Well, it sucks.”
“Jimmy, grow up.”
Crake wasn’t the first person who’d ever said that to Jimmy.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
You look... refreshed,' Lucien observed with a glance at Tamlin. I shrugged. 'Sleep well?'
'Like a babe.' I smiled at him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck.
'What is that bruise?' Lucien demanded.
I pointed with my fork at Tamlin. 'Ask him. He did it.'
Lucien looked from Tamlin to me and then back again. 'Why does Feyre have a bruise on her neck from you?' he asked with no small amount of amusement.
'I bit her,' Tamlin said, not pausing as he cut his steak. 'We ran into each other in the hall after the Rite.'
I straightened in my chair.
'She seems to have a death wise,' he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad- furious at my foolishness for leaving my room- but somehow managed to keep his anger on a tight, tight leash. 'So, if Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences.'
'Accountable?' I sputtered, placing my hands flat on the table. 'You cornered me in the hall like a wolf with a rabbit!'
Lucien propped an arm on the table and covered his mouth with his hand, his russet eye bright.
'While I might not have been myself, Lucien and I both told you to stay in your room,' Tamlin said, so calmly that I wanted to rip out my hair.
I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. 'Faerie pig!' I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left.
It took me a couple of hours to stop painting little portraits of Tamlin and Lucien with pigs' features. But as I finished the last one- Two faerie pigs wallowing in their own filth, I would call it- I smiled into the clear, bright light of my private painting room. The Tamlin I knew had returned.
And it made me... happy.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
How many rapes occurred inside the walls of the main camp of Ravensbrück is hard to put a figure to: so many of the victims—already, as Ilse Heinrich said, half dead—did not survive long enough after the war to talk about it.
While many older Soviet women were reluctant to talk of the rape, younger survivors feel less restraint today. Nadia Vasilyeva was one of the Red Army nurses who were cornered by the Germans on the cliffs of the Crimea. Three years later in Neustrelitz, northwest of Ravensbrück, she and scores of other Red Army women were cornered again, this time by their own Soviet liberators intent on mass rape. Other women make no excuses for the Soviet rapists. ‘They were demanding payment for liberation,’ said Ilena Barsukova. ‘The Germans never raped the prisoners because we were Russian swine, but our own soldiers raped us. We were disgusted that they behaved like this. Stalin had said that no soldiers should be taken prisoner, so they felt they could treat us like dirt.’
Like the Russians, Polish survivors were also reluctant for many years to talk of Red Army rape. ‘We were terrified by our Russian liberators,’ said Krystyna Zając. ‘But we could not talk about it later because of the communists who had by then taken over in Poland.’ Nevertheless, Poles, Yugoslavs, Czechs and French survivors all left accounts of being raped as soon as they reached the Soviet lines. They talked of being ‘hunted down’, ‘captured’ or ‘cornered’ and then raped.
In her memoirs Wanda Wojtasik, one of the rabbits, says it was impossible to encounter a single Russian without being raped. As she, Krysia and their Lublin friends tried to head east towards their home, they were attacked at every turn. Sometimes the approach would begin with romantic overtures from ‘handsome men’, but these approaches soon degenerated into harassment and then rape. Wanda did not say she was raped herself, but describes episodes where soldiers pounced on friends, or attacked them in houses where they sheltered, or dragged women off behind trees, who then reappeared sobbing and screaming. ‘After a while we never accepted lifts and didn’t dare go near any villages, and when we slept someone always stood watch.
”
”
Sarah Helm (Ravensbruck: Life and Death in Hitler's Concentration Camp for Women)
“
May God’s people never eat rabbit or pork (Lev. 11:6–7)? May a man never have sex with his wife during her monthly period (Lev. 18:19) or wear clothes woven of two kinds of materials (Lev. 19:19)? Should Christians never wear tattoos (Lev. 19:28)? Should those who blaspheme God’s name be stoned to death (Lev. 24:10–24)? Ought Christians to hate those who hate God (Ps. 139:21–22)? Ought believers to praise God with tambourines, cymbals, and dancing (Ps. 150:4–5)? Should Christians encourage the suffering and poor to drink beer and wine in order to forget their misery (Prov. 31:6–7)? Should parents punish their children with rods in order to save their souls from death (Prov. 23:13–14)? Does much wisdom really bring much sorrow and more knowledge more grief (Eccles. 1:18)? Will becoming highly righteous and wise destroy us (Eccles. 7:16)? Is everything really meaningless (Eccles. 12:8)? May Christians never swear oaths (Matt. 5:33–37)? Should we never call anyone on earth “father” (Matt. 23:9)? Should Christ’s followers wear sandals when they evangelize but bring no food or money or extra clothes (Mark 6:8–9)? Should Christians be exorcising demons, handling snakes, and drinking deadly poison (Mark 16:15–18)? Are people who divorce their spouses and remarry always committing adultery (Luke 16:18)? Ought Christians to share their material goods in common (Acts 2:44–45)? Ought church leaders to always meet in council to issue definitive decisions on matters in dispute (Acts 15:1–29)? Is homosexuality always a sin unworthy of the kingdom of God (1 Cor. 6:9–10)? Should unmarried men not look for wives (1 Cor. 7:27) and married men live as if they had no wives (1 Cor. 7:29)? Is it wrong for men to cover their heads (1 Cor. 11:4) or a disgrace of nature for men to wear long hair (1 Cor. 11:14)? Should Christians save and collect money to send to believers in Jerusalem (1 Cor. 16:1–4)? Should Christians definitely sing psalms in church (Col. 3:16)? Must Christians always lead quiet lives in which they work with their hands (1 Thess. 4:11)? If a person will not work, should they not be allowed to eat (2 Thess. 3:10)? Ought all Christian slaves always simply submit to their masters (reminder: slavery still exists today) (1 Pet. 2:18–21)? Must Christian women not wear braided hair, gold jewelry, and fine clothes (1 Tim. 2:9; 1 Pet. 3:3)? Ought all Christian men to lift up their hands when they pray (1 Tim. 2:8)? Should churches not provide material help to widows who are younger than sixty years old (1 Tim. 5:9)? Will every believer who lives a godly life in Christ be persecuted (2 Tim. 3:12)? Should the church anoint the sick with oil for their healing (James 5:14–15)? The list of such questions could be extended.
”
”
Christian Smith (The Bible Made Impossible: Why Biblicism is Not a Truly Evangelical Reading of Scripture)
“
The future Buddha was once born as a rabbit, who vowed that he would give his own flesh to any beggar who came to him, in order to protect the beggar from having to break the moral law by taking animal life. To test him, Indra, the Hindu king of the gods, took the form of a Brahmin and came to him; the rabbit offered to throw himself into a fire and roast himself so that the Brahmin could eat him. Indra conjured up a magical fire; when the rabbit—who first shook himself three times so that any insects that might be on his body would escape death—threw himself into the fire, it turned icy cold. Indra then revealed his identity as Indra, and so that everyone would know of the rabbit’s virtue, he painted the sign of a rabbit on the orb of the moon.
”
”
Wendy Doniger (The Hindus: An Alternative History)
“
I’m sorry I accidentally knocked my desk over on you and you thought I did it on purpose. This wouldn’t have happened if I hadn’t drawn a picture of you being eaten by sharks. Now that I’ve had some time to think about it, I think I would have rather drawn a picture of you buried up to your necks in sand, surrounded by deadly fire ants. What I have learned from this experience is that if I ever want to draw pictures of my classmates dying painful deaths, I should do it at home so I can pin the picture to the corkboard in my bedroom and admire it any time I want.
”
”
Rachel Elizabeth Cole (The Rabbit Ate My Homework)
“
You will wear what I choose, do what I choose," he said in a silken voice. "You know that, don't you?"
She wanted to agree. She wanted to do anything to get him to move away from her, release her from his impaling gaze. She felt like a hunted rabbit caught in a snare, facing the inexorable death in her hunter's eyes.
But she couldn't. She couldn't cower and waffle and let him know how very much he terrorized her. "And elf I refuse?" Her voice quavered slightly, but at least she fought.
The dress was very low-cut, exposing a great deal of her chest. Her tangled red hair lay around her shoulders, and he picked up a strand, running it between his long, bejeweled fingers like a merchant testing silk. And then he brushed it slowly across the exposed swell of her breast.
She couldn't control her start of shock at the subtle caress. It shouldn't have affected her, it was only her own lamentably red hair, yet the touch against her soft skin was shocking, arousing, and she made a frightened little noise.
"You won't refuse, Emma," he said softly, repeating the caress. "You're a very clever child, far too wise for your own good. You know when you can win a battle, and you know when the price of putting up a fight is too high. You'll wear what I want you to wear. Won't you?" For a third time the lock of hair danced across her breast, dipping below the décolletage to slip inside the bodice of the dress. Emma wanted to scream.
Instead she bit her lip. "For now," she said, amazed that her voice didn't shake. She kept her expression stonily unmoved, but he was too observant to miss the rapid rise and fall of her chest, the heightened color of her cheeks. Doubtless he would make of it what he wanted.
”
”
Anne Stuart (To Love a Dark Lord)
“
You’re selfish,” I spat. “You ruined my grieving chart. You distracted us from Mom’s death with your stupid sleepwalking, and now we’re going to be in mourning forever.” I pulled her hair harder.
”
”
Annie Hartnett (Rabbit Cake)
“
Lowering the book to my lap, I smoothed my palm over the hard, glossy surface as I thought about the Skin Horse's words. They could be interpreted in so many ways. To me, they were all about letting go of the fear of being imperfect. Accepting that it was okay to be wanted and needed and loved, to be heard and seen.
Rider and I were a lot like the little boy and the rabbit who wanted to be real. Both of us spent so long relying on only each other. We'd been tossed aside, unwanted. And we wanted nothing more than to be cherished, treasured and loved. We wanted to feel real. Both of us were afraid of the opposite. To some the opposite was death but to me–to us–it was being stuck forever. Never changing. Never seeing ourselves or others around us differently.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
That's really what all books are, isn't it? I mean, lists of secrets and things you only wish you’d done - a sort of deathbed confession where you're trying to get it all out while the lights are still on.
”
”
Andrew Smith