R Kelly Quotes

I belive I can fly, I believe I can touch the sky.

A small piece of me still believed in hope. However minute or unattainable hope seemed, I wanted the childlike wonder. “I want you to love me. I need someone who needs me. But most of all, I know you understand me, and I crave that bond so much that when I’m with you, it’s all I feel. It consumes me. Fires me. Eats at my fine tuned control until there is nothing left of me, but the feel of you in my bones.

You have scars, but they don’t have you.” I’m not sure if either of us is breathing anymore. “And you, Riley fucking Kelly, are beautiful in a way that’d make the constellations weep.

The constant drumbeat of stories of sexual assault—from R. Kelly to our own goddamn president—keep me in a constant state of postrape PTSD. Some days, I feel like I have to hold my breath just to read the news so I can get through it and on with my workday.

At karaoke night, my ducks always sing Bette Midler's "Wind Beneath My Wings." I mean I do too, because when I try to sing R. Kelly's "I Believe I Can Fly" they boo me off stage.

For God Himself works in our souls, in the deepest depths, taking increasing control as we are progressively willing to be prepared for His wonder.

Totalitarian are the claims of Christ. No vestige of reservation of 'our' rights can remain.

Life is meant to be lived from a Center, a divine Center…Life from the Center is a life of unhurried peace and power. It is simple. It is serene. It is amazing. It is triumphant. It is radiant. It takes no time, but it occupies all our time. And it makes our life programs new and overcoming. We need not get frantic. He is at the helm. And when our little day is done we lie down quietly in peace, for all is well.

Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.

With each daunting step, the armor I’d always worn like a protective cloak unraveled, and my footing faltered.

Marissa came around the corner, looking Grace Kelly-fine as usual. With her long blond hair and her precision-molded face, she was known as the great beauty of the species, and even V, who didn't go for her type, had to show love. "Hello, boys—" Marissa stopped and stared at Butch. "Good… Lord… look at those pants." Butch winced. "Yeah, I know. They're—" "Could you come over here?" She started backing down the hall to their bedroom. "I need you to come back here for a minute. Or ten." Butch's bonding scent flared to a dull roar, and V knew damn well the guy's body was hardening for sex. "Baby, you can have me for as long as you want me." Just as the cop left the living room, he shot a look over his shoulder. "I'm so feeling these leathers. Tell Fritz I want fifty pairs of them. Stat.

Jigga, Kells, Not Guilty

Conner looking at the text he sent Jeff the night before: 8:42pm..Reed:Need you to go to Denver w me. 8:46pm..Jeff: in meeting. give me 1 hr. 8:53pm..Reed: no can do. want wife back. going now. think i cn talk her into it wth sperm. Hell.Please don't let him have called her. 8:53pm..Jeff: R U drinking? 8:55pm..Reed: have wht she wants. solllid plan. better than hers. 8:56pm..Jeff: leaving now. wait 4 me. 9:02pm..Reed: don't worry botu it. 9:02pm..Jeff: WAIT 4 ME. 9:04pm..Jeff: PICKUP YOU PHONE 9:57pm..Jeff: you should stop for drink @ that bar in terminal with the big olives b4 flight. 10:22pm..Reed: hey, UR at the bar. you look pissed.

I pulled myself together and retreated to the coffee shop’s bathroom to refresh. Sol’s eyes caressed my body as I walked away, the soft stroke of a feather up and down my skin, and the attention didn’t make me feel uncomfortable in the least. I smiled as I suddenly realized I’d subconsciously put an extra roll in my hips. Truthfully, it pleased me to think he might be as attracted to me as I was to him.

An old adage warns: If you don't know your history, you will be forever condemned to repeat it. Likewise, if you don't know your science fiction, and heed its warnings, you could condemn the Earth to future catastrophe.

Clarence “Kelly” Johnson was an authentic American genius. He was the kind of enthusiastic visionary that bulled his way past vast odds to achieve great successes, in much the same way as Edison, Ford, and other immortal tinkerers of the past. When Kelly rolled up his sleeves, he became unstoppable, and the nay-sayers and doubters were simply ignored or bowled over. He declared his intention, then pushed through while his subordinates followed in his wake. He was so powerful that simply by going along on his plans and schemes, the rest of us helped to produce miracles too. Honest to God, there will never be another like him.

Kelly’s motto was “Be quick, be quiet, be on time.

Our surface potentialities are for selfishness and greed, for tooth and claw. But deep within, in the whispers of the heart, is the surging call of the Eternal Christ, hidden within us all. By an inner isthmus we are connected with the mainland of the Eternal Love. Surface living has brought on the world’s tragedy. Deeper living leads us to the Eternal Christ, hidden in us all. Absolute loyalty to this inner Christ is the only hope of a new humanity. In the clamour and din of the day, the press of Eternity’s warm love still whispers in each of us, as our truest selves. Attend to the Eternal that he may recreate you and sow you deep into the furrows of the world’s suffering.

We know how you all want us to cancel black people when they do something bad, but you keep making excuses for people you revere. People say, “can’t we just draw the line at rapists and murderers?” But for us history is rife with horrible men and then we’ve learned that we have to sing praises to those horrible men, and we see them on our money and their names on our schools and our bridges. So horrible man is not a disqualifier. Our lives are imbued with them. When they ask us about Michael Jackson (how can you sing those songs?) and R Kelly; it’s complicated. I will get rid of Michael Jackson when you get rid of Andrew Jackson. At least you can dance to Beat It. But our stories are so full of irredeemably horrible people that it’s something we can compartmentalize. Literally, if Bill Cosby was a priest, he wouldn’t be in prison.

Sol closed his eyes, tilted his head up for a moment before opening them and meeting my dazed gaze. He leaned his forehead against mine, and said the last thing I ever expected. "I've been searching my entire life for you." I burst out laughing. I couldn’t help it that had to be the funniest thing anyone had ever said to me…ever. I rested my hand on my stomach, and was bent over at the waist when I heard him clear his throat. I looked up, immediately sobered and stood tall, staring him in the eye. "Does that line generally work well for you?" I asked with as straight a face as I could manage. He shifted his weight, raised his hands in mid-air and said, "Usually. Women tend to fall at my feet, and beg me to take them home." "Arrogance and egotism know no bounds, I see." "When you've lived as long as I have, you take your kicks where you can get them.

Overnight, however, he apparently had second thoughts, or did some textbook reading on his own, and at the next meeting he turned to me as the first order of business. “On the black paint,” he said, “you were right about the advantages and I was wrong.” He handed me a quarter. It was a rare win. So Kelly approved my idea of painting the airplane black, and by the time our first prototype rolled out the airplane became known as the Blackbird. Our supplier, Titanium Metals Corporation, had only limited reserves of the precious alloy, so the CIA conducted a worldwide search and, using third parties and dummy companies, managed to unobtrusively purchase the base metal from one of the world’s leading exporters—the Soviet Union. The Russians never had an inkling of how they were actually contributing to the creation of the airplane being rushed into construction to spy on their homeland.

I took all this criticism very personally, thinking I was bringing about America’s moral decay. So I decided to write children’s books. This was a stretch for me, because I hate children. But, Dr. Seuss hated children. So did Hans Christian Andersen. Lewis Carroll loved children in a way that’s illegal in forty-eight states. (I mentioned this in a lecture, and someone asked, “What are the two states where it’s okay?” That’s how I met R. Kelly.)

Everything about this project was dark alley, cloak and dagger. Even the way they financed the operation was highly unconventional: using secret contingency funds, they back-doored payment to Lockheed by writing personal checks to Kelly for more than a million bucks as start-up costs. The checks arrived by regular mail at his Encino home, which had to be the wildest government payout in history. Johnson could have absconded with the dough and taken off on a one-way ticket to Tahiti. He banked the funds through a phony company called “C & J Engineering,” the “C & J” standing for Clarence Johnson. Even our drawings bore the logo “C & J”—the word “Lockheed” never appeared. We used a mail drop out at Sunland, a remote locale in the San Fernando Valley, for suppliers to send us parts. The local postmaster got curious about all the crates and boxes piling up in his bins and looked up “C & J” in the phone book and, of course, found nothing. So he decided to have one of his inspectors follow our unmarked van as it traveled back to Burbank. Our security people nabbed him just outside the plant and had him signing national security secrecy forms until he pleaded writer’s cramp.

Back in America, Donald Trump had, as a candidate, preached the virtues of withdrawal. “We should leave Afghanistan immediately,” he had said. The war was “wasting our money,” “a total and complete disaster.” But, once in office, Donald Trump, and a national security team dominated by generals, pressed for escalation. Richard Holbrooke had spent his final days alarmed at the dominance of generals in Obama’s Afghanistan review, but Trump expanded this phenomenon almost to the point of parody. General Mattis as secretary of defense, General H. R. McMaster as national security advisor, and retired general John F. Kelly formed the backbone of the Trump administration’s Afghanistan review. In front of a room full of servicemen and women at Fort Myer Army Base, in Arlington, Virginia, backed by the flags of the branches of the US military, Trump announced that America would double down in Afghanistan. A month later, General Mattis ordered the first of thousands of new American troops into the country. It was a foregone conclusion: the year before Trump entered office, the military had already begun quietly testing public messaging, informing the public that America would be in Afghanistan for decades, not years. After the announcement, the same language cropped up again, this time from Trump surrogates who compared the commitment not to other counterterrorism operations, but to America’s troop commitments in Korea, Germany, and Japan. “We are with you in this fight,” the top general in Afghanistan, John Nicholson, Jr., told an audience of Afghans. “We will stay with you.

Anyone want to help me start PAPA, Parents for Alternatives to Punishment Association? (There is already a group in England called ‘EPPOCH’ for end physical punishment of children.) In Kohn’s other great book Beyond Discipline: From Compliance to Community, he explains how all punishments, even the sneaky, repackaged, “nice” punishments called logical or natural consequences, destroy any respectful, loving relationship between adult and child and impede the process of ethical development. (Need I mention Enron, Martha Stewart, the Iraqi Abu Ghraib prisoner abuse scandal or certain car repairmen?) Any type of coercion, whether it is the seduction of rewards or the humiliation of punishment, creates a tear in the fabric of relational connection between adults and children. Then adults become simply dispensers of goodies and authoritarian dispensers of controlling punishments. The atmosphere of fear and scarcity grows as the sense of connectedness that fosters true and generous cooperation, giving from the heart, withers. Using punishments and rewards is like drinking salt water. It does create a short-term relief, but long-term it makes matters worse. This desert of emotional connectedness is fertile ground for acting-out to get attention. Punishment is a use of force, in the negative sense of that word, not an expression of true power or strength. David R. Hawkins, M.D., Ph.D. author of the book Power v. Force writes “force is the universal substitute for truth. The need to control others stems from lack of power, just as vanity stems from lack of self-esteem. Punishment is a form of violence, an ineffective substitute for power. Sadly though parents are afraid not to hit and punish their children for fear they will turn out to be bank robbers. But the truth may well be the opposite. Research shows that virtually all felony offenders were harshly punished as children. Besides children learn thru modeling. Punishment models the tactic of deliberately creating pain for another to get something you want to happen. Punishment does not teach children to care about how their actions might create pain for another, it teaches them it is ok to create pain for another if you have the power to get away with it. Basically might makes right. Punishment gets children to focus on themselves and what is happening to them instead of developing empathy for how their behavior affects another. Creating

When she turned to accept her crown from Gwyndolyn, Feraan saw that her face was flushed from drink and excitement. Her pale hair cascaded over her shoulders, shining like glittering moonlight. She was warm and soft, and he knew that because he had felt her lips before. The green stems from her flower crown rested above her pointed ears, and though Caelfel was not the picture of nobility, Feraan could admit she was beautiful.

What about the other girl with you—Forra? Why is she with you?” “I saved her from execution. She is very vocal about her dislike of the king.” “Then why did you save her?” Garvanna asked. Caelfel's expression hardened. “Because the king is wrong, and she is right. King Orrik wouldn’t even save his own son.

It is not a sin to want to be loved.

Bad manners does not mean they make bad company.

Isn’t Finland kind of a satellite of Russia?” he asked. (Later that same morning, Trump asked Kelly if Finland was part of Russia.) I tried to explain the history but didn’t get very far before Trump said he too wanted Vienna.

I was not able to escape until I was 21 years old, and many are trapped much longer than I was. Your age is not what distinguishes you as a slave, your captivity does.

Trump really wanted Putin to visit Washington, which the Russians had no intention of doing, and we had been skirmishing over Helsinki and Vienna as possible meeting venues. Russia pushed Vienna, and we pushed Helsinki, but it turned out Trump didn’t favor Helsinki. “Isn’t Finland kind of a satellite of Russia?” he asked. (Later that same morning, Trump asked Kelly if Finland was part of Russia.)

Gender racism is behind the thinking that when one defends White male abusers like Trump and Brett Kavanaugh one is defending White people; when one defends Black male abusers like Bill Cosby and R. Kelly one is defending Black people.

Dave Robertson, one of Kelly’s original recruits and aerospace’s most intuitively smart hydraulic specialist, ridiculed our design by calling it “a flying engagement ring.” Dave seldom minced words; he kept a fourteen-inch blowgun he had fashioned out of a jet’s tailpipe on his desk and would fire clay pellets at the necks of any other designers in the big drafting room who got on his nerves. Robertson hated having anyone look over his shoulder at his drawing and reacted by grabbing a culprit’s tie and cutting it off with scissors. Another opponent was Ed Martin, who thought that anyone who hadn’t been building airplanes since the propeller-driven days wasn’t worth talking to, much less listening to. He called the Hopeless Diamond “Rich’s Folly.” Some said that Ed’s bark was worse than his bite, but those were guys who didn’t know him.

Kelly began receiving all kinds of complaints and threats of lawsuits from communities claiming the Blackbird had shattered windows for miles around. A few times we announced a bogus flight plan and then sat back and watched the phony complaints pour in. But some complaints were for real. One of the guys boomed Kelly’s ranch in Santa Barbara as a joke that backfired because he knocked out Kelly’s picture window. Another of our pilots got in engine trouble over Utah and flamed out. The Blackbird had as much gliding capacity as a manhole cover, and it came barreling in over Salt Lake, just as our pilot got a restart and hit those afterburners right above the Mormon Tabernacle. There was hell to pay.

She began by taking R. Carter’s resonating silver key, and unlocking the Rat-Thing door that led into the corpse garden where all hope was to be ended.

military figures like James Mattis, H. R. McMaster, and John Kelly: they found themselves working in an administration that was in every way inimical to basic command principles.

I believe we always should consider the context of the art, and we can’t ignore or forgive significant moral wrongs at its core—racism, sexism, misogyny, homophobia, or worse.

For the last three years, Riley Kelly has ceased to exist, and her rumored death got about the response I always anticipated it would. No one fucking cared.

Clasping his hands together, Kal nods once, then pushes to his feet. “Okay, then. Let’s kill Riley Kelly.

You have scars, but they don't have you." I'm not sure if either of us is breathing anymore. "And you, Riley fucking Kelly, are beautiful in a way that'd make the constellations weep.

There is probably a perverse pride in my administration … that we were going to do the right thing, even if short-term it was unpopular. And I think anybody who’s occupied this office has to remember that success is determined by an intersection in policy and politics and that you can’t be neglecting of marketing and P.R. and public opinion.

Isn’t Finland kind of a satellite of Russia?” he asked. (Later that same morning, Trump asked Kelly if Finland was part of Russia.) I tried to explain the history but didn’t get very far before Trump said he too wanted Vienna. “Whatever they [the Russians] want. Tell them we’ll do whatever they want.” After considerable further jockeying, however, we agreed on Helsinki.

Caelfel squared her shoulders. “I’m not afraid.” Geri turned away. “Good, because if you were, you are definitely in the wrong place.

Whereas public sector services often bring a plethora of hidden benefits, the private sector is riddled with hidden costs. “We can afford to pay more for the services we need – chiefly healthcare and education,” Baumol writes. “What we may not be able to afford are the consequences of falling costs.” You may brush this aside with the argument that such “externalities” can’t simply be quantified because they involve too many subjective assumptions, but that’s precisely the point. “Value” and “productivity” cannot be expressed in objective figures, even if we pretend the opposite: “We have a high graduation rate, therefore we offer a good education” – “Our doctors are focused and efficient, therefore we provide good care” – “We have a high publication rate, therefore we are an excellent university” – “We have a high audience share, therefore we are producing good television” – “The economy is growing, therefore our country is doing fine…” The targets of our performance-driven society are no less absurd than the five-year plans of the former U.S.S.R. To found our political system on production figures is to turn the good life into a spreadsheet. As the writer Kevin Kelly says, “Productivity is for robots. Humans excel at wasting time, experimenting, playing, creating, and exploring.

R. G. Collingwood said that studying the past teaches us three things" what it is to be a man - or a woman; what it is to be the kind of woman you are; and what it is to be the kind of woman you are and nobody else.... One thing I learned is that heroes don't always wear capes... And I learned that big things can start small. Look what throwing some tea into Boston Harbor led to.

The targets of our performance-driven society are no less absurd than the five-year plans of the former U.S.S.R. To found our political system on production figures is to turn the good life into a spreadsheet. As the writer Kevin Kelly says, “Productivity is for robots. Humans excel at wasting time, experimenting, playing, creating, and exploring.”31 Governing by numbers is the last resort of a country that no longer knows what it wants, a country with no vision of utopia.

Howard Rheingold: And it was all just words on a screen! R. U. Sirius: These were just text-based bulletin boards, but in many ways they were superior to social media today. You had really great conversations with extraordinary people. Larry Brilliant: Because it was Stewart, he attracted people who had these incredibly eclectic minds, and they were phenomenal writers, people who think in paragraphs. And the writing was fantastic! Kevin Kelly: That made for a very literate salon-like environment where people who could write were writing—and writing well and writing very directly. So some of the best writing I think of that decade was happening on The Well. Larry Brilliant: So just the opposite of Twitter. Lee Felsenstein: The Well, for its first five years at least, was the San Francisco bohemian scene online, where you could join the roundtable of whatever-it-was. There was a whole bunch of roundtables. And in there were the people who were the ones you had read about and so forth. Or had firsthand connections with the people you read about. San Francisco had had such a scene since the nineteenth century. And here it came direct to your home at your fingertips.

In his classic study Elegant Nightmares: The English Ghost Story from LeFanu to Blackwood, the American scholar Jack Sullivan divides traditional tales of the supernatural into two camps: the antiquarian and the visionary. The former is typified by a certain emotional detachment, coupled with subtle irony and a dry, precise evocation of a world that is recognizably our own, inhabited by sensible characters—male Edwardian antiquaries whose stolidity borders on dullness, and whose invocation of horrors is as inadvertent as it is irrevocable. The antiquarian ghost story is typified by the work of the English don M. R. (Montague Rhodes) James, himself inspired by the more open-ended horror of his Irish predecessor, Sheridan LeFanu. As Sullivan puts it, “For LeFanu’s characters, reality is inherently dark and deadly; for James’ antiquaries, darkness must be sought out through research and discovery.” The visionary ghost story, in contract, has more in common with the robust stream of American transcendentalism that emerged in the late 19th century, as well as with the hermetic and decadent artistic movements popular in fin de siècle Europe. Little surprise, then, that one of the most successful visionary writers, the British-born Algernon Blackwood, based his most rapturous and terrifying tales on his experiences in the Canadian wilderness, or that the other great supernatural visionary, the Welsh Arthur Machen, was a friend of Arthur Edward Waite, a member of the Order of the Golden Dawn, and drew upon Celtic myth in his short fiction. Sullivan identified a later, third stream in supernatural writing in Lost Souls, the companion volume to Elegant Nightmares: he simply calls it the contemporary ghost story, a capacious portmanteau term that makes room for writers such as Robert Aickman, Walter de la Mare, Elizabeth Bowen and Ramsey Campbell. To this list I’d add Peter Straub, Kelly Link, Glen Hirshberg, and now, with the publication of Mr. Gaunt and Other Uneasy Encounters, John Langan.