β
I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men."
"Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.
β
β
Jane Austen (Persuasion)
β
At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?"
"That's right." Then I think of something to add. "And yours is orange."
"Orange?" He seems unconvinced.
"Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
"Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces."
Then I dive into my tent before I do something stupid like cry.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Gabe scratched his double chin. "Maybe if you hurry with the seven-layer dip...And maybe if the kid apologizes for interrupting my poker game."
Maybe if I kick you in your soft spot, I thought. And make you sing Soprano for a week.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
Muggles have garden gnomes, too, you know," Harry told Ron as they crossed the lawn.
"Yeah, I've seen those things they think are gnomes," said Ron, bent double with his head in a peony bush, "like fat little Santa Clauses with fishing rods...
β
β
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
β
My mama told me don't trust no white boy, even a pretty one. I'm thinkin' a pretty white boy with wings explodin' up from the ground in a mess of blood and ugly-ass bird things is double trouble." - Kramisha (Ch 5)
β
β
P.C. Cast (Hunted (House of Night, #5))
β
Love is the most amazing feeling in the world. Let me double check. Yep, love is a feeling.
β
β
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
β
What becomes of a man who acquires a beautiful woman, with her "beauty" his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying something: the esteem of other men who find such an acquisition impressive.
β
β
Naomi Wolf (The Beauty Myth)
β
This is the best night of my life," Raffy says, crying.
"Raffy, half our House has burnt down," I say wearily. "We don't have a kitchen."
"Why do you always have to be so pessimistic?" she asks. "We can double up in our rooms and have a barbecue every night like the Cadets."
Silently I vow to keep Raffy around for the rest of my life.
β
β
Melina Marchetta (On the Jellicoe Road)
β
In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
She leaned into him to soak up his warmth.
"You are so hot," she said.
"It's about time you noticed," he teased.
β
β
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
β
The Victorian woman became her ovaries, as today's woman has become her "beauty.
β
β
Naomi Wolf (The Beauty Myth)
β
A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also.
β
β
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
β
We cannot negotiate with people who say what's mine is mine and what's yours is negotiable."
[
The Berlin Crisis: Radio and Television Address to the American People
(The White House, July 25, 1961)]
β
β
John F. Kennedy
β
Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.
β
β
Naomi Wolf (The Beauty Myth)
β
Waitress!" Hedge called. "Six double espressos, and whatever these guys want. Put it on the girl's tab.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
And just so you know for the future, I like my double-chocolate chip cookies warm and soft in the middle...and without magnets glued to them."
"Me, too. When you decide to bake me some, let me know.
β
β
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
β
Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.
β
β
Naomi Wolf (The Beauty Myth)
β
Wolves eat coyotes," Gordon said[...] If he weren't an old man, I had some rude things I could have said to that.
"Yes," observed Adam blandly. "I do."
Yep. That was the one that came to mind. And he didn't even blush when he said it. Maybe Gordon would miss the double entendre. But he grinned cheerfully at Adam.
β
β
Patricia Briggs (River Marked (Mercy Thompson, #6))
β
Clearly these were deliberate waterworks to make me feel bad about myself and what would you know, they water-worked perfectly!
β
β
Jimmy Tudeski (Double Trouble)
β
[Calvin and Hobbes are playing Scrabble.]
Calvin: Ha! I've got a great word and it's on a "Double word score" box!
Hobbes: "ZQFMGB" isn't a word! It doesn't even have a vowel!
Calvin: It is so a word! It's a worm found in New Guinea! Everyone knows that!
Hobbes: I'm looking it up.
Calvin: You do, and I'll look up that 12-letter word you played with all the Xs and Js!
Hobbes: What's your score for ZQFMGB?
Calvin: 957.
β
β
Bill Watterson (Scientific Progress Goes "Boink": A Calvin and Hobbes Collection)
β
Are you going to kiss me?" I blabbered stupidly.
"I'm working up the nerve," he said softly.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
According to Festus, our flying table, Buford, made it back safely while we were in Charleston, so those eagles didn't get him. Unfortunately, he lost the laundry bag with your pants."
"Dang it!" Frank Barked, which Leo figured was probably severe profanity for him.
No doubt Frank would've cursed some more -busting out the golly gees and the gosh darns- but Percy interrupted by doubling over and groaning.
"Did the world just turn upside down?" he asked.
Jason pressed his hands to his head. "Yeah, and it's spinning. Everything is yellow. Is it supposed to be yellow?
β
β
Rick Riordan
β
Bags, and Double Bags!" - Zedd
β
β
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
β
You're late." Kat said as soon as Hale put the phone to his ear. She wasn't the kind of girl to wait for hello.
"What can I say? Macey McHenry has been throwing herself at me..."
"See, that's the kind of thing that would make me jealous if she weren't way out of your league."
"You know, if I had feelings, that might have hurt them.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure.
β
β
Roland Barthes (A Lover's Discourse: Fragments)
β
Ha. "Against my will I am sent to bid you come into dinner." There's a double meaning in that.
β
β
William Shakespeare (Much Ado About Nothing)
β
You used to say. "Desire doubled is love and love doubled is madness."
Madness doubled is marriage
I added
when the caustic was cool, not intending to produce
a golden rule.
β
β
Anne Carson (The Beauty of the Husband: A Fictional Essay in 29 Tangos)
β
In reaction against the age-old slogan, "woman is the weaker vessel," or the still more offensive, "woman is a divine creature," we have, I think, allowed ourselves to drift into asserting that "a woman is as good as a man," without always pausing to think what exactly we mean by that. What, I feel, we ought to mean is something so obvious that it is apt to escape attention altogether, viz: (...) that a woman is just as much an ordinary human being as a man, with the same individual preferences, and with just as much right to the tastes and preferences of an individual. What is repugnant to every human being is to be reckoned always as a member of a class and not as an individual person.
β
β
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
β
Hey I bruise," Hale said. "Also, you are freakishly strong.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
There is no indisputable proof for the big bang," said Hollus. "And there is none for evolution. And yet you accept those. Why hold the question of whether there is a creator to a higher standard?
β
β
Robert J. Sawyer (Calculating God)
β
And an unaware witch means a witch who doesn't know she's a witch, and because she's a women that makes her double trouble. Never trust a women."
My mothers a women," I said, suddenly feeling a little angry, "and I trust her."
Mothers are usually women," said the Spook. "And mothers are usually quite trustworthy, as long as your their son. Otherwise look out!
β
β
Joseph Delaney (Revenge of the Witch (The Last Apprentice / Wardstone Chronicles, #1))
β
I choose to believe that I owe my very
life to you--ay--smile, and think it an exaggeration if you will.
I believe it, because it adds a value to that life to think--oh,
Miss Hale!' continued he, lowering his voice to such a tender
intensity of passion that she shivered and trembled before him,
'to think circumstance so wrought, that whenever I exult in
existence henceforward, I may say to myself, "All this gladness
in life, all honest pride in doing my work in the world, all this
keen sense of being, I owe to her!" And it doubles the gladness,
it makes the pride glow, it sharpens the sense of existence till
I hardly know if it is pain or pleasure, to think that I owe it
to one--nay, you must, you shall hear'--said he, stepping
forwards with stern determination--'to one whom I love, as I do
not believe man ever loved woman before.' He held her hand tight
in his. He panted as he listened for what should come.
β
β
Elizabeth Gaskell (North and South)
β
Theres no such thing as vampire mojo,"said Jace,rather eeirly echoing Clarys earlier comment."And I was following Clary,but then she got into a cab,and I cant follow a cab.So I doubled back and followed you instead.Mostly for something to do"
"You were following Clary?"Simon echoed."Heres a hot tip : Most girls dont like being stalked
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
The CIA currently has in custody two FBI agents and a Boston police detective who is demanding they pay for the damage to his boat."
"He's okay?"
Burns nodded. "Emptied a double-barreled shotgun at a couple of Company lackeys, and then they arrested him. He spent all night claiming he thought they were the Men in Black coming to scan his brain"
Ty bit his lip so he wouldn't laugh.
-- about Nick
β
β
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
β
It is extraordinarily entertaining to watch the historians of the past ... entangling themselves in what they were pleased to call the "problem" of Queen Elizabeth. They invented the most complicated and astonishing reasons both for her success as a sovereign and for her tortuous matrimonial policy. She was the tool of Burleigh, she was the tool of Leicester, she was the fool of Essex; she was diseased, she was deformed, she was a man in disguise. She was a mystery, and must have some extraordinary solution. Only recently has it occrurred to a few enlightened people that the solution might be quite simple after all. She might be one of the rare people were born into the right job and put that job first.
β
β
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
β
Macey was just starting to argue when Abby asked, "What can you tell me about the gunmen?"
"They're amateurs," Hale said at the exact same time Macey told her teacher, "They're pros.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
When you hear men talking," said Cornelia, "all they ever do is speak ill of women. ... And I don't quite know how they managed to make this law in their favour, or who exactly it was who gave them a greater license to sin than is allowed to us; and if the fault is common to both sexes (as they can hardly deny), why should the blame not be as well? What makes them think they can boast of the same thing that in women brings only shame?
β
β
Moderata Fonte (The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men (The Other Voice in Early Modern Europe))
β
An intelligent, energetic, educated woman cannot be kept in four walls β even satin-lined, diamond-studded walls β without discovering sooner or later that they are still a prison cell."
(America's Medieval Women, Harper's Magazine, August 1938)
β
β
Pearl S. Buck
β
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days."
Z jacked his head up. "Why?"
"He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God."
"What the fuck are you looking at?"
Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself."
Zsadist marched across the room, ready to give them all hell. Bella was what mattered-
His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's.
"Phury?" he said softly. "Phury... what happened to me?"
As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose.
One by one they reached out and touched him, their big hands gently on his shoulders.
"Welcome back, my brother," Phury whispered.
Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
β
β
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
β
These are delicious! What are they?"
"Double chocolate chip with peanut butter filling."
"They're the second best thing I've ever tasted."
I laughed. "You said the same thing at dinner."
"I recently readjusted the ranking.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
Whatever is deeply, essentially female--the life in a woman's expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin--is being reclassified as ugly, and ugliness as disease. These qualities are about an intensification of female power, which explains why they are being recast as a diminution of power. At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not exist on the woman's body, and how much of a female life does not show on her face?
β
β
Naomi Wolf (The Beauty Myth)
β
Have you any idea how much my kingdom has swollen in this past century alone, how many subdivisions I've had to open?"
I opened my mouth to respond, but Hades was on a roll now.
More security ghouls," he moaned. "Traffic problems at the judgment pavilion. Double overtime for the staff. I used to be a rich god, Percy Jackson. I control all the precious metals under the earth. But my expenses!"
Charon wants a pay raise," I blurted, just remembering the fact. As soon as I said it, I wished I could sew up my mouth.
Don't get me started on Charon!" Hades yelled. "He's been impossible ever since he discovered Italian suits! Problems everywhere, and I've got to handle all of them personally. The commute time alone from the palace to the gates is enough to drive me insane! And the dead just keep arriving. No, godling. I need no help getting subjects! I did not ask for this war.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.
β
β
Naomi Wolf (The Beauty Myth)
β
That's cool." Hale nodded, unfazed. "But just so you know, that"---he pointed to the piece of metal peeking out from behind the stage---"is a Hurst 5,000 PSI hydraulic spreader-cutter, more commonly know as the Jaws of Life."
"So?"
"So I'm not a normal boy.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
I feel with some passion that what we truly are is private, and almost infinitely complex, and ambiguous, and both external and internal, and double- or triple- or multiply natured, and largely mysterious even to ourselves; and furthermore that what we are is only part of us, because identity, unlike "identity", must include what we do. And I think that to find oneself and every aspect of this complexity reduced in the public mind to one property that apparently subsumes all the rest ("gay", "black", "Muslim", whatever) is to be the victim of a piece of extraordinary intellectual vulgarity.
β
β
Philip Pullman
β
Though we were curfew-free- I'd told Mom I was spending the night at Mel's after our double date, and Mel had told Mrs. Warren that she'd be home "whenever my happy ass walks through the door"- I was nervous about tonight.
β
β
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
β
When the woman took the earbud, he didn't ask another question. She was a woman on a mission as she placed the tiny device in her ear and said, "This is Special Agent Abby Cameron. Let me talk to Macey McHenry.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Kat picked up a folder labeled Senior. "What are these? Bank records?" She did a double take, looking at Hale. "Did your dad really pay two million dollars to the campaign to elect Ross Perot?"
"I..." Hale said, stumbling for words and thumbing through another file. "Wow. I guess my cousin Charlotte isn't really my cousin."
"Don't worry," Kat said. "It looks like there might be a kid in Queens who is.
β
β
Ally Carter (Perfect Scoundrels (Heist Society, #3))
β
This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
β
β
Naomi Wolf (The Beauty Myth)
β
Cammie's going to be mad she missed this," Macey said to fill the silence.
"Excuse me?" Hale asked.
"Nothing." She shook her head. "I just... I have a friend who really likes air vents. And dumbwaiter shafts. And laundry chutes. Of course, the last time I was in a laundry chute, Cammie and I fell about a dozen stories..."
"Well, that sounds like fun."
"It was either that or get kidnapped by terrorists, so I guess we got of easy.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Can I..." He stopped and his jaw flexed. "Can I kiss you?"
I didn't answer, and he didn't wait for me to. His hands caught me gently behind the neck and he pressed his mouth to mine, softly but firmly. Then he moved one arm around my waist and pulled me closer to him.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
Wine and women make wise men dote and forsake God's law and do wrong."
However, the fault is not in the wine, and often not in the woman. The fault is in the one who misuses the wine or the woman or other of God's crations. Even if you get drunk on the wine and through this greed you lapse into lechery, the wine is not to blame but you are, in being unable or unwilling to discipline yourself. And even if you look at a woman and become caught up in her beauty and assent to sin [= adultery; extramarital sex], the woman is not to blame nor is the beauty given her by God to be disparaged: rather, you are to blame for not keeping your heart more clear of wicked thoughts. ... If you feel yourself tempted by the sight of a woman, control your gaze better ... You are free to leave her. Nothing constrains you to commit lechery but your own lecherous heart.
β
β
Anonymous (Dives and Pauper)
β
What kind of plan B?" Hale asked. He was almost holding his breath when a voice answered, "My kind." Macey tried to read the look on his face then, but it was gone in a flash. It had been a simple moment of peace and joy and pure happiness. That voice made Hale happy. It kept him calm. It was his backup and his conscience. Macey couldn't help herself, she envied him.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
I did not ask you out. But I would seriously think about not shooting you down if you asked me. Nicely." I had to keep my pride.
He took both of my hands in his. "Brenna Blixen will you be my girlfriend, please." He held up one of my hands and kissed my knuckles smoothly. "Pretty please. With sugar on top.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
The center snaps the ball to the quarterback!"
"No he doesn't!"
"He doesn't?"
"NO! Secretly, he's the quarterback for the other team! He keeps the ball!"
"A traitor!"
"Calvin breaks for the goal."
"Wheeee! He's at the 30... the 20... the 10! Nobody can catch him!"
"Nobody wants to! Your running toward your own goal!"
"Huh?!"
"When I learned that you were a spy, I switched goals. This is your goal and mine's hidden!"
"Hidden?!"
"You'll never find it in a million years!"
"I don't need to find it as a traitor to your team, crossing my goal counts as crossing your goal!"
"Ah, so you might think so..."
"In fact, I know so!"
"But the place I hid my goal is right on top of your goal, so the points will go to me!"
"But the fact is, I'm really a double agent! I'm on your team after all, which means you'll lose points if I cross your goal! Ha ha!"
"But I'm a traitor too, so I'm really on your team! I want you to cross my goal! The points will go to your team, which is really my team!"
"That would be true... if I were a football player!"
"You mean...?"
"I'm actually a badminton player disguised as a double-agent football player!!"
"And I'm actually a volleyball-croquet-polo player!"
"Sooner or later, all our games turn into CalvinBall."
"No cheating!
β
β
Bill Watterson
β
Mom turned but did a double take. "Where did you get that necklace from?"
I touched the pendant. "A friend."
"A boy?"
Yikes. "He's a friend who's a boy."
Her mouth twitched in amusement and her gaze left the necklace. "First roses, and now a necklace? Are you sure Landon isn't you boyfriend?"
"This wasn't from him, Mom."
"So you have two boyfriends?"
"No, Mom!" I almost shouted. "Neither of them is my boyfriend. Trust me. They're just boys who are friends. No connecting of words going on... or connecting of anything else, for that matter."
She stared at me. "Hmm." Then she left my room. She was so weird sometimes.
β
β
Courtney Allison Moulton (Angelfire (Angelfire, #1))
β
When Hale's hand disappeared inside his tuxedo jacket, Macey wasn't exactly sure what he'd find inside the pocket. It could have been another phone or a breath mint. Really, nothing would have surprised her. Well nothing except...
"Is that an earbud?" she whispered. He smiled. "Are you on comms?"
"Shhh," he told her softly.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Yes," he said. "I am sure. I double-checked everything after you went home yesterday.
I even made a few improvements, just in case."
The first part of that reassured her. The second part... not so much.
"What kind of improvements?"
"Oh, nothing, really. Mostly just streamlining. You really did very well; I certainly don't want you to think that I am one of those people who has to be in control all the- Oh, well, I suppose that's actually true- I do have to be in control all the time. But only because I am in charge, of course.
β
β
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
β
The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.
β
β
Naomi Wolf (The Beauty Myth)
β
Kate seemed to have doubled in size. She had drawn back her broad shoulders and set her jaw, and something in the stance called to mind the contained ferocity of a lioness. But it was the fierceness in Kate's bright blue eyes that had the most striking effect. The sort of look that made you thankful she wasn't your enemy. "It's not going to be over," Kate said firmly "Until we say so.
β
β
Trenton Lee Stewart (The Mysterious Benedict Society and the Perilous Journey (The Mysterious Benedict Society, #2))
β
When his phone rang, he had to dig through his pocket to find it, and his fingers brushed against a pair of tiny earbuds he and Kat had last used in Monte Carlo. Hale smiled a little, realizing he hadnβt worn the tux in ages. It was just one of many ways his life had change in the years since a girl named Katarina Bishop crawled into his window and into his life."
β Double Crossed by Ally Carter
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
.."consider this. It took the earth's population thousand of years-from the early dawn of man all the way to the early 1800s-to reach one billion people. Then astoundingly, it took only about a hundred years to double the population to two billion in the 1920s. After that, it took a mere fifty years for the population to double again to four billion in the 1970s. As you can imagine, we're well on track to reach eight billion very soon. Just today, the human race added another quarter-billion people to planet Earth. A quarter million. And this happens ever day-rain or shine. Currently every year er 're adding the equivalent of the entire country of Germany.
β
β
Dan Brown (Inferno (Robert Langdon, #4))
β
In much the same way, motherhood has become the essential female experience, valued above all others: giving life is where it's at. "Pro-maternity" propaganda has rarely been so extreme. They must be joking, the modern equivalent of the double constraint: "Have babies, it's wonderful, you'll feel more fulfilled and feminine than ever," but do it in a society in freefall in which waged work is a condition of social survival but guaranteed to no one, and especially not to women. Give birth in cities where accommodation is precarious, schools have surrendered the fight and children are subject to the most vicious mental assault through advertising, TV, internet, fizzy drink manufacturers and so on. Without children you will never be fulfilled as a woman, but bringing up kids in decent conditions is almost impossible.
β
β
Virginie Despentes (King Kong thΓ©orie)
β
Kit burst out laughing. Ty looked even more astonished than he had when Kit had said he'd miss him. But after a second, he started to laugh too. They were both laughing, Kit doubled up over the blankets, when Magnus came into the room. He looked at the two of them and shook his head.
"Bedlam," he said, and went over to the counter where the glass tubes and funnels had been set up.
β
β
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
β
Bloated!" he cried. The corresponding hieroglyph flew through the air, bursting against a demon's chest in a spray of light. Instantly, the demon swelled like a water balloon and rolled screaming down the pyramid.
"Flat!" Thoth blasted another demon, who collapsed and shriveled into a monster-shaped doormat.
"Intestinal problems!" Thoth yelled. The poor demon who got zapped with that one turned green and doubled over.
β
β
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
β
One day as Father and I were returning from our walk we found the Grote Markt cordoned off by a double ring of police and soldiers. A truck was parked in front of the fish mart; into the back were climbing men, women, and children, all wearing the yellow star. . . .
"Father! Those poor people!" I cried. . . .
"Those poor people," Father echoed. But to my surprise I saw that he was looking at the solders now forming into ranks to march away. "I pity the poor Germans, Corrie. They have touched the apple of God's eye.
β
β
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
β
She watched him stop to pat the mayor on the back. He stumbled a little in the crowd, and his left hand disappeared ever so briefly inside the mayorβs tuxedo pocket. It was over in a flash, a blink, a second. And Macey was quite certain she was the only person in the entire room to have seen it, but that was just as well. At least, Macey had seen enough. And at last, the boy made sense."
β Double Crossed by Ally Carter
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Our society does reward beauty on the outside over health on the inside. Women must not be blamed for choosing short-term beauty "fixes" that harm our long-term health, since our life spans are inverted under the beauty myth, and there is no great social or economic incentive for women to live a long time. A thin young woman with precancerous lungs [who smokes to stay thin] is more highly rewarded socially that a hearty old crone. Spokespeople sell women the Iron Maiden [an intrinsically unattainable standard of beauty used to punish women for their failure to achieve and conform to it]and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth.
β
β
Naomi Wolf (The Beauty Myth)
β
As soon as she was close, she whispered, "you've got to get out of here."
"No, you've got to get out of here," he told her. "Go downstairs. Go now."
"No," she countered. "You go."
"Why?" he asked.
"You tell me first."
But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow.
And then Hale and Macey whispered in unison, "Because of that.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
What is it?" When Kat's voice finally came into Hale's ear, it was cold and steady and even. All tease was gone. If she was angry at him for standing her up, she didn't show it. she just said, "Tell me what's going on."
"Party crashers," Hale whispered. He watched Macey watching him. "Five, and they brought toys."
"Guns?" Kat guessed.
"Big ones," Hale said.
"You know this is what you get for doing a favor for your mother."
"I know," Hale admitted.
"What are they after?" Kat asked.
"Hard to say," Hale said; again, he eyed the room.
"Who is that?" Macey asked.
"The reason I wasn't flirting with you,"Hale told her.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Cosmetic surgery is not "cosmetic," and human flesh is not "plastic." Even the names trivialize what it is. It's not like ironing wrinkles in fabric, or tuning up a car, or altering outmoded clothes, the current metaphors. Trivialization and infantilization pervade the surgeons' language when they speak to women: "a nip," a "tummy tuck."...Surgery changes one forever, the mind as well as the body. If we don't start to speak of it as serious, the millennium of the man-made woman will be upon us, and we will have had no choice.
β
β
Naomi Wolf (The Beauty Myth)
β
A thousand times today I've started to open my mouth, started to squeak out, "Can you tell me...? But then I'd look into the front seat, at my mother's silent shaking, my father's grim profile, the mournful bags under his eyes, and all the questions I might ask seemed abusive. Assault and battery, a question mark used like a club. My parents are old and fragile. I'd have to heartless to want to hurt them.
β
β
Margaret Peterson Haddix (Double Identity)
β
How nice for you. Now I want you to promise me that if I move, you won't do something stupid." Macey was just starting to protest when Hale stopped and brought his hand to his ear. "Besides, there's someone who wants to talk to you." He held out the extra earbud, whispering softly in the too quiet room. "It goes in your ear and---"
But before he could finish, Macey rolled her eyes and placed the bud in her ear. "This is peacock," she whispered.
She watched Hale's eyes go wide as she heard a very familiar voice say, "You're not getting extra credit for this. Now"---Macey's teacher took a long, easy breath---"whats going on in there?
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
Why do you like show jumping?"
"... Beauty and excitement. The elements of trust, talent, training, love, and danger make show jumping a thrilling and aesthetic experience. It's really the ultimate test of two nervous systems--the kinetic transfer of the rider's muscle to the horse's muscle enables them to clear those jumps. And there's nothing like it--horse and rider forming an arc of beauty, efficiency, and power, like a double helix."
"DNA,"
"Yes, DNA, the code to life.
β
β
Ainslie Sheridan
β
Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard.
"Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her.
"Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice.
"Why don't you put your fancy shoes back on and sit there like a good little girl?"
"First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said.
"No!" Hale said. "You don't know anything about this guy."
"I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to."
"You're kinda scary.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good."
Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?"
"Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know."
Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch.
"My dear Reaper," Vlad said, still laughing. "Did you just check out our--"
"No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
β
β
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
β
Just then Patch ambled through the front door. I did a double take to make it was really him. I hadn't expected him to come. We'd never resolved our fight, and I'd pridefully refused to take the first step, forcing myself to lock my cell phone in a drawer every time I was tempted to call him and apologize, despite my increasing distress that he might never call either. My pride immediately turned to relief at the sight of him. I hated fighting. I hated not having him close. If he was ready to mend this, so was I.A smile flickered across my face at the sight of his costume; black jeans, black t-shirt, black face mask. The latter concealed all but his cool, assessing gaze.
"There's my date," I said. "Fashionably late.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
This state of affairs is known technically as the "double-bind." A
person is put in a double-bind by a command or request which contains
a concealed contradiction...
This is a damned-if-you-do and damned-if-you-don't
situation which arises constantly in human (and especially family)
relations...
The social doublebind game can be phrased in several ways:The first rule of this game is that it is not a game.
Everyone must play.
You must love us.
You must go on living.
Be yourself, but play a consistent and acceptable role.
Control yourself and be natural.
Try to be sincere.
Essentially, this game is a demand for spontaneous behavior of certain
kinds. Living, loving, being natural or sincereβall these are
spontaneous forms of behavior: they happen "of themselves" like
digesting food or growing hair. As soon as they are forced they acquire
that unnatural, contrived, and phony atmosphere which everyone
deploresβweak and scentless like forced flowers and tasteless like
forced fruit. Life and love generate effort, but effort will not generate
them. Faithβin life, in other people, and in oneselfβis the attitude of
allowing the spontaneous to be spontaneous, in its own way and in its
own time.
β
β
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
β
What do your parents do? Do they travel a lot?"
My brow wrinkled. "No, they don't." I was tired of the interrogation. "Do yours?"
He blinked. "What?"
"Do your parents travel a lot? Are they still married? How many in your family? How old are you? What classes do you have? Boxers or briefs? What's your GPA? Do you always go around knocking strange girls off their feet and then hammering them with a barrage of personal questions?" I finished with a cocky smile.
Tristan hid a grin behind his fist. Mr. Exotic levelled me a steady stare, a sly smile gaining momentum. "Do you always end up straddling the guys that do?"
Tristan choked. My smile froze. Crap.
"And as for boxers or briefs." One hand went to his belt buckle. "I'd be happy to..."
Double crap. I jabbed a thumb over my shoulder towards my house "I've gotta go.
β
β
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
β
Madison looked from Jason, who jerked his head toward the gate, signaling her to get moving, to Longbranch, whose cold, direct gaze said Jason would pay in blood for any kind of double-cross.
One thing was clear: Jason Haley had been lying to her since the moment he set foot on her porch. Was he really plotting with the Roses? Or had he decided to sacrifice himself to get her into the sanctuary?
Madison threw her arms around Jason's neck as if she couldn't face being parted from him and whispered fiercely in his ear, "You lying lunatic bastard. They're going to kill you."
"I love you too," he murmured. "Go find Seph. Help him.
β
β
Cinda Williams Chima (The Dragon Heir (The Heir Chronicles, #3))
β
Bramble's lips were tight. Her fists still shook.
"Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!"
Teddie drew himself up to his full, towering taffy height.
"N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!"
The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white.
"Young man," said the King gently. "Your ship leaves soon?"
Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved.
"Do you mean it?"
Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow.
"Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!"
"Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!"
In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his.
"Oh...my," said Clover.
No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
β
β
Heather Dixon Wallwork (Entwined)
β
The beauty myth sets it up this way: A high rating as an art object is the most valuable tribute a woman can exact from her lover. If he appreciates her face and body because it is hers, that is next to worthless. It is very neat: The myth contrives to make women offend men by scrutinizing honest appreciation when they give it; it can make men offend women merely by giving them honest appreciation. It can manage to contaminate the sentence "You're beautiful," which is next to "I love you" in expressing a bond of regard between a woman and a man. A man cannot tell a woman that he loves to look at her without risking making her unhappy. If he never tells her, she is destined to be unhappy. And the "luckiest" woman of all, told she is loved because she's "beautiful," is often tormented because she lacks the security of being desired because she looks like who she lovably is.
β
β
Naomi Wolf (The Beauty Myth)
β
Matt laughed. "Close. That was last year. This year it's Obsessive Deovtion to Fourier Analysis Theory and Applications. And my personal favorite, Quantum Physics II: Romantic Entanglements of Energy and Matter."
Julie turned her head to Matt. "You're a double major? Physics and math? Jesus..."
"I know. Nerdy." He shrugged.
"No, I'm impressed. I'm just surprised your brains fit in your head."
"I was fitted with a specially desinged compression filter that allows excessive information to lie dormant until I need to access it. It's only the Beta version, so excuse any kinks that may appear. I really can't be held responsible.
β
β
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
β
He stops rocking the cage. "Oh, come on, Callie. It won't be fun if we don't rock it. In fact, the more we rock it, the better it'll feel." His voice drops to a deep whisper. "We can rock it nice and slow or really, really fast."...
"Do I have your permission to rock away and give you the ride of your life?" Why does it feel like he's secretly talking dirty to me? "Yeah, go ahead, rock it nice and hard," I say without thinking, then bite down on my lip as the dirty section of my brain catches up with me. Honestly, I didn't even know that side existed.
β
β
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
β
An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy.
β
β
Christopher Isherwood (Exhumations)
β
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
β
β
Stephanie Klein (Straight Up and Dirty)
β
After a moment, his father looked up from the list and surveyed her. "Well done, Champion. Well done indeed."
Then Celaena and the King of Adarlan smiled at each other, and it was the most terrifying thing Dorian had ever seen.
"Tell my exchequer to give you double last month's payment," the king said. Dorian felt his gorge rise- not just for the severed head and her blood- stiffened clothing, but also for the fact that he could not, for the life of him, find the girl had loved anywhere in her face. And from Chaol's expression, he knew his friend felt the same.
Celaena bowed dramatically to the king, flourishing a hand before her. Then, with a smile devoid of any warmth, she stared down Chaol before stalking from the room, her dark cape sweeping behind her.
Silence.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
β
β
Mark Twain (The Adventures of Huckleberry Finn)
β
Why does the social order feel the need to defend itself by evading the fact of real women, our faces and voices and bodies, and reducing the meaning of women to these formulaic and endlessly reproduced "beautiful" images? Though unconscious personal anxieties can be a powerful force in the creation of a vital lie, economic necessity practically guarantees it. An economy that depends on slavery needs to promote images of slaves that "justify" the institution of slavery. Western economies are absolutely dependent now on the continued underpayment of women. An idealogy that makes women feel "worth less" was urgently needed to counteract the way feminism had begun to make us feel worth more. This does not require a conspiracy; merely an atmosphere. The contemporary economy depends right now on the representation of women within the beauty myth.
β
β
Naomi Wolf (The Beauty Myth)
β
You know how to steer a yacht?" Mr. McIntyre asked Ian worriedly.
"I was born knowing how to steer a yacht," Ian said. Then a stricken look came over his face. "Butβdo you suppose Jonah prepaid the full amount for renting this? Once my dad hears what Natalie and I did, he'll cancel our credit cards."
"You mean we're...we're poor now?" Natalie gasped.
"Penniless," Ian said grimly.
"Actually," Mr. McIntyre said, "I should have mentioned this before the others left. Grace had an addendum to her will regarding everyone who made it through the gauntlet. There were eight of youβyou will all receive double the amount you turned down to get the first clue."
"It was a million dollars originally," Ian said. "So Natalie and I each get two million dollars? I suppose we could live on that."
Natalie beamed.
"That is such a relief!" she said. "Being poor wasn't quite as bad as I thought it would be, but stillβ"
"You were only poor for about two seconds!" Dan protested, rolling his eyes.
β
β
Margaret Peterson Haddix (Into the Gauntlet (The 39 Clues, #10))
β
Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms:
* Avoid run-on sentences they are hard to read.
* Don't use no double negatives.
* Use the semicolon properly, always use it where it is appropriate; and never where it isn't.
* Reserve the apostrophe for it's proper use and omit it when its not needed.
* Do not put statements in the negative form.
* Verbs has to agree with their subjects.
* No sentence fragments.
* Proofread carefully to see if you any words out.
* Avoid commas, that are not necessary.
* If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.
* A writer must not shift your point of view.
* Eschew dialect, irregardless.
* And don't start a sentence with a conjunction.
* Don't overuse exclamation marks!!!
* Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.
* Writers should always hyphenate between syllables and avoid un-necessary hyph-ens.
* Write all adverbial forms correct.
* Don't use contractions in formal writing.
* Writing carefully, dangling participles must be avoided.
* It is incumbent on us to avoid archaisms.
* If any word is improper at the end of a sentence, a linking verb is.
* Steer clear of incorrect forms of verbs that have snuck in the language.
* Take the bull by the hand and avoid mixed metaphors.
* Avoid trendy locutions that sound flaky.
* Never, ever use repetitive redundancies.
* Everyone should be careful to use a singular pronoun with singular nouns in their writing.
* If I've told you once, I've told you a thousand times, resist hyperbole.
* Also, avoid awkward or affected alliteration.
* Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death.
* Always pick on the correct idiom.
* "Avoid overuse of 'quotation "marks."'"
* The adverb always follows the verb.
* Last but not least, avoid cliches like the plague; seek viable alternatives."
(New York Times, November 4, 1979; later also published in book form)
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William Safire (Fumblerules: A Lighthearted Guide to Grammar and Good Usage)
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Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it?
The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film.
This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire.
Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
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Naomi Wolf (The Beauty Myth)
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What was I thinking?" Chiron cried. " I can't let you get away without this."
He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents.
Gee," I said. "Thanks."
Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one.
I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...?
I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands.
The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos."
Riptide," I translated, surprised the Ancient Greek came so easily.
Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.
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Rick Riordan
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The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation.
"Tobias," I say. "It's me."
I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way.
"Tris," he says,and it's him again. His mouth collides with mine.
His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care.
He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips.
Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt.
I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me.
"How did you do it?" I say.
"I don't know," he says. "I just hear your voice.
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Veronica Roth (Divergent (Divergent, #1))
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I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked.
I paused. "Yeah, he's cute."
"Come on, America! You have to have noticed those eyes and his voice..."
"Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself.
"Yes, okay, he does have a funny laugh, but it's cute."
"Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke."
Marlee lost it and doubled over in laughter.
"All right, all right," she said, coming up for air. "You have to think there's something attractive about him."
I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it.
What was attractive about Maxon?
"Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it."
Marlee smiled, and I knew she'd seen that in him, too.
"And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that.
"And...well, don't tell anyone this, but his arms. I like his arms."
I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation.
"Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed.
"I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird."
"Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms.
"Ha, ha! I bet that's it. I dare you to ask him!"
"No way!
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Kiera Cass (The Selection (The Selection, #1))
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Omnipotent-benevolent simply means that God is all-powerful and well-meaning.'
'I understand the concept. It's just . . . there seems to be a contradiction.'
'Yes. The contradiction is pain. Man's starvation, war, sickness . . .'
'Exactly!' Chartrand knew the camerlengo would understand. 'Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn't He?'
The camerlengo frowned. 'Would He?'
Chartrand felt uneasy. Had he overstepped his bounds? Was this one of those religious questions you just didn't ask? 'Well . . . if God loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.'
'Do you have children, Lieutenant?'
Chartrand flushed. 'No, signore.'
'Imagine you had an eight-year-old son . . . would you love him?'
'Of course.'
'Would you let him skateboard?'
Chartrand did a double take. The camerlengo always seemed oddly "in touch" for a clergyman. 'Yeah, I guess,' Chartrand said. 'Sure, I'd let him skateboard, but I'd tell him to be careful.'
'So as this child's father, you would give him some basic, good advice and then let him go off and make his own mistakes?'
'I wouldn't run behind him and mollycoddle him if that's what you mean.'
'But what if he fell and skinned his knee?'
'He would learn to be more careful.'
The camerlengo smiled. 'So although you have the power to interfere and prevent your child's pain, you would choose to show your love by letting him learn his own lessons?'
'Of course. Pain is part of growing up. It's how we learn.'
The camerlengo nodded. 'Exactly.
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Dan Brown (Angels & Demons (Robert Langdon, #1))
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I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
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Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
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Filled with rapture, his soul yearned for freedom, space, vastness. Over him the heavenly dome, full of quiet, shining stars, hung boundlessly. From the zenith to the horizon the still-dim Milky Way stretched its double strand. Night, fresh and quiet, almost unstirring, enveloped the earth. The white towers and golden domes of the church gleamed in the sapphire sky. The luxuriant autumn flowers in the flowerbeds near the house had fallen asleep until morning. The silence of the earth seemed to merge with the silence of the heavens, the mystery of the earth touched the mystery of the stars... Alyosha stood gazing and suddenly, as if he had been cut down, threw himself to the earth.
He did not know why he was embracing it, he did not try to understand why he longed so irresistibly to kiss it, to kiss all of it, but he was kissing it, weeping, sobbing, and watering it with his tears, and he vowed ecstatically to love it, to love it unto ages of ages. "Water the earth with the tears of your joy, and love those tears...," rang in his soul. What was he weeping for? Oh, in his rapture he wept even for the stars that shone on him from the abyss, and "he was not ashamed of this ecstasy." It was as if threads from all those innumerable worlds of God all came together in his soul, and it was trembling all over, "touching other worlds." He wanted to forgive everyone and for everything, and to ask forgiveness, oh, not for himself! but for all and for everything, "as others are asking for me," rang again in his soul. But with each moment he felt clearly and almost tangibly something as firm and immovable as this heavenly vault descend into his soul. Some sort of idea, as it were, was coming to reign in his mind-now for the whole of his life and unto ages of ages. He fell to the earth a weak youth and rose up a fighter, steadfast for the rest of his life, and he knew it and felt it suddenly, in that very moment of his ecstasy. Never, never in all his life would Alyosha forget that moment. "Someone visited my soul in that hour," he would say afterwards, with firm belief in his words...
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Fyodor Dostoevsky
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My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it.
My right hand was faster, was not mine.
Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry.
The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression.
I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again.
I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face.
This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised.
Did that mean pass or fail?
The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration.
In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole.
I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real.
Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed.
'No one's betrayed you, stupid,' I railed at her.
'How could he? How?' she ranted, ignoring me.
We sobbed beyond control.
One word snapped us back from the edge of hysteria.
From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?"
"Mel?" he asked again, the hope he didn't want to feel colouring his tone.
My breath caught in another sob, an aftershock.
"You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it."
"If you're in there, Mel..." He paused.
Melanie hated the "if". A sob burst up through my lungs and I gasped for air.
"I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
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Stephenie Meyer (The Host (The Host, #1))