“
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
”
”
Pamela Redmond Satran
“
A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also.
”
”
Dorothy L. Sayers (Are Women Human? Penetrating, Sensible and Witty Essays on the Role of Women in Society)
“
There are lots of women who are attracted to tyrannical men. Like moths to a flame. And there are some women who do not need a hero or even a stormy lover but a friend. Just remember that when you grow up. Steer clear of the tryant lovers, and try to locate the ones who are looking for a man as a friend, not because they are feeling empty themselves but because they enjoy making you full too. And remember that friendship between a woman and a man is something much more precious and rare than love: love is actually something quite gross and even clumsy compared to friendship. Friendship includes a measure of sensitivity, attentiveness, generosity, and a finely tuned sense of moderation.
”
”
Amos Oz (A Tale of Love and Darkness)
“
Her Kind
I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.
I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.
I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
”
”
Anne Sexton (To Bedlam and Part Way Back)
“
Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums.
That's Mama! Inej had cried.
Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
It’s not so much where I want you,Sophie, as it is how. Nothing tastes quite like a woman, and no woman tastes like you. - Marc Hunter
”
”
Pamela Clare (Unlawful Contact (I-Team, #3))
“
Sometimes she'd go a whole day without thinking of him or missing him. Why not? She had quite a full life, and really, he'd often been hard to deal with and hard to live with. A project, the Yankee oldtimers like her very own Dad might have said. And then sometimes a day would come, a gray one (or a sunny one) when she missed him so fiercely she felt empty, not a woman at all anymore but just a dead tree filled with cold November blow. She felt like that now, felt like hollering his name and hollering him home, and her heart turned sick with the thought of the years ahead and she wondered what good love was if it came to this, to even ten seconds of feeling like this.
”
”
Stephen King (Lisey's Story)
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
If a man we don't know phones us up one day and talks a little, makes no suggestions, says nothing special, but nevertheless pays us the kind of attention we rarely receive, we're quite capable of going to bed with him that night, feeling relatively in love. That's what we women are like, and there's nothing wrong with that - it's the nature of the female to open herself to love easily.
”
”
Paulo Coelho
“
Disappoint other people with your no; don’t disappoint yourself with a yes you’ll later resent.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
A man is just a woman's strategy for making other women. Not that your father wasn't a nice guy and all, but... there's something missing in them, even the nice ones. It's like they're permanently absent-minded, like they can't quite remember who they are. They look at the sky too much. They lose touch with their feet. They aren't a patch on a woman except they're better at fixing cars and playing football, just what we need for the improvement of the human race, right?
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
...a woman of quite bovine stupidity and potato-like contours...
”
”
Frederick Forsyth (The Deceiver)
“
I’ve always been a slow learner in some areas of my life.mostly the areas known as myself. Or maybe I should say ‘selves.’because the fact is, I’ve never, even as a child, felt I’m only one self, only one person. I’ve always felt I’m quite a few more than one. For example, there’s my jokey self, there’s my morose and fed-up self,there’s my lewd and disgusting self. There’s my clever-clogs self, and my fading-violet-who-cant-make-up-her-mind-about-anything self. There’s my untidy-clothes-everywhere-all-over-my-room self, and my manically tidy self when I want my room to be minimalist and Zen to the nth degree. There’s my confidant, arrogant self and my polite and reasonable and good listener self. There’s my self-righteous self and my wickedly bad self, my flaky self and my bsentimental self. There are selfs I like and selfs I don’t like.there’s my little-girl selfnwhonlikes to play silly games and there’s my old-woman self when I’m quite sure I’m eighty and edging towards geriatric.
The self I show in action at any moment depends on where I am, who I’m with, the circumstances of the situation and the mood I’m in.
”
”
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
“
Amelia told me once about a suspicion she'd had for a while. It bothered her quite a bit. She said that Win and I had fallen ill with scarlet fever, and you made the deadly nightshade syrup, you'd concocted far more than was necessary. And you kept a cup on it on Win's nightstand, like some sort of macabre nightcap. Amelia said that if Win had died, she thought you would have taken the rest of that poison. And I've always hated you for that. Because you forced me to stay alive without the woman I loved, while you had no bloody hell intention of doing the same."
Merripen didn't answer, gave no sign that he registered Leo's words.
"Christ, man," Leo said huskily. "If you had the bollocks to die with her, don't you think you could work up the courage to live with her?
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
The story of the young woman whose death I witnessed in a concentration camp. It is a simple story. There is little to tell and it may sound as if I had invented it; but to me it seems like a poem. This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously." Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness." Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. "I often talk to this tree," she said to me. I was startled and didn't quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. "Yes." What did it say to her? She answered, "It said to me, 'I am here-I am here-I am life, eternal life.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
The truth is I wasn't brought into the world to write newspaper articles. But it's quite likely I was brought into the world to live with a woman.
”
”
Albert Camus (The Plague)
“
Then she would be done with J. D. Jameson forever. No more having to prove herself; no more of those pesky jitters she felt whenever she saw him at work—something like butterflies in her stomach, it was actually quite annoying; no more stress; no more fights in the library; and definitely no more sexy I’m-gonna-kiss-you-now-woman blue-eyed heated gazes.
She had no idea why she just thought that.
”
”
Julie James (Practice Makes Perfect)
“
No family, happy or unhappy, is quite like any other. Tolstoy was chock-fullo’shit. Remember that.
”
”
A.J. Finn (The Woman in the Window)
“
Now, there is a tendency at a point like this to look over one’s shoulder at the cover artist and start going on at length about leather, tightboots and naked blades.
Words like ‘full’, ‘round’ and even ‘pert’ creep into the narrative, until the writer has to go and have a cold shower and a lie down.
Which is all rather silly, because any woman setting out to make a living by the sword isn’t about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer.
Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling’s Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
All right, maybe the boots were leather. But not black.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
“
Morley joined them, and after a long, uncomfortable moment, Mrs. Grant decided to ignore his presence. The
guards didn’t. Their knuckles were white on their weapons.
May I assist?” he asked, and put his hands behind his back. “I promise not to eat anyone.”
Very funny,” Mrs. Grant said. Morley gave her a grave look.
I wasn’t joking, dear lady,” he said. “I do promise. And I never make a promise I don’t intend to keep. You
should feel quite secure.”
Well, I’m sorry, I don’t,” she said. “You’re just—”
Too overwhelmingly dashing and attractive?” Morley grinned. “A common problem women face with me.
It’ll pass. You seem like the no-nonsense sort. I like that.”
Claire smiled at the look on Mrs. Grant’s face, reflected in the white LED light of the lantern she was holding.
You are really—odd,” the older woman said, as if she couldn’t quite believe she was even having the
conversation.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
I want to be your first choice. And maybe I’ve never made it clear that I am a choice for you. I like you, and if you let me, I know I could love you. My title might not be as fancy as Kallias’s, nor my pocketbook quite as deep, nor my estate quite so large.
“But my heart is bigger, Alessandra. And I would love you completely, wholly, as a woman ought to be loved. I won’t hide behind shadows. I won’t love you from afar. I won’t only take parts of you. I want all of you. Mind, body, soul. I want to be with you. Always.
”
”
Tricia Levenseller (The Shadows Between Us (The Stathos Sisters, #1))
“
I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind.
”
”
Anne Sexton (The Complete Poems)
“
My theory was that if I behaved like a confident, cheerful person, eventually I would buy it myself, and become that. I always had traces of strength somewhere inside me, it wasn't fake, it was just a way of summoning my courage to the fore and not letting any creeping self-doubt hinder my adventures. This method worked then, and it works now. I tell myself that I am the sort of person who can open a one-woman play in the West End, so I do. I am the sort of person who has several companies, so I do. I am the sort of person WHO WRITES A BOOK! So I do. It's the process of having faith in the self you don't quite know you are yet, if you see what I mean. Believing that you will find the strength, the means somehow, and trusting in that, although your legs are like jelly. You can still walk on them and you will find the bones as you walk. Yes, that's it. The further I walk, the stronger I become. So unlike the real lived life, where the further you walk, the more your hips hurt.
”
”
Dawn French (Dear Fatty)
“
Plainly, she is quite besotted by him,... a girl, a young girl, and she is falling in love for the first time in her life. ...little Kitty Howard at a loss, stumbling in her speech, blushing like a rose, thinking of someone else and not herself is to see a girl become a woman.
”
”
Philippa Gregory
“
There is the life that most of us live, and then there is the life we have buried deep inside us, the life we know we’re supposed to be living.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Sobriety, if it is anything, is paying attention, seeing the wonder and the beauty around us that we so easily sprint by on our way to the next thing. And this is more than fun; this is actually living.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Do women feel anything more keenly than curiosity? No, they will go to any lengths to find out, to know,to feel, what they have always dreamed of! Once their excited curiosity has been aroused, women will stoop to anything, commit any folly, take any risks. They stop at nothing. I am speaking of women who are real women, who operate on three different levels. Superficially cool and rational, they have three secret compartments: the first is constantly full of womanly fret and anxiety; the second is a sort of innocent guile, like the fearsome sophistry of the self-righteous; and the last is filled with an engaging dishonesty, a charming deviousness, a consummate duplicity, with all those perverse qualities in fact that can drive a foolish, unwary love to suicide, but which by others may be judged quite delightful.
”
”
Guy de Maupassant
“
Spending a night out drinking is akin to dismantling every piece of protection we have—our cognition, our decision making, our reaction time, our memory, our standards, our voice. If we thought about alcohol in this way—as something that undermines our collective momentum and personal agency and vitality and self-worth—what would that mean for us? What if we all rejected the poison—then what? I’ll tell you what: world domination, bitches.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Looking down, she became aware of the water, which was covered with a film of calcinous hard-water particles of dirt and soap, and of the body that was sitting in it, somehow no longer quite her own. All at once she was afraid that she was dissolving, coming apart layer by layer like a piece of cardboard in a gutter puddle.
”
”
Margaret Atwood (The Edible Woman)
“
Real power doesn’t come from having a million followers, good hair, a Louis Vuitton purse, a new car, a new home, a title, a partner, or anything that can be weighed, measured, or acquired. Real power is the thing you’ve always had inside you. Real power doesn’t need to be demonstrated or boasted. Real power is the ability to be in your skin, to know who you are, to know you will always be okay. Real power comes from your gut and your heart and your courage and your bravery and your love. Real power can never be taken away from you and never lost once it’s found.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Alcohol is the only drug in the world where, when you stop taking it, you are seen as having a disease.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Was there any woman in the world quite like Nora? He was so glad she existed; even more glad there was only one of her.
”
”
Tiffany Reisz
“
My mother and father were married this way and are quite happy. I hope to find happiness, too. To find a woman that all of Illea can love, someone to be my companion and to help entertain the leaders of other nations. Someone who will befriend my friends and be my confidante. I'm ready to find my wife."
Something in his voice struck me. There wasn't a trace of sarcasm. This thing that seemed like little more than a game show to me was his only chance for happiness. He couldn't try with a second round of girls. Well, maybe he could, but how embarrassing. He was so desperate, so hopeful. I felt my distaste for him lessen. Marginally.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Sharing secrets is the way in which women tie themselves together, for it reveals complicity and trust. Holding secrets shows trustworthiness and a sort of quite defiance. It is a natural thing for a female to hold secrets within her breast until the time is ripe to release them. Does it not follow the way in which her body is formed? A woman is made with that dark and mysterious recess that can grow a child safely until the child is ready to come out onto the birthing bed. And like birthing, secrets present themselves in many ways. some slip easily into the world, others must be torn out, if the body is unwilling.
”
”
Kathleen Kent (The Heretic's Daughter)
“
A woman cannot bear to feel empty and purposeless. But a man may take real pleasure in that feeling. A man can take real pride and satisfaction in pure negation: 'I am quite empty of feeling. I don't care the slightest bit in the world for anybody or anything except myself. But I do care for myself, and I'm going to survive in spite of them all, and I'm going to have my own success without caring the least in the world how I get it. Because I'm cleverer than they are, I'm cunninger than they are, even if I'm weak. I must build myself up proper protections, and entrench myself, and then I'm safe. I can sit inside my glass tower and feel nothing and be touched by nothing, and yet exert my power, my will, through the glass walls of my ego'.
That, roughly, is the condition of a man who accepts the condition of true egoism, and emptiness, in himself. He has a certain pride in the condition, since in pure emptiness of real feeling he can still carry out his ambition, his will to egoistic success.
Now I doubt if a woman can feel like this. The most egoistic woman is always in a tangle of hate, if not of love. But the true male egoist neither hates nor loves. He is quite empty, at the middle of him. Only on the surface he has feelings: and these he is always trying to get away from. Inwardly, he feels nothing. And when he feels nothing, he exults in his ego and knows he is safe. Safe, within his fortifications, inside his glass tower.
But I doubt if women can even understand this condition in a man. They mistake emptiness for depth. They think the false calm of the egoist who really feels nothing is strength. And they imagine that all the defenses which the confirmed egoist throws up, the glass tower of imperviousness, are screens to a real man, a positive being. And they throw themselves madly on the defences, to tear them down and come at the real man, little knowing that there is no real man, the defences are only there to protect a hollow emptiness, an egoism, not a human man.
”
”
D.H. Lawrence (Selected Essays)
“
The goal here is to create a situation you no longer have to escape, or a life you don’t have to numb. The achievement of sobriety is not the point; it’s a by-product of the work. The work is the point. Addiction is the hook that gets you in the door, and quitting is the catalyst to heal deeper wounds.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
It is easier to understand if you think of it in terms of music. Sometimes a man enjoys a symphony. Elsetimes he finds a jig more suited to his taste.
The same holds true for lovemaking. One type is suited to the deep cushions of a twilight forest glade. Another comes quite naturally tangled in the sheets of narrow beds upstairs in inns. Each woman is like an instrument, waiting to be learned, loved, and finely played, to have at last her own true music made.
Some might take offense at this way of seeing things, not understanding how a trouper views his music. They might think I degrade women. They might consider me callous, or boorish, or crude.
But those people do not understand love, or music, or me.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
As Mark Twain said, “Whenever you find yourself on the side of the majority, it is time to pause and reflect.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Now please don't refer to yourself ass some woman I fuck occasionally because, quite frankly, it makes me mad, and you really wouldn't like me when I"m angry.
”
”
E.L. James
“
There is a story I would like to tell you about a woman who practices the invocation of the Buddha Amitabha's name. She is very tough, and she practices the invocation three times daily, using a wooden drum and a bell, reciting, "Namo Amitabha Buddha" for one hour each time. When she arrives at one thousand times, she invites the bell to sound. (In Vietnamese, we don't say "strike" or "hit" a bell.) Although she has been doing this for ten years, her personality has not changed. She is still quite mean, shouting at people all the time.
A friend wanted to teach her a lesson, so one afternoon when she had just lit the incense, invited the bell to sound three times, and was beginning to recite "Namo Amitabha Buddha," he came to her door, and said, "Mrs. Nguyen, Mrs. Nguyen!" She found it very annoying because this was her time of practice, but he just stood at the front gate shouting her name. She said to herself, "I have to struggle against my anger, so I will ignore that," and she went on, "Namo Amitabha Buddha, Namo Amitabha Buddha."
The gentleman continued to shout her name, and her anger became more and more oppressive. She struggled against it, wondering, "Should I stop my recitation and go and give him a piece of my mind?" But she continued chanting, and she struggled very hard. Fire mounted in her, but she still tried to chant "Namo Amitabha Buddha." The gentleman knew it, and he continued to shout, "Mrs. Nguyen! Mrs. Nguyen!"
She could not bear it any longer. She threw away the bell and the drum. She slammed the door, went out to the gate and said, "Why, why do you behave like that? Why do you call my name hundreds of times like that?" The gentleman smiled at her and said, "I just called your name for ten minutes, and you are so angry. You have been calling the Buddha's name for ten years. Think how angry he must be!
”
”
Thich Nhat Hanh (Being Peace (Being Peace, #1))
“
The denizens of Feyland find the absence of magic to be quite funny. I mean no offense. ”
“None taken.”
“For example – In the Land Over the Crystal River (for that's how we refer to humans), there was once a man and a woman. And the man was in love with the woman, and wanted her for himself. But because he had no magic, he couldn't feel whether or not there was a “pull” towards her or not, so he didn't know whether she loved him or not. So what did he do?”
“What?”
“He had to ASK her!” Kian couldn't help laughing.
“I don't get it!”
“Ask her!” said Kian. “It's funny – because he didn't have magic.” His laughter grew louder and less controlled, tinkling like bells in the winter snow. “He had to ask her!”
I realized that there were some cultural barriers Kian and I might never transcend.
”
”
Kailin Gow (Bitter Frost (Frost, #1))
“
Philip wasn't the sort of man to make a friend of a woman. He wanted devotion. I gave him that. I did, you know. But I couldn't stand being made a fool of. I couldn;t stand being put on probation, like an office-boy, to see if I was good enough to be condescended to. I quite thought he was honest when he said he didn't believe in marriage -- and then it turned out that it was a test, to see whether my devotion was abject enough. Well, it wasn't. I didn't like having matrimony offered as a bad-conduct prize.
”
”
Dorothy L. Sayers (Strong Poison (Lord Peter Wimsey, #6))
“
I'm not sure I even believe in marriage," Hadley says and he looks surprised.
"Aren't you on your way to a wedding?"
"Yeah," she says with a nod. "But that's what I mean."
He looks at her blankly.
"It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?"
Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage."
"I'm not such a big fan of either at the moment."
"I don't know," he says. "I think they're kind of nice."
"They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something."
"I think it does," Oliver says quietly. "It's a promise."
"I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
Are you going to put on your old cheer uniform?”
Ryan was a little too excited by the thought of me in a costume, so I squashed that idea, and fast.
“In your dreams.”
“Not exactly.” Ryan grinned wickedly. “In my dreams you’re usually dressed like Wonder Woman.”
Ugh. I wondered how long it would take for him to start in on the superhero crap. Obviously, not long. I was not amused, but Ryan seemed to think
himself hilarious. I could also tell by the look on his face that he was quite confident he’d have me in costume one day. “Never gonna happen,” I
assured him. “Ever.”
And of course he responded with that classic, cocky smile. “Just like you were never gonna be my girlfriend, right?
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Aiden was staring. So was Caleb, although he looked like he was quite used to all this...woman on display. Hell, even I was staring.
She crossed the hall, her long legs parting the chiffon of her skirt, playing peekaboo. Dear gods, I felt my cheeks start to burn, but I still couldn't look away. As she neared, her all-white eyes flared, and then dimmed. Two bright, emerald-colored eyes appeared.
Caleb relaxed beside me, a slow smile creeping across his handsome face—the face I'd missed so much. "Hello, Persephone.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
once when this woman was going on and on about how she would never read on download, that there was nothing like a real book and – I promise I normally am never rude to people but she was being truly insufferable – I said, ‘Well, they’re really only for people who read a lot’ which was mean of me but quite satisfying also.
”
”
Jenny Colgan (The Bookshop on the Shore)
“
When you give a happy couple the opportunity to talk about what makes marriage great, it's like a water spigot you can't quite turn off.
”
”
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
“
I am not in a heat at all,’ Léonie said with great precision. ‘I am of a coolness quite remarkable, and I would like to kill that woman.
”
”
Georgette Heyer (Devil's Cub (Alistair, #2))
“
Was this what it felt like to be a man? Walking on this creepy dark bridge, not scared for a second that she wouldn't make it out the other side, because it didn't really make a difference whether she did or not. The night belonged to her now too. A dead woman walking. And dead women had no use for fear.
”
”
Holly Jackson (Not Quite Dead Yet)
“
I like the Cyclostyle ink; it is so inky. I do not think there is anyone who takes quite such a fierce pleasure in things being themselves as I do. The startling wetness of water excites and intoxicates me: the fieriness of fire, the steeliness of steel, the unutterable muddiness of mud. It is just the same with people.... When we call a man "manly" or a woman "womanly" we touch the deepest philosophy.
”
”
G.K. Chesterton
“
The woman who is not pursued sets up the doctrine that pursuit is offensive to her sex, and wants to make it a felony. No genuinely attractive woman has any such desire. She likes masculine admiration, however violently expressed, and is quite able to take care of herself. More, she is well aware that very few men are bold enough to offer it without a plain invitation, and this awareness makes her extremely cynical of all women who complain of being harassed, beset, storied, and seduced. All the more intelligent women that I know, indeed, are unanimously of the opinion that no girl in her right senses has ever been actually seduced since the world began;
”
”
H.L. Mencken (In Defense of Women)
“
I would like to say to the men and women of the generations which will come after us: you will look back at us with astonishment. You will wonder at passionate struggles that accomplished so little, at the, to you, obvious paths to attain our ends which we did not take. At the intolerable evils before which it will seem to you we sat down passive. At the great truths staring us in the face which we failed to see, at the great truths we grasped at but could not get our fingers quite 'round. You will marvel at the labour that ended in so little. But what you will never know that it was how we were thinking of you and for you that we struggled as we did and accomplished the little that we have done. That it was in the thought of your larger realization and fuller life that we have found consolation for the futilities of our own. All I aspire to be and was not, comforts me.
”
”
Olive Schreiner (Woman and Labor)
“
Quit trying to marry me off like I’m some Regency spinster in one of your favorite Austen novels.” “Your name is Darcy.” “And I might be a single woman in possession of a good fortune, but I’m not in want of a wife.
”
”
Alexandria Bellefleur (Written in the Stars (Written in the Stars #1))
“
The Knowing
Afterwards, when we have slept, paradise-
comaed and woken, we lie a long time
looking at each other.
I do not know what he sees, but I see
eyes of surpassing tenderness
and calm, a calm like the dignity
of matter. I love the open ocean
blue-grey-green of his iris, I love
the curve of it against the white,
that curve the sight of what has caused me
to come, when he’s quite still, deep
inside me. I have never seen a curve
like that, except the earth from outer
space. I don’t know where he got
his kindness without self-regard,
almost without self, and yet
he chose one woman, instead of the others.
By knowing him, I get to know
the purity of the animal
which mates for life. Sometimes he is slightly
smiling, but mostly he just gazes at me gazing,
his entire face lit. I love
to see it change if I cry–there is no worry,
no pity, no graver radiance. If we
are on our backs, side by side,
with our faces turned fully to face each other,
I can hear a tear from my lower eye
hit the sheet, as if it is an early day on earth,
and then the upper eye’s tears
braid and sluice down through the lower eyebrow
like the invention of farmimg, irrigation, a non-nomadic people.
I am so lucky that I can know him.
This is the only way to know him.
I am the only one who knows him.
When I wake again, he is still looking at me,
as if he is eternal. For an hour
we wake and doze, and slowly I know
that though we are sated, though we are hardly
touching, this is the coming the other
coming brought us to the edge of–we are entering,
deeper and deeper, gaze by gaze,
this place beyond the other places,
beyond the body itself, we are making
love.
”
”
Sharon Olds
“
The baron reminds me of someone, but I can't quite put my finger on who it is," Ramsey remarked.
"I swear my own father never talked to me the way Gillian's uncle just did."
"Your father died before you were old enough to know him."
"It was humiliating, damn it. He sure as certain wasn't what I expected. The way Gillian talked about him, I pictured a mild-mannered gentleman. She thinks he's… gentle. Is the woman blind? How in God's name can she love such a crotchety old…"
Ramsey's head snapped up, and he suddenly burst into laughter, breaking Brodick's train of thought. "It's you."
"What?"
"Morgan… he reminds me of you. My God, Gillian married a man just like her uncle. Look at the baron and you'll see yourself in twenty years."
"Are you suggesting I'm going to become a belligerent, foul-tempered old man?"
"Hell, you're already belligerent and foul-tempered. No wonder she fell in love with you," he drawled
”
”
Julie Garwood (Ransom (Highlands' Lairds, #2))
“
Scrooge followed to the window: desperate in his curiosity. He looked out.
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever
”
”
Charles Dickens (A Christmas Carol)
“
The anxiety that has followed me through my life like a bad friend had reappeared with a vengeance and taken a brand-new form... I didn't know why this was happening. The cruel reality of anxiety is that you never quite do.
”
”
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
“
No, no, you have none of you any idea. This is all nonsense, fantasy, it is not like this. Nothing so blood-curdling and becreepered and crude - not so...so laughable. The truth is quite other, and altogether more terrible.
”
”
Susan Hill (The Woman in Black)
“
If she had cried and sobbed and seemed frightened, Miss Minchin might almost have had more patience with her. She was a woman who liked to domineer and feel her power, and as she looked at Sara's pale little steadfast face and heard her proud little voice, she felt quite as if her mind was being set at naught.
”
”
Frances Hodgson Burnett (A Little Princess)
“
...but after reading a chapter or two a shadow seemed to lie across the page. It was a straight dark bar, a shadow shaped something like the letter 'I.' One began dodging this way and that to catch a glimpse of the landscape behind it. Whether that was indeed a tree or a woman walking I was not quite sure. Back one was always hailed to the letter 'I.
”
”
Virginia Woolf (A Room of One’s Own)
“
On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.
On New Year’s Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.
Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.
Mathew Brobst was hit by a javelin.
David Striegl was actually
punched in the mouth by a kangaroo.
The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
“I guess things could’ve been worse.”
So go ahead,
tell me you’re having a bad day.
Tell me about the traffic.
Tell me about your boss.
Tell me about the job you’ve been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.
Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.
When Evan lost his legs he was speechless.
When my cousin was assaulted
she didn’t speak for 48 hours.
When my uncle was murdered,
we had to send out a search party
to find my father’s voice.
Most people have no idea
that tragedy and silence
often have the exact same address.
When your day is a museum of disappointments,
hanging from events that were outside of your control,
when you feel like your guardian angel put in his two weeks notice two months ago
and just decided not to tell you,
when it seems like God
is just a babysitter that’s always on the phone,
when you get punched in the esophagus by a fistful of life.
Remember,
every year
two million people die of dehydration.
So it doesn’t matter if
the glass is half full or half empty.
There’s water in the cup.
Drink it and stop complaining.
Muscle is created by lifting things
that are designed to weigh us down.
When your shoulders are heavy
stand up straight and call it exercise.
Life is a gym membership
with a really complicated cancellation policy.
Remember,
you will survive,
things could be worse,
and we are never given
anything we can’t handle.
When the whole world crumbles,
you have to build a new one
out of all the pieces that are still here.
Remember,
you are still here.
The human heart beats
approximately 4,000 times per hour
and each pulse,
each throb,
each palpitation is a trophy,
engraved with the words
“You are still alive.”
You are still alive.
So act like it.
”
”
Rudy Francisco (Helium (Button Poetry))
“
Talking of the local Sheriff, Jake Valentine, tall and skinny and his wife Myra, "She was a short woman, maybe five feet tall in her socks, the top of her head not quite reaching Jake's chest. What she lacked in height she made up for in girth. Jeffrey guessed she was at least a hundred pounds overweight. Standing side by side, the Valentines looked like the living embodiment of the number ten.
”
”
Karin Slaughter
“
Can we get on with this?" Father Laggan cried out. "In the name of the Father…"
"I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first."
"… and of the Son," the priest continued in a much louder voice.
"She'll be wanting King John next," Duncan predicted.
"We can't allow that, lass," Owen muttered.
"Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention.
"I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain."
"We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here."
Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly
confused.
"Judith, do you take Iain for your husband?"
She looked up at Iain before giving her answer. "We'll see."
"That won't do, lass. You've got to say I do," he advised.
"Do I?"
Iain smiled. "Your aunt and uncle will be welcomed here."
She smiled back.
....
Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do,"
she told him. "Shouldn't we begin now?"
"The lass has trouble following along," Vincent remarked.
Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently.
She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony."
"You may kiss the bride," Father Laggan announced.
”
”
Julie Garwood (The Secret (Highlands' Lairds, #1))
“
Gwen was kind of amazed. A mother with several degrees and a prestigious position at an Ivy League college did not ensure that she’d be any less embarrassing to her child than a mother who became a nurse through night school. Gwen knew this when Alla launched into her “unfortunate changes in my vagina after the birth of Lachlan” discussion.
“No. It was his shoulders. He’s always had very large shoulders. I mean look at him. Even as a baby they were freakishly long.”
“Freakishly?” Lock snapped.
“They stretched me right out.”
“Mom!”
Brody shrugged and reached for more moo goo gai pork. “I didn’t mind.”
“Dad!”
“Well, darling, you were always quite large, so it made things a little easier for both of us when it came to sex.”
“Mom!”
Alla shook her head. “I don’t know what happened to you, Lachlan MacRyrie.” She turned to Gwen. “I’ve always insisted on being quite open about human bodies when talking to my children. There’s no shame in a woman’s body. And like everything else in the world, it ages. So while you still have the exquisite body you’ve been blessed with, Gwen dear, and that prebirth vagina— enjoy it.”
“Is there any way to get you to stop?” Lock begged.
”
”
Shelly Laurenston (The Mane Squeeze (Pride, #4))
“
What's that you're doing, Sassenach?"
"Making out little Gizmo's birth certificate--so far as I can," I added.
"Gizmo?" he said doubtfully. "That will be a saint's name?"
"I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus."
"Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee.
"One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him.
"Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him."
Jamie looked blank.
"What has that got to do wi' chickens?"
"I haven't the faintest idea. Take it up with the Vatican," I advised him.
"Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist.
"And what's he the patron of?"
"He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--"
"A what?"
"Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring."
"Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?"
He laughed.
"Any man who's had his prayer answered could tell yet that, Sassenach."
(PP. 841-842)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Dean had never quite imagined his life might end like this. Naked in a Tijuana brothel with an eighty-year-old woman dressed like Janine from Spinal Tap sizing up his junk and looking distinctly unimpressed. He really wished the room wasn't so heavily air-conditioned.
”
”
Christa Faust (Coyote's Kiss (Supernatural, #8))
“
There’s something quite thrilling about fucking a woman in a ball gown. It’s like having a secret that no one else knows, a sin that no one else can see.
”
”
Sierra Simone (American King (New Camelot Trilogy, #3))
“
Rowen . . .” he called, not quite an order but several degrees much too authoritative for my “I am woman, hear me roar and hyphenate my last name” liking.
”
”
Nicole Williams (Heart & Soul (Lost & Found, #5))
“
You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
”
”
Hermann Hesse (Steppenwolf)
“
In one memorable episode, Warren received a trusting note from a woman in the bookkeeping department via the library’s pneumatic-tube system, which ran between the library and store. “It’s very slow here on this rainy day,” the bookkeeper complained. “Please send me one of those novels you have had to withdraw from circulation as unfit for a lady to read.” Warren fulfilled the request and was surprised the next day to receive the book back, discreetly wrapped, with the message: “Blessings upon you! You’re quite right. This is not fit for anybody to read. Please send another just like it.
”
”
Molly Guptill Manning (When Books Went to War: The Stories That Helped Us Win World War II)
“
Without deception, sexual attraction isn’t possible. Men deceive women in many ways, and women deceive men on a whole different, god-like level. It’s not just makeup. It’s something far much greater. Many women try to play dumb, lest the man get scared of their intellectual abilities. Many women fake flexibility when it comes to opinions, as they know many men aren’t accepting of a highly opinionated woman. It’s a multitude of things with women. Whereas with men, things are quite simple. They just have to portray that they are the most sorted out guys, will be good providers, and know what they are doing in their lives. Putting it in a nutshell, both men and women deceive each other. But after a few months of marriage, the veil of deception is lifted. The woman who once seemed timid suddenly begins to voice her concerns. The woman who once seemed flexible suddenly begins to assert her unpopular opinions and impose her will. Men disappoint too. The woman realizes her guy isn’t as sorted out as he pretended to be. All in all, only when people start living together do they come to know of their partners for real. No wonder why so many love marriages end up in divorce within a year.
”
”
Abhaidev (The World's Most Frustrated Man)
“
Finally, my hope, because here is the part of your dating life where you no longer date to find someone to fill the emptiness. You look for someone to share the fullness that you both already are.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward.
Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.
”
”
Ellen Datlow (Teeth: Vampire Tales)
“
I can’t quite shake this feeling that we live in a world gone wrong, that there are all these feelings you’re not supposed to have because there’s no reason to anymore. But still they’re there, stuck somewhere, a flaw that evolution hasn’t managed to eliminate yet. I want so badly to feel bad about getting pregnant. But I can’t, don’t dare to. Just like I didn’t dare tell Jack that I was falling in love with him, wanting to be a modern woman who’s supposed to be able to handle the casual nature of these kinds of relationships. I’m never supposed to say, to Jack or anyone else, ‘What makes you think I’m so rich that you can steal my heart and it won’t mean a thing?’ Sometimes I think that I was forced to withdraw into depression, because it was the only rightful protest I could throw in the face of a world that said it was all right for people to come and go as they please, that there were simply no real obligations left. Deceit and treachery in both romantic and political relationships is nothing new, but at one time, it was bad, callous, and cold to hurt somebody. Now it’s just the way things go, part of the growth process. Really nothing is surprising. After a while, meaning and implication detach themselves from everything. If one can be a father and assume no obligations, it follows that one can be a boyfriend and do nothing at all. Pretty soon you can add friend, acquaintance, co-worker, and just about anyone else to the long list of people who seem to be part of your life, though there is no code of conduct that they must adhere to. Pretty soon, it seems unreasonable to be bothered or outraged by much of anything because, well, what did you expect?
”
”
Elizabeth Wurtzel (Prozac Nation)
“
So you're here by yourself?"
“Yes."
“Seems like an odd place to come by yourself."
“I needed to get away."
“Woman trouble? That's another of my father's expressions."
“No, actually. I poisoned my neighbor's dogs."
After a moment she said, “How drunk are you?"
“Quite."
“Is that true?"
“What?"
“That you poisoned your neighbor’s dogs."
“I’m afraid it is."
“I have dogs."
“Well, keep them away from me.
”
”
David Gilmour (Sparrow Nights)
“
Goddess, ...do not be angry with me about this. I am quite aware that my wife Penelope is nothing like so tall or so beautiful as yourself. She is only a woman, whereas you are an immortal. Nevertheless, I want to get home, and can think of nothing else.
”
”
Homer (The Odyssey)
“
Suddenly, quite miraculously, you are a grown-up beautiful woman. You look so much like your mother, but you are still uniquely you. You have thoughts I will never know. Desires I will never understand. Friends I will never meet. Passions I will never share. You have a life. You have an entire world in front of you.
”
”
Karin Slaughter (Pretty Girls)
“
She never indulged in reveries or tried to be clever in her conversation; she seemed to have drawn a line in her mind beyond which she never went. It was quite obvious that feelings, every kind of relationship, including love, entered into her life on equal terms with everything else, while in the case of other women love quite manifestly takes part, if not in deeds, then in words, in all the problems of life, and everything else is allowed in only in so far as love leaves room for it. The thing this woman esteemed most was the art of living, of being able to control oneself, of keeping a balance between thought and intention, intention and realization. You could never take her unawares, by surprise, but she was like a watchful enemy whose expectant gaze would always be fixed on you, however hard you tried to lie in wait for him. High society was her element, and therefore tact and caution prompted her every thought, word, and movement.
”
”
Ivan Goncharov (Oblomov)
“
What is it that has called you so suddenly out of nothingness to enjoy for a brief while a spectacle which remains quite indifferent to you? The conditions for your existence are almost as old as the rocks. For thousands of years men have striven and suffered and begotten and women have brought forth in pain. A hundred years ago, perhaps, another man sat on this spot; like you he gazed with awe and yearning in his heart at the dying light of the glaciers. Like you he was begotten of man and born of woman. He felt pain and brief joy as you do. Was he someone else? Was it not you yourself? What is this Self of yours? What was the necessary condition for making the thing conceived this time into you, just you and not someone else? What clearly intelligible scientific meaning can this 'someone else' really have? If she who is now your mother had cohabited with someone else and had a son by him, and your father had done likewise, would you have come to be? Or were you living in them, and in your father's father... thousands of years ago? And even if this is so, why are you not your brother, why is your brother not you, why are you not one of your distant cousins? What justifies you in obstinately discovering this difference - the difference between you and someone else - when objectively what is there is the same?
”
”
Erwin Schrödinger (My View of the World)
“
Rome and New York were impressive, but they knew they were. They had the beauty of a vain woman who had squeezed herself into her favourite dress after hours of careful self worship. There was a raw, feral beauty about this landscape that was totally unselfconscious but no less real...There was no pomp or vainty here; this was an innocent, natural beauty, the best kind, like a woman first thing in the morning, lit up by the sun streaming through a window, who doesn't quite believe it when you tell her how beautiful she is.
”
”
Leonardo Donofrio (Old Country)
“
There is nothing stronger than a broken woman who has rebuilt herself.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
When we create a life based on what we think we are supposed to do rather than from our own heart's desire, we always feel like something is missing, that we are not quite free. There is a deeper longing that keeps calling us to stop conforming, to break the chains of our fears, to jump the fence of people's opinions and find our innate wild happiness. Inside,
”
”
HeatherAsh Amara (Warrior Goddess Training: Become the Woman You Are Meant to Be)
“
Black Girls… Always remember: It’s so easy, and it takes very little effort, to be like the next person. Don’t insult yourself like that. Be yourself! Walk YOUR walk. Talk YOUR talk. Be uniquely YOU in everything that you do. A confident woman who has a strong sense of self is quite beautiful. Allow your light to shine from the inside out. Self-love is the greatest love of all. Love, respect, and be good to yourself, first! You matter! You count! And you’re important, too!
”
”
Stephanie Lahart
“
Guilt is always preferable to the thing that might give you brownie points for being a good person but ruin your mental health. Choose guilt over resentment, because guilt is a natural part of life, a thing we can work with and absolve ourselves of, while resentment is something that we heap on other people who weren’t asking for it anyway.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
He leaves his wife to manage the inn; and as she is a woman of color, a pair of old bachelors like you and I may be excused for guessing that it is the wife, quite as much as the health, that sends him back to roving J.
”
”
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
“
Just because drivers and cooks in Delhi are reading Murder Weekly, it doesn't mean that they are all about to slit their masters' necks. Of course they’d like to. Of course, a billion servants are secretly fantasizing about strangling their bosses — and that’s why the government of India publishes this magazine and sells it on the streets for just four and a half rupees so that even the poor can buy it. you see, the murdered in the magazine is so mentally disturbed and sexually deranged that not one reader would want to be like him — and in the end he always gets caught by some honest, hardworking police officer (ha!), or goes mad and hangs himself by a bedsheet after writing a sentimental letter to his mother or primary school teacher, or is chased, beaten, buggered, and garroted by the brother of the woman he has done in. So if your driver is busy flicking through the pages of Murder Weekly, relax. No danger to you. Quite the contrary.
It’s when your driver starts to read about Gandhi and the Buddha that it’s time to wet your pants.
”
”
Aravind Adiga (The White Tiger)
“
Clare could bear this no longer. His eyes were full of tears, which seemed like drops of molten lead. He bade a quick good-night to these sincere and simple souls whom he loved so well; who knew neither the world, the flesh, or the devil in their own hearts; only as something vague and external to themselves. He went to his own chamber.
His mother followed him, and tapped at his door. Clare opened it to discover her standing without, with anxious eyes.
"Angel," she asked, "is there something wrong that you must go away so soon? I am quite certain you are not yourself."
"I am not, quite, mother," said he.
"About her? Now, my son, I know it is that--I know it is about her! Have you quarreled in these three weeks?"
"We have not exactly quarreled," he said. "But we have had a difference--"
"Angel--is she a young woman whose history will bear investigation?"
With a mother's instinct Mrs. Clare had put her finger on the kind of trouble that would cause such a disquiet as seemed to agitate her son.
"She is spotless!" he replied; and he felt that if it had sent him to eternal hell there and then he would have told that lie.
”
”
Thomas Hardy (Tess of the D’Urbervilles)
“
I wasn't raised to let a woman walk through a dimly lit parking lot alone. Wasn't born in a cornfield, you know.”
Velia turned. “No, I didn't know. So, you're quite a gentleman. Don't we sound like a good pair—the devil woman and the gentleman?
”
”
Mary J. McCoy-Dressel (Howdy, Ma'am (Bull Rider, #1))
“
He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them.
Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price
”
”
Jane Austen (Mansfield Park)
“
Today my toolbox consists of breathing techniques, hot lemon water, herbal tea, hot baths, cold showers (this is called “hydrotherapy” and it’s so, so good), coffee, essential oils, yoga, meditation, kirtan, autonomous sensory meridian response (ASMR), massage, French pastries, emotional freedom technique (EFT), and many other things.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
I failed.
I fucking failed.
For fifteen years, Timothy Lane handed out A’s like mints. The year I take the class? Lane’s ticker quits ticking, and I get stuck with Pamela Tolbert.
It’s official. The woman is my archenemy. Just the sight of her flowery handwriting—which fills up every inch of available space in the margins of my midterm—makes me want to go Incredible Hulk on the booklet and rip it to shreds.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
As a white woman, part of my awakening has included a growing awareness of my privilege and an active education in dismantling the ways I contribute to the oppression of black, brown, and indigenous people. It’s the job of white women (and white men) to undo this discrimination, the same way it’s the job of men to undo toxic masculinity
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
I have no doubt that we will one day abolish the death penalty in America. It will come sooner if people like me who know the truth about executions do our work well and educate the public. It will come slowly if we do not. Because, finally, I know that it is not a question of malice or ill will or meanness of spirit that prompts our citizens to support executions. It is, quite simply, that people don't know the truth of what is going on. That is not by accident. The secrecy surrounding executions makes it possible for executions to continue. I am convinced that if executions were made public, the torture and violence would be unmasked, and we would be shamed into abolishing executions. We would be embarrassed at the brutalization of the crowds that would gather to watch a man or woman be killed. And we would be humiliated to know that visitors from other countries - Japan, Russia, Latina America, Europe - were watching us kill our own citizens - we, who take pride in being the flagship of democracy in the world. (p. 197)
”
”
Helen Prejean (Dead Man Walking: The Eyewitness Account Of The Death Penalty That Sparked a National Debate)
“
To summarize, the morning ritual is as follows: (1) wake up at the same time, (2) don’t check your phone, (3) boil some water and squeeze a quarter of a lemon into it, (4) meditate for five minutes, (5) read a positive affirmation that you’ve written on a Post-it note and repeat a few times throughout the day. Spending ten to fifteen minutes in the morning sets you up for an entirely different way of being and prevents cravings later in the day. Do the same thing every day for thirty to forty days to make this process automatic.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Mine was something along the lines of 'This is who I am, and this is the level at which I'm going to present myself, I feel fine, and if you don't like it then you're more than welcome to look away, thank you very much.' I decided, quite simply, not to care very much at all. As long as my rear-end and stomach were hidden from the public gaze, then I considered any outfit a roaring success.
People are either going to like the look of me, or they're not. And apart from remaining vaguely clean and healthy, there's not very much I can do to control that. Is an eye-lash tint, a facial and the right handbag really going to make all that much difference?
With this decision, I think I've spared myself a lot of misery. You may look at me and see a slightly frayed, wool-clad woman with an inexplicably hefty rucksack, but I look in the mirror and simply give thanks for all I've opted out of.
”
”
Miranda Hart (Is It Just Me?)
“
Today I don’t think of myself as being in recovery from illness. I think of myself as being on a mission to recover the truest version of myself, and as being in recovery from long exposure to a sick society that actively wants to destroy all that is good about me. Consequently, I get to do a bunch of rad things to manage life better, so I don’t need to escape.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.
”
”
Charles Dickens (A Christmas Carol)
“
He’d always loved how she fought him. He loved the crackle and spark of her wit. Now he discovered he also loved the way she lay against him in what felt like perfect trust. …
Antonia was a tall, vital woman, no shrinking miss. Now she felt brittle and vulnerable. He tightened his hold and told himself the surge of protectiveness meant nothing. Again he couldn’t quite believe it.
”
”
Anna Campbell (Midnight's Wild Passion)
“
You speak as if you envied him."
"And I do envy him, Emma. In one respect he is the object of my envy."
Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying,
"You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment."
"Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself."
"Thank you," said he, in an accent of deep mortification, and not another syllable followed.
Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house.
"You are going in, I suppose?" said he.
"No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think."
"As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?"
He stopped in his earnestness to look the question, and the expression of his eyes overpowered her.
"My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
It does seem, in other words, not only more difficult for a woman experimental writer to be accepted than for a woman writer (which corresponds to the male situation of experimental writer vs. writer), but also peculiarly more difficult for a woman experimental writer to be accepted than for a male experimental writer. She may, if young, get caught up in a “movement,” like Djuna Barnes, like H.D., like Laura Riding, as someone’s mistress, and then be forgotten, or if old, she maybe “admitted” into a group, under a label, but never quite as seriously considered as the men in that group.
”
”
Christine Brooke-Rose (Women Writing)
“
Kids reveal an obvious truth: natural wonder is built in to us,” she wrote in her journal. “We are instinctively attracted to nature.” Nature tugs on us like gravity, Carol believed. We travel long distances to stand atop mountains or stroll along seashores for reasons we can’t quite put into words. Nature keeps alive a childlike wonder and enables us to see the world anew through fresh eyes.
”
”
Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
“
Being a woman is hard, but I was good at it, I think is the underlying anxiety. Nobody fired me; I quit. I know I'm not trying to look pretty anymore, and I apologize to all those who have to look at me, because I used to try and I'm not enough of a man yet for it to not be a problem. I promise to work very hard to look like Victor Garber so you can look at a handsome man in three years' time minimum.
”
”
Daniel Mallory Ortberg (Something That May Shock and Discredit You)
“
Is alcohol getting in the way of my happiness, my life, my self-esteem? Is it getting in the way of my dreams, or maybe just not working for me? Does it cost more than it gives, does it shrink more than it expands, does it cut pieces out of me I can’t reclaim? Does it make me hate myself, even just a little bit?
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Saying no to people who want you to say yes, and upholding your boundaries with people who were used to having none, will at first feel terrible. Like a death. And it is a death of sorts. The death of the part of you that thinks you have to violate yourself to make it in life or be valued. You most likely will surrounded by people who are used to being accommodating or passive. At first, they feel threatened by you asserting your boundaries. This is ok. And in time they will get used to it. Just like in time you'll get used to understanding, that when people act like assholes when you say now, isn't about you. It's about them.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
finally, someone had put into words the thing that had been screaming in me since I was first told that my failure to submit to AA was really my ego run amok. Finally, what I read was: It makes sense that a woman might entirely refuse a program that asked her to give up something she’s not only never had, but was finally just grasping: a sense of self, a voice, a sense of her own desires, freedom in a world not made for her.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Since then he had taken these photos out too many times to count, but each time he looked into the face of this woman he had felt something growing inside him. It took him a long time to realize what it was. Only recently had his wounded synapses allowed him to name it. He had been falling in love all over again.
He didn't understand how two people who were married, who saw each other every day, could forget what each other looked like, but if he had had to name what had happened- this was it. And the last two photos in the roll provided the key. He had come home from work- I remember trying to keep my mother's attention as Holiday barked when he had heard the car pull into the garage.
'He'll come out,' I said. 'Stay still.' And she did. Part of what I loved about photography was the power it gave me over the people on the other side of the camera, even my own parents.
Out of the corner of my eye I saw my father walk through the side door into the yard. He carried his slim briefcase, which, years before, Lindsey and I had heatedly investigated only to find very little of interest to us. As he set it down I snapped the last solitary photo of my mother. Already her eyes had begun to seem distracted and anxious, diving under and up into a mask somehow. In the next photo, the mast was almost, but not quite, in place and in the final photo, where my father was leaning slightly down to give her a kiss on the cheek- there it was.
'Did I do that to you?' he asked her image as he stared at the pictures of my mother, lined up in a row. 'How did that happen?'
~pgs 239-240; Mr. Salmon dealing with the three c's (for families of addicts)- Cause (you didn't cause it), Control (you can't control it), and Cure (you can't cure it)
”
”
Alice Sebold (The Lovely Bones)
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
Yes, Aslan,” said both the children. But Polly added, “But we’re not quite as bad as that world, are we, Aslan?” “Not yet, Daughter of Eve,” he said. “Not yet. But you are growing more like it. It is not certain that some wicked one of your race will not find out a secret as evil as the Deplorable Word and use it to destroy all living things. And soon, very soon, before you are an old man and an old woman, great nations in your world will be ruled by tyrants who care no more for joy and justice and mercy than the Empress Jadis. Let your world beware. That is the warning.
”
”
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
“
Ethanol is a volatile, flammable, colourless liquid with a slight chemical odour. It is used as an antiseptic, a solvent, in medical wipes and antibacterial formulas because it kills organisms by denaturing their proteins.
Ethanol is an important industrial ingredient. Ethanol is a good general purpose solvent and is found in paints, tinctures, markers and personal care products such as perfumes and deodorants.
The largest single use of ethanol is as an engine fuel and fuel additive. In other words, we drink, for fun, the same thing we use to make rocket fuel, house paint, anti-septics, solvents, perfumes, and deodorants and to denature, i.e. to take away the natural properties of, or kill, living organisms. Which might make sense on some level if we weren’t a generation of green minded, organic, health-conscious, truth seeking individuals. But we are.
We read labels, we shun gluten, dairy, processed foods, and refined sugars. We buy organic, we use natural sunscreen and beauty products. We worry about fluoride in our water, smog in our air, hydrogenated oils in our food, and we debate whether plastic bottles are safe to drink from.
We replace toxic cleaning products with Mrs. Myers and homemade vinegar concoctions. We do yoga, we run, we SoulCycle and Fitbit, we go paleo and keto, we juice, we cleanse. We do coffee enemas and steam our yonis, and drink clay and charcoal, and shoot up vitamins, and sit in infrared foil boxes, and hire naturopaths, and shamans, and functional doctors, and we take nootropics and we stress about our telomeres. These are all real words.
We are hyper-vigilant about everything we put into our body, everything we do to our body, and we are proud of this. We Instagram how proud we are of this, and we follow Goop and Well+Good, and we drop 40 bucks on an exercise class because there are healing crystals in the floor.
The global wellness economy is estimated to be worth $4 trillion. $4 TRILLION DOLLARS. We are on an endless and expensive quest for wellness and vitality and youth. And we drink fucking rocket fuel.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
We will never have any memory of dying.
We were so patient
about our being,
noting down
numbers, days,
years and months,
hair, and the mouths we kiss,
and that moment of dying
we let pass without a note -
we leave it to others as memory,
or we leave it simply to water,
to water, to air, to time.
Nor do we even keep
the memory of being born,
although to come into being was tumultuous and new;
and now you don’t remember a single detail
and haven’t kept even a trace
of your first light.
It’s well known that we are born.
It’s well known that in the room
or in the wood
or in the shelter in the fishermen’s quarter
or in the rustling canefields
there is a quite unusual silence,
a grave and wooden moment as
a woman prepares to give birth.
It’s well known that we were all born.
But if that abrupt translation
from not being to existing, to having hands,
to seeing, to having eyes,
to eating and weeping and overflowing
and loving and loving and suffering and suffering,
of that transition, that quivering
of an electric presence, raising up
one body more, like a living cup,
and of that woman left empty,
the mother who is left there in her blood
and her lacerated fullness,
and its end and its beginning, and disorder
tumbling the pulse, the floor, the covers
till everything comes together and adds
one knot more to the thread of life,
nothing, nothing remains in your memory
of the savage sea which summoned up a wave
and plucked a shrouded apple from the tree.
The only thing you remember is your life."
-"Births
”
”
Pablo Neruda (Fully Empowered)
“
A girl like that does not deserve to be married to a man she does not love!”
The doctor stared for a moment, and then burst into quite inexplicable laughter. “Are we still speaking of Helen?” he wheezed after a moment.
“Yes,” snapped the matron, glaring at him.
“Dear me,” said the doctor, removing his glasses and dabbing at his eyes with a handkerchief. “Such a circumstance would be very unfortunate – very, very.”
The matron huffed. “The poor child is trapped in a loveless marriage – trust me. I’m a woman.”
“The not-at-all-to-be-pitied girl is married to a man she adores,” the doctor said, smiling. “Trust me. I’m a man, with a wife and three daughters.”
“Adores my eye!”
The doctor replaced his spectacles and spoke very patiently: “Miss Bingham, only a woman who loves remembers what kind of aircraft her man flies.
”
”
Sarah Beth Brazytis (Lighten Our Darkness)
“
January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: the woman she saw peering anxiously by the light of a match at the names in a dark doorway, the man who scribbled a message and handed it to his friend before they parted on the sidewalk, the man who ran a block for a bus and caught it. Every human action seemed to yield a magic. January was a two-faced month, jangling like jester’s bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define. A
”
”
Patricia Highsmith (The Price of Salt)
“
Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years?
"They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims."
"You bought their pianos?"
"We may even have bought their pianos. Yes, of course we bought them."
Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf.
"But when you were deported, what was it for? What was the charge?"
"Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary."
"And what about your husband? Who was he?"
"Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks."
“…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.
”
”
Aleksandr Solzhenitsyn (Cancer Ward)
“
And the shocker? I actually like what I found buried down there. I like myself. I like my tastes, style, preferences, opinions, movements, and peculiarities. I like the books I read, the clothes I wear, the music I listen to, my dry wit, my big hearty man-laugh, my maniacal drive, my deformed big toe, my big messy heart, my big messy life. All of it. And because I’m the person I spend the most time with, this means I get to spend a lot of time with a person I dig. As you can imagine, this is fun.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Dear Exquisite Black Queen… Being a Strong Black Woman doesn’t mean that you can’t be vulnerable. It’s okay to cry. It’s okay if you’re having a bad day. It’s okay if some days you feel like giving up. It’s okay if you need to ask for help. It’s okay if you’re feeling stressed out. It’s okay if you’re feeling a little depressed. It’s okay if you’re not quite sure about what you’re going to do next. It’s okay if you fall short sometimes. It’s okay if you don’t have all the answers. It’s okay to show your true emotions and not feel weak. I encourage you to not be so hard on yourself! Allow yourself to feel whatever it is you’re feeling, and know that it’s okay. You’re human, and you’re doing your VERY best, Queen. Love, respect, and appreciate the Black Queen you are!
”
”
Stephanie Lahart
“
Isabel is proving to be a very fascinating woman. I’ve been doing vanilla for so long now, I wonder if I still have it in me to be a Dom. I like to think it’s like riding a bike… I guess we’ll find out. She has quite a defiant side to her, and for now, I’ll let her get away with it since she doesn’t know the rules of being a submissive, but that will change. I just need to be patient with her.
”
”
Ella Dominguez (The Art of Submission (The Art of D/s, #1))
“
Her stomach lurches. She fancies him sooo much - she is powerless to resist. How can she possibly? She knows it's wrong: he has a girlfriend - he lives with her, for goodness' sake - and what they're doing is unfair, cruel. She is not sure what he's said to his girlfriend to wangle a night away and she doesn't want to know. She would hate it if it was done to her - she has never seen herself as the kind of girl who would steal another woman's man. She and Anna have always been most disapproving about women who do that, arguing through college and beyond that there are plenty of available men out there, that it is quite unnecessary to go for those already spoken for. But she has liked Simon since day one, and he is the one who initiated this whole thing. He is the one who blew her away with a clandestine kiss just a week ago, who asked if he could come back and stay at hers afterwards; he is the one who doubtless made unconvincing excuses when he returned home the next day. And it only took that single night to open this Pandora's box of mutual passion, being together was far, far better than it should have been, were it only a one-night stand. Karen senses that he really likes her.
”
”
Sarah Rayner (One Moment, One Morning)
“
Because alcohol is primarily a depressant, we reach for it to take the edge off. Which it does, initially. However, the counteractive process (or the B process) to the depressant nature of alcohol is a release of cortisol and adrenaline into the body. If you drink one glass of wine, you might have about twenty minutes of the desired “relaxed” effect before the drug (A process) wears off, and you’re left with increased amounts of cortisol and adrenaline, which fuel anxiety. This means alcohol causes anxiety; it doesn’t manage it.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Nothing in the world is as hopeful as knowing a woman you like is somewhere thinking about only you. Conversely, there is no badness anywhere as acute as the badness of no woman out in the world thinking about you. Or worse. That one has quit because of some bone-headedness on your part. It is like looking out an airplane window and finding the earth has disappeared. No loneliness can compete with that.
”
”
Richard Ford (The Sportswriter)
“
We’ve now established three things. First, we don’t need willpower when we don’t desire to do something, and it isn’t a thing some of us have in excess and some of us don’t have at all. It’s a cognitive function, like deciding what to eat or solving a math equation or remembering your dad’s birthday. Willpower is also a limited resource; we have more of it at the beginning of the day and lose it throughout the day as we use it to write emails or not eat cookies. When you automate some decisions or processes (through forming habits), you free up more brain power. Second, for us to make and change a habit, we need a cue, a routine, and a reward, and enough repetition must occur for the process to move from something we have to think about consciously (“I need to brush my teeth,” “I don’t want to drink wine”) to something we do naturally, automatically. Third, throughout the day, we must manage our energy so that we don’t blow out and end up in the place of no return—a hyperaroused state where the only thing that can bring us down is a glass (or a bottle) of wine. Maybe
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
So far in my life, I’ve been a lawyer. I’ve been a vice president at a hospital and the director of a nonprofit that helps young people build meaningful careers. I’ve been a working-class black student at a fancy mostly white college. I’ve been the only woman, the only African American, in all sorts of rooms. I’ve been a bride, a stressed-out new mother, a daughter torn up by grief. And until recently, I was the First Lady of the United States of America—a job that’s not officially a job, but that nonetheless has given me a platform like nothing I could have imagined. It challenged me and humbled me, lifted me up and shrank me down, sometimes all at once. I’m just beginning to process what took place over these last years—from the moment in 2006 when my husband first started talking about running for president to the cold morning this winter when I climbed into a limo with Melania Trump, accompanying her to her husband’s inauguration. It’s been quite a ride.
”
”
Michelle Obama (Becoming)
“
She spun to face him. “Listen, Hellboy, we need to make this quick. I have garage sales to hit and naughty souls to claim. Decide.” “I do not understand.” Was this goddess tormenting him for sport? Why did she call him “Hellboy?” How very rude! She poked at his bare chest with a razor sharp fingernail. “You hate taking orders.” Sì, true. After all, I am vampire. “And even if you decided to listen like a good little boy, the odds of pulling this off are slim to none.” I happen to excel at all things impossible. I am a vampire! “So don’t come crying if you end up in your queen’s dungeon…” Vampires do not cry, silly woman. “Tortured three times a day for all eternity, which is where you have a ninety-nine point nine, nine, nine percent chance of landing if you don’t do exactly as I say.” Actually, those numbers are quite encouraging. He thought his odds were somewhere between pigs flying and hell freezing over. “Buon. I understand. Tell me what you saw, what I must do.
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
The terms masculine and feminine are
used symmetrically only as a matter of form, as on legal
papers. In actuality the relation of the two sexes is not quite
like that of two electrical poles, for man represents both the
positive and the neutral, as is indicated by the common use of
man to designate human beings in general ; whereas woman
represents only the negative, defined by limiting criteria, without
reciprocity.
”
”
Simone de Beauvoir (A History of Sex)
“
Her knee caught him between the legs with pitiless accuracy, driving the wind from his chest, making him teeter for a breathless moment, then bringing him down like a sledgehammer to a house of cards. As he slid groaning to the carpet in that special, shooting agony that only a blow to the fruits can produce, it was little consolation that he had been right.
His Queen was quite evidently a woman of rare and fiery passion.
”
”
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
“
It’s that time of the month again…
As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer.
Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months.
Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him.
I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes.
And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography.
And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies.
I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery.
I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar.
And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
”
”
Molly Harper (And One Last Thing ...)
“
There’s a vegetarian takeaway place in Brighton called Infinity, where I would eat sometimes. I went there the first time I’d gone out in public after Arthur had died. There was a woman who worked there and I was always friendly with her, just the normal pleasantries, but I liked her. I was standing in the queue and she asked me what I wanted and it felt a little strange, because there was no acknowledgement of anything. She treated me like anyone else, matter-of-factly, professionally. She gave me my food and I gave her the money and – ah, sorry, it’s quite hard to talk about this – as she gave me back my change, she squeezed my hand. Purposefully. It was such a quiet act of kindness. The simplest and most articulate of gestures, but, at the same time, it meant more than all that anybody had tried to tell me – you know, because of the failure of language in the face of catastrophe. She wished the best for me, in that moment. There was something truly moving to me about that simple, wordless act of compassion.
”
”
Nick Cave (Faith, Hope and Carnage)
“
I love her with all my soul. Why, she is a child! She's a child now — a real child. Oh! you know nothing about it at all, I see."
"And are you assured, at the same time, that you love Aglaya too?"
"Yes — yes — oh; yes!"
"How so? Do you want to make out that you love them BOTH?"
"Yes — yes — both! I do!"
"Excuse me, prince, but think what you are saying! Recollect yourself!"
"Without Aglaya — I — I MUST see Aglaya! — I shall die in my sleep very soon — I thought I was dying in my sleep last night. Oh! if Aglaya only knew all — I mean really, REALLY all! Because she must know ALL — that's the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don't know what I'm talking about — I'm so confused. You pained me so dreadfully. Surely — surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it — I know it! Probably I am in fault all round — I don't quite know how — but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand — I am assured she will."
"No, prince, she will not. Aglaya loved like a woman, like a human being, not like an abstract spirit. Do you know what, my poor prince? The most probable explanation of the matter is that you never loved either the one or the other in reality.
”
”
Fyodor Dostoevsky (The Idiot)
“
My sister Sarah, with all the advantages of youth, was, strangely enough, less pliable. She did full justice to Pesca's excellent qualities of heart; but she could not accept him implicitly, as my mother accepted him, for my sake. Her insular notions of propriety rose in perpetual revolt against Pesca's constitutional contempt for appearances; and she was always more or less undisguisedly astonished at her mother's familiarity with the eccentric little foreigner. I have observed, not only in my sister's case, but in the instances of others, that we of the young generation are nothing like so hearty and so impulsive as some of our elders. I constantly see old people flushed and excited by the prospect of some anticipated pleasure which altogether fails to ruffle the tranquillity of their serene grandchildren. Are we, I wonder, quite such genuine boys and girls now as our seniors were in their time? Has the great advance in education taken rather too long a stride; and are we in these modern days, just the least trifle in the world too well brought up?
”
”
Wilkie Collins (The Woman in White)
“
She clucked her tongue. “Despite all their mischief, I pity them.” You ought to be pitying me, he thought. Having a woman this enticing living under the same roof was a constant temptation. And Chase battled temptation with approximately the same success as a seagull battling the Royal Navy. Out of sight was not out of mind. At night, he found himself thinking of her. Upstairs, alone, in the dark. But worse by far were the mornings. For God’s sake, he began each day holding her hand. That, and trying like hell to make her laugh. He hadn’t managed it quite yet, but most days he wrangled a reluctant smile. That alone was worth four flights of stairs. Just yesterday, Rosamund had woken him with a single word: “Tapeworms.” He’d all but leapt to his feet with delight.
”
”
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
“
Shall I tell you the secret of true love?" her father once asked her. "A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums."
"That's Mama!" Inej had cried.
"Yes, Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
And the dagger?" "Is that really -?"
"Katoptris," Piper said proudly. "Belonged to Helen of Troy."
I yelped. "You have Helen of Troy's dagger? Where did you find it?"
Piper shrugged. "In a shed at camp."
I felt like pulling out my hair. I remembered the day Helen received that dagger as a wedding present. Such a gorgeous blade, held by the most beautiful woman ever to walk the earth. (No offence to the billions of other women out there who are also quite enchanting; I love you all.) And Piper had found this historically significant, well-crafted, powerful weapon in a shed?
Alas, time makes bric-a-brac of everything, no matter how important.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
Some people call that picturesque' said Sir Percival, pointing over the wide prospect with his half-finished walking-stick. 'I call it a blot on a gentleman's property. In my great-grandfather's time, the lake flowed to this place. Look at it now! It is not four feet deep anywhere, and it is all puddles and pools. I wish I could afford to drain it, and plant it all over. My bailiff (a superstitious idiot) says he is quite sure the lake has a curse on it, like the Dead Sea. What do you think, Fosco? It looks just the place for a murder, doesn't it?'
'My good Percival!' remonstrated the Count. 'What is your solid English sense thinking of? The water is too shallow to hide the body; and there is sand everywhere to print off the murderer's footsteps. It is, upon the whole, the very worst place for a murder that I ever set my eyes on.
”
”
Wilkie Collins (The Woman in White)
“
And I saw then again, and for good, what I had always been afraid to see, and had pretended not to see in him: that he was a woman as well as a man. Any need to explain the sources of that fear vanished with the fear; what I was left with was, at last, acceptance of him as he was. Until then I had rejected him, refused him his own reality. He had been quite right to say that he, the only person on Gethen who trusted me, was the own Gethenian I distrusted. For he was the only one who had entirely accepted me as a human being: who had liked me personally and given me entire personal loyalty, and who therefore had demanded of me an equal degree of recognition, of acceptance. I had not been willing to give it. I had been afraid to give it. I had not wanted to give my trust, my friendship to a man who was a woman, a woman who was a man.
”
”
Ursula K. Le Guin (The Left Hand of Darkness)
“
I don't wish to marry, ever. I like men quite well- at least the ones I've been acquainted with- but I shouldn't like to have to obey a husband and serve his needs. It wouldn't make me at all happy to have a dozen children, and stay at home knitting while he goes out romping with his friends. I would rather be independent."
The room was silent. Lady Berwick's expression did not change, nor did she blink even once as she stared at Pandora. It seemed as if a soundless battle were being waged between the authoritative older woman and the rebellious girl.
Finally Lady Berwick said, "You must have read Tolstoy."
Pandora blinked, clearly caught off guard by the unexpected comment. "I have," she admitted, looking mystified. "How did you know?"
"No young woman wants to marry after reading Tolstoy. That is why I never allowed either of my daughters to read Russian novels.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
And when a woman does fail, she is more likely to believe it’s personal—she sucked—while men view it as circumstantial (the business sucked). It’s not all bad. Women’s fear of failure may prompt them to become better informed; they take the time to read up on their ideas so they can supply evidence. But then of course
there’s the feedback loop: People who fear failure are less likely to put forward ideas, to take intellectual risks, and more likely to quit. They tend to avoid new challenges in favor of sticking to what they’re already good [at].
”
”
Jess Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
“
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
”
”
Théophile Gautier (Mademoiselle de Maupin)
“
In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.
”
”
Truman Capote
“
There was nothing, she saw at once, to be hoped for in the way of interest from their clothes. She did not consciously think this, for she was having a violent reaction against beautiful clothes and the slavery they impose on one, her experience being that the instant one had got them they took one in hand and gave one no peace till they had been everywhere and been seen by everybody. You didn't take your clothes to parties; they took you. It was quite a mistake to think that a woman, a really well-dressed woman, wore out her clothes; it was the clothes that wore out the woman--dragging her about at all hours of the day and night. No wonder men stayed young longer. Just new trousers couldn't excite them. She couldn't suppose that even the newest trousers ever behaved like that...
”
”
Elizabeth von Arnim (The Enchanted April)
“
Late-sleeping Utopians, especially, persist like mercury. I am a fanatic myself, although not a woman of temperament. I get nervous at scenes. I stole a washcloth once from a motel in Angkor Wat. The bellboy was incensed. I had to give it back. To promote the general welfare and secure the blessings of liberty to ourselves and our posterity—I believe all that. I go to parties almost whenever I am asked. I think a high tone of moral indignation, used too often, is an ugly thing. I get up at eight. Quite often now I have a drink before eleven. In some ways, I have overshot my mark in life in spades.
”
”
Renata Adler (Speedboat)
“
Women understand that there are two distinct economies: There is physical attraction, and then there is the “ideal.” When a woman looks at a man, she can physically dislike the idea of his height, his coloring, his shape. But after she has liked him and loved him, she would not want him to look any other way: For many women, the body appears to grow beautiful and erotic as they grow to like the person in it. The actual body, the smell, the feel, the voice and movement, becomes charged with heat through the desirable person who animates it. Even Gertrude Stein said of Picasso, “There was nothing especially attractive about him at first sight…but his radiance, an inner fire one sensed in him, gave him a sort of magnetism I was unable to resist.” By the same token, a woman can admire a man as a work of art but lose sexual interest if he turns out to be an idiot.
What becomes of the man who acquires a beautiful woman, with her “beauty” his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying a mutually suspicious set of insecurities. He does gain something: the esteem of other men who find such an acquisition impressive.
”
”
Naomi Wolf (The Beauty Myth)
“
To that point, he had always found the vicomtesse overflowing with friendly politeness, that sweet-flowing grace conferred by an aristocratic education, and which is never truly there unless it comes, automatically and unthinkingly, straight from the heart.
[...]
For anyone who had learned the social code, and Rastignac had absorbed it all in a flash, these words, that gesture, that look, that inflection in her voice, summed up all there was to know about the nature and the ways of men and women of her class. He was vividly aware of the iron hand underneath the velvet glove; the personality, and especially the self-centeredness, under the polished manners; the plain hard wood, under all the varnish. [...] Eugène had been entirely too quick to take this woman's word for her own kindness. Like all those who cannot help themselves, he had signed on the dotted line, accepting the delightful contract binding both benefactor and recipient, the very first clause of which makes clear that, as between noble souls, perfect equality must be forever maintained. Beneficience, which ties people together, is a heavenly passion, but a thoroughly misunderstood one, and quite as scarce as true love. Both stem from the lavish nature of great souls.
”
”
Honoré de Balzac (Père Goriot)
“
The Home Office informs us that there are around 400 ex-offenders from overseas currently seeking refuge in this country. One geezer, who has 78 offences to his name, managed to escape deportation on the grounds that he’s an alcoholic! Drinking alcohol, it seems, is illegal in his homeland, so because he claims he’ll be persecuted and tortured we’ve said, “Oh, bad show, old chap. Tough call that. Enjoy a spot of scotch myself from time to time. Quite understandable. Well why don’t you stay here at our expense? You’ll be able to fondle and grope any woman you like. We’d never deport you for that, I can assure you. You’ll be perfectly safe here.
”
”
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
“
Thank fuck,” Dante said when the woman was out of earshot. “Now I know why people elope. The small talk at these things is insufferable.”
“Yes, but I’m sure you can find one thing you like about it.” I looped my arms around his neck.
“Maybe one. The lobster canapés are pretty good.”
“And?”
“And…” He pretended to think about it. “The flowers are impressive. Though for one hundred and twenty thousand dollars, they better well be.”
“What about the people?” I tilted my chin up. “Anyone tolerable?”
“Hmm. There is this woman I’ve been eyeing all night… She’s beautiful, charming, has the best smile I’ve ever seen…but I think she’s married.”
“How… unfortunate.”
“Very.”
“I hear her husband is quite protective of her. If he sees me talking to her, he might do something rash.”
“Like?”
“Like kiss the hell out of her in front of two hundred and fifty people, propriety be damned.
”
”
Ana Huang (King of Wrath (Kings of Sin, #1))
“
It was the 'Are the boys doing it?' basis on which I finally decided I was against women wearing burkas. Yes, the idea is that it protects your modesty, and ensures that people regard you as a human being, rather than just a sexual object (...) But who are you being protected from? Men. And who - so long as you play by the rules, and wear the correct clothes - is protecting you from the men? Men. And who is it that is regarding you as a sexual object, instead of another human being, in the first place? Men.
Well. This all seems like quite a man-based problem, really. (...) I don't know why we're suddenly having to put things on our heads to make it better.
”
”
Caitlin Moran (How to Be a Woman)
“
Being a woman in India is an altogether different experience. You can’t always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn’t quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan’s arrival, she will finally get her granddaughter.
”
”
Shilpi Somaya Gowda (Secret Daughter)
“
in such moments I have formulated my creed, wherein all is clear and holy to me. This creed is extremely simple; here it is: I believe that there is nothing lovelier, deeper, more sympathetic, more rational, more manly, and more perfect than the Saviour; I say to myself with jealous love that not only is there no one else like Him, but that there could be no one. I would even say more: If anyone could prove to me that Christ is outside the truth, and if the truth really did exclude Christ, I should prefer to stay with Christ and not with truth. I would rather not say anything more about it. And yet I don't know why certain topics may never be touched on in society, and why, if anyone does introduce them, it makes the others uncomfortable. Still, enough of it. I heard that you were desirous of travelling somewhere in the South. God grant that you may succeed in obtaining permission to do so. But will you please tell me when we shall be quite free, or at any rate as free as other people ? Perhaps only when we no longer need freedom ? For my part, I want all or nothing. In my soldier's uniform I am the same prisoner as before. I rejoice greatly that I find there is patience in my soul for quite a long time yet, that I desire no earthly possessions, and need nothing but books, the possibility of writing, and of being daily for a few hours alone. The last troubles me most. For almost five years I have been constantly under surveillance, or with several other people, and not one hour alone with myself. To be alone is a natural need, like eating and drinking ; for in that kind of concentrated communism one becomes a whole-hearted enemy of mankind. The constant companionship of others works like poison or plague; and from that unendurable martyrdom I most suffered in the last four years. There were moments in which I hated every man, whether good or evil, and regarded him as a thief who, unpunished, was robbing me of life. The most unbearable part is when one grows unjust, malignant, and evil, is aware of it, even reproves one's-self, and yet has not the power to control one's-self. I have experienced that. I am convinced that God will keep you from it. I believe that you, as a woman, have more power to forgive and to endure. Do
”
”
Fyodor Dostoevsky (Letters of Fyodor Michailovitch Dostoyevsky to his family and friends)
“
Where are we heading?”
“The closest wooded area to here is Kenwood Academy’s estate. Good place to hide, especially at night.”
“If we’re going into the woods, I definitely need to change.”
I glanced back at her as we returned to the curb where the cab had dropped us off. “Or you could just go home.”
She crossed her arms and avoided my gaze, scowling. “You’re sick of me already? That must be a record.”
I lifted my eyes to the heavens. Women. “This creature tore out a woman’s throat and busted her chest cavity open like a piñata. I don’t like the thought of it being anywhere near you.”
“Did it ever occur to you that I feel the same way?”
Surprise flooded over me. “No, it…actually didn’t.”
“I know I’m not as strong or as smart as you are, but that doesn’t mean I can’t help. We’re partners, aren’t we?”
“Yeah,” I said, and couldn’t stop the smile creeping across my lips. “I guess we are.”
She tossed a quick look at me and frowned. “Quit it.”
“What?”
“I hate it when you do that.”
“You hate it when I smile?”
“No, when you make that, ‘aw, she does have a heart’ face. You look like a Disney prince.”
I laughed. “My bad. I’ll work on that.
”
”
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
It is not difficult for an unwise mother quite unintentionally to centre the heterosexual feelings of a young son upon herself, and it is true that, if this is done, the evil consequences pointed out by Freud will probably ensue. This is, however, much less likely to occur if the mother's sexual life is satisfying to her, for in that case she will not look to her child for a type of emotional satisfaction which ought to be sought only from adults. The parental impulse in its purity is an impulse to care for the young, not to demand affection from them, and if a woman is happy in her sexual life she will abstain spontaneously from all improper demands for emotional response from her child.
”
”
Bertrand Russell (Marriage and Morals)
“
His mother is dead. She was a suicide. Her marriage was terrifying to her. In the center of it she found herself completely alone. During the last year she sent long telegrams to her sister, sometimes quoting poetry, Swinburne, Blake. One day she burned her diaries, a spring day, and walked into the Connecticut River to drown, just like Virginia Woolf or Madame Magritte. She was buried in Boston, her home. I could see the ceremony. Dean is six years old and his sister three. They stand stunned and obedient as the great, glistening coffin is lowered into the ground. Within lies the drowned woman who had given them life and who now gives an example of melancholy and commitment which will stay with them forever. Clods of earth thunder onto the hollow lid and, half-orphan, bearer of his mother’s death which is not yet even real, he begins his life. Much of it you know, at any rate college, the wanderings. Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with those daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.
”
”
James Salter (A Sport and a Pastime)
“
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?"
Pandora shook her head, her eyes wide.
A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen."
"How?" Pandora asked, fascinated.
The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string."
"That's horrid," Pandora exclaimed, laughing.
"It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly."
"Poor boy."
"Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn."
"What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?"
The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Suddenly the door to one of the trailers opens, and a famous head emerges. It is a woman’s head, quite a distance away, seen in profile, like the head on a coin, and while Clarissa cannot immediately identify her (Meryl Streep? Vanessa Redgrave?) she knows without question that the woman is a movie star. She knows by her aura of regal assurance, and by the eagerness with which one of the prop men speaks to her (inaudibly to Clarissa) about the source of the noise. The woman’s head quickly withdraws, the door to the trailer closes again, but she leaves behind her an unmistakable sense of watchful remonstrance, as if an angel had briefly touched the surface of the world with one sandaled foot, asked if there was any trouble and, being told all was well, had resumed her place in the ether with skeptical gravity, having reminded the children of earth that they are just barely trusted to manage their own business, and that further carelessness will not go unremarked.
”
”
Michael Cunningham (The Hours)
“
In an age like our own, when the artist is an altogether exceptional person, he must be allowed a certain amount of irresponsibility, just as a pregnant woman is. Still, no one would say that a pregnant woman should be allowed to commit murder, nor would anyone make such a claim for the artist, however gifted. If Shakespeare returned to the earth to-morrow, and if it were found that his favourite recreation was raping little girls in railway carriages, we should not tell him to go ahead with it on the ground that he might write another King Lear. And, after all, the worst crimes are not always the punishable ones. By encouraging necrophilic reveries one probably does quite as much harm as by, say, picking pockets at the races. One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being. The one does not invalidate or, in a sense, affect the other. The first thing that we demand of a wall is that it shall stand up. If it stands up, it is a good wall, and the question of what purpose it serves is separable from that. And yet even the best wall in the world deserves to be pulled down if it surrounds a concentration camp. In the same way it should be possible to say, “This is a good book or a good picture, and it ought to be burned by the public hangman.” Unless one can say that, at least in imagination, one is shirking the implications of the fact that an artist is also a citizen and a human being.
”
”
George Orwell (Dickens, Dali And Others: (Authorized Orwell Edition): A Mariner Books Classic)
“
According to Flinders, all religious and spiritual traditions and specifically meditative practices—because they were built by men and for men—promote the following: self-silencing; self-naughting (destruction of the ego); resisting desire; and enclosure (turning inward, sealing off from the world). As a feminist, naming these four requirements of transcendence troubled her. “I realized that however ancient and universal these disciplines may be, they are not gender neutral at all. Formulated for the most part within monastic contexts, they cancel the basic freedoms—to say what one wants, go where one likes, enjoy whatever pleasures one can afford, and most of all, to be somebody—that have normally defined male privilege” (emphasis mine).
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
For men an orgasm is a relief,” I said, and then decided to explain. “Imagine an ache – some kind of a pain that never quite goes away. That’s what the sexual urge is in most men – it is something that lingers in the back of our mind almost constantly, so that when a man has an orgasm, he experiences temporary relief from the urge. But it’s only temporary. Eventually, that same ache will come back. For women, an orgasm is a release. The sexual urge in a woman generally starts from much deeper in their subconscious. Arousal is a longer, slower process like starting a fire. For a woman, the flame of her desire needs to be nurtured patiently until it reaches the point where it becomes conscious and instinctive. But even then a clumsy man can douse the flames in an instant. It’s not like the urge in men. For a woman, desire is created and once released as an orgasm, the spark must be reignited. Men are not so complex. For us there is always a flicker of arousal that can never quite be extinguished.
”
”
Jason Luke (In Love with a Master (Interview with a Master Book 2))
“
The anxiety that has followed me through my life like a bad friend had reappeared with a vengeance and taken a brand-new form. I felt like I was outside my own body, watching myself work. I didn’t care if I succeeded or failed because I wasn’t totally sure I was alive. Between scenes I hid in the bathroom and prayed for the ability to cry, a sure sign I was real. I didn’t know why this was happening. The cruel reality of anxiety is that you never quite do. At the moments it should logically strike, I am fit as a fiddle. On a lazy afternoon, I am seized by a cold dread. In this moment I had plenty to be anxious about: pressure, exposure, a tense argument with a beloved colleague. But I had even more to be thankful for. Yet I couldn’t feel anything.
”
”
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
“
Hing hang hung! the words rang faintly through his daydream like echoes of Miz Cunningham's tart little doorbell. Then he looked again at the old woman herself. Why, she was really quite wonderful - this old fat woman! In the end, she got her hands on nearly everything in the world! Just look at her window! There by the pair of old overshoes were Jamey Hankins' ice skates. There was old Walt Spoon's elk's tooth. There - his mother's own wedding ring! There was a world in the window of this remarkable old woman. And it was probable that when Miz Cunningham like an ancient barn owl fluttered and flapped to earth at last, they would take her away and pluck her open and find her belly lined with fur and feathers and the tiny mice skulls of myriad dreams.
”
”
Davis Grubb (The Night of the Hunter)
“
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace."
The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time."
"Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women."
"That's not true," the duke said, "The non-gullible ones follow me as well."
Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women.
When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined.
She moved forward and took his arm.
"How was your journey, my dear?" the duke asked as he escorted her into the house.
Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage."
"Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on."
"No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks."
"Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather."
"I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously.
The duke laughed gently. "What a delightful girl.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
We are supposed to consume alcohol and enjoy it, but we're not supposed to become alcoholics. Imagine if this were the same with cocaine. Imagine we grew up watching our parents snort lines at dinner, celebrations, sporting events, brunches, and funerals. We'd sometimes (or often) see our parents coked out of our minds the way we sometimes (or often) see them drunk. We'd witness them coming down after a cocaine binge the way we see them recovering from a hangover. Kiosks at Disneyland would see it so our parents could make it through a day of fun, our mom's book club would be one big blow-fest and instead of "mommy juice" it would be called "mommy powder" There'd be coke-tasting parties in Napa and cocaine cellars in fancy people's homes, and everyone we know (including our pastors, nurses, teachers, coaches, bosses) would snort it. The message we'd pick up as kids could be Cocaine is great, and one day you'll get to try it, too! Just don't become addicted to it or take it too far. Try it; use it responsibly. Don't become a cocaine-oholic though. Now, I'm sure you're thinking. That's insane, everyone knows cocaine is far more addicting than alcohol and far more dangerous. Except, it's not...The point is not that alcohol is worse than cocaine. The point is that we have a really clear understanding that cocaine is toxic and addictive. We know there's no safe amount of it, no such thing as "moderate" cocaine use; we know it can hook us and rob us of everything we care about...We know we are better off not tangling with it at all.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Listen to me,” he said, his voice even and intense, “and listen well, because I’m only going to say this once. I desire you. I burn for you. I can’t sleep at night for wanting you. Even when I didn’t like you, I lusted for you. It’s the most maddening, beguiling, damnable thing, but there it is. And if I hear one more word of nonsense from your lips, I’m going to have to tie you to the bloody bed and have my way with you a hundred different ways, until you finally get it through your silly skull that you are the most beautiful and desirable woman in England, and if everyone else doesn’t see that, then they’re all bloody fools.”
Kate wouldn’t have thought it possible for her mouth to fall open while she was lying down, but somehow it did.
One of his brows arched into what had to be the most arrogant expression ever to grace a face. “Is that understood?”
She just stared at him, not quite able to form a response.
He leaned down until his nose was a mere inch from hers. “Is that understood?”
She nodded.
“Good,” he grunted.
-Anthony & Kate
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Lost,” I say, dropping the photo on to the counter. “I’ve lost Elizabeth.” She pauses a moment and straightens to look at the photo. “Oh, was it an advert you wanted?” Breath floods into my lungs. “Yes. Yes, that’s it. I wanted to place an advert.” “I’ll get you a form. Awful, cats, aren’t they?” I nod, feeling as though I’ve missed some part of the conversation. I nod, but I quite like cats, and I wonder what this woman has against them. “I remember when my auntie lost her Oscar. She was frantic. Missing for weeks, he was. Found him in a beach hut in the end. Have you asked your neighbours to look in their sheds?” I stare at the woman. I can’t imagine finding Elizabeth in a shed. But perhaps it is a good suggestion. Perhaps it’s just me it doesn’t make sense to. I borrow a pen and write beach hut on a scrap of paper.
”
”
Emma Healey (Elizabeth Is Missing)
“
Yes, Phebe was herself now, and it showed in the change that came over her at the first note of music. No longer shy and silent, no longer the image of a handsome girl, but a blooming woman, alive and full of the eloquence her art gave her, as she laid her hands softly together, fixed her eye on the light, and just poured out her song as simply and joyfully as the lark does soaring toward the sun.
"My faith, Alec! that's the sort of voice that wins a man's heart out of his breast!" exclaimed Uncle Mac, wiping his eyes after one of the plaintive ballads that never grow old.
"So it would!" answered Dr. Alec, delightedly.
"So it has," added Archie to himself; and he was right: for just at that moment he fell in love with Phebe. He actually did, and could fix the time almost to a second: for at a quarter past nine, he thought merely thought her a very charming young person; at twenty minutes past, he considered her the loveliest woman he ever beheld; at five and twenty minutes past, she was an angel singing his soul away; and at half after nine he was a lost man, floating over a delicious sea to that temporary heaven on earth where lovers usually land after the first rapturous plunge.
If anyone had mentioned this astonishing fact, nobody would have believed it; nevertheless, it was quite true: and sober, business-like Archie suddenly discovered a fund of romance at the bottom of his hitherto well-conducted heart that amazed him. He was not quite clear what had happened to him at first, and sat about in a dazed sort of way; seeing, hearing, knowing nothing but Phebe: while the unconscious idol found something wanting in the cordial praise so modestly received, because Mr. Archie never said a word.
”
”
Louisa May Alcott (Rose in Bloom (Eight Cousins, #2))
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
They kissed gently, and Bastien pulled back and eyed her. “So, what are you doing for the next forty to fifty years?” “Hmm.” Terri smiled. “Actually, I don’t have any plans at the moment. I just quit my job and sold my cottage, so I’m rather at loose ends.” “Yeah?” He grinned. “Would you care to spend them with me?” “I thought you’d never ask,” Terri said with a smile. “Hmm.” His expression turned solemn, telling her what was coming was important to him. Bastien brushed one finger down her cheek, then asked, “Would you care to make it four to five hundred years or more? There’s a lot to do in this world, and it would be nice to do it all together.” Terri raised a hand to caress his cheek in return, and nodded. “I think I’d like that.” Bastien let his breath out on a sigh and hugged her tight. “Damn, woman. I love you.” Terri laughed as tears pooled in her eyes. “And I love you.
”
”
Lynsay Sands (Tall, Dark & Hungry (Argeneau #4))
“
Shura,” she whispered, “don’t you see? Our baby is a sign from God.” “It is?” “Absolutely,” she said, her face sparkling. Suddenly Alexander understood. “That’s the radiance,” he exclaimed. “That’s why you’re like a flame walking through this hospital. It’s the baby!” “Yes,” she said. “This is what is meant for us. Think about Lazarevo—how many times did we make love in those twenty-nine days?” “I don’t know.” He smiled. “How many? How many zeros follow the twenty-nine?” She laughed quietly. “Two or three. We made love to wake the dead, and yet I didn’t get pregnant. You come to see me for one weekend, and here I am—how do you say, up the stick?” Alexander laughed loudly. “Thank you for that. But, Tania, I want to remind you, we did make love quite a bit that weekend, too.” “Yes.” They stared at each other for a silent, unsmiling moment. Alexander knew. They had both felt too close to death that gray weekend in Leningrad. And, yet, here it was— As if to confirm what he was thinking, Tatiana said, “This is God telling us to go. Can’t you feel that, too? He is saying, this is your destiny! I will not let anything happen to Tatiana, as long as she has Alexander’s baby inside her.” “Oh?” said Alexander, his hands tenderly stroking her stomach. “God is saying that, is He? Why don’t you tell that to the woman in the Ladoga truck with you and Dasha, holding her dead baby all the way from the barracks across to Kobona?” “I feel stronger now than ever,” Tatiana said, hugging him. “Where is your famous faith, big man?
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
He closed the distance between them, slipped an arm around her waist beneath the blanket. His fingers traced her jaw, slid into the hair at her nape. “You are a fascinating woman, Paige. No wonder Russell chose you for this task. Or did you volunteer?”
With a tug, she was flush against him. The blanket fell away as she let it go to press her hands against his chest. Paige closed her eyes. His naked chest.
His skin was hot beneath her hands, silky and hard, and she wanted to pet him like a cat.
How could she possibly find him sexy at a time like this?
“Let me go,” she breathed.
“Before you’ve done what you came to do?”
“I didn’t come here to do anything.”
“What did Russell offer you?”
“I don’t know what you’re talking about!”
“Were you supposed to seduce me? Supposed to leave me sated and exhausted in bed while you went through my papers?” His head dipped toward her. “Because I have to say, Paige, that I am very disappointed in your technique thus far. But I find I am quite willing to allow you to complete your mission.
She knew she should pull away when his lips touched hers, but it was physically impossible. Not because he held her too tightly, but because her body was zinging with sparks that she didn’t want to end…
”
”
Lynn Raye Harris (Prince Voronov's Virgin)
“
Each person in the group said something except for me. My silence became noticed. About halfway through the meeting I started to think, I've got to talk. Today, I've got to talk. Fear racked me so bad that sweat ran down my sides. I thought, After the curly-haired woman stops talking I'll raise my hand. A man with a cocky smile told the curly woman that her story was nothing compared to his, he'd been passed out cold from heroin and God knows what, and I wanted to tell him to quit glorifying hinself. I was just about to say the words, a few faces turned toward me as if they could sense my imminent speech, when a man across the circle interrupted.
The opportunity passed; what I wanted to say wouldn't fit now. I tilted on the back two legs of the chair and waited for my desire to speak and be noticed and be part of the group to travel back through my nervous system. Up the synapses condemnation rushed: Why couldn't I spit something out like a normal person?
”
”
Daphne Scholinski (The Last Time I Wore a Dress)
“
Ultimately, what helped me understand addiction and how I came to be ensnared was first realizing that we all suffer some degree of addiction. While not all of us give our lives over to it as much as I did, or get tangled up in chemical addictions, the fact remains that all humans suffer, all look outside themselves to manage that suffering, and all get stuck in feedback loops that run through the same wiring in our brain that alcohol addiction runs through. The second thing that helped me pull apart my own addiction, and thus understand how to approach it and overcome it, was breaking it up into two distinct parts: the root causes, or the things that drive us out of ourselves to cope, and the cycle of addiction, or what happens to us biologically, spiritually, socially, and psychologically over time when we use an effective but addictive substance or behavior in an attempt to regulate ourselves. I call it the Two-Part Problem, and in order to heal, we need to address both parts.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Nothing sets a person up more than having something turn out just the way it’s supposed to be, like falling into a Swiss snowdrift and seeing a big dog come up with a little cask of brandy round its neck.
The first time I traveled on the Orient Express I was accosted by a woman who was later arrested and turned out to be a quite well-known international spy. When I talked with Al Capone there was a submachine gun poking through the transom of the door behind him. Ernest Hemingway spoke out of the corner of his mouth. In an Irish castle a sow ran right across the baronial hall. The first Minister of Government I met told me a most horrible lie almost immediately.
These things were delightful, and so was my first view of the Times office in London. In the Foreign Editorial Room a subeditor was translating a passage of Plato’s Phaedo into Chinese, for a bet. Another subeditor had declared it could not be done without losing a certain nuance of the original. He was dictating the Greek passage aloud from memory.
”
”
Claud Cockburn (Cockburn sums up: An autobiography)
“
short term always leaves us in a place worse off than when we started. — To properly heal from addiction, we need a holistic approach. We need to create a life we don’t need to escape. We need to address the root causes that made us turn outside ourselves in the first place. This means getting our physical health back, finding a good therapist, ending or leaving abusive relationships, learning to reinhabit our bodies, changing our negative thought patterns, building support networks, finding meaning and connecting to something greater than ourselves, and so on. To break the cycle of addiction, we need to learn to deal with cravings, break old habits, and create new ones. To address all of this is an overwhelming task, but there is a sane, empowering, and balanced approach. But before we discuss how to implement solutions to the Two-Part Problem, we need to address one of the bigger issues that women and other historically oppressed folks need to consider, which is how patriarchal structures affect the root causes of addiction, how they dominate the recovery landscape, and what that means for how we experience recovery. If we are sick from sexism, homophobia, racism, classism, microaggressions, misogyny, ableism, American capitalism, and so on—and we are—then we need to understand how recovery frameworks that were never built with us in mind can actually work against us, further pathologizing characteristics, attributes, and behaviors that have been used to keep us out of our power for millennia. We need to examine what it means for us individually and collectively when a structure built by and for upper-class white men in the early twentieth century dominates the treatment landscape.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Sometimes your gaze alone scares me. Sometimes I've never seen you before. I no longer know what you're doing here, in this popular seaside resort, in this dull, crowded season, where you are even more alone than in your regional capital.
The better to kill you, perhaps, or to drive you away, I don't know. I sometimes manage to feel I've never seen you before. That I don't know you, to the point of horror. That I have no idea why you're here, what you want from me, or what will become of you. Becoming is the only subject we never, ever broach.
You must not know what you're doing here either, with this woman who is already old, mad with writing.
Maybe this is just normal, maybe it's the same all over; it's nothing, you came simply because you were desperate, as you are every day of your life. And also during certain summers at certain times of day or night when the sun quits the sky and slips into the sea, every evening, always, you cannot help wanting to die. This I know.
I see the two of us lost in similar natures. I can sometimes be overwhelmed by tenderness for the kind of people we are. Unstable, they say, a bit nutty. 'People who never go to the movies, or the theater, or parties.' Leftists are like that, you know, they have no clue how to enjoy life. Cannes makes them sick and so do the grand hotels of Morocco. Movies and theaters, it's all the same.
”
”
Marguerite Duras (Yann Andrea Steiner)
“
You don’t want to do this, Miss Sheffield,” he warned.
“Oh,” she said with great feeling, “I do. I really, really do.” And then, with quite the most evil grin her lips had ever formed, she drew back her mallet and smacked her ball with every ounce of every single emotion within her. It knocked into his with stunning force, sending it hurtling even farther down the hill.
Farther . . .
Farther . . .
Right into the lake.
Openmouthed with delight, Kate just stared for a moment as the pink ball sank into the lake. Then something rose up within her, some strange and primitive emotion, and before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!”
“You don’t win,” Anthony snapped.
“Oh, it feels like I’ve won,” she reveled.
Colin and Daphne, who had come dashing down the hill, skidded to a halt before them. “Well done, Miss Sheffield!” Colin exclaimed. “I knew you were worthy of the mallet of death.”
“Brilliant,” Daphne agreed. “Absolutely brilliant.”
Anthony, of course, had no choice but to cross his arms and scowl mightily.
Colin gave her a congenial pat on the back. “Are you certain you’re not a Bridgerton in disguise? You have truly lived up to the spirit of the game.”
“I couldn’t have done it without you,” Kate said graciously. “If you hadn’t hit his ball down the hill . . .”
“I had been hoping you would pick up the reins of his destruction,” Colin said.
The duke finally approached, Edwina at his side. “A rather stunning conclusion to the game,” he commented.
“It’s not over yet,” Daphne said.
Her husband gave her a faintly amused glance. “To continue the play now seems rather anticlimactic, don’t you think?”
Surprisingly, even Colin agreed. “I certainly can’t imagine anything topping it.”
Kate beamed.
The duke glanced up at the sky. “Furthermore, it’s starting to cloud over. I want to get Daphne in before it starts to rain. Delicate condition and all, you know.”
Kate looked in surprise at Daphne, who had started to blush. She didn’t look the least bit pregnant.
“Very well,” Colin said. “I move we end the game and declare Miss Sheffield the winner.”
“I was two wickets behind the rest of you,” Kate demurred.
“Nevertheless,” Colin said, “any true aficionado of Bridgerton Pall Mall understands that sending Anthony into the lake is far more important than actually sending one’s ball through all the wickets. Which makes you our winner, Miss Sheffield.” He looked about, then straight at Anthony. “Does anyone disagree?”
No one did, although Anthony looked close to violence.
“Excellent,” Colin said. “In that case, Miss Sheffield is our winner, and Anthony, you are our loser.”
A strange, muffled sound burst from Kate’s mouth, half laugh and half choke.
“Well, someone has to lose,” Colin said with a grin. “It’s tradition.”
“It’s true,” Daphne agreed. “We’re a bloodthirsty lot, but we do like to follow tradition.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
”
”
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
“
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?”
No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable.
With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.”
And then he pulled out his cell phone.
This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between.
Priss stood with her hands on her generous hips, her feet apart, shoulders back.
How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever.
“Good enough.”
When she smiled at him, he lifted the cell phone and used it to take a picture.
Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?”
“Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.”
Unappeased by that promise, she glared at him. “You—!”
“Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?”
Still no response.
“Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.”
Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate.
And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood.
That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle.
“You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!”
A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?”
He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . .
His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman.
Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.”
And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink.
“What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?”
Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable.
She grimaced, then said, “I’ll be fine.”
Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?”
She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.”
“Are you faint? Dizzy? Weak?”
She shook her head. “Just in pain. What are you doing here?”
He smiled through his tears. “I came to find you.”
“You did?” she whispered.
He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.”
Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.”
I bit my lip. “Have you come to take my soul, then?”
“I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.”
“Because I took your qi?”
He inclined his head. “I should have stopped you sooner.”
I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it.
“It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.”
“That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?”
“Long enough,” he said. Then more gently, “You may have a happy marriage, though.”
“I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form.
“Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet.
“Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.”
“Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart.
“I’ve never lied to you.”
“Can’t I go with you now?”
He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.”
I glared at him. “What if I’d rather not wait?”
He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?”
I dropped my gaze.
“If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.”
I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?”
His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.”
I tightened my arms around him.
“Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.”
“But what would you do for fifty years?”
He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
”
”
Yangsze Choo (The Ghost Bride)
“
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.”
“Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.”
“Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.”
“You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.”
“She’s lovely and spirited, and you will admire her tremendously.”
“In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered.
Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between.
In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth.
The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.”
In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?”
“Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
”
”
Peter Carey (Oscar and Lucinda)
“
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
”
”
Blake Crouch (The Last Town (Wayward Pines, #3))
“
While women suffer from our relative lack of power in the world and often resent it, certain dimensions of this powerlessness may seem abstract and remote. We know, for example, that we rarely get to make the laws or direct the major financial institutions. But Wall Street and the U.S. Congress seem very far away. The power a woman feels in herself to heal and sustain, on the other hand--"the power of love"--is, once again, concrete and very near: It is like a field of force emanating from within herself, a great river flowing outward from her very person.
Thus, a complex and contradictory female subjectivity is constructed within the relations of caregiving. Here, as elsewhere, women are affirmed in some way and diminished in others, this within the unity of a single act. The woman who provides a man with largely unreciprocated emotional sustenance accords him status and pays him homage; she agrees to the unspoken proposition that his doings are important enough to deserve substantially more attention than her own. But even as the man's supremacy in the relationship is tacitly assumed by both parties to the transaction, the man reveals himself to his caregiver as vulnerable and insecure. And while she may well be ethically and epistemically disempowered by the care she gives, this caregiving affords her a feeling that a mighty power resides within her being.
The situation of those men in the hierarchy of gender who avail themselves of female tenderness is not thereby altered: Their superordinate position is neither abandoned, nor their male privilege relinquished. The vulnerability these men exhibit is not a prelude in any way to their loss of male privilege or to an elevation in the status of women. Similarly, the feeling that one's love is a mighty force for the good in the life of the beloved doesn't make it so, as Milena Jesenka found, to her sorrow. The feeling of out-flowing personal power so characteristic of the caregiving woman is quite different from the having of any actual power in the world. There is no doubt that this sense of personal efficacy provides some compensation for the extra-domestic power women are typically denied: If one cannot be a king oneself, being a confidante of kings may be the next best thing. But just as we make a bad bargain in accepting an occasional Valentine in lieu of the sustained attention we deserve, we are ill advised to settle for a mere feeling of power, however heady and intoxicating it may be, in place of the effective power we have every right to exercise in the world.
”
”
Sandra Lee Bartky (Femininity and Domination: Studies in the Phenomenology of Oppression (Thinking Gender))
“
FURIOUS FAVOR I wonder if David would be allowed in our churches today. In most cases, when a church member has an affair, he is shunned at best or mistreated at worst—even if he repents. But David doesn’t just have an affair. He lusts, covets, fornicates, lies, and gets another man hammered. Then he tries to keep his dirty little secrets by murdering the husband of the woman he “loves.” I doubt I’ve met anyone as sinful as David. Have you? He breaks half of the Ten Commandments in a single episode. And he doesn’t repent until he’s caught. But when Nathan shoves his prophetic finger into David’s chest and rebukes him, David falls to his knees and admits his guilt. And right then, at that moment, God rips open the heavens to reach down and touch David’s soul with stubborn delight. God eagerly forgives David for his sin, and all of it is buried at the bottom of the sea, never to be remembered again. There is no hiccup in God’s furious favor toward David. So why do repentant sinners still bear the stigma of “adulterer,” “divorced,” or “addict” in our churches today? It’s one thing if they don’t repent. But quite often we shun repentant sinners, like Jeffrey Dahmer, whose crimes we just can’t forget. “He’s the former addict.” “That’s the divorced mom.” “Here comes the guy who slept with the church secretary.” For some reason we love to define people by the sin in their lives—even past sin in their lives—rather than by the grace that forgave it. It’s no wonder that David pens the last sentence in Psalm 23: “Surely goodness and mercy shall [hunt me down] all the days of my life” (Ps. 23:6).
”
”
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
“
Peggotty had a basket of refreshments on her knee, which would have lasted us out handsomely, if we had been going to London by the same conveyance. We ate a good deal, and slept a good deal. Peggotty always went to sleep with her chin upon the handle of the basket, her hold of which never relaxed; and I could not have believed unless I had heard her do it, that one defenceless woman could have snored so much. We made so many deviations up and down lanes, and were such a long time delivering a bedstead at a public-house, and calling at other places, that I was quite tired, and very glad, when we saw Yarmouth. It looked rather spongy and soppy, I thought, as I carried my eye over the great dull waste that lay across the river; and I could not help wondering, if the world were really as round as my geography book said, how any part of it came to be so flat. But I reflected that Yarmouth might be situated at one of the poles; which would account for it. As we drew a little nearer, and saw the whole adjacent prospect lying a straight low line under the sky, I hinted to Peggotty that a mound or so might have improved it; and also that if the land had been a little more separated from the sea, and the town and the tide had not been quite so much mixed up, like toast and water, it would have been nicer. But Peggotty said, with greater emphasis than usual, that we must take things as we found them, and that, for her part, she was proud to call herself a Yarmouth Bloater. When we got into the street (which was strange enough to me) and smelt the fish, and pitch, and oakum, and tar, and saw the sailors walking about, and the carts jingling
”
”
Charles Dickens (David Copperfield)
“
Jacob, is something wrong? Is Isabella okay?”
“Probably. She is not well today. It could be a normal thing for a human female, but since she is usually as resistant to common ailments now as we are, she is nervous. I figured Gideon could ease her mind.”
Noah missed the wince that crossed his friend’s face that would have given away the indignant argument flying through the Enforcer’s thoughts. Jacob’s female counterpart huffily took umbrage to his claims of exactly who it was that was nervous and who had insisted on seeking Gideon, because it certainly had not been her.
“Tell her I hope she feels better,” Noah said, his fondness for Bella quite clear in his tone. “Bear with her, old friend. She’s breaking new ground. It can be pretty frightening to play Eve for an entire race.”
“Do not worry. When it comes to my Bella, I would do anything to see to her happiness. That includes making others do anything to see to her happiness,” Jacob said. He meant the words, of course, but he was hoping they’d help sooth someone’s bristling pride.
“I’m sure Gideon is going to love that,” Noah laughed.
Jacob grinned, altering gravity so that he began to float up from the floor.
“If you see Gideon before I do, will you tell him to come to Bella?”
“Of course. Tell her I said to start behaving like a real Druid or I—” Noah was cut off by a sharp hand motion and a warning expression from the Enforcer. It came a little too late, however, if Jacob’s pained expression was anything to judge by.
“There goes your invitation for our wedding,” Jacob muttered. “And I think I am close behind you.”
“I would believe that if I were not the one who is supposed to perform it and if you were not the father of her otherwise illegitimate child,” Noah countered loudly, clearly talking to the person beyond his immediate perception.
“Ow! Damn it, Noah!” Jacob grumbled, rubbing his temples as Bella’s scream of frustration echoed through him. “Do you remember I am the one who has to go home to her, would you?”
“Sorry, my friend,” Noah chuckled, not looking at all repentant. “Now get out of here, Enforcer. Find Gideon and tend to your beautiful and charming mate. Be sure to mention to her that I said she looks ravishing and that her pregnancy has made her shine like a precious jewel.”
“Noah, if you were not my King, I would kill you for this.”
“Yes, well, as your King I would have you arrested for treason just for saying that. Luckily for you, Jacob, you are the man who would arrest you, and the woman who also has the power to do so is sure to punish you far better than I can when you get home.”
“You are all heart, my liege,” Jacob said wryly.
“Thank you. Now leave, before I begin to expound on the disrespect that this mouthy little female of yours seems to have engendered my formerly loyal subjects.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
”
”
Henry James (The Beast in the Jungle)
“
Brisbane continued. “I have led a selfish life, and I have enjoyed it. I cannot imagine a life without my work, and I cannot imagine a life without you, and yet I cannot reconcile the two.” My heart, which had given a joyous leap in the middle of his speech, faltered now as I realised what he was trying to say. “I never thought to ask you to give up your work,” I began. “But how can I ask you to sit idly by and wait for me to return when every time I kiss you goodbye might be the last?” “Oh, don’t!” I told him, fully enraged. “How dare you blame your cowardice upon me?” His lips went white, as did the tiny crescent moon scar high upon his cheekbone. “I beg your pardon?” “Cowardice,” I said distinctly. “You hide behind this pretence of fine feeling because you will not declare yourself directly and this gives you a perfect excuse, does it not? Spare poor Julia the horror of being widowed a second time. Put her up on the shelf and keep her out of harm’s way whilst you amuse yourself with your dashing adventures.” He opened his mouth to speak, but I stepped forward, tipping my head up to rail at him. “I am quite disappointed that you have revealed yourself to be so thoroughly conventional in your philosophy. Have I not proven myself a capable partner?” I demanded. “Have I not stood, side by side, with you, facing peril with equal courage? If you thought for a moment that I would be the meek, quiet, obedient sort of woman who would sit quietly at home mending your socks while you get to venture out into the world on your daring escapades, you have sorely mistaken me.” I turned on my heel and left him then, gaping after me like a landed carp. It was a very small consolation.
”
”
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
“
No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard — and he had never been handsome. He had a considerable independence besides two good livings — and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on — lived to have six children more — to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features — so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief — at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities — her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid — by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! — for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
”
”
Jane Austen (Northanger Abbey)
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
I would expect such behavior from the children,not from their mother."
She tsked at him, not even a little daunted. "Aren't you the least bit curious?"
"Certainly,but I can wait until-"
"But I can't wait," she cut in passionately. "Come with me, Warren. I'll be careful with it. And if it's nothing more'n a simple gift, albeit a mysterious one, then I'll have the box wrapped up again perfectly, so no one will know we tampered with it."
"You're serious about this?" he asked. "You're actually going to sneak downstairs in the middle of the night like an errant schoolgirl-"
"No,no,we are, like two perfectly sensible adults making a reasonable effort to solve a mystery that has been around far too long."
He chuckled at that point, used to his wife's strange logic, and used to her ignoring any of his attempts at sternness.But then that was the magic of Amy.She was unlike any other woman he'd ever known.
He gave in gracefully with a smile. "Very well,fetch our robes and some shoes.I would imagine the fire has been banked in the parlor, so it will be a mite chilly."
It wasn't that long before they were standing next to The Present, Warren merely curious, Amy finding it hard to contain her excitement, considering what she expected to find beneath the pretty cloth wrapping.The parlor wasn't chilly at all,since whoever had lef the room last had closed the doors to contain the earlier warmth, and Warren had closed them again before he lit several of the lamps.
But the doors opened once more, giving Amy quite a start since she was just reaching for The Present when it happened, and Jeremy said as he entered the room, "Caught in the act,eh? Amy,for shame."
Amy,noticeably embarrassed despite the fact that Jeremy wasn't just her cousin, but one of her closest friends, said stiffly, "And what,pray tell, are you doing down here at this hour?"
He winked at her and said dryly, "Same thing you are, I would imagine."
She chuckled then. "Scamp. Close the door while you're at it."
He started to,but stepped out of the way instead as Reggie sauntered in, barefoot and still in the process of tying her bed robe. When everyone else there just stared at her, she huffed indignantly, "I did not come down here to open The Present-well, maybe I did, but I would have chickened out before actually doing so."
"What a whopper, Reggie," Derek said as he came in right behind her. "Nice try, though. Mind if I borrow that lame excuse? Better than having none a'tall.
”
”
Johanna Lindsey (The Holiday Present)
“
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw.
“No.”
“Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.”
Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.”
She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.”
“How did he manage to have these drawn?” Ian asked, stopping her as she turned away.
“A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began,
I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot…
The next one opened with,
I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won.
From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him:
You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected…
I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius…
I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more.
Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly.
“Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven,
“the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!”
The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Grateful! Good God! Am I never to get away from the bleat of that filmy adjective? I don’t want gratitude. I don’t want kindness. I don’t want sentimentality. I don’t even want love—I could make you give me that—of a sort. I want common honesty.’ ‘Do you? But that’s what I’ve always wanted—I don’t think it’s to be got.’ ‘Listen, Harriet. I do understand. I know you don’t want either to give or to take. You’ve tried being the giver, and you’ve found that the giver is always fooled. And you won’t be the taker, because that’s very difficult, and because you know that the taker always ends by hating the giver. You don’t want ever again to have to depend for happiness on another person.’ ‘That’s true. That’s the truest thing you ever said.’ ‘All right. I can respect that. Only you’ve got to play the game. Don’t force an emotional situation and then blame me for it.’ ‘But I don’t want any situation. I want to be left in peace.’ ‘Oh! but you are not a peaceful person. You’ll always make trouble. Why not fight it out on equal terms and enjoy it? Like Alan Breck, I’m a bonny fighter.’ ‘And you think you’re sure to win.’ ‘Not with my hands tied.’ ‘Oh!—well, all right. But it all sounds so dreary and exhausting,’ said Harriet, and burst idiotically into tears. ‘Good Heavens!’ said Wimsey, aghast. ‘Harriet! darling! angel! beast! vixen! don’t say that.’ He flung himself on his knees in a frenzy of remorse and agitation. ‘Call me anything you like, but not dreary! Not one of those things you find in clubs! Have this one, darling, it’s much larger and quite clean. Say you didn’t mean it! Great Scott! Have I been boring you interminably for eighteen months on end? A thing any right-minded woman would shudder at I know you once said that if anybody ever married me it would be for the sake of hearing me piffle on, but I expect that kind of thing palls after a bit. I’m babbling—I know I’m babbling. What on earth am I to do about it?’ ‘Ass! Oh, it’s not fair. You always make me laugh. I can’t fight—I’m so tired. You don’t seem to know what being tired is. Stop. Let go. I won’t be bullied. Thank God! there’s the telephone.
”
”
Dorothy L. Sayers (Have His Carcase (Lord Peter Wimsey #8))
“
In the Middle Ages, marriage was considered a sacrament ordained by God, and God also authorised the father to marry his children according to his wishes and interests. An extramarital affair was accordingly a brazen rebellion against both divine and parental authority. It was a mortal sin, no matter what the lovers felt and thought about it. Today people marry for love, and it is their inner feelings that give value to this bond. Hence, if the very same feelings that once drove you into the arms of one man now drive you into the arms of another, what’s wrong with that? If an extramarital affair provides an outlet for emotional and sexual desires that are not satisfied by your spouse of twenty years, and if your new lover is kind, passionate and sensitive to your needs – why not enjoy it?
But wait a minute, you might say. We cannot ignore the feelings of the other concerned parties. The woman and her lover might feel wonderful in each other’s arms, but if their respective spouses find out, everybody will probably feel awful for quite some time. And if it leads to divorce, their children might carry the emotional scars for decades. Even if the affair is never discovered, hiding it involves a lot of tension, and may lead to growing feelings of alienation and resentment.
The most interesting discussions in humanist ethics concern situations like extramarital affairs, when human feelings collide. What happens when the same action causes one person to feel good, and another to feel bad? How do we weigh the feelings against each other? Do the good feelings of the two lovers outweigh the bad feelings of their spouses and children?
It doesn’t matter what you think about this particular question. It is far more important to understand the kind of arguments both sides deploy. Modern people have differing ideas about extramarital affairs, but no matter what their position is, they tend to justify it in the name of human feelings rather than in the name of holy scriptures and divine commandments. Humanism has taught us that something can be bad only if it causes somebody to feel bad. Murder is wrong not because some god once said, ‘Thou shalt not kill.’ Rather, murder is wrong because it causes terrible suffering to the victim, to his family members, and to his friends and acquaintances. Theft is wrong not because some ancient text says, ‘Thou shalt not steal.’ Rather, theft is wrong because when you lose your property, you feel bad about it. And if an action does not cause anyone to feel bad, there can be nothing wrong about it. If the same ancient text says that God commanded us not to make any images of either humans or animals (Exodus 20:4), but I enjoy sculpting such figures, and I don’t harm anyone in the process – then what could possibly be wrong with it?
The same logic dominates current debates on homosexuality. If two adult men enjoy having sex with one another, and they don’t harm anyone while doing so, why should it be wrong, and why should we outlaw it? It is a private matter between these two men, and they are free to decide about it according to their inner feelings. In the Middle Ages, if two men confessed to a priest that they were in love with one another, and that they never felt so happy, their good feelings would not have changed the priest’s damning judgement – indeed, their happiness would only have worsened the situation. Today, in contrast, if two men love one another, they are told: ‘If it feels good – do it! Don’t let any priest mess with your mind. Just follow your heart. You know best what’s good for you.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.”
His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is”
She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.”
He looked frustrated. “But you won’t let me help you.”
“Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.”
He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.”
She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.”
His teeth clenched. “Is it really that easy for you to throw the past away?” he asked.
“That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…”
“For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost!
“You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.”
He stopped pacing and glared at her. “Have I asked for repayment?”
She smiled in spite of herself. “You look just like Matt when you glower that way.”
The glare got worse.
She held up a hand. “I know. You don’t want to talk about that. Sorry.”
“Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee.
Who breaks into a house, turns on the lights, and makes coffee?
I padded into the living room on soft feet, Slayer ready.
“Loud and clumsy, like a baby rhino,” said a familiar voice.
I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago.
I thought he had forgotten about me. I had been quite happy to stay forgotten.
“The Princess Bride?” he said, flipping the book over.
“What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place.
“Did everything go well with Julie?”
“Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.”
I watched him, not quite sure where we stood.
“I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.”
“Yes, he did. I’m sorry about your people. Many losses?”
A shadow darkened his face. “A third.”
He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us.
Curran turned the book over in his hands. “You own words of power.”
He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare.
“You’re an interesting woman,” he said.
“Your interest has been duly noted.” I pointed to the door.
He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.”
My mouth gaped open.
He inhaled my scent, bent close, about to kiss me . . .
I just stood there like an idiot.
Curran smirked and whispered in my ear instead. “Psych.”
And just like that, he was out the door and gone.
Oh boy.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!"
Carlyle waited and her words came with a rush.
“Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?"
He handed one over and held a match for her silently.
"Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?"
"Sort of. You never were beaten and you never apologized."
"Never!"
She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below.
Her voice floated up to him again.
"And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things."
She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level.
"All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless."
She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock.
"I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male."
"But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?"
Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above.
"Why," she called back, "then I'd have won!
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?”
“What do you mean?” he asked slowly. He could feel Lews Therin listening.
[...]
“Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?”
[...]
“I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help.
Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.”
Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was!
“Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!”
[...] Finally they were all gone, and he was alone. Alone.
Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying.
“I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
”
”
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
“
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.”
Oliver eyes her closely. “Perhaps he was born villainous.”
“No one is born villainous.”
“Oh?” he said with raised eyebrow. “So we’re all born good?”
“Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.”
“For a woman who loves murder and mayhem, you’re quite the philosopher.”
“I like to understand how things work. Why people behave as they do.”
He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.”
She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.”
His features turned stony. “What do you mean?”
“Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.”
“Perhaps he can’t,” he clipped out.
“Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.”
Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure.
“I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear.
A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed.
“Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.”
Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things…
She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.”
“Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.”
“Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.”
He paused in his caress. “So he’s doomed, then?”
“No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.”
His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do.
“Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace.
Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops.
One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward.
It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . .
I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place.
The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best.
It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt.
But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing.
Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
”
”
D. Todd Christofferson
“
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage.
But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought.
Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his.
"Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it."
He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite.
"I'm glad to see your stomach is better," he said as she was finishing.
She looked up,startled. "What makes you say that?"
"You haven't seemed able to eat regularly of late."
"Oh,well,you know...so many changes...travel...all that."
He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him.
"Rycca?"
She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?"
"Something...?"
"I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot."
"Not so! You could never be that."
"Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?"
"Some women are not all that regular."
"Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-"
She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?"
"What? Will what? Does that mean-"
"I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more."
Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?"
"I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now."
"Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her.
Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered.
Nine...ten...
"We're going to have a baby."
Not long at all.
She nodded happily. "Yes,we are, and you're going to be a wonderful father."
He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her.
"My God-"
Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen."
"True,but still it's absolutely incredible."
Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby."
Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing.
Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.”
Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door.
Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet.
“If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella.
“God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair.
“It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?”
“With a hot bath,” said Lucinda, “followed by some tea and refreshments.”
From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her.
“Don’t know as I want a bath just now,” Jake said.
“Not for you, you dolt, for Lady Cameron.”
Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted.
“You want a bath?” Jake repeated dumbly, staring at Lucinda.
“Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.”
“His master,” said a biting voice from a rear doorway, “is aware of that.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))