Quick Container Quotes

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She walked quickly through the darkness with the frank stride of someone who was at least certain that the forest, on this damp and windy night, contained strange and terrible things and she was it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization.
Bruno Schulz (Sanatorium Under the Sign of the Hourglass)
I got in touch with a friend of mine who works at a research reactor, and asked him what he thought would happen to someone who tried to swim in their radiation containment pool. “In our reactor?” He thought about it for a moment. “You’d die pretty quickly, before reaching the water, from gunshot wounds.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
There is no real light but just small sparks of happiness we should photograph to contain. But if we stop to photograph, we can’t enjoy them, the flash overexposes them and they disappear.
Cristiane Serruya (Trust: Pandora's Box (TRUST Trilogy #3; TRUST Universe #6-8))
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
Paulo Coelho (Maktub)
The dragon flew up and settled in the crook of Mina’s hood, and quickly became invisible again. “I don’t trust that thing,” Jared shot back. “Relax, I find him quite cute. Isn’t that right, Ander?” She held up a finger and felt the invisible dragon rub its face against her. “Great, you’ve named it, now you’re gonna want to keep it. But I’m telling you that thing better be house-trained.” He turned to the bookshelf and began to pull open the book to open the hidden exit door. Mina felt Ander leave her shoulder but didn’t let Jared know he was missing. She saw Constance’s teacup float mysteriously above Jared’s head. She clapped her hand over her mouth to contain the laughter. A second later the cup turned over, spilling lukewarm tea on Jared’s unsuspecting head. “Oh, it better not have just peed on me!” he screamed.
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
Sports contained the truth, I decided, the unspoken truth (how quickly we damn ourselves when we start to talk, how small and inglorious we always sound), and it seemed hard to believe that I had never understood this before. They rewarded effortlessness and unself-consciousness; they confirmed that yes, there are rankings of skill and value and that everyone knows what they are (seeing those guys who were subbed with two seconds left before the end of a quarter, I’d think how girls’ coaches were never that heartless); they showed that the best things in the world to be were young and strong and fast. To play a great game of high school basketball-it was something I myself had never done, but I could tell-made you know what it was to be alive. How much in an adult life can compare to that? Granted, there are margaritas, or there’s no homework, but there are also puffy white bagels under neon lights in the conference room, there’s waiting for the plumber, making small talk with your boring neighbor.
Curtis Sittenfeld (Prep)
He danced closely but never touched. The air between them crackling and sparkling like an electrical fire that must be contained quickly or it will take everything.
Anne Fall (Rosa Scriptum)
These little things you do. All the little gestures, your quick nervous fingers. I watch you do these things and I think, how could I ever be unhappy? How could anything ever bother me?
Sarah Henstra (We Contain Multitudes)
Let us beware: nothing is so delicate and so sacred as the human soul; nothing is so quickly bruised. Let each one of our words and deeds contain a principle of life that, penetrating other spirits, will communicate light and strength and will reveal God to them.
Elisabeth Leseur (Secret Diary of Elisabeth Leseur)
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
Suddenly I know just what I’m going to do. Something that will blow anything Peeta did right out of the water. I go over to the knot-tying station and get a length of rope. I start to manipulate it, but it’s hard because I’ve never made this actual knot myself. I’ve only watched Finnick’s clever fingers, and they moved so fast. After about ten minutes, I’ve come up with a respectable noose. I drag one of the target dummies out into the middle of the room and, using some chinning bars, hang it so it dangles by the neck. Tying its hands behind its back would be a nice touch, but I think I might be running out of time. I hurry over to the camouflage station, where some of the other tributes, undoubtedly the morphlings, have made a colossal mess. But I find a partial container of bloodred berry juice that will serve my needs. The flesh-colored fabric of the dummy’s skin makes a good, absorbent canvas. I carefully finger paint the words on its body, concealing them from view. Then I step away quickly to watch the reaction on the Gamemakers’ faces as they read the name on the dummy. *SENECA CRANE.*
Suzanne Collins (Catching Fire (The Hunger Games, #2))
An oyster has even been cited, although I permit myself to doubt this, which contained no less than 150 sharks.’ ‘A hundred and fifty sharks!’ exclaimed Ned. ‘Did I say sharks!’ I said quickly. ‘I mean 150 pearls. Sharks would make no sense.
Jules Verne (Twenty Thousand Leagues Under the Sea (Captain Nemo, #2))
This Book contains the mind of God, the state of man, the way of salvation, the doom of sinners, and the happiness of believers. Read it to be wise, believe it to be saved, and practice it to be holy. It contains light to direct you, food to support you, and comfort to cheer you. It is the traveler’s map, the pilgrim’s staff, the pilot’s compass, the soldier’s sword, and the Christian’s charter. It should fill the memory, rule the heart, and guide the feet. Read it slowly, frequently, and prayerfully.
John F. MacArthur Jr. (MacArthur's Quick Reference Guide to the Bible)
Our textbooks were ridiculous propaganda. The first English sentence we learned was "Long live Chairman Mao!" But no one dared to explain the sentence grammatically. In Chinese the term for the optative mood, expressing a wish or desire, means 'something unreal." In 1966 a lecturer at Sichuan University had been beaten up for 'having the audacity to suggest that "Long live Chairman Mao!" was unreal!" One chapter was about a model youth hero who had drowned after jumping into a flood to save an electricity pole because the pole would be used to carry the word of Mao. With great difficulty, I managed to borrow some English language textbooks published before the Cultural Revolution from lecturers in my department and from Jin-ming, who sent me books from his university by post. These contained extracts from writers like Jane Austen, Charles Dickens, and Oscar Wilde, and stories from European and American history. They were a joy to read, but much of my energy went toward finding them and then trying to keep them. Whenever someone approached, I would quickly cover the books with a newspaper. This was only partly because of their 'bourgeois' content. It was also important not to appear to be studying too conscientiously, and not to arouse my fellow students' jealousy by reading something far beyond them. Although we were studying English, and were paid par fly for our propaganda value by the government to do this, we must not be seen to be too devoted to our subject: that was considered being 'white and expert." In the mad logic of the day, being good at one's profession ('expert') was automatically equated with being politically unreliable ('white').
Jung Chang (Wild Swans: Three Daughters of China)
One minute he was moving securely through time and space, in perfect coordination with other people; then, with no warning, he was out of step, was somehow removed from everyone else's sense of time and place, so that the slightest movement, word, facial expression or gesture contained enormous significance. The room filled with coded messages that he could not decode, and he slipped quickly into barely controlled hysteria.
Russell Banks (Affliction)
These changes are all fundamentally Darwinian. This point is worth repeating: taking any fast or instant evolutionary shifts as a refutation of the slow, gradual changes we associate with Darwin's vision is a fatal mistake because these quick shifts are still powered by gradualism. The woodrats might have been able to resist creosote by picking up the right bacteria, but those strains had to evolve the ability to break the insecticide on their own. Form their perspective, evolution proceeded through the usual stepwise way; from the host's perspective, everything happened in a flash. That is the power of symbiosis: it allows gradual mutations in microbes to produce instant mutations in hosts. We can let bacteria do the slow work for us, and then quickly change ourselves by associating with them. And if these alliances are beneficial enough, they can spread with blinding speed.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
Popular culture became saturated with sex. The new advertising industry quickly discovered the appeal of a provocatively posed woman. Silent movies in the United States contained so much sexual innuendo that the government instituted film censorship in 1910. Even after censorship, movies could get pretty steamy. Young people in the 1920s went to see films like Flaming Youth, advertised as an exposé of “neckers, petters, white kisses, red kisses, pleasure-mad daughters, sensation-craving mothers, by an author who didn’t dare sign his name.
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos. Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end. In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.
Donna Tartt (The Secret History)
Isaiah and Beth sit on the bed and munch on a shared container of pepper steak. “Stop bogarting the rice.” Isaiah moves some of the pile from Beth’s side of the container, and she darts her fork as if to stab him, but he quickly snatches his hand back. “You got the egg roll,” exclaims Beth. “I get the rice. That’s how stuff works between us, so stop messing with the system.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Wolf’s answers rarely praised communism outright, and he didn’t use Marxist language. But almost all of them praised the Red Army or the Soviet system, both of which were favorably compared to their German counterparts. And all of them explicitly contained the promise that life, which had become unbearable under the Nazis and during the final days of the war, would now quickly improve.
Anne Applebaum (Iron Curtain: The Crushing of Eastern Europe, 1944-1956)
Thank you, Obvious Warning Labels. Without you I might have stuck my kid in a washing machine, lit a match near an open gas line, used my hair dryer while sleeping, or, God forbid, not realized eggs may contain—wait for it—eggs. I have no idea how I ever function without you. (I almost ingested the contents of a lava lamp just yesterday, but your label made another quick save. God bless.)
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
Social media, by bombarding users with fast-moving social stimuli, pushed them to rely on quick-twitch social intuition over deliberative reason. All people contain the capacity for both, as well as the potential for the former to overwhelm the latter, which is often how misinformation spreads. And platforms compound the effect by framing all news and information within high-stakes social contexts.
Max Fisher (The Chaos Machine: The Inside Story of How Social Media Rewired Our Minds and Our World)
Sympathies and antipathies . . . Human friendships can very quickly become a club of mediocrities, enclosed in mutual flattery and approval, preventing people from seeing their inner poverty and wounds. Friendship is then no longer a spur to grow . . . Scott Peck talks of pseudo-communities. These are where people pretend to live community. Everybody is polite and obeys the rules and regulations. They speak in platitudes and generalities. But underlying it all is an immense fear of conflict, a fear of letting out the monsters. If people start truly to listen to each other and to get involved, speaking from their guts, their anger and fears may rise up and they might start hitting each other over the head with frying pans. There are so many pent-up emotions contained in their hearts that if these were to start surfacing, God knows what might happen! It would be chaos. But from that chaos, healing could come. . . They discover that they have all been living in a state of falsehood. And it is then that the miracle of community can happen!
Jean Vanier (Community and Growth)
Churchill once remarked that the Americans always came to the right decision, having tried everything else first. But even if the joke contained an element of truth, it underplayed the fact that they learned much more quickly than their self-appointed tutors in the British Army. They were not afraid to listen to bright civilians from the business world now in uniform and above all they were not afraid to experiment. The
Antony Beevor (D-Day: The Battle for Normandy)
The body, I started to learn, was not a secondary entity. The mind contained very few truths that the body withheld. There was little of import in an encounter between two bodies that would fail to be revealed rather quickly. The epistolary run up to the date only rarely revealed the truth of a man's good humor or introversion, his anxiety or social grace. Until the bodies were introduced, seduction was only provisional.
Emily Witt (Future Sex: A New Kind of Free Love)
During our first forays out as a couple, I blushed a lot, felt dizzy with my luck, unable to contain the nearly exploding fact that I’ve so obviously gotten everything I’d ever wanted, everything there was to get. Handsome, brilliant, quick-witted, articulate, forceful, you. We spent hours and hours on the red couch, giggling, The happiness police are going to come and arrest us if we go on this way. Arrest us for our luck.
Maggie Nelson (The Argonauts)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
Edward P. Jones (The Known World)
In the absence of this depth of community, the safe container is difficult to find. By default, we become the container ourselves, and when this happens, we cannot drop into the well of grief in which we can fully let go of the sorrows we carry. We recycle our grief, moving into it and then pulling it back into our bodies unreleased. Frequently in my practice patients tell me that they often cry in private. I ask them whether, at some point in this process, they ever allow their grief to be witnessed and shared with others. There is usually a quick retort of “No, I couldn’t do that. I don’t want to be a burden to anyone else.” When I push it a little further and ask them how it would feel if a friend came to them with his or her sorrows and pain, they respond that they would feel honored to sit with their friend and offer support. This disconnection between what we would offer others and what we feel we can ask for is extreme. We need to recover our right to ask for help in grief, otherwise it will continue to recycle perpetually. Grief has never been private; it has always been communal. Subconsciously, we are awaiting the presence of others, before we can feel safe enough to drop to our knees on the holy ground of sorrow.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
I Knew a Woman" I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek). How well her wishes went! She stroked my chin, She taught me Turn, and Counter-turn, and Stand; She taught me Touch, that undulant white skin; I nibbled meekly from her proffered hand; She was the sickle; I, poor I, the rake, Coming behind her for her pretty sake (But what prodigious mowing we did make). Love likes a gander, and adores a goose: Her full lips pursed, the errant note to seize; She played it quick, she played it light and loose; My eyes, they dazzled at her flowing knees; Her several parts could keep a pure repose, Or one hip quiver with a mobile nose (She moved in circles, and those circles moved). Let seed be grass, and grass turn into hay: I’m martyr to a motion not my own; What’s freedom for? To know eternity. I swear she cast a shadow white as stone. But who would count eternity in days? These old bones live to learn her wanton ways: (I measure time by how a body sways).
Theodore Roethke (The Collected Poems)
I wasn't quick-witted or confident enough to play them at their cruel games. I'd feel the heat rush to my face as I flumbed for a rebuff, and I'd become highly aware of my heavy bottom lip, the position of my hands, of my entire body, and I'd end up looking silly and uneasy. I'd walk away hearing the other girls snigger, and it hurt. I didn't cry, but each time it changed something in me, deep down, shaping who I was and who I would become. Each time less confident yet stronger, more insular yet more self-contained.
Poppy Adams (The Sister)
It’s as if we are the sky—always blue, always clear, with the sun always shining. That is our never-wavering spiritual essence. And our human experience is weather. Weather (thought, emotion, behavior) rolls in and covers up the blue sky at times. The storms can be so violent that they are all we can see; the clouds can be so thick that we forget the sun is there. But the weather doesn’t disturb the sky. The sky contains the weather but is not affected by it, just like our spiritual nature contains our human experiences but is not affected by them. And the weather, like thought and emotion, is always temporary. Sometimes it comes and goes quickly. Other times, it lingers. Sometimes the weather is pleasant, and sometimes we curse it. But it is all surface-level and temporary.
Amy Johnson (The Little Book of Big Change: The No-Willpower Approach to Breaking Any Habit)
The unexamined life is surely worth living, but is the unloved life worth examining? It seems a strange question until one realizes how much of our so-called mental life is about the lives we are not living, the lives we are missing out on, the lives we could be leading but for some reason are not. What we fantasize about, what we long for, are the experiences, the things and the people that are absent. It is the absence of what we need that makes us think, that makes us cross and sad. We have to be aware of what is missing in our lives - even if this often obscures both what we already have and what is actually available - because we can survive only if our appetites more or less work for us. Indeed, we have to survive our appetites by making people cooperate with our wanting. We pressurize the world to be there for our benefit. And yet we quickly notice as children - it is, perhaps, the first thing we do notice - that our needs, like our wishes, are always potentially unmet. Because we are always shadowed by the possibility of not getting what we want, we lean, at best, to ironize our wishes - that is, to call our wants wishes: a wish is only a wish until, as we say, it comes true - and, at worst, to hate our needs. But we also learn to live somewhere between the lives we have and the lives we would like.(…) There is always what will turn out to be the life we led, and the life that accompanied it, the parallel life (or lives) that never actually happened, that we lived in our minds, the wished-for life (or lives): the risks untaken and the opportunities avoided or unprovided. We refer to them as our unloved lives because somewhere we believe that they were open to us; but for some reason - and we might spend a great deal of our lived lives trying to find and give the reason - they were not possible. And what was not possible all too easily becomes the story of our lives. Indeed, our lived lives might become a protracted mourning for, or an endless tantrum about, the lives we were unable to live. But the exemptions we suffer, whether forced or chosen, make us who we are. As we know more now than ever before about the kinds of lives it is possible to live - and affluence has allowed more people than ever before to think of their lives in terms of choices and options - we are always haunted by the myth of our potential, of what we might have it in ourselves to be or do. So when we are not thinking, like the character in Randall Jarrell's poem, that "The ways we miss our lives is life", we are grieving or regretting or resenting our failure to be ourselves as we imagine we could be. We share our lives with the people we have failed to be. We discover these unloved lives most obviously in our envy of other people, and in the conscious 9and unconscious) demands we make on our children to become something that was beyond us. And, of course, in our daily frustrations. Our lives become an elegy to needs unmet and desires sacrificed, to possibilities refused, to roads not taken. The myth of our potential can make of our lives a perpetual falling-short, a continual and continuing loss, a sustained and sometimes sustaining rage; though at its best it lures us into the future, but without letting us wonder why such lures are required (we become promising through the promises made to us). The myth of potential makes mourning and complaining feel like the realest things we eve do; and makes of our frustration a secret life of grudges. Even if we set aside the inevitable questions - How would we know if we had realized our potential? If we don't have potential what do we have? - we can't imagine our lives without the unloved lives they contain. We have an abiding sense, however obscure and obscured, that the lives we do lead are informed by the lives that escape us. That our lives are defined by loss, but loss of what might have been; loss, that is, of things never experienced.
Adam Phillips (Missing Out: In Praise of the Unlived Life)
On the one hand, the attorney general, Tio Barbizon, now owed him a favor. On the other hand, if this situation couldn’t be contained and if it blew up on them, Hayden might suffer some damage to his image for having acceded so quickly to Barbizon’s request. What
Dean Koontz (Devoted)
Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow? Quick, said the bird, find them, find them, Round the corner. Through the first gate, Into our first world, shall we follow The deception of the thrush? Into our first world. There they were, dignified, invisible, Moving without pressure, over the dead leaves, In the autumn heat, through the vibrant air, And the bird called, in response to The unheard music hidden in the shrubbery, And the unseen eyebeam crossed, for the roses Had the look of flowers that are looked at. There they were as our guests, accepted and accepting. So we moved, and they, in a formal pattern, Along the empty alley, into the box circle, To look down into the drained pool. Dry the pool, dry concrete, brown edged, And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.
T.S. Eliot (Four Quartets)
I grabbed a cloud-shaped oven mitt, opened the oven door, and took out the apricot bars. The smell of warm fruit, sugar, and melted butter filled the kitchen, along with a blast of heat. A combination I never grew tired of, especially on a cold, gray night like this one. I grabbed another oven mitt, set it on the table, then put the pan on top of it. Finn’s fingers crept toward the edge of the container, but I smacked his hand away. “I’m not done with them yet,” I said. “Come on, Gin,” he whined. “I just want a taste.” “And you’re just going to have to wait, like the rest of us.” Jo-Jo chuckled, amused by our squabbling. I moved over to the cabinets and got out four bowls, some spoons, and a couple of knives. I also grabbed a gallon of vanilla bean ice cream out of the freezer. After the apricot bars had cooled enough so they wouldn’t immediately fall apart, I cut out big chunks of the bars, dumped them in the bowls, and topped them all with two scoops of the ice cream. My own version of a quick homemade cobbler. Jo-Jo swallowed a mouthful of the confection and sighed. “Heaven, pure, sweet heaven.
Jennifer Estep (Web of Lies (Elemental Assassin, #2))
the littlest streams, high on the mountain, small enough to dam with your hand, would eventually join the river, and that the river, though quick and violent, was but a drop in the eye of the great Ocean that encircles all the lands of the world, and contains every dream everyone has ever dreamed.
Anthony Doerr (Cloud Cuckoo Land)
Before Admiral Guzzetti traveled to Washington to see Kissinger in October 1976, Hill had met him and told him that “murdering priests and dumping forty-seven bodies in the street in one day could not be seen in the context of defeating the terrorists quickly; on the contrary such acts were probably counterproductive. What the USG [United States Government] hoped was that the GOA [Government of Argentina] could soon defeat terrorists, yes, but as nearly as possible within the law.” Even this admonition, which might be seen by some as containing a loophole or two, was considered too harsh by Kissinger. Guzzetti
Christopher Hitchens (The Trial of Henry Kissinger)
The leaves on our little maple, all taken together, weigh thirty-five pounds. Every ounce therein must be pulled from the air or mined from the soil—and quickly—over the course of a few short months. From the atmosphere, a plant gains carbon dioxide, which it will make into sugar and pith. Thirty-five pounds of maple leaves may not taste sweet to you and me, but they actually contain enough sucrose to make three pecan pies, which is the sweetest thing that I can think of right now. The pithy skeleton within the leaves contains enough cellulose to make almost three hundred sheets of paper, which is about the number that I used to print out the manuscript for this book. Our
Hope Jahren (Lab Girl)
Parenting, in short, is a dance of the generations. Whatever affected one generation but has not been fully resolved will be passed on to the next. Lance Morrow, a journalist and writer, succinctly expressed the multigenerational nature of stress in his book Heart, a wrenching and beautiful account of his encounters with mortality, thrust upon him by near-fatal heart disease: “The generations are boxes within boxes: Inside my mother’s violence you find another box, which contains my grandfather’s violence, and inside that box (I suspect but do not know), you would find another box with some such black, secret energy — stories within stories, receding in time.” Blame becomes a meaningless concept if one understands how family history stretches back through the generations. “Recognition of this quickly dispels any disposition to see the parent as villain,” wrote John Bowlby, the British psychiatrist whose work threw scientific light on the decisive importance of attachment in infancy and childhood. Whom do we accuse?
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
The truly perfect pangram would contain all the letters of the alphabet in the right order, but the only thing that achieves that is the alphabet. There are phrases that use fewer characters, but they are not as catchy. And this is not for want of trying. Here are two of the shortest: 'Quick wafting zephyrs vex bold Jim.' 'Sphinx of black quartz judge my vow.
Simon Garfield (Just My Type: A Book About Fonts)
Ostensibly it would seem that the further apart these enemy forces, the easier it must be to achieve a decisive success. In terms of time, space, and number, this is undoubtedly true. But once more the moral element intrudes. When the enemy forces are widely separated each is self-contained and tends to be consolidated by pressure. When they are close together they tend to coalesce and 'become members one of another', mutually dependent in mind, morale, and matter. The minds of the commanders affect each other, moral impressions are quickly transfused, and even the movements of each force easily hinder or disorganized those of others. Thus while the antagonist has less time and space for his action, the dislocating results of it take effect more quickly and easily. Further, when forces are close together the enemy's mere divergence from his approach to one of them may become an unexpected, and therefore truly indirect approach to another. In contrast, when forces are widely separated there is more time to prepare to meet, or avoid, the second blow of the army which is exploiting its central position.
B.H. Liddell Hart (Strategy)
If our children’s lives are the sea floor, we need to leave the gold all over it, everywhere, in little bits. We can’t do it one big nugget. We can’t even do it in a bunch of medium chunks. We have to leave gold through their lives in a fine dust that’s spread all over everything. At the end of our children’s lives, we hope we hope it is worth a fortune. But at any given moment it is the little things that contain the gold. The gold is quick forgiveness. It is quick repentance. It is cheerful smiles and tender hugs. It is teasing and laughing. It is loving. It is Daddy throwing yet another wrestle party all over the house. It is dinner. Regular. Predictable. It is having physical needs looked after. It is being disciplined. It is being challenged. It is being educated. Being made to do something you didn’t want to. It is not being the boss. It is not getting away with lying. It is knowing who to talk to. It is knowing you will feel better when you do. It is security. It is joy. It is every day. It is life. It is knowing your faith, and knowing that it is your parents’ too. It is knowing your people and being known by them.
Rachel Jankovic (Fit to Burst: Abundance, Mayhem, and the Joys of Motherhood)
…[Samuel Beckett’s] diaries contained so little overt condemnation of the Nazis, although no one who has read them could be in any doubt about how much Beckett - who was to join the French Resistance in the war – loathed the regime. …[But] Beckett was quick to pick up on the absurd, such as the story he heard involving a servant and a milkman. In order to prevent Rassenschande [racial impurity], no Aryan servant under forty-five was allowed to work in a Jewish household. When a puzzled milkman asked a Herr Levi’s Gentile housekeeper how come she worked for him she replied that she was partly Jewish. When subsequently her even more perplexed employer asked her why she had lied to the milkman, she replied that she could not possibly admit to being forty-five.
Julia Boyd (Travellers in the Third Reich)
The writer found that certain freshwater crustaceans, namely Californian species of Daphnia, copepods, and Gammarus when indifferent to light can be made intensely positively heliotropic by adding some acid to the fresh water, especially the weak acid CO2. When carbonated water (or beer) to the extent of about 5 c.c. or 10 c.c. is slowly and carefully added to 50 c.c. of fresh water containing these Daphnia, the animals will become intensely positive and will collect in a dense cluster on the window side of the dish. Stronger acids act in the same way but the animals are likely to die quickly. . . Alcohols act in the same way. In the case of Gammarus the positive heliotropism lasts only a few seconds, while in Daphnia it lasts from 10 to 50 minutes and can be renewed by the further careful addition of some CO2.
Jacques Loeb
Lev took out a cigarette and stuck it between his lips and the woman sitting next to him a plump contained person with moles like splashes of mud on her face said quickly "I'm sorry but there is no smoking allowed on this bus." Lev knew this had known it in advance had tried to prepare himself mentally for the long agony of it. But even an unlit cigarette was a companion -something to hold on to something that had promise in it -and all he could be bothered to do now was to nod just to show the woman that he'd heard what she'd said reassure her that he wasn't going to cause trouble because there they would have to sit for fifty hours or more side by side with their separate aches and dreams like a married couple. They would hear each other's snores and sighs smell the food and drink each had brought with them note the degree to which each was fearful or unafraid make short forays into conversation. And then later when they finally arrived in London they would probably separate with barely a word or a look walk out into a rainy morning each alone and beginning a new life. And Lev thought how all of this was odd but necessary and already told him things about the world he was traveling to a world in which he would break his back working -if only that work could be found.
Rose Tremain (The Road Home)
Especially good gossip, no matter how outlandish contains the sense of its own inevitability. How unlikely I was to have become, of a single night, a prep-school porn star! The illogic of my fall made its own case for truth. STRANGE THINGS. SHE JUST CRACKED. I wondered, when everyone was so quick to believe what the boys claimed, if this proved that it was my fault. There was something ugly that they had all seen in me, but I had not.
Lacy Crawford (Notes on a Silencing: A Memoir)
We could start, perhaps, with the seemingly simple question, What is History? Any thoughts, Webster?’ ‘History is the lies of the victors,’ I replied, a little too quickly. ‘Yes, I was rather afraid you’d say that. Well, as long as you remember that it is also the self-delusions of the defeated. Simpson?’ Colin was more prepared than me. ‘History is a raw onion sandwich, sir.’ ‘For what reason?’ ‘It just repeats, sir. It burps. We’ve seen it again and again this year. Same old story, same old oscillation between tyranny and rebellion, war and peace, prosperity and impoverishment.’ ‘Rather a lot for a sandwich to contain, wouldn’t you say?’ We laughed far more than was required, with an end-of-term hysteria. ‘Finn?’ ‘“History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.” ’ ‘Is it, indeed? Where did you find that?’ ‘Lagrange, sir. Patrick Lagrange. He’s French.
Julian Barnes (The Sense of an Ending)
I rummaged through the drawers in search of a strong poison. I thought of nothing as I looked; I had to get it over with as quickly as possible. It was as if it were an everyday task I needed to do. All I could find were things of no use to me: buttons, string, thread of various colors, notebooks—all strongly redolent of naphthalene and none capable of causing a man’s death. Buttons, thread, and string—that is what the world contained at this most tragic of moments.
Max Blecher
Look at that McDonald's glass giveaway a couple-three years ago. The paint on the glasses had been found to contain an unacceptably high lead content. The glasses had been withdrawn quickly, consigned to that promotional limbo inhabited by creatures such as Speedy Alka-Seltzer and Vic's own personal favorite, Big Dick Chewing Gum. The glasses had been bad for the McDonald's Corporation, but no one had accused Ronald McDonald of trying to poison his pre-teen constituency.
Stephen King (Cujo)
She noticed his hands trembling slightly as he removed the small globe that was concealed in his pocket. “For you, Damaskiri,” he said shoving it into her hands quickly. Helena looked into the globe and saw that it had been enchanted to contain a miniature ball with the people twirling and dancing within. She held it up to her ear and could hear the soft strains of music. Delighted she studied him with a new appreciation, “What is your name?” “Teramos,” he replied nervously,
Meg Anne (Mother of Shadows (The Chosen, #1))
Competition is the spice of sports; but if you make spice the whole meal you'll be sick. The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15). Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change. Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge. [Each person has a] vantage point that offers a truth of its own. We are the architects of creation and all things are connected through us. The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution. We exist as a locus of waves that spreads its influence to the ends of space and time. The whole of a thing is contained in each of its parts. We are completely, firmly, absolutely connected with all of existence. We are indeed in relationship to all that is.
George Leonard
The arousal I'd felt at the gym returned, this time dressed in Kevlar, and it was kicking my ass. A slow-rolling, hot-as-sin lust swept through my body, setting every cell on fire. Fielding's mouth was sweet and minty and warm, and the suction was just right. He was a quick study, mirroring my actions, alternating between sucking gently at my mouth and suggestively lathing with his tongue. But there was an innocence in him, a surprised and eager passion that trembled through his body, unable to be contained. I could feel how much it was affecting him, and it made me crazy.
Eli Easton (Blame It on the Mistletoe (Blame It on the Mistletoe, #1))
a man who weighs 155 pounds will contain a little over forty-two quarts of water. If he does nothing at all but sit and breathe, he will lose about one and a half quarts of water per day through a combination of sweat, respiration, and urination. But if he exerts himself, that rate of loss can shoot up to one and a half quarts per hour. That can quickly become dangerous. In grueling conditions—walking under a hot sun, say—you can easily sweat away ten and a half to twelve and a half quarts of water in a day. No wonder we need to keep hydrated when the weather is hot. Unless
Bill Bryson (The Body: A Guide for Occupants)
think of climate change as slow, but it is unnervingly fast. We think of the technological change necessary to avert it as fast-arriving, but unfortunately it is deceptively slow—especially judged by just how soon we need it. This is what Bill McKibben means when he says that winning slowly is the same as losing: “If we don’t act quickly, and on a global scale, then the problem will literally become insoluble,” he writes. “The decisions we make in 2075 won’t matter.” Innovation, in many cases, is the easy part. This is what the novelist William Gibson meant when he said, “The future is already here, it just isn’t evenly distributed.” Gadgets like the iPhone, talismanic for technologists, give a false picture of the pace of adaptation. To a wealthy American or Swede or Japanese, the market penetration may seem total, but more than a decade after its introduction, the device is used by less than 10 percent of the world; for all smartphones, even the “cheap” ones, the number is somewhere between a quarter and a third. Define the technology in even more basic terms, as “cell phones” or “the internet,” and you get a timeline to global saturation of at least decades—of which we have two or three, in which to completely eliminate carbon emissions, planetwide. According to the IPCC, we have just twelve years to cut them in half. The longer we wait, the harder it will be. If we had started global decarbonization in 2000, when Al Gore narrowly lost election to the American presidency, we would have had to cut emissions by only about 3 percent per year to stay safely under two degrees of warming. If we start today, when global emissions are still growing, the necessary rate is 10 percent. If we delay another decade, it will require us to cut emissions by 30 percent each year. This is why U.N. Secretary-General António Guterres believes we have only one year to change course and get started. The scale of the technological transformation required dwarfs any achievement that has emerged from Silicon Valley—in fact dwarfs every technological revolution ever engineered in human history, including electricity and telecommunications and even the invention of agriculture ten thousand years ago. It dwarfs them by definition, because it contains all of them—every single one needs to be replaced at the root, since every single one breathes on carbon, like a ventilator.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
1) The Titanic hit the iceberg in the North Atlantic, approximately 400 miles off the coast of Newfoundland. 2) The Titanic was considered unsinkable because she was built with huge watertight doors to contain any possible leaks. However, when the ship hit the iceberg, six watertight compartments quickly filled up with water, dooming the ship. 3) The signal SOS was chosen as an international distress call because of the simplicity of the three letters in Morse code: three dots, three dashes, and three dots. 4) No one knows for certain exactly how long the musicians played on the Titanic, but legend says they played until the ship went down, and their last song was the hymn “Nearer My God to Thee.” 5) More than 1,500 people perished in the Titanic disaster, while 705 people escaped in lifeboats and were eventually rescued by a ship named the Carpathia. 6) After the sinking of the Titanic, laws were changed so that every ship was required to have enough lifeboats to carryall its passengers. Also, the International Ice Patrol was formed, so that ships would have warning about ice conditions. 7) In 1985, a scientist named Dr. Robert Ballard discovered the undersea wreck of the Titanic.
Mary Pope Osborne (Tonight on the Titanic (Magic Tree House, #17))
Even in a forest, there are loners, would-be hermits who want little to do with others. Can such antisocial trees block alarm calls simply by not participating? Luckily, they can't. For usually there are fungi present that act as intermediaries to guarantee quick dissemination of news. These fungi operate like fiber-optic Internet cables. Their thin filaments penetrate the ground, weaving through it in almost unbelievable density. One teaspoon of forest soil contains many miles of these "hyphae." Over centuries, a single fungus can cover many square miles and network an entire forest. The fungal connections transmit signals from one tree to the next, helping the trees exchange news about insects, drought, and other dangers. Science has adopted a term first coined by the journal Nature for Dr. Simard's discovery of the "wood wide web" pervading our forests. What and how much information is exchanged are subjects we have only just begun to research. For instance, Simard discovered that different tree species are in contact with one another, even when they regard each other as competitors. And the fungi are pursuing their own agendas and appear to be very much in favor of conciliation and equitable distribution of information and resources.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
There was nothing wrong with being able to handle things herself. Nothing wrong with wanting to.And she did appreciate Brian's help. And she didn't need caffeine. "I like caffeine," she grumbled. "I enjoy it, and that's entirely different from needing it.Entirely.I could give it up anytime I wanted, and I'd barely miss it." Annoyed,she snagged the soft drink she'd left on a shelf and guzzled. All right,so maybe she would miss it. But only beause she liked the taste. It wasn't like a craving or an addiction or... She couldn't say why Brian popped into her head just then.She was certain if he'd seen her staring in a kind of horror at a soft drink bottle, he'd have been amused.It was debatable what his reaction would be if he'd realized she wasn't actually seeing the bottle, but his face. No,that wasn't a need, either, she thought quickly. She did not need Brian Donnelly. It was attraction.Affection-a cautious kind of affection.He was a man who interested her, and whom she admired in many ways. But it wasn't as if she needed... "Oh God." It had to be overreaction, she decided, and set the bottle aside as carefully as she would have a container of nitro. What she was going through was something as simple as overromanticizing an affair. That would be natural enough, she told herself, particularly sice this was her first. She didn't want to be in love with him. She began wielding the pitchfork vigorously now, as if to sweat out a fever.She didn't choose to be in love with him. That was even more important.When her hands trembled she ignored them and worked harder still. By the time her mother joined her, Keeley had herself under control enough to casually ask Adelia to work in the office while she exervised Sam. Keeley Grant had never run from a problem in her life,and she wasn't about to start now.She saddled her mount,then rode off to clear her head before she dealt with the problem at hand.
Nora Roberts (Irish Hearts (Irish Hearts #1 & 2))
We met at a Mexican restaurant. We ordered, and I immediately broached the subject of Haldol. “I was surprised to see you at the pharmacy today,” I said. “Shhh!” She was eavesdropping on the table behind us. “They don’t know the difference between a burrito and an enchilada!” Bernadette’s face tightened as she strained to listen. “Oh my God,” she whispered. “They’ve never heard of mole. What do they look like? I don’t want to turn around.” “Just… people.” “What do you mean? What kind of—” She couldn’t contain herself. She quickly turned. “They’re covered in tattoos! What, you’re so cool that you ink yourself head-to-toe, but you don’t know the difference between an enchilada and a burrito?
Maria Semple (Where'd You Go, Bernadette)
Attacks by orcas and dolphins are on the rise. Why? Not enough food? Ocean temperatures rising too quickly? I have another idea. With the amount of plastic in the world's oceans the plastic will degenerate down into microplastics. Already these microplastics have entered all food chains and are to be found in soils, plants, animals and people. What are these microplastics doing? Well, we have no idea because not enough informed research has been carried out. For me, I believe that the toxins contained within the plastics are causing neurological disorders in animals & people alike. It's causing more irrational behavior and aggression. The orcas & dolphins are Apex predators, just as we are. Coincidence? Because man at present is doing some really irrational things. Only time and more research will find out some truthful answers.
Anthony T. Hincks
I came very close to burning the document you have just read. They search outgoing parolees almost as carefully as they search incoming “new fish.” And beyond containing enough dynamite to assure me of a quick turnaround and another six or eight years inside, my “memoirs” contained something else: the name of the town where I believe Andy Dufresne to be. Mexican police gladly cooperate with the American police, and I didn’t want my freedom—or my unwillingness to give up the story I’d worked so long and hard to write—to cost Andy his. Then I remembered how Andy had brought in his five hundred dollars back in 1948, and I took out my story of him the same way. Just to be on the safe side, I carefully rewrote each page which mentioned Zihuatanejo. If the papers had been found during my “outside search,” as they call it at The Shank, I would have gone back in on turnaround . . . but the cops would have been looking for Andy in a Peruvian sea-coast town named Las Intrudres.
Stephen King (Different Seasons: Four Novellas)
To make matters worse, Unit 4 was at the end of a fuel cycle. One of the features of the RBMK design is ‘online refuelling’, which is the ability to swap out spent fuel while the reactor is at power. Because fuel burn-up is not even throughout the core, it was not uncommon for the reactor to contain both new and old fuel, which was usually replaced every two years. On April 26th, around 75% of the fuel was nearing the end of its cycle.95 This old fuel had, by now, been given time to accumulate hot and highly radioactive fission products, meaning any interruption in the flow of cooling water could quickly damage the older fuel channels and generate heat faster than the reactor was designed to cope with. Unit 4 was scheduled for a lengthy shutdown and annual maintenance period upon conclusion of the test, during which all of the old fuel would be replaced. It would have been far more sensible to conduct the test with fresh fuel, but management decided to push ahead anyway.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
So what do you guys want to do first?” Claire asked excitedly from the backseat. “Oh my God, Claire. I don’t know, but maybe you should ask us again in five minutes. We haven’t had enough time to think about it since the last time you asked.” Chelsea’s mood had gone downhill quickly during the car ride into the mountains, and she had lost her patience for everyone-including Claire-who was usually safe from her temper. “Effin’-A, Chels, I was just asking.” Claire’s lips drew together tightly as she crossed her arms in front of her. It was as close to swearing as Claire ever got. Claire must have really been tired of Chelsea’s snippy tone. Chelsea didn’t apologize; instead she closed her eyes and took another deep breath, leaning her head back against her seat. “Do you want me to pull over again?” Jay asked, glancing anxiously at Chelsea in his rearview mirror. He shot a nervous look at Violet, and Violet knew exactly what he was thinking. He didn’t want Chelsea to puke…in his car. Chelsea sighed with annoyance. “Why, Jay? So I can walk around in the cold again, talking about how fucking-yeah, that’s right, Claire, I said fucking-sick I feel? No, thank you. Just keep driving. The sooner we get there, the sooner I get out of this hellhole.” “No offense taken. Right, Jay?” Mike laughed, hitting Jay’s headrest playfully. Apparently he thought he was safe from Chelsea’s caustic remarks. He wasn’t. “That’s too bad,” Chelsea shot back without opening her eyes. “Maybe someone should take offense. Maybe it’s not the car making me sick, maybe it’s the driving.” Violet started to laugh but caught herself, just barely, in time to stop the sound from actually escaping her lips. She covered her mouth with her hand so that only those with their eyes open could see her. Ha-ha, Jay mouthed, when she glanced sideways in his direction, making it even harder to contain herself. Sorry, she mouthed back to him, when she finally felt like she had enough control not to laugh.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
McCullough points out that early treatment does not just prevent hospitalization; it quickly starves pandemics to death by stopping their spread. “Early treatment reduces the infectivity period from 14 days to about four days,” he explains. “It also allows someone to stay in the home so they don’t contaminate people outside the home. And then it has this remarkable effect in reducing the intensity and duration of symptoms so patients don’t get so short of breath, they don’t get into this panic where they feel they have to break containment and go to the hospital.” McCullough says that those hospital trips are tinder for pandemics, especially since, at that point, the patient is at the height of infectivity, with teeming viral loads. “Every hospitalization in America—and there’s been millions of them—has been a super-spreader event. Sick patients contaminate their loved ones, paramedics, Uber drivers, people in the clinic and offices. It becomes a total mess.” McCullough says that by treating COVID-19 at home, doctors actually can extinguish the pandemic.
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
After dancing all night at a New Year’s ball, a girl will be unable to say whether the time passed quickly or slowly. Similarly, a man who has done twenty-five years in the Schlüusselburg Prison will say: ‘I seem to have been a whole eternity in this fortress, and at the same time I only seem to have been here a few weeks.’ The night at the ball is full of looks, smiles, caresses, snatches of music, each of which takes place so swiftly as to leave no sense of duration in the girl’s consciousness. Taken together, however, these moments engender the sense of a long interval of time that contains all the joys of human existence. For the prisoner it is the exact opposite: his twenty-five years are composed of discrete intervals of time – from morning roll-call to evening roll-call, from breakfast to lunchtime – each of which seems unbearably long. But the twilight monotony of the months and years engenders a sense that time itself has contracted, has shrunk. And all this gives rise to the same sense of simultaneous quickness and endlessness felt by the girl at the ball.
Vasily Grossman (Life and Fate (Stalingrad, #2))
But one strand of conspiratorial thinking has proven quite eerie, and that is the extraordinary number of elevens associated with the attacks. There are eleven letters in ‘New York City’, ‘The Pentagon’, ‘George W. Bush’ and ‘Afghanistan’. New York was the eleventh state admitted to the union. American Airlines Flight 11 was the first plane to hit the Twin Towers, which incidentally looked like a giant 11, with 92 people aboard; 9 + 2 = 11. United Airlines Flight 175, which struck the South Tower, was carrying 65 people; 6 + 5 = 11. Meanwhile, 11 September is the 254th day of the year (2 + 5 + 4 = 11), with 111 days remaining. Even the popular rendering of the date – 9/11 – adds up to eleven (9 + 1 + 1), as well as resembling the US emergency number, 911. Coincidence? It gets weirder. On 11 March 2004, ten coordinated explosions on four packed commuter trains killed 191 people in Madrid. Numerologists were quick to point out that the date not only contained another eleven and added up to eleven (1 + 1 + 3 + 2 + 0 + 0 + 4 = 11), as did the number of victims (1 + 9 + 1 = 11), but also that it fell exactly 911 days after 9/11.
Jenny Crompton (Unbelievable!: The Bizarre World of Coincidences)
The ancient Romans built elaborate networks of pipes to deliver water where they wanted it to go. The networks were a marvel. But many of the pipes were made of lead, and the water carried the lead along with it. One school of thought regards this as part of the reason for the decline and fall of Rome: lead poisoning gradually took its toll, impairing the thought and judgment of many Romans, especially at the top. The theory is much disputed; perhaps it contains no truth. But as a metaphor it is irresistible. We have built networks for the delivery of information—the internet, and especially social media. These networks, too, are a marvel. But they also carry a kind of poison with them. The mind fed from those sources learns to subsist happily on quick reactions, easy certainties, one-liners, and rage. It craves confirmation and resents contradiction. Attention spans collapse; imbecility propagates, then seems normal, then is celebrated. The capacity for rational discourse between people who disagree gradually rots. I have a good deal more confidence in the lead-pipe theory of the internet, and its effect on our culture, than in the lead-pipe theory of the fall of Rome.
Ward Farnsworth (The Socratic Method: A Practitioner's Handbook)
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron
James and Colleen Simmons, authors of Daniel's Challenge and Original Fast Foods, and owners of LDShealth.ning.com, have this to say on the subject: “The commercial bread-making industry figured out how to isolate strains of yeast that made bread raise very quickly compared to the old-fashion bread-making method; soon sourdough starts became a thing of the past for most of us. What we didn't know when we traded Old-World leavening techniques for quick-rise yeasts, is that not everything in wheat is good for you. In fact, there are several elements in wheat that are down-right problematic and that have led to grain intolerances in about 20 percent of today's population. When you compare what happens to the bread when it is leavened with commercial yeasts versus a good sourdough starter, another story unfolds…. The sourdough starter contains several natural strains of friendly bacteria and yeasts that also cause bread to rise; however, these friendly bacteria also neutralize the harmful effects of the grain. They neutralize phytic acids that otherwise prevent minerals found in the grain from being absorbed properly; they predigest the gluten, and they also neutralize lignans and tanins found in wheat.”1
Caleb Warnock (The Forgotten Skills of Self-Sufficiency Used by the Mormon Pioneers (Forgotten Skills of Self-Reliance Series by Caleb Warnock Book 1))
The salmon is perfectly cooked. The trace amounts of sugar contained in the wheat flour have combined with the butter in a chemical reaction that's creating a wonderful fragrance. It was all fried together for precisely the right amount of time to create a superb Meunière." "The squid liver was quickly sautéed in a dollop of butter as well, taking a bite of that with the Meunière is sublime! The butter's flavor gently wraps around the salty and pleasantly bitter taste of the liver, giving it a beautifully mellow body." "He added pomegranate seeds and tonburi to the soy sauce marinated roe! Those three completely disparate flavors meld into a seamless whole thanks to butter! Not only does it have an amusing texture, the roe doesn't have its typical greasiness either!" *Tonburi, also called land caviar, is the seeds of the summer cypress plant. It's texture is similar to caviar.* He's used mounds of butter in so many different facets of the dish, but it somehow hasn't made the flavor heavy at all. The secret to that lies in the bed of special sushi rice hidden underneath the seafood! "This sushi rice was made not with vinegar but with orange juice and lemon juice!" "So that's why he was squeezing that mountain of oranges!"
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
The watching feeling is getting worse. I am not an experiment. I am not a stupid joke, or a trippy game, or an experiment. I will not go insane. Something bad is gonnae happen, though. I can feel it. It’s in the way that crisp bag has faded from the rain. I am not an experiment. If I keep saying it, I’ll start believing it. I have to try. I am not an experiment. It doesnae sound convincing. It sounds stupid. Try it in German. Ich bin nicht eine experiment. My German’s shite. Inhale slowly to the count of four, look hard at the tip of my nose and try again. This time I go for an official BBC broadcaster circa-1940 accent. Today, one finds one is not, in actual fact, a social experiment. One is a real person. This is real actual skin as seen containing the bodily organs of a real actual human being with a heart and soul and dreams. It’s true that I came from real people once too, and they were a jolly old sort, with no naked psycho-ess in any way. I, the young Miss Anais, understand wholly that I am just a human being that no one is interested in. No experiment. No outside fate. I am not that important, and that is just fine by me. I propose a stiff upper lip and onward Christian soldiers, quick-bloody-march! This is Anais Hendricks, telling the nation: to be me is really quite spiff-fucking-spoff, lashings of love, your devoted BBC broadcaster since 1938.
Jenni Fagan (The Panopticon)
crispy baked wontons Brianna Shade | BEAVERTON, OREGON These quick, versatile wontons are great for a crunchy afternoon snack or paired with a bowl of soothing soup on a cold day. I usually make a large batch, freeze half on a floured cookie sheet, then store them in an air-tight container for a fast bite. 1/2 pound ground pork 1/2 pound extra-lean ground turkey 1 small onion, chopped 1 can (8 ounces) sliced water chestnuts, drained and chopped 1/3 cup reduced-sodium soy sauce 1/4 cup egg substitute 1-1/2 teaspoons ground ginger 1 package (12 ounces) wonton wrappers Cooking spray Sweet-and-sour sauce, optional In a large skillet, cook the pork, turkey and onion over medium heat until meat is no longer pink; drain. Transfer to a large bowl. Stir in the water chestnuts, soy sauce, egg substitute and ginger. Position a wonton wrapper with one point toward you. (Keep remaining wrappers covered with a damp paper towel until ready to use.) Place 2 heaping teaspoons of filling in the center of wrapper. Fold bottom corner over filling; fold sides toward center over filling. Roll toward the remaining point. Moisten top corner with water; press to seal. Repeat with remaining wrappers and filling. Place on baking sheets coated with cooking spray; lightly coat wontons with additional cooking spray. Bake at 400° for 10-12 minutes or until golden brown, turning once. Serve warm with sweet-and-sour sauce if desired.
Taste of Home (Taste of Home Comfort Food Diet Cookbook: New Family Classics Collection: Lose Weight with 416 More Great Recipes!)
After a week or so, Puzzle and Jake have clearly got it. Door now means 'the-closest-exit-outside-no-matter-where-we-are." Door also means "and-make-sure-the-human-gets-there-too." I feel a little bad about the Poms, the tragic little overlooked, underestimated Poms, and now that Jake and Puz seem assured about the command, I decide to invite any Pomeranian that wants in on the action to have a go. We'll have a little fun. "Door," I say in my bedroom, armed with a pocketful of treats. Jake and Puzzle race to the back door and sit, and I follow them readily, but the Poms at first follow me, because I have the treats. I start with them the way I started with Jake and Puzzle. Door means a treat when you get there, not before. A couple of them (Jack and Smokey) figure it out quickly and are happy to run to the door and sit for a treat. On of them (Mr. Sprits'l) would rather scold me from ankle level all the way there. One of them (Mizzen) is a natural. She races to the door and back to me again, there and back to me again, there and back. Hoor! she says, tap-dancing across the wood. She can get to the door and seems to know what the word means, but it's all so exciting she can hardly contain herself. Hoor! Here's the door! Aren't you here yet? Hoor! Let me come back to you! Hey! Look! Over here! Hoor! Here's the door! She is thrilled with Door. She is thrilled with the knowing. She is thrilled with the treats. Mizzen-monkey makes me a little dizzy.
Susannah Charleson (The Possibility Dogs: What a Handful of "Unadoptables" Taught Me About Service, Hope, and Healing)
More than anything, we have lost the cultural customs and traditions that bring extended families together, linking adults and children in caring relationships, that give the adult friends of parents a place in their children's lives. It is the role of culture to cultivate connections between the dependent and the dependable and to prevent attachment voids from occurring. Among the many reasons that culture is failing us, two bear mentioning. The first is the jarringly rapid rate of change in twentieth-century industrial societies. It requires time to develop customs and traditions that serve attachment needs, hundreds of years to create a working culture that serves a particular social and geographical environment. Our society has been changing much too rapidly for culture to evolve accordingly. There is now more change in a decade than previously in a century. When circumstances change more quickly than our culture can adapt to, customs and traditions disintegrate. It is not surprising that today's culture is failing its traditional function of supporting adult-child attachments. Part of the rapid change has been the electronic transmission of culture, allowing commercially blended and packaged culture to be broadcast into our homes and into the very minds of our children. Instant culture has replaced what used to be passed down through custom and tradition and from one generation to another. “Almost every day I find myself fighting the bubble-gum culture my children are exposed to,” said a frustrated father interviewed for this book. Not only is the content often alien to the culture of the parents but the process of transmission has taken grandparents out of the loop and made them seem sadly out of touch. Games, too, have become electronic. They have always been an instrument of culture to connect people to people, especially children to adults. Now games have become a solitary activity, watched in parallel on television sports-casts or engaged in in isolation on the computer. The most significant change in recent times has been the technology of communication — first the phone and then the Internet through e-mail and instant messaging. We are enamored of communication technology without being aware that one of its primary functions is to facilitate attachments. We have unwittingly put it into the hands of children who, of course, are using it to connect with their peers. Because of their strong attachment needs, the contact is highly addictive, often becoming a major preoccupation. Our culture has not been able to evolve the customs and traditions to contain this development, and so again we are all left to our own devices. This wonderful new technology would be a powerfully positive instrument if used to facilitate child-adult connections — as it does, for example, when it enables easy communication between students living away from home, and their parents. Left unchecked, it promotes peer orientation.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Even at rest we sweat steadily, if inconspicuously, but if you add in vigorous activity and challenging conditions, we drain off our water supplies very quickly. According to Peter Stark in Last Breath: Cautionary Tales from the Limits of Human Endurance, a man who weighs 155 pounds will contain a little over forty-two quarts of water. If he does nothing at all but sit and breathe, he will lose about one and a half quarts of water per day through a combination of sweat, respiration, and urination. But if he exerts himself, that rate of loss can shoot up to one and a half quarts per hour. That can quickly become dangerous. In grueling conditions—walking under a hot sun, say—you can easily sweat away ten and a half to twelve and a half quarts of water in a day. No wonder we need to keep hydrated when the weather is hot. Unless the loss is halted or replenished, the victim will begin to suffer headaches and lethargy after losing just three to five quarts of fluid. After six or seven quarts of unrestored loss, mental impairment starts to become likely. (That is when dehydrated hikers leave a trail and wander into the wilderness.) If the loss gets much above ten and a half quarts for a 155-pound man, the victim will go into shock and die. During World War II, scientists studied how long soldiers could walk in a desert without water (assuming they were adequately hydrated at the outset) and concluded that they could go forty-five miles in 80-degree heat, fifteen miles in 100-degree heat, and just seven miles in 120-degree heat.
Bill Bryson (The Body: A Guide for Occupants)
Brown-Séquard ground up the testes of domesticated animals (dogs and pigs are most often cited, but no two sources seem to quite agree on which animals he favored), injected the extract into himself, and reported feeling as frisky as a forty-year-old. In fact, any improvement he sensed was entirely psychological. Mammalian testes contain almost no testosterone because it is sent out into the body as quickly as it is made, and in any case we manufacture very little of it anyway. If Brown-Séquard ingested any testosterone at all, it was no more than a trace. Even though Brown-Séquard was completely wrong about the rejuvenative effects of testosterone, he was actually right that it is potent stuff—so much so that, when synthesized, it is treated today as a controlled substance. Brown-Séquard’s enthusiasm for testosterone seriously damaged his scientific credibility, and he died soon afterward anyway, but ironically his efforts prompted others to look more closely and systematically at the chemical processes that control our lives. In 1905, a decade after Brown-Séquard’s death, the British physiologist E. H. Starling coined the term “hormone” (on advice from a classics scholar at Cambridge University; it comes from a Greek word meaning “to set in motion”), though the science didn’t really get going until the following decade. The first journal devoted to endocrinology wasn’t founded until 1917, and the umbrella term for the ductless glands of the body, the endocrine system, came even later. It was coined in 1927 by the British scientist J. B. S. Haldane.
Bill Bryson (The Body: A Guide for Occupants)
Lindon didn’t feel like it was the time to mention that he had first summoned an Icon when he was an Underlord. Eithan raised a hand. “May I point out that I trained these two?” Naru Huan breathed in for a solid five seconds, and then exhaled even more slowly. He strolled over to Eithan and put a hand on the Archlord’s shoulder. “I know, Eithan. I do know. You have done more for the Empire than anyone since my mother, but you make it so hard to be grateful. If only you weren’t so…infuriating. All the time.” “All the time is a little harsh.” A little more humanity cracked Eithan’s smile. “I will allow, though, that I can be a unique experience.” “Let him kick you,” Yerin suggested. Everyone looked to her—Naru Huan’s face had grown substantially brighter—but she didn’t back down. “You want to show you’re sorry? Let him kick you.” Eithan’s eyes narrowed suspiciously. “I’m a little disturbed at how quickly you came to that suggestion.” “I dream about it every night.” Naru Huan controlled himself, but Lindon could see that he was holding back excitement. “I would like that very much.” “Well, if I’m not going to defend myself, I would prefer if you took it easy—” He didn’t. The Emperor’s kick contained all the madra, aura, and soulfire of an experienced Overlord. The sudden detonation of air would have leveled Lindon’s house if not for the scripts and his own protection. As it was, air surged out from Windfall for miles, even buffeting some landing cloudships. Lindon watched as Eithan flew as a rapidly vanishing speck to the west. “I think he might make it all the way to Sacred Valley.
Will Wight (Reaper (Cradle, #10))
Moses Come. When? Now. This way. I will guide you. Wait! Not so fast. Hurry. You. I said you. Who am I? Certainly I will be with thee. Is nothing, then, what it is? I had rather the rod had stayed a rod and not become a serpent. Come. Quickly. While the blast of my breath opens the sea. Stop. I'm thirsty. Drink water from this rock. But the rock moves on before us. Go with it and drink. I'm tired. Can't you stop for a while? You have already tarried too long. But if I am to follow you I must know your name. I will be that I will be. You have set the mountain on fire. Come. Climb. I will be lost in the terror of your cloud. You are stiff-necked and of a stiff-necked people. YOUR poeple, Lord, Indubitably. Your wrath waxes hot. I burn. Thus to become great. Show me, then, they glory. No man may see my face and live. But I will cover you with my hand while I pass by. My people turn away and cry because the skin of my face shines Did you not expect this? I cannot enter the tent of the congregation while your cloud covers it and your glory fills the tabernacle. Look. It moves before us again. Can you not stay still? Come. Follow. But this river is death. The waters are dark and deep. Swim. Now will I see your face? Where are you taking me now? Up the mountain with me before I die. But death bursts into light. The death is what it will be. These men: they want to keep us here in three tabernacles. But the cloud moves. The water springs from a rock that journeys on. You are contained in me. But how can we contain you in ark or tabernacle or You cannot. Where, then? In your heart. Come. Still? I will be with thee. Who am I? You are that I will be. Come.
Madeleine L'Engle (The Weather of the Heart: Selected Poems)
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))
Our political discourse has degenerated into anxieties about whether giving benefits to those people over there will take money out of the pockets of my kind of people over here, even when the changes are those from which we would all benefit." "The church is one of the few remaining institutions in the American scene that normalizes the effects of slavery, with most Christians preserving these segregated spaces in the interests of cultural comfort. Racially separate churches violate the interdependence that should characterize authentic Christian communities. Further, this individualism blocks churches from the blessings of gifts preserved in separate traditions. For example, segregated white churches celebrate the confessions and the rich legacies of the intellectual giants of the faith, but too often preach a weak and disembodied gospel that reduces spirituality to symbolism, and that separates material concerns from moral choices and the pursuit of righteousness." "Indeed, we have reached a sad state of affairs when we are all unwilling to be challenged when we go to church." "We should not move too quickly to a cheap reconciliation that forgets the past rather than honoring it as a clay vessel that contains a refined treasure bearing witness to the presence of Jesus at the margins. We need to make space for the histories of ethnic pain to be shared and revered among whites and all peoples of color, and to be instructed by them. That is, we need to understand how our past impinges on the present before we can move forward together toward our future. We cannot be who we are called to be unless we can gain access to the treasures of the gospel that have been preserved in the separate traditions of now segregated ethnic churches. We will not testify to the glory of God and the manifold riches of his mercy to the nations until we do.
Love L. Sechrest
This reaction to the work was obviously a misunderstanding. It ignores the fact that the future Buddha was also of noble origins, that he was the son of a king and heir to the throne and had been raised with the expectation that one day he would inherit the crown. He had been taught martial arts and the art of government, and having reached the right age, he had married and had a son. All of these things would be more typical of the physical and mental formation of a future samurai than of a seminarian ready to take holy orders. A man like Julius Evola was particularly suitable to dispel such a misconception. He did so on two fronts in his Doctrine: on the one hand, he did not cease to recall the origins of the Buddha, Prince Siddhartha, who was destined to the throne of Kapilavastu: on the other hand, he attempted to demonstrate that Buddhist asceticism is not a cowardly resignation before life's vicissitudes, but rather a struggle of a spiritual kind, which is not any less heroic than the struggle of a knight on the battlefield. As Buddha himself said (Mahavagga, 2.15): 'It is better to die fighting than to live as one vanquished.' This resolution is in accord with Evola's ideal of overcoming natural resistances in order to achieve the Awakening through meditation; it should he noted, however, that the warrior terminology is contained in the oldest writings of Buddhism, which are those that best reflect the living teaching of the master. Evola works tirelessly in his hook to erase the Western view of a languid and dull doctrine that in fact was originally regarded as aristocratic and reserved for real 'champions.' After Schopenhauer, the unfounded idea arose in Western culture that Buddhism involved a renunciation of the world and the adoption of a passive attitude: 'Let things go their way; who cares anyway.' Since in this inferior world 'everything is evil,' the wise person is the one who, like Simeon the Stylite, withdraws, if not to the top of a pillar; at least to an isolated place of meditation. Moreover, the most widespread view of Buddhists is that of monks dressed in orange robes, begging for their food; people suppose that the only activity these monks are devoted to is reciting memorized texts, since they shun prayers; thus, their religion appears to an outsider as a form of atheism. Evola successfully demonstrates that this view is profoundly distorted by a series of prejudices. Passivity? Inaction? On the contrary, Buddha never tired of exhorting his disciples to 'work toward victory'; he himself, at the end of his life, said with pride: katam karaniyam, 'done is what needed to he done!' Pessimism? It is true that Buddha, picking up a formula of Brahmanism, the religion in which he had been raised prior to his departure from Kapilavastu, affirmed that everything on earth is 'suffering.' But he also clarified for us that this is the case because we are always yearning to reap concrete benefits from our actions. For example, warriors risk their lives because they long for the pleasure of victory and for the spoils, and yet in the end they are always disappointed: the pillaging is never enough and what has been gained is quickly squandered. Also, the taste of victory soon fades away. But if one becomes aware of this state of affairs (this is one aspect of the Awakening), the pessimism is dispelled since reality is what it is, neither good nor bad in itself; reality is inscribed in Becoming, which cannot be interrupted. Thus, one must live and act with the awareness that the only thing that matters is each and every moment. Thus, duty (dhamma) is claimed to be the only valid reference point: 'Do your duty,' that is. 'let your every action he totally disinterested.
Jean Varenne (The Doctrine of Awakening: The Attainment of Self-Mastery According to the Earliest Buddhist Texts)
Spellbinders are characterized by pathological egotism. Such a person is forced by some internal causes to make an early choice between two possibilities: the first is forcing other people to think and experience things in a manner similar to his own; the second is a feeling of being lonely and different, a pathological misfit in social life. Sometimes the choice is either snake-charming or suicide. Triumphant repression of selfcritical or unpleasant concepts from the field of consciousness gradually gives rise to the phenomena of conversive thinking (twisted thinking), or paralogistics (twisted logic), paramoralisms (twisted morality), and the use of reversion blockades (Big Lies). They stream so profusely from the mind and mouth of the spellbinder that they flood the average person’s mind. Everything becomes subordinated to the spellbinder’s over-compensatory conviction that they are exceptional, sometimes even messianic. An ideology emerges from this conviction, true in part, whose value is supposedly superior. However, if we analyze the exact functions of such an ideology in the spellbinder’s personality, we perceive that it is nothing other than a means of self-charming, useful for repressing those tormenting selfcritical associations into the subconscious. The ideology’s instrumental role in influencing other people also serves the spellbinder’s needs. The spellbinder believes that he will always find converts to his ideology, and most often, they are right. However, they feel shock (or even paramoral indignation) when it turns out that their influence extends to only a limited minority, while most people’s attitude to their activities remains critical, pained and disturbed. The spellbinder is thus confronted with a choice: either withdraw back into his void or strengthen his position by improving the ef ectiveness of his activities. The spellbinder places on a high moral plane anyone who has succumbed to his influence and incorporated the experiential method he imposes. He showers such people with attention and property, if possible. Critics are met with “moral” outrage. It can even be proclaimed that the compliant minority is in fact the moral majority, since it professes the best ideology and honors a leader whose qualities are above average. Such activity is always necessarily characterized by the inability to foresee its final results, something obvious from the psychological point of view because its substratum contains pathological phenomena, and both spellbinding and self-charming make it impossible to perceive reality accurately enough to foresee results logically. However, spellbinders nurture great optimism and harbor visions of future triumphs similar to those they enjoyed over their own crippled souls. It is also possible for optimism to be a pathological symptom. In a healthy society, the activities of spellbinders meet with criticism effective enough to stifle them quickly. However, when they are preceded by conditions operating destructively upon common sense and social order; such as social injustice, cultural backwardness, or intellectually limited rulers sometimes manifesting pathological traits, spellbinders’ activities have led entire societies into large-scale human tragedy. Such an individual fishes an environment or society for people amenable to his influence, deepening their psychological weaknesses until they finally join together in a ponerogenic union. On the other hand, people who have maintained their healthy critical faculties intact, based upon their own common sense and moral criteria, attempt to counteract the spellbinders’ activities and their results. In the resulting polarization of social attitudes, each side justifies itself by means of moral categories. That is why such commonsense resistance is always accompanied by some feeling of helplessness and deficiency of criteria.
Andrew Lobabczewski
The concentrated structure of musical form, based on dramatic climaxes, gradually breaks up in romanticism and gives way again to the cumulative composition of the older music. Sonata form falls to pieces and is replaced more and more often by other, less severe and less schematically moulded forms—by small-scale lyrical and descriptive genres, such as the Fantasy and the Rhapsody, the Arabesque and the Étude, the Intermezzo and the Impromptu, the Improvisation and the Variation. Even extensive works are often made up of such miniature forms, which no longer constitute, from the structural point of view, the acts of a drama, but the scenes of a revue. A classical sonata or symphony was the world in parvo: a microcosm. A succession of musical pictures, such as Schumann’s Carnaval or Liszt’s Années de Pèlerinage, is like a painter’s sketch-book; it may contain magnificent lyrical-impressionistic details, but it abandons the attempt to create a total impression and an organic unity from the very beginning. [...] This change of form is accompanied by the literary inclinations of the composers and their bias towards programme music. The intermingling of forms also makes itself felt in music and is expressed most conspicuously in the fact that the romantic composers are often very gifted and important writers. In the painting and poetry of the period the disintegration of form does not proceed anything like so quickly, nor is it so far-reaching as in music. The explanation of the difference is partly that the cyclical ‘medieval’ structure had long since been overcome in the other arts, whereas it remained predominant in music until the middle of the eighteenth century, and only began to yield to formal unity after the death of Bach. In music it was therefore much easier to revert to it than, for example, in painting where it was completely out of date. The romantics’ historical interest in old music and the revival of Bach’s prestige had, however, only a subordinate part in the dissolution of strict sonata form, the real reason is to be sought in a change of taste which was in essentials sociologically conditioned.
Arnold Hauser (The Social History of Art Volume 3: Rococo, Classicism and Romanticism)
Jermyn’s breath stilled. He watched intently. So far, she had followed his instructions. Now he waited to see if she would follow his last, insistent direction. In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable . . . leave everything else behind but bring that box. He bent his will on her. Amy, get the wooden box. Get it. If thoughts had power, then his directive would surely be followed. She gathered the clothes, wrapped them in a piece of brown paper and tied them like a package with a string. She thrust the package into a large cloth bag that hung by her belt and started toward the sitting room. In frustration, Jermyn wanted to stick his fist through the wall. Why couldn’t the girl just once do as she was told? At the doorway, she hesitated. Jermyn’s heart lifted. Do it, he mentally urged. Get it. She glanced toward the bedside table, then away. Jermyn could almost see the tug-of-war between her good sense and her yearning. Had he baited the trap with strong enough desire? Had he played the meek, willing male with enough sincerity? With a soft “blast!” she hurried to the bedside table. Opening the drawer, she pulled out the wooden box and stared at it as if it were a striking snake. With a glance around her, she placed it on the table and raised the lid. She lifted the small, gilt-and-blue bottle. Pulling the stopper, she sniffed. Jermyn preferred a combination of bayberry and spice, and he held his breath as he scrutinized her face, waiting for her reaction. If she didn’t savor the scent, he had no doubt she would put it back. But for a mere second, she closed her eyes. Pleasure placed a faint smile on her lips. She liked it. And he hoped she associated the scent with him, with the day she kidnapped him. That would be sweet justice indeed. Briskly she stoppered the bottle, replaced it in the box and slid the box in her pocket. Together the two men watched as she left the bedroom. Jermyn heard a click as the outer door closed. Guardedly he walked out, surveying the sitting room. Empty. Turning to the bewildered Biggers, Jermyn said, “Quickly, man. I need that bath!
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
Trying to trick the creature, hoping that it would react without hesitation to the first sign of movement in the door way, Travis tucked the revolver under his belt, quietly picked up one of the dining-room chairs, eased to within six feet of the kitchen, and pitched the chair through the open door. He snatched the revolver out of his waistband and, as the chair sailed into the kitchen, assumed a shooter's stance. The chair crashed into the Formica-topped table, clattered to the floor, and banged against the dishwasher. The lantern-eyed enemy did not go for it. Nothing moved. When the chair finished tumbling, the kitchen was again marked by a hushed expectancy . Einstein was making a curious sound, a quiet shuddery huffing, and after a moment Travis realized the noise was a result of the dog's uncontrollable shivering. No question about it: the intruder in the kitchen was the very thing that had pursued them through the woods more than three months ago. During the intervening weeks, it had made its way north, probably traveling mostly in the wildlands to the east of the developed part of the state, relentlessly tracking the dog by some means that Travis could not understand and for reasons he could not even guess. In response to the chair he had thrown, a large white-enameled canister crashed to the floor just beyond the kitchen doorway, and Travis jumped back in surprise, squeezing off a wild shot before he realized he was only being taunted. The lid flew off the container when it hit the floor, and flour spilled across the tile. Silence again. By responding to Travis's taunt with one of its own, the intruder had displayed unnerving intelligence. Abruptly Travis realized that, coming from the same research lab as Einstein and being a product of related experiments, the creature might be as smart as the retriever. Which would explain Einstein's fear of it. If Travis had not already accommodated himself to the idea of a dog with humanlike intelligence, he might have been unable to credit this beast with more than mere animal cleverness; however, events of the past few months had primed him to accept-and quickly adapt to-almost anything.
Dean Koontz (Watchers)
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
SNAPPY TURTLE PIE   1 chocolate cookie crumb pie shell (chocolate is best, but shortbread or graham cracker will also work just fine) 1 pint vanilla ice cream 4 ounces ( of a 6-ounce jar) caramel ice cream topping (I used Smucker’s) ½ cup salted pecan pieces 4 ounces ( of a 6-ounce jar) chocolate fudge ice cream topping (I used Smucker’s) 1 small container frozen Cool Whip (original, not low-fat, or real whipped cream) Hannah’s Note: If you can’t find salted pecans, buy plain pecans. Measure out ½ cup of pieces, heat them in the microwave or the oven until they’re hot and then toss them with 2 Tablespoons of melted, salted butter. Sprinkle on ¼ teaspoon of salt, toss again, and you have salted pecan pieces. Set your cookie crumb pie shell on the counter along with your ice cream carton. Let the ice cream soften for 5 to 10 minutes. You want it approximately the consistency of soft-serve. Using a rubber spatula, spread out your ice cream in the bottom of the chocolate cookie crumb crust. Smooth the top with the spatula. Working quickly, pour the caramel topping over the ice cream. You can drizzle it, pour it, whatever. Just try to get it as evenly distributed as you can. Sprinkle the salted pecan pieces on top of the caramel layer. Pour or drizzle the chocolate fudge topping over the pecans. Cover the top of your pie with wax paper (don’t push it down—you don’t want it to stick) and put your Snappy Turtle Pie in the freezer overnight. Put your container of Cool Whip in the refrigerator overnight. Then it’ll be spreadable in the morning. In the morning, remove your pie from the freezer and spread Cool Whip over the top. Cover it with wax paper again and stick it back into the freezer for at least 6 hours. If you’re not planning to serve your pie for dinner that night, wait until the 6 hours are up and then put it into a freezer bag and return it to the freezer for storage. It will be fine for about a month. Take your Snappy Turtle Pie out of the freezer and place it on the countertop about 15 minutes before you’re ready to serve it. When it’s time for dessert, cut it into 6 pieces as you would a regular pie, put each piece on a dessert plate, and place one Snappy Turtle Cookie (recipe follows) on the center of each piece, the head of the turtle facing the tip of the pie. Yield: 6 slices of yummy ice cream pie that all of your guests will ooh and ahh over.
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
What they do not know is that this plain brown girl will build her nest stick by stick, make it her own inviolable world, and stand guard over its every plant, weed, and doily, even against him. In silence will she return the lamp to where she put it in the first place; remove the dishes from the table as soon as the last bite is taken; wipe the doorknob after a greasy hand has touched it. A sidelong look will be enough to tell him to smoke on the back porch. Children will sense instantly that they cannot come into her yard to retrieve a ball. But the men do not know these things. Nor do they know that she will give him her body sparingly and partially. He must enter her surreptitiously, lifting the hem of her nightgown only to her navel. He must rest his weight on his elbows when they make love, ostensibly to avoid hurting her breasts but actually to keep her from having to touch or feel too much of him. While he moves inside her, she will wonder why they didn’t put the necessary but private parts of the body in some more convenient place—like the armpit, for example, or the palm of the hand. Someplace one could get to easily, and quickly, without undressing. She stiffens when she feels one of her paper curlers coming undone from the activity of love; imprints in her mind which one it is that is coming loose so she can quickly secure it once he is through. She hopes he will not sweat—the damp may get into her hair; and that she will remain dry between her legs—she hates the glucking sound they make when she is moist. When she senses some spasm about to grip him, she will make rapid movements with her hips, press her fingernails into his back, suck in her breath, and pretend she is having an orgasm. She might wonder again, for the six hundredth time, what it would be like to have that feeling while her husband’s penis is inside her. The closest thing to it was the time she was walking down the street and her napkin slipped free of her sanitary belt. It moved gently between her legs as she walked. Gently, ever so gently. And then a slight and distinctly delicious sensation collected in her crotch. As the delight grew, she had to stop in the street, hold her thighs together to contain it. That must be what it is like, she thinks, but it never happens while he is inside her. When he withdraws, she pulls her nightgown down, slips out of the bed and into the bathroom with relief.
Toni Morrison (The Bluest Eye)
for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body.       Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.”       If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.”       When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There
Christina Thompson (Sea People: The Puzzle of Polynesia)
Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Charles Bean, the official historian of Australia’s part in World War I, was unusual in dealing closely with the deeds of the soldiers on the front line, and not just the plans and orders of their leaders. At the end of his account of the Gallipoli landing in the Official History, he asked what made the soldiers fight on. What motive sustained them? At the end of the second or third day of the Landing, when they had fought without sleep until the whole world seemed a dream, and they scarcely knew whether it was a world of reality or of delirium – and often, no doubt, it held something of both; when half of each battalion had been annihilated, and there seemed no prospect before any man except that of wounds or death in the most vile surroundings; when the dead lay three deep in the rifle-pits under the blue sky and the place was filled with stench and sickness, and reason had almost vanished – what was it then that carried each man on? It was not love of a fight. The Australian loved fighting better than most, but it is an occupation from which the glamour quickly wears. It was not hatred of the Turk. It is true that the men at this time hated their enemy for his supposed ill-treatment of the wounded – and the fact that, of the hundreds who lay out, only one wounded man survived in Turkish hands has justified their suspicions. But hatred was not the motive which inspired them. Nor was it purely patriotism, as it would have been had they fought on Australian soil. The love of country in Australians and New Zealanders was intense – how strong, they did not realise until they were far away from their home. Nor, in most cases was the motive their loyalty to the tie between Australia and Great Britain. Although, singly or combined, all these were powerful influences, they were not the chief. Nor was it the desire for fame that made them steer their course so straight in the hour of crucial trial. They knew too well the chance that their families, possibly even the men beside them, would never know how they died. Doubtless the weaker were swept on by the stronger. In every army which enters into battle there is a part which is dependent for its resolution upon the nearest strong man. If he endures, those around him will endure; if he turns, they turn; if he falls, they may become confused. But the Australian force contained more than its share of men who were masters of their own minds and decisions. What was the dominant motive that impelled them? It lay in the mettle of the men themselves. To be the sort of man who would give way when his mates were trusting to his firmness; to be the sort of man who would fail when the line, the whole force, and the allied cause required his endurance; to have made it necessary for another unit to do his own unit’s work; to live the rest of his life haunted by the knowledge that he had set his hand to a soldier’s task and had lacked the grit to carry it through – that was the prospect which these men could not face. Life was very dear, but life was not worth living unless they could be true to their idea of Australian manhood.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
Motion in space can proceed in any direction and back again. Motion in time only proceeds in one direction in the everyday world, whatever seems to be going on at the particle level. It’s hard to visualize the four dimensions of spacetime, each at right angles to the other, but we can leave out one dimension and imagine what this strict rule would mean if it applied to one of the three dimensions we are used to. It’s as if we were allowed to move either up or down, either forward or back, but that sideways motion was restricted to shuffling to the left, say. Movement to the right is forbidden. If we made this the central rule in a children’s game, and then told a child to find a way of reaching a prize off to the right-hand side (“backward in time”) it wouldn’t take too long for the child to find a way out of the trap. Simply turn around to face the other way, swapping left for right, and then reach the prize by moving to the left. Alternatively, lie down on the floor so that the prize is in the “up” direction with reference to your head. Now you can move both “up” to grasp the prize and “down” to your original position, before standing up again and returning your personal space orientation to that of the bystanders.* The technique for time travel allowed by relativity theory is very similar. It involves distorting the fabric of space-time so that in a local region of space-time the time axis points in a direction equivalent to one of the three space directions in the undistorted region of space-time. One of the other space directions takes on the role of time, and by swapping space for time such a device would make true time travel, there and back again, possible. American mathematician Frank Tipler has made the calculations that prove such a trick is theoretically possible. Space-time can be distorted by strong gravitational fields,and Tipler’s imaginary time machine is a very massive cylinder, containing as much matter as our sun packed into a volume 100 km long and 10 km in radius, as dense as the nucleus of an atom, rotating twice every millisecond and dragging the fabric of space-time around with it. The surface of the cylinder would be moving at half the speed of light. This isn’t the sort of thing even the maddest of mad inventors is likely to build in his backyard, but the point is that it is allowed by all the laws of physics that we know. There is even an object in the universe that has the mass of our sun, the density of an atomic nucleus, and spins once every 1.5 milliseconds, only three times slower than Tipler’s time machine. This is the so-called “millisecond pulsar,” discovered in 1982. It is highly unlikely that this object is cylindrical—such extreme rotation has surely flattened it into a pancake shape. Even so, there must be some very peculiar distortions of space-time in its vicinity. “Real” time travel may not be impossible, just extremely difficult and very, very unlikely. That thin end of what might be a very large wedge may, however, make the normality of time travel at the quantum level seem a little more acceptable. Both quantum theory and relativity theory permit time travel, of one kind or another. And anything that is acceptable to both those theories, no matter how paradoxical that something may seem, has to be taken seriously. Time travel, indeed, is an integral part of some of the stranger features of the particle world, where you can even get something for nothing, if you are quick about it.
John Gribbin (In Search of Schrödinger's Cat: Quantum Physics And Reality)