Queer Eye Inspirational Quotes

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Watching Prudence, Kit suddenly felt a queer prickling along her spine There was something different about her. The child's head was up. Her eyes were fastened levelly on the magistrate. Prudence was not afraid!
Elizabeth George Speare
they want us to believe that to be queer, to be trans, to be confused, to be questioning is equivalent to being a sinner but conveniently forget that we are all sinners in God’s eyes that every day we all sin that sin dates all the way back to Adam and Eve, and ever since then we have all been deemed sinners in God’s eyes but sinners can be forgiven
Courtney Carola (Have Some Pride: A Collection of LGBTQ+ Inspired Poetry)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.
Andrea Gibson (The Madness Vase)
If you are able to find flames of joy in the wastelands of this world, in the rubble of your fading mind, do not second-guess it or search for hidden evil. Close your eyes and breathe it in. It's worth it, I promise.
Melody Votoire (Temptations of a Splintered Heart: Collected Poetry from a Queer Borderline Mind)
her queer eye stay watching God.
Ofelia Nibari
Less immediately, [Mr Pye] is also about the relationships between art and religion and art and the world of commerce. Mr Pye would have the island's resident artist, Thorpe, who is for ever in search of the ultimate painting, believe that all inspiration is spiritual and divine. Thorpe finds it in the material world, for he is infatuated by the beauty of the island's whore, Tintagieu. That each exploits beauty in their respective trades is underlined when he tells her that she ought to be a film actress. 'They'd shoot you from below. Streamers of cloud behind your head and all that racket.' 'Shoot me from below? I'd like to see them,' retorts Tintagieu. 'Sounds bloody painful to me.' This exchange leads naturally into a splendid tirade, which Peake placed in Thorpe's mouth, linking all the themes of art and inspiration, artists and their physical suffering, the art trade and belief in spiritual values. 'Oh, these theories,' Thorpe added in a voice of scorn and with a flourish of his free arm (for Mr Pye still held the elbow of the other) - 'these theories about Art, they are all absolute n-nonsense.' (He was winding himself up, for Tintagieu was listening - he hoped.) 'Can't you see the whole thing is an organised racket? The p-painter digs his heart up and tries to sell it. The heart specialists become interested, for the thing is still b-beating. The hangers-on begin to suck the blood. They lick each other like c-cats. They bare their fangs like d-dogs. The whole thing is pitiful. Art is in the hands of amateurs, the Philistines, the racketeers, the Jews, the snarling women and the raging queers to whom Soutine is "ever so pretty" and Rembrandt "ever s-so sweet". 'What do the galleries know? They are merely m-merchants. They sell pictures instead of lampshades and that's the only difference. And the critics - Lord, what clever b-boys they are! They know about everything except painting. That's why I came out here to get away from it all. The jungle of London with its millions of apes. I came out here to find myself, but have I done so? No, Mr Pye. Of c-course I haven't. For artists need competition and the stimulus of other b-brains whether they like it or not. They must talk painting, b-breathe painting, and be c-covered with paint. That is the kind of man I would talk to. A man c-covered with paint. And with paint in his hair and paint in the brain and on the b-brain - but where are they, these men? - they're in the great cities, among the m-monkeys where they can see each other work and fight it out, while as f-far as the public is concerned they might as well be knitting, or blowing b-bubbles, for even you, Mr Pye, if you don't mind my saying so, haven't got a c-clue what it's all about, as your ridiculous "slap it on", "whisk it off" and "hey presto" attitude shows all t-too clearly. Your idea about colours is "the m-more the b-better", and "bright as p-possible", like a herbaceous b-border. Colour, Mr Pye, is a process of elimination. It is the d-distillation of an attitude. It is a credo.' Mr Pye's face was pink with admiration. he ran his eyes over the painter as though he had never seem him before. He turned his head quickly to Tintagieu as though for corroboration and then he ran his eyes again all over Thorpe. 'That was superb,' he whispered, as though to himself.
G. Peter Winnington (Mervyn Peake: The Man and His Art)