Quarry Mine Quotes

Every book is a quotation; and every house is a quotation out of all forests, and mines, and stone quarries; and every man is a quotation from all his ancestors.

It was a cold still afternoon with a hard steely sky overhead, when he slipped out of the warm parlour into the open air. The country lay bare and entirely leafless around him, and he thought that he had never seen so far and intimately into the insides of things as on that winter day when Nature was deep in her annual slumber and seemed to have kicked the clothes off. Copses, dells, quarries and all hidden places, which had been mysterious mines for exploration in leafy summer, now exposed themselves and their secrets pathetically, and seemed to ask him to overlook their shabby poverty for a while, til they could riot in rich masquerade as before, and trick and entice him with the old deceptions. It was pitiful in a way, and yet cheering-even exhilarating. He was glad that he liked the country undecorated, hard, and stripped of its finery. He had got down to the bare bones of it, and they were fine and strong and simple. He did not want the warm clover and the play of seeding grasses; the screens of quickset, the billowy drapery of beech and elm seemed best away; and with great cheerfulness of spirit he pushed on towards the Wild Wood, which lay before him low and threatening, like a black reef in some still southern sea.

Men hear gladly of the power of blood or race. Everybody likes to know that his advantages cannot be attributed to air, soil, sea, or to local wealth, as mines and quarries, nor to laws and traditions, nor to fortune, but to superior brain, as it makes the praise more personal to him.

Nothing - and I mean, really, absolutely nothing - is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilised - more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railway lines - and yet remains so comprehensively and reliably lovely over most of its extent.

Here we have a state … nearly half a million of whose citizens,’ he said, ‘reduced to servitude for their political opinions, are rotting and freezing through the Arctic night; toiling to death in forests, mines and quarries, many for no more than indulging in that freedom of thought which has gradually raised man above the beast.’152 This was written over twenty years before Alexander Solzhenitsyn started writing The Gulag Archipelago.

But suppose my daughters had approached me as we often approach God. “Hey, Dad, glad you’re home. Here is what I want. More toys. More candy. And can we go to Disneyland this summer?” “Whoa,” I would have wanted to say. “I’m not a waiter, and this isn’t a restaurant. I’m your father, and this is our house. Why don’t you just climb up on Daddy’s lap and let me tell you how much I love you?” Ever thought God might want to do the same with you? Oh, he wouldn’t say that to me. He wouldn’t? Then to whom was he speaking when he said, “I have loved you with an everlasting love” (Jer. 31:3 NIV)? Was he playing games when he said, “Nothing . . . will ever be able to separate us from the love of God that is in Christ” (Rom. 8:39)? Buried in the seldom-quarried mines of the minor prophets is this jewel: The LORD your God is with you; the mighty One will save you. He will rejoice over you. You will rest in his love; he will sing and be joyful about you. (Zeph. 3:17) Don’t move too quickly through that verse. Read it again and prepare yourself for a surprise. The LORD your God is with you; the mighty One will save you. He will rejoice over you. You will rest in his love; he will sing and be joyful about you. (Zeph. 3:17) Note who is active and who is passive. Who is singing, and who is resting? Who is rejoicing over his loved one, and who is being rejoiced over? We tend to think we are the singers and God is the “singee.” Most certainly that is often the case. But apparently there are times when God wishes we would just be still and (what a stunning thought!) let him sing over us. I can see you squirming. You say you aren’t worthy of such affection? Neither was Judas, but Jesus washed his feet. Neither was Peter, but Jesus fixed him breakfast. Neither were the Emmaus-bound disciples, but Jesus took time to sit at their table. Besides, who are we to determine if we are worthy? Our job is simply to be still long enough to let him have us and let him love us.

I stared out at a crowd who had come to see Johnny Holm play and was likely wondering what the hell three girls were doing onstage. My knees were visibly quavering. Knockity knock knock. Maureen cradled her bass and Brenda held her guitar, but I was seated at the Johnny Holm drummer’s gear because there wouldn’t be enough time to tear down mine and put up his between sets. The drummer had been nice when he’d shown me how to adjust his seat, everyone had been kind, yet I was so terrified that I felt like the color white held together with electricity. If anyone looked at me sideways, I’d split into a million zinging atoms, never to be whole again

A few years ago some geologists sifted through the data [and] estimated that the amount of sand, soil and rock we humans mine and quarry and dredge each year is some 24 times greater than the amount of sediment moved each year by Earth’s natural erosive processes, which is to say rivers grinding away sand and sending it down towards the sea. Humans, in other words, are a considerably bigger geological force than nature itself, and have been, according to the data, ever since 1955. Or – another way of looking at it – by 2020 the total weight of human-made products, from iron to concrete and everything else besides, was greater than the total weight of every natural living thing on the planet.

I realized that to mortify oneself in this way was stupid and useless. I realized that there was no point in denying oneself a pleasure because it was denied another, in refusing to allow oneself to be happy because someone else was unhappy. I realized that all the time one was laughing and cracking silly jokes, somewhere in the world someone was lying at the point of death; that misery was lurking, people starving, behind a thousand windows; that there were such things as hospitals, quarries and coal-mines; that in factories, in offices, in prisons countless thousands toiled and moiled at every hour of the day, and that it would not relieve the distress of a single human being if yet another were to torment himself needlessly.

Yorick's Used and Rare Books had a small storefront on Channing but a deep interior shaded by tall bookcases crammed with history, poetry, theology, antiquated anthologies. There was no open wall space to hang the framed prints for sale, so Hogarth's scenes of lust, pride, and debauchery leaned rakishly against piles of novels, folk tales, and literary theory. In the back room these piles were so tall and dusty that they took on a geological air, rising like stalagmites. Jess often felt her workplace was a secret mine or quarry where she could pry crystals from crevices and sweep precious jewels straight off the floor. As she tended crowded shelves, she opened one volume and then another, turning pages on the history of gardens, perusing Edna St. Vincent Millay: "We were very tired, were very merry, / We had gone back and forth all night on the ferry..." dipping into Gibbon: "The decline of Rome was the natural and inevitable effect of immoderate greatness. Prosperity ripened the principle of decay..." and old translations of Grimm's Fairy Tales: "They walked the whole day over meadows, fields, and stony places. And when it rained, the little sister said, 'Heaven and our hearts are weeping together...

Nothing—and I mean really, absolutely nothing—is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized—more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railroad tracks—and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics

Nothing – and I mean, really, absolutely nothing – is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized – more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railway lines – and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known – almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect. What an achievement that is. And

Sarjomdih, which for about sixty years was another nondescript dot on a map. That part of the Chhotanagpur area which is now formally known as the Purbi Singbhum district. Sarjomdih, where most of the population is Santhal and the rest are Munda; all of them are followers of Sarna, the aboriginal faith of the Chhotanagpur area. Saijomdih, which stands atop the mineral-rich core of the Indian subcontinent. Sarjomdih, outside whose southern frontiers a mine and a copper factory were established, where the Copper Town sprang up, and which was now gradually threatening to swallow all of Sarjomdih. Sarjomdih, which bore the repercussions of development, the nationalization of the mine and the factory, the opening up of two more quarries, and the confiscation of the villagers' properties so roads and living quarters could be built. Sarjomdih, whose men were given jobs as unskilled laborers in the mines and the factory in return for their fecund land. Sarjomdih, which is a standing testimony to the collapse of an agrarian Adivasi society and the dilution of Adivasi culture, the twin gifts of industrialization and progress. Sarjomdih, which within sixty years acquired all the signs of urbanity, just like the Copper Town: concrete houses; cable television; two-wheelers; a hand-pump; a narrow, winding tarmac that everyone called the 'main road'; and a primary school...

The world is dead, The Samurai, moving among the inert metal of pumps and lines and distillation columns, over the concrete apron in which the plants were constructed, over gravel brought from the Prospect quarries. it is a world of age-old stones - picking up a piece of gravel in which glinted minerals unknown to him - of basalt chiped from mountains long ago, lying around on roads, lying under hills waiting to be plundered. And laughing at humans. These dead rocks were all of them older than the human race which trod them. each fragment had an immortality. Humans rotted away into the soil in an instant of time. What was the power he had that enabled him to lift this fragment of eternity in his hand and decide where to throw it? What had been breathed into his fragile dust that seemed for his instant of life to mock the inertia of the rock? Was his own existence supported by a paper warrant somewhere? He drew back from following these thoughts. There was a power in him, or rather power came to him that made him stronger than he needed to be. A power that blew up certain feelings to an enormous size, a secret power. Was he so different from the men around him? What was the mission that he had been born to perform? He deliberately relaxed. As he looked about him with a new mood the whole world filled with love. Even the dirt underfoot was sympathetic and grateful. he could love these random stones, these heaps of inert, formed metal so far now from where they were mined. He could love the soil itself and everything that was. He needed, at the moment, no written justification of his existence.

The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.” So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else. I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured. That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright. I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.

The use of the peace pipe was held sacred by the Indians. Usually it was used in ceremonies of religious, political, or social nature. The decorations on the pipe’s bowl and stem, and even the method of holding or passing the pipe on to the next person, held great ceremonial significance. The pipe was never laid on the ground. To smoke it was a signal that the smoker gave his pledge of honor. It was also believed that the smoke made one think clearly and endowed him with great wisdom. In a treaty ceremony, the pipe usually was passed around to everyone, even before the speeches were made and the problems discussed. Some pipes were made out of wood, clay, or bone. But the most popular and the most treasured were those made of the soft catlinite mined in the pipestone quarries of Minnesota. These red stone quarries were considered sacred by the Dakotas (Sioux), and were traditionally neutral ground for all tribes. Indians traveled many miles to get this pipestone, and it was a medium of barter between various tribes. The stone was so soft that it could be cut and worked into designs with a knife when freshly quarried. Some pipes were inlaid with lead. It is said that some of the Indian raids on small western town newspapers were made by the Indians to get type lead with which to inlay their pipes.

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A dear friend of mine who was quite a lover of the chase, told me the following story: 'Rising early one morning,' he said, 'I heard the baying of a score of deerhounds in pursuit of their quarry. Looking away to a broad, open field in front of me, I saw a young fawn making its way across, and giving signs, moreover, that its race was wellnigh run. Reaching the rails of the enclosure, it leaped over and crouched within ten feet from where I stood. A moment later two of the hounds came over, when the fawn ran in my direction and pushed its head between my legs. I lifted the little thing to my breast, and, swinging round and round, fought off the dogs. I felt, just then, that all the dogs in the West could not, and should not capture that fawn after its weakness had appealed to my strength.' So is it, when human helplessness appeals to Almighty God. Well do I remember when the hounds of sin were after my soul, until, at last, I ran into the arms of Almighty God." - A. C. DIXON

The dinosaur discoveries came in a rush in the early 1800s, partly because the Industrial Revolution brought a frenzy of digging of all sorts. As armies of workmen tore up the ground with picks and shovels, their canals and mines and tunnels and quarries offered never-before-seen peeks beneath Earth’s surface.

Shakespeare Sonnet XVIII: Twilight Vampires Shall I compare thee to a Twilight brute? Thou art more alluring and far too cute. Thy skin like marble quarried from Carrara's mines, Stands an Augustan temple of flawless white. Thy complexion like gems sparkle in heaven's vault When fair sun rises and bids adieu to Stygian night. Thy teeth, like Wolverine's talons, lie hidden Until primed to pierce their prey. (OMG, you'd be one badass X-Men If only you could work by day). Thy eyes turn crimson like the devil's cock, When upon human blood ye feast. Who can turn their gaze from thee, Not I, nor king, nor priest. So long as mortals can breathe or Children of the Moon can see, Take my love, my freshest blood, which bequeaths immortal life to thee.

Consider the rock from which you were cut,        the quarry from which you were mined.

The Bible is not a newspaper to be skimmed but rather a mine to be quarried.

the entire history of our family has played out in the fields and villages stretching away beneath that fell, between Lake District and Pennines, for at least six centuries, and probably longer. We shaped this landscape, and we were shaped by it in turn. My people lived, worked, and died down there for countless generations. It is what it is because of them and people like them. It is, above all, a peopled landscape. Every acre of it has been defined by the actions of men and women over the past ten thousand years. Even the mountains were mined and quarried, and the seemingly wild woodland behind us was once intensively harvested and coppiced. Almost everyone I am related to and care about lives within sight of that fell. When we call it our landscape, we mean it as a physical and intellectual reality.

No, you do not understand,’ said Gimli. ‘No dwarf could be unmoved by such loveliness. None of Durin’s race would mine those caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We would tend these glades of flowering stone, not quarry them. With cautious skill, tap by tap – a small chip of rock and no more, perhaps, in a whole anxious day – so we could work, and as the years went by, we should open up new ways, and display far chambers that are still dark, glimpsed only as a void beyond fissures in the rock. And lights, Legolas! We should make lights, such lamps as once shone in Khazad-dûm; and when we wished we would drive away the night that has lain there since the hills were made; and when we desired rest, we would let the night return.

In 1861, quarry workers in Bavaria found something peculiar. They were mining a type of fine limestone that breaks into thin sheets, which was used at the time for lithographic printing. One of the miners...split open a slab and found a 150-million-year-old skeleton of a Frankenstein creature inside. It had sharp claws and a long tail like a reptile but feathers and wings like a bird...The jurassic hybrid was named Archaeopteryx...a transitional fossil, linking reptiles and birds.

The capital requirements for life as a forager were minimal. A few primitive tools and weapons sufficed. There was no outlet for investment, not even private property in land, except occasionally in quarries where flint or soapstone was mined.8 As anthropologist Susan Ailing Gregg wrote in Foragers and Farmers, “Ownership of and access to resources” was “held in common by the group.

The white police force routinely swept blacks off the street for no particular reason, hauling them into court, often trying them in groups with no lawyers. While many were virtually sold to the private coal mines, rock quarries, and brickyards, others were sent to the dreaded Atlanta Tower, an overcrowded and notorious city prison, or put in chain gangs for short periods.

CURRENTLY, about fifty million square miles of land on the planet are ice-free, and this is the baseline that’s generally used for calculating human impacts. According to a recent study published by the Geological Society of America, people have “directly transformed” more than half of this land—roughly twenty-seven million square miles—mostly by converting it to cropland and pasture, but also by building cities and shopping malls and reservoirs, and by logging and mining and quarrying.

I should be bellowing Don’t TOUCH me you bond-forcing pest! But my first fool thought is: This is mine now. But that’s ridiculous. It’s only that Rakhii tend to hoard things they find interesting or special and clearly I need to take up a hobby if my system is trying to collect human body parts all of a sudden.

No dwarf could be unmoved by such loveliness. None of Durin’s race would mine those caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We could tend these glades of flowering tones, not quarry them. With cautious skill, tap by tap – a small chip of rock and no more, perhaps, in a whole anxious day – so we could work, and as the years went by, we should open up new ways, and display for chambers that are still dark, glimpsed only as a void beyond fissures in the rock.

Which leaves many towns in southern Florida no choice but to dig their sand from inland quarries and haul it to the coast one roaring, diesel-spewing truck at a time. Tourists and locals hate the noise and traffic, and county officials hate the extra cost, which can be easily double that of dredged sand. But it does have some advantages. The inland mines, with their elaborate sorting and washing machines, can deliver sand of a precise spec—the exact size, shape, and color county officials deem appropriate for the beach. Beach town residents and tourists alike are very particular about the color and consistency of their beaches. The sugary white-sand beach has become the global standard of perfection, and any resort falling short of it loses points. (That’s nothing compared to the fussiness of Olympic beach volleyball players. To make sure their bare feet come into contact only with grains of just the right size and shape, sand was brought in from Hainan Island for the 2008 Beijing Games, and from a quarry in Belgium for the 2004 Athens Games.)15 “You pump sand from the ocean floor, you don’t know what you’re getting,” said Eastman. That’s not exactly true; sea sand is examined closely to make sure it is suitable for a given beach before the regulatory agencies will allow it to be dredged for nourishment. But land-mined sand can be sorted, sifted, and cleaned to a uniform standard. The grains that Eastman was emplacing were all about the size of a salt grain, all the same silver gray, unadulterated with stones or shell fragments. Their color was approved using the Munsell color order system, a visual index of hues created in 1915. The sand is tested at the mine, at every 3,000 tons, and every 500 yards on the beach after it’s in place to make sure it’s up to spec. The waves will gradually mix in shells and other organic matter, so in a few months it won’t look as obviously artificial as it does now.

The hills of waste are the topographic inverse of the open pit mines— the largest open pit mines in New York State, still unreclaimed— where the limestone rocks were quarried, the earth gouged out in one place to bury the ground in another. If time could run backward, like a film in reverse, we would see this mess reassemble itself into lush green hills and moss-covered ledges of limestone. The streams would run back up the hills to the springs and the salt would stay glittering in underground rooms.