Qualities Of A Queen Quotes

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Hide yourself in God, so when a man wants to find you he will have to go there first.
Shannon L. Alder
Hugh le Despencer the Elder was speaking to his son, Hugh le Despencer the Younger. He said, “Son, given that you are effeminate and lack manly qualities, I think that the way for you for you to improve your lot in life is to become the King’s Chamberlain.
Michael G. Kramer (Isabella Warrior Queen)
For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn't as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter--nor did she enter his like a queen walking on soft petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden--making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.
Katherine Mansfield (The Collected Stories)
As for my own part I care not for death, for all men are mortal; and though I be a woman yet I have as good a courage answerable to my place as ever my father had. I am your anointed Queen. I will never be by violence constrained to do anything. I thank God I am indeed endowed with such qualities that if I were turned out of the realm in my petticoat I were able to live in any place in Christendom.
Elizabeth I (Collected Works)
I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.” He doesn’t try to interrupt, so I have no choice but to barrel on. “After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.” “But now you’ve explained it,” he says. “And you do love me.” “I love you,” I confirm. “Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.” “Or your deliciousness,” I say. “Although those are both good qualities.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
They won't tell you about how Red Riding was the wolf and Snow White went back to kill the queen. Or that Cinderella's step family mysteriously disappeared after she became queen. They are afraid to let you know that Aurora woke up screaming because a strange man was kissing her without her consent. Or how Ariel had no problem killing the two timing prince and restoring herself to the sea. The fairy tales we should tell our daughter should be about strong women with real flaws and incredible qualities. Let's raise girls who don't just wait to be rescued, but take destiny in their own hands and charge to battle dragons and their enemies.
Nikita Gill
Silk laughed. "You really should try not to let your knife do all your thinking for you. That's the one quality we find least attractive in our Cherek cousins." "And we find this compulsion to make clever remarks which seems to overwhelm our Drasnian brothers now and then almost equally unattractive," Barak told him coolly.
David Eddings (Queen of Sorcery (The Belgariad #2))
She’s an original! She doesn’t need to compete, copy, or envy other women. The confidence that’s within her won’t allow her to stoop that low. She’s a Queen! And jealousy isn’t something that she cares to entertain. Insecurity isn’t in her DNA. She shines! She succeeds! She’s a quality woman with purpose! She empowers, inspires, motivates, and celebrates other women. But depending on how you feel about yourself, you’ll either admire and respect her or hate on her. Listen, it’s okay to acknowledge other Queens! Don’t be an undercover hater. Have self-confidence and allow YOUR light to shine.
Stephanie Lahart
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
Libba Bray (Beauty Queens)
A Black Queen knows that her beauty is just a bonus. She is far more beautiful than the eyes can see. She’s a quality woman… A phenomenal Black Queen… Beautiful inside and out!
Stephanie Lahart
You have to plan and cultivate good health. You have to commit to good health. You have to live good health because it comes from the inside out. It comes from what you bring to your life: positive, empowering thoughts, prayers and affirmations, uplifting company, and high-quality, life-giving foods. To have excellent health you must invest time and energy into the transformation of your Sacred Body Temple. And once you’ve acquired excellent health, you must maintain it vigilantly. That’s the true divine challenge—one that you can and must meet.
Queen Afua (Sacred Woman: A Guide to Healing the Feminine Body, Mind, and Spirit)
Individual Moslems may show splendid qualities. Thousands become the brave and loyal soldiers of the Queen: all know how to die. But the influence of the religion paralyzes the social development of those who follow it. No stronger retrograde force exists in the world.
Winston S. Churchill (The River War)
Anyone whose first thought is to rely on someone else . . . isn't capable of moving forward.
Kyousuke Motomi (クイーンズ・クオリティ 1 [Queen's Quality 1])
finally, that the queen wants a brave, intelligent, devoted man to make a journey to London for her. I have at least two of the three qualities you stand in need of, and here I am.
Alexandre Dumas (The Three Musketeers (Musketeers Trilogy #1))
She was graced with surpassing loveliness of form, the vigour of maturing youth and fine qualities of mind which court education had increased, [but] her natural goodness would be weakened by an earnest desire to please.
George Buchanan (The Tyrannous Reign of Mary Stewart)
Being a failed teenager is not a crime, but a predicament and a secret crucible. It is a fun-house mirror where distortion and mystification led to the bitter reflection that sometimes ripens into self knowledge. Time is the only ally of the humiliated teenager, who eventually discovers the golden boy of the senior class is a bloated, bald drunk at the twentieth reunion, and that the homecoming queen married a wife-beater and philanderer and died in a drug rehabilitation center before she was thirty. The prince of acne rallied in college and is now head of neurology, and the homeliest girl blossoms in her twenties, marries the chief financial officer of a national bank, and attends her reunion as president of the Junior League. But since a teenager is denied a crystal ball that will predict the future, there is a forced march quality to this unspeakable rite of passage. It is an unforgivable crime for teenagers not to be able to absolve themselves for being ridiculous creatures at the most hazardous time of their lives.
Pat Conroy (South of Broad)
When I was nervous, I scarfed chocolate like a frantic hamster, cheeks full and eyes intense. It was not one of my finer qualities.
Linsey Hall (Darkest Moon (Shadow Guild: Wolf Queen, #1))
Your zip code shouldn’t determine the quality of your education.
Kennedy Ryan (Queen Move (All the King's Men, #3))
Near Victoria, for example, you can find the Queen Mother Sports Centre. Whatever the qualities that particular royal might have had, exuberant attraction to physical sports was not one of them.
Norman Baker (… And What Do You Do?: What The Royal Family Don't Want You To Know)
You have to plan and cultivate good health. You have to commit to good health. You have to live good health because it comes from the inside out. It comes from what you bring to your life: positive, empowering thoughts, prayers and affirmations, uplifting company, and high-quality, life-giving foods.
Queen Afua (Sacred Woman: A Guide to Healing the Feminine Body, Mind, and Spirit)
I remember her, not a girl but the girl. The brains behind the all time top ten comic book vixens only wish they could conjure a a siren the likes of Susan Glenn, beneath my feet my own private earthquake registered an eight when Susan Glenn was near. In her presence all was beautiful before she arrived turned grotesque and in her shadows others became goblinesque, if she approached Susan Glenn she didn’t walk she floated, accompanied by Pyrotechnics spectacals that left me feeling a foot tall. She embodied every desireable quality I have ever wanted. In my mind I was a peasant before a Queen. And so Susan Glenn and I were never a thing, if I could do it again, I’d do it differently.
Keifer Sutherland
Empowered Women 101: Forgive yourself for having chosen to expose yourself to people who don't care about your feelings and help others to do the same. Enjoy life! It is as simple as changing your focus or perspective when you start thinking about people from the past who hurt your feelings. Eventually, you will forget about those types of people because your time and attention will be taken up by more positive things/people/events/activities etc. When you understand how much time is wasted trying to make people see you, understand you, respect you, value you, like you or agree with you...life becomes a pointless negative fight for validation that will drain your happiness. You are worth more than the indifference, inattention or crumbs people throw you. You are a queen that demands respect and God will bring the right person into your life to make you forget why you ever wasted your time on nothing important.
Shannon L. Alder
Every woman needs these three things: Self-Esteem, Self-Love, and Self-Confidence. A female that possess all three is an empowered and unstoppable Queen. She knows her worth! Everything about her represents quality. Her happiness comes from within, first. She respects herself. She values who she is. She’s not easily impressed or persuaded by people or things. She has purpose and direction! An admirable being is what she is: Extraordinary and highly desirable. She’s an Unparalleled Woman.
Stephanie Lahart
Well, as Queen Levana likes to point out, you are still young and not yet adept at disguising your emotions like the rest of us.” Torin smiled, a teasing look that crinkled the corners of his eyes. “To be frank, I feel that it is one of your better qualities.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I was often more at risk from my supposed brothers in blue than from my adopted brothers in the gang. Just as there were some decent qualities—loyalty, love, respect—among the outlaw bikers, there were some law-enforcement officers who were little more than outlaws with badges.
William Queen (Under and Alone: The True Story of the Undercover Agent Who Infiltrated America's Most Violent Outlaw Motorcycle Gang)
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
In the early twelfth century century the Virgin had been the supreme protectress of civilisation. She had taught a race of tough and ruthless barbarians the virtues of tenderness and compassion. The great cathedrals of the Middle Ages were her dwelling places upon earth. In the Renaissance, while remaining the Queen of Heaven, she became also the human mother in whom everyone could recognise qualities of warmth and love and approachability... The stabilising, comprehensive religions of the world, the religions which penetrate to every part of a man's being--in Egypt, India or China--gave the female principle of creation at least as much importance as the male, and wouldn't have taken seriously a philosophy that failed to include them both...It's a curious fact that the all-male religions have produced no religious imagery--in most cases have positively forbidden it. The great religious art of the world is deeply involved with the female principle.
Kenneth M. Clark (Civilisation)
Inner qualities, not outer appearances.
David Michie (The Queen's Corgi: On Purpose)
All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
Modern researchers have identified one or more major mood disorders in John Quincy Adams, Charles Darwin, Emily Dickinson, Benjamin Disraeli, William James, William Tecumseh Sherman, Robert Schumann, Leo Tolstoy, Queen Victoria, and many others. We may accurately call these luminaries “mentally ill,” a label that has some use—as did our early diagnosis of Lincoln—insofar as it indicates the depth, severity, and quality of their trouble. However, if we get stuck on the label, we may miss the core fascination, which is how illness can coexist with marvelous well-being. In
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
There was a quality to her that is hard to describe, a fervency, a heat that went to your head. I had expected her to be beautiful, for she walked like a queen of the gods, but it was an odd beauty, not like my mother's or sister's. Each of her features alone was nothing, her nose too sharp, her chin over-strong. Yet together they made a whole like the heart of a flame. You could not look away.
Madeline Miller (Circe)
A man enrich his community. A man teach and display leadership qualities for his children. A man by his presence is safety and security for his Queen. The best the thing a man can do for this world, his children and Queen is be a man.
Carlos Wallace
When women display the necessary confidence in their skills and comfort with power, they run the risk of being regarded as ‘competent but cold’: the bitch, the ice queen, the iron maiden, the ballbuster, the battle axe, the dragon lady … The sheer number of synonyms is telling. Put bluntly, we don’t like the look of self-promotion and power on a woman. In experimental studies, women who behave in an agentic fashion experience backlash: they are rated as less socially skilled, and thus less hireable for jobs that require people skills as well as competence than are men who behave in an identical fashion. And yet if women don’t show confidence, ambition and competitiveness then evaluators may use gender stereotypes to fill in the gaps, and assume that these are important qualities she lacks. Thus, the alternative to being competent but cold is to be regarded as ‘nice but incompetent’.15 This catch-22 positions women who seek leadership roles on a ‘tightrope of impression management’.16
Cordelia Fine (Delusions of Gender: The Real Science Behind Sex Differences)
Khatun (queen) is one of the most authoritative and magnificent words in the Mongolian language. It conveys regality, stateliness, and great strength. If something resists breaking no matter how much pressure is applied, it is described as khatun. The word can form part of a boy’s or girl’s names, signifying power and firmness combined with beauty and grace. Because of the admitted qualities of khatun, men have often borne names such as Khatun Temur, literally ‘Queen Iron’, and Khatun Baatar, 'Queen Hero’.
Jack Weatherford
Winston Churchill on Islam: “How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property—either as a child, a wife, or a concubine—must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. “Individual Moslems may show splendid qualities. Thousands become the brave and loyal soldiers of the Queen: all know how to die. But the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytising faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science—the science against which it had vainly struggled—the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
To these qualities must be added one which is of great importance, this is discretion; humble as it seems, it has often brought about successes in which talent failed and genius did not succeed. Discretion in the great affairs of the world does wonders, and safety depends frequently and is chiefly derived from it....
Queen Victoria (The Letters of Queen Victoria : A Selection from Her Majesty's Correspondence between the Years 1837 and 1861 Volume 1, 1837-1843)
[G]enerosity... is the mistress and queen that gives lustre to every virtue, as it is not hard to prove. Where could one find a man, however powerful and rich, who isn't blamed if he is mean? And who, though not appreciated for his many other qualities, doesn't earn praise by his generosity? Liberality on its own makes a worthy man; and that can't be achieved by high birth, courtliness, wisdom, nobility, wealth, strength, chivalry, boldness, authority, beauty, or anything else. But just as the rose is more lovely than any other flower when it opens fresh and new, so where liberality appears it surpasses all other virtues and increases five hundred times the qualities it finds in a worthy, upright man.
Chrétien de Troyes
No more light answers. Let our officers Have note what we purpose. I shall break The cause of our expedience to the Queen And get her leave to part. For not alone The death of Fulvia, with more urgent touches, Do strongly speak to us, but the letters too Of many our contriving friends in Rome Petition us at home. Sextus Pompeius Hath given the dare to Caesar and commands The empire of the sea. Our slippery people, Whose love is never linked to the deserver Till his deserts are past, begin to throw Pompey the Great and all his dignities Upon his son, who - high in name and power, Higher than both in blood and life - stands up For the main soldier; whose quality, going on, The sides o' th' world may danger. Much is breeding Which, like the courser's hair, hath yet but life And not a serpent's poison.
William Shakespeare (Antony and Cleopatra)
You? It was not you who was not enough. You were too much for him, Sister. Always too much. Too strong. Too powerful. Too smart. Too compassionate. Too brave. Too loving. He tried to knock these wonderful qualities out of you and bring you down to his level, but he could not succeed. He did not replace you because you were inadequate, my darling Sister, believe me. He replaced you because he knew you were more than he could ever live up to.
Hannah M. Lynn (Queens of Themiscyra (Retold: The Grecian Women))
Her mother had certainly made her childhood interesting. In those days, the castle was always crowded with soldiers in spiked armor and creatures that scurried through shadows and hissed at her. Quality time with Mother had included sitting on her lap while the queen met with her generals and hatched plots to kill, conquer, and rule, orspending hours in the dungeon workshop, coughing on smoke and helping Mother make toxic potions and evil spells.
Shannon Hale (Raven Queen's Story (Ever After High, #0.2))
Things external to her may have their own weight and dimension: but within inside us she gives them such measures as she wills: death is terrifying to Cicero, desirable to Cato, indifferent to Socrates. Health, consciousness, authority, knowledge, beauty and their opposites doff their garments as they enter the soul and receive new vestments, coloured with qualities of her own choosing: brown or green; light or dark; bitter or sweet, deep or shallow, as it pleases each of the individual souls, who have not agreed together on the truth of their practices, rules or ideas. Each soul is Queen in her own state. So let us no longer seek excuses from the external qualities of anything, the responsibility lies within ourselves. Our good or our bad depends on us alone. So let us make our offertories and our vows to ourselves not to Fortune: she has no power over our behaviour, on the contrary our souls drag Fortune in their train and mould her to their own idea.
Michel de Montaigne (The Complete Essays)
I had read my history books. The Pendragon line was not full of models of virtue. The queens and kings of old had been wrathful and cruel. Their good qualities had mixed with their bad until there was little distinction between what made a good ruler and a bad one. When I was younger, I had hoped Arthur would steady out as he matured, with careful guidance and instruction. But he had chosen the worst possible counselors. Ones who honed and encouraged his vices rather than his virtues.
Briar Boleyn (Queen of Roses (Blood of a Fae, #1))
Messrs. Strunk and White don’t speculate as to why so many writers are attracted to passive verbs, but I’m willing to; I think timid writers like them for the same reason timid lovers like passive partners. The passive voice is safe. There is no troublesome action to contend with; the subject just has to close its eyes and think of England, to paraphrase Queen Victoria. I think unsure writers also feel the passive voice somehow lends their work authority, perhaps even a quality of majesty. If you find instruction manuals and lawyers’ torts majestic, I guess it does.
Stephen King (On Writing: A Memoir of the Craft)
maybe it’s a Midwestern thing, but where I’m from, you’re not supposed to brag about yourself. That’s what my mom says. She says you should wait for people to recognize your good qualities. And then you should say, like, ‘Oh, no. I’m not really that great at whatever-it-is. I’m just okay.’ And then they’ll say, ‘No, really. You’re great.’ And you say, ‘I’m really not, but thanks anyway for saying so.’ And they’ll say, ‘Yes, you are. You so are!’ And you say, ‘Gee, do you really think so?’ And they’ll say, ‘Totally!’ And then people think you’re good at whatever it is you’re good at, but they don’t think you’re braggy about it ’cause that makes you seem like a real tool.
Libba Bray (Beauty Queens)
When he saw her, the water lapping on her scales, head down in the bath he had built especially for her, thinking that she would like to wash—not to revert to fish—he had that instant revulsion that some men feel when they understand, perhaps for the first time, that a woman is truly “other.” She is not a boy though she is weak like a boy, nor a fool though he has seen her tremble with feeling like a fool. She is not a villain in her capacity to hold a grudge, nor a saint in her flashes of generosity. She is not any of these male qualities. She is a woman. A thing quite different to a man. What he saw was a half fish, but what frightened him to his soul was the being which was a woman.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread. I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn.
Karen Essex (Dracula in Love)
For the left, the consolation prize is ideological hegemony in the more sentimental area of human relations, especially that of “human rights”. Completely defeated in the area of economic policy, the left gets to define the dominant social doctrine, based on multiculturalism, concern for minorities, and anti-racism. Americans are taught to judge the governments of other countries almost exclusively by how they treat pro-Western dissidents or select minorities. Other qualities or defects, such as whether or not they feed and educate their populations, are of scant interest. The American entertainment industry creates an imaginary world celebrating this doctrine and channeling domestic revolt into artistic dead-ends.
Diana Johnstone (Queen of Chaos: The Misadventures of Hillary Clinton)
By the way, I do hope you have some sympathy with me in my respect for the King of the French — that right kingly king, Louis Philippe. If France had borne more liberty, he would not have withheld it, and, for the rest, and in all truly royal qualities, he is the noblest king, according to my idea, in Europe — the most royal king in the encouragement of art and literature, and in the honoring of artists and men of letters. Let a young unknown writer accomplish a successful tragedy, and the next day he sits at the king’s table — not in a metaphor, but face to face. See how different the matter is in our court, where the artists are shown up the back stairs, and where no poet (even by the back stairs) can penetrate, unless so fortunate as to be a banker also. What is the use of kings and queens in these days, except to encourage arts and letters? Really I cannot see.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.
NOT A BOOK
The essential quality that an entity needs, if it is to become an effective gene vehicle, is this. It must have an impartial exit channel into the future, for all the genes inside it. This is true of an individual wolf. The channel is the thin stream of sperms, or eggs, which it manufactures by meiosis. It is not true of the pack of wolves. Genes have something to gain from selfishly promoting the welfare of their own individual bodies, at the expense of other genes in the wolf pack. A bee-hive, when it swarms, appears to reproduce by broad-fronted budding, like a wolf pack. But if we look more carefully we find that, as far as the genes are concerned, their destiny is largely shared. The future of the genes in the swarm is, at least to a large extent, lodged in the ovaries of one queen. This is why—it is just another way of expressing the message of earlier chapters—the bee colony looks and behaves like a truly integrated single vehicle.
Richard Dawkins (The Selfish Gene)
I’m in mid-passage, darling,” he said, beginning to talk like a queen so as to demystify himself, so as to destroy the very qualities John Schaeffer had fallen in love with, “I’m menopausal, change of life, hot flashes, you know. Wondering how much longer I can go without hair transplants and whether Germaine Monteil really works on the crow’s feet. I’ve had it, I’ve been through the mill, I’m a jaded queen. But you, dear, you have that gift whose loss the rest of life is just a funeral for—why else do you suppose those gray-haired gentlemen,” he said, nodding at his friends on the floor, “make money, buy houses, take trips around the world? Why else do they dwindle into a little circle of close friends, a farm upstate, and become in the end mere businessmen, shop-owners, decorators who like their homes filled with flowers and their friends flying in on Air France and someone pretty like you at the dinner table? It is all, my dear, because they are no longer young. Because they no longer live in that magic world that is yours for ten more years. Adolescence in America ends at thirty.
Andrew Holleran (Dancer from the Dance)
certainly this heartache, perhaps somewhat calculated—so little do we care for the pain of others—by a woman desiring to make us miss her as acutely as possible, whether the woman only pretending to make her departure wishes merely to obtain more favorable conditions, or whether leaving for ever—for ever!—she wants to strike a blow, perhaps from vengeance, perhaps to continue to be loved, or perhaps to preserve the quality of the memory that she will leave, and violently break out of this network of tedium and indifference which she had felt being woven around her,—certainly we had promised each other that we would avoid such heartache, we had said that we would part on good terms. But it is in fact very rare to part on good terms, for if all were well we would not separate. And then again, the woman toward whom we affect the utmost indifference does none the less feel obscurely that, just as we have come to tire of her because of the force of habit, so we have become all the more attached to her, and she guesses that one of the essential requirements for parting on good terms is to warn her partner that she is going to leave. Yet she fears that warning him may prevent her. Every woman feels that, the greater is her power over a man, the more her only way of leaving him is just to take flight. She becomes a fugitive precisely because she was a queen, this is inevitable.
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
She was beauty and intelligence stitched together with no seams She lived in a world with no difference between reality and dreams Excellence as habit, she was much more than simple flesh and bone She walked in the way that forced her presence to be known If I viewed the world in melody, she is the only one I would see She could conquer that world in a day and still have time for tea Soft lips curved in confidence spilling sweetness with every breath Ideas remaining and growing even after the revolving dance of death Fingers curled with the power of creation and the ease with which it came She sat upon a throne as a queen playing the world like a simple game She was fire, and laughter, and the warmth both of them brought She made the idea of perfection appear as a simple afterthought Her body danced with the tidal currents of marvelous desire She could reach the sky in a day and then push on even higher She was the best getting better, the absolute antonym of threshold The words she wrote were gilded, laid heavy with amber glow gold She was one of very many, and yet, she was the only one of them all Her taste made my mouth water, her effect hit me harder than alcohol She was quality, and substance, an actual angel in every way real Her word was solid, it was a better guarantee than a devil with a deal She was better than just human, more like power that has taken shape and form And I the lucky one who holds her close, feels her heartbeat quicken like a storm
H.T. Martin
I believe reincarnation is fundamentally true, even though most of these religions taught it in a metaphorical and popular form called metempsychosis. This is the belief that the soul, the supposed (but false) unity of will and intellect, is fully reborn. This is false. The intellect is a merely physical quality like muscular strength and can’t be “reborn” any more than your muscles are literally reborn. You are not at bottom your intellect, this is impossible, although this is the assumption of almost all modern people even when they claim otherwise. They pay lip service to “supremacy of the desires,” or to biological determinism, but they still believe they are their intellects, just imprisoned by flesh and matter and genes and a biological “programming.” This is wrong! And it’s not the intellect that is reborn, I will tell you what is. Take a fruitfly, or a worker ant. This type of being is very close to plant-life in some ways. It has very primitive intellect, very primitive nervous system. There are inborn ways of behaving, of reacting to certain stimuli, inborn desires and orientations “in the blood,” and when you kill one ant, the next one over will be identical in this regard. Its rebirth is “instantaneous” because the ant has a will that is shared uniformly across its type in the hive, and is therefore persistent and enduring. Once the queen dies, the next queen is indistinguishable from it in that thing that Schopenhauer calls the will, what he says is inborn way of wanting, and is in a very literal sense a “reincarnation” of this same thing.
Bronze Age Pervert (Bronze Age Mindset)
Housman would not have appealed so deeply to the people who were young in 1920 if it had not been for another strain in him, and that was his blasphemous, antinomian, "cynical" strain. The fight that always occurs between the generations was exceptionally bitter at the end of the Great War; this was partly due to the war itself, and partly it was an indirect result of the Russian Revolution, but an intellectual struggle was in any case due at about that date. Owing probably to the ease and security of life in England, which even the war hardly disturbed, many people whose ideas were formed in the 'eighties or earlier had carried them quite unmodified into the nineteen-twenties. Meanwhile, so far as the younger generation was concerned, the official beliefs were dissolving like sand-castles. The slump in religious belief, for instance, was spectacular. For several years the old—young antagonism took on a quality of real hatred. What was left of the war generation had crept out of the massacre to find their elders still bellowing the slogans of 1914, and a slightly younger generation of boys were writhing under dirty-minded celibate schoolmasters. It was to these that Housman appealed, with his implied sexual revolt and his personal grievance against God. He was patriotic, it was true, but in a harmless old-fashioned way, to the tune of red coats and "God save the Queen" rather than steel helmets and "Hang the Kaiser." And he was satisfyingly anti-Christian—he stood for a kind of bitter, defiant paganism, a conviction that life is short and the gods are against you, which exactly fitted the prevailing mood of the young; and all in charming fragile verse that was composed almost entirely of words of one syllable.
George Orwell (All Art is Propaganda: Critical Essays)
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’” Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.” While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit. “Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
Andrew Morton (Diana: Her True Story in Her Own Words)
As their uncle, Earl Spencer, says their characters are very different from the public image. “The press have always written up William as the terror and Harry as a rather quiet second son. In fact William is a very self-possessed, intelligent and mature boy and quite shy. He is quite formal and stiff, sounding older than his years when he answers the phone.” It is Harry who is the mischievous imp of the family. Harry’s puckish character manifested itself to his uncle during the return flight from Necker, the Caribbean island owned by Virgin airline boss Richard Branson. He recalls: “Harry was presented with his breakfast. He had his headphones on and a computer game in front of him but he was determined to eat his croissant. It took him about five minutes to manoeuvre all his electronic gear, his knife, his croissant and his butter. When he eventually managed to get a mouthful there was a look of such complete satisfaction on his face. It was a really wonderful moment.” His godparent Carolyn Bartholomew says, without an ounce of prejudice, that Harry is “the most affectionate, demonstrative and huggable little boy” while William is very much like his mother, “intuitive, switched on and highly perceptive.” At first she thought the future king was a “little terror.” “He was naughty and had tantrums,” she recalls. “But when I had my two children I realized that they are all like that at some point. In fact William is kind-hearted, very much like Diana. He would give you his last Rolo sweet. In fact he did on one occasion. He was longing for this sweet, he only had one left and he gave it to me.” Further evidence of his generous heart occurred when he gathered together all his pocket money, which only amounted to a few pence, and solemnly handed it over to her. But he is no angel as Carolyn saw when she visited Highgrove. Diana had just finished a swim in the open air pool and had changed into a white toweling dressing gown as she waited for William to follow her. Instead he splashed about as though he were drowning and slowly sank to the bottom. His mother, not knowing whether it was a fake or not, struggled to get out of her robe. Then, realizing the urgency, she dived in still in her dressing gown. At that moment he resurfaced, shouting and laughing at the success of his ruse. Diana was not amused. Generally William is a youngster who displays qualities of responsibility and thoughtfulness beyond his years and enjoys a close rapport with his younger brother whom friends believe will make an admirable adviser behind the scenes when William eventually becomes king. Diana feels that it is a sign that in some way they will share the burdens of monarchy in the years to come. Her approach is conditioned by her firmly held belief that she will never become queen and that her husband will never become King Charles III.
Andrew Morton (Diana: Her True Story in Her Own Words)
Her mother had certainly made her childhood interesting. In those days, the castle was always crowded with soldiers in spiked armor and creatures that scurried through shadows and hissed at her. Quality time with Mother had included sitting on her lap while the queen met with her generals and hatched plots to kill, conquer, and rule, or spending hours in the dungeon workshop, coughing on smoke and helping Mother make toxic potions and evil spells.
Shannon Hale (Raven Queen's Story (Ever After High, #0.2))
The fireplace was crafted from marble veined with gray and red, and the furniture, rugs, and curtains were all of high quality. She caught her reflection in the large, gilt-framed mirror above the mantelpiece and grimaced. What a forbidding figure she presented, dressed all in black with her face obscured by her veil. Persephone, Queen of the Underworld, was an apt name indeed.
Amy Rose Bennett (My Lady of Misrule (Wicked Winter Nights, #1))
The next stage is a hornfels, a thoroughly recrystallized rock, so named after its supposed resemblance to animal horn. Hornfels has one rather unexpected quality—when suitably shaped, it can produce beautiful musical notes when struck. Indeed, it took central place in an extraordinary narrative of the English Lake District. An eccentric 18th-century inventor, Peter Crosthwaite—a fighter against Malay pirates in his youth and, later in life, the founder of a museum in the town of Keswick—built a kind of xylophone using hornfels from the local Skiddaw mountain. Half a century later, the Keswick stone-maker and musician Joseph Richardson determined to top Crosthwaite’s achievement, and almost ruined his family financially by building an even bigger instrument, which would produce a larger range of musical notes. Once built, though, it was indeed a sensation. Richardson toured England for three years with his sons, playing Handel, Mozart, and dance tunes on his rock creation—though at times restraining the power of the instrument so it would not shatter concert hall windows. Queen Victoria liked the performances so much that she requested extra concerts (although reports from the time do suggest that she was not amused at its imitation of Alpine bells). The harmonious hornfels ‘lithophones’ may still be seen in the Keswick museum—and are to this day occasionally taken on musical tour.
Jan Zalasiewicz (Rocks: A Very Short Introduction)
In person, Diana was astonishingly flirtatious. Like the Queen Mother before her, she seemed unable to restrain herself from parading the choicest of her feminine wiles as soon as she was within range of a man or a camera or both. Although some people criticized her for this, the fact remains she could no more help the seductiveness of her manner than the colour of her eyes. Both were essential features of her identity and, as she was not misusing either for personal profit, there is no reason why she should not have given free rein to such an appealing quality. And she did.
Lady Colin Campbell (The Real Diana: The revealing biography of The Princess of Wales by renowned royal commentator, Lady Colin Campbell)
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Good thing I never claimed intelligence as my greatest quality.
H.L. Munn (Rules of Convenience: A Queen City Romance)
Whatever.” “I must see him!” Psyche insisted. “I must help him!” “Oh, now you want to help him. I’m his mother and I have it under control, thank you very much. As I was saying, the most important quality for a woman is beauty. I’ve been so busy caring for my son that I’ve run out of my famous magical beauty cream. I’ve used it all up, and I need some more.” “Wait…you tried to cure Eros with beauty cream?” “Duh!” Aphrodite rolled her eyes. “Anyway, I need more, but it’s out of stock at, like, every store, so I need a proper substitute. The only goddess who has cosmetics I can use without my face breaking out is Persephone.” “The queen of the Underworld?” Psyche’s knees shook. “You—you want me to—” “Yes.” Aphrodite savored the fear in Psyche’s eyes. “Pop down to the Underworld and ask Persephone if I can borrow a little of her beauty cream. You can put it in this.” The goddess snapped her fingers. A polished rosewood box with golden filigree appeared in Psyche’s hands. “Last chance to give up and go into exile.” Psyche did her best to hide her misery. “No. I’d rather die trying to win back Eros’s love than give up. I’ll get you your beauty cream.” “Make sure it’s the unscented kind,” Aphrodite said. “Hypoallergenic. And hurry. There’s a new play on Mount Olympus tonight. I need to get ready.” Psyche trudged out of the palace on her final quest.
Rick Riordan (Percy Jackson's Greek Heroes)
Whatever.” “I must see him!” Psyche insisted. “I must help him!” “Oh, now you want to help him. I’m his mother and I have it under control, thank you very much. As I was saying, the most important quality for a woman is beauty. I’ve been so busy caring for my son that I’ve run out of my famous magical beauty cream. I’ve used it all up, and I need some more.” “Wait…you tried to cure Eros with beauty cream?” “Duh!” Aphrodite rolled her eyes. “Anyway, I need more, but it’s out of stock at, like, every store, so I need a proper substitute. The only goddess who has cosmetics I can use without my face breaking out is Persephone.” “The queen of the Underworld?” Psyche’s knees shook. “You—you want me to—” “Yes.” Aphrodite savored the fear in Psyche’s eyes. “Pop down to the Underworld and ask Persephone
Rick Riordan (Percy Jackson's Greek Heroes)
Penelope raises an eyebrow. She practised arching it most magnificently for hours in front of the dusty bronze mirror in an attempt to mimic her cousin Clytemnestra, wife of Agamemnon, who really nailed imperial hauteur in a way that evaded the Ithacan queen. It is one of very few of Clytemnestra’s magnificent qualities that Penelope successfully emulates.
Claire North (Ithaca (The Songs of Penelope, #1))
The thing about Ativahikas is not that they’re giant, or sapient, or weirdly gorgeous, though they are all of these things. When they haven’t been horribly butchered, they look a bit like a Ferian leafy sea-dragon or those motile sea-trees from Desireninex. They’re seaweedy and ragged and layered in fringe like the dress of a medieval queen and their algae turns them into a shifting, iridescent play of brilliant teal, and jade and emerald greens. And the reason people kill them is not for any intrinsic quality of their own-it’s for those algae. Or the metabolic byproducts there of.
Elizabeth Bear (Ancestral Night (White Space, #1))
Her mind’s always spinning, thinking about the next thing, the next danger. It’s a good quality, he guesses, but an exhausting one.
Melissa de la Cruz (The Queen's Secret (The Queen's Secret, #2))
But Ulysses caused them to be bound hand and foot, and cast under the hatches; and set sail with all possible speed from that baneful coast, lest others after them might taste the lotos, which had such strange qualities to make men forget their native country, and the thoughts of home.
Charles Lamb (The Works of Charles and Mary Lamb (Vol. 1-6): Complete Edition: Tales from Shakespeare, Essays of Elia, The Adventures of Ulysses, The King and Queen of Hearts, Poetry for Children, Letters)