Charlton Heston Quotes

Political correctness is tyranny with manners.

That having sex with someone you do not care for feels lonelier than not having sex in the first place, afterward. That it is permissible to want. That everybody is identical in their secret unspoken belief that way deep down they are different from everyone else. That this isn't necessarily perverse. That there might not be angels, but there are people who might as well be angels. That God — unless you're Charlton Heston, or unhinged, or both — speaks and acts entirely through the vehicle of human beings, if there is a God. That God might regard the issue of whether you believe there's a God or not as fairly low on his/her/its list of things s/he/it's interested in re you.

The Internet is for lonely people. People should live.

Out, out, thou strumpet Fortune!" I cried with all the venom of Charlton Heston. Oberon asked. "It's a Shakespearean word for whore." <"Cool word! It rhymes with trumpet. And pump it. Why didn't the Black Eyed Peas use it in their song? Aren't rappers always looking for cool new rhymes? They should kick it old school with the Bard.>

Out, out, thou strumpet Fortune!" I cried with all the venom of Charlton Heston. Oberon asked. "It's a Shakespearean word for whore."

I didn`t change. The Democratic Party slid to the Left from right under me.

God—unless you’re Charlton Heston, or unhinged, or both—speaks and acts entirely through the vehicle of human beings, if there is a God.

I can't change yesterday, but I can sure mess up today.

Political correctness is just tyranny with manners. I wish for you the courage to be unpopular. Popularity is history's pocket change. Courage is history's true currency.

If humankind ever spawns another dark age because we engage in a global thermonuclear war, perhaps we will all feel as Charlton Heston did when he screamed, “You maniacs! You blew it up!” But if that is the outcome we get, it won’t be because that’s what anybody wanted at the time.

Newt Gingrich had his victory, too. Remember the Republican Revolution of 1994? Now the only people who still have any respect for it are cops, preachers, and creeps who hang out on the fringes of Klan rallies and worship Charlton Heston.

A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.

That God—unless you’re Charlton Heston, or unhinged, or both—speaks and acts entirely through the vehicle of human beings, if there is a God. That God might regard the issue of whether you believe there’s a God or not as fairly low on his/her/its list of things s/he/it’s interested in re you.

Firearms are also good for you. Ask Charlton Heston, who once played Moses. Gunpowder has zero fat and zero cholesterol.

He was so jealous of that boy yesterday, the one with the chest like Charlton Heston in Ben-Hur. He wanted everything he had, that body, that girl, that car, that freedom, that way of thinking. That hair, that bloody hair. What he would give to have hair that moved so freely in the wind. But shouldn’t that boy be jealous of Karl? Shouldn’t he wonder what Karl had seen and done? Shouldn’t he look at Karl and think, If only I get to lead a life like yours?

When I was a kid I watched a documentary about the movie Planet of the Apes. The first one, with Charlton Heston. They were talking about how they would make up all the extras as various types of apes, like chimps and gorillas and orangutans, and then the extras would go to lunch and they would segregate. All the people made up like gorillas would sit with other gorillas, all the chimps would sit with chimps.

Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies.

Tag said I was aptly named. “Wasn’t Moses a prophet or something?” I just rolled my eyes. At least we weren’t talking about the fact that I’d been found in a basket. “MO-SES!” Tag said my name in a deep, echoing “God voice,” reminiscent of the old Charlton Heston movie, The Ten Commandments. Gigi had loved Charlton Heston. I’d spent an Easter with her the year I was twelve and we’d had a Charlton Heston marathon that made me want to smear red paint above everybody’s door and burn all the bushes in Levan. Come to think of it, I had smeared paint all over Levan, many times. It was all Charlton Heston’s fault.

Oh we’re not together. I mean, we’re sitting together and we came here together but obviously we’re not together-together. How could we be together?  I’m probably never going to see him again after today. We’re not even friends. I don’t even know him. I mean, you know, really-” I inclined my head toward her and a small laugh burst from my lips, “can you even imagine? It’d be like Planet of the Apes- and he’s Charlton Heston with all the muscles and such and I’m that girl ape. They can’t be together because it’d be like a Neanderthal with a human, cross species breeding…and that’s just not right. Although Neanderthals are closely related to humans and are in fact part of the same species- if you want to be precise- they are a sub-species or alternate species of human...

Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.

Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolph Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person . . . or, more properly, as a Person. Here are some people who have not written books, telling what they did . . . and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.

Yet, for a few weeks, Jackson had in front of him the chance of adapting Tolkien’s beloved bestseller, reviving Charlton Heston’s dystopian talking ape thriller, or remaking the film that had, in many ways, charted the course for his life. Which would, in fact, count as his second attempt to remake King Kong.

What had happened, for instance, at one of the war's biggest battles, the Battle of Midway? It was in the Pacific, there was something about aircraft carriers. Wasn't there a movie about it, one of those Hollywood all-star behemoths in which a lot of admirals look worried while pushing toy ships around a map? (Midway, released in 1976 and starring Glenn Ford, Charlton Heston, and -- inevitably -- Henry Fonda.) A couple of people were even surprised to hear that Midway Airport was named after the battle, though they'd walked past the ugly commemorative sculpture in the concourse so many times. All in all, this was a dispiriting exercise. The astonishing events of that morning, the "fatal five minutes" on which the war and the fate of the world hung, had been reduced to a plaque nobody reads, at an airport with a vaguely puzzling name, midway between Chicago and nowhere at all.

But this is very important for you to know: When I was down and out, I had to go down to the core of my being and reach out to the man upstairs, to put it colloquially. And I had to ask Him to save me. It didn’t happen like a boom went off or lightning struck or Charlton Heston appeared in my living room with a ticket to heaven. I had to keep asking for it. And it took me twenty years to climb out of that hole. See, God helps those who help themselves. He doesn’t give you anything. By reaching out to God, maybe you can help yourselves.

The last thing DeMille added to his $13 million film before he delivered the final negative to Paramount was his introduction that ran before the opening credits, filmed with him standing behind a microphone in front of a blue-and-white curtain (the colors of the Israeli flag). His intention was to emphasize the “importance” of what the audience was about to see and how authentic the film really was, and to make the spiritual connection to the Holocaust. DeMille says, in part: “The theme of this picture is whether man ought to be ruled by God’s law, or whether they are to be ruled by the whims of a dictator like Rameses. Are men the property of the state or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of the divinely inspired story, created three thousand years ago . . .” The introduction was almost always cut after the film’s initial run. That

CHARLTON HESTON: A screenwriter has to recognize that film is a collaborative undertaking. You can’t write a film script totally in the typewriter. This is a highly controversial point, and the next time you have a writer in front of you, quote me and hear how mad it makes him.

My first copies of Treasure Island and Huckleberry Finn still have some blue-spruce needles scattered in the pages. They smell of Christmas still.

When it comes to the on-screen portrayals, however, filmmakers have fallen far short of doing justice to his life. Perhaps the worst incarnation of Buffalo Bill was in the movie Pony Express, starring Charlton Heston as Bill.

the late Charlton Heston, Hollywood’s right-leaning Moses.

And finally, I get to meet the Breakup Coach" Ryan says before we can be introduced. "I'm a big fan of your work" he says with mock admiration as I turn around. I decide I like his voice. It's not a deep Charlton Heston-like voice, but it has just the right amount of husky in it.

At the height of this construction frenzy, a couple of opportunistic real estate developers hang a sign near the top of the hills surrounding the valley to advertise their new housing development. It has fifty-foot-high white letters that spell out HOLLYWOODLAND. It is meant to stay there only for one year, or until all the units are sold, whichever happens first, but it never comes down. Shortened to HOLLYWOOD in 1949, it becomes a hovering symbol of the industry of dreams, and to this day watches over Tinseltown like the giant statue of Jesus over Rio de Janeiro. With

Embarrassed that he had not recognized one of America’s best-known entertainers, whom he’d seen many times on television, Gunny escorted him to the stage, where Davis took his seat with the other celebrities who had made the trip, including Josephine Baker, Charlton Heston, Paul Newman, Marlon Brando, Rita Moreno, Harry Belafonte, James Baldwin, Ruby Dee, Tony Curtis, Sidney Poitier, and Steve McQueen.