Qualities Of A Good Mother Quotes

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Now, brethren, do not expect perfection in your choice of a mate. Do not be so particular that you overlook her most important qualities of having a strong testimony, living the principles of the gospel, loving home, wanting to be a mother in Zion, and supporting you in your priesthood responsibilities. Of course, she should be attractive to you.... And one good yardstick as to whether a person might be the right one for you is this: in her presence, do you think your noblest thoughts, do you aspire to your finest deeds, do you wish you were better than you are?
Ezra Taft Benson
This is the underside of my world. Of course you don’t want me to be stupid, bless you! you only want to make sure you’re intelligent. You don’t want me to commit suicide; you only want me to be gratefully aware of my dependency. You don’t want me to despise myself; you only want the flattering deference to you that you consider a spontaneous tribute to your natural qualities. You don’t want me to lose my soul; you only want what everybody wants, things to go your way; you want a devoted helpmeet, a self-sacrificing mother, a hot chick, a darling daughter, women to look at, women to laugh at, women to come for comfort, women to wash your floors and buy your groceries and cook your food and keep your children out of your hair, to work when you need the money and stay home when you don’t, women to be enemies when you want a good fight, women who are sexy when you want a good lay, women who don’t complain, women who don’t nag or push, women who don’t hate you really, women who know their job and above all—women who lose. On top of it all, you sincerely require me to be happy; you are naively puzzled that I should be wretched and so full of venom in this the best of all possible worlds. Whatever can be the matter with me? But the mode is more than a little outworn. As my mother once said: the boys throw stones at the frogs in jest. But the frogs die in earnest.
Joanna Russ (The Female Man)
The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (Neapolitan Novels, #2))
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
That's all right! That's all right!' But for a minute or two it wasn't really. All feminine claws, he said to himself, are sheathed in velvet; but they can hurt a good deal if they touch you on the sore places of the defects of your qualities - even merely with the velvet. He added: 'Your mother works you very hard.
Ford Madox Ford (Parade's End)
Self-trust, self-love, and self-knowledge can be taught to a daughter only by a mother who possesses those qualities herself.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
This is what you British do not understand about the French. You think you must work, work, work, work and open on Sundays and make mothers and fathers with families slave in supermarkets at three o'clock in the morning and make people leave their homes and their churches and their children and go shopping on Sundays.' 'Their shops are open on Sundays?' said Benoît in surprise. 'Yes! They make people work on Sundays! And through lunchtimes! But for what? For rubbish from China? For cheap clothes sewed by poor women in Malaysia? For why? So you can go more often to KFC and get full of fried chicken? You would rather have six bars of bad chocolate than one bar of good chocolate. Why? Why are six bad things better than one good thing? I don't understand.
Jenny Colgan (The Loveliest Chocolate Shop in Paris)
If you took the love of all the best mothers and fathers who have lived in the course of human history, all their goodness, kindness, patience, fidelity, wisdom, tenderness, strength, and love and united all those qualities in a single person, that person’s love would only be a faint shadow of the furious love and mercy in the heart of God the Father addressed to you and me at this moment.
Brennan Manning (The Furious Longing of God)
There is no mark on the wall to measure the precise height of women. There are no yard measures neatly divided into the fractions of an inch that one can lay against the qualities of a good mother or the devotion of a daughter or fidelity of a sister or the capacity of a housekeeper.
Virginia Woolf (A Room of One's Own/Three Guineas)
that old Mrs. Bishop was lacking in the qualities that make a good mother. And saying it that way makes her sound a good deal better than she really was.
Irene Hunt (Up a Road Slowly)
The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.
William Shakespeare (Romeo and Juliet)
Is confidence based on a rate of exchange? We used to speak of sterling qualities. Have we got to talk now about a dollar love? A dollar love, of course, would include marriage and Junior and Mother's Day, even though later it might include Reno or the Virgin Islands or wherever they go nowadays for their divorces. A dollar love had good intentions, a clear conscience, and to Hell with everybody.
Graham Greene (The Quiet American)
Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.
Philip Larkin (Philip Larkin: Letters to Monica)
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Children inherit the qualities of the parents, no less than their physical features. Environment does play an important part, but the original capital on which a child starts in life is inherited from its ancestors. I have also seen children successfully surmounting the effects of an evil inheritance. That is due to purity being an inherent attribute of the soul. Polak and I had often very heated discussions about the desirability or otherwise of giving the children an English education. It has always been my conviction that Indian parents who train their children to think and talk in English from their infancy betray their children and their country. They deprive them of the spiritual and social heritage of the nation, and render them to that extent unfit for the service of the country. Having these convictions, I made a point of always talking to my children in Gujarati. Polak never liked this. He thought I was spoiling their future. He contended, with all the vigour and love at his command, that, if children were to learn a universal language like English from their infancy, they would easily gain considerable advantage over others in the race of life. He failed to convince me. I do not now remember whether I convinced him of the correctness of my attitude, or whether he gave me up as too obstinate. This happened about twenty years ago, and my convictions have only deepened with experience. Though my sons have suffered for want of full literary education, the knowledge of the mother-tongue that they naturally acquired has been all to their and the country’s good, inasmuch as they do not appear the foreigners they would otherwise have appeared. They naturally became bilingual, speaking and writing English with fair ease, because of daily contact with a large circle of English friends, and because of their stay in a country where English was the chief language spoken.
Mahatma Gandhi (Gandhi: An Autobiography)
The girls of the sixties had mothers who predicted, insisted, argued that those girls would be hurt; but they would not say how or why. In the main, the mothers appeared to be sexual conservatives: they upheld the marriage system as a social ideal and were silent about the sex in it. Sex was a duty inside marriage; a wife’s attitude toward it was irrelevant unless she made trouble, went crazy, fucked around. Mothers had to teach their daughters to like men as a class—be responsive to men as men, warm to men as men—and at the same time to not have sex. Since males mostly wanted the girls for sex, it was hard for the girls to understand how to like boys and men without also liking the sex boys and men wanted. The girls were told nice things about human sexuality and also told that it would cost them their lives—one way or another. The mothers walked a tough line: give the girls a good attitude, but discourage them. The cruelty of the ambivalence communicated itself, but the kindness in the intention did not: mothers tried to protect their daughters from many men by directing them toward one; mothers tried to protect their daughters by getting them to do what was necessary inside the male system without ever explaining why. They had no vocabulary for the why—why sex inside marriage was good but outside marriage was bad, why more than one man turned a girl from a loving woman into a whore, why leprosy or paralysis were states preferable to pregnancy outside marriage. They had epithets to hurl, but no other discourse. Silence about sex in marriage was also the only way to avoid revelations bound to terrify—revelations about the quality of the mothers’ own lives.
Andrea Dworkin (Right-Wing Women)
At school Amar was valued for the very qualities that were looked down upon in his house. There he was not disrespectful but funny. There it was good that he was interested in English class, in the poems and stories his teachers assigned.As far as he was aware, none of his school friends knew what it was like to come home to a house that is quite the way his was, where everything was forbidden to them—loud music or talking back, wearing shirts with band logos printed on them. The father who yelled, a mother who looked out the window and spent the day praying or tending her garden. A family that wanted him to change who he was, to become a respectable man who obeyed his father’s every word, and followed every command given by his father’s God. Or what it was like to live with the knowledge that his father would disown him if he found something as harmless as a packet of cigarettes under his mattress. To not have that kind of love. To not even believe in it.
Fatima Farheen Mirza (A Place for Us)
But whenever I tried to pin down this idea of self-esteem, the specific qualities we hoped to inculcate, the specific means by which we might feel good about ourselves, the conversation always seemed to follow a path of infinite regress. Did you dislike yourself because of your color or because you couldn’t read and couldn’t get a job? Or perhaps it was because you were unloved as a child—only, were you unloved because you were too dark? Or too light? Or because your mother shot heroin into her veins … and why did she do that anyway? Was the sense of emptiness you felt a consequence of kinky hair or the fact that your apartment had no heat and no decent furniture? Or was it because deep down you imagined a godless universe? Maybe one couldn’t avoid such questions on the road to personal salvation. What I doubted was that all the talk about self-esteem could serve as the centerpiece of an effective black politics. It demanded too much honest self-reckoning from people; without such honesty, it easily degenerated into vague exhortation. Perhaps with more self-esteem fewer blacks would be poor, I thought to myself, but I had no doubt that poverty did nothing for our self-esteem. Better to concentrate on the things we might all agree on. Give that black man some tangible skills and a job. Teach that black child reading and arithmetic in a safe, well-funded school. With the basics taken care of, each of us could search for our own sense of self-worth.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
There are two ways to turn devils into angels: First, acknowledge things about them that you genuinely appreciate. Uncle Morty took you to the beach when you were a kid. Your mom still sends you money on your birthday. Your ex-wife is a good mother to your children. There must be something you sincerely appreciate about this person. Shift your attention from the mean and nasty things they have said or done to the kind and helpful things they have said or done—even if there are just a few or even only one. You have defined this person by their iniquities. You can just as easily—actually, more easily—define them by their redeeming qualities. It’s your movie. Change the script. Perhaps you are still arguing that the person who has hurt you has no redeeming qualities whatsoever. She is evil incarnate, Rosemary’s baby conceived with Satan himself, poster child for the dark side of the Force, destined to wreak havoc and horror in the lives of everyone she touches. A nastier bitch never walked the earth. Got it. Let’s say all of this is true—the person who troubles you is a no-good, cheating, lying SOB. Now here’s the second devil-transformer. Consider: How has this person helped you to grow? What spiritual muscles have you developed that you would not have built if this person had been nicer to you? Have you learned to hold your power and self-esteem in the presence of attempted insult? Do you now speak your truth more quickly and directly? Are you now asking for what you want instead of passively deferring? Are you setting healthier boundaries? Have you deepened in patience and compassion? Do you make more self-honoring choices? There are many benefits you might have gained, or still might gain, from someone who challenges you.
Alan Cohen (A Course in Miracles Made Easy: Mastering the Journey from Fear to Love)
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
One of the many qualities she and her mother shared was a mutual love for an event concluded. It was an inclination she fought all her life. She loved a party best when it was over and the house had been restored to order and she could sit in the quiet and replay the evening. Too often, she looked forward to the end of something-to beginning the remembering-more than the thing itself.
Cynthia D'Aprix Sweeney (Good Company)
4-19-10 Monday 1:00 P.M. Today the gas was turned off – more panic reactions. I’m wondering if the darkest hour is just before the dawn and all those wonderful cliches. I don’t see anyway out of my current situation, at least any quality of life I’m willing to accept. It’s just too much to think about right now. I lost the gas stove, the heat, and the water heater. Hmm cold showers, but found an electric crock pot and frying pan, and I still have the microwave. I don’t know what I’ll do if I lose the water. My mother told me there’s a family who pitched a tent in the forest preserve. Somehow the father’s still working and keeping his two kids in school, with a little help from a local church. And it’s good to know the forest rangers have a heart and have looked the other way. I wouldn’t be surprised to hear that they’ve dropped off some food and supplies. Isn’t that America.
Andrew Neff (The Mind Game Company: The Players)
good mother will make a point of having sex with several different men, especially when she is pregnant, so that her child will enjoy the qualities (and paternal care) not merely of the best hunter, but also of the best storyteller, the strongest warrior and the most considerate lover. If this sounds silly, bear in mind that before the development of modern embryological studies, people had no solid evidence that babies are always sired by a single father rather than by many.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
By far, the most important distortions and confabulations of memory are those that serve to justify and explain our own lives. The mind, sense-making organ that it is, does not interpret our experiences as if they were shattered shards of glass; it assembles them into a mosaic. From the distance of years, we see the mosaic’s pattern. It seems tangible, unchangeable; we can’t imagine how we could reconfigure those pieces into another design. But it is a result of years of telling our story, shaping it into a life narrative that is complete with heroes and villians, an account of how we came to be the way we are. Because that narrative is the way we understand the world and our place in it, it is bigger than the sum of its parts. If on part, one memory, is shown to be wrong, people have to reduce the resulting dissonance and even rethink the basic mental category: you mean Dad (Mom) wasn’t such a bad (good) person after all? You mean Dad (Mom) was a complex human being? The life narrative may be fundamentally true; Your father or mother might really have been hateful, or saintly. The problem is that when the narrative becomes a major source of self-justification, one the storyteller relies on to excuse mistakes and failings, memory becomes warped in its service. The storyteller remembers only the confirming examples of the parent’s malevolence and forgets the dissonant instances of the parent’s good qualities. Over time, as the story hardens, it becomes more difficult to see the whole parent — the mixture of good and bad, strengths and flaws, good intentions and unfortunate blunders. Memories create our stories, but our stories also create our memories.
Carol Tavris
The projection of the mother-imago upon water endows the latter with a number of numinous or magical qualities peculiar to the mother. A good example of this is the baptismal water symbolism in the Church (pl. XXVII). In dreams and fantasies the sea or a large expanse of water signifies the unconscious. The maternal aspect of water coincides with the nature of the unconscious, because the latter (particularly in men) can be regarded as the mother or matrix of consciousness. Hence the unconscious, when interpreted on the subjective level,22 has the same maternal significance as water.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
I am old enough to know only too well my good and bad qualities, which were often one and the same. For my entire life I longed for love. I knew it was not right for me—as a girl and later as a woman—to want or expect it, but I did, and this unjustified desire has been at the root of every problem I have experienced in my life. I dreamed that my mother would notice me and that she and the rest of my family would grow to love me. To win their affection, I was obedient—the ideal characteristic for someone of my sex—but I was too willing to do what they told me to do. Hoping they would show me even the most simple kindness, I tried to fulfill their expectations for me—
Lisa See (Snow Flower and the Secret Fan)
The great thing is to direct the malice to his immediate neighbours whom he meets every day and to thrust his benevolence out to the remote circumference, to people he does not know. The malice thus becomes wholly real and the benevolence largely imaginary. There is no good at all in inflaming his hatred of Germans if, at the same time, a pernicious habit of charity is growing up between him and his mother, his employer, and the man he meets in the train. Think of your man as a series of concentric circles, his will being the innermost, his intellect coming next, and finally his fantasy. You can hardly hope, at once, to exclude from all the circles everything that smells of the Enemy: but you must keep on shoving all the virtues outward till they are finally located in the circle of fantasy, and all the desirable qualities inward into the Will. It is only in so far as they reach the will and are there embodied in habits that the virtues are really fatal to us. (I don’t, of course, mean what the patient mistakes for his will, the conscious fume and fret of resolutions and clenched teeth, but the real centre, what the Enemy calls the Heart.) All sorts of virtues painted in the fantasy or approved by the intellect or even, in some measure, loved and admired, will not keep a man from our Father’s house: indeed they may make him more amusing when he gets there.
C.S. Lewis (The Screwtape Letters)
There are even a number of present-day human cultures in which collective fatherhood is practised, as for example among the Barí Indians. According to the beliefs of such societies, a child is not born from the sperm of a single man, but from the accumulation of sperm in a woman’s womb. A good mother will make a point of having sex with several different men, especially when she is pregnant, so that her child will enjoy the qualities (and paternal care) not merely of the best hunter, but also of the best storyteller, the strongest warrior and the most considerate lover. If this sounds silly, bear in mind that before the development of modern embryological studies, people had no solid evidence that babies are always sired by a single father rather than by many.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
are in men! When they are poor and needy, they seek riches, and when they have them, they do not enjoy them, but hide them under ground, or else wastefully spend them. O wise Hippocrates, I laugh at such things being done, but much more when no good comes of them, and when they are done to so ill purpose. There is no truth or justice found amongst them, for they daily plead one against another,{238} the son against the father and the mother, brother against brother, kindred and friends of the same quality; and all this for riches, whereof after death they cannot be possessors. And yet notwithstanding they will defame and kill one another, commit all unlawful actions, contemning God and men, friends and country. They make great account of many senseless things, esteeming them as a great part of their treasure, statues, pictures, and such like movables, dear bought, and so cunningly wrought, as nothing but speech wanteth in them,{239} and yet they hate living persons speaking to them.{240} Others affect difficult things; if they dwell on firm land they will remove to an island, and thence to land again, being no way constant to their desires. They commend courage and strength in wars, and let themselves be conquered by lust and avarice; they are, in brief, as disordered in their minds, as Thersites was in his body. And now, methinks, O most worthy Hippocrates, you should not reprehend my laughing, perceiving so many fooleries in men;{241} for no man will mock his own folly, but that which he seeth in a second, and so they justly mock one another. The drunkard calls him a glutton whom he knows to be sober. Many men love the sea, others husbandry; briefly, they cannot agree in their own trades and professions, much less in their lives and actions.
Robert Burton (The Anatomy of Melancholy (Complete))
Men of this type often had strong mother figures in their childhood. They became good, obedient boys, excellent students at school. Consciously they are attracted to well-educated women, to those who seem good and perfect. But unconsciously they are drawn to women who are imperfect, bad, of dubious character. They secretly crave what is the opposite of themselves. It is the classic split of the mother/whore—they want the mother figure for a wife but feel a much stronger physical attraction to the whore, the Fallen Woman, the type who likes to display her body. They have repressed the playful, sensual, and earthy sides of the character they had as boys. They are too rigid and civilized. The only way they can relate to these qualities is through women who appear to be so different from themselves. Like Swann, they find a way to idealize them with some highbrow reference that has no relation to reality. They project onto such women weakness and vulnerability. They tell themselves they want to help and protect them. But what really attracts them is the danger and naughty pleasures these women seem to promise. Underestimating the strength of such women, they often end up as their pawns. Their anima is passive and masochistic.
Robert Greene (The Laws of Human Nature)
Dopey, in out of his depth, began to look desperate. "Debbie Mancuso," he yelled, "and I are not having sex!" I saw my mom and Andy exchange a quick, bewildered glance. "I should certainly hope not," Doc, Dopey's little brother, said as he breezed past us. "But if you are, Brad, I hope you're using condoms. While a good-quality latex condom has a failure rate of about two percent when used as directed, typically the failure rate averages closer to twelve percent. That makes them only about eighty-five percent effective against preventing pregnancy. If used with a spermicide, the effectiveness improves dramatically. And condoms are our best defense - though not as good, of course, as abstention - against some STDs, including HIV." Everyone in the kitchen - my mother, Andy, Dopey, Sleepy, and I - stared at Doc, who is, as I think I mentioned before, twelve. "You," I finally said, "have way too much time on your hands." Doc shrugged. "It helps to be informed. While I myself am not sexually active at the current time, I hope to become so in the near future." He nodded toward the stove. "Dad, your chimichangas, or whatever they are, are on fire." While Andy jumped to put out his cheese fire, my mother stood there, apparently, for once in her life, at a loss for words.
Meg Cabot (Ninth Key (The Mediator, #2))
COUNT. What’s to stop you taking her with you to London? FIGARO. A man who was married and had to be away so much? I’d never hear the end of it. COUNT. But with your qualities and brains you could climb the ladder and end up with an important government post one of these days. FIGARO. Brains? Climb the ladder? Your Lordship must think I’m stupid. Second-rate and grovelling, that’s the thing to be, and then the world’s your oyster. COUNT. All you’d have to do is take a few lessons in politics from me. FIGARO. I know what politics is. COUNT. Like you know the key to the English language? FIGARO. Not that it’s anything to boast about. It means pretending you don’t know what you do know and knowing what you don’t, listening to what you don’t understand and not hearing what you do, and especially, claiming you can do more than you have the ability to deliver. More often that not, it means making a great secret of the fact that there are no secrets; locking yourself in your inner sanctum where you sharpen pens and give the impression of being profound and wise, whereas you are, as they say, hollow and shallow; playing a role well or badly; sending spies everywhere and rewarding the traitors; tampering with seals, intercepting letters, and trying to dignify your sordid means by stressing your glorious ends. That’s all there is to politics, and you can have me shot if it’s not. COUNT. But what you’ve defined is intrigue. FIGARO. Call it politics, intrigue, whatever you want. But since to me the two things are as alike as peas in a pod, I say good luck to whoever has anything to do with either. ‘Truly, I love my sweetheart more’, as old King Henry’s song goes.
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
SOMETIMES A KIND OF GLORY lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then—the glory—so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man’s importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men. I don’t know how it will be in the years to come. There are monstrous changes taking place in the world, forces shaping a future whose face we do not know. Some of these forces seem evil to us, perhaps not in themselves but because their tendency is to eliminate other things we hold good. It is true that two men can lift a bigger stone than one man. A group can build automobiles quicker and better than one man, and bread from a huge factory is cheaper and more uniform. When our food and clothing and housing all are born in the complication of mass production, mass method is bound to get into our thinking and to eliminate all other thinking.
John Steinbeck (East of Eden)
[Scarlett] knew how to smile so that her dimples leaped, how to walk pigeon-toed so that her wide hoop skirts swayed entrancingly, how to look up into a man's face and then drop her eyes and bat the lids rapidly so that she seemed a-tremble with gentle emotion. Most of all she learned how to conceal from men a sharp intelligence beneath a face as sweet and bland as a baby's. Ellen, by soft admonition, . . . labored to inculcate in her the qualities that would make her truly desirable as a wife. "You must be more gentle, dear, more sedate," Ellen told her daughter. "You must not interrupt gentlemen when they are speaking, even if you do think you know more about matters than they do. Gentlemen do not like forward girls." [Ellen] taught her all that a gentlewoman should know, but she learned only the outward signs of gentility. The inner grace from which these signs should spring, she never learned nor did she see any reason for learning it. Appearances were enough, for the appearances of ladyhood won her popularity and that was all she wanted. . . . At sixteen, thanks to Mammy and Ellen, she looked sweet, charming and giddy, but she was, in reality, self-silled, vain and obstinate. She had the easily stirred passions of her Irish father and nothing except the thinnest veneer of her mother's unselfish and forbearing nature. . . It was not that these two loving mentors deplored Scarlett's high spirits, vivacity and charm. These were traits of which Southern women were proud. It was Gerald's headstrong and impetuous nature in her that gave them concern, and they sometimes feared they would not be able to conceal her damaging qualities until she had made a good match. But Scarlett intended to marry-and marry Ashley-and she was willing to appear demure, pliable and scatterbrained, if those were the qualities that attracted men. Just why men should be this way, she did not know. She only knew that such methods worked. It never interested her enough to try to think out the reason for it, for she knew nothing of the inner workings of any human being's mind, not even her own. She knew only that if she did or said thus-and-so, men would unerringly respond with the complementary thus-and-so. It was like a mathematical formula and no more difficult . . . If she knew little about men's minds, she knew even less about the minds of women, for they interested her less. She had never had a girl friend, and she never felt any lack on that account. To her, all women, including her two sisters, were natural enemies in pursuit of the same prey-man.
Margaret Mitchell (Gone with the Wind)
In everything I quickly saw the opposite, the contradiction, and between the real and the unreal the irony, the paradox. I was my own worst enemy. There was nothing I wished to do which I could just as well not do. Even as a child, when I lacked for nothing, I wanted to die: I wanted to surrender because I saw no sense in struggling. I felt that nothing would be proved, substantiated, added or subtracted by continuing an existence which I had not asked for. Everybody around me was a failure, or if not a failure, ridiculous. Especially the successful ones. The successful ones bored me to tears. I was sympathetic to a fault, but it was not sympathy that made me so. It was a purely negative quality, a weakness which blossomed at the mere sight of human misery. I never helped any one expecting that it would do any good; I helped because I was helpless to do otherwise. To want to change the condition of affairs seemed futile to me; nothing would be altered, I was convinced, except by a change of heart, and who could change the hearts of men? Now and then a friend was converted; it was something to make me puke. I had no more need of God than He had of me, and if there were one, I often said to myself, I would meet Him calmly and spit in His face. From the very beginning I must have trained myself not to want anything too badly. From the very beginning I was independent, in a false way. I had need of nobody because I wanted to be free, free to do and to give only as my whims dictated. The moment anything was expected or demanded of me I balked. That was the form my independence took. I was corrupt, in other words, corrupt from the start. It's as though my mother fed me a poison, and though I was weaned young the poison never left my system. Even when she weaned me it seemed that I was completely indifferent, most children rebel, or make a pretense of rebelling, but I didn't give a damn, I was a philosopher when still in swaddling clothes. I was against life, on principle. What principle? The principle of futility. Everybody around me was struggling. I myself never made an effort. If I appeared to be making an effort it was only to please someone else; at bottom I didn't give a rap. And if you can tell me why this should have been so I will deny it, because I was born with a cussed streak in me and nothing can eliminate it. I heard later, when I had grown up, that they had a hell of a time bringing me out of the womb. I can understand that perfectly. Why budge? Why come out of a nice warm place, a cosy retreat in which everything is offered you gratis?
Henry Miller (Tropic of Capricorn (Tropic, #2))
Burbank's power of love, reported Hall, "greater than any other, was a subtle kind of nourishment that made everything grow better and bear fruit more abundantly. Burbank explained to me that in all his experimentation he took plants into his confidence, asked them to help, and assured them that he held their small lives in deepest regard and affection." Helen Keller, deaf and blind, after a visit to Burbank, wrote in Out­ look for the Blind: "He has the rarest of gifts, the receptive spirit of a child. When plants talk to him, he listens. Only a wise child can understand the language of flowers and trees." Her observation was particularly apt since all his life Burbank loved children. In his essay "Training of the Human Plant," later published as a book, he an­ticipated the more humane attitudes of a later day and shocked authori­tarian parents by saying, "It is more important for a child to have a good nervous system than to try to 'force' it along the line of book knowledge at the expense of its spontaneity, its play. A child should learn through a medium of pleasure, not of pain. Most of the things that are really useful in later life come to the children through play and through association with nature." Burbank, like other geniuses, realized that his successes came from having conserved the exuberance of a small boy and his wonder for everything around him. He told one of his biographers: 'Tm almost seventy-seven, and I can still go over a gate or run a foot race or kick the chandelier. That's because my body is no older than my mind-and my mind is adolescent. It has never grown up and I hope it never will." It was this quality which so puzzled the dour scientists who looked askance at his power of creation and bedeviled audiences who expected him to be explicit as to how he produced so many horticultural wonders. Most of them were as disappointed as the members of the American Pomological Society, gathered to hear Burbank tell "all" during a lecture entitled "How to Produce New Fruits and Flowers," who sat agape as they heard him say: In pursuing the study of any of the universal and everlasting laws of nature, whether relating to the life, growth, structure and movements of a giant planet, the tiniest plant or of the psychological movements of the human brain, some conditions are necessary before we can become one of nature's interpreters or the creator of any valuable work for the world. Preconceived notions, dogmas and all personal prejudice and bias must be laid aside. Listen patiently, quietly and reverently to the lessons, one by one, which Mother Nature has to teach, shedding light on that which was before a mystery, so that all who will, may see and know. She conveys her truths only to those who are passive and receptive. Accepting these truths as suggested, wherever they may lead, then we have the whole universe in harmony with us. At last man has found a solid foundation for science, having discovered that he is part of a universe which is eternally unstable in form, eternally immutable in substance.
Peter Tompkins (The Secret Life of Plants: A Fascinating Account of the Physical, Emotional and Spiritual Relations Between Plants and Man)
In Shushan the citadel there was a certain Jew whose name was Mordecai the son of Jair, the son of Shimei, the son of Kish, a Benjamite. Kish had been carried away from Jerusalem with the captives who had been captured with Jeconiah king of Judah, whom Nebuchadnezzar the king of Babylon had carried away. Esther 2:5-6 Mordecai is a Jew living in Shushan (remember from last week — this is the city that Darius established as the capital). His great-grandfather is Kish the Benjamite, who was brought to Persia / Babylon during the Babylonian captivity. Even though King Cyrus ended the captivity many years ago, many Jews have remained in Persia. Mordecai’s family was among them. Mordecai’s heritage is an vital part of God’s plan, so let’s be careful not to over look this important detail. God always has a remnant of people. Even though Mordecai is no longer captive to the will of man keeping him in exile, he is still captive to the will of God. As a result of his obedience to God, Mordecai remained in Persia even after he was free to leave. God has promised to protect His people, and His plan is in action. Mordecai is an important part of that plan! Also important to note is that this the historian’s first mention of Jews living in Persia. Mordecai descending from Kish the Benjamite is interesting, because another important biblical figure also descended from Kish: Israel’s first king, Saul. Saul was Kish’s son (1 Samuel 9:1). While this point may not seem important in a history of Ahasuerus, the ancestry of this Jew is very important in the history of Persia. Mordecai’s most important connection is about to be introduced to us: his cousin, Esther. “And Mordecai had brought up Hadassah, that is, Esther, his uncle’s daughter, for she had neither father nor mother. The young woman was lovely and beautiful. When her father and mother died, Mordecai took her as his own daughter.” Esther 2:7 Ahasuerus is not the only one in Persia busy preparing; Mordecai is preparing as well. For many years now, he has been preparing Esther, raising her for the future that God intended for her. As you prepare, consider that you might be preparing for a future you do not know anything about; and that you may be preparing someone other than yourself. Mordecai’s first step was to obey God. Certainly it was God who told him to stay with Esther in Persia, even after her parents had died. We are never told that Mordecai had married; what reason was there for him to stay in Persia? Even so, Mordecai stayed in Persia with Esther and raised her as his own daughter. Raising her was a process, and he had to depend on the Lord to know the right thing to do. He had no way of predicting what would happen in her life or his, but he was obedient during the process (remember Jeremiah 29?). Mordecai was preparing Esther for a future he did not know anything about yet, but Mordecai knew something that we need to keep in our hearts as well: serving God every day will develop qualities in us that will serve us well, whatever the future may hold. Mordecai was preparing Esther to be faithful to God, knowing that quality could only help her in her life. Mordecai did not know what God had in store for Esther — but he did know that God had a plan for her, just as He has a plan for all of us. Mordecai poured his life into her. Is there someone that you are supposed to be pouring your life into? Perhaps while reading this history, you are identifying with Esther. Maybe you are an “Esther”, but consider that you may be a “Mordecai”. It is likely you will identify with both of them at different seasons in your life. Pray that you will be able to discern those seasons. Mordecai and Esther are cousins. Sometime after the Jews were carried away to Persia, Esther’s parents died. Out of the heartbreaking tragedy of losing her parents, God’s providence was still at work. His word promises that in the hands of the Lord, “all things work together for good to those who
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
A DEFINITION OF THE AMATEUR The amateur is young and dumb. He's innocent, he's good-hearted, he's well-intentioned. The amateur is brave. He's inventive and resourceful. He's willing to take a chance. Like Luke Skywalker, the amateur harbors noble aspirations. He has dreams. He seeks liberation and enlightenment. And he's willing, he hopes, to pay the price. The amateur is not evil or crazy. He's not deluded. He's not demented. The amateur is trying to learn. The amateur is you and me. What exactly is an amateur? How does an amateur view himself and the world? What qualities characterize the amateur? THE AMATEUR IS TERRIFIED Fear is the primary color of the amateur's interior world. Fear of failure, fear of success, fear of looking foolish, fear of under-achieving and fear of over-achieving, fear of poverty, fear of loneliness, fear of death. But mostly what we all fear as amateurs is being excluded from the tribe, i.e., the gang, the posse, mother and father, family, nation, race, religion. The amateur fears that if he turns pro and lives out his calling, he will have to live up to who he really is and what he is truly capable of. The amateur is terrified that if the tribe should discover who he really is, he will be kicked out into the cold to die. THE PROFESSIONAL IS TERRIFIED, TOO The professional, by the way, is just as terrified as the amateur. In fact the professional may be more terrified because she is more acutely conscious of herself and of her interior universe. The difference — see Part Three — lies in the way the professional acts in the face of fear.
Steven Pressfield (Turning Pro)
Some people have become so critical-minded that no matter what is done for them, it’s not right. They never see the good their spouses are doing. They’ve forgotten the reasons they fell in love. It’s because they’re magnifying the wrong things. If you struggle in this area, make a list of the qualities you like about your spouse. Write down the good things your spouse does. He may not be a great communicator, but he’s a hard worker. Write it down. She may have some weaknesses, but she’s a great mother. She’s smart. She’s fun. Put that on your list and go over it every day. Start focusing on those good qualities. Your entire outlook is poisoned when you operate out of a critical spirit. You won’t communicate properly. You won’t want to do things together. It will affect you in every area. You have to make a shift. Start appreciating that person’s strengths and learn to downplay the weaknesses. Everyone has faults and habits that can get on your nerves. The key is to recognize what you are magnifying. You are magnifying the wrong thing when you let the critical spirit take over. That’s when you’ll start complaining that the wrong egg was fried. There are relationships today where two good people are married. They have great potential, but a critical spirit is driving them apart. When you are critical you start nagging: “You never take out the trash. You never talk to me. You’re always late.” People respond to praise more than they respond to criticism. The next time you want your husband to mow the lawn, instead of nagging, “Why don’t you ever mow the lawn, you lazy thing?” say instead, “Did I ever tell you that when you mow the lawn you look really good out there, and when your muscles bulge out of your shirt and that sweat drips down your face you look so handsome and attractive?” You praise him like that, and he’ll mow the lawn every day! People respond to praise.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
Up there," he said, moodily, looking into the sky, where a few stars shone faintly in the flood from the moon; "Up there—somewhere—they don't know just where—but somewhere up above, is the Christians' Heaven. Up there is their good God—who has placed Myra's child here—their good God whom they borrowed from the savage, bloodthirsty race that invented him. And down below us—somewhere again—is their hell and their bad god, whom they invented themselves. And they give us our choice—Heaven[37] or hell. It is not so—not so. The great mystery is not solved—the human heart is not helped in this way. No good, merciful God created this world or its conditions. Whatever may be the nature of the causes at work beyond our mental vision, one fact is indubitably proven—that the qualities of mercy, goodness, justice, play no part in the governing scheme. And yet, they say the core of all religions on earth is the belief in this. Is it? Or is it the cowardly, human fear of the unknown—that impels the savage mother to throw her babe to a crocodile—that impels the civilized man to endow churches—that has kept in existence from the beginning a class of soothsayers, medicine-men, priests, and clergymen, all living on the hopes and fears excited by themselves?
Morgan Robertson (Futility or the Wreck of the Titan)
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When Mother had told me that animals found quiet, unexposed places to die, I had always imagined they knew they were dying, and accepted it, almost gracefully. Now I saw that this wasn't so at all: they crept into corners in the hope of surviving, they only knew they were weakened and exposed, easy prey, and their instinct was to find a hidden place and try to outlive whatever it was they were suffering. It had been a mistake to imagine they wanted to be alone, to die in peace. Animals have no knowledge of death; for them, death is the unexpected end of life, something they resist by instinct, for no good reason. In that sense, their existence has an almost mechanical quality.
John Burnside
Our society fails to appreciate the woman who quietly responds to life with intense interest and with love for people, ideas, and things. Yet these characteristics are as deeply and truly creative as are the characteristics of those who seek to lead, to act, and to achieve. We have a bias against feminine values. Not only are we too busy to adequately nurture our children, but we are also unable to truly nourish our own creativity, our personhood, our ability to take a stand for life, and our capacities to love and live from the heart. The feminine qualities of receptivity, nurturing in silence, relatedness, patience, and secrecy (whether in a man or in a woman) are absolutely necessary to offset our society’s increasing institutionalization and pressures that leave us too busy to live. We cannot be good enough parents to our children, ourselves, or to the matters of our own heart until we confront the Death Mother’s power in ourselves and in our culture. Determination makes the difference. We must be determined to get over our culture’s impatient, quick fix, and get-on-with-it attitude that feeds the Death Mother. We must never give up and never let so-called reasons—Death Mother excuses such as time, money, health, an overpacked schedule, too many obligations, fears about hurting others or being selfish—stop us.
Massimilla Harris (Into the Heart of the Feminine: Facing the Death Mother Archetype to Reclaim Love, Strength, and Vitality)
St. Just watched this scene, one like many stored in his memory of his half brothers casually teasing their mother, assuming she’d be there to tease when next they got around to paying a call. It made him a little crazy to see the same thing yet again today, so he turned to go. “Devlin St. Just!” The duchess’s voice had the whiplash quality to it again, and Val grimaced at him in sympathy. Devlin turned and prepared for the usual lecture on his duty to look after his little brothers, but the duchess simply opened her arms to him. He went to her and cautiously leaned in for a hug. “You are not a perfect soldier,” she whispered, “but you are a perfect son, and I love you.” Her embrace was fierce, and in his arms, she did not feel like an older woman. She felt like a mother trying to get through to her pigheaded offspring. “Good-bye,” he said, “I love you, too.” She stepped back, her smile radiant. “Look after each other.” She shook her finger at them both. “I have my hands full with your father and your featherbrained sisters. I can’t be fretting about grown men.” “Yes, Your Grace,” they said in unison, exchanging a smile. She let them go. She was still beaming from the front steps when they trotted down the drive. ***
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Patrick Jephson As the first and only private secretary to Diana during her life, Patrick Jephson was one of the closest people to the Princess throughout her international charity and diplomatic career. He is also a notable broadcaster and journalist and has contributed to many major British newspapers, including the Times, the Observer, and the Daily Mail. His writing credits include Shadows of a Princess and Portraits of a Princess: Travels with Diana, and several of his books have been international bestsellers. As time passes, she will join the likes of the Queen Mother, far above the reach of tabloid tittle-tattle and secure in her hard-won reputation for good works. But equally, let’s not artificially overpromote her saintly qualities or radiant beauty. She would be the first to scoff at the idea that she was more virtuous than any other fallible human being…and she was always quick to complain about the size of her nose or the clumsiness of her feet.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Take a sheet of paper, and write down every quality you can admire about your husband. List physical qualities, then emotional, intellectual, and spiritual ones. Now that you know your husband's admirable qualities, why keep them to yourself? It's good to admire your husband secretly, but how much better to admire him actively! ... No excuses. You've made your list and have lots of admirable qualities to choose from. Now it's simply a matter of opening your mouth and saying what you know to be true. You may find it awkward at first, but do it anyway.
Linda Dillow (Creative Counterpart : Becoming the Woman, Wife, and Mother You Have Longed To Be)
In a survey of mayors of major cities, 83 percent said there was not enough funding to meet the additional child care costs of work requirements. Places are limited and waiting lists are long. But a study published in 2004 found that when it was available, good quality, center-based care for the one- to two-year-old children of poor mothers who have to work had a positive effect on the children’s social and intellectual development. Most of them spent at least thirty-four hours a week in day care, and they did better than comparable children cared for at home.
Geraldine Youcha (Minding the Children: Child Care in America from Colonial Times to the Present)
This subquotient deals with the straightforward understanding of if you are taking enough vitamin and mineral supplements to adjunct your physical diet with what it needs to be chemically healthy and in balance. In this stressful technological world we live in, this is a good idea for many people. Much of the food we eat is often not of the highest quality, and filled with pesticides and not as filled with vitality because of the worlds’ lack of proper relationship to the Earth Mother, Pan, the Nature Spirits and Deva Kingdom. Are you getting enough vitamin C and calcium? Are there certain homeopathic or herbal products you should be taking?
Joshua D. Stone (The Golden Book of Melchizedek: How to Become an Integrated Christ/Buddha in This Lifetime Volume 2)
Are we through here? I wish to go" "Go where?" "Anywhere. Away. Back to America, if need be. It's obvious that Charles's faith and trust in his family's desire to care for his baby daughter were unfounded. Neither she nor I are wanted here." "Don't be absurd." She reached for Charlotte's blanket. "I am being practical." "Practicality is not a quality I associate with most females of my acquaintance." "With all due respect to the females of your acquaintance, Your Grace, I was born and raised in the wilderness of Maine. Those who were not practical, resourceful, and hardy did not survive." "Maine? How is it, then, that you ended up in Boston?" "My father died when I was sixteen, mauled by a black bear defending her cub. He had a cousin in Boston, who'd always fancied my mother from afar. After Papa died, he came for Mama and me, married her, and took us both back to Boston. Mama died in '74. You know about my stepfather."  She picked up her cloak, preparing to leave this house and never look back. "Now, if you'll excuse me, Your Grace, I think I've answered enough of your questions and had best be gone. Good night to you." He never moved as she breezed past his desk, Charlotte in her arms. "Don't you wish to know how Lord Gareth fares?" he asked mildly, in an abrupt change of subject. "Begging your pardon, Your Grace, but you gave me no chance to ask." "I should think he'd like to thank you for saving his life." She paused halfway across the room, silently cursing him between her teeth. What tarnal game was he playing now? Without turning, she ground out, "He saved my life, not the other way around." "Not according to Lord Brookhampton.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
When Mother had told me that animals found quiet, unexposed places to die, I had always imagined they knew they were dying, and accepted it, almost gratefully. Now I saw that this wasn't so at all: they crept into corners in the hope of surviving, they only knew they were weakened and exposed, easy prey, and their instinct was to find a hidden place and try to outlive whatever it was they were suffering. It had been a mistake to imagine they wanted to be alone, to die in peace. Animals have no knowledge of death: for them, death is the unexpected end of life, something they resist by instinct, for no good reason. In that sense their existence has an almost mechanical quality.
John Burnside (The Dumb House)
I am going to the City myself, human girl. After my mother was widowed, my siblings and I went each our separate ways: M-Through-S to be a governess, T-Through-Z to be a soldier, and I to seek our old grandfather—the Municipal Library of Fairyland, which owns all the books in all the world. I hope that he will accept me and love me as a grandson and teach me to be a librarian, for every creature must know a trade. I know I have bad qualities that stand against me—a fiery breath being chief among these—but I am a good beast, and I enjoy alphabetizing, and perhaps, I may get some credit for following in the family business.” The Wyverary pursed his great lips. “Perhaps we might travel together for a little while? Those beasts with unreliable fathers must stick together after all. And I may be a good deal of help in the arena of Locating Suppers.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
February 13 Say Something Good… David took up this lament concerning Saul and his son Jonathan . . . In life they were loved and gracious, and in death they were not parted. They were swifter than eagles, they were stronger than lions.—2 Samuel 1:17, 23 Saul caused a lot of trouble for David. Remember: Saul became David’s enemy. He caused David to leave his best friend, Jonathan. But in these verses, David is speaking positively about Saul. David had every reason to hate him. He chose not to. He decided to look at the good that Saul had done, and ignore the times that Saul had attacked him. As a child, I remember my mother telling me time after time: “If you can’t say something good about someone, don’t say anything at all.” As a mother of four, I hear myself saying these same words to my children. It takes courage to say something positive about a person who has hurt you, taken advantage of you, or treated you with disrespect. David provided us with an example of setting aside the hurt and the hatred, and respecting the positive side of another person, even an enemy. Looking for the positive attributes in a person we don’t like is difficult to do. With some people we may have to look really hard. Try to find one or two qualities and focus on those. Then you can say something good and you don’t have to remain silent. Words spoken in anger, hatred, or bitterness bring out the worst in us. Perhaps I should change my mother’s quote to: “if you can’t say something good about someone, keep looking until you find something good to say. Then say it.
The writers of Encouraging.com (God Moments: A Year in the Word)
There are even a number of present-day human cultures in which collective fatherhood is practised, as for example among the Barí Indians. According to the beliefs of such societies, a child is not born from the sperm of a single man, but from the accumulation of sperm in a woman’s womb. A good mother will make a point of having sex with several different men, especially when she is pregnant, so that her child will enjoy the qualities (and paternal care) not merely of the best hunter, but also of the best storyteller, the strongest warrior and the most considerate lover.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The theme of filial love and responsible relationship with parents and siblings is, as I have stated already, at the very core of Collodi’s story. Being a real human child means being a responsible and beloved son or daughter. Being good is not a means to gaining boyhood or girlhood as a reward. Rather, being good is a quality of respoect and responsibility toward others you love, firstly and especially one’s parents and siblings. This, insists Collodi, is essential to becoming a complete human being. A status as son or daughter, brother or sister, or mother or father deeply defines our humanity.
Vigen Guroian (Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination)
So, what exactly did Ignita tell you about me?” he hissed, sounding decidedly peevish, even to his own ears. “All good?” “Besides that you are her favourite great-nephew by any measure under the suns –” wielding the foot-wide ladle with aplomb, she poured one last bucketful of dragonwort soup, a noted restorative, down his throat with a pleasant gurgle “– she said that you are honourable, faithful, creative, artistic, misunderstood, a Dragon whose heart lives in his poetry, which you have sadly neglected to admit to me; you are finicky to a fault, severely short-sighted and lacking in firepower.” Gnarr-rum-blasted-death! he swore unhappily. “Nice list. Thanks for sharing.” Blithely, the mite added, “Ignita is also furious that you did not come to her earlier with your eye problems.” Blitz said something even ruder. “She even claimed that I’m more stubborn than you, which I believe was meant to be a compliment. Now, hold still. The eye drops are next.” “She specifically said, ‘Lacking in fire power?’ ” He sighed moodily, unable to break the sense of being utterly defeated. This was not a happy place for a Dragon. His wings drooped as if they weighed a tonne each, and his food stomach churned with nausea. “She didn’t use words such as disabled, worthless, fireless lizard, witless fool, cold-hearted undraconic worm, a Dragon who is no Dragon at all, or –” “Blitz, stop.” “So, why don’t you just run back to Daddy, little Princess? Go on. Go home. Why be dragged down in the maelstrom of a worthless loser?” “Blitz! Shut your stupid fangs.” “Whinging being so charismatic in a Dragon …” Grinding her teeth furiously, the girl who was climbing his neck leaned over to his left upper ear canal and hissed, “Do you know what I would go back to, you thumping great moron? Let me give you the salient highlights. Since I was old enough to walk and my mother passed, it has been impressed upon me that my sole purpose in life is to get married to the richest fool I can charm into my bed, no matter how despicable he might be. I will not inherit. That privilege is for my brothers. Instead, I am merely an entry on my kingdom’s asset register – a very fat entry. I am commanded to be charming, accomplished and perfectly presented at all times. I go to balls to catch wealthy Princes. Can you imagine what it is like to be valued for your dark, beautiful skin, and nothing else? To only ever be seen skin-deep – I mean … you know?” Blitz groaned softly. “So aye, I don’t really want to go home, in case that was somehow unclear. I would rather live with an enormously unreasonable, complaining, crabby, haughty chunk of a Dragon, because among your many admirable qualities and your damnably beautiful honour, you have one gift I value above all others. Do you have any idea what I’m talking about?” He croaked, “Of course, aye … sort of … not a whole lot. Sorry.” Nonsensical, but true. Warm moisture dripped into his ear. Crying! Oh, by his wings, what had he done now? The Princess whispered, “You see me, and accept me, just as I am.
Marc Secchia (Call Me Dragon (Dragon Fires Rising, #1))
We are a store where you, as a mother, can find all the toys, clothes and accessories for maternity such as baby trolleys, car seats, cribs, beds and much more. There are no limits between your wishes and our stock, everything your children need to be comfortable and have fun can be found at Motheringo! The best of all is that regardless of the exact age of your baby, boy or girl, you will always find something ideal, at a good price and of excellent quality.
Motheringo
Gone were my girlish ideas about romantic love and my later ideas about sexual love. From Yi, I learned to appreciate deep-heart love. I’d seen it when Yi smiled indulgently at Ren when he said he wasn’t afraid of ghosts as a way of soothing her fears when she was pregnant. I saw it in the way she looked at Ren when he held their son on his lap, built kites with him, and taught him to be the kind of man who would care for his mother when she became a widow. I saw it when Yi praised her husband for his accomplishments, minor though they were. He was not the great poet I’d imagined him to be as a girl, nor was he the mediocre man whom Ze had humiliated. He was just a man, with good and bad qualities. Through Yi, I saw that deep-heart love meant loving someone in spite of and because of his limitations.
Lisa See (Peony in Love)
My life as a patient changed the day I reread a letter by the nineteenth-century poet John Keats in which he offers a theory of what makes an artist great. At the the time of its writing, Keats had witnessed his mother die from tuberculosis, then a poorly understood disease with an unclear cause. Soon his brother Tom and later himself would die of the infection. In the letter, Keats - in his early twenties - tried to e plain to his brothers the special quality that differentiated a great artist form a merely good one. “Negative Capability,” as he terms it, is the quality “of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason.” I couldn’t escape the sense that Keats’s words about the necessity of “being in uncertainties” derived form his own experience of living with consumption’s impact on his family. In fact, his formulation of negative capability seemed to be a key to living well in the face of pain. It was a profound insight of the sort that comes from witnessing loss and suffering up close. (As the chronically ill know, to the alive *is* to be in uncertainty.) I was grateful for his words, because they reminded me that I wasn’t living off the known map of human experience. Rather, I had felt invisible in my illness, I realized, because American culture - and American medicine within it - largely strived to downplay the fact that we still know so little about illness. A doctor friend told me that in med school he was explicitly taught never to say “I don’t know” to a patient. Uncertainty was thought to open the door to lawsuits. In the place of uncertainty, Americans have catchphrases: *Just do it. What doesn’t kill you makes you stronger.* no wonder that as a patient I was bent on an “irritable reaching after fact & reason.” The shadowland I lived in, forced against my will into what Keats called the great “Penetralium of mystery,” was an uncomfortable and unsatisfying place, especially since I lived in a culture that Donita’s the importance of triumph over adversity - a culture that insists on recovery.
Meghan O'Rourke (The Invisible Kingdom: Reimagining Chronic Illness)
All of your good qualities become obscured by your super-cleverness and are made useless to the world merely because of your rage at wanting to know everything better than others; of wanting to improve and master what you cannot command … If you were less like you, you would only be ridiculous, but thus as you are, you are highly annoying.” (Johanna Schopenhauer, writing to her son, Arthur Schopenhauer)
Johanna Schopenhauer
When Vivekananda explained the dangers of personal love to Margaret Noble in October 1897, he suggested that 'the best leader ... is one who 'leads like the baby.'' The baby, he said, is 'the king of the household. At least to my thinking, that is the secret ....' The sentiment owed much to Ramakrishna; the baby's gift is to be the neediest, the most precious, the most fragile. A baby's unworldliness was its greatest spiritual offering. [...] Roxie Blodgeett, who tended Vivekanda in Southern California, noted how 'the child side of Swamiji's character ... was a constant appeal to the Mother quality in all good women.
Ruth Harris (Guru to the World: The Life and Legacy of Vivekananda)
In June 2010, Carolyn joined the social networking site Facebook, under the username “Granny Pike” (after her mother’s maiden name), which kept her actual identity hidden. In mid-2014, however, she was forced to close her account because strangers figured out who she was and began to harass her online. Five months after first joining Facebook, however, she both posed and answered the question as to what constitutes the real qualities in a man. Her answer was that he must be ethical and stand up for a good cause.
Devery S. Anderson (Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement)
She’d need to find room in her compact kitchen for a high chair. Her second bedroom, which she now used as an office and craft room, would become the baby’s. A sense of excitement filled her, unlike anything she’d ever experienced. This was her baby, her very own child. This time she’d do everything right. This time there wasn’t a man standing in the way. High on enthusiasm, she reached for the phone and dialed her sister’s number. She felt closer to Kelly than she had in years. The weekend getaway had brought them together again, all three of them. How wise her mother had been to arrange it. “I didn’t get you up, did I?” she asked when her sister answered. Tyler bellowed in the background. “That’s a joke, right?” Maryellen smiled. “You doing anything special for lunch?” “Nothing in particular. What do you have in mind?” “Can you meet me at the Pot Belly Deli?” “Sure.” Kelly had the luxury of being a stay-at-home mother. Paul and Kelly had waited years for this baby and were determined to make whatever sacrifices were necessary. That option—staying with her baby—wasn’t available to Maryellen. She’d have to find quality day care and wasn’t sure where to even start. Just before noon, Kelly arrived at the gallery, pushing Tyler in his stroller. At nine months, the little boy sat upright, waving his chubby hands, cooing happily and directing the world from his seat. “Let’s grab some soup from the deli and eat down by the waterfront,” Kelly suggested. It was a lovely spring day after a week of rain, and the fresh air would do them all good. “Sounds like a great idea,” Maryellen told her. Practical, too, since it would be easier to amuse Tyler at the park than in a crowded restaurant. Maryellen phoned in their order and her sister trekked down to grab a picnic table. Several other people had the same idea, but she’d secured a table for them by the time Maryellen got there. Sitting across from her sister, Maryellen opened her container of chicken rice soup and stirred it with a plastic spoon. Cantankerous seagulls circled overhead, squawking for a handout, but Maryellen and Kelly ignored them. “I
Debbie Macomber (204 Rosewood Lane (Cedar Cove #2))
Men of this type often had strong mother figures in their childhood. They became good, obedient boys, excellent students at school. Consciously they are attracted to well-educated women, to those who seem good and perfect. But unconsciously they are drawn to women who are imperfect, bad, of dubious character. They secretly crave what is the opposite of themselves. It is the classic split of the mother/whore—they want the mother figure for a wife but feel a much stronger physical attraction to the whore, the Fallen Woman, the type who likes to display her body. They have repressed the playful, sensual, and earthy sides of the character they had as boys. They are too rigid and civilized. The only way they can relate to these qualities is through women who appear to be so different from themselves. Like Swann, they find a way to idealize them with some highbrow reference that has no relation to reality. They project onto such women weakness and vulnerability. They tell themselves they want to help and protect them. But what really attracts them is the danger and naughty pleasures these women seem to promise. Underestimating the strength of such women, they often end up as their pawns. Their anima is passive and masochistic. Men who engage in this kind of projection need to develop the less conventional sides of their character. They need to move outside their comfort zone and try new experiences on their own. They require more challenges, and even a bit of danger that will help loosen them up. Perhaps they need to take more risks at work. They also need to develop the more physical and sensual side of their character. Not having to get what they crave by looking for the Fallen Woman type, they can actually begin to satisfy their urges with any type of woman, not passively waiting for her to lead them astray but actively initiating the guilty pleasures.
Robert Greene (The Laws of Human Nature)
exercises and good nutrition is the mother of good health, good posture and longevity with good quality of life.
S.ELIA (GIRLS’ SCOLIOSIS:WHY MORE GIRLS ARE AFFECTED THAN BOYS? THE CAUSE, PREVENTION AND TREATMENTS: ~TAKE CARE OF YOUR SPINE, IT IS THE BACKBONE OF GOOD HEALTH, BEARING AND SPLENDOR)
The goal for every female animal is to find a mate with sufficient genetic quality to make a good husband, a good father or a good sire. The goal for every male animal is often to find as many wives as possible, and sometimes to find good mothers and dams, only rarely to find good wives.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature (Penguin Press Science))
Transitional objects only appear when the infant can invest them with supportive or loving qualities. In order to be able to do this, the infant must have experienced actual support and love. Only when the mother has been introjected as at least a partially good object can those qualities be projected upon a transitional object. The capacity to develop attachments to transitional objects is, therefore, a sign of health rather than a sign of deprivation, just as the capacity to be alone is a sign of inner security rather than an expression of a withdrawn state. This is supported by the observation that institutionalized children whose capacity for forming human attachments may be impaired rarely form attachments to cuddly to
Anthony Storr (Solitude a Return to the Self)
His clothes were poor quality, though his shirt collar was clean and well pressed. The single exception to this was his shoes. My mother once told me to always buy good shoes and a good bed, because if you’re not in one you’re in the other.
Charlie Garratt (A Shadowed Livery (Inspector James Given, #1))
Career: What kind of work do you find valuable? What kind of person do you want to be in your work? Leisure activity: What activities do you find relaxing or rejuvenating? What hobbies bring you joy? Caregiving: How important is it for you to care for and inspire others? Family: What type of sister, mother, daughter do you want to be? What sorts of relationships do you want to build with your immediate family? Your extended family? Your in-laws? Intimate relationships: What kind of partner do you want to be? What kind of relationship would you like to build? Who is the ideal you in your relationship? Community involvement: Would you like to contribute to political, social, environmental, or other community causes? What kind of position do you wish to occupy within your community? Religion and spirituality: What form of spirituality, if any, matters to you? What role do you want religion or spirituality to play in your life? How would you describe your ideal self in regard to your spirituality? Education and personal development: What education or skills do you most value? How important is ongoing education, and what role do you want it to play in your life? Health: How do you approach mental and physical fitness? What kind of relationship do you wish to have with food, exercise, sleep, substances, and intellectual pursuits? Friends: What qualities do you want to bring to your friendships? What kinds of friendships do you want to build? Other: What is missing from this list that is vital to a meaningful life? How do you want to enact this value in your life?
Shawn T. Smith (The Practical Guide to Men: How to spot the hidden traits of good men and good relationships)
Chapter 13 - 1 Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then—the glory—so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man’s importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men. I don’t know how it will be in the years to come. There are monstrous changes taking place in the world, forces shaping a future whose face we do not know. Some of these forces seem evil to us, perhaps not in themselves but because their tendency is to eliminate other things we hold good. It is true that two men can lift a bigger stone than one man. A group can build automobiles quicker and better than one man, and bread from a huge factory is cheaper and more uniform. When our food and clothing and housing all are born in the complication of mass production, mass method is bound to get into our thinking and to eliminate all other thinking. In our time mass or collective production has entered our economics, our politics, and even our religion, so that some nations have substituted the idea collective for the idea God. This in my time is the danger. There is great tension in the world, tension toward a breaking point, and men are unhappy and confused. At such a time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against? Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for this is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
John Steinbeck (East of Eden)
So why are you here then?” I asked Caroline, and I felt as I had earlier, right before I’d asked Aunt Beatrice if she was my mother. It was the feeling you get when you ask a question and are afraid the answer you’re going to get is not the answer you want. “I want you to run away with me,” Caroline said, then laughed at herself for saying, or wanting, something so ridiculous. “I mean it,” she added, and I believed that she did. Anyway, that was the answer I wanted! I’d finally gotten the answer I’d wanted! And it turned out, as is true of most people and of most good things, that I was not worthy of it, that I was scared of it. “But you barely know me.” “Well, yeah,” Caroline said in a way that suggested that her barely knowing me was my most attractive quality. “Where would we go?” I asked, not really caring where, just trying to buy myself some time. Caroline shrugged, but I sensed that she knew where and that she wasn’t going to tell me because I would find some way to object to the place even though I’d surely know not one thing about it. “To do what?” I asked, and again she just shrugged. “I can’t,” I said. Caroline didn’t say anything to that, didn’t even bother to shrug, just fixed her eyes on me and kept them on me, just daring me to say something false. I realized then how she must have, in fact, been very good at her job, and that it must have cost her a great deal to give it up.
Brock Clarke (Who Are You, Calvin Bledsoe?: A Novel)
Woman is not, by nature of grace, the mere echo of man. She is truly free only when she is free to be herself, to develop in herself those qualities that make her more womanly. She is not emancipated when she is granted the dubious privilege of being less womanly. Whether she is destined for marriage or not, she is always a mother at heart; she is always a fountain of life, not only in the physical sense but in a moral and spiritual sense. That is why she cannot renounce her motherhood, even in this larger comprehension, without denying to God and man her unique contribution to the glory of the One and the good of the other. And that is why we pray that Mary, the woman who comforts, the Mother who gives strength to troubled minds and weak wills and timid hearts and tired hands, Mary, the Seat of Wisdom, may intercede for all women that they may know their own worth, their place in God’s plan, the glory of their vocation; that they may take the wounded world into their arms, even as Mary clasped the lifeless body of her Son; that they may hasten with the holy women to the empty tomb and lead us out of darkness and death into the newborn life of the risen Christ.
Leo A. Pursley D.D.