“
Oh no." I said panic rising in my chest. "No, no, no, Somebody get a can opener. I've got a god in my head!!
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
You know how hard it is to feel like an extreme falcon-headed combat machine when somebody calls you "chicken man"?
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I seriously needed an extra-strength magic pillow, because my ba refused to stay put. [And no, Sadie, I don't think wrapping my head in duct tape would've worked either.]
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
She blinked. "Hmm? Oh, don't care. What did Anubis look like to you?"
"What did... he looked like a guy. So?"
"A good-looking guy, or a slobbering dog-headed guy?"
"I guess... Not the dog-headed guy."
"I knew it!" Sadie pointed at me as if she'd won an argument.
"Good-looking. I knew it!"
And with a ridiculous grin, she spun around and skipped into the house.
My sister, as I may have mentioned, is a little strange.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Who are you?" he asked.
"I'm a shabti, of course!" The figurine rubbed his dented head. He still looked quite lumpish, only now he was a living lump. "Master calls me Doughboy, though I find the name insulting. You may call me Supreme-Force-Who-Crushes-His-Enemies!
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
After my bad experience as a kite, I simply refused to go about as a glowing Sadie-headed chicken. That’s fine for Carter, but I have standards.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
My glowing form was so heavy, its feet sank into the top of the tank.
“Sekhmet!” I yelled.
The lioness whirled and snarled, trying to locate my voice.
“Up here, kitty!” I called.
She spotted me and her ears went back. “Horus?”
‘Unless you know another guy with a falcon head.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Curled up at the base of the scales, fast asleep, was the oddest monster I'd seen yet. It had the head of crocodile with a lion's mane. The front half of its body was a lion, but the back end was sleek, brown, and fat - a hippo, I decided. The odd bit was, the animal was tiny - I mean, no larger than an average poodle, which I suppose made him a hippodoodle.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
My face felt like my normal face, as if that part of me hadn’t transformed into a bird. [Fine, Sadie. Call me the Carter-headed chicken. Happy?]
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I blinked the sleep out of my eyes and realized my head was in Khufu’s lap. The baboon was foraging my scalp for munchies.
“Dude.” I sat up groggily. “Not cool.”
“But he gave you a lovely hairdo,” Sadie said.
“Agh-agh!” Khufu agreed.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
My name is Zia Rashid.” She tilted her head as if listening.
Right on cue, the entire building rumbled. Dust sprinkled from the ceiling, and the slithering sounds of scorpion doubled in volume behind us.
“And right now,” Zia continued, sounding a bit disappointed, “I must save your miserable lives.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Mystics are all a bit funny in the head anyway," the priest added cynically, "which is why the church locks them all up in mental hospitals and euphemistically calls these institutions monasteries.
”
”
Robert Anton Wilson (The Eye in the Pyramid (Illuminatus, #1))
“
Zia," I said, "that's a goddess. She defeated Bast. What chance do you have?"
Zia held up her staff and the carved lion's head burst into flames - a small red fireball so bright, it lit the entire room. "I am a scribe in the House of Life, Sadie Kane. I am trained to fight gods.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Amos stopped before the entrance, which was the size of a garage door—a dark heavy square of timber with no visible handle or lock. “Carter after you.”
“Um, how do I—”
“How do you think?”
Great another mystery. I was about to suggest we ram Amos’s head against it and see if that worked.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
I heard a little girl shout: “Chicken man, get
the moose!”
You know how hard it is to feel like an extreme falcon-headed combat machine when somebody
calls you “chicken man”?
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
”
”
Nikki Giovanni
“
I headed towards the mountain, which was an almost irresistible beacon to my storm self. It glowed with heat, pressure, and turbulence—everything a little dust devil like me could want.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Me, and thousands of others in this country like me, are half-baked, because we were never allowed to complete our schooling. Open our skulls, look in with a penlight, and you'll find an odd museum of ideas: sentences of history or mathematics remembered from school textbooks (no boy remembers his schooling like the one who was taken out of school, let me assure you), sentences about politics read in a newspaper while waiting for someone to come to an office, triangles and pyramids seen on the torn pages of the old geometry textbooks which every tea shop in this country uses to wrap its snacks in, bits of All India Radio news bulletins, things that drop into your mind, like lizards from the ceiling, in the half hour before falling asleep--all these ideas, half formed and half digested and half correct, mix up with other half-cooked ideas in your head, and I guess these half-formed ideas bugger one another, and make more half-formed ideas, and this is what you act on and live with.
”
”
Aravind Adiga (The White Tiger)
“
Baboons are very wise animals,” Bast said.
“Agh!” Khufu picked his nose, then turned his Technicolor bum our direction. He threw his friends the ball. They began to fight over it, showing one another their fangs and slapping their heads.
“Wise?” I asked.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Bast crouched down and began making weird chittering noises. Uh-oh. She was imitating birds. I'd seen enough cats do this when they were stalking. Suddenly my own obituary flashed in my head: Carter Kane, 14, tragically died in Paris wen he was eaten by his sister's cat, Muffin.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Later I had to raise the baby rats she ate, and why I thought one creature was my beloved pet while the other creatures were food is still a mystery to me. That was my first clue that love can warp a hierarchy; the whole pyramid got flipped on its head.
”
”
Karen Russell (Swamplandia!)
“
Sinuhe, my friend, we have been born into strange times. Everything is melting – changing its shape – like clay on a potter’s wheel. Dress is changing, words, customs are changing, and people no longer believe in the gods – though they may fear them. Sinuhe, my friend, perhaps we were born to see the sunset of the world, for the world is already old, and twelve hundred years have passed since the building of the pyramids. When I think of this, I want to bury my head in my hands and cry like a child.
”
”
Mika Waltari (سینوهه)
“
It's hard to describe the feeling. And I knew from Horus's memory that this kind of union was very rare-like the one time when the coin doesn't land heads or tails, but stands on it's edge, perfectly balanced. He did not control me. I did not use him for power. We acted as one.
Our voices spoke in harmony. "Now."
And the magic bonds that held us shattered.
My combat avatar formed around me, lifting me off the floor and encasing me with golden energy. I stepped forward and raised my sword. The falcon warrior mimicked the movement, perfectly attuned to my wishes.
Set turned and regarded me with cold eyes.
"So, Horus," he said. "You managed to find the pedals of your little bike, eh? That does not mean you can ride."
"I am Carter Kane," I said. "Blood of the Pharaohs, Eye of Horus. And now, Set-brother,uncle,traitor-I'm going to crush you like a gnat.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I love him so very much. As Romeo did Jugurtha, as Pyramid did Thirsty, as-"
"Oh, please, no need to elaborate further," interjected Alexia, wincing.
"But what would my family SAY to such a union?"
"They would say that yours hats had leaked into your head," muttered Alexia, unheard under her breath.
”
”
Gail Carriger (Changeless (Parasol Protectorate, #2))
“
After hearing the boy scream, the cats formed their pyramid in front of the glass door. Belle turned the handle while Harry and the others pushed the door open. They scrambled in and searched the room and small bathroom and shower. Bombarded with the boy’s scent, the cats continued to search. He had to be somewhere. A knock on the door startled the animals. Belle ran to the door and sniffed. “Food,” she whispered. “Must be for the boy.” “We must find that boy,” Harry said. “If the human enters, they will find us. Quickly, everyone, show time!” One-by-one, the cats crawled under the bed sheet and maneuvered between the opened books. “Just as in The Catman’s act,” Curry said, trying not to snicker. “Hush!” Belle scolded. Two moved upward, two downward, two to the right, and three to the left. Belle and Harry crouched in the middle. Allie crawled to the pillow and poked out her back and head. With her ears lowered, only her straggling black hair could be seen.
”
”
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
“
The book, Sadie...Sometimes it’s helpful to have someone other than yourself inside your head, because one can slap the other. Duh, the book!
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions!
”
”
Selma Lagerlöf (Gösta Berling's Saga)
“
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark.
He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles.
Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
What the fuck are you talking about?” I asked, wondering if I was in some crazy surrealist movie, wandering from telepathic sheriffs to homosexual assassins, to nympho lady Masons, to psychotic pirates, according to a script written in advance by two acid-heads and a Martian humorist.
”
”
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
“
That was my first clue that love can warp a hierarchy; the whole pyramid got flipped on its head. My pet, because she was mine, was at the top of the chain. I cared for the squirmy swamp rats in the most perfunctory way, with none of the love I felt for my red Seth.
”
”
Karen Russell (Swamplandia!)
“
My head’s leaking,” I said.
”
”
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
“
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world.
I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea.
I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
It isn't only political power that grows out of the barrel of a gun. So does a whole definition of reality. A set. And the action that has to happen on that particular set and on none other."
"Don't be so bloody patronizing," I objected.... "That's just Marx: the ideology of the ruling class becomes the ideology of the whole society."
"Not the ideology. The Reality." He lowered his handkerchief. "This was a public park until they changed the definition. Now, the guns have changed the Reality. It isn't a public park. There's more than one kind of magic."
"Just like the Enclosure Acts," I said hollowly. "One day the land belonged to the people. The next day it belonged to the landlords."
"And like the Narcotics Acts," he added. "A hundred thousand harmless junkies became criminals overnight, by Act of Congress, in nineteen twenty-seven. Ten years later, in thirty-seven, all the pot-heads in the country became criminals overnight, by Act of Congress. And they really were criminals, when the papers were signed. The guns prove it. Walk away from those guns, waving a joint, and refuse to halt when they tell you. Their Imagination will become your Reality in a second.
”
”
Robert Anton Wilson (The Eye in the Pyramid (Illuminatus, #1))
“
What’s Ephebe like?” said Ptraci.
“I’ve never been there. Apparently it’s ruled by a Tyrant.”
“I hope we don’t meet him, then”
Teppic shook his head. “It’s not like that,” he said. “They have a new Tyrant every five years and they do something to him first.” He hesitated. “I think they ee-lect him.”
“Is that something like they do to tomcats and bulls and things?”
“Er.”
“You know. To make them stop fighting and be more peaceful.”
Teppic winced. “To be honest, I’m not sure,” he said. “But I don’t think so. They’ve got something they do it with, I think it’s called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man, one—” He paused. The political history lesson seemed a very long while ago, and had introduced concepts never heard of in Djelibeybi or in Ankh-Morpork, for that matter. He had a stab at it anyway. “One man, one vet.”
“That’s for the eelecting, then?”
He shrugged. It might be, for all he knew. “The point is, though, that everyone can do it. They’re very proud of it. Everyone has—” he hesitated again, certain now that things were amiss—“the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extractions. And people disapproved of for, er, various reasons. And lost of other people. But everyone apart from them. It’s a very enlightened civilization.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
I will persist until I succeed.
I was not delivered unto this world in defeat, nor does failure course in my veins. I am not a sheep waiting to be prodded by my shepherd. I am a lion and I refuse to talk, to walk, to sleep with the sheep. I will hear not those who weep and complain, for their disease is contagious. Let them join the sheep. The slaughterhouse of failure is not my destiny.
I will persist until I succeed.
The prizes of life are at the end of each journey, not near the beginning; and it is not given to me to know how many steps are necessary in order to reach my goal. Failure I may still encounter at the thousandth step, yet success hides behind the next bend in the road. Never will I know how close it lies unless I turn the corner.
Always will I take another step. If that is of no avail I will take another, and yet another. In truth, one step at a time is not too difficult.
I will persist until I succeed.
Henceforth, I will consider each day’s effort as but one blow of my blade against a mighty oak. The first blow may cause not a tremor in the wood, nor the second, nor the third. Each blow, of itself, may be trifling, and seem of no consequence. Yet from childish swipes the oak will eventually tumble. So it will be with my efforts of today.
I will be liken to the rain drop which washes away the mountain; the ant who devours a tiger; the star which brightens the earth; the slave who builds a pyramid. I will build my castle one brick at a time for I know that small attempts, repeated, will complete any undertaking.
I will persist until I succeed.
I will never consider defeat and I will remove from my vocabulary such words and phrases as quit, cannot, unable, impossible, out of the question, improbable, failure, unworkable, hopeless, and retreat; for they are words of fools. I will avoid despair but if this disease of the mind should infect me then I will work on in despair. I will toil and I will endure. I will ignore the obstacles at my feet and keep mine eyes on the goals above my head, for I know that where dry desert ends, green grass grows.
I will persist until I succeed.
The Greatest Salesman in the World
Og Mandino
”
”
Og Mandino
“
In that pallid and sullen shadow in which he crawled, whenever he turned his head and endeavoured to raise his eyes, he saw, with mingled rage and terror, forming, massing, and mounting up out of sight above him with horrid escarpments, a kind of frightful accumulation of things, of laws, of prejudices, of men, and of acts, the outlines of which escaped him, the weight of which appalled him, and which was no other than that prodigious pyramid that we call civilization.
”
”
Victor Hugo (Les Misérables)
“
Even if Shaheed had been able to hear me, I could not then have told him what I later became convinced was the truth: that the purpose of that entire war had been to reunite me with an old life, to bring me back together with my old friends. Sam Manekshaw was marching on Dacca, to meet his old friend the Tiger; and the modes of connection lingered on, because on the field of leaking bone-marrow I heard about the exploits of knees, and was greeted by a dying pyramid of heads; and in Dacca I was to meet Parvati-the-witch.
”
”
Salman Rushdie (Midnight’s Children)
“
Also, I am not sure what you are teaching in your classroom, but Seb came home the other week talking about a healthy eating pyramid. I had to explain to him that pyramids are made of stone and therefore not edible, so I would appreciate your not filling his head with these fanciful notions.
”
”
David Thorne (The Internet is a Playground)
“
If you mapped categories of food advertising, especially advertising to kids, against the Food Guide Pyramid, it would turn the pyramid on its head,” he
”
”
Michael Moss (Salt Sugar Fat: How the Food Giants Hooked Us)
“
Coke-heads don't build pyramids.
”
”
Charles Boissoneau Nunno
“
Now you tell me, I thought. I could help, he urged. Give me control. Not today, bird-head. Finally, I steered Sadie
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
Oh, no,” I said, panic rising in my chest. “No, no, no. Somebody get a can opener. I’ve got a god stuck in my head.” Bast’s eyes lit up. “You communicated with Horus directly? That’s excellent progress!” “Progress?” I banged my palms against my head. “Get him out!” Calm down, Horus said. “Don’t tell me to calm down!” Bast frowned. “I didn’t.” “Talking to him!” I pointed at my forehead.
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
Meanwhile, in the garden they dug large pits and in each pit they buried ten men alive. On both sides of the gate they constructed huge pyramids made up of the Derevlian commoners' severed heads.
”
”
Leopold von Sacher-Masoch (Bloody Wedding in Kyiv: Two Tales of Olha, Kniahynia of Kyivan Rus)
“
Eating in our time has gotten complicated — needlessly so, in my opinion. I will get to the “needlessly” part in a moment, but consider first the complexity that now attends this most basic of creaturely activities. Most of us have come to rely on experts of one kind or another to tell us how to eat — doctors and diet books, media accounts of the latest findings in nutritional science, government advisories and food pyramids, the proliferating health claims on food packages. We may not always heed these experts’ advice, but their voices are in our heads every time we order from a menu or wheel down the aisle in the supermarket. Also in our heads today resides an astonishing amount of biochemistry. How odd is it that everybody now has at least a passing acquaintance with words like “antioxidant,” “saturated fat,” “omega-3 fatty acids,” “carbohydrates,” “polyphenols,” “folic acid,” “gluten,” and “probiotics”? It’s gotten to the point where we don’t see foods anymore but instead look right through them to the nutrients (good and bad) they contain, and of course to the calories — all these invisible qualities in our food that, properly understood, supposedly hold the secret to eating well.
”
”
Michael Pollan (Food Rules: An Eater's Manual)
“
I was afraid to try it, but I though: 'Horus?'
'Well, it's about time,' the other voice said. 'Hello, Carter.'
"Oh no," I said, panic rising in my chest. "No, no, no. Somebody get a can opener. I've got a god stuck in my head."
Bast's eyes lit up. "You communicated with Horus directly? That's excellent progress!"
"Progress?" I banged my palm against my head. "Get him out!"
'Calm down,' Horus said
"Don't tell me to calm down!
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Before us stretched a corridor of meat, great torsos of meadow animals strung in glistening flayed exhibitions, heads with limp exhausted comic-book tongues dangling at too sharp an angle, heads with dull-eyed slaughter-greeting looks, heads smiling and winking, perhaps the subtlest camouflage this severed coyness, heads piled in pyramids like park cannonballs, some of them cruelly facing a sausage display of their missing extremities, a thick and thin suspended rain of sausages, a storm of jellied blood, and further down the corridor no recognizable animal shapes but chunks of their bodies, shaped not by hide or muscle but by cleaver, knife and appetite.
”
”
Leonard Cohen
“
Women are taught to sacrifice, to play nice, to live an altruistic life because a good girl is always rewarded in the end. This is not a virtue; it is propaganda. Submission gets you a ticket to future prosperity that will never manifest. By the time you realize the ticket to success and happiness you have been sold isn’t worth the paper it was printed on, it will be too late. Go on, spend a quarter of your life, even half of your life, in the service of others and you will realize you were hustled. You do not manifest your destiny by placing others first! A kingdom built on your back doesn’t become your kingdom, it becomes your folly. History does not remember the slaves of Egypt that built the pyramids, they remember the Pharaohs that wielded the power over those laborers. Yet here you are, content with being a worker bee, motivated by some sales pitch that inspires you to work harder for some master than you work for yourself, with this loose promise that one day you will share in his wealth. Altruism is your sin. Selfishness is your savior. Ruthless aggression and self-preservation are not evil. Why aren’t females taught these things? Instead of putting themselves first, women are told to be considerate and selfless. From birth, they have been beaten in the head with this notion of “Don’t be selfish!” Fuck that. Your mother may have told you to wait your turn like a good girl, but I’m saying cut in front of that other bitch. Club Success is about to hit capacity, and you don’t want to be the odd woman out. Where are the powerful women? Those who refuse to play by those rules and want more out of life than what a man allows her to have? I created a category for such women and labeled them Spartans. Much like the Greek warriors who fought against all odds, these women refuse to surrender and curtsy before the status quo. Being
”
”
G.L. Lambert (Men Don't Love Women Like You: The Brutal Truth About Dating, Relationships, and How to Go from Placeholder to Game Changer)
“
Vampires operate under a form of pyramid scheme,” Bones explained. “Each line is ranked by the strength of its head, or the Master, and every person the Master sires is under the Master’s rule. Feudalism would be another example of it. There you had the lord of the manor, and they were responsible for the welfare of all those on their lands, but in return, their people owed them loyalty and part of their income. Such is the way with vampires, with a few more variations.” This was news to me, and it sounded barbaric. “So. In other words, vampire society is like Amway and a cult rolled into one.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
There’s a theory,” said Anna, handing him a cup of tea as she climbed back into bed, “that we are all Atlanteans.” “Who?” “Us. San Franciscans.” Edgar grinned indulgently, bracing himself for another yarn. Anna caught it. “Do you want to hear it … or are you getting stuffy on me?” “Go ahead. Tell me a story.” “Well … in one of our last incarnations, we were all citizens of Atlantis. All of us. You, me, Frannie, DeDe, Mary Ann…” “Are you sure she’s out of the building?” “She’s gone to her switchboard. Will you relax?” “O.K. I’m relaxed.” “All right, then. We all lived in this lovely, enlightened kingdom that sank beneath the sea a long time ago. Now we’ve come back to this special peninsula on the edge of the continent … because we know, in a secret corner of our minds, that we must return together to the sea.” “The earthquake.” Anna nodded. “Don’t you see? You said the earthquake, not an earthquake. You’re expecting it. We’re all expecting it.” “So what does that have to do with Atlantis?” “The Transamerica Pyramid, for one thing.” “Huh?” “Don’t you know what dominated the skyline of Atlantis, Edgar … the thing that loomed over everything?” He shook his head. “A pyramid! An enormous pyramid with a beacon burning at the top!
”
”
Armistead Maupin (Tales of the City (Tales of the City, #1))
“
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
”
”
Hilary Mantel (An Experiment in Love: A Novel)
“
This was how I discovered the power of journalism—not just as a force to right wrongs and change my world, but as a force that turned my anguished brain into a functioning machine. I liked many things about journalism. I liked that it was one thing people thought I was good at. I liked that it gave me a reason to go out into the world, like an explorer heading into the jungle to collect specimens. And I liked that journalism was a puzzle. You lay out your evidence and order it from most important to least; the inverted pyramid a force against woeful attention spans and chaos. I could take feelings and injustices and even tragedies and figure out a way to shape them all into something purposeful. Something controlled.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Where did Grizel go?” Sandor asked as they turned to leave. “She’s supposed to stay by your side.” “I’m right here,” a husky female voice said as a lithe gray goblin in a fitted black jumpsuit seemed to melt out of the shadows. Fitz’s bodyguard was just as tall as Sandor, but far leaner—and what she lacked in bulk she made up for in stealth and grace. “I swear,” she said, tapping Sandor on the nose. “It’s almost too easy to evade you.” “Anyone can hide in this chaos,” Sandor huffed. “And now is not the time for games!” “There’s always time for games.” Grizel tossed her long ponytail in a way that almost seemed . . . Was it flirty? Sandor must’ve noticed too, because his gray skin tinted pink. He cleared his throat and turned to Sophie. “Weren’t we heading to the cafeteria?” She nodded and followed Fitz into the mazelike halls, where the colorful crystal walls shimmered in the afternoon sunlight. The cafeteria was on the second floor of the campus’s five-story glass pyramid, which sat in the center of the courtyard framed by the U-shaped main building. Sophie spent most of the walk wondering how long it would take Dex to notice her new accessories. The answer was three seconds—and another after that to notice the matching rings on Fitz’s thumbs. His periwinkle eyes narrowed, but he kept his voice cheerful as he said, “I guess we’re all giving rings this year.” Biana held out her hand to show Sophie a ring that looked familiar—probably because Sophie had a less sparkly, slightly more crooked, definitely less pink version on her own finger. “I also made one for you,” Dex told Fitz. “It’s in your thinking cap. And I have some for Tam and Linh, whenever we see them again. That way we’ll all have panic switches—and I added stronger trackers, so I can home in on the signal even if you don’t press your stone. Just in case anything weird happens.” “Your Technopath tricks aren’t necessary,” Sandor told him, pointing to their group of bodyguards—four goblins in all. “But it’s still good to have a backup plan, right?” Biana asked, admiring her ring from another angle. The pink stone matched the glittery shadow she’d brushed around her teal eyes, as well as the gloss on her
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
Eighty years back the Medica discovered how to remove cataracts from eyes,” Fela said. “I already know that,” Elodin said, waving his hand dismissively. “Let me finish,” Fela said. “When they figured out how to do this, it meant they could restore sight to people who had never been able to see before. These people hadn’t gone blind, they had been born blind.” Elodin cocked his head curiously. Fela continued. “After they could see, they were shown objects. A ball, a cube, and a pyramid all sitting on a table.” Fela made the shapes with her hands as she spoke. “Then the physickers asked them which one of the three objects was round.” Fela paused for effect, looking at all of us. “They couldn’t tell just by looking at them. They needed to touch them first. Only after they touched the ball did they realize it was the round one.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
What did we talk about?
I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
”
”
Joanna Russ (On Strike Against God)
“
Death still exists; what has disappeared is the certainty that everything will eventually end sooner or later. There's time to shave your head, time to let the gray hairs grow, time to get pregnant, to torture, to be the world champion, and to rewrite the encyclopedia. With patience, a single person could build the pyramids; with perseverance, another single person could knock them down. I guess destruction is another form of love.
”
”
Martín Felipe Castagnet (Los cuerpos del verano)
“
I went to Cairo, to the Giza plateau, and stood beside desert nomads and their silk-draped camels at the foot of the Great Sphinx, all of us squinting up into its eternally open eyes. The sun hammered down on my head, the same sun that hammered down on the thousands of men who built these pyramids, and the millions of visitors who came after. Not one of them was remembered, I thought. All is vanity, says the Bible. All is now, says Zen. All is dust, says the desert.
”
”
Phil Knight (Shoe Dog)
“
First thing Monday morning, Ruby came in. She seemed upset. "Zach, I've had a vision," she said immediately.
"Was it a dream," Angelo began suddenly, with a wicked grin on his face, "where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?"
Ruby and I both gaped at him. "Of course not," Ruby said with disgust, "Why would you even ask something like that?"
"Just wonderin'." He was facing her, But he held up a DVD case, facing me. 'Real Genius'. I had no idea what that was supposed to mean.
Ruby shook her head at him and then turned back to me. "There was a bird. It tried to land in your hands, but a giant horse scared it away."
As usual when Ruby announced her visions, I had no idea how to respond. I just smiled. "That's fascinating."
She nodded sagely. "I hope you're nat planning any horse riding this weekend."
Before I could answer, Nero Sensei burst through the doo, breathless. "Do any of you own the blue convertible parked at Jeremy's?"
Which meant another kid had pucked off the balcony.
"Hope the top wasn't down," Angelo said lightly.
Sensei shook his head as he headed back out the door. "No, but it's a soft top, and Tim had cranberry juice before class. It's gonna stain."
Ruby followed Nero out the door. Angelo turned to me. His eyes were sparkling and he was grinning from ear to ear. "Best job I ever had," he said. and I had to smile back.
”
”
Marie Sexton (A to Z (Coda, #2))
“
LANKES: ….This is how I figure it. When this war is over — one way or another, it will be over some day — well, then, when the war is over, the pillboxes will still be here. These things were made to last. And then my time will come. The centuries […] start coming and going, one after another like nothing at all. But the pillboxes stay put just like the Pyramids stay put. And one fine day one of those archaeologist fellows comes along. And he says to himself: what an artistic void there was between the First and Seventh World Wars! Dull drab concrete; here and there, over a pillbox entrance, you find some clumsy amateurish in squiggles in the old-home style. And that’s all. Then he discovers Dora Five, Six, Seven; he sees my Structural Oblique Formations, and he says to himself, Say, take a look at that, Very, very interesting, magic, menacing, and yet shot through with spirituality. In these works a genius, perhaps the only genius of the twentieth century, has expressed himself clearly, resolutely, and for all time. I wonder, says our archaeologist to himself, I wonder if it’s got a name? A signature to tell us who the master was? Well, sir, if you look closely, sir, and hold your head on a slant, you’ll see between those Oblique Formations…
BEBRA: My glasses. Help me, Lankes.
LANKES: All right, here’s what it says: Herbert Lankes, anno nineteen hundred and forty-four. Title: BARBARIC, MYSTICAL, BORED.
BEBRA: You have given our century its name.
”
”
Günter Grass (The Tin Drum)
“
Sadie was still a kite.
"You can turn back now," I told her.
She tilted her head and regarded me quizically. She let out a frustrated croak.
I cracked a smile. "You can't, can you? You're stuck?
She pecked my hand with her extremely sharp beak.
"Ow!" I complained. "It's not my fault. Keep trying."
She closed her eyes and ruffled her feathers until she looked like she was going to explode, but she stayed a kite.
"Don't worry," I said, trying to keep a straight face. "Bast will help once we get out of here.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Quetzalcoatl
The serpent dressed in lime-green feathers
Is the totem of an Aztec priest.
It slithers through all rainy weathers
Commanding the respect of man and beast.
Who would suspect this mighty serpent
For whom the Pyramids were built
Was nagged to death by a Jewish yent-
a, who filled his goyish head with guilt.
Deep in the jungle one can hear
The piercing battle cry of Mrs. Katz, who says, 'Nu,
take an umbrella; Oy, wear your your galoshes, dear.
If you Quetz-al-coatl, who’s gonna take care of you?
”
”
Beryl Dov
“
that the Egyptians were a nation of mast-head standers, is an assertion based upon the general belief among archaeologists, that the first pyramids were founded for astronomical purposes: a theory singularly supported by the peculiar stairlike formation of all four sides of those edifices; whereby, with prodigious long upliftings of their legs, those old astronomers were wont to mount to the apex, and sing out for new stars; even as the look-outs of a modern ship sing out for a sail, or a whale just bearing in sight.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall.
After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.
”
”
Neal Stephenson (Seveneves)
“
Mecca is a lot farther away than the Pyramids. When I was young, all I wanted to do was put together enough money to start this shop. I thought that someday I’d be rich, and could go to Mecca. I began to make some money, but I could never bring myself to leave someone in charge of the shop; the crystals are delicate things. At the same time, people were passing my shop all the time, heading for Mecca. Some of them were rich pilgrims, traveling in caravans with servants and camels, but most of the people making the pilgrimage were poorer than I. “All who went there were happy at having done so. They placed the symbols of the pilgrimage on the doors of their houses. One of them, a cobbler who made his living mending boots, said that he had traveled for almost a year through the desert, but that he got more tired when he had to walk through the streets of Tangier buying his leather.” “Well, why don’t you go to Mecca now?” asked the boy. “Because it’s the thought of Mecca that keeps me alive. That’s what helps me face these days that are all the same, these mute crystals on the shelves, and lunch and dinner at that same horrible café. I’m afraid that if my dream is realized, I’ll have no reason to go on living.
”
”
Paulo Coelho (The Alchemist)
“
too is the pyramid-look, because you don’t have to think about a ceiling. You want to have a roof over your head, so why not let your walls also be your ceiling, so you have one less thing to think about—one less surface to look at, one less surface to clean, one less surface to paint. The tepee-dwelling Indians had the right idea. A cone might be nice if circles didn’t exclude the edges and if you could find the right round sink, but I prefer an equilateral-triangular pyramidal-shaped enclosure even more than a square-based pyramid shape, because with a triangular base you have one less wall to think about, and one less corner to dust.
”
”
Andy Warhol (The Philosophy of Andy Warhol: From A to B and Back Again)
“
Zia gasped, her face beading with sweat. “When the people needed to stop Sekhmet, they got huge vats of beer and colored them bright red with pomegranate juice.”
“Yeah, I remember now,” I interrupted. “They told Sekhmet it was blood, and she drank until she passed out. Then Ra was able to recall her into the heavens. They transformed her into something gentler. A cow goddess or something.”
“Hathor,” Zia said. “That is Sekhmet’s other form. The flip side of her personality.”
Sadie shook her head in disbelief. “So you’re saying we offer to buy Sekhmet a few pints, and she’ll turn into a cow.”
“Not exactly,” Zia said. “But salsa is red, is it not?
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
The social pyramid established during the Pyramid Age in the Fertile Crescent continued to be the model for every civilized society, long after the building of these geometric tombs ceased to be fashionable. At the top stood a minority, swollen by pride and power, headed by the king and his supporting ministers, nobles, military leaders, and priests. This minority's main social obligation was control of the megamachine, in either its wealth-producing or its illth-producing form. Apart from this, their only burden was the 'duty to consume.' In this respect the oldest rulers were the prototypes of the style-setters and taste-makers of our own over-mechanized mass society.
”
”
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
“
I say!” said Lucy.
They came nearer and nearer, all very quietly.
“But where are the guests?” asked Eustace.
“We can provide that, Sir,” said Rhince.
“Look!” said Edmund sharply. They were actually within the pillars now and standing on the pavement. Everyone looked where Edmund had pointed. The chairs were not all empty. At the head of the table and in the two places beside it there was something--or possibly three somethings.”
“What are those?” asked Lucy in a whisper. “It looks like three beavers sitting on the table.”
“Or a huge bird’s nest,” said Edmund.
“It looks more like a haystack to me,” said Caspian.
Reepicheep ran forward, jumped on a chair and thence on to the table, and ran along it, threading his way as nimbly as a dancer between jeweled cups and pyramids of fruit and ivory salt-cellars. He ran right up to the mysterious gray mass at the end: peered, touched, and then called out:
“These will not fight, I think.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
When a brilliant critic and a beautiful woman (that’s my order of
priorities, not necessarily those of the men who teach her) puts on black
suede spike heels and a ruby mouth before asking an influential professor
to be her thesis advisor, is she a slut? Or is she doing her duty to
herself, in a clear-eyed appraisal of a hostile or indifferent milieu, by
taking care to nourish her real gift under the protection of her incidental
one? Does her hand shape the lipstick into a cupid’s bow in a gesture
of free will?
She doesn’t have to do it.
That is the response the beauty myth would like a woman to have,
because then the Other Woman is the enemy. Does she in fact have to
do it?
The aspiring woman does not have to do it if she has a choice. She
will have a choice when a plethora of faculties in her field, headed by
women and endowed by generations of female magnates and robber
baronesses, open their gates to her; when multinational corporations
led by women clamor for the skills of young female graduates; when
there are other universities, with bronze busts of the heroines of half a
millennium’s classical learning; when there are other research-funding boards maintained by the deep
coffers provided by the revenues of female inventors, where half the
chairs are held by women scientists. She’ll have a choice when her application
is evaluated blind.
Women will have the choice never to stoop, and will deserve the full
censure for stooping, to consider what the demands on their “beauty”
of a board of power might be, the minute they know they can count on
their fair share: that 52 percent of the seats of the highest achievement
are open to them. They will deserve the blame that they now get anyway
only when they know that the best dream of their one life will not be
forcibly compressed into an inverted pyramid, slammed up against a
glass ceiling, shunted off into a stifling pink-collar ghetto, shoved back
dead down a dead-end street.
”
”
Naomi Wolf (The Beauty Myth)
“
To return to central Rome, it’s another two miles north along a busy stretch of road, not recommended on foot or bike. Instead, catch bus #118 from the bus stop about 75 yards past Domine Quo Vadis Church (across from the TI). Bus #118 makes several interesting stops (see below) on its way to the Piramide Metro stop. (Note that another bus, the #218, also goes from here to San Giovanni in Laterano.) For those with more energy, there’s more to see, especially if you’re renting a bike and want to just get away from it all. Other Sights on or near the Appian Way Consider these diversions if you have the time and interest. More of the Appian Way: Heading south (away from downtown Rome), past the Tomb of Cecilia Metella, you’ll find the best-preserved part of the Appian Way—quieter, less touristed, and lined with cypresses, pines, and crumbling tombs. It’s all downhill after the first few hundred yards. On a bike, you’ll travel over lots of rough paving stones (or dirt sidewalks) for about 30 minutes to reach a big pyramid-shaped ruin on its tiny base, and then five minutes more to the back side of the Villa dei Quintili.
”
”
Rick Steves (Rick Steves' Tour: Appian Way, Rome)
“
The sky is a dark bowl, the stars die and fall.
The celestial bows quiver,
the bones of the earthgods shake and planets come to a halt
when they sight the king in all his power,
the god who feeds on his father and eats his mother.
The king is such a tower of wisdom
even his mother can't discern his name.
His glory is in the sky, his strength lies in the horizon
like that of his father the sungod Atum who conceived him.
Atum conceived the king,
but the dead king has greater dominion.
His vital spirits surround him,
his qualities lie below his feet,
he is cloaked in gods and cobras coil on his forehead.
His guiding snakes decorate his brow
and peer into souls,
ready to spit fire against his enemies.
The king's head is on his torso.
He is the bull of the sky
who charges and vanquishes all.
He lives on the stuff of the gods,
he feeds on their limbs and entrails,
even when they have bloated their bodies with magic
at Nesisi, the island of fire.
He cooks the leftover gods into a bone soup.
Their souls belong to him
and their shadows as well.
In his pyramid among those who live on the earth of Egypt,
the dead king ascends and appears
forever and forever.
”
”
Anonymous
“
Christianity and other traditional religions are still important players in the world. Yet their role is now largely reactive. In the past, they were a creative force. Christianity, for example, spread the hitherto heretical notion that all humans are equal before God, thereby changing human political structures, social hierarchies and even gender relations. In his Sermon on the Mount Jesus went further, insisting that the meek and oppressed are God’s favourite people, thus turning the pyramid of power on its head, and providing ammunition for generations of revolutionaries. In addition to social and ethical reforms, Christianity was responsible for important economic and technological innovations. The Catholic Church established medieval Europe’s most sophisticated administrative system, and pioneered the use of archives, catalogues, timetables and other techniques of data processing. The Vatican was the closest thing twelfth-century Europe had to Silicon Valley. The Church established Europe’s first economic corporations – the monasteries – which for 1,000 years spearheaded the European economy and introduced advanced agricultural and administrative methods.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
The sea was a dull, monotonous green. Slowly, the tide was coming in.
Tōru lowered the telescope to the waves of the beach.
As they broke, a spray like the dregs of the sea slipped from their backs, and the pyramids of deep green changed, rose and swelled into an uneasy white. The sea lost its serenity.
Even as it rose it broke at the skirts, and ragged spots of white from its high belly like a call of inexpressible sorrow became a sharply smooth yet infinitely cracked wall of glass, like a vast spray. As it rose and broke, the forelocks were combed a beautiful white, and as it fell it showed the neatly arrayed blue-white of its crown, and the lines of white became a solid field of white; and so it fell, like a severed head.
The spray and the falling away of foam. Little patches of foam trailing off to sea like lines of water bugs.
From trailing off over the sand like swear from the back of an athlete at the end of his exertions.
What delicate changes passed over the white monolith of the sea as it came in upon the shore and broke. The myriad confusion of thin waves and the fine partings of the foam became in desperation an infinity of lines spewed out over the sea as from silkworms. What a subtle evil, overcoming by sheer force even as it took into itself this delicate white.
”
”
Yukio Mishima (The Decay of the Angel (The Sea of Fertility, #4))
“
While infrasonic vibrations at around 6 hertz may influence the brain and produce various effects in humans, it seems that there must be other types of energy, or other frequencies, to explain phenomena that were noted to have occurred at the Great Pyramid more than one hundred years ago. Sir William Siemens, an Anglo-German engineer, metallurgist, and inventor, experienced a strange energy phenomenon at the Great Pyramid when an Arab guide called his attention to the fact that, while standing on the summit of the pyramid with hands outstretched, he could hear a sharp ringing noise. Raising his index finger, Siemens felt a prickling sensation.
Later on, while drinking out of a wine bottle he had brought along, he experienced a slight electric shock. Feeling that some further observations were in order, Siemens then wrapped a moistened newspaper around the bottle, converting it into a Leyden jar. After he held it above his head for a while, this improvised Leyden jar became charged with electricity to such an extent that sparks began to fly. Reportedly, Siemens' Arab guides were not too happy with their tourist's experiment and accused him of practicing witchcraft. Peter Tompkins wrote, "One of the guides tried to seize Siemens' companion, but Siemens lowered the bottle towards him and gave the Arab such a jolt that he was knocked senseless to the ground. Recovering, the guide scrambled to his feet and took off down the Pyramid, crying loudly.
”
”
Christopher Dunn (The Giza Power Plant: Technologies of Ancient Egypt)
“
Roger snapped on the large, battery-powered radio. He rolled the dial around, but all he got was static. Finally, he heard a signal, and he tuned it in. A badly modulated voice droned through the interference. It sounded as if it were a war correspondent sending a signal from very far away. Steve clicked off the TV set so that they would better be able to hear the announcer: “. . . Reports that communications with Detroit have been knocked out along with Atlanta, Boston and certain sections of Philadelphia and New York City . . .” “Philly . . .” Roger said almost to himself. “I know WGON is out by now,” Steve said with animation. “It was a madhouse back there . . . people are crazy . . . if they’d just organize. It’s total confusion. I don’t believe it’s gotten this bad. I don’t believe they can’t handle it.” He looked around the room proudly. “Look at us. Look at what we were able to do today.” A few feet away, still in a slumped position by the pyramid of cartons, Peter’s eyes blinked open. He had been listening to what he wanted to hear, and now this statement by the kid really made him take notice. His eyes moved slightly to the side so that he could watch Stephen. The young man was gesturing wildly with his hands, going on and on about their exploits as a team. The other two didn’t realize Peter was awake. Roger nodded his head, but it didn’t seem as if he were really listening to Steve’s ramblings. “We knocked the shit out of ’em, and they never touched us,” Steve exclaimed. “Not really,” he said in a quieter tone. The rumbling voice erupted from the other side of the room. “They touched us good, Flyboy. We’re lucky to get out with our asses. You don’t forget that!
”
”
George A. Romero (Dawn of the Dead)
“
The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.
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Zecharia Sitchin (The Lost Realms (The Earth Chronicles, #4))
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The pyramid is just an old eye watching a world trapped in its own illusion. Take off the square they placed on your head, and let your soul look beyond their lies.
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Michael Noyce
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But I have eyes only for the lonely bird of prey that stands at the center of all the silly, vain, power-hungry little pigeons. Her golden hair is bound tight behind her head. Her tunic is pure white, without the ribbons of their Color the others wear. And in her hand, she carries the Dawn Scepter—now a multi-hued gold baton half a meter long, with the pyramid of the Society recast into the fourteen-pointed star of the Republic at its tip. Her face is elegant and distant. A small nose, piercing eyes behind thick eyelashes, and a mischievous cat’s smile growing on her face. The Sovereign of our Republic. Here at the summit of the stairs, her eyes shed the weight from my shoulders, the fear from my heart that I would never see her again. Through war and space and this damnable parade, I have traveled to find her again, my life, my love, my home. I bend to my knee and look up into the eyes of the mother of my child. “ ’Lo, wife,” I say with a smile. “ ’Lo, husband. Welcome home.
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Pierce Brown (Iron Gold (Red Rising Saga, #4))
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After an arrow from the walls of the besieged city of Nishapur killed his son-in-law, Genghis Khan allowed his widowed daughter to decide the fate of the city: “She reportedly decreed death for all. . . . According to widely circulated but unverified stories, she ordered soldiers to pile the heads . . . in three separate pyramids—one each for the men, the women, and the children. Then she supposedly ordered that the dogs, the cats . . . be put to death so that no living creature would survive the murder [sic] of her husband” (emphasis added).5 Personally, I find it unsettling to see the victims of Genghis Khan shrugged off as easily as Holocaust-deniers ignore the Jews, and then to realize that hundreds of years from now, some historians will be rehabilitating Hitler’s reputation.
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Matthew White (Atrocities: The 100 Deadliest Episodes in Human History)
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center, there’s probably going to be . . .” He trailed off, pointing dramatically through a gap in the trees. “A temple.” Sure enough, another mound rose in the distance. This one was significantly taller than the others around us. It was bedecked with trees and plants, but was obviously a stepped pyramid. “So what’s the plan, exactly?” Murray asked blankly. “We go to the temple and pray that someone rescues us?” Zoe swatted Murray on the back of the head. “No, you idiot. We climb the temple and see how close we are to civilization. Plus, maybe we can spot Erica from up there.” “Oh!” Murray said. “Good thinking.” The ancient road led directly to the pyramid. Lots of trees and brush had grown on the road over the past few centuries, but it was still easy to follow. Now that we’d had plenty of water to drink and were warm again, we were in good shape. Except for my wet shoes squelching on my feet and my wet underwear riding up my butt, I felt better than I had in hours. We reached the base of the pyramid and worked our way up the stepped exterior. Like the other buildings, it was constructed of rough-hewn limestone held together with mortar and covered with centuries of dirt and plant life. There were also dozens of iguanas basking in the sun on it. Everywhere I looked, there was an iguana, many of them the size of lapdogs. It was like a display case for an iguana store. They watched us warily as we climbed past them, but didn’t seem too threatened by us, as they rarely bothered to move out of our way. The pyramid angled up sharply. Murray, being in the best shape, made his way up it the fastest, though the rest of us weren’t far behind. The heat and the humidity, originally so refreshing after our time underground, quickly grew oppressive. I had to stop halfway up the pyramid to catch my breath, taking care not to sit on any iguanas. Zoe
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Stuart Gibbs (Spy School Goes South)
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! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS! * * * * * * * * * * * * * *
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Rachel Renée Russell (Tales from a Not-So-Happily Ever After! (Dork Diaries, #8))
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The world is captivated by Hollywood superstars, music artists, and sports personalities. Hollywood is portrayed as the epitome of beauty and fashion capital of the world. Whatever the actors and actresses are wearing dictate the fashion trends and lifestyle being followed by fans in a global scale.
The said movie and music characters never fail to amuse and amaze us with their clothes, shoes, bags, and hairstyles. The most popular shoes are the high heel booties studded with gems, gold, and anything sparkling in-between.
You certainly wonder how they can perform dance and stage stunts with these booties heels. Women look so attractive donning high heel booties. They get few extra inches in height and look stunning from head to toe.
If you are going for mall shopping or walking long distances, stay away from heeled bootiesas your feet will surely get hurt. However, if you are attending special occasions and corporate functions, heel bootiesis the perfect footwear.
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John Rudy (The Great Chocolate Pyramid)
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During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership.
Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.
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Paul Hartford (Waiter to the Rich and Shameless: Confessions of a Five-Star Beverly Hills Server)
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Fifty years earlier, before its sandstone blocks were carried off to serve as the foundations of a factory in a nearby town, the ruins of a little temple had stood upon that hill. And it was there, in the footings of a vanished temple, by the remnants of a prehistoric shrine, that Quibell and Green uncovered a vast agglomeration of courtly objects, a cache such as had not been seen before and has never since been equalled in all of Egypt: a pair of beautiful life-sized pharaonic statues made of sheets of beaten copper; a golden image of a hawk with glittering obsidian eyes still standing in its ancient shrine; two splendidly engraved cosmetic palettes; some prehistoric slaughtering knives; a remarkable collection of stone vases; a heap of mace heads piled like potatoes, some of which were vividly engraved in a manner similar to the cosmetic palettes. And in amongst all this, suffused by ground-water and penetrated by the roots of thorn and halfa grass, lay a mass of ivories which, Quibell remarked, ‘resembled potted salmon’, but on inspection proved to be hundreds of separate and delicately carved objects from the time of the first kings but which were so cemented and decayed that they are still under restoration to this day.
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John Romer (A History of Ancient Egypt: From the First Farmers to the Great Pyramid)
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The most compelling evidence for the likelihood that the Great Pyramid was constructed by craftspeople with specialized knowledge and advanced techniques is the precision with which it was built. This precision reveals more about the true nature of its builders than any inscription or cartouche. There is no way to ignore the accuracy of this stonecutting, despite Egyptologists' interpretations of the inscriptions found in pyramids or temples in Egypt. After all, hieroglyphics, like any language, has the potential to be misunderstood.
After discussing much of the preceding information with the artisans at today's building sites, machine shops, and quarry mills, I became aware of the reason why we are still influenced by ideas that are not compatible with practical application. The artisans of today are too busy making a living to give serious thought to scholarly theories, and even when gross inequities are presented to them, they respond with a cynical shrug. When told that giant limestone casing stones, which were cut to within 1/100 of an inch, were cut with hammer and chisel, a typical response was a shake of the head.
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Christopher Dunn (The Giza Power Plant: Technologies of Ancient Egypt)
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Jillian hung her head, “I believed that story. I was such a thunk. Are they going to award you a Nobel Prize?” “You’ve been talking to Dolly too much. You could never be a thunk.” Chris smiled, “They are going to announce in three months that I am the winner in Physics.” Jillian screamed and hugged his neck, “Congratulations! You deserve it!” Then she shook her head, “You’re wrong; I can be a thunk and I was. Thank you for giving me time to see the truth. I believed that story.
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Saxon Andrew (The Pyramid Builders (Lens of Time, #1))
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An old joke popped into her head, one not meant as humor. Why are there pyramids in Egypt? They were too heavy for the British to steal and put in a museum.
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Andrew Clawson (The Achilles Legend (Harry Fox #4))
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A thread of light leaked
through the window, which was ajar, and he was able to make out the
wide bed in which his father had died and his mother had slept every
night since she was married. It was carved in black wood, with a
canopy of angels in relief and a few scraps of red brocade that were
frayed with age. His mother was propped up in a half-seated position.
She was a block of solid flesh, a monstrous pyramid of fat and rags that
came to a point in a tiny bald head with a pair of eyes that were sweet,
blue, innocent, and surprisingly alive. Arthritis had transformed her
into a monolithic being. She could no longer bend any of her joints or
turn her head. Her fingers were clawed like the feet of a fossil, and in
order to sit up in bed she had to be supported by a pillow at her back
held in place by a wooden beam that, in turn, was propped against the
wall. The passage of time could be read by the marks the beam had cut
into the plaster: a path of suffering, a trail of pain.
“Mama,” Esteban murmured, and his voice broke in his chest,
exploding into a contained sobbing that erased in a single stroke his
sad memories, the rancid smells, frozen mornings, and greasy soup of
his impoverished childhood, his invalid mother and absent father, and
the rage that had been gnawing at him ever since the day he first
learned how to think, so that he forgot everything except those rare,
luminous moments in which this unknown woman who now lay before
him in her bed had rocked him in her arms, felt his forehead for fever,
sung him lullabies, bent over to read the pages of a favorite book with
him, had wept with grief to see him leave for work so early in the
morning when he was still a boy, wept with joy when he returned at
night, had wept. Mother, for me.
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Isabel Allende, La casa de los Espiritus
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The sun hammered down on my head, the same sun that hammered down on the thousands of men who built these pyramids, and the millions of visitors who came after. Not one of them was remembered, I thought. All is vanity, says the Bible. All is now, says Zen. All is dust, says the desert.
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Phil Knight (Shoe Dog)
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Letting a god into your head has serious disadvantages.
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Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
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Companies can develop an innovation strategy that works at the three levels of what I call the “innovation pyramid”: a few big bets at the top that represent clear directions for the future and receive the lion’s share of investment; a portfolio of promising midrange ideas pursued by designated teams that develop and test them; and a broad base of early stage ideas or incremental innovations permitting continuous improvement. Influence flows down the pyramid, as the big bets encourage small wins heading in the same direction, but it also can flow up, because big innovations sometimes begin life as small bits of tinkering—as in the famously accidental development of 3M’s Post-it Notes.
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Harvard Business Publishing (HBR's 10 Must Reads on Innovation (with featured article "The Discipline of Innovation," by Peter F. Drucker))
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The leader turns the pyramid onto its head in order to serve others.
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Ken Jennings (The Serving Leader: Five Powerful Actions to Transform Your Team, Business, and Community)
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When the Mongols invaded India, one general built a pyramid in front of the walls of Delhi to terrify the remaining enemies into surrender. Pyramids aren’t scary though, surely? Well, this one was, being made from ninety thousand human heads.
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Jack Goldstein (101 Amazing Facts)
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Eighty years back the Medica discovered how to remove cataracts from eyes,” Fela said. “I already know that,” Elodin said, waving his hand dismissively. “Let me finish,” Fela said. “When they figured out how to do this, it meant they could restore sight to people who had never been able to see before. These people hadn’t gone blind, they had been born blind.” Elodin cocked his head curiously. Fela continued. “After they could see, they were shown objects. A ball, a cube, and a pyramid all sitting on a table.” Fela made the shapes with her hands as she spoke. “Then the physickers asked them which one of the three objects was round.” Fela paused for effect, looking at all of us. “They couldn’t tell just by looking at them. They needed to touch them first. Only after they touched the ball did they realize it was the round one.
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Anonymous
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Another proof for Khafre's pyramid resembling the Lower Heavens' authority on the Giza Plateau can be seen in the pharaoh's statue where Horus (contrary to the conventional claim) is not protecting his backside head with his wings nor is serving as another reference to the united Egypt, but rather is showing and pointing to the Pharaoh his domain of authority by directing his head to the same horizon at which the Sphinx is gazing right in front of that same pyramid. Remember that the Book of the Dead, Spell 83, serves as a transformation ritual into a Phoenix. And on the Metternich Stele, Horus is praised as this great Bennu Bird which as I have validly asserted and shown earlier to have the function of a courier of the upper-heavenly proclaimed tidings/news and the carrier thereof. Therefore, it is a straightforward observation now to acknowledge this second role which the Phoenix was fulfilling in ancient Egypt!
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Ibrahim Ibrahim (Quotable: My Worldview)
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When the Mongols invaded India, one general built a pyramid in front of the walls of Delhi to terrify the remaining enemies into surrender. Pyramids aren’t scary though, surely? Well, this one was, being made from ninety thousand human heads. Julius Caesar was once captured by pirates
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Jack Goldstein (101 Amazing Facts)
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Head on the prize… Let’s find out where the gold’s at an’ get the fuck outta here, aye?” Baltsaros’s eyes turned to the closest pyramid. “Yes,” he said quietly. “Gold.
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Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
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Those guidelines, according to Dr. Light, did not survive their trip to the office of the Head of the Department of Agriculture. In a 2004 account, she described herself as “shocked” by the changes that were made. Her team placed fruits and vegetables at the base of the pyramid and whole-grain breads and cereals further up. The new guidelines not only switched carbohydrates to the base of the pyramid, it moved processed foods like crackers and corn flakes, which Dr. Light and her team had placed at the top of the pyramid with chocolate, to the base of the pyramid. Even with all the edits, the food pyramid was not released for another 12 years.
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Anonymous
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Dr. Luise Light is a nutrition expert and led the team at the Department of Agriculture that made the original recommendations for the food pyramid. If you review her original recommendations, they sounds very similar to dietary advice given by nutritionists today: lots of vegetables, more lean sources of protein like fish and nuts, and less dairy and processed foods. Those guidelines, according to Dr. Light, did not survive their trip to the office of the Head of the Department of Agriculture. In a 2004 account, she described herself as “shocked” by the changes that were made. Her team placed fruits and vegetables at the base of the pyramid and whole-grain breads and cereals further up. The new guidelines not only switched carbohydrates to the base of the pyramid, it moved processed foods like crackers and corn flakes, which Dr. Light and her team had placed at the top of the pyramid with chocolate, to the base of the pyramid. Even with all the edits, the food pyramid was not released for another 12 years.
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Anonymous
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Progress?” I banged my palms against my head. “Get him out!
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Rick Riordan (The Red Pyramid (Kane Chronicles, #1))