Putting On A Brave Face Quotes

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You put on such a brave front. But I know if I took another step toward you, you'd wet your pants.' 'With your blood.' I brandished my knife. But I couldn't keep a straight face; the boast sounded ridiculous even to my own ears. I snickered. She laughed. The release of tension made me giddy, and soon I was laughing and crying.
Maria V. Snyder (Poison Study (Study, #1))
Looks can be deceiving. You can’t always tell what’s going on inside a person from outside. People put on a brave face when they’re trying to get over heartbreak, but that doesn’t mean they have.
Alison G. Bailey (Present Perfect (Perfect, #1))
Once he entered my life, I promptly forgot all my years of putting on a brave face while browsing at bookstores until closing time, and of having one, two, three beers while watching crime shows and CNN. I completely forgot the hateful sensation of loneliness, like thirst and hunger together pressing on my stomach.
Douglas Coupland
That looked like love to me, when you put a brave face on your heart breaking because it was what the other person needed.
Ann Aguirre (Horde (Razorland, #3))
That I wasn't mad at you. Can't you see that Bella?" He was suddenly intense, all trace of teasing gone. "Don't you understand?" "See what?" I demanded, confused by his sudden mood swing as much as his words. "I'm never angry with you - how could it be? Brave, trusting . . . warm as you are." "Then why?" I whispered, remembering the black moods that pulled him away from me, that I'd always interpreted as well-justified frustration - frustration at my weakness, my slowness, my unruly human reactions . . . He put his hands carefully on both side of my face. "I infuriate myself," he said gently. "The way I can't seem to keep from putting you in danger. My very existence puts you at risk. Sometimes I truly hate myself. I should be stronger, I should be able to-" I placed my hand over his mouth. "Don't." He took my hand, moving it from his lips, but holding it to his face. "I love you," he said. "It's a poor excuse for what I'm doing, but it's still true." It was the first time he'd said he loved me - in so many words. He might not realize it, but I certainly did.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Rosa Parks turned to me sweetly and asked, 'Now, Bryan, tell me who you are and what you're doing.' I looked at Ms. Carr to see if I had permission to speak, and she smiled and nodded at me. I then gave Ms. Parks my rap. 'Yes, ma'am. Well, I have a law project called the Equal Justice Initiative, and we're trying to help people on death row. We're trying to stop the death penalty, actually. We're trying to do something about prison conditions and excessive punishment. We want to free people who've been wrongly convicted. We want to end unfair sentences in criminal cases and stop racial bias in criminal justice...Ms. Parks leaned back smiling. 'Ooooh, honey, all that's going to make you tired, tired, tired.' We all laughed. I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked o me just like my grandmother used to talk to me. She said, 'That's why you've got to be brave, brave, brave.' All three women nodded in silent agreement and for just a little while, they made me feel like a young prince.
Bryan Stevenson (Just Mercy)
Sorry, old girl," I said to [my bicycle] Gladys in the gray dishwater light of early morning, "but I have to leave you at home." I could see that she was disappointed, even though she managed to put on a brave face. "I need you to stay here as a decoy," I whispered. "When they see you leaning against the greenhouse, they'll think I'm still in bed." Gladys brightened considerably at the thought of a conspiracy. [...] At the corner of the garden, I turned, and mouthed the words, "Don't do anything I wouldn't do," and Gladys signaled that she wouldn't. I was off like a shot.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce #3))
I’d never ride a rocket into out space, so standing at the edge of the ocean was probably the closest I’d get to touching something boundless and greater than myself. For me, the ocean had a way of putting the rest of the world into context for a couple seconds.
Shaun David Hutchinson (Brave Face)
Like a lot of people with mental illness, I spend a lot of time fronting. It’s really important to me to not appear crazy, to fit in, to seem normal, to do the things “normal people” do, to blend in. As a defense mechanism, fronting makes a lot of sense, and you hone that mechanism after years of being crazy. Fronting is what allows you to hold down a job and maintain relationships with people, it’s the thing that sometimes keeps you from falling apart. It’s the thing that allows you to have a burst of tears in the shower or behind the front seat of your car and then coolly collect yourself and stroll into a social engagement… We are rewarded for hiding ourselves. We become the poster children for “productive” mentally ill people, because we are so organized and together. The fact that we can function, at great cost to ourselves, is used to beat up the people who cannot function. Because unlike the people who cannot front, or who fronted too hard and fell off the cliff, we are able to “keep it together,” whatever it takes.
S.E. Smith
She walks, on the streets, with a face that, doesn't belong. It smiles more than, many put together, whole day long. Her heart misfit, a little chipped. And she likes to, call it once broken, but now stitched.
Jasleen Kaur Gumber
There was something about her mouth that made me feel possibilities...the way a train ticket holds possibilities, the way a boat docked at sunset does, the way a voice on the radio announcing victory does. A mouth can have that it can seem brave, and bold. Finite and infinite. After a war, you need both of those things. "Why don't you kiss me, she said. "Celebrate a new world." And so I did. I could not forget that kiss. I still cannot. I put my fingertips to her face. Indeed,changed that day, but the change in life was no smaller or less significant. The moment took my sorrow and made it swarm the streets in victory, shouting in joy and rightness, and from that I have never quite recovered.
Deb Caletti (Honey, Baby, Sweetheart)
Everyone grieves differently. No one handles the loss of a loved one the same. Some put on a brave face for others, keeping everything internal. Others let it all out at once and shatter, only to pick up the pieces just as quickly as they came apart. Still others don't grieve at all, implying they are incapable of emotion. Then there are the ones like me, where grief is a badge we wear, where it's hard to let go because we don't want to. We probably wouldn't know how even is we wanted to. There's unanswered questions, unresolved feelings. Tere is anger that this person could even conceive of leaving us behind. We are the furious ones, the ones that scream at the injustice and the pain. We are the ones who obsess and slowly lose rational thought, knowing it is happening but unable to find a way to care. We are the ones who drown.
T.J. Klune (Into This River I Drown)
Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.
Veronica Roth (Insurgent (Divergent, #2))
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
Veronica Roth (Divergent (Divergent, #1))
I am aware that I fly in the face of polite convention in doing this. The times when we fall out of sync with everyday life remain taboo. We’re not raised to recognise wintering or to acknowledge its inevitability. Instead, we tend to see it as a humiliation, something that should be hidden from view lest we shock the world too greatly. We put on a brave public face and grieve privately; we pretend not to see other people’s pain. We treat each wintering as an embarrassing anomaly that should be hidden or ignored. This means we’ve made a secret of an entirely ordinary process and have thereby given those who endure it a pariah status, forcing them to drop out of everyday life in order to conceal their failure. Yet we do this at a great cost. Wintering brings about some of the most profound and insightful moments of our human experience, and wisdom resides in those who have wintered.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
They walked him into the cane and then turned him around. He tried to stand bravely... They looked at Oscar and he looked at them and then he started to speak. The words coming out like they belonged to someone else, his Spanish good for once. He told them that what they were doing was wrong, that they were going to take a great love out of the world. Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him. He told them about Ybón and the way he loved her and how much they had risked and that they'd started to dream the same dreams and say the same words. He told them that it was only because of her love that he'd been able to do the thing that he had done, the thing they could no longer stop, told them if they killed him they would probably feel nothing and their children would probably feel nothing either, not until they were old and weak or about to be struck by a car and then they would sense him waiting for them on the other side and over there he wouldn't b no fatboy or dork or kid no girl had ever loved; over there he'd be a hero, an avenger. Because anything you can dream (he put his hand up) you can be. They waited respectfully for him to finish and then they said, their faces slowly disappearing in the gloom, Listen, we'll let you go if you tell us what "fuego" means in English. Fire, he blurted out, unable to help himself. Oscar—
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Gabe's face flashed into my mind, and I knew that Asher and Gabe had both been right about my feelings. Gabe would do anything to save me, even put his life at risk for mine. He would do all that for a girl who'd never kissed him, or been brave enough to take a chance on him. Suddenly, I regretted that immensely.
Corrine Jackson (Ignited (Sense Thieves #3))
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
Empurpled rapturous hills I guess and the long day brushstroke by brushstroke enfeebling into darkness and then the fires blooming on the pitch plains. In the beautiful blue night there was plenty of visiting and the braves was proud and ready to offer a lonesome soldier a squaw for the duration of his passion. John Cole and me sought out a hollow away from prying eyes. Then with the ease of men who have rid themselves of worry we strolled among the Indian tents and heard the sleeping babies breathing and spied out the wondrous kind called by the Indians winkte or by white men berdache, braves dressed in the finery of squaws. John Cole gazes on them but he don’t like to let his eyes linger too long in case he gives offence. But he’s like the plough-horse that got the whins. All woken in a way I don’t see before. The berdache puts on men’s garb when he goes to war, this I know. Then war over it’s back to the bright dress. We move on and he’s just shaking like a cold child. Two soldiers walking under the bright nails of the stars. John Cole’s long face, long stride. The moonlight not able to flatter him because he was already beautiful.
Sebastian Barry (Days Without End: AN IRISH TIMES BEST IRISH BOOK OF THE 21ST CENTURY)
Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I didn't look back, I took Rhys's hand and faced ahead. He and I would have our own adventures, and I'd be brave as I could be. Meryl would visit sometimes and tell me her tales. I'd weave her adventures and mine into tapestries. I'd put both of us in them, back to back, Meryl fighting her monsters and I fighting mine. And perhaps one day someone would make up verses about us, and we'd be together again, the two princesses of Bamarre.
Gail Carson Levine (The Two Princesses of Bamarre (The Two Princesses of Bamarre, #1))
Sam turned quickly. 'And you, Ferny,' he said, 'put your ugly face out of sight, or it will get hurt.' With a sudden flick, quick as lightning, an apple left his hand and hit Bill square on the nose. He ducked too late, and curses came from behind the hedge. 'Waste of a good apple,' said Sam regretfully, and strode on.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Mostly, we have put on a brave face with a wide grin and went on with life, as best we could.
Dr. Patricia Dsouza Lobo (When Roses are Crushed)
I know I put on a brave face.. But that’s only because sometimes I don’t let myself know how scared I’m
Paul Kupperberg (Archie: The Married Life Book 4 (The Married Life Series))
Don’t crawl into that tiny small dark hole. By not facing fears, matters will only become worse. Instead, be brave, find the strength to become strong, to fight back, and find your voice to ask for help. Accomplish overcoming your fears. In return, you will put such a wonderful warm light in your tiny dark room that you will evolve into a courageous survivor.
Michelle Moschetti (Geri's Scars)
Stiff upper lip, put on a brave face and pretend that if you can ignore the horrors of the past and think only of the future, then you too will be all right. This was an island of crazy people.
Louise Hare (This Lovely City)
I know you are more feminine than the other boys. I know you love dresses and flowers and playing with your grandmother’s jewelry. And I love that about you. There is absolutely nothing wrong with who you are, and I will support you no matter what. But I also want to help you understand the world you’re growing up in. You are growing up in a world where many people—your brother, your father, your classmates, your peers, random strangers on the street, you name it—are going to be hostile toward you because of your femininity. People are going to spend most of your life making you feel less than. Knowing that, I want to help you make an informed decision. Would you rather go as a more socially acceptable costume, like a pumpkin or some equally stupid vegetable, thereby avoiding the torment of your peers? Or are you ready to put on a dress and bravely face the world? Whatever you choose, I will support you and love you and hug you when it feels like too much. Okay?”*
Jacob Tobia (Sissy: A Coming-of-Gender Story)
You can see by these things that she was of a rather vain and frivolous character; still, she had virtues, and enough to make up, I think. She had a kind heart and gentle ways, and never harbored resentments for injuries done her, but put them easily out of her mind and forgot them; and she taught her children her kindly way, and from her we learned also to be brave and prompt in time of danger, and not to run away, but face the peril that threatened friend or stranger, and help him the best we could without stopping to think what the cost might be to us. And she taught us not by words only, but by example, and that is the best way and the surest and the most lasting. Why, the brave things she did, the splendid things! she was just a soldier; and so modest about it—well, you couldn't help admiring her, and you couldn't help imitating her; not even a King Charles spaniel could remain entirely despicable in her society. So, as you see, there was more to her than her education.
Mark Twain (A Dog's Tale)
When the Guard convinced you fate was not on our side, you parted ways with me and saw fit to make me suffer,' Percy stated. The pain on Alexi's face worsened, and he opened his mouth to refute her. She put her hands lovingly on his cheeks. 'We survived. Our love survived. And we shall again.' He stared at her in wonder. 'How did my dear girl grow so brave?' Percy grinned. 'Didn't you hear? The meek shall inherit the earth.
Leanna Renee Hieber (The Darkly Luminous Fight for Persephone Parker (Strangely Beautiful, #2))
And I couldn’t even deal with that feeling because I had to put on my brave face for my sisters. What had I said it was like? Pulling on a familiar coat? Well, set the coat on fire and fill the pockets with lead. That was what I wore in the face of my sisters.
Kiera Cass (The Siren)
WHAT did it cost the soul to lie? At every step, with every breath, with every Soviet Information Bureau report, with every casualty list and every monthly ration card? From the moment Tatiana woke up until she fell into a bleary sleep, she lied. She wished Alexander would stop coming around. Lies. She wished he would end it with Dasha. Alas. More lies. No more trips to St. Isaac’s. That was good news. Lies. No more tram rides, no more canals, no more Summer Garden, no more Luga, no more lips or eyes or palpitating breath. Good. Good. Good. More lies. He was cold. He had an uncanny ability to act as if there were nothing behind his smiling face, or his steady hands, or his burned-down cigarette. Not a twitch showed on his face for Tatiana. That was good. Lies. Curfew was imposed on Leningrad at the beginning of September. Rations were reduced again. Alexander stopped coming every day. That was good. More lies. When Alexander came, he was extremely affectionate with Dasha, in front of Tatiana and in front of Dimitri. That was good. Lies. Tatiana put on her own brave face and turned it away and smiled at Dimitri and clenched her heart in a tight fist. She could do it, too. More lies. Pouring tea. Such a simple matter, yet fraught with deceit. Pouring tea, for someone else before him. Her hands trembled with the effort. Tatiana wished she could get out from the spell that was Leningrad at the beginning of September, get out from the circle of misery and love that besieged her. She loved Alexander. Ah, finally. Something true to hold on to.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
...let’s try bravely putting out the light. When the lights go out, that’s the end of the masquerade ball. In the dark, with neither face nor mask, I should like us to try to reestablish relations with each other. I should like to believe the new melody that comes to me from the darkness.
Kōbō Abe (The Face of Another)
FLY A HELICOPTER? SURE, WHY NOT. Leo had done plenty of crazier things that week. The sun was going down as they flew north over the Richmond Bridge, and Leo couldn’t believe the day had gone so quickly. Once again, nothing like ADHD and a good fight to the death to make time fly. Piloting the chopper, he went back and forth between confidence and panic. If he didn’t think about it, he found himself automatically flipping the right switches, checking the altimeter, easing back on the stick, and flying straight. If he allowed himself to consider what he was doing, he started freaking out. He imagined his Aunt Rosa yelling at him in Spanish, telling him he was a delinquent lunatic who was going to crash and burn. Part of him suspected she was right. “Going okay?” Piper asked from the copilot’s seat. She sounded more nervous than he was, so Leo put on a brave face.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
I want to talk with you today about a subject that touches every one of us. Loss. Sometimes we are faced with things we think we just can't handle... The death of a loved one, a father, a child, and we strive to find the reason behind it all. And when those reasons don't make sence, we question God. We look up and we say, "God, how could You do this to us? "How can You put so much on our plate?" But we're not operating on God's timetable, are we? We don't understand God's plan. How can we? And let me tell you, this is where faith comes in. Faith can help us see His message in our own lives. Perhaps this loss is there to teach us not to take the ones we love for granted, to cherish the simple, mundane moments, to love others as fiercely and as bravely and as compassionately as we can. And in that love, human love, forgiving, relentless, unconditional love, you'll find peace.
Chaplain Orlovsky
Alec walked Catarina to the door, where she gave him a long look. "Magnus Bane," she said, "is like a cat." Alec raised his eyebrows. "He'll never let you know how much pain he's in. He'll put on a brave face, even to his own detriment." She put her hand on Alec's shoulder. "I'm glad you're here to take care of him now. I worry about him a little less these days." "If you think I can make Magnus do what I say," Alec said with a smile, "you have been sadly misinformed. He'll listen to me, but he does what he likes. I guess that's another way he's like a cat." Catarina nodded and said, deadpan, "Also, he has cat eyes.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
Everyone grieves differently. No one handles the loss of a loved one the same. Some put on a brave face for others, keeping everything internal. Others let it all out at once and shatter, only to pick up the pieces just as quickly as they came apart. Still others don’t grieve at all, implying they are incapable of emotion.
T.J. Klune (Into This River I Drown)
Ms. Parks leaned back, smiling. "Oooh honey, all that's going to make you tired, tired, tired." We all laughed, I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked to me just like my grandmother used to talk to me. She said, "That's why you've got to be brave, brave, brave.
Bryan Stevenson (Just Mercy)
Don’t be like this, okay, Lilith? Not with me.” I don’t know what he means. I shake my head, unable to speak, to say a fucking word, the tears falling faster, hot and wet down my face, buried against his chest. “Don’t try to pretend you’re okay when you’re not,” he says, his words rumbling from his chest, vibrating through me. “Don’t try to be so brave all the time, okay, baby? You don’t have to be. We got…” He stops for a second, and when he starts again, his voice is hoarse, nearly choked, so much emotion that he can barely get the words out. “We got fucked up, okay? We got fucked up, and you didn’t deserve it. You didn’t deserve any of it. And I’m so sorry I couldn’t help you. I’m so sorry you were here, so close to me, and I had no idea…I’m so fucking sorry. But you can fall apart with me, Lilith. Okay? You can fucking fall apart and I’ll put you back together, over and over and over again, scars and all.” He pulls away from me, spins me around, pulls me back to his chest, his arms wrapped around the front of me. “We’ll figure this all out, okay? Everything. When your memories come flooding back, tell me. Talk to me. And as for the other shit, you can meet Finn if you want, or if you don’t, that’s okay, too. And we’ll, ya know, go see a movie and go on a fucking date and do nice, normal things.
K.V. Rose (Pray for Scars (Unsainted, #2))
Ms. Parks leaned back, smiling. “Ooooh, honey, all that’s going to make you tired, tired, tired.” We all laughed. I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked to me just like my grandmother used to talk to me. She said, “That’s why you’ve got to be brave, brave, brave.
Bryan Stevenson (Just Mercy)
The world should know,' I said. 'The world should know how good you are, Rhysand- how wonderful all of you are.' 'I can't tell if I should be worried that you're saying such nice things about me. Maybe the king's taunting did get to you.' I pinched his arm, and he let out a low laugh before raising my face to study my eyes. He angled his head. 'Should I be worried?' I put a hand to his cheek once more, the silken skin now warm. 'You are selfless, and brave, and kind. You are more than I ever dreamed for myself, more than I...' The words choked off, and I swallowed, taking a deep breath. I wasn't sure if he needed to hear it after what the king had said, but I needed to say it.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
and leader? It was the worst time of Neymar Jr’s young life, but he put on a brave face. He had to stay positive, for the sake of the nation. ‘It’s a very difficult time for me,’ he told the fans in a video, ‘but the dream is not over yet. I’m confident that my teammates will win and become champions. We, the Brazilian people, will be celebrating soon!
Matt Oldfield (Road to the World Cup (Ultimate Football Heroes - the Number 1 football series): Collect them all!)
Women who get arrested and disappear because they dare to take a scarf off their head in Iran. Women who are arrested and disappear because they drive a car in Saudi Arabia. Women who are arrested or killed for showing their face and hair on social media in Pakistan or Iraq. Those brave women exist all around us, and they want nothing more than to be supported by feminists in the West. ... The free West, where these brave girls used to look to as beacons of light and hope, is supporting their oppressors and ultimately fighting against their progress. In Saudi Arabia, women are burning their niqabs. In Iran, women tie their hijabs on sticks and sway them silently, defiantly in the streets as they are arrested in droves. In the West, we put a Nike swoosh on hijabs.
Yasmine Mohammed (بی‌حجاب: چگونه لیبرال‌های غرب بر آتش اسلام‌گرایی رادیکال می‌دمند)
They had no relish for gossiping about their acquaintance and even politics seemed a little dull. In short they felt that they should like to have the pleasure of looking at Lady Pole again, and so they told Sir Walter – rather than asked him – that he missed his wife. He replied that he did not. But this was not allowed to be possible; it was well known that newly married gentlemen were never happy apart from their wives; the briefest of absences could depress a new husband's spirits and interfere with his digestion. Sir Walter's guests asked each other if they thought he looked bilious and they agreed that he did. He denied it. Ah, he was putting a brave face on it, was he? Very good. But clearly it was a desperate case. They would have mercy on him and go and join the ladies.
Susanna Clarke (Jonathan Strange & Mr Norrell)
All of a sudden, life became too much to bear. Just like that, for no particular reason. Because there was a child’s corpse in the fridge on rue Parthenais. Because I had to start all over again from scratch, one more time. Because I had rolled my rock to the top of the hill and now it was rolling back down again. The times before, I’d always managed to put on a brave face. But there comes a time when you just don’t feel strong enough to look for another place to live and go shopping again for clothes and dishes and cutlery and scouring pads and toilet paper. This was one of those times. When I got back to the hotel, I asked the Barbie at reception for the key to the minibar. It burned in the palm of my hand. I slapped it back down on the counter and ran out. I had to find a meeting.
Bernard Émond (8:17 pm, Rue Darling (Essential Translations))
I was stuck in another small town, trapped in another universe populated by the kind of people who’d only ever seen faces like mine on their evening news, and I hated it. I hated the exhausting, lonely months it took to settle into a new school; I hated how long it took for the kids around me to realize I was neither terrifying nor dangerous; I hated the pathetic, soul-sucking effort it took to finally make a single friend brave enough to sit next to me in public. I’d had to relive this awful cycle so many times, at so many different schools, that sometimes I really wanted to put my head through a wall. All I wanted from the world anymore was to be perfectly unremarkable. I wanted to know what it was like to walk through a room and be stared at by no one. But a single glance around campus deflated any hopes I might’ve had for blending in.
Tahereh Mafi (A Very Large Expanse of Sea)
Besides, even if I blocked my thoughts, my eyes would give me away. It was easy to put on a brave face but the eyes were essentially the window to the soul. Your eyes would always betray you; no wonder people avoided eye contact when they had something to hide. The eyes couldn’t fake emotions – surprise, happiness, betrayal, remorse. The list went on and on. Mine were probably screaming anticipation with a hint of irritation.
Shawnda Currie (Broken - Afflictions of the Evolved (The Evolved Trilogy, #2))
Artichokes Until you had been the last ones sitting in the cafe on the corner and she has kissed the dark rum from the rim of your glass and schooled you in the art of eating artichokes until then, you are not yet a woman. Until you put soft leaf to lip touch tongue to flesh, bite the lobe, swallow the juice she says will purify you until you open it up, sigh at the color, see it’s very middle and learn what fingers are best at until you reach further still into that thick, hot heart life has not yet started. Before you had been promised. Before she is a liar. Before you are dismantled, fixed and broke again you are not yet a lover. Remember on the right night and under the right light any idea can seem like a good one and love love is mostly ill-advised but always brave. The most important thing to do is not to worry. The lines on your face will never stop the sun from coming up. Your tears cannot affect the weather. There are wars going on. The one in your body is the only one you can be sure of losing or winning, then losing again. You drink more water than rum these days, don’t you? But you drink to her memory, don’t you? And you only take artichokes in salad. Never whole. Not in a cafe on a dusky street at midnight. Not with her. Never with her, or anyone like her.
Yrsa Daley-Ward (Bone)
She looked at him bravely now for the first time, at his face, the face from which a child had fled, and drew breath. She rose. Her eyes filled. She knew. He took her in his arms and kissed her ardently. Men in their hosts, young and old, innocent and corrupt, had paid her for her favors, but she put her arms about him of her own free will as though to give him what she could in recompense for this, the last gift she guessed, of his manhood.
Glendon Swarthout (The Shootist)
In ‘Colonization in Reverse’41 (a famous poem much anthologized) the speaker is presented as a more or less reliable commentator who implies that Jamaicans who come to ‘settle in de motherlan’ are like English people who settled in the colonies. West Indian entrepreneurs, shipping off their countrymen ‘like fire’, turn history upside down. Fire can destroy, but may also be a source of warmth to be welcomed in temperate England. Those people who ‘immigrate an populate’ the seat of the Empire seem, like many a colonizer, ready to displace previous inhabitants. ‘Jamaica live fi box bread/Out a English people mout’ plays on a fear that newcomers might exploit the natives; and some of the immigrants are—like some of the colonizers from ‘the motherland’—lazy and inclined to put on airs. Can England, who faced war and braved the worst, cope with people from the colonies turning history upside down? Can she cope with ‘Colonizin in reverse’?
Mervyn Morris (Miss Lou: Louise Bennett and the Jamaican Culture)
If there’s one thing I regret it’s not having told my father how much I admired and loved him. My only gesture of affection was a quick kiss on the forehead two days before he died. The kiss tasted like sugar and I felt like a thief who furtively stole something that no longer belong to anybody. Why do we hide our feelings? Out of cowardice? Out of egotism? With a mother it’s different: we cover her with flowers, gifts and sweet phrases. What is it that prevents us from affectionately confronting our father and telling him, face to face, how much we love or admire him? On the other hand, why do we curse him under our breath when he puts us in our place? Why do we react with wickedness and not affection when the occasion presents itself? Why are we brave with taunts and cowards with affection? Why did I never tell my father these things but I tell them to you, who are probably too young to understand them yet? One night I wanted to speak to my father ion his room but found him asleep. As I quietly began to leave the room, I heard my sleeping father, in a desperate voice, say: “No, papa, no!” What strange, agitated dream was my father experiencing with his father? And if one thing caught my attention, beyond the enigma of the dream, was that my father was seventy-eight years old at that time and my grandfather had been dead for at least a quarter of a century. Does a man have to die to speak to his father?
Juan Gabriel Vásquez (La forma de las ruinas)
Exhibiting nervousness would amount to weakness in public perception and nobody liked a weak leader. Showing bravado was the norm among Tamil Nadu politicians when faced with court cases. Even in the face of mounting evidence against them, they would behave as if it was business-as-usual. And if the verdict went against them, their usual refrain would be “judgement had been ‘bought’ rather than delivered.” Sesha could not stoop to their level, but still he had to put up a brave front at least till the judgement was delivered.
Hariharan Iyer (Surpanakha)
I would never admit to him how hard it was for me when he was gone—how it brought back the abandonment nightmares. If he knew that, it would make him feel horrible and he would be afraid to ever leave me, even for the most necessary reasons. It had been like that in the beginning, when he’d first returned from Italy. His golden eyes had turned black and he’d suffered from his thirst more than it was already necessary that he suffer. So I put on a brave face and all but kicked him out the door whenever Emmett and Jasper wanted to go.
Stephenie Meyer (Eclipse (Twilight, #3))
The thing looked around vacantly with its one eye, as if it had lost her. Finally it saw her, and, as if making a great effort, it opened its mouth once more and said in a wet, urgent voice, 'Run, child . . . She is pushing pushing me so hard to hurt you. I cannot fight her.' 'You can, said Coraline. 'Be brave.' She looked around: the thing that had once been the other father was between her and the steps up and out of the cellar. She started edging along the wall, heading towards the steps. The thing twisted bonelessly until one eye was facing her. It seemed to be getting bigger now, and more awake. 'Alas,' it said. 'I cannot.' Coraline had a single heartbeat in which to react. She could only think of two things to do. Either she could scream, and try to run away, and be chased around a badly lit cellar by the huge grub-thing - be chased until it caught her. Or she could do something else. So she did something else. As the thing reached her, Coraline put out her hand and closed it around the thing's remaining button-eye, and she tugged, as hard as she knew how.
Neil Gaiman (Coraline)
As the last passengers boarded the aircraft, the constant slamming of the overhead bins started to hurt Hero's ears. The infant began to cry, and everyone in the cabin glared in Jack and Goldilocks's direction. "Everyone is looking at us like we've personally offended them," Jack remarked. "It's because you brought a baby on a plane," Bree said. "They're worried he's going to cry the whole way to New York." Goldilocks was not going to put up with this. She passed Hero to Jack and stood in the aisle where all the passengers could see her. "Now, wait just one Hickory Dickory second," she called out. "I don't care if you have to listen to my baby cry! Eight days ago I experienced the worst pain humanly possible by pushing him out of my body! It's something all mothers must endure for the survival of our species! It's natural, it's brave, it's beautiful, and I will NOT be disrespected for it! Now, I suggest you all wipe those foul looks off your faces or YOU"LL be the ones crying all the way to New York!" "I'd listen to my wife if I were you," Jack added. "She's on caffeine." All the passengers quickly diverted their gazes elsewhere. Bree tried to start a round of applause for Goldilocks, but no one joined her.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together? Imperious Alice tumbles forth Her edict “we will end it”— In wistful tones her people hope “There will be justice in it”— While her men carry on the tale And also help begin it. Shit, this sudden war's begun, In ire giving chase The young woman moving through a land Of wonders dark and base, In friendly tryst with man and beast— The darkness she would face. And ever, as the story changed The wells of knowledge lie, And hearty strove that weary one To put her subjects by, “I am not brave—” “True fear is fine!” The frightened voices cry. Thus grew the tale of Underland: Thus slowly, one by one, Its queer events are fucking wrote— The tale is far from done, And home is where, the girl may ask, As she debates to run. Alice! A terrifying story, And with a skeleton hand Lay it where graveyard's nightmares bury The rebels no longer stand, Like magic's withered throne of corpses Plucked from a far-off land.
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
I Should Have Told You Child, I love you I wished to be with you longer But I had to go to a place up yonder My time on Earth was over There is something I should tell I hope you receive it well Here is a vital fact Not every parent might share Please lend me an ear Learn while you can I want you to know That life comes with its highs and lows Stand for yourself, whether or not it snows Pray more and fast more Trust the Lord your God When storms come your way Do not doubt your faith Put on a brave face Run in the right lane You shall win the race Be a good learner Always be eager To become an achiever Keep being a dreamer Never fear to be a leader Because you were born to prosper And that my adorable one Is what I should have told you
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Barbaro IN MEMORY OF BARBARO *2003-2007* CHAMPION FOR THE AGES On January 29, 2007, Barbaro's owners, Gretchen and Roy Jackson, were forced to make the painful decision to put down their beloved horse, who had fought valiantly for nearly a year with an injury so great, almost no one believed he'd survived for so long. The odds had finally caught up with this brave animal. The world mourned Barbaro's death, especially his owners and the caretakers who had lovingly tended him from birth, through his training and brilliant racing career, and through his heroic battle againist his devastating injury. But the example Barbaro left for all of us-the courage and grace with which he fought adversity and faced uncertainty-are here for all time. He is a champion for the ages.
Shelley Fraser Mickle
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Whatever happened between you and Keefe yesterday—and I know something happened, so there’s no point trying to deny it—are you going to talk to him about it? And I mean really talk to him and tell him how you feel?” Sophie twisted free. “I don’t—” “Yes, you do,” Edaline insisted. “You don’t even know what I was going to say!” Edaline smiled. “Pretty sure I can guess. And I understand the instinct to hide these kinds of feelings—sometimes even from ourselves. But… I know they’re there. And not just for you.” She pointed to Sophie’s new stuffed elf as evidence—and Sophie could’ve sworn its little smile turned a bit smug. “I’m definitely not trying to tell you what to do or who to choose or put any pressure on you in any way,” Edaline assured her. “I also know that what I’m asking you to do isn’t easy. Having an open conversation about feelings with someone can be really scary. Especially when they’re also your friend. It’s natural to be afraid of getting hurt—or of ruining all the good things you already have. And I can’t guarantee that won’t happen. But”—she reached for Sophie’s arms again—“it’s still super important to have that conversation. Because it’s way too easy to jump to the wrong conclusion. So just… talk to him, okay? I’m not saying right this moment. But don’t let it go too long, either. And I know you’re going to tell me you have all these huge things going on and you need to focus on them, but… this is important. I can tell Keefe is important to you. So just… do what you always do when you’re getting ready to face some epic showdown with the Neverseen.” “You’re comparing this to a battle?” Sophie had to ask. “Why not? Sometimes relationships feel like that. So put your shields up if you need to. But don’t let that stop you from charging headfirst into the unknown. Be bold. Be brave. Be honest. And be you. You’re Sophie Foster. I know you can do this!
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Is it true? Could he be right? Back at the room, I change into my flannel nighty and put on thick socks. I don’t even go wash up. I just turn out the lights and crawl into bed. I can’t fall asleep, though. Every time I close my eyes, I see Peter’s face. How dare he say I need to grow up? What does he know about anything? As if he’s so mature! But…is he right about me? Do I only like the boys I can never have? I’ve always known Peter was out of my reach. I’ve always known he didn’t belong to me. But tonight he said he liked me. The thing I’ve been hoping for, he said it. So why didn’t I just tell him I liked him back when I had the chance? Because I do. I like him back. Of course I do. What girl wouldn’t fall for Peter Kavinsky, handsomest boy of all the Handsome Boys. Now that I really know him, I know he’s so much more than that. I don’t want to be afraid anymore. I want to be brave. I want…life to start happening. I want to fall in love and I want a boy to fall in love with me back.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Both this saint and this sinner, then, see proportionality as a pathway. For Augustine, it shows rulers, however deeply into iniquity they may have descended, the way back from the City of Man to the City of God. Machiavelli doesn’t imagine communities “that have never been seen or known to exist,” 52 but he does seek virtù, by which he means doing what’s required when facing necessity but not in all respects at its mercy. It’s here that he’s most original—and most brave. As Machiavelli’s finest translator has put it: “[ J] ustice is no more reasonable than what a person’s prudence tells him he must acquire for himself, or must submit to, because men cannot afford justice in any sense that transcends their own preservation.” 53 The cagey Florentine might have appreciated, for its literary qualities, Charles Dickens’s A Tale of Two Cities. But he’d have thought it careless in the extreme for Sydney Carton, that novel’s hero, to submit so gallantly at the end, to the sound of knitting, to his own disassembly. 54
John Lewis Gaddis (On Grand Strategy)
In the movie La La Land, Mia has to put on a brave face at auditions, then put on her best clothes and go out on the town with the little money she could scrounge up, trying to find a way to meet the difference-makers in Hollywood. Even when she was about ready to give up, she ultimately came back for one more reading, the one that made her a big star. Almost every Hollywood actor who is successful today has a real-life story like that. Their goal was the same as everyone in the business world: to land a big fish. People noticed Natalie Portman and John Wayne the way they eventually noticed Mia. No one would have bought what she was selling if she hadn’t presented herself like a winner, even when she was on the verge of moving back into her parents’ place in Boulder City. My mom will tell you I wanted to be a millionaire by seven years old. It was always on my mind. So from day one of my business career I acted the part. I had no money but I dressed like a professional. I wore a suit, which was the thing to do back then. It wasn’t anything fancy, but it was pressed and clean. Bottom line is, if you’re shooting for the moon, you better act like an astronaut.
Bill Green (All in: 101 Real Life Business Lessons For Emerging Entrepreneurs)
How is my English?” Tatiana asked Alexander in English. “It’s good,” Alexander replied in English. It was late morning. They were walking through the dense deciduous riverbank woods a few kilometers from home, with two buckets for blueberries, and they were supposed to be talking only in English, but Tatiana backtracked and said in Russian, “I’m reading much better than I’m talking, I think. John Stuart Mill is simply unreadable now instead of unintelligible.” Alexander smiled. “That’s a fine distinction.” He yanked up a couple of mushrooms. “Tania, can we eat these?” Taking them out of his hands and throwing them back on the ground, Tatiana said, “Yes. But we will only be able to eat them once.” Alexander laughed. She said, “I have to teach you how to pick mushrooms, Shura. You can’t just rip them out of the ground like that.” “I have to teach you how to speak English, Tania,” said Alexander. In English, Tatiana continued, “This is my new husband, Alexander Barrington.” And in English, Alexander replied with a smile of pleasure on his face, “And this is my young wife, Tatiana Metanova.” He kissed the top of her braided head and in Russian said, “Tatiana, now say the other words I taught you.” She turned the color of a tomato. “No,” she stated firmly, in English. “I am not saying them.” “Please.” “No. Look for blueberries.” Still in English. She saw that Alexander couldn’t have been less interested in blueberries. “What about later? Will you say them later?” he asked. “Not now, not later,” Tatiana replied bravely. But she was not looking at him. Alexander drew her to him. “Later,” he continued in English, “I will insist that you please me by using your English-speaking tongue in bed with me.” Struggling slightly against him, Tatiana said in English, “It is good I am not understand what you say to me.” “I will show you what I mean,” said Alexander, putting down his bucket. “Later, later,” she acquiesced. “Now, pick up your backet. Collect blueberries.” “All right,” he said in English, not letting go of her. “And it’s bucket. Come on, Tania. Say the other words.” He held her. “Your shyness is an aphrodisiac to me. Say them.” Tatiana, breathless inside and out, said, “All right,” in English. “Pick up your bucket. Let us go house. I will practice love with you.” Alexander laughed. “Make love to you, Tania. Make love to you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.' I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them. 'Elain said- said you went to visit me, though. That you tried.' Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.' My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.' 'I got to the wall. I couldn't find a way through.' I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?' She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.' 'You did that- for me?' Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me. ... I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I had a weapon with me, but--- I lost it." For the briefest of moments, she looked confused. I cannot say for certain--- my memory of these moments is poor, and also, I have never been skilled at reading others. But I am, of course, an expert in the ways of the Folk. And whatever else she might be, the woman before me was inarguably Folk. "What was it?" she said. "A horn," I replied. "The horn of a faun." She did not move, though something in her face relaxed. "That would have been a fearsome weapon indeed, for one brave enough to wield it. Pity." I nodded. "Fortunately, I had made a little powder from the tip, which I had in my pocket before you came in." It was not my imagination--- the queen was visibly tired, exhausted even. It had come on quickly. She seemed to make an effort to focus on me. And then I saw the moment she understood. Her hand clenched around the fine tablecloth. "You---" "Yes," I said. "I put it in the wine. At least, I'm fairly certain I did--- you'll have to excuse me, but Faerie does not agree with my memory. Of course, I did not know you would come here to taunt me--- but I thought it a possibility. I suppose you were right: the capacity for forethought is an advantage we mortals have over the Folk.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
One had heard and read a great deal about death, and even seen a little of it, and knew by heart the thousand commonplaces of religion and poetry which seemed to deaden one's senses and veil the horror. Society being immortal, could put on immortality at will. Adams being mortal, felt only the mortality. Death took features altogether new to him, in these rich and sensuous surroundings. Nature enjoyed it, played with it, the horror added to her charm, she liked the torture, and smothered her victim with caresses. Never had one seen her so winning. The hot Italian summer brooded outside, over the market-place and the picturesque peasants, and, in the singular color of the Tuscan atmosphere, the hills and vineyards of the Apennines seemed bursting with mid-summer blood. The sick-room itself glowed with the Italian joy of life; friends filled it; no harsh northern lights pierced the soft shadows; even the dying women shared the sense of the Italian summer, the soft, velvet air, the humor, the courage, the sensual fulness of Nature and man. She faced death, as women mostly do, bravely and even gaily, racked slowly to unconsciousness, but yielding only to violence, as a soldier sabred in battle. For many thousands of years, on these hills and plains, Nature had gone on sabring men and women with the same air of sensual pleasure.
Henry Adams (The Education of Henry Adams)
There is an untapped beauty which lies just below the surface of the face of the ability to strip oneself of all of the veils that one covers himself/herself in before looking into the mirror. I wrote something many years ago, which has to do with the mermaid speaking to the white witch: "I am a mermaid and I know what I am but you are a white witch draped in silver robes"... it was about how people lie to themselves about who they are. They cover themselves in silver linings, in silver veils, in silver robes, while the cauldron they stir comes from hell! This piece that I wrote has since become exceedingly popular and exaggeratedly quoted. But even when we are mermaids, we still need to stop and look into the mirror and remove the silver lining we outline ourselves in, so that we can see who we really are, practice what we really are, thus becoming authentic through-and-through. Because this is the only way that we can reach our full capacities to enliven what we are capable of becoming and being. We often believe that silver linings are what enables us; nevertheless, silver linings often hold us down. Silver is heavy metal. Imagine all you could be, if you could be YOUR ACTUAL SELF. Who are you without your silver paint and paintbrush? It is a very liberating practice, a practice I am most eager to continue cultivating within me. Who are you without all of the adjectives you add to your existence? How do you move? What is that look in your eyes? Does your heartbeat match the pulses of the Sun? You'll never know until you put down your paintbrush.
C. JoyBell C.
All at once I recognized the face I’d only glimpsed at my uncle’s table. “Sir, are you--are you Iolaus, great Herakles’s nephew?” He gave an uncomfortable laugh and scratched his head. “I can’t deny it. How did you know me?” “I saw you at dinner.” That was the truth, even if he’d believe I’d done so from a place at the servants’ table, not the king’s. “I’ve heard the poets sing of your exploits. It’s an honor to meet you.” His mouth curved into a charming smile. “The real honor would be to meet Herakles. Surely you’ve heard what some of the other hunters say about me? That Lord Oeneus allowed me to join the hunt only because of my uncle’s deeds, not mine.” “If you ask me, some of the men who scoff at you wouldn’t fare so well if anyone looked closely at their claims to fame,” I replied hotly. “Everyone knows that you were the one who helped Herakles slay the nine-headed Hydra!” “Yes, well…” He took a deep breath. “Lad, did you ever see a nine-headed beast of any sort, mouse or monster?” “No, but--” “No one has, including me and my uncle. But the poets who sing for their living know they won’t earn a full belly from spinning tales about how Herakles and his nephew slew an ordinary swamp snake; a monstrously big swamp snake, as thick around the body as a pillar, but with just one head, after all.” “Oh.” I was deeply disappointed. “Now, now, cheer up.” Iolaus put on a jolly face. “No need to lose heart just because my adventures are such trivial things. All the more reason for you to grow up strong and brave and perform truly heroic deeds. Show the rest of us how it’s done, eh?
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Yesterday, after he had gone, they emerged into the verandah fresh from Moses and bursting with eagerness to tell me all about it. "Herr Schenk told us to-day about Moses," began the April baby, making a rush at me. "Oh?" "Yes, and a boser, boser Konig who said every boy must be deaded, and Moses was the allerliebster." "Talk English, my dear baby, and not such a dreadful mixture," I besought. "He wasn't a cat." "A cat?" "Yes, he wasn't a cat, that Moses—a boy was he." "But of course he wasn't a cat," I said with some severity; "no one ever supposed he was." "Yes, but mummy," she explained eagerly, with much appropriate hand- action, "the cook's Moses is a cat." "Oh, I see. Well?" "And he was put in a basket in the water, and that did swim. And then one time they comed, and she said—" "Who came? And who said?" "Why, the ladies; and the Konigstochter said, 'Ach hormal, da schreit so etwas.'" "In German?" "Yes, and then they went near, and one must take off her shoes and stockings and go in the water and fetch that tiny basket, and then they made it open, and that Kind did cry and cry and strampel so"—here both the babies gave such a vivid illustration of the strampeln that the verandah shook—"and see! it is a tiny baby. And they fetched somebody to give it to eat, and the Konigstochter can keep that boy, and further it doesn't go." "Do you love Moses, mummy?" asked the May baby, jumping into my lap, and taking my face in both her hands—one of the many pretty, caressing little ways of a very pretty, caressing little creature. "Yes," I replied bravely, "I love him." "Then I too!" they cried with simultaneous gladness, the seal having thus been affixed to the legitimacy of their regard for him.
Elizabeth von Arnim (The Solitary Summer)
I barely remember drawing this." Daniel sounded disappointed in himself. "I don't know what it is any more than you do." "I'm sure that once you get there, you'll be able to figure it out," Gabbe said, trying hard to be encouraging. "We will," Luce said. "I'm sure we will." Gabbe blinked, smile, and went on. "Roland, Annabelle, and Arriane-you three will go to Vienna. That leaves-" Her mouth twitched as she realized what she was about to say, but she put on a brave face anyway. "Molly, Cam, and I will take Avalon." Cam rolled back his shoulders and let out his astoundingly golden wings with a great rush, slamming into Molly's face with his right wing tip and sending her lunging back five feet. "Do that again and I will wreck you," Molly spat, glaring at a carpet burn on her elbow. "In fact-" She started to go for Cam with her fist raised but Gabbe intervened. She wrenched Cam and Molly apart with a put-upon sigh. "Speaking of wrecking, I would really rather not have to wreck the next one of you who provokes the other"-she smiled sweetly at her two demon companions-"but I will. This is going to be a very long nine days." "Let's hope its long," Daniel muttered under his breath. Luce turned to him. The Venice in her mind was out of a guidebook: postcard of boats jostling down canals, sunsets over tall cathedral spires, and dark-haired girls licking gelato. That wasn't the trip they were about to take. Not with the end of the world reaching out for them with razor claws. "And once we find all three of the relics?" Luce said. "We'll meet at Mount Sinai," Daniel said, "unite the relics-" "And say a little prayer that they shed any light whatsoever on where we landed when we fell," Cam muttered darkly, rubbing his forehead. "At which point, all that's left is somehow coaxing the psychopathic hellhound holding our entire existence in his jaw that he should just abandon his silly scheme for universal domination. What could be simpler? I think we have every reason to feel optimistic.
Lauren Kate (Rapture (Fallen, #4))
I gesture with the jacket. “Do you want me to leave this somewhere?” I only ask it because it’s polite. I don’t want him to say yes. I don’t know what exactly it is I want him to say, only for it to be something that gives me an excuse to stay here watching him for a few more minutes. Admitting this to myself is a sharp blow to my pride, as, with the exception of my six-year-old self’s desire to marry Dr. Halsal, I’d always thought I was above being fascinated by anyone but myself. On the other side of the stall door, Sean looks up and down the aisle, as if he’s scouting for a place for me to hang the jacket, but then he frowns at me as if that wasn’t what he was looking for at all. “I’m nearly done. Can you wait?” I try not to stare at where his hand rests on the red stallion’s neck. It’s a warning, the way his fingers lean into his skin, telling Corr to keep his distance, but it’s a comfort as well, the way that I would touch Dove to remind her just that I’m there. The difference, though, is that Corr killed a man yesterday morning. I say, “I suppose I have one minute or two to put together.” Sean does the sweep of his eyes that he does, the one that goes from my head to my toes and back again and makes me feel that he’s scanning the depths of my soul and teasing out my motivations and sins. It’s worse than confession with Father Mooneyham. At the end of it, he says, “If you help, this will go faster.” There is a little narrowing to his eyes at the end of it that makes me understand that this is a test. Whether or not I’m brave enough to go into the stall with Corr after yesterday morning, after I’ve had time to think about what happened. The thought of it makes my pulse trip. The question is not if I trust Corr. The question is if I trust Sean. “What would helping look like?” I answer, and Sean’s face clears like a fair day over Skarmouth. He spits on his fingers again and pushes Corr toward the back wall of the stall to give me room to open the door. I stand inside the stall.
Maggie Stiefvater (The Scorpio Races)
Standing at the window overlooking the lawn, Jordan and Alexandra Townsende watched the couple heading toward them. “If you’d asked me to name the last man on earth I would have expected to fall head over heels for a slip of a girl, it would have been Ian Thornton,” he told her. His wife heard that with a sidewise look of extreme amusement. “If I’d been asked, I rather think I would have named you.” “I’m sure you would have,” he said, grinning. He saw her smile fade, and he put his arm around her waist, instantly concerned that her pregnancy was causing her discomfort. “Is it the babe, darling?” She burst out laughing and shook her head, but she sobered again almost instantly. “Do you think,” she asked pensively, “he can be trusted not to hurt her? He’s done so much damage that I-I just cannot like him, Jordan. He’s handsome, I’ll grant you that, extraordinarily handsome-“ “Not that handsome,” Jordan said, stung. And this time Alexandra dissolved in mirth. Turning, she wrapped her arms around him and kissed him soundly. “Actually, he rather reminds me of you,” she said, “in his coloring and height and build.” “I hope that hasn’t anything to do with why you can’t like him,” her husband teased. “Jordan, do stop. I’m worried, really I am. He’s-well, he almost frightens me. Even though he seems very civilized on the surface, there’s a forcefulness, maybe even a ruthlessness beneath his polished manners. And he stops at nothing when he wants something. I saw that yesterday when he came to the house and persuaded Elizabeth to agree to marry him.” Turning, Jordan looked at her with a mixture of intent interest, surprise, and amusement. “Go on,” he said. “Well, at this particular moment he wants Elizabeth, and I can’t help fearing it’s a whim.” “You wouldn’t have thought that if you’d seen his face blanch the other night when he realized she was going to try to brave society without his help.” “Really? You’re certain?” “Positive.” “Are you certain you know him well enough to judge him?” “Absolutely certain,” he averred. “How well do you know him?” “Ian,” Jordan said with a grin, “is my sixth cousin.” “Your what? You’re joking! Why didn’t you tell me before?
Judith McNaught (Almost Heaven (Sequels, #3))
Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.” “I don’t see all your weapons,” said Reepicheep. “Are they invisible too?” The words were scarcely out of his mouth before they heard a whizzing sound and next moment a spear had stuck, quivering, in one of the trees behind them. “That’s a spear, that is,” said the Chief Voice. “That it is, Chief, that it is,” said the others. “You couldn’t have put it better.” “And it came from my hand,” the Chief Voice continued. “They get visible when they leave us.” “But why do you want me to do this?” asked Lucy. “Why can’t one of your own people? Haven’t you got any girls?” “We dursen’t, we dursen’t,” said all the Voices. “We’re not going upstairs again.” “In other words,” said Caspian, “you are asking this lady to face some danger which you daren’t ask your own sisters and daughters to face!” “That’s right, that’s right,” said all the Voices cheerfully. “You couldn’t have said it better. Eh, you’ve had some education, you have. Anyone can see that.” “Well, of all the outrageous--” began Edmund, but Lucy interrupted. “Would I have to go upstairs at night, or would it do in daylight?” “Oh, daylight, daylight, to be sure,” said the Chief Voice. “Not at night. No one’s asking you to do that. Go upstairs in the dark? Ugh.” “All right, then, I’ll do it,” said Lucy. “No,” she said, turning to the others, “don’t try to stop me. Can’t you see it’s no use? There are dozens of them there. We can’t fight them. And the other way there is a chance.” “But a magician!” said Caspian. “I know,” said Lucy. “But he mayn’t be as bad as they make out. Don’t you get the idea that these people are not very brave?” “They’re certainly not very clever,” said Eustace.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
She didn't realize she was weeping until the brother's pained whisper broke the choking silence. "Are they for me?" Her nose was running now. She sniffed, sniffed again, flashed a smile that was too quick, too false. "Are what for you?" "Why, your tears, of course." Oh, Lord. She shook her head, not trusting herself to speak for fear she'd give in to the great, wracking pain that threatened to burst from her. This man, suffering so quietly, so bravely, did not deserve to see tears; he needed hope, comfort, encouragement from her, not an appalling display of weakness. She suddenly felt selfish and ashamed — and guilty, too. After all, the tears were not even for him, poor man. They were for Charles. "I'm not crying," she managed, dabbing at her eyes with the back of her sleeve and staring out the window to hide the evidence. "No?"  He gave a weak smile. "Perhaps I should see for myself." And then she felt them; his fingers, brushing her damp cheek with infinite softness and concern, tracing the slippery track of her sorrow. It was a caress — achingly kind, gentle, sweet. She stiffened and caught his hand, holding it away from her face and shutting her eyes on a deep, bracing breath lest that dam of her self-control break for good. She managed to get herself under control, and when she finally dared meet his gaze, she saw that he was looking quietly up at her, at her distressed face and the tears she was trying so valiantly to hold back. "Is there anything I can do to help?" he asked, gently. She shook her head. "Are you quite certain?" "Lord Gareth, you're the one who's hurt, not me." "No. That is not true."  His eyes searching her face, he touched her other cheek, the one the highwayman had cuffed, his whole manner one of such gentle, selfless concern that she wanted to lash out at someone, something, for this injustice that had been done to him. "I saw that … that scoundrel strike you. If I could kill him all over again for that, I would. Why, your poor cheek still bears the mark of his hand...." "I am fine." "But —" "Dear heavens, Lord Gareth, must you keep at it so?" The words had come out angrier than she intended. She saw the sudden shadow of confusion that moved across his eyes, and a sharp pang of remorse lanced her heart for having put it there. Her anger was not for him, but at the fates that had taken first one of these dashing brothers and would now, most likely, take another. It wasn't fair. It just wasn't fair. And here he was worried about her cheek, her silly, stupid cheek, when his life's blood was oozing all over her skirts and onto the seat, and his flesh was feeling colder and clammier by the moment. She wanted to cry. Wanted to put her head in her hands and bawl until all the grief and pain and rage and loneliness still locked inside her was purged. But she did not. Instead, she took a deep breath and met his questioning gaze. Same romantic eyes. Same kindness in their depths, same concern for other people. Oh, God ... help me. "I'm sorry," she murmured, shaking her head. "That was unfair. I didn't mean to snap at you. I'm so sorry...." "Please, don't be."  He smiled, weakly. "Besides, if those tears are for me, I can assure you there is no need to waste them so. I shall not die.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Before their chaise drew to a complete halt in front of the house a door was already being flung open, and a tall, stocky man was bouncing down the steps. “It would appear that our greeting here is going to be far more enthusiastic than the one we received at our last stop,” Elizabeth said in a resolute voice that still shook with nerves as she drew on her gloves, bravely preparing to meet and defy the next obstacle to her happiness and independence. The door of their chaise was wrenched open with enough force to pull it from its hinges, and a masculine face poked inside. “Lady Elizabeth!” boomed Lord Marchman, his face flushed with eagerness-or drink; Elizabeth wasn’t certain. “This is indeed a long-awaited surprise,” and then, as if dumbstruck by his inane remark, he shook his large head and hastily said, “A long-awaited pleasure, that is! The surprise is that you’ve arrived early.” Elizabeth firmly repressed a surge of compassion for his obvious embarrassment, along with the thought that he might be rather likeable. “I hope we haven’t inconvenienced you overmuch,” she said. “Not overmuch. That is,” he corrected, gazing into her wide eyes and feeling himself drowning, “not at all.” Elizabeth smiled and introduced “Aunt Berta,” then allowed their exuberant host to escort them up the steps. Beside her Berta whispered with some satisfaction, “I think he’s as nervous as I am.” The interior of the house seemed drab and rather gloomy after the sunny splendor outside. As their host led her forward Elizabeth glimpsed the furnishings in the salon and drawing room-all of which were upholstered in dark leathers that appeared to have once been maroon and brown. Lord Marchman, who was watching her closely and hopefully, glanced about and suddenly saw his home as she must be seeing it. Trying to explain away the inadequacies of his furnishings, he said hastily, “This home is in need of a woman’s touch. I’m an old bachelor, you see, as was my father.” Berta’s eyes snapped to his face. “Well, I never!” she exclaimed in outraged reaction to his apparent admission of being a bastard.” “I didn’t mean,” Lord Marchman hastily assured, “that my father was never married. I meant”-he paused to nervously tug on his neckcloth, as if trying to loosen it-“that my mother died when I was very young, and my father never remarried. We lived here together.” At the juncture of two hallways and the stairs Lord Marchman turned and looked at Berta and Elizabeth. “Would you care for refreshment, or would you rather go straight to bed?” Elizabeth wanted a rest, and she particularly wanted to spend as little time in his company as was possible. “The latter, if you please.” “In that case,” he said with a sweeping gesture of his arm toward the staircase, “let’s go.” Berta let out a gasp of indignant outrage at what she perceived to be a clear indication that he was no better than Sir Francis. “Now see here, milord! I’ve been putting her in bed for nigh onto two score, and I don’t need help from the likes of you!” And then, as if she realized her true station, she ruined the whole magnificent effect by curtsying and adding in a servile whisper, “if you don’t mind, sir.” “Mind? No, I-“ It finally occurred to John Marchmen what she thought, and he colored up clear to the roots of his hair. “I-I only meant to show you how,” he began, and then he leaned his head back and briefly closed his eyes as if praying for deliverance from his own tongue. “How to find the way,” he finished with a gusty sigh of relief. Elizabeth was secretly touched by his sincerity and his awkwardness, and were the situation less threatening, she would have gone out of her way to put him at his ease.
Judith McNaught (Almost Heaven (Sequels, #3))
I want the beautiful, brave survivor that agreed to have dinner with me tonight even though it was against every instinct she had.  I want a woman courageous enough to go face down a fuckin’ monster because he dared put her sister in the crosshairs of danger.  I want the mother that even though she’d been abused and terrorized by her shit of an ex-husband had the balls to bring a child into the world on her own and raise that little girl to be the sweetest, most loving little angel I’ve ever met.  Jesus, darlin’, why can’t you see it?  You’re damn near perfect.
Sarah O'Rourke (Hard as Stone (Passion in Paradise: The Men of the McKinnon Sisters, #2))
You’ve been paying close attention, haven’t you?” she asks, like she just read my mind. But she’s not talking about me looking at her face. “I like to observe people,” I say slyly. “Maybe you were cut out for Candor, Four, because you’re a terrible liar.” I set my hand down next to hers and lean closer. “Fine.” Her long, narrow nose is no longer swollen from the attack, and neither is her mouth. She has a nice mouth. “I watched you because I like you. And…don’t call me ‘Four,’ okay? It’s…nice. To hear my name again.” She looks momentarily bewildered. “But you’re older than I am…Tobias.” It sounds so good when she says it. Like it’s nothing to be ashamed of. “Yes, that whopping two-year gap really is insurmountable, isn’t it?” “I’m not trying to be self-deprecating,” she says stubbornly. “I just don’t get it. I’m younger. I’m not pretty. I--” I laugh, and kiss her temple. “Don’t pretend,” she says, sounding a little breathless. “You know I’m not. I’m not ugly, but I am certainly not pretty.” The word “pretty,” and all that it represents, seems so completely useless right now that I have no patience for it. “Fine. You’re not pretty. So?” I move my lips to her cheek, trying to work up some courage. “I like how you look.” I pull back. “You’re deadly smart. You’re brave. And even though you found out about Marcus…you aren’t giving me that look. Like I’m…a kicked puppy, or something.” “Well,” she says factually. “You’re not.” My instincts were right: She is worth trusting. With my secrets, with my shame, with the name that I abandoned. With the beautiful truths and the awful ones. I know it. I touch my lips to hers. Our eyes meet, and I grin, and kiss her again, this time more sure of it. It’s not enough. I pull her closer, kiss her harder. She comes alive, putting her arms around me and leaning into me and it’s still not enough, how can it be?
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
What's this?" I asked, putting her cup on the counter next to the plate. "Rocky Road Bars," she supplied with a shrug. "Is that some kind of message?" I asked, head dipped. "Message?" she asked, her brows drawing together and proving that it wasn't. "Never mind," I said, shaking my head, feeling a small wave of relief even if she was standing there wound like a clock for some untold reason. Maybe that was the reason that when she shrugged at me and went to reach for her coffee, I reached over the counter, snagged her chin in my thumb and forefinger and leaned in to lick a small bit of chocolate from beside her lips from where she had smudged it. Her entire body stiffened then trembled at the contact. It was all the encouragement I needed. So right there, a dozen eyes no doubt on us, I framed her face in my hands and pressed my lips to hers. There was nothing sweet or chaste about it. I fucking devoured her mouth, my tongue moving to invade, drawing a quiet whimper from her as her hands slammed down on the counter. The sound was enough to remind me that I couldn't take it any further right then and there and better stop before either of us got too worked up. But as I pulled away and her eyes fluttered open and all I could see was a deep desire there, I knew she was a little bit more worked up than I intended. There were a couple chuckles and one brave soul let out a loud whistle as we pulled apart, making my smile tip up slightly, knowing I had just, whether I truly intended it or not, staked a claim. I let the whole town know that I was messing around with one of their favorite daughters. "I hate you right now," she said, her voice airy, her cheeks pink, her lips swollen. "No you don't," I countered, shaking my head. "You just hate that you can't climb over this counter and let me fuck you right here and now. Don't worry, you can have me all to yourself in just a couple of hours. If you can control yourself until then..." "Control myself," she hissed, both looking slightly outraged and equally amused. "I believe you were the one half-mauling me in public." "And I'm pretty sure it was your tongue moving over mine and your whimper I heard, right? Or was that Old Mildred. Hey, Milly..." I started to call, making Maddy's eyes bulge comically as she slammed her hand into my shoulder hard enough to send me back a foot. "Shut up!" she hissed, making me let out a chuckle. "Alright fine. You made your point," she said, shaking her head as she reached for her coffee. "What was my point, exactly?" I asked, curious. "You just like... marked your territory or whatever," she said, rolling her eyes at the very idea, but a small smile pulled at her lips. "So, what, you're mine now?" "Oh, I, well... I thought..." she fumbled, shaking her head at her lack of explanations. "Relax, sweetheart," I said, saving her from her misery. "Like I said last night, I'm in. You were the one who came in all anti-social this morning." "That had nothing to do with you," she informed me, looking almost pained. "Alice?" "My mom needs to find some friends to talk to about sex, Brant. I can't take it. I can't," she said, looking horrified. "I thought I was a cool, mature, experienced, metropolitan woman. But when your mom starts talking about blowjobs, it makes you really, really want to stick your fingers in your ears and scream 'I'm not hearing this, I'm not hearing this' until she shuts up." "Traumatized for life, huh?" "He's coming over tonight. Did I mention that part? He's coming to dinner and then, ah, staying the night. Because apparently it's... serious. Do they still sell earplugs at the pharmacy? I think I might actually die if I have to listen to them doing it.'' I laughed at that, finding myself charmed by her embarrassment. "Tell you what, why don't you come to my place for dinner.
Jessica Gadziala (Peace, Love, & Macarons)
whatever battle they faced at Gray Haven. This was where panic set in and her mental reckoning fell apart. She wished they wouldn’t go. She wished they wouldn’t put themselves at this risk to save one mountain town. She hadn’t understood before what people meant when they’d said the prince and the king were brave. Why did they have to be so brave?
Kristin Cashore (Fire)
69. When You’re Going Through Hell, Keep Going Whether I have been in the middle of a dusty, barren desert, stuck in a mosquito-infested swamp, or freezing cold and wet in the middle of the ocean, there is always one thing I tell myself above everything else (and it is an easy one to remember, even when you are dog tired and not feeling particularly brave or strong). It’s this… …just keep going. JKG. Winston Churchill said it in one of the darkest moments of World War Two, when the outlook was as bleak as it had ever been. On 10 May 1940, the British looked to be finished. They stood alone against the vicious and victorious Nazis. Two weeks after Churchill came to power, France was knocked out of the war, and 340,000 British troops had to scramble to escape over the beaches at Dunkirk. The Germans had absolute control of all of Europe. It seemed impossible that Britain could survive. What was Churchill’s response? ‘When you’re going through hell, keep going.’ It is reassuring to know that the real heart of survival is as simple as this. All you have to do is to keep putting one foot in front of the other. Even if you don’t make much progress, you just have to keep going. It is not only the heart of survival, it is also the key to success. It’s really not that different when we face traumas elsewhere in our lives. Bereavement, illness and heartbreak are part of every human life. Sometimes the emotional impact of these events can bring us to our knees. But the way through is always the same: keep going. When we give up, we know our destiny. When we keep going, we earn the right to choose our fate. Ingrain it in your DNA: JKG.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
It’s amazing how practiced sufferers can become at putting on a brave face. That’s the thing with invisible illnesses. They are very lonely.
John Crawford (Dear Anxiety. This Is My Life.: A Real Life Recovery Story (Anxiety Relief Book 6))
The moment they hear what she says, her subordinates erupt together in laughter and whistles; none of them looks worried. They all wear cheerful smiles that say, Let's give it to 'em! Well, even if it's nothing more than pre-sortie bravado, I'm glad they have wherewithal to put on a brave face. It means they trust me enough not to complain in my presence. A superior who isn't trusted by their subordinates is liable to be dismissed for lack of management ability, so this is key.
Carlo Zen (幼女戦記 4 Dabit deus his quoque finem.)
She’s the sort of person who puts a brave face on even when she feels like crying.
Anne-Marie Conway (Forbidden Friends)
Acting outwardly strong produces actual inner strength. Putting on a brave face builds a strong heart. It’s the “soldiering through” that makes you a soldier. It’s like dressing for the job you want and not the job you have. Putting on a suit does more than just make you look like an executive—it makes you feel like one. And once you start feeling like one, you start thinking and behaving like one. It’s playacting, but it’s playing the part that turns you into a player.
Augusta Reilly (Words On Candy Hearts)
I put on the Cranberries' Everybody Else Is Doing It, So Why Can't We?—a perfect album from the first song to the last— pressed play, shut off the lights, lay down, and closed my eyes, expecting never to open them again.
Shaun David Hutchinson (Brave Face)
What’s the matter?” “I know you want Providence Cards,” I said, the words rushing out of my mouth. “I also know you don’t want the King to find out. Otherwise, you would not have bothered disguising yourself on the forest road.” I steadied my voice. “I’ll help you find Cards. I won’t tell anyone you and the Prince moonlight as highwaymen, and you, in turn, will keep my secret. But I need something else.” Ravyn crossed his arms over his chest, surveying me anew. “The decision regarding how to handle your magic does not rest solely with me, I’m afraid.” I stuck out my chin. Even reclined, calm in his seat, Ravyn Yew frightened me. Taking my silence in stride, the Captain asked, “What precisely do you want, Miss Spindle?” My fingers shook. “I want you to leave my family alone. Do not punish them for hiding my infection.” He nodded slowly. “If that is your wish.” “And don’t go back to my uncle’s house,” I added. “He carries no Card you have not already shown me today.” “I thought you didn’t know anything about your uncle’s Cards.” I blinked. “I wasn’t about to tell a man with a knife to my chest how to steal from my own family.” “Brave of you.” Ravyn shifted in his chair. “Anything else?” He’ll give anything to have your magic, the Nightmare cooed. Ask for something extravagant. Like a magical procedure to remove the parasite from my head? I kept my face neutral and my eyes on the Captain of the Destriers. “One last thing.” “Yes?” I put my hands on the table and leaned forward without breaking our gaze. “You must swear, Captain, no matter the circumstance, you will never use that Nightmare Card on me again.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I said, what the fuck are you?” The quiver in her voice belies her nervousness, though she puts on a brave face. I hop over to her. “Isn’t that obvious, little carrot?
Nicole Parker (Fully Charged)
High functioning does not mean not struggling. Keeping a brave face does not conquer the chaos within you or calm the storms around you. Yet somehow, we've convinced ourselves suffering in silence is an attribute of those who are strong. Falling apart from the inside out is fine as long as you are well put together externally.
Morgan Richard Olivier (The Freedom of Forward)
The attachment which General Jackson felt for the men that had been trained under him, and his pride in them, were fully reciprocated; as one of them expressed it: "Wherever the voice of our brace and beloved general is heard, we are ready to follow. I have read of the devotion of soldiers to their commanders, but history contains no parallel case of devotion and affection equal to that of the Stonewall Brigade for Major-General Jackson, We do not look upon him merely as our commander do not regard him as a severe disciplinarian, as a politician, as a man seeking popularity but as a Christian; a brave man who appreciates the condition of a common soldier; as a fatherly protector; as one who endures all hardships in common with his followers; who never commands others to face danger without putting himself in the van. The confidence and esteem of the soldiers are made known in exulting shouts wherever he makes his appearance.
Mary Anna Jackson (Life and Letters of General Thomas J. Jackson (Stonewall Jackson))
There, you see? You ought to release the poor woman at once. It is cruel to make her believe you have affection for her when you do not. What you really ought to do, Mr. Ardmore—' she gave him a chiding look—'is give up paramours altogether and settle upon a wife. One who will look after you.' She pointed to his bared chest. 'One who will make you wear shirts.' The blaze in his eyes this time had nothing to do with anger. A small, ironic smile twisted his lips. 'A wonderful idea, Mrs. Alastair.' He reached down and closed one cold hand over hers. 'You are a lovely woman. Will you do me the honor?' She rocked back. 'What? Good heavens, no.' She struggled for words as she tried to disengage her hand. 'I would make a horrid wife for a pirate hunter. I do not even know what a quarterdeck is for heaven’s sake. Besides, you are wanted by the English government, and you are a would-be murderer. You could not even be put on the list!' His brow creased. 'List?' 'Even Grayson is on the list. But then, he is a viscount, and English. He did tamper with things so that he would be the best match on it, and I cannot overlook such blatant cheating, no matter what he thinks.' She stopped, deflating. 'But he already told me he was not looking to marry, so it does not matter.' Captain Ardmore looked utterly perplexed. 'What list, Mrs. Alastair?' 'My list of suitors.' She waved her hand before her face. 'But you are not interested in that. You want to kidnap me, or ravish me, or sell me to slavers, or whatever it is you will do. I do wish you’d get on with it, and finish it quickly. I am not very brave.
Jennifer Ashley (The Pirate Next Door (Regency Pirates, #1))
She was putting on a brave face, trying not to show any weakness. When would she understand that she could step out of her armor with us? That she could be soft and vulnerable, and we'd only love her more for it?
Aiden Pierce (Carnival Creeps (Sinner's Sideshow #2))
Well?” the guard who discovered me prompted. “I recognize her,” Saadi answered, staring directly at the woman. “She works for my sister as an errand girl.” I briefly closed my eyes in relief. Saadi waved the guard back to her post and issued an order to the man behind him to retrieve his cloak. When it was thrust into his hands, he escorted me back across the base, not speaking until we were out of earshot of those on patrol. “So, Rava has a message for me?” I shoved him unthinkingly, teasingly, and he laughed, jumping away. “You wanted to see me, remember?” I pointed out. “But you never picked a time or place!” “So you decided to do it for me. Fair enough, but I’m dying to know what you have in mind to do.” “I don’t have anything in mind.” We had reached the thoroughfare, and he chuckled. “You braved Cokyrian soldiers and the stronghold of the military base, but don’t have a thing in mind for us to do?” “That’s right,” I admitted, irritated that he was laughing at me. “Would you grow up please?” “Shaselle, there’s nothing ‘grown-up’ about what we’re doing. I assume you snuck away from home to see me, and I have a five o’clock call in the morning.” I came to a halt and turned to face him, my eyes issuing a challenge. “If you want to go back, feel free. Tell those soldiers that Rava just wanted to make sure her baby brother went to bed on time.” He grinned, enjoying my feisty responses, and smoothed his bronze hair forward, a habit I still found annoying. It also served to make my heart flutter. “Trust me, I’ve survived many a night without sleep.” He came closer, putting his hands on my hips, and I spontaneously leaned in to kiss him. He drew me close, his mouth more hungry than it had been in the barn, and a tingle ran from my lips to my toes. Then I pulled away, smiling mischievously, loving how reckless my actions were. He took my hand, kissing each of my fingers before tugging me down the street. “Come on, Shaselle.” “Where are we going?” Saadi didn’t answer, but led me in the direction of the Market District. As a Cokyrian solider on horseback trotted by, he pulled me into the shadows of a storefront, placing a finger upon his lips. “I’ve thought of something for us to do,” he whispered. “Since you came so unprepared.” Once more he took my hand, and I went with him blindly, happily, until we reached the shop from which I’d stolen fruit and wine when I’d run away from home. “What are you--?” He gave the door a strong kick, and I winced at the crack of the wood in the stillness. “Saadi!” I hissed, glancing around, expecting the mounted Cokyrian to come galloping back. He ignored me, pushing the door open. “Come on now. No errand girl of Rava’s would be such a coward!
Cayla Kluver (Sacrifice (Legacy, #3))
Lark soaked in the claw foot tub with the dogs sleeping nearby. I knew she was tired and pretending otherwise. Eventually, the day would come when she would look at me and admit the pregnancy hormones were a pain in the ass. When she did so, I would baby the hell out of her and make her feel like a princess. Until then, she wanted to put on a brave face without admitting she took mini-naps through out the day.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
She heard him approaching and tried to put on a brave face. Don't let him see you cry, she thought to herself. Never let them see you cry. But it was too late. Tears were leaking out of her eyes like little wet traitors and she brushed them away with the back of her hand. He stood next to the couch and looked at her, but she looked away.               “Hey,” he said quietly. “I'm sorry.”               She sniffled her response. “Yeah, well,” she started, wiping away another tear. “It's how everyone sees me. It wasn't exactly new information,” she attempted a laugh, but it came out more like a sob.               He was at her side in a second. “Hey, hey,” he soothed, tentatively wrapping his arms around her, cradling her.
Casey Holman (Romance: The Sitter's Secret)
come in and I heard what he was saying. I'll tell you, Miss West, if you'll let me whisper it in your ear." Una whispered earnestly. Rosemary's face turned crimson. So John Meredith still cared. HE hadn't changed his mind. And he must care intensely if he had said that—care more than she had ever supposed he did. She sat still for a moment, stroking Una's hair. Then she said, "Will you take a little letter from me to your father, Una?" "Oh, are you going to marry him, Miss West?" asked Una eagerly. "Perhaps—if he really wants me to," said Rosemary, blushing again. "I'm glad—I'm glad," said Una bravely. Then she looked up, with quivering lips. "Oh, Miss West, you won't turn father against us—you won't make him hate us, will you?" she said beseechingly. Rosemary stared again. "Una Meredith! Do you think I would do such a thing? Whatever put such an idea into your head?" "Mary Vance said stepmothers were all like that—and that they all hated their stepchildren and made their father hate them—she said they just couldn't help it—just being stepmothers made them like that"— "You poor child! And yet you came up here
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Jase, Mia, and I arrived at the hospital early the next morning to what seemed like a replay of Mia’s surgery one year earlier--same hospital, same preoperative area, and same room setup. Over the next few minutes, her room filled up with people, including Reed and his girlfriend of three and a half years, Brighton, who had both driven in from college. Mia loves being silly with them, and I snapped a picture of the three of them. Mia’s cousins also surrounded her to play a game of Old Maid, thanks to the deck Mamaw Kay pulled out of her purse. Everyone was cracking jokes, taking pictures, and, well, just being themselves. All this activity helped keep Mia, as well as me and Jase, thinking positively and staying upbeat. Mia opted to not take the goofy juice this time. She told me she wanted to be awake and alert so she could tell everyone goodbye as she was being rolled back through the operating doors. Whoa! I wasn’t so sure about this. Jase thought it was very brave of her and that we should let her do it. Reluctantly, I agreed. Dr. Sykes, the anesthesiologist, said he would tell her every single thing he was going to do before he gave her enough gas to first make her silly and then to put her to sleep. She was all for it. However, as Dr. Sykes rolled her away, tears formed in Mia’s eyes. I had to keep myself from shouting my thoughts: Wait! Are you sure about this, Mia? You don’t have to go in like this! Let’s rethink this goofy juice thing! I watched Mia’s face closely to catch the slightest glimpse of her wanting to change her mind. There was none. Even though she was scared, she pushed through, and Jase and I let her. We both followed the gurney with tears in our eyes, but she never saw them.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)