Put You On A Pedestal Quotes

You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.

I think you can love a person too much. You put someone up on a pedestal, and all of a sudden, from that perspective, you notice what's wrong - a hair out of place, a run in a stocking, a broken bone. You spend all your time and energy making it right, and all the while, you are falling apart yourself. You don't even realize what you look like, how far you've deteriorated, because you only have eyes for someone else.

The moment you put someone on a pedestal they will look down upon you. The trick is respecting each other equally.

Love is when someone puts you on a pedestal and yet when you fall, they're there to catch you anyway.' - Tara Daniels

Disrespect also can take the form of idealizing you and putting you on a pedestal as a perfect woman or goddess, perhaps treating you like a piece of fine china. The man who worships you in this way is not seeing you; he is seeing his fantasy, and when you fail to live up to that image he may turn nasty. So there may not be much difference between the man who talks down to you and the one who elevates you; both are displaying a failure to respect you as a real human being and bode ill.

He had the uncanny capacity to know exactly what your weak point is, know what will make you feel small, to make you cringe," Joanna Hoffman said. "It's a common trait in people who are charismatic and know how to manipulate people. Knowing that he can crush you makes you feel weakened and eager for his approval, so then he can elevate you and put you on a pedestal and own you.

Humility is the mother of all virtues; purity, charity and obedience. It is in being humble that our love becomes real, devoted and ardent. If you are humble nothing will touch you, neither praise nor disgrace, because you know what you are. If you are blamed you will not be discouraged. If they call you a saint you will not put yourself on a pedestal.

These politicians and party members are unforgiving. They put you on a pedestal as long as you help them win. But if you fail, if you are the reason behind their defeat, they will drag you down in no time.

For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America.

Don’t make the mistake of looking down on your partner. You’re only on that pedestal because they put you up there.

You are Fire! Don’t believe these mere mortals. They want to put you on a pedestal and sing paeans to you; later they would burn you in the altar of that same fire! Stand away and stand alone! You are limitless! But these mortals can only limit your sky! You are the Universe! But they will only give you a little space! Break free! It’s a trap! They want to cage you! Because, they are afraid of your real power! You are a woman. You are the fire! You are all conquering. You are all powerful! You are Supreme! You were not born to be a mere beauty queen!!

Sometimes, I think... people we put on pedestals... they've got that much further to fall when you realize they're human.

Being famous is like putting yourself on a pedestal for the entire world to see, and not caring about what judgements are made of you.

Marry the man who’s going to walk with you through the next fifty or sixty years. Open doors, hold your hand, make your coffee, rub lotion on the cracks of your feet, put you up on a pedestal where you belong. Is he marrying your face and your bottle-blond hair, or will he love you when you look like whoever you’re going to look like in fifty years?

When you admire people, you put them on pedestals. When you love people, you want to be together.

Some say I loved her to the point of madness, bordering on obsession. She said I put her on a pedestal that her real self couldn’t attain. Perhaps they’re all right. Perhaps I am mad. And if that’s the case, to be frank, I don’t give a damn. What I know is that she sets me on fire, and if you were to perform an intradermal test on me, you’d know when she was in it because you’d see the trails of blaze she left behind. Because that’s what I feel at the mere thought of her, and I’d rather live my life in flames than be numb without her.” He paused, and I let out a breath, but then he said one last thing. “Come back to me, my little Road Runner, my world is cold and boring without you.

The only way you could be good in bed for me would (be) if you became a complete person, not just some shell of a man that doesn't have a middle ground between putting women on a pedestal and degrading them with meaningless sex.

Whenever we come across a famous painting by an acclaimed artist, we tend to reason with ourselves. That it ought to be good, for everyone thinks highly of it. But had we not known who the artist was, we wouldn’t have appreciated the work that much. We don’t know whom this society and the media would put on a pedestal next. It could very well be you.

No one deserves to be put on a pedestal. They won’t climb down to save you, and if you’re looking up at them, you’re not looking ahead at what’s coming for you.

I'm not an advocate of promiscuity; but then I'm also not an advocate of being virginal. It's not like I put virginity or celibacy on a pedestal, and as long as I don't get your promiscuity rubbed into my face— I don't care about it! What I do care about is the ability to recognize the sanctity of a union of two souls— you just can't say your soul isn't being united with others' when you have sex with them. So I think you'd better own up to what you're doing— no matter how frequently or infrequently or with how many different people you do it. I mean, make good choices! You are, after all, entwining your soul with another's.

Don’t put people, or anything else, on pedestals, not even your children. Avoid global labels such as genius or weirdo. Realize those closest get the benefit of the doubt and so do the most beautiful and radiant among us. Know the halo effect causes you to see a nice person as temporarily angry and an angry person as temporarily nice. Know that one good quality, or a memory of several, can keep in your life people who may be doing you more harm than good. Pay attention to the fact that when someone seems nice and upbeat, the words coming out of his or her mouth will change in meaning, and if that same person were depressive, arrogant, or foul in some other way, your perceptions of those same exact words would change along with the person’s other features.

I wrote the word: love. I did consider using another one. It's a curious notion, love; difficult to identify and define. There are so many degrees and variations. I could have contented myself with saying that I was smitten (and it is true that Thomas knew how to make me weaken), or infatuated (he could conquer, clatter, even bewitch like no one else), or obsessed (he often provoked a mixture of bewilderment and excitement, turning everything upside down), or seduced (once he caught me in his net, there was so no escaping), or taken with (I was stupidly joyful, I could heat up over nothing), or even blinded (anything that embarrassed me, I pushed to the side, minimizing his defects, putting his good qualities on a pedestal), or disturbed (no longer was I ever quite myself), which would have had less positive connotations. I could have explained it away as a mere affection, having a 'crush,' an explanation vague enough to mean anything. But those would just have been words. The truth, the brutal truth, was that I was in love. Enough to use the right word. All the same, I wondered if this could be a complete invention. As you already know, I invented stories all the time, with so much authenticity that people usually ended up believing me sometimes even I was no longer able to disentangle the true from the false). Could I have made this story up from scratch? Could I have turned an erotic obsession into a passion? Yes, it's possible.

...I put you on the pedestal - made you a saint - dare I blaspheme?...

IT helps to think of the whole development thing as a process; you go in looking like a girl, and you'll come out at the other end looking like a woman. The stuff in the middle is just what everyone goes through, it;s almost never much fun.

If you are humble, nothing will touch you, neither praise nor disgrace, because you know what you are. If you are blamed, you won’t be discouraged; if anyone calls you a saint, you won’t put yourself on a pedestal. If you are a saint, thank God; if you are a sinner, don’t remain one. Christ tells us to aim very high, not to be like Abraham or David or any of the saints, but to be like our heavenly Father.

Idols You put her on a pedestal. Love her, adore her, crown her as your queen. Then you watch and wait, for a slip, a split second when her guard is down. You would tear her into pieces just to claim a fragment of her story. No one can be perfect all the time. Why do you expect her to be any different? Why is she held to an impossible standard? Why do you take it so personally when she contradicts the version of herself that exists only in your head? You think you know her, that she owes you somehow. That her existence is only relative to yours. But she is her own person. She lives and breathes, she hopes and dreams. She has a life, a love, a family, a purpose. And she doesn’t owe anyone a damn thing.

My friends, don't idolize hardship. What you idolize is what your heart will look for and what your heart looks for is what you will have. And don't capitalize on misfortune, because you will always seek out to have capital! Throw away that pride! Don't put sorrow on a pedestal! If you ask me if I would rather have had my sorrows or not, I will tell you that no, I would rather have not had any of them! In the blink of an eye, I would rid myself of them! I have no pride. I don't rely on hardships and sorrows to mold me into someone. I don't allow myself to be dictated. When hardship and sorrow come knocking, saying "We are responsible for who you are today, let us in!" I'm going to say, in a split second, "No you're not! Go away, I don't owe you anything!

When people put you on the pedestal, don't come off it acting like you're humble. Because if they put you up there, that shows how high they can see. Stay there and pull them up, and they'll grow faster.

In your dread of dictators you established a state of society in which every ward boss is a dictator, every financier a dictator, every private employer a dictator, all with the livelihood of the workers at their mercy, and no public responsibility. And to symbolize this state of things, this defeat of all government, you have set up in New York Harbour a monstrous idol which you call Liberty. The only thing that remains to complete this monument is to put on its pedestal the inscription written by Dante on the gate of Hell ‘All hope abandon, ye who enter here.

You put us on pedestals and wrap us in cotton wool, cluck over us as being too precious and too fragile for any real labor of the mind, yet where is the concern for the Yorkshire woman working herself into an early grave in a coal mine? The factory girl who chokes herself to an untimely death on bad air? The wife so worn by repeated childbearing that she is dead at thirty? No, my dear Stoker, your sex has held the reins of power for too long. And I daresay you will not turn them loose without a fight.

I deserve more from you. I deserve more than to be put on some lonely, god-awful pedestal, to be used as an object for your self-flagellation and repentance for God knows what in your past. When someone tells you they love you, you don’t get to say, ‘I don’t deserve your love,’ and think that somehow exempts you from the consequences of rejecting them.

That's the trouble with putting women on a pedestal. You do that, and they always fall off - knocking you over on the way down.

Don't put me on some kind of pedestal. I don't deserve it.

Exhibition of power can easily put you on the pedestal,but then it is like a prison,it is a lonely place.

And it hit me like a ton of bricks - that people will put you on a pedestal to only later pull it from under you. Stability.

That’s when I noticed the damage on the door. Just a little scuffing at the edge. Right about where you’d put a crowbar if you wanted to break in. I winced. “Aww, come on…” I pushed open the door and peeked into the foyer. No sign of Irina or Trond. A decorative vase lay on the ground next to its usual display pedestal. A splash of bright-red blood on the wall— “Nope!” I said. I spun on my heel and stormed back into the hallway. “Nope, nope, nope!

The man puts you on a fucking pedestal. And you do the same to him. It’s about time you knocked each other off, because now you’re on the ground where you should be. And that’s the foundation you need to build on, not some lofty idea that you can’t be happy if you aren’t perfect.

The first thing we saw at the pet store was this scary white cat sitting on his own pedestal. He fluffed out his fur in a huff of attitude. His weird eyes were like lasers, way more expressive than human eyes. It felt like he could read my soul. His eyes were all, Yeah. I know you. I know everything you’re thinking. The cat was acting all exotic and important. Which I guess is what happens when you’re put on your own pedestal.

I want to see the Parthenon by moonlight.' I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. "Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas." We crammed into Burns's small car, and went back to our hotel. ("The Chamois")

You must never put them on a pedestal if it would cause them to look down on you, as it usually tends to do. Although women love to be admired and appreciated, they still want a man to look up to, not down upon, a man who deems himself important enough to deserve the best, including the best women. He would be insulting them otherwise, not honoring them.

You don’t have to be a rocket scientist to see that there is something seriously wrong with this system. Capitalism is a system that puts rich people on a pedestal, legalizes greed, and enables the rich to exploit the poor. It’s morally wrong. What kind of a God would support something so immoral? Would Jesus support the exploitation of the poor by the rich? No, of course not. If you think of yourself as a follower of Christ’s teachings, if you consider yourself a good person, you are morally obligated to be against greed. It’s your duty as a good person to be against exploitation. It’s your moral duty to be against predatory capitalism.

That's the tragedy of fairy tales. The whole world puts them on a pedestal. People want their lives to be magical, but what people don't understand is that happiness is sacrificed. There is so much more to the story than what is written. The Cinderella you think she's so unfortunate with her mean sisters and stepmom. You think she deserves a happy ending with a prince, but the twenty-page journey is all you see. You learn little about who she is. What if Cinderella's just a good actress who has everyone fooled, when really, she sucks. She more than sucks.

People are not who you want them to be. Kill your idols. Sure there are things we can learn from people—but people aren’t going to be what you think they are—what they should be. People, even those people you have put up on a pedestal, are going to be faulted, weak, egomaniacal, condescending. They are going to be lazy, entitled, shortsighted. They will not be perfect. Far from it. That’s fine. Learn from their weaknesses. Of course: Learn from their strengths and mimic and copy them in what they do well. But equally as important: Learn from their faults.

Dear Young Black Males, Show respect for our young sistas. They are young Queens, and you’re young Kings. Black is beautiful, period. If you’re one of those young men who put light-skinned women on a pedestal, but look down on dark-skinned young ladies, stop it! Black women come in all shades, and all black families have all shades within their families. It’s one thing to have a preference, and that’s okay, but don’t belittle the other. Respect, appreciate, and protect our sistas. In closing: We already have to deal with race related crap from other ethnic groups, so why add to it amongst our own? We need to build each other up and be united as one, no matter what our skin tone is. Don’t physically or mentally abuse your young Queen. Respect her just like you’d like your mother, grandmother, or sister to be respected by another male. There’s nothing attractive or cool about mistreating a woman. Nothing at all!

Then you're the one." Allie blinked at him. "The one what?" "The one who loves more." ... "You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone always puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.

the higher you put someone on a pedestal the further they have to fall.

When you’re put on a pedestal, the whole world gets to upskirt you.

You labeled us, put us on a pedestal, and then safely went back to your ways. You didn’t want a savior. You wanted a crutch to rest your sins upon.

You put us on a pedestal in order to look up our skirts.

I have to put this pussy on a pedestal so I can eat like it’s on a platter, baby. Then I’m going to fuck you at just the right angle, make sure you remember who makes you feel this way.

Our feelings about menstruation are the image of what it is to be a woman in this culture. While menstruation and the fear of revealing evidence of loss of body control bear possibilities of humiliation for women of which men are not aware, it is humiliating too to be that sex whose voice and presence carry less significance. It is humiliating to speak the same words as a man and have his heard, and not yours. It is humiliating to feel invisible when God gave you a body as solid as his. It is humiliating that women are accorded little dignity unless they are married. We twist these humiliations around, of course, and say it is glorious to have a man fight our battles for us, put us on a pedestal, take care of us. It is, if you enjoy being dependent on someone else.

The disabled elite, if you will. The surfer with one arm, the mountain climber with no legs, a drummer with one hand. And, deep down, I knew I should be proud of them. They were my community, and they were only working to erase stigma for the rest of us. But I didn’t feel proud. I felt bitter. Jealous too. Angry that they weren’t just great surfer, record-breaking mountain climber, and successful drummer. To me, they were a reminder that the world will always view me differently—put me in a different bracket—even if I landed myself on a pedestal. I didn’t want to achieve despite myself. I didn’t want to defy anything. I just wanted to feel ordinary. To not overcompensate every day. I wanted to be bad at things and have people laugh at me because that’s life. I didn’t want pity.

Her parents were going through a divorce, and she had just discovered something poignant that she shared with me, that I have shared with numerous people since. "You know, your mom is just a woman," she said. "She's just a woman like you and me and all other women. We put our moms up on this ridiculous pedestal. We see them as different from the rest of humanity. But they're not. They're just women.

Some of you have a big bag of shit you’re carrying around. And every time you encounter a situation in which you can possibly get more shit to put in the bag, you grab it and stuff it inside. You’ll even ignore all the diamonds glittering nearby, because all you can see is the shit. This shit is known as “the stories you tell yourself.” Examples include generalizations like “I make bad decisions,” “If people saw the real me, they wouldn’t like me,” or, conversely, “No one is good enough for me.” Each of these beliefs can be formed in childhood by, respectively, fault-finding parents, abandoning parents, and parents who put you on a pedestal. As a result, you can spend much of your life misinterpreting situations and thinking you’ve found more evidence to support these false conclusions formed in childhood. One

Feminism, as of late, has suffered from a certain guilt by association because we conflate feminism with women who advocate feminism as part of their personal brand. When these figureheads say what you want to hear, we put them up on the Feminist Pedestal, and when they do something we don't like, we knock them right off and then say there's something wrong with feminism because our feminist leaders have failed us. We forget the difference between feminism and Professional Feminists.

Don’t judge women by what you see in paintings and statues. Judge them only by what you yourself know about the women in your life. The day any man understands any woman will be the day the world comes to an end. Men are hateful, contrary creatures who say they want goddesses to put on pedestals. Once they have them up there, they rip off the halo, tear off the gown, slice off the wings so they can’t fly and then kick the pedestal away so the woman falls at his feet and he can scream out as he kicks her, tramp!—or worse.

Ever since The Last Front came out, I have been victim to people like Candice and Diana and Adele: people who think that, just because they’re “oppressed” and “marginalized,” they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay. That they can bully, harass, and humiliate people like me, just because I’m white, just because that counts as punching up, because in this day and age, women like me are the last acceptable target. Racism is bad, but you can still send death threats to Karens.

Can we really put Ben (hereby representing all men) on such a pedestal? Having tamed those beasts set aside for him, is it not like Ben to seek out that which has historically (regardless of how brief a history) been set aside for women? Woolf criticizes the masculine in her work with the repetition of the phrases uttered by that inconsiderate individual who makes the claim that women cannot paint or write. Is Ben not committing the same crime as that unfortunate character? In stating "[b]etter like this, bitch," Ben employs a word that I would consider to be demasculinizing, rather than feminine. In using the word bitch, he seizes this scholarly investigation and, if you will, pisses on it, claiming it as his own. His statement is an outright challenge. This is a book I stole from women, and I urinated on it. You'd better appreciate my conquest or I will also urinate on you.

My Daddy never lied about who or what he was. He owned it. I was the one who put him on a pedestal. He never climbed up there. But me? I lied all the time. I lied to you. I lied to myself. I thought I could be an outlaw part of the time and the rest of the time be a daddy and a husband. That was the lie. Truth is I’m an outlaw all

Will? What are you doing?” “Being in love with you.” “No, you’re not. You’re falling in love.” “Same thing.” “Not the same thing,” she says. “Falling in love is a story.” She says that telling a love story is something one person does. Being in love takes both of them. Putting her on a pedestal is just a different way of being alone.

those who gave me the most pleasure. You know why? Because you’re an idiot, and even to fuck well it takes a little intelligence. For example you don’t know how to give a blow job, you’re hopeless, and it’s pointless to explain it to you, you can’t do it, it’s too obvious that it disgusts you. And he went on like that for a while, making speeches that became increasingly crude; with him vulgarity was normal. Then he wanted to explain clearly how things stood: he was marrying her because of the respect he felt for her father, a skilled pastry maker he was fond of; he was marrying her because one had to have a wife and even children and even an official house. But there should be no mistake: she was nothing to him, he hadn’t put her on a pedestal, she wasn’t the one he loved best, so she had better not be a pain in the ass, believing she had some rights. Brutal words. At a certain point Michele himself must have realized it, and he became gripped by a kind of melancholy. He had murmured that women for him were all games with a few holes for playing in. All. All except one. Lina was the only woman in the world he loved—love, yes, as in the films—and respected. He told me, Gigliola sobbed, that she would have known how to furnish this house. He told me that giving her money to spend, yes, that would be a pleasure. He told me that with her he could have become truly important, in Naples. He said to me: You remember what she did with the wedding photo, you remember how she fixed up the shop? And you, and Pinuccia, and all the others, what the fuck are you, what the fuck do you know how to do? He had said those things to her and not only those. He had told her that he thought about Lila night and day, but not with normal desire, his desire for her didn’t resemble what he knew. In reality he didn’t want her. That is, he didn’t want her the way he generally wanted women, to feel them under him, to turn them over, turn them again, open them up, break them, step on them, and crush them. He didn’t want her in order to have sex and then forget her. He wanted the subtlety of her mind with all its ideas. He wanted her imagination. And he wanted her without ruining her, to make her last. He wanted her not to screw her—that word applied to Lila disturbed him. He wanted to kiss her and caress her. He wanted to be caressed, helped, guided, commanded. He wanted to see how she changed with the passage of time, how she aged. He wanted to talk with her and be helped to talk. You understand? He spoke of her in way that to me, to me—when we are about to get married—he has never spoken.

The whole notion of “Be true to yourself” is similarly problematic. Society pounds this idea into us in the unrelenting echo chamber of television, movies, and social media. And it is one of the underlying themes of most movies, even children’s movies. Again, “yourself” in this scenario is corrupted by sin, so why be true to that? The whole idea of this is bound to the exaltation of self. It carries the implication of making yourself your own god. Putting yourself and your desires on a pedestal and worshiping them. Being true to yourself is nothing short of idolatry. Oh, and isn’t a child molester just being true to himself? A rapist? A thief? A greedy person? And on it goes. So no thank you. I don’t want to be true to myself. I want to be true to God and his Word.

The reason I don’t see what you see when you look up at the sky is because I’m always looking at you. Even with all the stars out at night, I don’t want to look anywhere else. Because I have everything I need. Everything I want. It’s right in front of me.” “You just beat out every book boyfriend I’ve ever put on a pedestal with that confession,” she whispered. “You’re the perfect leading man.

You asked me for some advice. I’m going to tell you the same thing I told my girls before they married. Marry the man who’s going to walk with you through the next fifty or sixty years. Open doors, hold your hand, make your coffee, rub lotion on the cracks of your feet, put you up on a pedestal where you belong. Is he marrying your face and your bottle-blond hair, or will he love you when you look like whoever you’re going to look like in fifty years?” I broke the silence. “Grover, you missed your

With my polished Verses as a trellis of pure metal Studded cunningly with rhymes of crystal, I shall make for your head an immense Crown, And from my Jealousy, O mortal Madonna, I shall know how to cut a cloak in a fashion, Barbaric, heavy, and stiff, lined with suspicion, Which, like a sentry-box, will enclose your charms; Embroidered not with Pearls, but with all of my Tears! Your Gown will be my Desire, quivering, Undulant, my Desire which rises and which falls, Balances on the crests, reposes in the troughs, And clothes with a kiss your white and rose body. Of my Self-respect I shall make you Slippers Of satin which, humbled by your divine feet, Will imprison them in a gentle embrace, And assume their form like a faithful mold; If I can’t, in spite of all my painstaking art, Carve a Moon of silver for your Pedestal, I shall put the Serpent which is eating my heart Under your heels, so that you may trample and mock, Triumphant queen, fecund in redemptions, That monster all swollen with hatred and spittle. from “To a Madonna

Inside you is a thing worth putting on a pedestal--worth putting out there for all the world to see. That piece of rock might been knocked around, roughed up a bit, considered scrap, and thrown on the trash pile...but that's only because they don't know what's on the inside. They can't see like Michaelangelo. 'Cause if they could, they'd know that there's something in there that's just waiting to jump out. Like there is inside you. I'm sorry for the hammer and chisel. I wish life didn't work that way. Just remember...the velvet cloth ain't far behind.

The framing format I like has five key elements. You’re an entrepreneur trying to solve horrible problem X, usher in wonderful vision Y, or fix stagnant industry Z. Don’t mention your idea. Frame expectations by mentioning what stage you’re at and, if it’s true, that you don’t have anything to sell. Show weakness and give them a chance to help by mentioning the specific problem that you’re looking for answers on. This will also clarify that you’re not a time waster. Put them on a pedestal by showing how much they, in particular, can help. Explicitly ask for help. Or, in shorter form: Vision / Framing / Weakness / Pedestal / Ask

Heroes, you see—they’re exactly like us. History books tend to put people like Abraham Lincoln and Rosa Parks up on pedestals. They’re treated as gods. But know this: No one is born a hero. We’re all born the same way, and we have to achieve and work hard and struggle and fight. But if we teach our kids that the power of people like Lincoln and Parks is inside all of us, that each one of us has the potential to do something great, that could change the world. And it doesn’t have to be about something history making. It could just be about helping one person, being kind to one person. That’s the greatness that all of us can achieve.

Something sharpens in my chest then. The same feeling I’d always had watching Athena succeed; the vinegar-sour conviction that this wasn’t fair. Now Candice is sauntering in front of me, flaunting her spoils, and I can already see how the industry will receive her manuscript. They’ll fucking go wild for her, because the narrative is simply so perfect: brilliant Asian artist exposes white fraud, wins big for social justice, sticks it to the man. Ever since The Last Front came out, I have been victim to people like Candice and Diana and Adele: people who think that, just because they’re “oppressed” and “marginalized,” they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay. That they can bully, harass, and humiliate people like me, just because I’m white, just because that counts as punching up, because in this day and age, women like me are the last acceptable target. Racism is bad, but you can still send death threats to Karens. And I know one thing. I will not let Candice walk away with my fate in her hands. Years of suppressed rage—rage at being treated like a stereotype, like my voice doesn’t matter, like the entirety of my being is constituted in those two words, “white woman”—bubble up inside me and burst.

So to you Elsa Greer spoke in the words of Juliet?’ ‘Yes. She was a spoiled child of fortune-young, lovely, rich. She found her mate and claimed him-no young Romeo, a married, middle-aged painter. Elsa Greer had no code to restrain her, she had the code of modernity. “Take what you want-we shall only live once!’ He sighed, leaned back, and again tapped gently on the arm of his chair. ‘A predatory Juliet. Young, ruthless, but horribly vulnerable! Staking everything on the one audacious throw. And seemingly she won…and then-at the last moment-death steps in-and the living, ardent, joyous Elsa died also. There was left only a vindictive, cold, hard woman, hating with all her soul the woman whose hand had done this thing.’ His voice changed: ‘Dear, dear. Pray forgive this little lapse into melodrama. A crude young woman-with a crude outlook on life. Not, I think, an interesting character.Rose white youth, passionate, pale, etc. Take that away and what remains? Only a somewhat mediocre young woman seeking for another life-sized hero to put on an empty pedestal.’ Poirot said: ‘If Amyas Crale had not been a famous painter-’ Mr Jonathan agreed quickly. He said: ‘Quite-quite. You have taken the point admirably. The Elsas of this world are hero-worshippers. A man must havedone something, must be somebody…Caroline Crale, now, could have recognized quality in a bank clerk or an insurance agent! Caroline loved Amyas Crale the man, not Amyas Crale the painter. Caroline Crale was not crude-Elsa Greer was.

Players are people who feed upon the ego you build for them putting them on a pedestal that they are worthy of excusing for anything they do to you. Once you forgive them it is only a matter of time before they do the same thing to you again. Of coarse they fill avoid in your life and they know this as they watch you for days finding out your weaknesses. Once they find out your weaknesses they pray upon them with no regard to how you feel in the process of them working you and another person.You see they need you to feed their egos as much as you need them to fill whatever void they do for you. See what you've got to realize and understand is when someone isn't doing what you want them to do there is only one reason they don't want to, and that is they dont respect you.

Takeover Twattery (The Sonnet) Oligarchs don't even care about the welfare of their employees, And you want them to care about social welfare! Keep dreaming! Oligarchs have no regard for the struggles of human life, And you think they'll transform the world! Keep dreaming! I thought Mark was bad for not treating facebook's health issues, But the chief twat makes Zuck look like an incompetent simpleton. Oligarchs are poster boys for regress, not crusaders for freedom, Better to have a CEO without answers than one who answers to none. However, like corrupt politicians, oligarchs are made by people, If anybody is to blame it's the morons who put them in pedestal. If you had the common sense to question your pavlovian attraction, Spoiled brats could never treat society as daddy's mine of emerald. Now more than ever it is imperative to ban large scale takeovers. Moreover, it is vital to legally shun the rise of billionaires.

Ignorance lowers you, curiosity elevates you; knowledge puts you on a higher pedestal than information. Confusion lowers you, understanding elevates you; discernment puts you on a higher pedestal than intellect. Imprudence lowers you, insight elevates you; wisdom puts you on a higher pedestal than perception. Greed lowers you, contentment elevates you; peace puts you on a higher pedestal than indifference. Bitterness lowers you, happiness elevates you; joy puts you on a higher pedestal than pleasure. Anger lowers you, patience elevates you; longstanding puts you on a higher pedestal than tolerance. Cruelty lowers you, compassion elevates you; kindness puts you on a higher pedestal than apathy. Despair lowers you, hope elevates you; perseverance puts you on a higher pedestal than dispassion. Fear lowers you, courage elevates you; faith puts you on a higher pedestal than confidence. Hatred lowers you, mercy elevates you; love puts you on a higher pedestal than sympathy. Illiteracy lowers you, education elevates you; enlightenment puts you on a higher pedestal than talent. Imitating lowers you, creativity elevates you; originality puts you on a higher pedestal than innovation. Incompetence lowers you, skill elevates you; excellence puts you on a higher pedestal than enthusiasm. Laziness lowers you, hard work elevates you; diligence puts you on a higher pedestal competence. Failure lowers you, perseverance elevates you; success puts you on a higher pedestal than ambition. Mediocrity lowers you, talent elevates you; genius puts you on a higher pedestal than aptitude. Obscurity lowers you, fame elevates you; influence puts you on a higher pedestal than popularity. Ego lowers you, honor elevates you; humility puts you on a higher pedestal than applause. Poverty lowers you, success elevates you; wealth puts you on a higher pedestal than prominence. Dishonor lowers you, esteem elevates you; character puts you on a higher pedestal than reputation.

The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.

And for all of Martin’s actions of peace and love, he was targeted with violence, harassed, arrested, blackmailed, followed by the FBI, and eventually murdered. For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America. Martin was the black man who asked for too much, too loudly. Martin was why white America couldn’t support equality. Because no matter what we ask for, if it threatens the system of White Supremacy, it will always be seen as too much. When we were slaves nursing their babies, we were not nice enough. When we were maids cleaning their homes we were not nice enough. When we were porters shining their shoes we were not nice enough. And when we danced and sang for their entertainment we were not nice enough. For hundreds of years we have been told that the path to freedom from racial oppression lies in our virtue, that our humanity must be earned. We simply don’t deserve equality yet. So when people say that they don’t like my tone, or when they say they can’t support the “militancy” of Black Lives Matter, or when they say that it would be easier if we just didn’t talk about race all the time—I ask one question: Do you believe in justice and equality? Because if you believe in justice and equality you believe in it all of the time, for all people. You believe in it for newborn babies, you believe in it for single mothers, you believe in it for kids in the street, you believe in justice and equality for people you like and people you don’t. You believe in it for people who don’t say please. And if there was anything I could say or do that would convince someone that I or people like me don’t deserve justice or equality, then they never believed in justice and equality in the first place. Yes, I am a Malcolm. And Martin, and Angela, Marcus, Rosa, Biko, Baldwin, Assata, Harriet, and Nina. I’m fighting for liberation. I’m filled with righteous anger and love. I’m shouting, as all before me have in their way. And I’m a human being who was born deserving justice and equality, and that is all you should need to know in order to stand by my side.

When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.

Putting anyone on a pedestal just means eventually they’re going to fall off and you’ll be crushed by the weight of their truth.

And for all of Martin’s actions of peace and love, he was targeted with violence, harassed, arrested, blackmailed, followed by the FBI, and eventually murdered. For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America. Martin was the black man who asked for too much, too loudly. Martin was why white America couldn’t support equality. Because no matter what we ask for, if it threatens the system of White Supremacy, it will always be seen as too much.

When you put pleasure on a pedestal and delay it and strive for it, it will evade you. It will never fail to disappoint. When you accept pleasure as something that surrounds you and something that you create with your attitude, then you will find that pleasure is much more abundant and available than you think.

You don’t think that literature can be a reflection of real life?” “Sure it can. But, like I said, Mr. Darcy isn’t a reflection of real life. I think he’s been put on a pedestal. It’s irrational.

Jack reached up to tuck a loose strand of hair behind her ear. The perfume was growing on him. “How are your blisters?” It didn’t work. “They sting,” said Jane shortly. “But I didn’t mind that. I didn’t mind any of it. As I would have told you if you had only listened.” Jack pressed his eyes shut. Somehow he had gone from being noble and wronged to just being wrong. He wasn’t quite sure how that had happened. “I thought you wanted a bath and a proper bed.” “There is,” said Jane dangerously, “a vast difference between wanting a proper bed and requiring coronets on my sheets. Did it ever occur to you that I didn’t care what sort of bed it was as long as you were in it?” The words rang through the small room. Jack’s throat felt sore, swollen. He couldn’t seem to force words out, even if there had been any words to say. Jane’s chest was rising and falling rapidly, her bosom swelling distractingly over the low neckline of her white gauze gown. “Jane—” Jack managed, but it was too late. Jane jerked away, knocking over a bag of meal in the process. “I don’t need another man to put me on a pedestal. I have enough of those already.” She wrenched open the door to the drilling ground, the sky flaming red and orange behind her. “Congratulations on a successful mission, Moonflower.” And the door slammed, taking with it Jane and the last of the light.

Not a pedestal,” he said gruffly. “Hmmn?” She stirred, raising her hand to the shaven bristle of his cheek. “What do you mean?” “You said I put you on a pedestal … remember?” “Yes.” “It was never that. I’ve always carried you in my heart. Always. I thought that would have to be enough.” Moved, Win kissed him gently. “What happened, Kev? Why did you change your mind?

Now it turns out he was having sex with his babysitter, and they’re so pissed off they’re about to pop. But their anger’s not really about Kate, you know? It’s about them. They feel betrayed. They put him up on a pedestal, and then he committed the crime of being human. So fuck him, right? Never mind that Kate was two weeks shy of eighteen, and on the make for exactly the kind of affair she had with Drew.

[W]e [also] create a … problem when we put people on a pedestal … . Whenever we make anyone – a minister, a teacher, an athlete, a genius, our ancestors, the Buddha – bigger than life, it's easy … to forget that the person you're discussing is a human being. … You'll forget that you're made of the very same stuff they are.

Phantom Ex One of the consequences of devaluing your romantic relationship is that you often wake up long after the relationship has gone stale, having forgotten all those negative things that annoyed you about your partner, wondering what went wrong and reminiscing longingly about your long-lost love. We call it the phantom-ex phenomenon. Often, as happened with Carole who “rediscovered” her feelings for Bob only after she’d broken up with him, once the avoidant person has put time and distance between herself and the partner whom she’s lost interest in, something strange happens: The feelings of love and admiration return! Once at a safe distance, the threat of intimacy is gone and you no longer feel the need to suppress your true feelings. You can then recall all of your ex’s great qualities, convincing yourself that he or she was the best partner you ever had. Of course, you can’t articulate why this person wasn’t right for you, or remember clearly why you ended things in the first place (or perhaps behaved so miserably that he or she had no choice but to leave). In essence, you put your past partner on a pedestal and pay tribute to “the love of your life,” now forever lost. Sometimes you do try to resume the relationship, starting a vicious cycle of getting closer and withdrawing. Other times, even if the other person is available, you don’t make an attempt to get back together but continue all the same to think about him or her incessantly. This fixation with a past partner affects budding new relationships, because it acts as a deactivating strategy, blocking you from getting close to someone else. Even though you’ll probably never get back together with your phantom ex, just the knowledge that they’re out there is enough to make any new partner seem insignificant by comparison. THE POWER OF “THE ONE” Have you ever gone out with someone who you think is amazing, but as you start to get closer, you become overwhelmed with the feeling that s/he isn’t actually so hot after all?

Let me ruin whatever clean-cut image of me you’re so determined to keep on that imaginary pedestal of yours.

THOMAS Guilty Of mankind. I have perpetrated human nature. My father and mother were accessories before the fact, But there’ll be no accessories after the fact, By my virility there won’t! Just see me As I am, like a perambulating Vegetable, patched with inconsequential Hair, looking out of two small jellies for the means Of life, balanced on folding bones, my sex No Beauty but a blemish to be hidden Behind judicious rags, driven and scorched By boomerang rages and lunacies which never Touch the accommodating artichoke Or the seraphic strawberry beaming in its bed: I defend myself against pain and death by pain And death, and make the world go round, they tell me By one of my less lethal appetites: Half this grotesque life I spend in a state Of slow decomposition, using The name of unconsidered God as a pedestal On which I stand and bray that I’m best Of beasts, until under some patient Moon or other I fall to pieces, Like a cake of dung. Is there a slut would Hold this in her arms and put her lips against it? JENNET Sluts are only human. By a quirk Of unastonished nature, your obscene Decaying figure of vegetable fun Can drag upon a woman’s heart, as though Heaven were dragging up the roots of hell. What is to be done? Something compels us into The terrible fallacy that man is desirable and there’s no escaping into truth. The crimes And cruelties leave us longing, and campaigning Love still pitches his tent of light among The suns and moons. You may be decay and a platitude Of flesh, but I have no other such memory of life. You may be corrupt as ancient applies, well then Corruption is what I most willingly harvest. You are Evil, Hell, the Father of Lies; if so Hell is my home and my days of good were a holiday: Hell is my hill and the world slopes away from it Into insignificance. I have come suddenly Upon my heart and where it is I see no help for.

I believe you don’t see each other’s faults, and you tend to put your partner on a pedestal.

the professionals who are opposed to advertising say it downgrades their profession. And it does. To advertise effectively today, you have to get off your pedestal and put your ear to the ground. You have to get on the same wavelength as the prospect. In advertising, dignity as well as pride goeth before destruction, and a haughty spirit before a fall.

people we put on pedestals ... they’ve just got that much further to fall when you realize they’re human

Tell me how he’s kind and compassionate, about how he takes care of you and puts you first. Tell me about the height of the pedestal he’s placed you on, and that you worry about falling off…that he thinks too highly of you. That you’re just a girl, but this man thinks you’re more stunning than a star hung in the heavens.

The terrifying part, as always in this kind of thing, is that they construct the pedestal; they put you on top of it, they expect you to balance on the beastly thing without ever losing your footing, and because they have engineered the pedestal along come the demolition experts amongst them who are of the breed that enjoy breaking things down. And it is all done for a sort of vicarious entertainment . . . Maybe the wedding, because it was so well done and because it made such a wonderful, almost Hollywood-style, film, has distorted people’s view of things? Whatever the case it frightens me.

We’re all full of gastronomy and recipes,” he once told a journalist. “Turn on a TV anywhere in the world and you will see an idiot with a spoon. And every newspaper and magazine has recipes and a photo of the dish taken from above like a cadaver. It’s a form of onanism and is masturbatory. We must normalize food rather than put it on a pedestal out of reach.

But, Emmie”—Bothwell’s cultured tones drifted through the back doors of the hall—“you know I’ve missed you.” Emmie’s reply was murmured in low, unintelligible tones, causing St. Just to pause. The damned Kissing Vicar was about to strike again, but as a gentleman… As a gentleman, hell… St. Just did not pull the door shut loudly behind him, which would have afforded Bothwell a moment to protect the lady’s privacy. He charged into the hall, boots thumping on the wooden floor, jar of icing at the ready. “Now, Emmie…” Bothwell was kissing her, one of those teasing little kisses to the cheek that somehow wandered down to the corner of her mouth in anticipation of landing next on her lips. “Excuse me, Bothwell, didn’t realize you were about.” “Rosecroft.” Bothwell grinned at him, looking almost pleased to be caught at his flagrant flirting. “I’d heard you were back. My thanks for the use of your stables.” “And my thanks for keeping those juvenile hellions in shape. You need a horse, man, congregational politics be damned.” “Maybe someday.” Bothwell’s smile dimmed a little as his gaze turned to Emmie. “But for today, I’ve a wedding to perform.” And Bothwell had known, probably from experience, Emmie would be bringing her cake over. Absent a special license, the wedding would have to start in the next couple of hours, and St. Just suspected the vicar had been all but lying in wait for Emmie. “Em?” He brought her the icing. “Shall I go offer up a few for my immortal soul, or will we be going shortly?” “I won’t be long,” she said, brows knit as she positioned the second layer atop the little pedestals set on the first. “I just need to put the candied violets around the base when I’ve got the thing assembled, and maybe a few finishing touches.” “She’ll be hours.” The vicar smiled at her so indulgently that St. Just’s fist ached to put a different expression on the man’s face. “Come along, St. Just, and we can at least spend a few minutes in the sunshine.

I'm seeing someone." It gets quiet enough to hear our breathing. "You're dating someone?" Aidan asks, sitting back down in my chair. Nadia retakes her spot on my mattress. I glance down at my hands, feeling my cheeks redden. "Not dating, really. It's more like I have feelings I haven't told her about yet." "Do we know her?" I shake my head. "Who is she?" Nadia inquires. I glance up and instantly hate the look of rejection on her face, The lies flow out of me too easily. "Her name's Ivy. She lives over in Harraway with her parents." "Is she our age?" "Yeah. She's only a year older." Try a lot older. I'm answering myself again. "An older woman? Awesome! What does she look like?" I close my eyes as I remember her human form from my dreams. "She's about my height, has long white-blond hair, and green eyes. Ivy's very beautiful." Beautiful? More like drop-dead gorgeous. "She sounds like it." Aidan leans back, putting his hands behind his head. "So where's you meet her?" "At the hospital in Harraway. Ivy does her service hours there." "How come we never saw her?" "You missed each other. She came there at different hours than you guys did." Nadia sticks her hands up and stretches. "What did you two do?" "Talk. Just what we do now. Ivy gave me her phone number and email before I left." "Have you talked to her since?" "Practically every day. She's a wonderful person. You guys would like her." That or you would run away in terror. "So let me get this straight." Aidan scrunches up his face as he thinks everything over. "The reason that you're not gag over Melanie anymore is because of some older chick you met in the hospital?" "Yep." Aidan lets out a long, low whistle. "Damn. If she's good enough to kick Melanie off the love pedestal, she has to be worth going after." I nod. "Yeah. Ivy is. I...I think I like her." If this were a cartoon, Nadia would have a rain cloud over her head—she looks that bashed from my news.

Cale gazed into the fire. “You didn’t see the way he looked at you. Or you didn’t recognize it.” She blinked, startled. “What do you mean?” His voice took on a low fervency. “I watched you dance with him at the ball. He looks at you in awe, like you’re untouchable. He puts you on a pedestal, Elizabeth. He’ll treat you like glass, like you’re too fragile to hear certain things, to know certain things. He’ll make love to you in the dark with half his clothes still on, like a true aristocratic husband. He’ll be too afraid to break you. Or to ever really know you.” It took her a moment to speak past her consternation. “You gathered all of that from one dance?” she said, striving for levity, frightened by his intensity.

February 24 The Delight of Sacrifice I will very gladly spend and be spent for you. 2 Corinthians 12:15 When the Spirit of God has shed abroad the love of God in our hearts, we begin deliberately to identify ourselves with Jesus Christ’s interests in other people, and Jesus Christ is interested in every kind of man there is. We have no right in Christian work to be guided by our affinities; this is one of the biggest tests of our relationship to Jesus Christ. The delight of sacrifice is that I lay down my life for my Friend, not fling it away, but deliberately lay my life out for Him and His interests in other people, not for a cause. Paul spent himself for one purpose only—that he might win men to Jesus Christ. Paul attracted to Jesus all the time, never to himself. “I am made all things to all men, that I might by all means save some.” When a man says he must develop a holy life alone with God, he is of no more use to his fellow men: he puts himself on a pedestal, away from the common run of men. Paul became a sacramental personality; wherever he went, Jesus Christ helped Himself to his life. Many of us are after our own ends, and Jesus Christ cannot help Himself to our lives. If we are abandoned to Jesus, we have no ends of our own to serve. Paul said he knew how to be a “door-mat” without resenting it, because the mainspring of his life was devotion to Jesus. We are apt to be devoted not to Jesus Christ but to the things which emancipate us spiritually. That was not Paul’s motive: “I could wish that myself were accursed from Christ for my brethren”—wild, extravagant—is it? When a man is in love it is not an exaggeration to talk in that way, and Paul is in love with Jesus Christ.

I've realized that one of the most unkind things I can do to somebody is to put them on a pedestal because very soon, inevitably, they’re going to do something that's going to knock them off it, and then I'm going to have a lot of trouble with that because I really needed you to be something else. And that's inhumane.” –Elizabeth Gilbert

When you realize this, you can shift from gawking at and putting women on a pedestal to appreciating them for their beauty and feminine energy and entering the interaction with curiosity instead of neediness. You no longer feel like you are trying to win or take something from a woman.

When your world is small, it’s easy to find strangeness in differences. To put your likeness on a pedestal. When you’re young, though, those differences don’t carry the same weight.