Pushing The Envelope Quotes

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I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been booing on for the last several thousand years? I didn't even know that they existed until I read that stupid article, and I'm pretty sure I'm not the only one. ... So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to thing to yourself, 'The man can't possibly be that stupid!' But yes. Yes, he can. Our innate strengths just aren't the same. We are the mighty hunters, who are good at focusing on one thing at a time. For crying out loud, we have to turn down the radio in the car if we suspect we're lost and need to figure out how to get where we're going. That's how impaired we are. I'm telling you, we have only the one conversation. Maybe some kind of relationship veteran like Michael Carpenter can do two, but that's pushing the envelope. Five simultaneous conversations? Five? Shah. That just isn't going to happen. At least, not for me.
Jim Butcher (Cold Days (The Dresden Files, #14))
Wind and storm colored July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather. I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed.
Virginia Woolf (The Waves)
I couldn't believe I let him see me like this, unable to fend for myself. I fumed in disgust at my vulnerability. I didn't want Evan to think I needed protecting. I pulled back my torment and let the numb blanket envelop me, pushing away the stirred memories, the noise of the crowd, and the trembling that still lay beneath the surface. I stared at the flames licking at the darkness and everything was lost as I sank deeper into nothingness.
Rebecca Donovan (Reason to Breathe (Breathing, #1))
Doing risk sport had taught me another important lesson: never exceed your limits. You push the envelope and you live for those moments when you’re right on the edge, but you don’t go over. You have to be true to yourself; you have to know your strengths and limitations and live within your means.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
If you haven’t failed in the classroom lately, you aren’t pushing the envelope far enough. “Safe” lessons are a recipe for mediocrity at best.
Dave Burgess (Teach Like a PIRATE: Increase Student Engagement, Boost Your Creativity, and Transform Your Life as an Educator)
He streched his arm around my shoulder and settled his head against mine, enveloping me in a warm little bubble.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Everyone should feel alive. Should smash up against passion and danger, against temptation and anticipation. You have to push the envelope sometimes,because otherwise how do you know what your limits really are?
J. Kenner (Heated (Most Wanted, #2))
You've really never been the guy on the outside looking in, have you?
Kim Dare (Orders Enclosed (Pushing the Envelope, #4))
How many times in life have I been advised to "toe the line," to "tone it down," to stop "pushing the envelope"? As a journalist, I had to keep my opinions to myself for 30 years. I thought that, as an artist, I'd have the liberty to express my views. Now I'm told that doing so might hurt my readership. I'm so idealistic, as I said elsewhere on FB today, that I think people ought to read my books because they're good. Period.
Sherry Jones
Don’t be afraid of exploring your capabilities, of seeking adventures, of searching for answers, of pushing the envelope, of finding gaps between the fences. Don’t, be afraid... Period. Life is too short to be a wuss.
Kakali Bandyopadhyay
Fuck!” he snarled. He tilted her up again, her legs now resting on his shoulders, and positioned himself and began to push. Into her back entrance. Kimber drew in a great, shocked gasp, her hazel eyes wide. “Deke?” “What the hell are you doing?” Luc barked. Tensing a little more with every inch he pushed inside Kimber’s tight passage, the tendons on his neck standing out, the muscles in his arms shaking, assailed by the amazing sensations of being slowly enveloped by her tight, ready flesh, Deke could barely form a word. “Fucking her ass. Saving her life.
Shayla Black (Decadent (Wicked Lovers, #2))
Sina jinsi. Nguzo ya maisha yangu ni historia ya maisha yangu. Historia ya maisha yangu ni urithi wa watu waliojifunza kusema hapana kwa ndiyo nyingi – waliojitolea vitu vingi katika maisha yao kunifikisha hapa nilipo leo – walionifundisha falsafa ya kushindwa si hiari. Siri ya mafanikio yangu ni kujitahidi kwa kadiri ya uwezo wangu wote; au 'pushing the envelope' kwa lugha ya kigeni.
Enock Maregesi
Creative geniuses redefine the desired solution. They don't just push the envelope; they create a whole new courier system.
Puneet Bhatnagar (Power-Goals)
It'll still be stationery no matter how much you push the envelope.
Santosh Kalwar (Gags and Extracts)
Many of those who are advised to think outside the box do not even think inside the box.
Mokokoma Mokhonoana
I believe if you don't keep constantly pushing the envelope and outgrowing yourself you're going to get real old sooner than you think.
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
Changing things—pushing the envelope and creating a future that doesn’t exist yet (at the same time you’re criticized by everyone else)—requires bravery.
Seth Godin (Tribes: We need you to lead us)
“Here’s my number. I almost forgot to give it to you.” I swallow as I stare at the number. Tell her. Just f*cking tell her. “Rachel...” “You’ll call, right?” And the small amount of hurt in her voice stabs my heart. I envelop Rachel in my arms and cup her head to my chest. She smells good. Like the ocean. Like her jacket. I try to memorize the feel of her body against mine: all soft and warm and curves. The paper in her hand crinkles as she links one arm, then another around my waist. Leaning into me, she lets out a contented sigh and I close my eyes with the sound. Ten seconds. I’ll keep her for ten more seconds. I want to keep her. Two. I shouldn’t. Four. Maybe she can see past what I am. We don’t have to be more. We can be friends. Seven. I can fix this. Nine. I can make anything work. Ten. “I’ll call.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
What differentiates successful entrepreneurs from everyone else is their willingness not only to face fear, but also to embrace fear. If you’re not really scared of what you’re doing, that means you’re not pushing the envelope, you’re not challenging yourself.
Austin Netzley (Make Money, Live Wealthy: 75 Successful Entrepreneurs Share the 10 Simple Steps to True Wealth)
Insane asylum' - among the great narrative options, that'd be one step short of 'and then she woke up', right? Or is that what you're planning next episode as we push the tandem-story envelope? Cool nude-hairbrushing scene, by the way. I assume it's her butt that the pillow's caressing? She's a thoughtful one, isn't she? Shame about the hair knot. That could wreck a person's whole day. - Joel
Rebecca Sparrow (Joel and Cat Set the Story Straight)
Lucy, who apparently had no idea his girlfriend's father held him in such low regard, agreed with Noonan that he was pushing the envelope, behaviorwise. Still, he was genuinely fond of the man and didn't want to believe there was anything seriously wrong. After all, he argued, wasn't Mr. Berg's lunacy born of genius? Even though Lucy loved and defended Thomaston, he had to admit that the man was out of place there. He was despised by most faculty members and secretly made fun of, but even those who loathed him feared his acid wit, his searing intelligence. For all his eccentricity, he was the best teacher either of them had ever had, and honors was worth more than all their other classes combined, not so much in spite of its instructor being dangerously off center as because of it. The weirder things got, the more boundaries that were ignored, the more interesting things became. But what if one of the boundaries they were crossing was the one that separated sanity from madness? Lucy, perhaps out of loyalty to Sarah, didn't want to believe that this was what they were witnessing. Noonan, though, was apprehensive.
Richard Russo (Bridge of Sighs)
Stop bein’ such a pussy.” “I’m not a p-pansy,” Aiden stuttered,tripping over the last word. Vulgar terminology didn't exist in his vocabulary. Whenever he tried to push the envelope, he choked in the cutest way possible. “I said pussy,” she emphasized. He went red from the neck up. “I heard you!
Carrie Butler (Strength (Mark of Nexus, #1))
Isaiah pushes off his car and invades my personal space. His dark scent envelops me and my heart literally trips several times as it tries to continue to beat. Even though he doesn’t touch me, it’s like Isaiah is everywhere. Only centimeters separate us, but his warmth surrounds me like a bubble. I have to force myself to lift my chin to look at him. His gray eyes soften, and there’s this playful aura to him, accompanied by a devious tilt of his mouth.
Katie McGarry (Crash into You (Pushing the Limits, #3))
You need editors, not brand managers,who will push the envelope to make [a brand media property] go forward.
Seth Godin
My father wanted us to try everything and feel free to push the envelope. His attitude taught me to define failure as not trying something I want to do instead of not achieving the right outcome.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
Henry flopped onto his bed, and his steam leaked slowly out. He began telling himself a story in his head. It was about how just and kind and understanding he was. It was about right he had been, how necessary his tone and word choice. It was about a girl who just didn't understand, who was completely ignorant. Then, for some reason, the narrator of the story included an incident in which Henry ha pushed an envelope into a strange place just to see what would happen. It hadn't even been an accident. The incident did not fit with the rest of the story, so Henry tried to ignored it. He couldn't ignore it, so he tried to explain it. Completely different things. The post office was obviously not dangerous. It was yellow. I just wanted to see what the mailman would do. The flashlight was stupid. I didn't shine a flashlight into the post office. She didn't even act sorry. I would have acted sorry. I always act sorry when people get upset. She didn't even care that I probably saved her life. She didn't know. She was unconscious. Oh, shut up.
N.D. Wilson (100 Cupboards (100 Cupboards, #1))
What Max was talking about was a graphic portrayal of female desire. And my gut instinct was that I loved the idea. I mean, the thought of filming a graphic sex scene with Don was about as arousing to me as a bowl of bran flakes. But I wanted to push the envelope. I wanted to show a woman getting off. I liked the idea of showing a woman having sex because she wanted to be pleased instead of being desperate to please. So in
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Artists—or, in the local parlance, creatives—should no longer push any envelope, go to the dark side, explore taboos, make inappropriate jokes or offer contrarian opinions. We could, but not if we wanted to feed our families.
Bret Easton Ellis (White)
And that was the unusual thing about me. Unlike pretty much every teen I knew, I liked to be doing the right thing. I didn’t like breaking rules. I didn’t like pushing the envelope. I didn’t like trespassing, or sneaking into cinemas, or buying alcohol or cigarettes. I didn’t even feel comfortable running into a cafe to use the toilet without having first bought a drink. Basically, I didn’t like to do half the things all teenagers did almost habitually.
Kerri Sackville (The Little Book of Anxiety)
My own walls caved. Tears trickled from the corner of my eyes. Then strong arms enveloped me. “Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.” “Don’t make promises you can’t keep,” I hiccupped. “People always do that.” “I mean it.” Firmly spoken. “I won’t let us fail. Not at this.” The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds. Ben held me, silent, softly rubbing my back. A thought floated from somewhere far away. This isn’t so bad. I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine. I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance. “Ben . . . I . . .” “Tory?” My father’s voice sent us flying apart as if electroshocked. Kit was descending the steps, an odd look on his face. “Yes?” Discreetly wiping away tears. I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved. “I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.” “No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.” Kit frowned. “Say the word, and we cancel right now. No question.” “No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.” “All right, then. We need to get moving.” Kit glanced at Ben, still sitting on the bench, striving for invisible. A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.” Ben’s uneasy smile was his only response.
Kathy Reichs (Exposure (Virals, #4))
I’d have devoured those books I’ve come to love—the ones that have helped me reawaken my sexuality. The books that have made me realize it’s okay to want more out of my sex life, to want my husband to push the envelope with me. Experiment with me. Demand more of me.
C.D. Reiss (Bend)
The foundation of morality on the human sentiments of what is acceptable behavior versus repulsive behavior has always made morals susceptible to change. Much of what was repulsive 100 years ago is normal today, and - although it may be a slippery slope - what is repulsive today is possible to be normal 100 years into tomorrow; the human standard has always been but to push the envelope. In this way, all generations are linked, and one can only hope that every extremist, self-proclaimed progressive is considering this ultimate 'Utopia' to which his kindness will lead at the end of the chain.
Criss Jami (Healology)
We concoct neologisms (quark, meme, clone, deep structure), invent slang (to spam, to diss, to flame, to surf the web, a spin doctor), borrow useful words from other languages (joie de vivre, schlemiel, angst, machismo), or coin new metaphors (waste time, vote with your feet, push the outside of the envelope).
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
   Two men appeared.    One came from the Bastille, the other from the Jardin des Plantes. The taller of the two, in a linen costume, walked with his hat pushed back, waistcoat undone and cravat in hand. The smaller one, whose body was enveloped in a brown frock-coat, had a peaked cap on his bent head.    When they came to the middle of the boulevard they both sat down at the same moment on the same seat.    Each took off his hat to mop his brow and put it beside him; and the smaller man noticed, written inside his neighbour's hat, Bouvard; while the latter easily made out the word Pécuchet, in the cap belonging to the individual in the frock-coat.
Gustave Flaubert (Bouvard and Pécuchet with The Dictionary of Received Ideas)
One book will often not change your life so dramatically that nothing will ever be the same again. But if you play the margin game to perfection, where you push the envelope ever so slightly, the right books over a lifetime will determine if you will lead an average life in oblivion; or if you will live a truly wonderful life worth reading about.
Chris Erzfeld
There was a bang as someone tried to open our locked door. Leanne and I grabbed each other. "Bitches, let me in!" Oliver. I let out a shaky breath, got up, and unlocked the door. He pushed his way in before enveloping me in a hug. "Stop almost dying on me beautiful." When he pulled away, I saw his eyes we red rimmed. "Aw, Oliver," I hugged him back, "I'm pretty tough to kill.
Laura Thalassa (The Unearthly (The Unearthly, #1))
Any useful statement about the future should at first seem ridiculous’ by Jim Dator. Also, ‘When it comes to the future, it’s far more important to be imaginative than to be right’ by Alvin Toffler. Both are famous futurists. These quotes remind me that world-changing ideas will seem absurd to most people, and that the most useful work I can be doing is to push the envelope of what is considered possible.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
After we had loaded the last one, I backed the pickup around and drove down the twisting road to the big truck. As we rounded the final curve, we noticed there was a strange pickup parked near the U-Haul. Two men got out of it and looked around furtively, but did not see us. They tiptoed over to the truck, their curiosity piqued by an apparently abandoned U-Haul. They tried the sliding back door gingerly, and found it would open. They gave it a push. The loose bees inside rushed out toward the light and enveloped the two men in a furious buzzing cloud. The men were both heavy, with ample beer bellies, but they ran like jackrabbits to their pickup and drove off at top speed, careening from one side of the road to the other as they tried to brush bees from their heads. I’ll wager that is the last time either of them meddled with an abandoned truck.
Sue Hubbell (A Book of Bees)
Here I am now. And it is hell. Paradise? Yes, I still am here, but who? only myself, with my small waist, my small soul, my small arms, my small intelligence pushed to its greatest heights and thus ruthlessly able to see itself shut up inside its supple transparent but oh ruthlessly inflexible membrane, if I push it any farther it will burst its envelope, I am going to lose part of my mind, we will not longer steer clear of madness.
Hélène Cixous (The Book of Promethea)
When I have reached the limits of my ability, when my expectations have been exhausted, when my eyes can no longer see beyond the cloud, then, GRACE shows up. Grace pushes me beyond my ability, raises my expectations beyond the envelope, and sharpens my eyes to see farther. Grace is a favour beyond what I merit, a help I couldn't have asked for, a strength I did not possess. Where would I be without God's Grace? I don't even want to think about it.
Abiodun Fijabi
Kate stashed her camera gear in the foyer corner, and rested her back against the locked door, her bad leg throbbing. The smell of last night’s lasagna still lingered in small pools of spicy scent around her. She scanned her home. Too bad she’d fallen for this apartment. High ceilings with ornate moldings. Something out of her dreams. She should have known better. She pushed off. Enough memories. First she dug for an envelope from the box she kept stashed in a kitchen drawer. A final
Terri Tiffany (The Bend)
Never stop pushing for what you want! If something is truly important to you, stay diligent and find a way. Depending on whom you ask, the answer may be different. Never settle for the first answer! Do your own research, ask different people, go above other people’s head if you have to. Sometimes it’s necessary to push the envelope. Some people will purposely give you the wrong answer to try to stop you and/or hold you back. This, unfortunately, is a reality. Some people’s intentions are all wrong. Be mindful that not everyone will have your best interest at heart.
Stephanie Lahart
Don Chrisantos Michael Wanzala "Don CM Wanzala" (born April 13), popularly known as Don Santo (stylized as DON SANTO) is a Kenyan singer, rapper, songwriter, arranger, actor, author, content producer, Photo-Videographer, Creative Director (Blame It On Don), entrepreneur, record executive and Leader of the Klassik Nation and chairman and president of Global Media Ltd, based in Nairobi City in Kenya. ​ The genius of DON SANTO rests in his willingness to break from traditional formula and constantly push the envelope. He flips the method of the moment with undeniable swagger and bold African sensibility. As a songwriter, Santo revisits simple, but profound aspects of the human experience – love, lust, desire, joy, and pain that define classical art and drama. He applies his concept to rich, full vocals that exude his intended effect. It is this uncanny ability to compose classics and deliver electrifying live performances that define everything that is essential DON SANTO. In 2015, Santo won the East Africa Music Awards in the Artist of the year Category while his song "Sina Makosa" won the Song of The year. A believer in GOD, FAMILY & GOOD LIFE (Klassikanity).
Don Santo
My characters push the limits of the envelope when it comes to passion, love, and lust. They can be as elegant and distinguished as Lizzie's Darcy, or as wild and unrelenting as Cathy's Heathcliff; sometimes all in one bold personality. I also believe there is a wider universal mosaic on our planet than mere black and white. My contemporary healer/surgeon in the novel 'Hobble' is half Native American (Mayan Mexican + Peruvian, plus Scottish) and his lover is African American (African + European + American Indian). My people see the world differently; they're often mixed race or of a race, color, or nationality not normally associated with nor depicted in romantic and erotic novels or films as central, positively sexual, and realistic.
Neale Sourna (Hobble)
But the best reward from that meditation center was a familiar face I could access every time I sat down to meditate. For a couple of minutes, I basked in the sun and breathed, and then I summoned an older version of myself, a year into the future. I imagined she was sitting behind me, enveloping me in a big-spoon hug. She had a few more wrinkles. A couple more freckles. She was wearing baggy, soft clothing. 'Hi,' I said. 'Hi,' she said. 'I’m sad today,' I admitted. 'It’s okay to be sad. You won’t be sad a week from now. I love you, and you are doing your best,' she said, and I knew she was right. I leaned back into her belly. I could almost feel it pushing back against me, a solid pressure, telling me I was not alone. She silenced my mother’s voice in my head. Excised her not just in body but in mind. She did it because, as my third parent, that is her right.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Sophie isn’t leaving,” Quentin asserted, his voice pure steel. “That woman sheds grace and light in every room she enters. Any man with a functional brain would try to catch a fragment of that grace and cherish it, rather than push her aside. I’m not sending her away. Were it in my power, I would cut the moon out of the sky and give it to her on a silver platter.” Her notebook dropped from her nerveless fingers, splatting open on the tile floor. Quentin whirled around to see her standing in the doorway. If he was embarrassed to have been overheard, he gave no sign of it. On the contrary, his eyes that had been sparking with anger gentled the instant he saw her. She glanced away, rocked by the protective expression on Quentin’s face. It shot straight to a vulnerable part deep inside and enveloped her with a sense of well-being. No man had ever spoken so passionately on her behalf, and a rush of wild, electrifying emotions stirred inside.
Elizabeth Camden (Until the Dawn)
Flow is an extremely potent response to external events and requires an extraordinary set of signals. The process includes dopamine, which does more than tune signal-to-noise ratios. Emotionally, we feel dopamine as engagement, excitement, creativity, and a desire to investigate and make meaning out of the world. Evolutionarily, it serves a similar function. Human beings are hardwired for exploration, hardwired to push the envelope: dopamine is largely responsible for that wiring. This neurochemical is released whenever we take a risk or encounter something novel. It rewards exploratory behavior. It also helps us survive that behavior. By increasing attention, information flow, and pattern recognition in the brain, and heart rate, blood pressure, and muscle firing timing in the body, dopamine serves as a formidable skill-booster as well. Norepinephrine provides another boost. In the body, it speeds up heart rate, muscle tension, and respiration, and triggers glucose release so we have more energy. In the brain, norepinephrine increases arousal, attention, neural efficiency, and emotional control. In flow, it keeps us locked on target, holding distractions at bay. And as a pleasure-inducer, if dopamine’s drug analog is cocaine, norepinephrine’s is speed, which means this enhancement comes with a hell of a high. Endorphins, our third flow conspirator, also come with a hell of a high. These natural “endogenous” (meaning naturally internal to the body) opiates relieve pain and produce pleasure much like “exogenous” (externally added to the body) opiates like heroin. Potent too. The most commonly produced endorphin is 100 times more powerful than medical morphine. The next neurotransmitter is anandamide, which takes its name from the Sanskrit word for “bliss”—and for good reason. Anandamide is an endogenous cannabinoid, and similarly feels like the psychoactive effect found in marijuana. Known to show up in exercise-induced flow states (and suspected in other kinds), this chemical elevates mood, relieves pain, dilates blood vessels and bronchial tubes (aiding respiration), and amplifies lateral thinking (our ability to link disparate ideas together). More critically, anandamide also inhibits our ability to feel fear, even, possibly, according to research done at Duke, facilitates the extinction of long-term fear memories. Lastly, at the tail end of a flow state, it also appears (more research needs to be done) that the brain releases serotonin, the neurochemical now associated with SSRIs like Prozac. “It’s a molecule involved in helping people cope with adversity,” Oxford University’s Philip Cowen told the New York Times, “to not lose it, to keep going and try to sort everything out.” In flow, serotonin is partly responsible for the afterglow effect, and thus the cause of some confusion. “A lot of people associate serotonin directly with flow,” says high performance psychologist Michael Gervais, “but that’s backward. By the time the serotonin has arrived the state has already happened. It’s a signal things are coming to an end, not just beginning.” These five chemicals are flow’s mighty cocktail. Alone, each packs a punch, together a wallop.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
The primary problem concerning Christianity’s role in changing the modern world is that most Christians no longer believe we are capable of accomplishing that change. This is a direct result of the fact that Christians by and large don’t believe that holiness is possible. But it is also deeply connected to a false belief widely held by Christians that the culture has become so powerful that we are simply incapable of transforming it. This leads to conversations that the culture has pushed the envelope too far and the only solution is the Second Coming of Jesus Christ. This is tragic defeatism, which is the antithesis of the spirit of Christianity and at the same time an astounding form of spiritual laziness. It is nothing more than the fruit of the biggest lie in the history of Christianity. It is only because we have been deceived into believing holiness is not possible that we would believe the culture is too negative and too strong to be transformed by Christianity. The world needs to be transformed, and nobody is in a better position to do that than Christians. In fact, I would argue that if Christians do not change the world, it will not change for the better.
Matthew Kelly (The Biggest Lie in the History of Christianity: How Modern Culture Is Robbing Billions of People of Happiness)
Soft moonlight enveloped her path, guiding her toward the gate like creamy white petals leading a bride to the altar. Walter didn't understand- she needed to be in these gardens. The beauty breathed life into her. Filled her very soul. She pushed down the latch, testing it slowly to see if it was locked on the opposite side. Her heart leapt when it opened. The lady left her gardens every autumn now when the flowers began to die, and Mummy didn't seem to care if she visited the gardens when the lady was gone. But in the summer, when the flowers were blooming, when the air smelled sweet and the butterflies danced in the breeze, Mummy and Walter didn't want her to explore. Yet this was her sustenance. Her magic. She needed to be here as much as the butterflies needed their nectar to fly. Quietly she closed the gate and hurried across the brick path until she reached the circular rose garden. In the center of the roses was the most lush carpet of grass. She tossed her shoes into the air, the soft grass tickling her toes. Then she stretched out her arms and twirled in the moonlight. Some people thought the rays of the moon were cool, like the rays of the sun were warm, but they were wrong. The light from the moon was as warm as the sun, a lovely, golden warmth that electrified her from the inside.
Melanie Dobson (Shadows of Ladenbrooke Manor)
Come on, little one.” Mikhail’s voice wrapped her in a black-velvet caress. He reached into the glass shower, turned off the water, shackled her wrist, and pulled her from the safety of the large stall. When she shivered, he enveloped her slender body in a towel. Raven wrung out her long hair, a blush stealing over her entire body. Mikhail was so comfortable, unconcerned with his nudity. There was something untamed and magnificent about his raw strength, the casual way he accepted it. He rubbed her body with a large bath towel, buffing her skin until she was warm and rosy. The towel brushed her sensitive nipples, lingered along her rounded bottom, delved in the crease of her hip. Despite her resolve, her body came alive under his ministrations. Mikhail cupped her face, bent to brush his mouth against hers, featherlight, enticing. “Come back to bed,” he whispered against her soft lips, his tongue tasting the satin finish as he led her back to the bedchamber. “Mikhail,” she protested softly, breathlessly. He tugged on her wrist, unbalanced her so that her body came up against him. Her body melted into his, soft breasts pushing against heavy muscle, the evidence of his desire pressing against her stomach. His thighs were two strong columns welded with hers. “I could love you all night, Raven,” he murmured enticingly against her throat. His hands moved over her body, leaving fire in their wake. “I want to love you all night.
Christine Feehan (Dark Prince (Dark, #1))
Laurel lifted his chin until their faces were even. Tamani closed his eyes and she could feel his jaw trembling under her hands. She brushed her lips over his, reveling in the velvety softness of his mouth against hers. When he didn’t pull away, she pressed more firmly, knowing, somehow, that she had to move slowly, convince his tattered soul so carefully that she meant every word. ‘I love you. And I’m asking you...’ She opened her mouth slightly and gently scraped her teeth along his bottom lip, feeling his whole body shudder. ‘No,’ she amended, ‘I’m begging you, to come be with me.’ And she pressed her mouth against his and murmured, ‘Forever.’ For a few seconds he didn’t respond. Then a groan escaped his throat and he thrust his fingers into her hair, pulling her mouth to his with a fierce hunger. ‘Kiss me,’ she whispered. ’And don’t stop.’ His mouth enveloped hers again and their shared sweetness tasted like ambrosia as he caressed her eyelids, her ears her neck, and Laurel marveled at the strangeness of the world. She had loved him, had always loved him. She had even known it, somehow. ‘Are you sure?’ Tamani murmured, his lips softly grazing her ears. ‘I am so sure,’ Laurel said, her hands clutching the front of his shirt. ‘What changed?’ He pushed her hair away from her face, his fingers lingering on her temples, just brushing her eyelashes. Laurel sobered. ‘When I brought you the potion, I thought I was too late. And I had just taken it myself. And all I wanted right at that moment was to take my own cure away. To die with you.’ Tamani pressed his forehead gainst hers and lifted one hand to stroke her chhek. ‘I’ve loved you a long time,’ she said. ‘But there was always something holding me back. Maybe it was that I was afraid of an emotion that was so consuming. It still frightens me,’ she admitted in a whisper.
Aprilynne Pike (Destined (Wings, #4))
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
Carolyn L. Dean (Bed, Breakfast & Bones (Ravenwood Cove Mystery #1))
That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale. “For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.” She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut. ‘“You are afraid to die?” “Yes, everyone is.” Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her. You are afraid to die? Yes, everyone is. She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’” How she longed for love! For passion. How she ached to be seen. To be cherished. To be known. She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.
Elizabeth Hunter (Beneath a Waning Moon)
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
Who is the American? He who wants to be free, independent and left alone by the government. He who is constantly exploring and pushing the envelope, discovering new things.
VD.
Our research and extensive interviews with executives and senior practitioners in the digital transformation process revealed that digital leaders think differently about high performance. In successful digital organizations, pushing the performance envelope, rewarding high performance, and learning how to invest in “optimal” mindsets are all critical parts needed to drive and sustain digital changes. “Overall, starting with a feeling of optimism promotes hope and overrides any other sentiments in your work. What would happen if all your employees felt different about coming to work? There would be a different buzz about the building. There would be a different outlook that would help people look forward to what’s next and what’s coming up. This optimism and hope creates an environment that inspires people to seek out their best and find levels of performance that maybe before they never thought were attainable. Starting with this whole new and different chemistry, any workplace is far better suited to achieve its goals and be its best, even in times of difficulty or adversity.” —Pete Carroll, head coach, the Super Bowl Champion Seattle Seahawks
Michael Gale (The Digital Helix: Transforming Your Organization's DNA to Thrive in the Digital Age)
They’re pushing the envelope in terms of authenticity,” the Camp Chase Gazette editor, Bill Holschuh, told me when I phoned for his opinion. “About the only thing left is live ammunition and Civil War diseases. I hope it doesn’t come to that.
Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
[I]f we take the whole history of philosophy, the systems reduce themselves to a few main types which, under all the technical verbiage in which the ingenious intellect of man envelops them, are just so many visions, modes of feeling the whole push, and seeing the whole drift of life, forced on one by one’s total character and experience, and on the whole preferred – there is no other truthful word – as one’s best working attitude. (James 1977, pp. 14–15)
Richard J. Bernstein (The Pragmatic Turn)
filled with flawed characters, and brimming with emotion. Set in Sullivan’s Island, South Carolina, this book takes me home and is both deeply personal and intensely satisfying, in terms of pushing the storytelling envelope. In a sense, I’ve opened a vein with Zoe’s story. I hope you’ll enjoy her and pull for her as
Tanya Anne Crosby (The Things We Leave Behind)
...her discreet but enveloping tenderness had been weaving an invisible web about her fiancé, which he had to push aside materially with his pale and ringless fingers in order to leave the house at eight o'clock.
Gabriel García Márquez (One Hundred Years of Solitude)
Mr. Montgomery pushes the envelope. It's everything we shouldn't do, yet, he makes us want to, anyway.
Nadlee Thims (Mr. Montgomery)
escape from a First Order spacecraft, and they had done that. Not that it would matter if he was found here, wandering alive among the dunes. Of one thing he was certain: His former colleagues would not understand, no matter how hard he tried to explain. No one fled the First Order and lived. The sand sucked at his feet as he stumbled toward the rising smoke. “Poe! Say something if you can hear me! Poe!” He did not expect a response, but he hoped for one. Flame had joined smoke in enveloping the wreck of the TIE fighter. Built more robustly than the typical ship of its class, the Special Forces craft had survived the crash landing, although hardly intact. Debris from the impact was scattered over a wide area. Careful not to cut himself on twisted shards of metal and still-hot composite, he pushed through the heat and haze until he reached the cockpit. It lay crushed and open to the desert air. Trying to shield his eyes against the smoke, Finn moved in closer. Something—there was something sticking out of the wreckage. An arm. Ignoring the heat and the licking flames, Finn reached in until he could get a grip on it. First one hand, then both, then pull—and it came free in his hands. No arm, no body: just Poe’s jacket. Frustrated, he threw it aside and tried to enter the ruined cockpit. Increasing smoke and heat made it impossible for him to even see, much less work his way inside. “Poe!” He felt his legs start to go out from under him. But they hadn’t buckled; the ground had. Looking down, he saw sand beginning to slide beneath him. His feet were already half covered. He was sinking. In front of him, the ruins of the ship began to slide into the hollow in which it had come to rest. Sand was crawling up the wings and reaching for the open cockpit. If he didn’t get away from the quicksand, it was clear he was going to join the TIE fighter in premature internment. He began backpedaling frantically, yelling at the disappearing vessel. “POE!” Going. Down, down into the sand, to a depth that could not be
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
This person has no reservations about pushing the envelope to get what he wants, going so far as to stage meltdowns in public, or in the company of others. Sometimes, if a person like this doesn't get what they want, they will break things, throw things, hit people, threaten people, threaten to self-harm, use objects as weapons, etc. This behavior seldom has anything to do with autism, particularly when, in the presence of people of authority whom they have never met before, these offenders mind their manners... until they believe they have sized-up the person in authority. What
Thomas D. Taylor (Autism's Politics and Political Factions)
He shrugged. “You know I was in the dark about all that as much as you were. This time it’s straightforward. And sanctioned.” “Sanctioned by whom?” He looked at me. “By the proper authorities.” “All right,” I said, taking a sip from the porcelain demitasse. “Tell me.” He leaned forward and put his elbows on the table. “After nine-eleven, Congress took the shackles off the Agency. There’s a new spirit in the place. We’re pushing the envelope again, going after the bad guys—” “The few, the proud?” He frowned. “Look, we’re really making a difference now—” “Be all that you can be?” His jaw clenched. “Do you just enjoy pissing me off?” “A bit, yes.” “It’s petty.” I took another sip of espresso. “What’s your point?” “I wish you’d just listen.” “So far I’ve listened to five clichés, including something about shackled envelopes. I’m waiting for you to actually say something.” He flushed, but then nodded and even managed a chuckle. I smiled at his composure. He had matured since I had last seen him.
Barry Eisler (Winner Take All (John Rain #3))
She informed me that anything hand written would remain private, but anything typed- newspaper, cartoons, magazine articles- were to be read aloud by the receiving soldier. Each envelope garnered her 10 push-ups, so I was to be concise in my messaging. Immediately, I went shopping for romance novels…. A couple times a week I dutifully scoured through my stack of romance novels and ripped out the pages that I found particularly energetic. In individual envelopes, I sent off a couple dozen sex scenes during the course of her basic training. During the months following her basic, I hid from her and her massive biceps.
Rachel Stephens Showman (Those Ducks Look Aggressive: A Look Inside Military Life)
Before I climbed Everest, I saved up to make an attempt on a peak called Ama Dablam, one of the classic and more technically difficult climbs in the higher Himalayas. For many of the weeks I was there, I climbed alone, plugged into my headphones and utterly absorbed in each step, each grip. I was in tune with myself. I was in tune with the mountain. It was just the mountain and me. During those times, I really had the chance to push my own boundaries a little. I found myself probing, being willing to push the risk envelope a bit. I started to reach a little further for each hold, finely balanced on my crampons, taking a few extra risks - and I made swift, efficient progress. I was exploring my climbing limits and loving it. When I reached the summit and watched in awe as the distant peak of Everest came into view, ten miles to the north, I knew I had the skills to scale that mountain, too. William Blake said: Great things are done when men and mountains meet. This is not done by jostling in the street. He was right. We need time and space and adversity to really get to know ourselves. And you don’t always find that in the grind, when your head is down and you are living someone else’s dreams. Wherever you are in your life, it is possible to find your own challenge and space. You don’t have to go to the jungle or the Himalayas - it is much more a state of mind than a physical location. Mountains of the mind are around us all everywhere. And it is when we test ourselves that we begin to know ourselves.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
the counter, and I couldn’t stop smiling, sneaking sideway glances, seeing his eyes on me as I shopped. Waiting in line at the cash register, a woman bought butter and flour. The man in front of me said, “Francis, cash my check for me.” I watched as Francis counted out Company scrip to the miner in return, knowing that in the end, King Coal owned the Kentucky working man. Francis gave him a friendly goodbye and reached over to take a bite of something from a bowl, trying to get in his own dinner break during a busy day. I plunked down an apple and a bag of oats, a fat writing tablet, and a package of envelopes. Pulling out the paycheck, I handed it to him. He sat down the bowl he was eating from and pushed it aside. “What’s this?” He was tanned and looked fit from the early spring sunshine,
Kim Michele Richardson (The Book Woman's Daughter (The Book Woman of Troublesome Creek, #2))
There was a star riding through clouds one night, and I said to the star, "Consume me." That was at midsummer, after the garden party and my humiliation at the garden party. Wind and storm coloured July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when, holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather, I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed.
Virginia Woolf
But was I purposely pushing the envelope and happy-dancing over the line in hopes of being found unworthy and stripped of my status? That was... that would be incredibly irrational. I could be quite irrational. Like when I saw a spider, I behaved as if it were the size of a horse with the cold calculation of an assassin. That was irrational.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Darius hesitated right beside us and reached out to run his fingers along the side of my face. “You were right you know,” he breathed as if the others weren’t surrounding us and as I looked into his eyes, it almost felt like they weren’t. “I’m not good enough for you.” ... “I don’t wanna sleep here,” I muttered as Darius’s scent enveloped me and a whole host of regrets came whispering in my ears. But I was so exhausted from using my gifts that I just couldn’t stop my eyes from fluttering shut. Caleb laughed softly. “I’ll lock the door and push the key back under it so you can escape in the morning.” “Asshole,” I murmured. “Always,” he agreed, flicking the lights off and the door clicked shut before the sound of the key turning in the lock followed. I was too tired to argue further but before I gave in to sleep, I snagged my Atlas from the nightstand and forwarded the photograph I’d taken of Xavier and Catalina flying together in their Order forms to Darius. He deserved to see evidence of his mother’slove after all of these years and the knowledge that they’d all been denied that bond for so long made my heart ache for them. A moment later, a message came through from him and I smiled to myself as I read it. Darius: Thank you, Roxy. This means more to me than words can convey. My cheeks flushed at his reply and I bit my lip as exhaustion pulled at me. I sighed to myself as I nestled down in his bed, trying not to linger in the memories of sleeping here with his arms wrapped around me, feeling like nothing and no one in the world could ever hurt me so long as I just stayed right there. Maybe I should have listened to those instincts. Because his bed didn’t feel the same without him in it. And for the first time that I would admit to myself, I had to wonder if I’d made a terrible mistake when I said no. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Kim Dokja x Hansooyoung PART 1 [I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110 46. ⸢(Looks like you still don't know how it works. The heroine loses her consciousness, her hand falling away. And the male hero awakens! You see, in all the movies I've seen so far…) pg 4112 47. These idiots, I even died so that you two could talk to each other, but this…' She figured that she really needed to give these two men a harsh earful when she arrived there. But, when she pushed past the bushes and stepped forward, the ensuing spectacle freaked her out in a rather grand manner. Kwa-aaang!! Bang!!! Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja, currently sprawled out on the ground. "Hey!! You crazy son of a bitch!!" pg 4125 48. There were plenty of things she wanted to ask, but she chose not to. Instead, she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he got completely fooled, doesn't he." "Looks that way." "How did it go?" "He went crazy and attacked me." Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she was proud of him. pg 4127 49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him, and then, passing out from his attack, and finally, sharing a conversation with Yoo Sangah inside the Library… Han Sooyoung approached the bed before I noticed it and pinched my cheek. "In any case, Kim Dokja. You can be really adorable sometimes." pg 4144 50. The moment Han Sooyoung's fist bumped into mine, she was completely enveloped in bright light. As I watched her figure disappear, I became aware once more that she had become my companion for real. pg 4165 51. ⸢And…⸥ My heart began powerfully pounding away. ⸢The woman that I used to love.⸥ pg 4189 52. Her emotionless eyes; the beauty spot just below one of them; and her lips that always mocked me for fun, now arching up in a smooth line. "Proceed with the execution pg 4191 53. "But, should you be doing something like that? She's originally your bride, isn't she?" "Correction. She was supposed to be one. The throne was usurped on the first day of the wedding, however." Oh, I see. So, it's that sort of development? I felt just a bit relieved now. Han Sooyoung and Yoo Joonghyuk as a couple? hadn't allowed any dating at the workplace yet, so hell no. pg 4202 54. ⸢By the time you're reading this book, I…⸥ I steeled my heart and read the next line of the text. ⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥ This idiot… pg 4212 55. The following words were eerily similar to a certain body of text that I was familiar with. ⸢The you reading this story will definitely make it out of here alive.⸥ Han Sooyoung's afterwords came to an end there. For the longest time, I couldn't tear my eyes away from the full-stop at the end of the sentencepg4216 56. "Looks like the company's internal rules need to be changed somewhat…" pg 4234 57. She spoke in a fed-up tone of voice. And then, issued an order to me. "Marry me, Ricardo Von Kaizenix." pg 4244 58. "I didn't want to extend her 50 years by even one minute if I could help it." I was being serious here. The moment I arrived in this world and realized that Han Sooyoung had to spend 50 years here, I just couldn't escape from this one overwhelming emotion. Someone was sacrificed again because of me. Han Sooyoung who had to endure the time frame of 50 years – could she still maintain a normal, functioning mind? Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254 59. Her palm smacked me in the back of the head again. God damn it, this punk… "The third method, 'Romance'." "And its contents are?" "Marry Yuri di Aristel." "And just what did you choose?" "The third method?" "And are we currently married?" "Nope." "And why the hell not?!" pg 4256
shing shong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
IF THE MAN WHO CAME THROUGH THE DOOR FIRST WAS Mr. Spanos, then Tyler’s father was a twenty-eight-year-old bodybuilder with a ponytail and a suspicious bulge under his left arm. That would have meant he fathered Tyler at the age of ten, which seemed to be pushing the envelope, even in Miami. But whoever this man was, he was very serious, and he looked the room over carefully, which included glaring at me and Deke, before he stuck his head back into the hall and nodded. The next man into the room looked a little bit more like you would hope a teenage girl’s father might look. He was middle-aged, relatively short, and a little chubby, with thinning hair and gold-rimmed glasses. His face was sweaty and tired and his mouth hung open as if he had to gasp for breath. He staggered into the room, looked helplessly around for a moment, and then stood in front of Deborah, blinking and breathing heavily. A
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Risk isn’t about going headlong into situations where the outcome can’t be predicted. That’s just foolish behaviour. Risk means pushing the envelope when others want to take the safe route. Risk means caring more about potential rewards than possible losses. To separate yourself from the crowd, think through the worst-case scenarios as possibilities. If a worst-case scenario does become a reality, be just as willing to move on to bigger and better things.
Ronnie Screwvala (DREAM WITH YOUR EYES OPEN: AN ENTREPRENEURIAL JOURNEY)
very safe pilot. He had never had an accident, had never raised his pulse to an almost unbearable rate because he was pushing an airplane--or himself--to see what he could see. The top pilots did this. They needed to know the envelope of the airplane and of themselves. They needed to know the limits to which they could push themselves and their craft and still be in control. They needed to know the precise point at which they or the airplane would depart from stable and controlled flight. So Rawson was now the CO (commanding officer), albeit
Mark Berent (Rolling Thunder (Wings of War, #1))
In technology, as in writing or speech-or haute cuisine-there are varying degrees of fluency, of articulateness, of self-expression. A beginning practitioner in architecture, like a beginner at a foreign language, will use the same base combinations-the same phrases-over and over, even if not quite appropriate. A practiced architect, steeped in the art of the domain, will have discarded any notion of the grammar as pure rules, and will use instead an intuitive knowledge of what fits together. And a true master will push the envelope, will write poetry in the domain, will leave his or her "signature" in the habit-combinations used.
W. Brian Arthur (The Nature of Technology: What It Is and How It Evolves)
You asked me to outline three things that I hope to achieve during my training which is to begin in 3 months. I had time to reflect upon them on the way home, a bit. Here goes: 1. Above all, I want to learn how best to serve you. I want to learn your needs and your wants and make sure they’re fulfilled at all times. I don’t ever want there to be any voids in your life that I could have filled had I been more in tune with what you were seeking from me. 2. I want to push the envelope of my pain threshold. I want to build with you in such a way that I trust you to help me dig deeper into my craving for it and how I am able to manage it.
Feminista Jones (Push The Button)
In 1991, a college sophomore studying music in the American Midwest made the mistake of selling some drugs to the wrong person. Until then, he hadn’t done much more than smoke pot and sell some of it to his friends. Petty vandalism at his high school was as high stakes as his criminal career had been. Then, as these things tend to go when you’re just 18 years old, he tried to push the envelope and test his boundaries. He started experimenting with hard drugs like LSD. But he was naive, and the brashness of youth got the best of him. He sold some of that LSD outside his circle—to an undercover policeman. And as if his luck couldn’t get worse, like a scene out of a TV movie of the week, the judge, under pressure to make an example out of this young man, sentenced him to 6 to 25 years in prison. It’s a faceless, timeless story that transcends race, class, and region. A young kid makes a mistake that forever changes their lives and their family’s lives as well. We are all too familiar with how stories like this usually end: The kid spends their most impressionable years behind bars and comes out worse than when they went in. Life on the outside is too difficult to contend with; habits learned on the inside are too difficult to shed. They reoffend; their crimes escalate. The cycle continues. This story, however, is a little different. Because this young man didn’t go back to jail. In fact, after being released in less than 5 years on good behavior, he went on to become one of the best jazz violinists in the world. He left prison with a fire lit underneath him—to practice, to repent, to humble himself, to hustle, and to do whatever it took to make something of his life. No task was too small, no gig was too tiny, no potential fan was too disinterested for him not to give it everything he had. And he did. The story is a little different for another reason, too. That young man’s name is Christian Howes. He is my older brother.
Lewis Howes (The School of Greatness: A Real-World Guide to Living Bigger, Loving Deeper, and Leaving a Legacy)
As Amelia labored to pull one fabric panel to the side, the entire brass rod came loose from the ceiling and clattered heavily to the floor. A cloud of dust enveloped her. She sneezed and coughed in the clotted air. She heard an inquiring shout from downstairs, probably from Merripen. “I’m all right,” she called back. Picking up a clean rag, she wiped her face and unlatched the filthy window. The casing stuck. She pushed hard against the frame to loosen it. Another push, harder, and then a determined shove with all her weight behind it. The window gave way with astonishing suddenness, unsettling her balance. She pitched forward and caught the edge of the window in an attempt to find purchase, but it swung outward. In the flash of forward-falling panic, she heard a muffled sound behind her. Before another heartbeat had passed, she was snatched, pulled back with such force that her bones protested the abrupt reversal of momentum. She staggered, fetching hard against something solid and yet supple. Helplessly she tumbled to the floor in a tangle of limbs, some of them not her own. Sprawled over a sturdy masculine chest, she saw a dark face below her, and she muttered in confusion, “Merri—” But these were not Merripen’s sable eyes, they were light, glowing amber. A shot of pleasure went through her stomach. “You know, if I have to keep rescuing you like this,” Cam Rohan remarked casually, “we really should discuss some kind of reward.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Everyone should feel alive. Should smash up against passion and danger, against temptation and anticipation. You have to push the envelope sometimes, because otherwise how do you know what your limits really are?
J. Kenner (Heated (Most Wanted, #2))
I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
Michael Brent Jones (Dinner Party: Part 2)
Just as a callus gets thicker and stronger with use, your body adapts to higher levels of pain. You need to push the envelope to force your brain and body to accept higher levels of discomfort.
Aaron K. Olson (Low-Mileage Running: A Short Guide to Running Faster, Injury Free)
I cannot allow you to burn the candle at both ends, Emmaline,” St. Just scolded. “Either we find you some assistance in the kitchen, or we get you some more rest. You look exhausted, and Douglas agrees, so it’s a bona fide fact. I’m going to take Winnie out with me tomorrow morning, and you’re going to sleep in.” “Sleep in,” Emmie said, the way some women might have said “a dozen new bonnets” or “chocolate” or “twenty thousand a year.” “It isn’t a baking day tomorrow,” the earl went on. “Winnie has acquainted me with every detail of her schedule, and baking isn’t on for tomorrow. So you will rest?” “I will sleep in,” Emmie said as they reached her room and pushed her door open. He preceded her into the darkened chamber and lit several candles while she watched. “You will go directly to bed,” he admonished. “No languishing in the arms of Mr. Darcy or whatever it is you read to soothe you into slumber.” She listened to him lecturing as she drifted around the room in slow, random motion. “Emmie?” He set the candles down and frowned at her. “What is amiss?” “Nothing.” But her voice quavered just the least little bit as she sat on her bed. “I’m just tired. My thanks for a pleasant evening.” He went to the bed and paused, frowning down at her mightily. He let out a gusty exhalation, then drew her to feet and wrapped his arms around her. “We will both be relieved when your damned menses have arrived.” For an instant, she was stiff and resisting against him, but then she drew in a shuddery breath, nodded silently, and laid her cheek on his chest. He held her, stroking her hair with one hand, keeping her anchored to him with the other, and the warmth and solid strength of him left her feeling more tired but in some fashion relieved, as well. Winnie would thrive in his care. Thrive in ways Emmie could never have afforded. “There is no crime, Emmie, in seeking a little comfort betimes. Being grown up doesn’t mean we can’t need the occasional embrace or hand to hold.” She nodded again and let her arms steal around his waist. Slowly, she gave in to what he offered, letting him support more and more of her weight. His hand drifted from her hair to her back, and when he swept his palm over her shoulder blades in a slow, circular caress, she sighed and rubbed her cheek against him. She could have stood there all night, so peaceful and right did it feel to be in his arms. His scent was enveloping her, his body warming hers. “Thank you,” she said, mustering a smile when he stepped back. “And good night, good knight.” He must have comprehended her play on words, because he returned her smile, kissed her forehead and her cheek, and withdrew. She
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
When Jon finally, impatiently, took his place between Tom’s legs, he felt like a wanton beast. His hands closed exactly over the tattoos that curled over Tom’s hips, like they were guides. He groaned and slid his whole length smoothly in one motion inside Tom. Under him, Tom moaned and shuddered, pushing back on Jon. Unlike the last time he shared a lover with Baltsaros, this body was the right one beneath him. When he turned to look at the captain, Jon saw that the man’s eyes were half-lidded with lust, his top lip curled on one side in a wicked sneer of desire as he stroked himself while watching Jon and Tom. Bolstered by the captain’s reaction, Jon started thrusting hard into Tom, his breath heaving and groaning out of him from the glorious sensation of the man’s slick muscles enveloping and sliding over his cock. Tom met every plunge with a low moan, one hand frantically twisting the coverlet in his fist while the other worked his own hard shaft beneath him. The sound of Jon’s pelvis slamming hard against Tom’s muscular ass competed with the bestial sounds coming from the two men’s throats.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Despite the light tone Baltsaros was using, Jon could hear that the captain was breathing heavily, and it sharpened his arousal. When Tom’s hot mouth slid over the sensitive head of his cock, Jon let out a full-throated moan. He was so turned on that he didn’t think he would last very long. His cock slid slowly down the back of Tom’s tongue, impossibly far, the muscles of the kneeling man’s throat enveloping him as his lips tightened to reverse the thrust. With a gasp, he pushed on the back of Tom’s head, wanting to feel the long, smooth plunge again once more before he had to pull away, lest he climax. When he heard the creak of the bed, he opened his eyes and saw that Baltsaros was coming towards him. There was a familiar smell in the air, and when the captain pressed his mouth to his, Jon breathed in a lungful of the drug char. Tom had stopped moving, realizing how far Jon had already come in his pleasure. As the drug started swirling through his veins, Baltsaros nodded, and Tom resumed gorging himself on Jon’s cock. Baltsaros and Tom. Tom and Baltsaros. They worked effortlessly as a team, even in this. The drug would work to offset Jon’s climax while enhancing his pleasure; this time, however, Jon didn’t feel as dazed as the first time, and he was glad for it. Experimentally, he pushed on the back of Tom’s head when his cock was in the bigger man’s throat and held him there. Tom obediently stayed put, unable to breathe and shuddering slightly as Jon rocked his hips minutely to feel the head of his cock sliding down the back of the bigger man’s throat. He threw his head back and Baltsaros put his arms around him, pinching his nipples and slowly kissing the side of his neck. When Jon finally released Tom, the other man collapsed back on the carpet, coughing and wiping his mouth; however, there was a smile on the big man’s face, and his eyes were wide with desire as he came back up onto his knees. “You weren’t kidding,” Jon said to Baltsaros, amazed at Tom’s eagerness. The captain chuckled and slid his hands down to Jon’s stiff, wet cock to stroke him. “I don’t ‘kid’ about much, my love,” said the captain in his ear. “You know what I would really like to see? I want to watch you fuck him.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Eyes on me,” I told Gabe just as he’d instructed me many times. I pushed inside him once his seductive brown eyes were on me. “Jesus, Gabe,” I said when his tight heat enveloped me. I was once again worried that my inexperience would show when I lasted a whole two seconds in the saddle so to speak. Hotter than his ass’s grip on my cock was the look in his eyes. Gabe
Aimee Nicole Walker (Dyed and Gone to Heaven (Curl Up and Dye Mysteries, #3))
Her whole body shook as big, fat drops slid down her cheeks. Mortified, she covered her face as though she could hide her wailing. Strong arms enveloped her and Mitch pulled her close. She gave one thought to protest, and then sank into the warm, solid strength of his chest. He was big and broad, so different from what she was used to. The thought made her cry harder. She should push him away, but instead she curled closer. Needing him. She was the most wicked kind of woman. There’d be no escaping hell now. All those years of penance washed away by one night of rash behavior. Mitch kissed her temple, rubbing his hands over her bare skin. That he let her cry, and didn’t start lecturing her on emotional outbursts, made her want to crawl into him and never let go. He swayed them both, murmuring nonsense and tracing slow, soothing circles over her back. “Come on now, Princess. Tell me what’s wrong so I can help you.” She hiccupped into his shirt while she clung to him as though he were her life vest on a sinking ship. A great gush of air was followed by a hiccup. She blurted her very pressing and very embarrassing need. “I-I h-have to go to the b-b-bathroom.” The gentle sway stopped. A rumble in his chest was followed by a cough. He was trying not to laugh. The jerk. She sobbed harder: great heaping wails straight from the pit of her stomach. Now that she was on a roll, she keened pitifully, “A-and m-m-y f-feet hurt.” “It’s okay.” His tone was most definitely amused. “Why didn’t you go?” Now came the worst confession. “M-my dress i-is too b-big.” “Well, take it off.” Did he think she was an idiot? “I c-can’t get it off.” With a fresh batch of hysterics, her shoulders trembled as she buried her face in his T-shirt, now wet with tears. No one at the store had mentioned she’d need a crew of people to go to the bathroom, and now a stranger had to undress her. She hiccupped. They really should mention these kinds of details at the time of purchase. He ran his fingers down a million tiny buttons from the blades of her shoulders to the curve of her ass. “It’s okay. We can take care of this.” “B-but,” she cried. The thought almost unbearable. She was being tested. How was she supposed to be good when she had to disrobe in front of the most gorgeous man alive? “You’ll s-see me almost n-naked.” When he said nothing, fresh tears welled in her eyes. He probably thought she was propositioning him. Surely women threw themselves at him all the time. He rubbed her bare arms. “I’m thirty-four, Princess. I’ve seen a naked woman before.” “But you haven’t seen me.” No one had seen her—well, except Steve, but he hardly even counted. “I’m twenty-eight, and only one guy has seen me. And he isn’t like you. Why can’t you be someone else?” “Like who?” He trailed a path over her bare skin, creating a rush of tingles up and down her spine. She burrowed closer, some of her hysterics finally calming as his soothing but intoxicating presence worked its charm. “You’re not Mister Rogers, you know.” “You can trust me, Maddie. I won’t attack.” Ha!
Jennifer Dawson (Take a Chance on Me (Something New, #1))
more thrilled to see its publication. In my twenty-six years of publishing, it’s my first major hardcover release and brings me full circle to work with Lou Aronica, whom I first had the pleasure of working with while at Avon Books. It’s also my very first non-genre novel, although you will find it a signature Tanya Anne Crosby read, filled with flawed characters, and brimming with emotion. Set in Sullivan’s Island, South Carolina, this book takes me home and is both deeply personal and intensely satisfying, in terms of pushing the storytelling envelope. In a sense, I’ve opened a vein with Zoe’s story.
Tanya Anne Crosby (The Things We Leave Behind)
Risk isn’t about rushing headlong into uncertain situations. That’s just foolish behaviour. Risk means pushing the envelope when others want to take the safe route, and caring more about potential rewards than possible losses.
Ronnie Screwvala (DREAM WITH YOUR EYES OPEN: AN ENTREPRENEURIAL JOURNEY)
He is the hero of her childhood and often a wall she pushes against during her adolescence. He is often both the rule-maker, laying out laws of discipline and competence, and the rule-breaker, helping his daughter take risks, push the envelope, and explore uncharted worlds. —Michael Gurian, The Wonder of Girls
Rick Johnson (That's My Girl: How a Father's Love Protects and Empowers His Daughter)
The spelunkers of speculative fiction mining phosphorescent filth from the bowels of the city of New Sodom, the Sci-Fi freaks scraping kipple and back from the bins of decades-old shit sandwiches out back, composting it to grow shrooms, we have built this thing to take its place. This is the legacy of generations of writers who’d rather tackle adult themes than pander to puerile power-fantasies, whose interests lay with the soft sciences and humanities as much as with the hard sciences and technology, for whom the fiction was always more important than either the fantasia or the futurology. It is also the legacy of those who simply don’t give a fuck about anything other than either fantasia or futurology. This is fiction in which the envelope has been pushed so far out, from ambition or expedience, that all descriptions and definitions – SCIENCE FICTION, SCIENCE FANTASY, SCI-FI, even speculative fiction – can only be, at best, nominal labels for it. It is the fiction that abandons those labels for a negation of description, an indefinition – the acronym SF, which might mean any or all of those things.
Hal Duncan (Rhapsody: Notes on Strange Fictions)
whom I first had the pleasure of working with while at Avon Books. It’s also my very first non-genre novel, although you will find it a signature Tanya Anne Crosby read, filled with flawed characters, and brimming with emotion. Set in Sullivan’s Island, South Carolina, this book takes me home and is both deeply personal and intensely satisfying, in terms of pushing the storytelling envelope. In a sense, I’ve opened a vein with Zoe’s
Tanya Anne Crosby (The Things We Leave Behind)
The Girl Who Stayed is also a book of the heart and I couldn’t be more thrilled to see its publication. In my twenty-six years of publishing, it’s my first major hardcover release and brings me full circle to work with Lou Aronica, whom I first had the pleasure of working with while at Avon Books. It’s also my very first non-genre novel, although you will find it a signature Tanya Anne Crosby read, filled with flawed characters, and brimming with emotion. Set in Sullivan’s Island, South Carolina, this book takes me home and is both deeply personal and intensely satisfying, in terms of pushing the storytelling envelope. In a sense, I’ve opened a vein with Zoe’s
Tanya Anne Crosby (The Things We Leave Behind)
I’ve eaten about half the carton when a knock sounds on my door. I startle. I don’t go to the door. No one I know would come here. My phone bleeps. Matt: Answer your door. Me: No. Go away. My heart starts to trip. He’s here. Shit. I uncurl my feet from under me and perch my bottom on the edge of the couch. He’ll go away if I wait long enough. He knocks again, and I jerk, dropping my spoon to the floor. I get up and toss it in the sink as I walk past. It clatters loudly. I walk over to the door, press my ear against it, and listen. I don’t hear anything. Matt: I’m not leaving. Me: How did you find me? Matt: Your father felt sorry for me. Me: Traitor. I hear a chuckle through the door. Matt: He loves you. Me: What did you tell him? Matt: I told him that I’m an idiot. I wait. Matt: He agreed. A grin tugs at my lips. Matt: You’re laughing, right? I don’t respond. Matt: Please tell me you’re not crying. Me: Not anymore. You should go home, Matt. Matt: You first. I hear Matt speak softly through the crack in the door. “You should go home, Sky.” I sink down onto my bottom and lay the back of my head against the door. “I can’t go home,” I say. “Why not?” he asks, his voice soft, and I think he is sitting down now, too, just on the other side of the door. “Because you’ll go there.” He chuckles. “I’m here.” I sigh heavily. “Go home, Matt. My feelings are hurt, and I don’t want to see you right now.” “It wasn’t what you thought it was. I thought you knew who she was, and you obviously didn’t. I never meant to hurt you.” “You still love her, Matt,” I say. “No,” he protests. “I don’t. And I made that very clear when you forced me to dance with her tonight.” “You wrote her a fucking letter when you were dying,” I say. “Ugh!” he cries. “That letter will haunt me until the day I die.” “Only because it tells how you really feel.” He chuckles. “It does tell how I really felt when I wrote it.” I bang the back of my head against the door. I want to stop talking about it. “I want you to read it,” he says. “I don’t want to read it.” “Yes, you do.” I hear a rustle, and an envelope slides under my door. It has the word April written across the front. I push it back to him. He laughs and shoves it through again. “I need to tell you something,” he says. “What?” I ask. I don’t touch the letter. I just let it lie there on my carpet. “Seth and Mellie and Joey, they depend on you. They don’t deserve for you to leave them.” That hits me like he just kicked me in the chest. “I didn’t leave them.” “You’re here so you can avoid me, and they’re there.” I don’t say anything because he’s right. I did leave them. “I’ll go away if you’ll go home,” he says. “I won’t like it, but I love you, and I love them enough to give up for tonight so you can go back to them. They need you. And you need them.” Tears burn my eyes, and I blink them back. “Matt,” I say. “Will you read the letter?” he asks. “Maybe,” I grouse. He chuckles, and I hear a sniffle from his side. “Will you call me when you’re ready?” “Maybe,” I say again. “Go home to the kids, Sky. I promise to give you some space. Read the letter, though. It might help.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
No. That’s not it at all.” “Last chance,” she said. “Annie. About Jack—” She slammed her palm down on the table. I saw her grit her teeth in pain. A bead of blood grew on her finger where the Swiss Army knife had cut the skin. I stood to help her. “I’m fine,” she said, watched it for a moment, then dabbed a red stain on an envelope. “This isn’t about Jack, Mike. It’s about us.” She pushed back her chair. “You know what? I’m exhausted. I don’t think I can do this now. We can talk more in the morning.” We were both burned out on too much work and too little sleep. “I can explain all this, Annie. It’s going to be okay.” I followed her as she walked toward the landing. “I think I’d like to be alone.
Matthew Quirk (The Directive (Mike Ford, #2))
I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.
Michael Brent Jones (Dinner Party: Part 2)
My search for professional/personal harmony led me down the path of asking the wrong question. The question isn’t, “What can I give up today to have what I want tomorrow?” The reality of life is that winning costs. It takes a tremendous amount of dedication and effort. The key question here is, “Are the intrinsic and extrinsic rewards worth the price you have to pay?” There is no right or wrong answer, just ebbs and flows. Malcom Gladwell’s Outliers and Geoff Colvin’s Talent is Overrated are different riffs on the same theme. In theory, it takes approximately 10,000 hours of hard, dedicated practice to get to a level of expertise in any field. It takes the right focus, the right practice and most of all, commitment. Cloud technology today is as ubiquitous as kids having cell phones. However, five years ago it was like the feeling shared by a new married couple. There was a lot of hope and promise but you weren’t sure how it was going to play out. Here’s where it got really interesting. Try selling hope and promise to a highly-regulated global bank with massive footprints in Canada and the USA after the financial crisis of 2008. Selling ice to Eskimos in December would have been easier. That’s the challenge we were up against. I had just moved to Toronto from Chicago. I enjoyed working with my new customer. I was whipping my team into shape. I could now openly indulge in contraband (Cuban cigars). Life was good. God bless Canada! Peter was the cloud specialist on my team. We were partners in every sense of the word. Together, we developed a sales strategy and campaign to sell cloud services to this financial services firm in Canada. Together we pushed the envelope and our teams to achieve the impossible.
Trong Nguyen (WINNING THE CLOUD: SALES STORIES AND ADVICE FROM MY DAYS AT MICROSOFT)
I seek fun and embrace it! I am present to the many enjoyable experiences in my life. I have the courage to push the envelope of fun and infuse my life with happiness.
Amy Leigh Mercree (Joyful Living: 101 Ways to Transform Your Spirit and Revitalize Your Life)
I’m going to fuck you fast and hard.” Sloane pressed the head of his cock between Dex’s ass cheeks. “You’re going to feel me inside you for hours. Just how you like it.” A low whimper escaped Dex, and Sloane pushed himself in, slowly at first. His teeth gritted as the tight heat enveloped him. Dex nodded and Sloane plunged the rest of the way in, grateful for the towel that muffled Dex’s surprised cry. He arched his back, his fingers gripping the edge of the sink. Grabbing Dex’s hips, Sloane pulled out, and drove himself back in. The sound of Dex’s muffled groans, his heavy breathing, his flushed face had Sloane desperate for more. He pounded into Dex hard and fast, as he’d promised. “Fuck.
Charlie Cochet (Rack & Ruin (THIRDS, #3))
I’d give my right hand to kiss you right now,” he said, his voice low and hoarse. He watched her neck as she swallowed and knew he was pushing the envelope, but he couldn’t help it. She wanted him, too. “Are you right-handed?” she asked, her eyes sparkling now with a mischief he’d never seen before. He nodded. “Then don’t do that,” she said softly. “Makes it harder to imagine what that hand could do to me in three months.
A.J. Pine (Worth the Wait (Kingston Ale House, #4))
When my brother and I were growing up, my father would encourage us to fail. We'd sit around the dinner table and he'd ask, "What did you guys fail at this week?" If we had nothing to tell him, he'd be disappointed. The logic seems counterintuitive, but it worked beautifully. He knew that many people become paralyzed by the fear of failure. They're constantly afraid of what others will think if they don't do a great job and, as a result, take no risks. My father wanted us to try everything and feel free to push the envelope. His attitude taught me to define failure as not trying something I want to do instead of not achieving the right outcome.
Gillian Zoe Segal (Getting There: A Book of Mentors)