“
Where’s my uncle?” she asked.
“I don’t know who your uncle is, but if it as the guy who owned this place before I bought it, then he’s pushing up daisies.”
“But it can’t be, he’s still young.
”
”
Max Nowaz (The Three Witches and the Master)
“
We could have counted our problems on the petals of the daisy in my bouquet, but it wouldn’t be long before we were lost in a field of them.
”
”
Ashley Audrain (The Push)
“
I've been longing for,
Daisies to push through the floor,
And I wish that plant life would grow all around me,
So I won't feel dead anymore.
”
”
Owl City
“
Daisy: “How did you know that you loved running and rock climbing?”
Ryke: “Because when you find something you love, you can’t quit. Every failure pushes you harder. It’s in your soul and in your fucking heart.
”
”
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
“
If you keep pushing someone away, eventually they’ll stay there.
”
”
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
“
Most people do not mind dying, as long as that does not happen today.
”
”
Mokokoma Mokhonoana
“
I fell in love with the wrong person who was exactly the right guy. And I had made decisions time and time again that make it worse and never made it better. And I'd finally pushed myself right over the edge.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Until we’re pushing up daisies, it might be good to remind ourselves daily that everything’s coming up roses — for me and for you.
”
”
Gina Barreca
“
I fell in love with the wrong guy who was exactly the right guy.
And I had made decisions time and time again that made it worse and never made it better. And I’d finally pushed myself right over the edge.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
No one's going to notice the difference between you pushing dandelions or daisies, so leave them something worth talking about.
”
”
Amrit Brar (Shitty Horoscopes)
“
You will do well in everything you seek out to do…because you don’t give up. Others make mistakes, fall down, lose heart, and you do too, but you don’t give up. You don’t lose yourself in the process. You keep moving forward and pushing for only the very best’ (Miss Shaw to Daisy, 'Friendship on Fire', p. 446)
”
”
Danielle Weiler
“
In my universe, when a dork like Oscar pushes up on a girl like Jenni, he usually gets bounced faster than your tía Daisy's rent checks, but Jenni must have had brain damage or been really into fat loser nerdboys, because by the end of February she was actually treating him all civil and shit.
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
This parrot is no more! It has ceased to be! It's expired and gone to meet its maker! This is a late parrot! It's a stiff! Bereft of life, it rests in peace! If you hadn't nailed it to the perch, it would be pushing up the daisies! It's rung down the curtain and joined the choir invisible. This is an ex-parrot!
”
”
John Cleese
“
It was friendly. Mostly." I guzzled the coffee like it was a drug.
"Tounge?"
"Have you ever had a friendly tounge kiss?"
"Yes, as a matter of fact, but that's my story. I want to hear yours.
”
”
Rosemary Harris (Pushing Up Daisies (Dirty Business, #1))
“
Your name is Do Kyungsoo. You have short-term memory loss, antesomething amnesia, so you won’t remember what happened last night. But let me help you out.
Last night I put my head on this pillow and my arms around your waist. My name’s Kim Jongin. I call you hyung. Yesterday you loved me. Today you’ll love me again.
This is where you undressed me.
This is where I undressed you.
And here I pushed you up against the wall and kissed you really hard (approximately, it was kind of dark) and we thought we should have sex.
Here you sat, dangling your legs. I put my palm on your kneecap and you bent forward and kissed me first.
We talked about ballet. You hummed a tune and my fingers did an arabresque here, grand jeté onto the floor, fouetté en tourant and then sissonne on the back of your hand. Pas de valse fast up your arm and you smiled.
I leaned on this and read your green sticky notes while you went around cleaning up invisible messes. It came to me that all the green looks like grass, and grass is boring without daisies. So I hope you like yellow?
And here’s Kim Jongin. Say hello to me?
”
”
Changdictator (Anterograde Tomorrow)
“
BILLY: When Graham and I were kids, our mom used to take us to this community pool during the summer. And this one time, Graham was sitting on the edge of the pool, toward the deep end. And this was before he could swim.
And I stood there next to him, and my brain went, I could push him in. And that terrified the hell out of me. I didn’t want to push him in. I would never push him in but…it scared me that the only thing between this moment of calm and the biggest tragedy of my life was me choosing not to do it. That really tripped me out, that everyone’s life was that precarious. That there wasn’t some all-knowing mechanism in place that stopped things that shouldn’t happen from happening.
That’s something that had always scared me.
And that’s how it felt being around Daisy Jones.
”
”
Taylor Jenkins Reid
“
I went in - after making every possible noise in the kitchen, short of pushing over the stove - but I don't believe they heard a sound. They were sitting at either end of the couch, looking at each other as if some question had been asked, or was in the air, and every vestige of embarrassment was gone. Daisy's face was smeared with tears, and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
KAREN: He said that I didn't know what I was saying and that if I didn't go forward with the pregnancy I'd regret it for the rest of my life. He just didn't understand.
I wasn't scared of regretting not having a child. But I was scared of regretting having a child.
I was scared of bringing an unwanted life into this world. I was scared of living my life, feeling like I'd anchored myself to the wrong dock. I was scared of being pushed to do something I knew I did not want. Graham didn't want to hear it.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
IT IS SENSIBLE of me to be aware that I will die one of these days. I will not pass away. Every day millions of people pass away—in obituaries, death notices, cards of consolation, e-mails to the corpse’s friends—but people don’t die. Sometimes they rest in peace, quit this world, go the way of all flesh, depart, give up the ghost, breathe a last breath, join their dear ones in heaven, meet their Maker, ascend to a better place, succumb surrounded by family, return to the Lord, go home, cross over, or leave this world. Whatever the fatuous phrase, death usually happens peacefully (asleep) or after a courageous struggle (cancer). Sometimes women lose their husbands. (Where the hell did I put him?) Some expressions are less common in print: push up the daisies, kick the bucket, croak, buy the farm, cash out. All euphemisms conceal how we gasp and choke turning blue.
”
”
Donald Hall (Essays After Eighty)
“
Two women in love confirms for me that there is a love that can push you beyond what everyone else says is possible. I
”
”
Daisy Hernández (A Cup of Water Under My Bed: A Memoir)
“
Luther Burbank was born in a brick farmhouse in Lancaster Mass,
he walked through the woods one winter
crunching through the shinycrusted snow
stumbling into a little dell where a warm spring was
and found the grass green and weeds sprouting
and skunk cabbage pushing up a potent thumb,
He went home and sat by the stove and read Darwin
Struggle for Existence Origin of Species Natural
Selection that wasn't what they taught in church,
so Luther Burbank ceased to believe moved to Lunenburg,
found a seedball in a potato plant
sowed the seed and cashed in on Darwin’s Natural Selection
on Spencer and Huxley
with the Burbank potato.
Young man go west;
Luther Burbank went to Santa Rosa
full of his dream of green grass in winter ever-
blooming flowers ever-
bearing berries; Luther Burbank
could cash in on Natural Selection Luther Burbank
carried his apocalyptic dream of green grass in winter
and seedless berries and stoneless plums and thornless roses brambles cactus—
winters were bleak in that bleak
brick farmhouse in bleak Massachusetts—
out to sunny Santa Rosa;
and he was a sunny old man
where roses bloomed all year
everblooming everbearing
hybrids.
America was hybrid
America could cash in on Natural Selection.
He was an infidel he believed in Darwin and Natural
Selection and the influence of the mighty dead
and a good firm shipper’s fruit
suitable for canning.
He was one of the grand old men until the churches
and the congregations
got wind that he was an infidel and believed
in Darwin.
Luther Burbank had never a thought of evil,
selected improved hybrids for America
those sunny years in Santa Rosa.
But he brushed down a wasp’s nest that time;
he wouldn’t give up Darwin and Natural Selection
and they stung him and he died
puzzled.
They buried him under a cedartree.
His favorite photograph
was of a little tot
standing beside a bed of hybrid
everblooming double Shasta daisies
with never a thought of evil
And Mount Shasta
in the background, used to be a volcano
but they don’t have volcanos
any more.
”
”
John Dos Passos (The 42nd Parallel (U.S.A. #1))
“
DAISY: I fell in love with the wrong guy who was exactly the right guy. And I had made decisions time and time again that made it worse and never made it better. And I'd finally pushed myself right over the edge.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Daisy acts nonchalant, her gaze flits all over the forest. Every time she tries to be one step closer to us, someone in our group has a way of pushing her back out. It's unintentional, I think. But it happens, regardless.
”
”
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
“
Pandora, who walked down the aisle of the estate chapel on Devon's arm, was radiantly beautiful in a dress of white silk, the billowing skirts so intricately gathered and draped that no lace or ornamental trim had been necessary. She wore a coronet of fresh daisies and a veil of sheer tulle and carried a small bouquet of roses and daisies.
If West had any remaining doubts about St. Vincent's true feelings for his bride, they were forever banished as he saw the man's expression. St. Vincent stared at Pandora as if she were a miracle, his cool composure disrupted by a faint flush of emotion. When Pandora reached him and the veil was pushed back, St. Vincent broke with etiquette by leaning down to press a tender kiss on her forehead.
"That part isn't 'til later," Pandora whispered to him, but it was loud enough that the people around them overheard, and a rustle of laughter swept through the crowd.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
She was a force to be reckoned with. She got what she wanted. Almost all the time. She was persuasive and kind of pushy—although, you never really realized you were being pushed. But she was opinionated and knew how to get her way.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Sophie,” he said again and pushed me hard enough to knock me out of my seat and onto the floor. Dang shifter reflexes. Weren’t they supposed to keep this kind of thing from happening?
“Caeden!” I hissed under my breath.
“Oopsy daisy,” he blushed.
”
”
Micalea Smeltzer
“
Billy: It’s an album about the push and pull of stability and instability. It’s about the struggle that I live almost every day to not do something stupid. Is it about love? Yeah, of course it is. But that’s because it’s easy to disguise almost anything as a love song.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
I wasn't really interested in making a go of it with anyone, no matter what Tom and Daisy were pushing, but part of that disinterest came from the place of a rather arrogant person realizing that she couldn't. There was nothing as uninteresting as something I couldn't have.
”
”
Nghi Vo (The Chosen and the Beautiful)
“
This was my thought as I followed her to the cemetery, pausing every few minutes as she and the children stopped to pick a handful of roadside flowers- weeds, for the most part- dandelions; ragwort; daisies; poppies; a stray anemone from the verge; a fistful of rosemary from someone's garden, pushing its shoots through a dry stone wall.
Of course, Vianne Rocher likes weeds. And the children- the young one especially- lent themselves to the game with glee, so that by the time we reached the place, she had a whole armful of flowers and herbs tied together with bindweed and a straggle of wild strawberry-
”
”
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
“
I wasn’t scared of regretting not having a child. But I was scared of regretting having a child.
I was scared of bringing an unwanted life into this world. I was scared of living my life, feeling I’d anchored myself to the wrong dock. I was scared of being pushed to do something I knew I did not want.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
I wasn't scared of regretting not having a child. But I was scared of regretting having a child. I was scared of bringing an unwanted life into this world. I was scared of living my life, feeling like I'd anchored myself to the wrong dock. I was scared of being pushed to do something I knew I did not want.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
You pushed him away.” She lifts her shoulders again in another small, careless shrug. “I’m not going to say being mated to Raahosh is nothing but daisies and kittens. Sometimes you have to make a relationship work. And I’m just saying maybe you should have tried a little harder. He lost his kit, too, you know.
”
”
Ruby Dixon (Barbarian's Hope (Ice Planet Barbarians, #10))
“
The silky swirl of his tongue in the hollow of her navel sent fire licking through her veins. Hazily aware of the area his mouth was traversing, she stirred beneath him.
Not seeming to realize just where he was kissing her, Matthew persisted, sliding lower until Daisy let out a muffled yelp and pushed hard at his encroaching head.
“What is it?” he asked, rising to his elbows.
Crimson with mortification, Daisy could hardly bring herself to explain. “You were too close to my…well, you accidentally…”
As her voice faded, understanding dawned in Matthew’s eyes. Quickly he bent his head to hide his expression, and a tremor ran through his shoulders. He replied with great care, still looking away from her. “It wasn’t accidental. I meant to do that.”
Daisy was astonished. “But you were going to kiss me right on my—” She broke off as his gaze met hers, laughter dancing in his blue eyes.
He wasn’t embarrassed at all—he was amused.
“You’re not shocked, are you?” he asked. “I thought you were well read.”
“Well, no one would ever write about something like that.”
He shrugged, his eyes glowing. “You’re the literary authority.”
“You’re making fun of me,” she said.
“Just a little,” he whispered, and kissed her stomach again. Her legs jerked against his restraining hands.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Twenty thousand years ago, the average Sapiens probably had higher intelligence and better toolmaking skills than the average Sapiens of today. Modern schools and employers may test our aptitudes from time to time but, no matter how badly we do, the welfare state always guarantees our basic needs. In the Stone Age natural selection tested you every single moment of every single day, and if you flunked any of its numerous tests you were pushing up the daisies in no time.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
When he returned to the bed, she drew his mouth to her breast, holding him to her as he electrified every inch of her skin with gentle nips and deep sucking pressure. Her body melted into the bed, as he kissed her all the way down, parting her legs with his broad shoulders to bare her to the magic of his tongue. He knew just where to touch, where to lick, and what she needed to send her over the edge, shattering her world into heat and light and wrenching pleasure.
"I want to be inside you." His low, gravelly whisper sent erotic tingles over her skin.
Languid with release, yet desperate for more, she answered him with a kiss. He rifled in his pocket for a condom and deftly rolled it on.
"Are you hot for me?" He pushed a thick finger inside her and the delicious sensation made her arch off the bed.
"Yes." Her words came in a breathless rush. "Now. I want you now."
"Say the magic words."
Her desire raged, fuzzed her brain with lust. "Please?"
"No."
Daisy groaned. "No games."
"Say my name."
This time there were no secrets between them. This time she wanted him for who he was.
"Liam," she murmured. "My Liam."
His heated gaze never left her as he drew up her legs and thrust deep. Molten heat streamed through her veins, threatening to incinerate her. She cupped his neck, pulling him forward. "Don't stop."
"Never." With long, powerful strokes he drove into her, stoking her passion. When her legs began to shake, he took her mouth in a hot, wet kiss, and then he hammered into her, arms corded, hips rocking, sweat beading on his brow. She grabbed his shoulders, caught his rhythm, tension spiraling inside her until she was swept away in a tidal wave of sensation, her insides clenching in a deep, pulsing rush of pleasure. Liam threw his head back, his body going rock hard as he joined her in release.
”
”
Sara Desai (The Dating Plan (Marriage Game, #2))
“
O Life, Life, let me breathe, --a dug-out rat! Not worse than ours the existences rats lead --Nosing along at night down some safe vat, They find a shell-proof home before they rot. Dead men may envy living mites in cheese, Or good germs even. Microbes have their joys, And subdivide, and never come to death, Certainly flowers have the easiest time on earth. "I shall be one with nature, herb, and stone." Shelley would tell me. Shelley would be stunned; The dullest Tommy hugs that fancy now. "Pushing up daisies," is their creed, you know. To grain, then, go my fat, to buds my sap, For all the usefulness there is in soap. D'you think the Boche will ever stew man-soup?
”
”
Wilfred Owen (The Collected Poems of Wilfred Owen)
“
He helped me clean out my head
in time for floweret sunshine,
while I raked dead leaves from
underneath the bed of my nails
that were waiting to be organized in diaries.
As the 'Forbidding Numb' piled up,
he laundered my abandoned hope clean.
All that I could smell on my hands were
the roots of the root words I had diluted with
extra letters and slushiness.
There isn't a corner that we missed;
and, in no time at all,
I will forget the wretchedness of this winter.
Soon, I will only smell peonies and calla lilies,
fresh cotton sheets, and maybe—just maybe—
the paperless books that I have written
being pressed like petals;
yet, no longer incinerators burning
perished wood that already
pushed up daisies
right when autumn left its leaves
behind me.
”
”
Heather Angelika Dooley (Ink Blot in a Poet's Bloodstream)
“
She has confided to her Aunt Daisy, for instance, that she can understand the genealogical phenomenon that as burst forth all around her. She finds it moving, she says to see men and women - though, oddly, they mostly women - tramping through cemeteries or else huddled over library tables in the university's records room, turning over the pages of county histories, copying names and dates into small spiral notebooks and imagining, hoping, that their unselfish labors will open up into a fabric of substance and comity. all they want is for their to be revealed as simple, honest, law-abiding folks, quiet in their accomplishments, faithful in their vows, cheerful, solvent, and well intentioned, and that their robustly rounded lives will push up against, and perhaps pardon, the contemporary plagues of displacement and disaffection.
”
”
Carol Shields (The Stone Diaries)
“
Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.
”
”
Fannie Flagg (Daisy Fay and the Miracle Man)
“
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up.
He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face.
“You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away.
Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so.
Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs.
“The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too.
“Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky.
Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly.
On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Over the next month, when I’d wake up, my mind was filled with colors. The apartment began to feel less cavernous to me. One time I awoke to find my hair had been cut off, like a boy’s, and there were long blond hairs stuck to the inside of the toilet bowl. I imagined sitting on the toilet with a towel over my shoulders, Ping Xi standing above me, snipping away. In the mirror, I looked bold and sprightly. I thought I looked good. I wrote Post-it notes requesting fresh fruits, mineral water, grilled salmon from “a good Japanese restaurant.” I asked for a candle to burn while I bathed. During this period, my waking hours were spent gently, lovingly, growing reaccustomed to a feeling of cozy extravagance. I put on a little weight, and so when I lay down on the living room floor, my bones didn’t hurt. My face lost its mean edge. I asked for flowers. “Lilies.” “Birds of paradise.” “Daisies.” “A branch of catkins.” I jogged in place, did leg lifts, push-ups. It was easier and easier to pass the time between getting up and going down.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches.
Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned.
My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling.
As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me?
We lived in the attic,
Christopher, Cory, Carrie and me—
Now there are only three.
Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
”
”
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
“
To survive in this place, you had to want to die. That was the way of the world as remade by toubab, and Samuel‘s list of grievances was long: they pushed people into the mud and then called them filthy. They forbade people from accessing any knowledge of the world and then called them simple. They worked people until their empty hands were twisted, bleeding, and could do no more, then called them lazy. They forced people to eat innards from troughs and then called them uncivilized. They kidnapped babies and shattered families and then called them incapable of love. They raped and lynched and cut up people into parts, and then called the pieces savage. They stepped on people’s throats with all their might and asked why the people couldn’t breathe. And then, when people made an attempt to break the foot, or cut it off one, they screamed “CHAOS!” and claimed that mass murder was the only way to restore order.
They praised every daisy and then called every blackberry stain. They bled the color from God’s face, gave it a dangle between its legs, and called it holy. Then, when they were done breaking things, they pointed at the sky and called the color of the universe itself a sin. And the whole world believed them, even some of Samuel’ s people. Especially some of Samuel’s people. This was untoward and made it hard to open your heart, to feel a sense of loyalty that wasn’t a strategy. It was easier to just seal yourself up and rock yourself to sleep.
”
”
Robert Jones Jr.
“
Westcliff’s assessing gaze slid from her tumbled hair to the uncorseted lines of her figure, not missing the unbound shapes of her breasts. Wondering if he was going to give her a public dressing-down for daring to play rounders with a group of stable boys, Lillian returned his evaluating gaze with one of her own. She tried to look scornful, but that wasn’t easy when the sight of Westcliff’s lean, athletic body had brought another unnerving quiver to the pit of her stomach. Daisy had been right—it would be difficult, if not impossible, to find a younger man who could rival Westcliff’s virile strength.
Still holding Lillian’s gaze, Westcliff pushed slowly away from the paddock fence and approached.
Tensing, Lillian held her ground. She was tall for a woman, which made them nearly of a height, but Westcliff still had a good three inches on her, and he outweighed her by at least five stone. Her nerves tingled with awareness as she stared into his eyes, which were a shade of brown so intense that they appeared to be black.
His voice was deep, textured like gravel wrapped in velvet. “You should tuck your elbows in.”
Having expected criticism, Lillian was caught off-guard. “What?”
The earl’s thick lashes lowered slightly as he glanced down at the bat that was gripped in her right hand. “Tuck your elbows in. You’ll have more control over the bat if you decrease the arc of the swing.”
Lillian scowled. “Is there any subject that you’re not an expert on?”
A glint of amusement appeared in the earl’s dark eyes. He appeared to consider the question thoughtfully. “I can’t whistle,” he finally said. “And my aim with a trebuchet is poor. Other than that…” The earl lifted his hands in a helpless gesture, as if he was at a loss to come up with another activity at which he was less than proficient.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—”
“I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.”
“You’re not going to punish them?”
“For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.”
“Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts.
“What are you doing?” Lillian asked as Westcliff stood behind her.
“I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.”
She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge.
“This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for.
“Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—”
“I like holding it at the base.”
“It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—”
“I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.”
A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked.
“I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot.
“My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.”
He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!”
“I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam.
There was a loud splash and a splatter of water drops.
Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away.
“My lord?” she asked gingerly. “Did you… did you just fall into the fountain?”
“No,” came his sour reply. “You pushed me into the fountain.”
“It was entirely unintentional, I assure you.” Daisy forced herself to look at him.
Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably.
He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk.
Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes.
The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.”
Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips.
His eyes widened at the gesture.
“You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Henry Hudson Screamed on the Half-Moon :
"Police are a necessary evil !"
I dreamed a cop, an old cop,
a whitehaired cop bowed sad on a sofa
knowing in his years he carried a gun
a gun to stop the breath of a breathing being
a gun to cause man to push up daisies forever -
and when that realization mowed him down on the sofa
- he wept to know man
”
”
Gregory Corso (The Happy Birthday of Death)
“
Southern Humor Hit List
Here are just a few topics to get you started:
• Yankees. We know ’em when we see ’em, and so do you.
• White trash. It’s the way you act, not your socioeconomic standing.
• Rednecks. No shirt, no shoes, no service, but plenty of bawdy humor.
• Sports teams. It doesn’t matter if you haven’t played in a decade, we’re still mad about that game from 1962.
Note this is the only category of Southern humor truly born of hate.
• Fans of sports teams. They bring it on themselves with their shakin’, screamin’, game-goin’ ways.
• Cheerleaders. Nothin’ but beauty queen wanna-bes.
• Garden club ladies. So prim, but so dirty!
• Marriage. You better laugh, or the stress will have you pushing up daisies with the garden club sooner than you think.
• Country club ladies. Life is nothing but tennis, bridge, dining, and whining.
• Politicians. Anyone fool enough to run for office deserves what they get.
”
”
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
“
Daisy was wearing a butter-yellow gown that wrapped tightly around her slender waist and pushed the small, pretty shapes of her breasts upward into a low-cut bodice of gleaming, ruched satin. Yellow satin ribbons had been braided into artful ropes that held the bodice in place. Her black hair had been pulled to the top of her head with a few spiraling curls falling to her neck and shoulders. She looked delicate and perfect, like one of the artful sugared garnishes on the dessert tray that one was never supposed to eat.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
know that building’s been empty for a year,” Daisy said uneasily, “but how—?” “Sh! Watch! Now!” The looming building seemed to blur or fuzz for a moment. Then it was as if the lake’s bright ripples had invaded the old glass a hundred yards away. Wavelets chased themselves up and down the gleaming walls, became higher, higher … and then suddenly the glass cracked all over to tiny fragments and fell away, to be followed quickly by fragmented concrete and plastic and plastic piping, until all that was left was the nude steel framework, vibrating so rapidly as to be almost invisible against the gleaming lake. Daisy covered her ears, but there was no explosion, only a long-drawn-out low crash as the fragments hit twenty floors below and dust whooshed out sideways. “Spectacular!” Fay summed up. “Knew you’d enjoy it. That little trick was first conceived by the great Tesla during his last fruity years. Research discovered it in his biog—we just made the dream come true. A tiny resonance device you could carry in your belt-bag attunes itself to the natural harmonic of a structure and then increases amplitude by tiny pushes exactly in time. Just like soldiers marching in step can break down a bridge, only this is as if it were being done by one marching ant.” He
”
”
Fritz Leiber (The Creature from Cleveland Depths)
“
Daisy snorts and tilts back a little farther in her chair to act all cool and composed. And then, the legs begin to slip underneath her. I gasp, picturing her smacking backwards on the ground. But Ryke is faster than my frozen joints. His eyes have already snapped open. He reaches out and grabs the top of her chair, setting both of them on four legs at the same time. My sister puts her hands on the table, leaning forward as though a rollercoaster just flung to an abrupt stop. She looks winded and stunned all at the same time. Ryke barely misses a beat. He pushes an extra spoon in front of her. And to my surprise, she actually picks up the silverware and scoops a big bite of cake on it. She hesitates for a second. “It’s not arsenic,” he says. Her lips rise in a small smile. “Your hips also don’t have to be measured in the morning.
”
”
Krista Ritchie (Ricochet (Addicted, #2))
“
You think this is wrong. That you’re not allowed to like this,” I say as I lean back. “But you don’t have to hide your desires from me, Lucille. I’ll show you every filthy thing that is known to mankind, and I’ll watch your cunt dripping as it weeps for more. And then I’ll do it again and again. Until you push all those thoughts aside and accept your desires. What was it that Daisy Scott said?”
I slip one finger inside of her pussy. “She wonders what it would feel like to experience passion. To meet someone who sees her. Who sees the real her. Someone who would never want to change her or try to take away her darkness,” I quote from her novel. “Don’t hide from me, mo chreach bheag.
”
”
Dolores Lane (Bloody Fingers & Red Lipstick)
“
Because Daisy’s in trouble. She’s asking for my help. And already, I know I’d go to any lengths, push myself to any limits, just to be the one she leans on.
”
”
Ki Stephens (Ripple Effect (Coastal University #3))
“
They walked slowly past fire-swallowers, conjurors and tumblers, pausing to purchase a skin of new wine. Daisy drank carefully from the wineskin, but a drop escaped from the corner of her lips. Matthew smiled and began to reach into his pocket for a handkerchief, then appeared to think better of it. Instead he ducked his head and kissed away the wine droplet.
“You’re supposed to be protecting me from impropriety,” she said with a grin, “and instead you’re leading me astray.”
The backs of his knuckles stroked gently against the side of her face. “I’d like to lead you astray,” he murmured. “In fact, I’d like to lead you straight into those woods and…” He seemed to lose his train of thought as he stared into her soft, dark eyes. “Daisy Bowman,” he whispered. “I wish—”
But she was never to find out what his wish was, because she was abruptly pushed into him as a crowd jostled past. Everyone was bent on obtaining a view of a pair of jugglers who had clubs and hoops spinning in the air between them. In the rush the wineskin was knocked from Daisy’s hands and trampled underfoot. Matthew put his arms around her protectively.
“I dropped the wine,” Daisy said regretfully.
“Just as well.” His mouth lowered to her ear, his lips brushing the delicate outer rim. “It might have gone to my head. And then you might have taken advantage of me.”
Daisy smiled and snuggled against his hard form, her senses delighting in the reassuring warmth of his embrace. “Are my designs on you that obvious?” she asked in a muffled voice.
He nuzzled into the soft space beneath her earlobe. “I’m afraid so.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Pausing at the threshold of the billiards room, she peered around the doorframe as gentlemen milled lazily around the table with drinks and cue sticks in hand. The clicks of ivory balls provided an arrhythmic undertone to the hum of masculine conversation.
Her attention was caught by the sight of Matthew Swift in his shirtsleeves, leaning over the table to execute a perfect bank shot.
His hands were deft on the cue stick, his blue eyes narrowed as he focused on the layout of balls on the table. Those ever-rebellious locks of hair had fallen over his forehead once more, and Daisy longed to push them back.
As Swift sank a ball neatly into a side pocket, there was a scattering of applause, some low laughs, and a few coins changing hands. Standing, Swift produced one of his elusive grins and made a remark to his opponent, who turned out to be Lord Westcliff.
Westcliff laughed at the comment and circled the table, an unlit cigar clamped between his teeth as he considered his options.
The air of relaxed masculine enjoyment in the room was unmistakable.
As Westcliff rounded the table, he caught sight of Daisy peeking around the doorframe.
He winked at her.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
A Proper Hug:
It's like an emotional Heimlich. Someone puts their arms around you and they give you a squeeze, and all your fear and anxiety comes shooting out of your mouth in a big, wet wad and you can breathe again.
”
”
Chuck, Pushing Daisies
“
Breaking the contact between their lips, she managed an anguished whisper. “Matthew… take me somewhere.”
“No.”
“Yes. I need… I need to be alone with you.”
Panting raggedly, Matthew folded his arms around her, bringing her against his hard chest. She felt the desperate crush of his lips against her scalp.
“I can’t trust myself that far,” he finally said.
“Just to talk. Please. We can’t stay out in the open like this. And if you leave me now I’ll die.”
Even aroused and in turmoil, Matthew couldn’t prevent a smothered laugh at the dramatic statement. “You won’t die.”
“Just to talk,” Daisy repeated, clinging to him. “I won’t… I won’t tempt you.”
“Sweetheart.” He let out a serrated breath. “You tempt me just by being in the same room with me.”
Her throat turned hot, as if she had just swallowed sunlight. Sensing that any more coaxing would push him in the opposite direction, Daisy stayed silent. She pressed against him, letting the silent communication of their bodies melt his resolve.
With a quiet groan, Matthew took her hand and tugged her toward the bachelor’s house. “God help us both if anyone sees.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Everything happened too fast for Daisy to comprehend. She gripped the ribbons as Hubert jerked forward with a panicked whinny, the cart rattling and bouncing as if it were a child’s toy.
Daisy tried in vain to keep her seat, but as the cart hit a deep rut she was thrown clear of the vehicle. Hubert continued racing pell-mell down the lane while Daisy landed on the hard-packed earth with stunning force.
The breath was knocked from her, and she choked and wheezed. She had the impression of a massive creature, a monster rushing toward her, but the sound of a gunshot rent the air and caused her ears to ring.
A bone-chilling animal squeal… then nothing.
Daisy tried to sit up, then flopped weakly on her stomach as her lungs spasmed. Her chest felt as if it had been caught in a vise. There was a good chance she was going to cast up her crumpets, but the thought of how much that would hurt was enough to keep her gorge down.
In a moment the thundering of hooves— several sets— vibrated the ground beneath Daisy’s cheek. Finally able to draw a shallow breath, she pushed up on her elbows and lifted her chin.
Three riders— no, four— were galloping toward her, hooves thrasing up clouds of dust in the lane. One of the men swung off his horse before it had even stopped and rushed to her in a few ground-eating strides.
Daisy blinked in surprise as he dropped to his knees and gathered her up in the same motion. Her head fell back on his arm, and she found herself staring hazily up into Matthew Swift’s dark face.
“Daisy.” It was a tone she had never heard from him before, rough and urgent. Cradling her in one arm, he ran his free hand over her body in a rapid search for injuries. “Are you hurt?”
Daisy tried to explain that she’d just gotten the wind knocked out of her, and he seemed to understand her incoherent sounds. “All right,” he said. “Don’t try to talk. Breathe slowly.” Feeling her stir against him, he resettled her in his arms. “Rest against me.” His hand passed over her hair, smoothing it back from her face. Tiny shivers of reaction ran through her limbs, and he gathered her closer. “Slowly, sweetheart. Easy. You’re safe now.”
Daisy closed her eyes to hide her astonishment. Matthew Swift was murmuring endearments and holding her in hard, strong arms, and her bones seemed to have melted like boiling sugar.
Years of uncivilized rough-and-tumble with her siblings had taught Daisy to recover quickly from a fall. In any other circumstances she would have sprung up and dusted herself off by now. But every pleasure-saturated cell in her body sought to preserve the moment for as long as possible.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Daisy stared worriedly into his shadowed face. “What if you change your mind about me? What if you come back and tell me that you were wrong, you don’t want to marry me, and—”
“No,” Matthew said, stroking the rampant black waves of her hair. “There’s no turning back. I’ve taken your innocence. I’m not going to avoid my responsibility.”
Disgruntled by the choice of words, Daisy frowned.
“What’s the matter?” he asked.
“The way you put it…your responsibility…as if you have to atone for some terrible mistake. It’s not the most romantic thing to say, especially in present circumstances.”
“Oh.” Matthew grinned suddenly. “I’m not a romantic man, sweetheart. You knew that already.” He bent his head and kissed the side of her neck, and nipped at her ear. “But I am responsible for you now.” He worked his way down to her shoulder. “For your safety…your welfare…your pleasure…and I take my responsibilities very seriously…”
He kissed her breasts, drawing the taut peaks into the melting heat of his mouth. His hand parted her thighs and played gently between them.
A moan of pleasure slipped from her throat, and he smiled. “You make the sweetest sounds,” he murmured. “When I touch you like this…and this…and the way you cry out when you come for me…”
Her face burned. She tried to be quiet, but in another moment he had coaxed another helpless moan from her. “Matthew…?” Her toes curled as she felt him slip lower, his tongue tickling the hollow of her navel.
His voice was muffled by the covers that tented over his head. “Yes, chatterbox?”
“Are you going to do—” she paused with a gasp as she felt him push her knees apart, “—what you did before?”
“It would seem so.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
I will understand if you are done… flirting with me. We will be neighbors when you complete your renovations, at least until you sell the place.” “Flirting.” Val frowned. “I am very persuasive, and yet you consider my best efforts at seduction to be worth only the label flirting.” Ellen’s gaze dropped to her lap. “In any case, I will understand.” “Good of you.” Val’s frown intensified as he tried to puzzle out what exactly was bothering him. “And am I to understand if you’ve lost interest in me? If you decide a man who seeks some honesty with his lover is a little too much work? If you prefer weeding your daisies to sharing passion in my arms?” Ellen’s gaze swiveled to meet his. “I have not lost interest, Valentine. I wish I had, because I don’t understand how you can tolerate the sight of me, and yet I still crave your embrace. I crave the simple scent of you, all cedar and whatever else it is you wear. I crave the texture of your hair against my fingers and the taste of you on my tongue…” She stopped herself, maybe shocked at her own words and the vehemence of them. The truth of them. Val gently pushed her head back to his shoulder. “That’s putting it plain enough.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Could it be possible?—as by the match with which Stuyvesant and I lighted our cigars, we saw my watch—ten o’clock!
“Stuyvesant,” I whispered, “we are in for an adventure sure enough. I don’t know exactly where we are, but the horses are about used up, and I’m frozen.”
He turned and boldly told the party our situation, trying to make it out as a jolly good joke. The ladies did not appreciate it, except little Lucy. She did not say much, but evidently thought it a most delightful experience of romantic reality. Adelaide and Mrs. Grayson were really alarmed, and I am pretty sure that as we drove on again, I heard Cousin Daisy repeating parts of Eastman’s Snow Storm:
“But cold and dead by the sunken log,
Are they who came from the town.”
We pushed on for another half hour, which seemed a whole night time, and then pulled up before a farmhouse, in which the inmates were a long while under blankets. A rascally cur screeched and yelped at us. That, however, and our united voices calling for about ten minutes, aroused someone, for we heard a sash frostily resist lifting, and a male nightmare full voice say, “What in the devil do you want?”
Stuyvesant asked for the necessary information, and we learned that we were twelve miles from our destination and four from the nearest village. The window dropped with a bang, but the word reached me, too, something like “jam,” or “slam,” or “ram.”
“Ho! Halloo!” sang out Stuyvesant in alarm, “where in the mischief are you driving, Earnest? Here we are over the runners in a drift.”
The fact is, I had my eyes on a dark, irregular building just ahead, and I was trying to make out if it was a poorhouse or a jail.
”
”
Philip van Doren Stern (The Civil War Christmas Album)
“
HOW TO MAKE A BOUTONNIERE MATERIALS: • Fresh rosebud or other small, hardy flower such as a ranunculus or daisy • Florist’s knife • 26-gauge floral wire • Green stem-wrap tape • Small amount of greenery and/or baby’s breath (optional) • Clippers • Pencil • Ribbon, if desired • Corsage pin (a large pearl-headed straight pin) 1. Cut flower stem to 3 inches long, on the diagonal, using the florist’s knife. 2. Take a length of florist’s wire and gently pierce the green base of the flower, and then push it all the way through. (Make sure you push through a meaty part, but make it closer to the stem than to the flower.) 3. Bend the wire into a hairpin shape. 4. Wrap stem and wire in stem-wrap tape (which will adhere to itself), from top to bottom, in a spiral. 5. If you want to add greenery or baby’s breath, line up a sprig with the stem and tape them together with a few more loops of stem-wrap tape. 6. Cut the “stem,” including the wire (which may extend below the stem itself), to the desired length using clippers. 7. Wrap the end of the wire around a pencil to form the traditional “pigtail” or J-shaped curlicue that gives a boutonniere a finished look. You can cover the stem with ribbon, if you like, or finish with a bow, but it’s probably best to keep the stem small and unobtrusive. 8. Pin on a lapel using the corsage pin.
”
”
Kelly Bare (The DIY Wedding: Celebrate Your Day Your Way)
“
This is the best thing I’ve ever done,” he said. And he pushed into her, hungry to take the step for his own mankind. Daisy
”
”
Suanne Laqueur (The Man I Love (The Fish Tales, #1))
“
Well, well, if it isn’t the little spitfire herself.” Lily glanced up with a start and found Jimmy Neil standing two steps above her. A slow grin spread across his face, and the black gaps where he was missing parts of his top teeth seemed to stare at her. He’d leered at her several times that past week during the meals he’d taken in the dining room. But she’d made a point of ignoring him. And that’s exactly what she planned to do this time too. He moved one step closer, and the stench of the alcohol on his breath filled the space between them. He’d likely already been out at the taverns long enough to drink too much but would continue with the drinking as long as he was conscious. So why was he back at the hotel? “Ran out of money,” he said too softly, as if he’d seen the direction of her thoughts. “The night’s still young, and I aim to get my fill of women.” His eyes glistened with brittle lust. A man like Jimmy Neil didn’t deserve a response, not even the briefest acknowledgment that she’d heard his lurid words. She turned her head and pushed past him in the narrow stairwell. But before she could get by, his arm shot out and blocked her path. “Where you goin’ so fast?” “Get out of my way.” She shoved his arm, but it didn’t budge. She tried to duck under it, but he stuck out his knee. He leaned into her. The sickly heat and sourness of his breath fanned her neck. “Maybe I don’t need to go back out, not when I can have a little spitfire right here, right now.” She stifled a shudder and the shiver of fear that accompanied it. She might have broken free of him last time, but he was drunk now, and there was no telling what he was capable of doing. Better for her to play it safe. She spun and tried to retreat the way she’d come, but his other hand slapped against the wall, trapping her into an awkward prison within the confines of his arms. “You ain’t goin’ nowhere except up to my room with me.” He pushed himself against her in such a carnal way that she couldn’t keep from crying out in alarm. His hand cut off her cry, covering her mouth and smothering any chance she had at calling for help. A rush of fear turned her blood to ice. For an instant Daisy’s sweet face flitted into her mind. Was this the way men treated her sister? How could she possibly withstand such abuse day after day? As if seeing the fright in Lily’s eyes, his gap-toothed smile widened. “It’s always more fun when there’s some scratchin’ and clawin’.” His hand against her mouth and nose was beginning to suffocate her. She swung her head, struggling to break free and jerked up her knee, trying to connect it with his tender spot. But he was pressed too close, and he only strengthened his grip. She tried to scream and then bite him. But she was quickly losing strength in the dizzying wave that rushed over her. Suddenly his smile froze and fear flitted across his face. “Let go of her. Now. Or I’ll shove this knife in all the way.” Connell’s voice was low and menacing. Slowly Jimmy’s grip loosened. She caught a glimpse of Connell, one step down, his face a mask of calm fury.
”
”
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
“
It’s plain that Daisy never learned not to trust a flattering rogue,” she remarked. Steven closed his hands around Emma’s waist and lifted her none-too-gently onto the leather seat of the rig. “If that’s what you think of me,” he demanded, pushing his hat to the back of his head to look up at her, “what are you doing going on a picnic with me?” Emma took great delight in prickling his overblown pride. “You know very well what I’m doing,” she answered in the same haughty tone she’d used on the school grounds as a girl, when the other children had tormented her about Chloe’s method of earning a livelihood. “I’m honoring my end of our agreement. I’ll still detest you when this picnic is over, and you’ll ride out of this town forever, just as you promised.” His grin was downright maddening. “Or,” he retorted, “you’ll end up asking me to stay. In fact, I expect you’ll ask real nice, Miss Emma.” He took a few moments to watch the color flood her face, laughed again, and rounded the buggy to climb up in the seat beside her and take the reins.
”
”
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
“
Beej pushes back from the table, looking from me to Parks. “You can both get fucked.” And then he delivers her his final blow. “I’m going to.
”
”
Jessa Hastings (Daisy Haites (The Magnolia Parks Universe Book 2))
“
You’re better than this.” The hollow statement guts me, and when paired with those tombstone eyes ... I’m six feet under, pushing daisies from my rotting corpse. Because I’m not better than this.
”
”
Sarah A. Parker (To Bleed a Crystal Bloom (Crystal Bloom, #1))
“
some strings.” I sniff, give her a tiny smile as I push her hair behind her ears. “In another life I reckon I could have loved you,” I tell her. She gives me a little smile back. “In another life I would have let you—” Never you mind that I already love her in this one.
”
”
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))
“
Fight and make up, push each other away just to pull back as close as we can get - this is our bread and butter, really.
”
”
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
“
If you keep pushing someone away, eventually they'll stay there.
”
”
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
“
The horseplace cat gave him a doubtful look, then ran at him, flashing out a paw as she went past. Cloudtail dodged aside and hooked out Daisy’s paws from under her so that she sprawled on the grass in a tangle of legs and fluffy tail. “That’s not fair!” she wailed. “You never said you were going to do that.” “Oh, right.” Cloudtail couldn’t keep the amusement out of his voice. “Do you think in the thick of a battle an enemy warrior will come up and say, ‘Be careful, I’m going to push you over now?
”
”
Erin Hunter (Twilight (Warriors: The New Prophecy, #5))
“
Letting go is never easy. Sometimes we need that push to get us there. It’s just a question of what else gets knocked when that push comes.
”
”
Tamsin Keily (Daisy Cooper's Rules for Living)
“
Look at them.” She nudged Chase’s arm. “Have you ever seen those girls so happy?” “Of course they’re happy,” he replied, sounding markedly less enthusiastic about it. “Daisy is surrounded by death, mummies stacked three to a case, and even Rosamund couldn’t dream of this much plundered gold.” “Just think of the educational benefits.” Daisy pushed up her spectacles and bent over a label on the glass case of an intricately carved stone coffin. She sounded out the word, syllable by syllable. “Sar-co-pha-gus.” “Come look at this.” Rosamund waved her sister over. “Before they wrapped the mummy, they took the organs out and stored them in golden jars.” She pointed. “This one’s for the brain. It says here they pulled it out through the mummy’s nose.” “Ooooh.” Alex turned to Chase. “You can’t deny that they’re learning.
”
”
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
“
Their food arrived and Daisy tucked in to her dosas. Liam studied his plate and frowned at the unfamiliar presentation. "Is this---"
"Pork vindaloo. Extra hot. Just the way you wanted it."
Liam scooped up a mouthful of pork, taking a moment to savor the rich, delicate flavors on his tongue.
"Delicious," he said. "And not too hot at all. I might even ask for some extra cayenne."
Daisy stared at him, her lips quivering at the corners. "Wait for it..."
Liam lifted his fork for another bite, but even after the warning, he was totally unprepared for the flaming inferno in his mouth.
He gasped, sweat beading on his forehead, pain screaming across his tongue. "Water!"
"Water won't help you." Daisy pushed her raita across the table, clearly trying to contain her laughter. "You need yogurt."
Liam grabbed the bowl and gulped down the yogurt in frantic slurps.
"It's a dip. Not a drink." Laughing now, she snapped a picture of him. "How's the asbestos tongue now?
”
”
Sara Desai (The Dating Plan (Marriage Game, #2))
“
In her book she so desperately speaks about wanting a passionate love.
Someone who sees the real her. A man who will love her unconditionally.
Well, at least Daisy Scott does. But I know she’s talking about herself.
You poor little wife. You have no idea what you have asked of me.
I will make her feel all those things. And more. I will push her boundaries and help her reach into the darkest parts of herself.
I will make her feel alive.
”
”
Dolores Lane (Bloody Fingers & Red Lipstick)
“
The trouble with arriving at airports is it’s really hard not to jump up and down! Even if you’ve got your seat belt on! Arriving at airports is so exciting! All the buildings are big and square and made out of concrete. And all the lights are really bright. Plus there are absolutely loads of people everywhere. Plus if you look up in the sky, you can see actual planes coming in to land and other ones that are taking off! You should see how big aeroplanes look when they are close up! I thought one was going to land on our head! When we got out of our taxi, there were people pushing trolleys into the airport and people pushing trolleys out of the airport all over the place! All the people going in had long trousers on but some of the people coming out were wearing shorts! And flip-flops! And they had suntans and everything! Mum said the people coming out of the airport had been on their holidays and the people going in were about to start their holidays. Just like us! After Mum had paid the taxi man, we went and got a trolley all of our own! The trouble with trolleys all of your own is they make you want to have a ride on them. Mum said you aren’t really meant to ride on trolleys at the airport in case you fall off, but once we’d put our suitcases on, she let me climb on top! It was brilliant!!!!
”
”
Kes Gray (A Summer Double Daisy (A Daisy Story))
“
Someone left a daisy on my back porch just now. I want to make sure it wasn’t him.” “Okayyyy, let me find the bastard.” I heard her walking around the frat house, opening doors. Someone yelled at her in the background and she giggled. “Oops. Sorry. Go back to fornicating.” A door shut. And so I waited. A few minutes later, she ventured out to the dance floor, and I heard her pushing and shoving her way through couples dancing to an Adele song. “Bart the Asshole! Where are you?
”
”
Ilsa Madden-Mills (Fake Fiancée)
“
Death and soul?” Brid asked.
The girl tapped her foot, impatient. She pointed to herself. “Dead. As in a doornail. I took a dirt nap, pushed up some daisies, reached room temperature, pined for the fjords—”
“Pined for the fjords?” Brid said.
“Monty Python,” the girl and I both said at the same time.
“Oh.” Brid gave her a sympathetic look. “Sorry.”
She hit some more buttons on her BlackBerry. “Yeah, well, cancer’s a bitch.”
“Well said,” Brid responded solemnly.
The girl smiled. “Sorry if that came off snarky, but when you’ve been dead awhile, the self-pity thing gets old quick, the horror wears off, and you sort of get over yourself. At least, I did anyway.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
Sure she got to her, broke her down, hit her vulnerability, but Becky was going to come back stronger. Push me down little bitch, but I’ll stand right back up. Fuck her. She was better than that, and she refused to let her win.
”
”
Ava Catori (The Big, Not-So-Small, Curvy Girls Dating Agency (Plush Daisies, #1))
“
When you’re standing so close to the edge, it’s important to avoid those who make you feel like jumping. . . or those who would push you without remorse.
”
”
Cori Zahara (The Darkness Beyond the Daisies)