Purple Lover Quotes

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

One hand was behind his back, and he held it out, presenting a bouquet of white and smoky purple lilies. “They’re straight from the underworld, by the way. They are everlasting. They won’t die.

Mine the long night The secret place Where lovers meet In long embrace In purple dark In silvered kiss Forget the world And grasp your bliss

Your value and self-worth is not found in your former lover, not in the loving words of they spoke, not in the gentle ways that they held you, not in the sweetness of their kiss; but found in the love that you have for yourself.

The tallest and oldest trees that seemed to have just have casually always been there, hold the greatest love: as it nurtures love for others: providing shade for two lovers, becoming home for birds to build a nest, and giving food to the squirrels whom scurry upon it.

And when I fall in love,” I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.

When the Deep Purple falls, Over sleepy garden walls, And the stars begin to flicker in the sky, Thru the mist of a memory You wander back to me, Breathing my name with a sigh. In the still of the night, Once again I hold you tight, Tho' you're gone, your love lives on When moonlight beams. And as long as my heart will beat Lover, we'll always meet Here in my Deep Purple dreams.

There is a specific feeling that comes about during the dying embers of a relationship. Different from the Monday morning quarrels before work because you two are tired, different from the “I’m not going to talk to you for a while because I am mad at you” silences. Breaks ups happen instantly, yet the process occurs over a gradual period of time, with tear by tear until what was once whole, rips into two. Breakups are the disappointment we feel when we wanted our lover to finish the story with an exclamation mark, but instead are left with a question mark.

I thought symphaths didn't have a conscience." "I'm half my mother's boy, too. So I have a little." "Aren't you lucky." The Reverend's chin dipped down, and his eyes flashed pure, purple evil for a split second. Then he smiled. "No… all the rest of you are fortunate.

And, ah! his castle. The faery solitude of the place, with its turrets of mistly blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening onto the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day . . . that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and waves, with the melancholy of a mermaiden who perches on her rocks and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place.

the battered woman--for she wore a skirt--with her right hand exposed, her left clutching at her side, stood singing of love--love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death's enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over.

Darkness loves him. He dances with it like a lover and the moon comes up over the purple hill and what was sweet smells sour. Smells like poison.

Trevor cupped his hands around it, felt Zach's heartbeat throbbing between his palms. The skin of the shaft was textured, slightly rippled beneath the surface. The head was as smooth as satin, as rose petals. Trevor rubbed his thumb across it, squeezed gently, heard Zack suck air in through his teeth and moan as he let it out. He could see blood suffusing the tissue just beneath the translucent skin, a deep dusky rose delicately purpled at the edges, crowned with a single dewy pearl of come. It was as intimate, as raw as holding someone's heart in his hands.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, [...] and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attilla and a pack of other lovers with queer names [...] I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest...

I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose.

I'd loved for five long years, where pain had mingled with kisses and Michael's hugs suffocated me so much that I wasn't sure I could wriggle away enough to gasp for air. It was purple love, ugly and endearing, passionate and bruising like the tiny plum marks one left from sucking on a lover's neck. After loving like that, one needed a break....

I have become an isolationist. I isolate in my room, the names of men on my tongue I can no longer pronounce, my memory of them unraveled by time. I look out my bedroom window onto the velveted backyard that expands into forever, my pigeons silent and content behind hexwire, the moon hooked in the limbs of my favorite peach tree, its purple bark the color of my lover’s skin.

He was a polite, thoughtful boy, who could spend hours in one spot, staring at the purple mountains against the clear blue sky, lost in his own thoughts and emotions. It was said of him that he had a monk’s vocation, and that in Japan he would have been a novice in a Zen monastery. Although the Oomoto faith discouraged proselytizing, Takao surreptitiously preached his religion to Heideko and his children, but Ichimei was the only one who practiced it with fervor, because it fit in with his character and with the concept of life that he had had since childhood.

These hapless lovers were probably not always mere myths, and these legends which traced their spilt blood in the purple bloom of the violet, the scarlet stain of the anemone, or the crimson flush or the rose were no idle poetic emblem of youth and beauty fleeting as the Summer flowers.

The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.

Well it looks worse than it feels, it really is a good thing I am so damn pretty or this would really affect my looks… you know I think I can pull off these colors… what do you think do you think the purple looks good with my eye color." Colin said jokingly, it was obvious that he was trying to ease my guilt about punching him.

Silver and gold pale into insignificance if you flatter me with blue nights, romance me with pink lips and woo me with purple prose...

The lilac moon came high an altitude from mine to clasp its beauty,yet next to my bosom hide, lies she,like ten thousand silver moons illumine;and her soul’s music showered words as she spoke wide.

Lost Love I found you, hidden by crooked fingers of gnarly wood and leafy green, a pale ghost, drifting like morning mist, through haunted trees and forest birdsong. You come to me in waning moonlight, your story told on icy skin, the pages pale, with purple kisses, walking barefoot and breathless, toward my heart. You found me, buried deep beneath this earthly blanket, of thorny twigs and weeping mud, two lovers torn now bound together, in joyful death we make our bed.

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

His delicate blue-ish cheeks dusted the softest shade of pink, and he bit that bottom lip again. The backdrop of thick black trees, and grey and white grass made his colors even more vivid. Pink, blue, purple, with big, green eyes. He was a tiny rainbow in a sea of black.

You’re a literary person. If you ask me, there are passages in the Bible that a lover of literature has to appreciate, even if they have no interest in religious matters. The Book of Job, for example. A great mystery, and full of wonderful metaphors. None of this purple prose.

Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.

Charles had perished in Italy, like hundreds of other Japanese-Americans in the 442nd Infantry Regiment, which became known as the Purple Heart Battalion due to the extraordinary number of medals for valor it had been awarded. That regiment, made up entirely of nisei, was the most decorated in US military history,

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

Perhaps lovers aren't supposed to look down at the ground. That kind of story is told in symbols, and earth represents reality, and reality represents frustrations, chance illnesses, death, murder, and all kinds of other tragedies. Lovers are meant to look up at the sky, for up there no beautiful illusions can be trampled upon." Frowning, sulky, I gazed moodily at him. "And when I fall in love," I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.

and rocks and creaks and moans in the eternal breeze. Through all ages — when the pavement was grass, when it was swamp, through the age of tusk and mammoth, through the age of silent sunrise, the battered woman — for she wore a skirt — with her right hand exposed, her left clutching at her side, stood singing of love — love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death’s enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple-heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over.

I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

We dream of him and in the morning we tell each other our dreams where he is living with us again, fixing salads, whistling, standing in doorways. Our mother tells us there was a time before they thought to marry when he wrote her every day, long letters with a date and a time in the upper right corner, the hour always late and the pages sometimes stained purple by wine that had spilled as he lifted the glass and drank while he wrote … Our mother says not to throw the letters out, they are all that’s left of the love she’ll never feel again.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Song" The girl with the lovely face, goes, gathering olives. The wind, that towering lover, takes her by the waist. Four riders go by on Andalusian ponies, in azure and emerald suits, in long cloaks of shadow. ‘Come to Cordoba, sweetheart!’ The girl does not listen. Three young bullfighters go by, slim-waisted in suits of orange, with swords of antique silver. ‘Come to Sevilla, sweetheart!’ The girl does not listen. When the twilight purples, with the daylight’s dying, a young man goes by, holding roses, and myrtle of moonlight. ‘Come to Granada, my sweetheart!’ But the girl does not listen. The girl, with the lovely face, goes on gathering olives, while the wind’s grey arms are embracing her waist.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose.

I’ll let you help.” When he smiled broadly, because he was getting his way, she cut through his robin-breasted satisfaction. “But there are conditions.” He laughed. “You’re putting restrictions on a gift given to you?” “It’s not a gift.” She stared at him with dead seriousness. “It’s only until I find some kind of work, not my dream job. And I want to pay you back.” He lost a little of his satisfaction. “I don’t want your money.” “And I feel the same way about yours.” She folded her napkin. “I know you’re not hurting for cash, but that’s the only way I’ll be okay with this.” He frowned. “No interest, though. I won’t accept even one penny in interest.” “Deal.” She put her palm out and waited. He cursed. And cursed again. “I don’t want you to pay it back.” “Tough.” After his mouth performed some intricate f-bomb acrobatics, he put his hand in hers and they shook. “You drive a hard bargain, you know that,” he said. “But you respect me for it, right?” “Well, yeah. And it makes me want to get you naked.” “Oh…” Ehlena flushed from head to toe as he slid off his stool and towered over her, cupping her face in his hands. “You going to let me take you to my bed?” Given the way those purple eyes of his were shining, she was willing to let him take her down on the damn kitchen floor if he asked. “Yes.” A growl rolled up out of his chest as he kissed her. “Guess what?” “What?” she breathed. “That was the right answer.” -Ehlena & Rehv

Landsman and Bina were married to each other for twelve years and together for five before that. Each was the other's first lover, first betrayer, first refuge, first roommate, first audience, first person to turn to when something -- even the marriage itself -- went wrong. For half their lives they tangled their histories, bodies, phobias, theories, recipes, libraries, record collections. They mounted spectacular arguments, nose-to-nose, hands flying, spittle flying, throwing things, kicking things, breaking things, rolling around on the ground grabbing up fistfuls of each other's hair. The next day he would bear the red moons of Bina's nails in his cheeks and on the meat of his chest, and she wore his purple fingerprints like an armlet.

Oholah played the whore  owhile she was mine, and  pshe lusted after her lovers  qthe Assyrians, warriors 6clothed in purple,  rgovernors and commanders,  sall of them desirable young men,  thorsemen riding on horses. 7She bestowed her whoring upon them, the choicest men of Assyria all of them, and she defiled herself with all the idols of everyone after whom she lusted. 8She did not give up her whoring  uthat she had begun in Egypt; for in her youth men had lain with her and handled her virgin bosom and poured out their whoring lust upon her. 9Therefore  vI delivered her into the hands of her lovers, into the hands of the Assyrians, after whom she lusted. 10 wThese uncovered her nakedness;  xthey seized her sons and her daughters; and as for her, they killed her with the sword; and she became  ya byword among women,  zwhen judgment had been executed on her.

Ernst of Edelsheim I'll tell the story, kissing   This white hand for my pains: No sweeter heart, nor falser   E'er filled such fine, blue veins. I'll sing a song of true love,   My Lilith dear! to you; Contraria contrariis—   The rule is old and true. The happiest of all lovers   Was Ernst of Edelsheim; And why he was the happiest,   I'll tell you in my rhyme. One summer night he wandered   Within a lonely glade, And, couched in moss and moonlight,   He found a sleeping maid. The stars of midnight sifted   Above her sands of gold; She seemed a slumbering statue,   So fair and white and cold. Fair and white and cold she lay   Beneath the starry skies; Rosy was her waking   Beneath the Ritter's eyes. He won her drowsy fancy,   He bore her to his towers, And swift with love and laughter   Flew morning's purpled hours. But when the thickening sunbeams   Had drunk the gleaming dew, A misty cloud of sorrow   Swept o'er her eyes' deep blue. She hung upon the Ritter's neck, S he wept with love and pain, She showered her sweet, warm kisses   Like fragrant summer rain. "I am no Christian soul," she sobbed,   As in his arms she lay; "I'm half the day a woman,   A serpent half the day. "And when from yonder bell-tower   Rings out the noonday chime, Farewell! farewell forever,   Sir Ernst of Edelsheim!" "Ah! not farewell forever!"   The Ritter wildly cried, "I will be saved or lost with thee,   My lovely Wili-Bride!" Loud from the lordly bell-tower   Rang out the noon of day, And from the bower of roses   A serpent slid away. But when the mid-watch moonlight   Was shimmering through the grove, He clasped his bride thrice dowered   With beauty and with love. The happiest of all lovers   Was Ernst of Edelsheim— His true love was a serpent   Only half the time!

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

Dia.” “…Noin?” “Is there something that you need to say to me?” “…” It was a total surprise. Dia took a small breath and looked back at his purple eyes. It was exactly because of her beloved person that she felt a feverish and painful mass in her chest, and also trembled in fear and sadness. “…Just tell me when you’re ready. I’ll be patient if you can’t say it now, but not for long. Besides, I have no desire of releasing you. There are many things I can do for you, but you’re aware there are many things you’re unable to do by yourself, right?” “Noin, for I am a very cunning human, I can’t say anything about it because I’m afraid of being abandoned by you if I revealed it… even so, you realized that I was worried about something…” After listening to Dia, Noin sighed slightly before lifting Dia onto his lap. The feeling of his chest against her back made her fear that her heart would spill out. His warmth gradually seeped into her. “You don’t have to go anywhere. I told you, that’s the price.

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was E Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

There are different kinds of darkness,' Rhys said. I kept my eyes shut. 'There is the darkness that frightens, the darkness that soothes, the darkness that is restful.' I pictured each. 'There is the darkness of lovers, and the darkness of assassins. It becomes what the bearer wishes it to be, needs it to be. It is not wholly bad or good.' I only saw the darkness of that dungeon cell; the darkness of the Bone Carver's lair. Cassian swore, but Azriel murmured a soft challenge that had their blades striking again. 'Open your eyes,' I did. And found darkness all around me. Not from me- but from Rhys. As if the sparring ring had been wiped away, as if the world had yet to begin. Quiet. Soft. Peaceful. Lights began twinkling- little stars, blooming irises of blue and purple and white. I reached out a hand toward one, and starlight danced on my fingertips. Far away, in another world perhaps, Azriel and Cassian sparred in the dark, no doubt using it as a training exercise. I shifted the star between my fingers like a coin on the hand of a magician. Here in the soothing, sparkling dark, a steady breath filled my lungs. I couldn't remember the last time I'd done such a thing. Breathed easily. Then the darkness splintered and vanished, swifter than smoke on wind. I found myself blinking back the blinding sun, arm still out, Rhysand still before me. Still without a shirt.

As soon as they are gone and the door closed behind them, we fall into a frenzy about my dress. “Dark green,” my mother says. “It has to be dark green.” It is our only safe color. Dark blue is the royal color of mourning, but I must not, for one moment, look as if I am grieving for my royal lover and the true king of England. Dark red is the color of martyrdom, but also sometimes, contradictorily, worn by whores to make their complexions appear flawlessly white. Neither association is one we want to inspire in the stern mind of the strict Lady Margaret. She must not think that marriage to her son is a torment for me, she must forget that everyone said that I was Richard’s lover. Dark yellow would be all right—but who looks good in yellow? I don’t like purple and anyway it is too imperial a color for a humbled girl whose only hope is to marry the king. Dark green it has to be and since it is the Tudor color, this can do nothing but good.

Afterwards, I’d stood on my balcony in the purple twilight, wearing nothing but a towel. Scandalous! I’d watched an incredible moon come up from beneath the sea. The warm wind had caressed my neck like a lover’s breath. Or maybe it was just the sunburn….

I needed to make sure you were okay.” “And if I had not been…?” “I would have done what was required to save you.” Tears entered her eyes, putting a gloss over her vision that blurred him and the meadow. “Why,” she breathed. An eternity of silence stretched out between them. And then he reached out and brushed her cheek. When he dropped his hand, she smelled the scent—and could not understand it. Why would the perfume of fresh flowers be out— Rahvyn gasped. Looking down at their feet, she saw violets spring up from the scruffy ground, the fragile purple blooms unfurling, little flags upon green nests. And among them sprouted also daisies and dandelions, then other colorful blooms, all of the heads lifting free of the soil, maturing as if it were July, not April, as if the air were warm, not chilled. The rush of wild flowers swirled around them both, encompassing their vicinity in the meadow, bringing daylight unto the night—and Rahvyn was so o’ercome, she let out a sound of delight and swept her hands to the sky. In a twirl, she imagined that she could gather them up in her arms, a sight for sore eyes, a lift for a heavy heart, a sniff into a grateful, astounded nose. And then she stilled. Lowering her arms, she saw that he remained grim. “Are you leaving right the now?” He took a step back. “I just wanted to give you something beautiful, so you can feel even a little of the wonder I have whenever I look into your eyes.

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

What will make him good and wholesome and kind?" Anna asked aloud. "Chocolate?" Lily said, finishing off the bottle of rum. Anna dropped in a palmful of dark cocoa powder. She added the leaves from three sprigs of rosemary because it was her favorite herb and because its woodsy scent would hopefully make him a lover of the outdoors. If she was making the most absurd recipe ever, why not go big with her additions? So she added a pinch of cinnamon because the season called for it, and then she sprinkled in cumin to give him a spicy, smoky edge. Anna added a cashew-size glob of purple royal icing to the mix to make him loyal, then poured in a teaspoon of vanilla extract. She dipped a tablespoon into the sparkling, golden sugar. When she leveled it with her finger, warmth spread up her arm until it reached her head, where it tugged her lips into a smile. She added the special ingredient and shoved her hand into the dough to incorporate everything. Rather than olive oil, Anna poured canola oil into the bowl because he needed to be able to withstand the heat and not break down when life became too hot or too complicated.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them. Yet, just as the dance was about to begin, Princess Mehjabeen's eyes fluttered open, the enchanting dream slipping away like mist beneath the twilight.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them.

What else could eternity be? on the surface a waterlily holds shadowy depths just-kissed with clouds and rouge surfacing — on the water’s edge just-bound, just-bound to break, and change, but never does.... By rippling refracted waterlight she dances like a reflection before me— like a mirage I watch the visage of her — and reach for her body like coursing water like pulsing-liquid her body like flesh-contained breath…. Fingers entwine o’er fingers we thread agile on the trail over vines and brambles: by the turn of her head into tree shade she shows me the nests hidden in thickets…. Delighted by the lightness of her touch, the quickness of her brow— and notice: the heaviness of her breasts I, too, am carrying…. Oh with her calm, receptive walk and her quiet, sensitive talk and with the posture in which she sits which slows down and softens my speech…. Of her am I moved to study and to muse: how this moment in the movement of her swallowing hips she's a lover, and this moment behind her sisters — her nose turned to air— she walks with childhood, and now in the shape of her vase-body she reveals motherliness, and now in this moment she is in this moment she is in this moment…. Now, today we leave this valley for my love we've a world to show we've friends, elders, the people to show— the purple glow of our presence the gravity of our having-met….

Ideally my penultimate day would be spent attending a giant beach party thrown in my honor. Everyone would gather around me at sunset, and the golden light would make my skin and hair beautiful as I told hilarious stories and gave away my extensive collection of moon art to my ex-lovers. I and all of my still-alive friends (which, let’s face it, will mostly be women) would sing and dance late into the night. My sons would be grown and happy. I would be frail but adorable. I would still have my own teeth, and I would be tended to by handsome and kind gay men who pruned me like a bonsai tree. Once the party ended, everyone would fall asleep except for me. I would spend the rest of the night watching the stars under a nice blanket my granddaughter made with her Knit-Bot 5000. As the sun began to rise, an unexpected guest would wake and put the coffee on. My last words would be something banal and beautiful. “Are you warm enough?” my guest would ask. “Just right,” I would answer. My funeral would be huge but incredibly intimate. I would instruct people to throw firecrackers on my funeral pyre and play Purple Rain on a loop.

In the clearing he saw a creature. Some eight feet tall, it was built along the lines of a dragon, with teeth like a T. rex and a slashing pair of front claws. The thing flickered in the moonlight, its powerful body and tail covered with iridescent purple and lime-green scales. “What the hell is that?” Butch whispered, fumbling to make sure the door was locked. “Rhage in a really bad mood.” The

The hour that was for them, for us, for all who had awakened one morning to see their fields covered with blood rather than harvest, who didn't seek to change the world but lived in good faith and prayer offered to an imposing God, for the young women who mended their men's clothing and held their sons' mouths to the purple nipples of sweet breasts, for the man who watched the suns descend behind the mountain every evening and dreamed and when his sons were grown, passed on his dreams, for the black nights when guitars harmonized with the wind's song, to the bottle of regional brew, and a hand-rolled cigarette, to the baptism and a dance of celebration, to the aroma of soups simmering on wood-burning stoves and filled the bellies of those who worked the fields, to a candle that burned in vigil while a hungry mind gulped the printed truth of another's legacy, to the owl that called from between the moon and earth while lovers enwrapped their passion on silver tinted grass, to the history of the world and to its future, to all that had lived and died and had been born again in that moment as i approached am opaque window and pointed my weapon.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out.                 I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

My brother seemed amused that I took a story so seriously, but then he reconsidered, and stared thoughtfully at the driving rain. "Perhaps lovers aren't supposed to look down at the ground. That kind of story is told in symbols—and earth represents reality, and reality represents frustrations, chance illnesses, death, murder, and all kinds of other tragedies. Lovers are meant to look up at the sky, for up there no beautiful illusions can be trampled upon." Frowning, sulky, I gazed moodily at him. "And when I fall in love," I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.

We’ve become conditioned to expect instant gratification. Sometimes, we treat our lover as if he were a washing machine! It’s much easier to get a new one than to repair an existing one, right? So once the color blue is felt, it quickly leads to purple and that’s the end of the love story for many of us; we move on…

I follow his gaze over the valley again, purples and pinks swarming across it as shadow unspools from the horizon. Trillions of gnats and mosquitoes dance in the dying light, nature’s own sparkling ballet. “It’s beautiful,” I say. Up here,

Look how pathetic you are—all alone.” Despite his appalling breath and disturbing taunt, my mind—free of his influence—drifted to the Flower Festival. Making a misshapen basket next to a pretty girl wearing a purple butterfly outfit when she said that no one truly does anything alone.

French fries are around your neck, lover boy.

In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose.

Some lovers stand on the edge of restrictions, Where love is forbidden for its imperfections, To find someone to love with great passion and no complication is a beautiful action, ‘Cause perfect love must transcend barriers, embrace race, gender identity, and age.

There’s nothing but shaggy, sun-blanched grass on either side of the narrow dirt road. Ahead, it ends abruptly, and a meadow slopes upward, riddled with sprays of yellow and purple wildflowers.

The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.

The Goddess of poetry,who loves to unveil the mystic truth of transparent life,never resembles a woman who hides to keep her secrets behind the false veil.

Eros, the blind god of lovers, strikes me with a purple ball and asks me to play with a woman wearing colorful sandals, but she is from beautiful Lesbos, and scorns my white hair, and turning her back runs gaping behind another woman.

His weary life gave him a crown of thorns, for he must abide its strangeness through the heavy hours, as of fear and dismay—a nip of bitter-sour ache,gives him a secret revival, by the lute he has!

If ‘beauty’ be the self-satisfied pride she bears,each fly does wing around her cherubic sweet face,as they; lovers seek what her anonymous covers,and dream them in a transient trace.

And efforts are painstaking always,since you are into this mystical universe to practice a technique,every learning is a slow process, gradually you will master it by time and if you are able to grasp things more quickly in a limited spell, as your experience is advancing, you are almost nearing to be a maestro.Our world doesn't need incompetence anymore, but needs high skills or talents to do the job done quickly with desire and ambition.

There,far on an unknown chasm,the horizon kiss the sea,in its departing moves rather like the deep console of mind touches the seriousness of a maiden heart in her yearning runs for blithe.

The plant-man said, ‘I’ve observed that when a human is dealing with another, he’s usually logical only if he’s advancing his self-interests or has a desire to hurt or put down the other. Is this one of those situations?

Why the fuck did you push me?” I yelled. “I told you. I had to see something,” Meir said. He made it sound like it was obvious. “And I have to see how handsome your face would look with a purple eye,” I said.