Apologize For Mistake Quotes

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If an apology is followed by an excuse or a reason, it means they are going to commit same mistake again they just apologized for.
Amit Kalantri
But when someone does wrong, when we make mistakes, we don’t say we’re sorry. We promise to make amends.” “I will.” “Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
If one makes a mistake, then an apology is usually sufficient to get things back on an even keel. However-and this is a big ‘however’- most people do not ever know why their apology did not seem to have any effect. It is simply that they did not make a mistake; they made a choice…and never understood the difference between the two.
Andy Andrews (The Noticer: Sometimes, All a Person Needs Is a Little Perspective)
I knit the afternoon away. I knit reasons for Elijah to come back. I knit apologies for Emma. I knit angry knots and slipped stitches for every mistake I ever made, and I knit wet, swollen stitches that look awful. I knit the sun down.
Laurie Halse Anderson (Wintergirls)
Good people don’t make fewer mistakes, they’re just better at apologizing.
Jonathan Safran Foer (Here I Am)
I took all the blame. I admitted mistakes I hadn't made, intentions I'd never had. Whenever she turned cold and hard, I begged her to be good to me again, to forgive me and love me. Sometimes I had the feeling that she hurt herself when she turned cold and rigid. As if what she was yearning for was the warmth of my apologies, protestations, and entreaties. Sometimes I thought she just bullied me. But either way, I had no choice.
Bernhard Schlink (The Reader)
The first reaction is surely the most natural one, but not always the most correct one; thereupon, the invention of apologies.
Criss Jami (Healology)
I'm sorry for what I did to you in your nightmare. Please forgive me tonight when you dream." I still have the card. I smile every time I think about it. Some men can't even apologize for the mistakes they make in reality. But my husband apologizes for the mistakes he makes in my dreams.
Colleen Hoover (All Your Perfects (Hopeless, #3))
The Type Everyone needs a place. It shouldn't be inside of someone else. -Richard Siken If you grow up the type of woman men want to look at, you can let them look at you. But do not mistake eyes for hands. Or windows. Or mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, you can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle. A door. A sandwich. A Pulitzer. Another woman. But their hands found you first. Do not mistake yourself for a guardian. Or a muse. Or a promise. Or a victim. Or a snack. You are a woman. Skin and bones. Veins and nerves. Hair and sweat. You are not made of metaphors. Not apologies. Not excuses. If you grow up the type of woman men want to hold, you can let them hold you. All day they practice keeping their bodies upright-- even after all this evolving, it still feels unnatural, still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, admit they do not have the answers they thought they would have by now; some men will want to hold you like The Answer. You are not The Answer. You are not the problem. You are not the poem or the punchline or the riddle or the joke. Woman. If you grow up the type men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, it is discovering the ocean after years of puddle jumping. It is realizing you have hands. It is reaching for the tightrope when the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart, you learn to sing along. It is hard to stop loving the ocean. Even after it has left you gasping, salty. Forgive yourself for the decisions you have made, the ones you still call mistakes when you tuck them in at night. And know this: Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You were born to build.
Sarah Kay
Do you know the Suli have no words to say ‘I’m sorry’?” “What do you say when you step on someone’s foot?” “I don’t step on people’s feet.” “You know what I mean.” “We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There’s no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don’t say we’re sorry. We promise to make amends.” “I will.” “Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Tequila again?” Feely glared at Gibsie. “Really?” “Listen, I’m not going to sit here and apologize for something that happened a million years ago,” Gibsie huffed. “I puked on your dog. Feely. It was a genuine mistake. I’ve done it to Sookie a million times and you don’t see her giving me the cold shoulder. And I haven’t done it since, so can we please move past it?” “I don't have a dog – that was my mother you puked on!” Feely snapped, sounding outraged. “And it was last Christmas, not a million years ago, asshole.” “What?” Gibsie frowned. “That's was your Mam?” “Yes, asshole!” “Ah, lad, I’m so fucking sorry,” Gibsie strangled out, slapping a hand across his mouth. “I thought she was a dog.
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
Everybody makes mistakes, sometimes even before we get up in the morning. We can’t help but make mistakes. The important thing is to keep trying. And to apologize when you need to.
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
We ate the lunch with painful politeness and avoided discussing its taste. I made sure not to apologize for it. This was a rule of mine. I don't believe in twisting yourself into knots of excuses and explanations over the food you make... Usually one's cooking is better than one thinks it is. And if the food is vile,...then the cook must simply grit her teeth and bear it with a smile- and learn from her mistakes.
Julia Child (My Life in France)
I've crossed paths since with men like him. I wish I could say differently. But I have. And what I have learned is that you dig a little and you find they're all the same, give or take. Some are more polished, granted. They may come with a little bit of charm-- Or a lot -- and that can fool you. But really they're all unhappy little boys sloshing around in their own rage. They feel wronged. They haven't been given their due. No one loved them enough. Of course they expect you to love them. They want to be held, rocked, reassured. But it's a mistake to give it to them. They can't accept it. They can't accept the very thing they're needing. They end up hating you for it. And it never ends because they can't hate you enough. It never ends-- the misery, the apologies, the promises, the reneging, the wretchedness of it all. My first husband was like that.
Khaled Hosseini (And the Mountains Echoed)
What would you do if you only had one day left in this world? Spend it with the people you love? Travel to the far corners of the earth to see as many wonders as possible? Eat nothing but chocolate? Would you apologize for all your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait till the last minute to do the things we should be doing all along?
Jodi Picoult (Off the Page (Between the Lines, #2))
When you make a mistake, give an apology without an excuse attached to it. The longer an apology, the less authentic it is.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
You don't have to apologize for loving someone or wanting a life that no longer fits your blueprint. The beginning phase of reclaiming your life always starts with apologizing to yourself, then apologizing to others for wasting their time because of your fear based decisions. The truth is when we eliminate fear we often find the real path we were meant to be on.
Shannon L. Alder
Boundaries—You respect my boundaries, and when you’re not clear about what’s okay and not okay, you ask. You’re willing to say no. Reliability—You do what you say you’ll do. At work, this means staying aware of your competencies and limitations so you don’t overpromise and are able to deliver on commitments and balance competing priorities. Accountability—You own your mistakes, apologize, and make amends. Vault—You don’t share information or experiences that are not yours to share. I need to know that my confidences are kept, and that you’re not sharing with me any information about other people that should be confidential. Integrity—You choose courage over comfort. You choose what is right over what is fun, fast, or easy. And you choose to practice your values rather than simply professing them. Nonjudgment—I can ask for what I need, and you can ask for what you need. We can talk about how we feel without judgment. Generosity—You extend the most generous interpretation possible to the intentions, words, and actions of others. Self-trust is often a casualty
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
I know,” Aren says. “But I wanted to apologize. I don’t want Taltrayn to convince you I’m the bad guy.” At that, I give a short laugh. “You are the bad guy, Aren.” He frowns, and I realize he’s taking my words the wrong way. “What I mean is you’re the . . . well, the rebel. Kyol’s the good guy. He’s made mistakes, yes, but he loves me.” He cocks his head to the side. His gaze makes my skin tingle. The step he takes toward me is hesitant, careful, and when his silver eyes peer down at me, I stop breathing. His lips are so close. I remember the way they felt pressed against mine. I remember his taste, the heat of his edarratae. The smallest distance separates us when he whispers, “You don’t think I’m in love with you?” “I . . .
Sandy Williams (The Shadow Reader (Shadow Reader, #1))
If we look to people who make no mistakes, who were always on the right side, who never apologized for tyrants or unjust wars, we shall have few heroes and heroines
Richard Rorty (Achieving Our Country: Leftist Thought in Twentieth-Century America)
There's no time to be constantly apologising for existing. But when someone does wrong, when we make mistakes, we don't say we're sorry. We promise to make amends.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I guess that isn't the right word," she said. She was used to apologizing for her use of language. She had been encouraged to do a lot of that in school. Most white people in Midland City were insecure when they spoke, so they kept their sentences short and their words simple, in order to keep embarrassing mistakes to a minimum. Dwayne certainly did that. Patty certainly did that. This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe.
Kurt Vonnegut Jr. (Breakfast of Champions)
You can stay on the porch. Like how you left me on the floor outside our room." "I didn't know what else to do. You found the check, and I panicked." "That isn't an excuse." "I know. And I'm not saying that this is going to make up for it. I'm going to try, really try, to make you trust me again. I want you to trust me. I just... I couldn't sleep last night without you. It was the strangest thing, being in the room alone without you. I couldn't hear you breathing, and your laughter was gone and you were gone, and it was like a part of my life was missing. A big part. I tripped going to the bathroom and banged my head. See?" He pointed to a lovely gash on his forehead. "And then I burned my hand on the toaster oven. And then my car wouldn't start. Again. I've never had such bad luck in my life.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
Yadriel bit back his knee-jerk reaction to say, “It’s okay.” Because it wasn’t. It didn’t change what his dad had said. If it had been a mistake, his slip of the tongue was more telling than his apologies. Why did Yadriel always have to absolve people of their guilt? He didn’t want to be understanding. He didn’t have it in him to be forgiving this time.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Best thing to do when you make a mistake, is make it right. Apologize.
Ruby Shae (Double Bear (Bear Mountain, #3))
So what now?" he said. "What do you mean?" "What do we do now? We can't just be roommates." "You said you didn't like me." "I don't like you. I don't like how your hair smells, and how I can't stop thinking about waking up and seeing your face. I hate how my bed felt empty when you left. I don't like how good you were with my family, especially Harper, and how I wanted to see you with then again, but not just as a guest. As a member. You're right. I don't like you at all." "When did you change your mind?" "My mind never changed. I've wanted you since the moment you opened the door and had that stunned look on your face. It just took me a while to admit it. Why deny it now? It is what it is and it's not going to change." "Oh." "This doesn't mean I'm going to be nice. I'm still going to be an ass. I'll just be an ass who apologizes and brings you flowers to say he's been a dick." "Chocolate," I said. "What?" "I'd rather have chocolate when you apologize." "Chocolate it is." He smiled. "So does that mean what I think it means?" "No. It just means that you get to bring me chocolate when you've been an ass. I'm going to weigh three hundred pounds." I focused my attention back on the peppers. I couldn't think about Hunter's declaration of... whatever it was. Footsteps didn't make me look up. "Taylor, look at me. Please." Damn. If only he didn't say please. "I can't promise to not make you mad. I can't promise that I won't hurt you. All I can promise is that I want you in my life, and I'll do anything to keep you there.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
A mistake? The most passionate night of his life was a mistake? Her first time and that’s what she thought. That grated on him in the worst way. “Is that what you think, Beth?” “Don’t call me that.” “Why, Beth?” “You know I hate that name.” “Oh, so sorry, Beth. I do apologize, Beth.” He was being petty and he knew it, but he didn’t give a damn. She’d always brought out the very worst in him. She reached up and twisted his ear. “Ow!” “Out of my way, Robert Lemonade,” she said casually, pissing him off in the worst way.
R.L. Mathewson (Truce (Neighbor from Hell, #4))
One of the biggest mistakes women do is, they think that One day 'he' will realize, apologize and come back..
Himmilicious
What I mean is, it's not a matter of age. There are boys aged fifty, and men aged fifteen. It's all in what they do, not how old they are...A boy messes up with a lass, and he slinks off without fixing anything. A man makes a mistake, he fixes it. He apologizes.
Kate Quinn (The Alice Network)
I don't care if you care, I retorted. But in my religion, we're taught to admit our mistakes and to apologize for them...Oh, and there's one other thing I'm sorry about, I added. I should've spit in your eye and called you a szhlob weeks ago.
Amy Fellner Dominy (OyMG)
A good man apologizes for the mistakes of the past, but a great man corrects them.
Johann Wolfgang von Goethe
Never justify someones wrong action, without them apologizing first & admitting their wrongs. If you do. You are not making them better, but you are making them worse on the bad things they do.
D.J. Kyos
Why are you apologizing to me? I'm the one who was horribly careless. I assumed no one would be so far from the trails, but I should have checked first. Such a stupid mistake! You have nothing to apologize for." "But I growled at you!" I was still horrified that I was physically capable of such blasphemy.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
from the Basement tapes Eric outdid Dylan with the apologies. To the untrained eye, he seemed sincere. The psychologists on the case found Eric less convincing. They saw a psychopath. Classic. He even pulled the stunt of self-diagnosing to dismiss it. "I wish I was a fucking sociopath so I didn't have any remorse," Eric said. "But I do." Watching that made Dr. Fuselier angry. Remorse meant a deep desire to correct a mistake. Eric hadn't done it yet. He excused his actions several times on the tapes. Fuselier was tough to rattle, but that got to him. "Those are the most worthless apologies I've ever heard in my life," he said. It got more ludicrous later, when Eric willed some of his stuff to two buddies, "if you guys live." "If you live?" Fuselier repeated. "They are going to go in there and quite possibly kill their friends. If they were the least bit sorry they would not do it!
Dave Cullen (Columbine)
You're going to make mistakes as a parent. It's literally inevitable. You're human, and mistakes are just part of being human. It's how you handle your mistakes that matters most. Acknowledge them. Apologize for them. Make them as right as possible. Learn something from them. And then let them go. It's okay. I promise. After all, how else will our little humans learn that it's okay to be human.
L.R. Knost
Own your mistakes, learn from them; apologize if you have to, and then, be unapologetically you.
TemitOpe Ibrahim
If you know your mistake, you know how to apologies
Ahmed Bah
Sometimes, the mistake is not the problem; the lack of remorse is the real mistake.
Michael Bassey Johnson (The Book of Maxims, Poems and Anecdotes)
Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
One of the greatest ever statement that can keep you at peace with others is that "I am right, but I may be wrong"! Yes, we know you are right but you may be wrong!
Israelmore Ayivor (The Great Hand Book of Quotes)
If you can't forgive someone you're close to for making a mistake, then why do apologies even exist?
Michael Kun (We Are Still Tornadoes)
Each day, we have the opportunity to learn something new, apologize for our mistakes, and become better.
Lewis Howes (The Greatness Mindset: Unlock the Power of Your Mind and Live Your Best Life Today)
What do you say when you step on someone's foot?" "I don't step on people's feet." "You know what I mean." "We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There's no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don't say we're sorry. We promise to make amends." "I will." "Mati en sheva yelu. This action will have no echo. It means we won't repeat the same mistakes, that we won't continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Go now, and live. Experience. Dream. Risk. Close your eyes and jump. Enjoy the freefall. Choose exhilaration over comfort. Choose magic over predictability. Choose potential over safety. Wake up to the magic of everyday life. Make friends with your intuition. Trust your gut. Discover the beauty of uncertainty. Know yourself fully before you make promises to another. Make millions of mistakes so that you will know how to choose what you really need. Know when to hold on and when to let go. Love hard and often and without reservation. Seek knowledge. Open yourself to possibility. Keep your heart open, your head high and your spirit free. Embrace your darkness along with your light. Be wrong everyday once in a while, and don't be afraid to admit it. Awaken to the brilliance in ordinary moments. Tell the truth about yourself no matter what the cost. Own your reality without apology. See goodness in the world. Be Bold. Be Fierce. Be Grateful. Be Wild, Crazy and Gloriously Free. Be You. Go now, and live.
Jeanette LeBlanc
First, it is a mistake to presume to know anyone’s internal emotional landscape based on what external emotional signals they seem to be sending. Second, you can apologize for something you have done, but only a fool apologizes for things that other people have done, for he has no authority to do that.
Dean Koontz (Quicksilver)
In his essay “Politics and the English Language,” George Orwell describes the relationship between language abuse and political abuse, how corrupt leaders use the passive voice to obscure unspeakable truths and shroud responsibility for their actions. They say, “It must be admitted, now that the report has been reviewed, that mistakes were made,” rather than, “I read the report, and I admit I made a mistake.” Here’s a life tool: always apologize in the active voice.
Roy Peter Clark (Writing Tools: 50 Essential Strategies for Every Writer)
I have made many mistakes and no doubt will make more before I die. When I have seen pain, when I have found that my ineptness has caused displeasure, I have learned to accept my responsibility and to forgive myself first, then to apologize to anyone injured by my misreckoning. Since I cannot in-live history, and repentance is all I can offer God, I have hopes that my sincere apologies were accepted.
Maya Angelou
Wesay nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There's no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don't say sorry. We promise to make amends." "I will." "Mati en sheva yelu. This action will have no echo. It means we won't repeat the same mistakes, that we won't continue to do harm." Inej and Jesper (p338)
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Of course you will make errors; we all do. But you must learn from your mistakes. Learn quickly, and when you get something wrong, admit it and apologize.
Juliet Marillier (Dreamer's Pool (Blackthorn & Grim, #1))
Sometimes you get stuck with family members that do nothing but make mistakes they never have to apologize or pay for.
Colleen Hoover (Without Merit)
When an apology provides a substitute for low quality work, people drastically improve apology tendering skills, leaving behind the urge or necessity to improve work related skills.
Shahenshah Hafeez Khan
Secure love provides protection against many of the world’s psychological dangers. It makes people more likely to admit their mistakes and apologize for them, and feel freer to share who they are. They’ve learned...that the people who love them can be trusted to accept them, flaws and all. That’s what secure love is: the faith that we can safely depend on other people.
Craig Malkin (Rethinking Narcissism: The Secret to Recognizing and Coping with Narcissists)
As I apologized to her a flicker of panic raced through me and then faded away. There wasn't enough life left in me to panic. I'd made a mistake and I was dying. Apparently not even a Speck afterlife was available to me. I'd simply stop being. Apparently I hadn't died correctly. Oops.
Robin Hobb (Renegade's Magic (Soldier Son, #3))
You should follow your heart. Forget the rest. Ileana stood and gathered up the used plates and napkins. Thomas is human and will make mistakes, and as long as he apologizes and it's something yo can live with? It's worth loving him today. It's also worth forgiving him, too. You never know when he might be taken from you.
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper, #2))
If you grow up the type of woman men want to look at, You can let them look at you. But do not mistake eyes for hands, Or windows for mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, You can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman – But their hands found you first. Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack. You are a woman – Skin and bones, veins and nerves, hair and sweat You are not made of metaphors, Not apologies, not excuses. If you grow up the type of woman men want to hold, You can let them hold you. All day they practice keeping their bodies upright. Even after all this evolving it still feels unnatural, Still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, Admit they don’t have the answers they thought they would by now. Some men will want to hold you like the answer. You are not the answer. You are not the problem. You are not the poem, or the punchline, or the riddle, or the joke. Woman, if you grow up the type of woman men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, It is discovering the ocean after years of puddle jumping. It is realising you have hands. It is reaching for the tightrope after the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart. You learn to sing along. It is hard to stop loving the ocean, Even after it’s left you gasping, salty. So forgive yourself for the decisions you’ve made, The ones you still call mistakes when you tuck them in at night, And know this. Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You are born to build.
Sarah Kay
I want characters to do bad things and get away with their misdeeds. I want characters to think ugly thoughts and make ugly decisions. I want characters to make mistakes and put themselves first without apologizing for it.
Roxane Gay (Bad Feminist)
If there were past misdeeds, I do not believe we should nag or repeat them, never mind throw them in someone’s face. If they sincerely apologized and we genuinely forgave them, we must move on. Learn from mistakes, but move on. If we bring them up and toss them at the offender, we may not have actually forgiven them, even if we claim we have.
Cathy Burnham Martin (The Bimbo Has Brains: And Other Freaky Facts)
She slid a slim volume of poetry off the shelf and returned to her chair, swishing her rather unnattractive skirts before she sat down. Benedict frowned. He'd never really noticed before how ugly her dress was. Not as bad as the one Mrs. Cabtree had lent her, but certainly not anything designed to bring out the best in a woman. He ought to buy her a new dress. She would never accept it,of course, but maybe if her current garments were accidentally burned... "Mr. Bridgerton?" But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself... "Are you even listening to me?" Sophie demanded. "Hmmm?" "You're not listening to me." "Sorry," he admitted. "My apologies. My mind got away from me. Please continue." She began anew, and in his attempt to show how much attention he was paying her, he focused his eyes on her lips, which proved to be a big mistake. Because suddenly those lips were all he could see, and he couldn't stop thinking about kissing her, and he knew- absolutely knew-that if one of them didn't leave the room in the next thirty seconds, he was going to do something for which he'd owe her a thousand apologies. Not that he didn't plan to seduce her. Just that he'd rather do it with a bit more finesse. "Oh, dear," he blurted out. Sophie gave him an odd look. He didn't blame her. He sounded like a complete idiot. He didn't think he'd uttered the phrase, "Oh,dear," in years. If ever. Hell,he sounded like his mother. "Is something wrong?" Sophie asked. "I just remembered something," he said, rather stupidly, in his opinion. She raised her brows in question. "Something that I'd forgotten," Benedict said. "The things one remembers," she said, looking exceedingly amused, "are most often things one had forgotten.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Do not wallow in your mistakes. Do not grovel and prostrate yourself in hopes of forgiveness. We all make mistakes. Apologize and move forward. Do not replay the event in your head. Do not continue to beat yourself up. Do not profusely explain, defend yourself, make excuses or blame. After you apologize, do no more explaining; never explain more than once — ever.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
Yes, and in your mail the apology note appears referring to “our mistake.” Apparently your own invisibility is the real problem causing her confusion. This is how the apparatus she propels you into begins to multiply its meaning. What did you say?
Claudia Rankine (Citizen: An American Lyric)
I can’t apologize for falling in love with her. I can’t call what happened a mistake. Gun to my head, I’d repeat every moment so I’d have the boldest, smartest girl next to me—a girl I shouldn’t have. But she’s mine, and I might not deserve her but I swear to God, I’ll never harm her, and I’d give my life to protect her. I know I’m not a prince. I’m not a king. But I’d treat Jane like she should be treated. She’s my princess, my angel, and my queen. Every morning and every night. I’d kneel at her feet and stand by her side.
Krista Ritchie (Sinful Like Us (Like Us, #5))
What would you do if you only had one day left in this world? Spend it with the people you love? Travel to far corners of the earth? See as many wonders as possible? Would you apologize for your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait until the last minute to do the things we should be doing all along?
Samantha van Leer (Off the Page (Between the Lines, #2))
Admitting mistakes, apologizing is very important in life but change! Someone can't just apologize and disappear. We need to be responsible. We have to clean up our mess. Actions are much more important than the words. Don't repeat the same mistake over and over again and end up saying sorry. 'I'm Sorry' just isn't enough always! If you still have the chance to undo the hurt with your actions, then you should. You must!
Jyoti Patel
There’s a quiet epidemic of women taking and absorbing the blame for other people’s mistakes, because of some inherent attribute deep inside us, constantly trying not to be difficult. I’ve had to learn to speak up and ask for what I want, specifically. And if it’s not done right, I don’t need to say, “Sorry, but…” Why am I apologizing? Asking for what you want and need (nicely) is not being an asshole, it’s part of the job.
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
Apology Letter from the Brain Hey there. I’m sorry. OK? But can I say something? Look. I admit I wasn’t perfect. No one is perfect. That’s a fact. Speaking of facts, don’t you think we all need to take a minute and decide who is right and who is wrong? Every side is different; it’s just that my side seems more right. I’m not just saying that because it’s my side. I think a lot of other people would agree with me, given the chance. If I upset you in some way, please know that wasn’t my intention. I didn’t know how sensitive you were. It’s obvious I can set you off very easily. That’s not an insult; it’s just an observation. I think it would help if we talked about this more and argued about who was telling the truth. I would like to see you in person and tell you how the situation has affected me. I may use this opportunity to bring up other times you have hurt me in the past. If possible, I would like to hurt you back. Either way, I want to be in control. Until then, take care. And please, remember I reached out first. I remain, THE BRAIN Apology Letter from the Heart Hey there. I’m sorry. I’ve found it hard to tell you this, and I realize my apology may be too little or come too late. It is important for me to let you know that I am sorry for what I did or said or didn’t do or say. I was wrong. I make mistakes. I HATE that I made one with you. I’m reaching out because life goes by so fast and I just don’t want my one life to go by without expressing this to you. I want to do and be better. This apology is yours. Feel free to do whatever you want with it. My hope is that it gives you comfort, but my goal is that it doesn’t cause you any pain. Again, I am TRULY sorry. Thank you for taking the time to read this. Love, THE HEART P.S. I’m sorry.
Amy Poehler
Own up to your mistakes and apologize for them. Everyone will make a mistake at some point, and the sooner you can admit where you went wrong, the sooner you can start to fix it. Be honest with yourself about yourself and your abilities. Many people accept titles that are beyond their experience to only later find themselves up to their neck in problems they can’t solve, and too embarrassed to admit they weren’t qualified in the first place. And what’s the first rule about holes? If you’re in one, stop digging.
Sophia Amoruso (#Girlboss)
I don´t listen to hoax or rumours, but I like a good sense of humour. If you are wrong, be wise, apologize. Otherwise, be kind and rewind. Gone with the wind...
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
Welcome the disagreement. Remember the slogan, ‘When two partners always agree, one of them is not necessary.’ If there is some point you haven’t thought about, be thankful if it is brought to your attention. Perhaps this disagreement is your opportunity to be corrected before you make a serious mistake. Distrust your first instinctive impression. Our first natural reaction in a disagreeable situation is to be defensive. Be careful. Keep calm and watch out for your first reaction. It may be you at your worst, not your best. Control your temper. Remember, you can measure the size of a person by what makes him or her angry. Listen first. Give your opponents a chance to talk. Let them finish. Do not resist, defend or debate. This only raises barriers. Try to build bridges of understanding. Don’t build higher barriers of misunderstanding. Look for areas of agreement. When you have heard your opponents out, dwell first on the points and areas on which you agree. Be honest. Look for areas where you can admit error and say so. Apologize for your mistakes. It will help disarm your opponents and reduce defensiveness. Promise to think over your opponents’ ideas and study them carefully. And mean it. Your opponents may be right. It is a lot easier at this stage to agree to think about their points than to move rapidly ahead and find yourself in a position where your opponents can say: ‘We tried to tell you, but you wouldn’t listen.’ Thank your opponents sincerely for their interest. Anyone who takes the time to disagree with you is interested in the same things you are. Think of them as people who really want to help you, and you may turn your opponents into friends. Postpone action to give both sides time to think through the problem. Suggest that a new meeting be held later that day or the next day, when all the facts may be brought to bear. In preparation for this meeting, ask yourself some hard questions:
Dale Carnegie (How to Win Friends and Influence People)
I'm sorry l haven 't talked to you in so long. I feel l've been lost... no bearings, no compass. I kept crashing into things, a little crazy, I guess. l've never been lost before. You were my true north. l could always steer for home when you were my home. Forgive me for being so angry when you left. l still think some mistake's been made... and l'm waiting for God to take it back. But l'm doing better now. The work helps me. Most of all, you help me. You came into my dream last night with that smile that always held me like a lover... rocked me like a child. All l remember from the dream is a feeling of peace. l woke up with that feeling and tried to keep it alive as long as l could. l'm writing to tell you that l'm on a journey toward that peace. And to tell you l'm sorry about so many things. l'm sorry l didn't take better care of you so that you never spent one minute being cold or scared or sick. I'm sorry I didn't try harder to find the words to tell you what I was feeling. I'm sorry I never fixed the screen door. I fixed it now. I'm sorry I ever fought with you. I'm sorry I didn't apologize more. I was too proud. I'm sorry I didn't bring you more compliments on everything you wore and every way you fixed your hair. I'm sorry I didn't hold on to you with so much strength that even God couldn't pull you away. All my love.
Nicholas Sparks (Message in a Bottle)
Out of a desire to clear the air, you might be the first to acknowledge what you perceive to be the mistakes you made, might be the first to apologize because you’ve been made to feel as if you are the flaw in the equation. A concession can allow you to remain plagued with shame-based thoughts like, Maybe I am making too much of this. I shouldn’t have made such a fuss. They don’t deserve this. After all, I could have done more to prevent it.
Wade Mullen (Something's Not Right: Decoding the Hidden Tactics of Abuse—and Freeing Yourself from Its Power)
What if I make a mistake?' you may be thinking. 'Racism is a volatile issue, and I don't want to say or do the wrong thing.' In almost forty years of teaching and leading workshops about racism, I have made many mistakes. I have found that a sincere apology and a genuine desire to learn from one's mistakes is usually rewarded with forgiveness. If we wait for perfection, we will never break the silence. The cycle of racism will continue uninterrupted.
Beverly Daniel Tatum (Why Are All The Black Kids Sitting Together in the Cafeteria?)
Tequila again?” Feely glared at Gibsie. “Really?” “Listen, I’m not going to sit here and apologize for something that happened a million years ago,” Gibsie huffed. “I puked on your dog. Feely. It was a genuine mistake. I’ve done it to Sookie a million times and you don’t see her giving me the cold shoulder. And I haven’t done it since, so can we please move past it?” “I don't have a dog – that was my mother you puked on!” Feely snapped, sounding outraged. “And it was last Christmas, not a million years ago, asshole.” “What?” Gibsie frowned. “That’s was your Mam?” “Yes, asshole!” “Ah, lad, I’m so fucking sorry,” Gibsie strangled out, slapping a hand across his mouth. “I thought she was a dog.
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
This is not to imply that we agree on everything because we don’t. Nor does it mean there are no arguments because there are. It does mean there is never any maliciousness or bitterness in our differences. It does mean each is willing to admit a mistake and apologize if he or she is wrong. It means we enjoy each other and love each other enough to put the other one first. We never part company or go to sleep without settling our differences and reaffirming our love. We’re both grateful that God has let us spend enough years together to develop a relationship and discover what real love is all about. Our prayer is that God will permit us to have many more years together before we start our walk though eternity—together.
Zig Ziglar (See You at the Top)
Everything okay, Vi?” I looked at him, eyes wide, mouth agape. What to say, what to say… But Lincoln spoke first, putting his hand up to stop me. “Jase, I’m sure I haven’t been clear with you on this issue. I apologize for that. Entirely my fault.” Oh shit. “Linc,” I butted in unsuccessfully. “Allow me to rectify,” Lincoln continued, stepping a little closer to Jase. “If you look at her again, that way you do—I’m going to be very upset. If you touch her in any way that you haven’t first been invited to and, well”—he glanced at me, still frozen, before turning his full attention back to Jase—“even then, I won’t be responsible for my actions. Violet and I may not be together, but make no mistake: she is mine just as much as I am hers.
Jessica Shirvington (Endless (The Embrace Series, #4))
The life and friends are two connected things. As life is one we get friends for once too. There could be so many things between friends sometime we get angry on. But If you don't solve and remain angry then that will be your big mistake and it could be just because of your ego. One side can take step to solve it but your ego (that is not fully ego but a kind of ego for that you think you were right at that moment and another one should take step first to feel apologize) never let you to do so. You should be apologize to be a good friend. Now you may think why to apologize if another one doesn't care at all. Then whats the difference between you and that one. You may leave it by thinking you dont need or you may proceed to solve it. It shouldn't be difficult to apologize with friends.
Pawan Mehra
Nope still broken. Looks like ‘sorry’ didn’t do shit. That’s me,”—I pointed to the pieces— “that’s my fucking heart, and your apology isn’t going to mend or heal your mistakes anymore. Your ‘sorry’ doesn’t piece back what you’ve broken. And this time, it was us you broke. For good.
Nicole Fiorina (Even When I'm Gone (Stay with Me, #2))
Anger flares inside me. Jealousy. Hurt. I made the mistake once before assuming he wouldn't do that to me. He would. I hate it. I hate that it bothers me. That I can't just let it go. I hate knowing that I'll let him back after. He'll apologize, and I'll welcome his lips, even after they've been on another person.
Brit Benson (The Love of My Next Life (Next Life, #1))
Boundaries—You respect my boundaries, and when you’re not clear about what’s okay and not okay, you ask. You’re willing to say no. Reliability—You do what you say you’ll do. At work, this means staying aware of your competencies and limitations so you don’t overpromise and are able to deliver on commitments and balance competing priorities. Accountability—You own your mistakes, apologize, and make amends. Vault—You don’t share information or experiences that are not yours to share. I need to know that my confidences are kept, and that you’re not sharing with me any information about other people that should be confidential. Integrity—You choose courage over comfort. You choose what is right over what is fun, fast, or easy. And you choose to practice your values rather than simply professing them. Nonjudgment—I can ask for what I need, and you can ask for what you need. We can talk about how we feel without judgment. Generosity—You extend the most generous interpretation possible to the intentions, words, and actions of others.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
Maybe the God we see, the God who calls the daily shots, is merely a subGod. Maybe there’s a God above this subGod who’s busy for a few God minutes with something else, and will be right back; and when he gets back will take the subGod by the ear and say: Now look. Look at that fat man. What did he ever do to you? Wasn’t he humble enough? Didn’t he endure enough abuse for a thousand men? Weren’t the simplest tasks hard? Didn’t you sense him craving affection? Were you unaware that his days unraveled as one long bad dream? And maybe as the subGod slinks away, the true God will sweep me up in his arms, saying: My sincere apologies, a mistake has been made. Accept a new birth, as token of my esteem.
George Saunders (CivilWarLand in Bad Decline)
A few weeks ago I had a dream. I dreamed I was back at the house, in the red room, reading my microeconomics textbook. Maddy outside playing with Hope, and Agnes was preparing dinner. It was just like old times. I was elated. I knew all along that they weren't really dead. It was all just a terrible mistake. Maddy joined me in the library. Strangely, she didn't smell like anything. Not her usual crème brulee or green apples or candy. That's when I realized she was dead, though I didn't know I was dreaming. She apologized for everything and then proceeded to explain why things had turned out the way they had. Her story made complete sense. It was what I needed to hear. Finally I had an answer. Finally I could let go. And then she vanished When I woke up, in a pool of sweat, I couldn't remember a thing Maddy had said.
Katherine Easer (Vicious Little Darlings)
I am often drawn to unlikable characters, to those who behave in socially unacceptable ways, say whatever is on their mind, and do what they want with varying levels of regard for the consequences. I want characters to do bad things and get away with their misdeeds. I want characters to think ugly thoughts and make ugly decisions. I want characters to make mistakes and put themselves first without apologizing for it.
Roxane Gay (Bad Feminist: Essays)
The mistakes don't matter," he informed her one night after she stumbled over a station ID and apologized on air. "It's the recovery that counts." If she had a nickel for every one of his smiles, she'd have ten cents. She nodded sheepishly, preferring Harry's way of phrasing the same point. "I learned that a mistake is just something you go on from." Harry's advice gave her a route to follow, a path forward. Somehow Eddy managed to exchange one form of stress for another.
Elizabeth Hay (Late Nights on Air)
TRUSTING OTHERS Boundaries—You respect my boundaries, and when you’re not clear about what’s okay and not okay, you ask. You’re willing to say no. Reliability—You do what you say you’ll do. This means staying aware of your competencies and limitations so you don’t overpromise and are able to deliver on commitments and balance competing priorities. Accountability—You own your mistakes, apologize, and make amends. Vault—You don’t share information or experiences that are not yours to share. I need to know that my confidences are kept, and that you’re not sharing with me any information about other people that should be confidential. Integrity—You choose courage over comfort. You choose what is right over what is fun, fast, or easy. And you choose to practice your values rather than simply professing them. Nonjudgment—I can ask for what I need, and you can ask for what you need. We can talk about how we feel without judgment. Generosity—You extend the most generous interpretation possible to the intentions, words, and actions of others.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
I will listen first before speaking. “Everyone must be quick to hear, slow to speak and slow to anger” (James 1:19). The one who listens first consistently has the advantage in a fight. You should always approach sensitive issues by respectfully asking questions rather than making assumptions or unleashing accusations. I will deal with my own issues up-front. “Why do you look at the speck that is in your brother’s eye, but do not notice the log that is in your own eye?” (Matthew 7:3). If you quickly admit where you were wrong and apologize first, you disarm your spouse and neutralize the ammo they were using against you while leading the way for them to deal with their mistakes as well. I will speak gently and keep my voice down. “A gentle answer turns away wrath, but a harsh word stirs up anger” (Proverbs 15:1). People tend to mirror their enemy in a fight. The more intense you get, the more intense they get. The more humble and tender you become, the more humble and tender they become. Let how you are speaking be laced with love regardless of what you are saying.
Alex Kendrick (The Love Dare)
But if you want to stay, then take tomorrow off, come back the day after, and apologize to everybody you were working with last night. Tell them what you did, why you realize it’s a mistake, and why you’re sorry. Promise you’ll never do it again—and know that if you do, I’m going to fire you on the spot.” It wasn’t easy for Ben to have those conversations with his colleagues. He was a tough captain to work for because his standards were high; if you were in his station, he held you accountable. But there is tremendous power in vulnerability. Because
Will Guidara (Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect)
Let’s look at the seven elements. Some are very straightforward and some require unpacking, which I’ll do after the list. Boundaries: You respect my boundaries, and when you’re not clear about what’s okay and not okay, you ask. You’re willing to say no. Reliability: You do what you say you’ll do. At work, this means staying aware of your competencies and limitations so you don’t overpromise and are able to deliver on commitments and balance competing priorities. Accountability: You own your mistakes, apologize, and make amends. Vault: You don’t share information or experiences that are not yours to share. I need to know that my confidences are kept, and that you’re not sharing with me any information about other people that should be confidential. Integrity: You choose courage over comfort. You choose what is right over what is fun, fast, or easy. And you choose to practice your values rather than simply professing them. Nonjudgment: I can ask for what I need, and you can ask for what you need. We can talk about how we feel without judgment. We can ask each other for help without judgment. Generosity: You extend the most generous interpretation possible to the intentions, words, and actions of others.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
At Rachel's instruction, the monkey briefly looked to his mistress, then looked back at Elliot and raised his hand. "Hey." "That's not the way, Haley. That's how you greet people we're close to." Realizing his mistake, Haley got up, pointed out his butt toward Elliot, and slapped it. " Get lost, okay?" "That's not right either, now is it? Look closely before you greet him." Haley scrutinized Elliot. Then he thrust his thumbs into his ears, fanned out his wriggling fingers, and stuck out his wagging tongue. "Dummy, dummy." "I'm sorry, Your Highness", Rachel apologized. "He's having trouble learning tricks, it seems.
Hibiki Yamazaki (Prison Life is Easy for a Villainess: Volume 2)
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance. The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But when he got closer, he was equally stunned to hear the shepherd’s prayer. “Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.” Moses inched toward the shepherd, listening attentively. “Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.” Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This is not prayer. It is sheer blasphemy.” Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did. Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with himself. But that night Moses heard a voice. It was God’s. “Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was pure and his intentions good. I was pleased with him. His words might have been blasphemy to your ears, but to Me they were sweet blasphemy.” Moses immediately understood his mistake. The next day, early in the morning, he went back to the mountains to see the shepherd. He found him praying again, except this time he was praying in the way he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way. That is more precious in God’s eyes.” The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught him. He had now found a new way of communicating with God. Though satisfied and blessed in his naïve devotion, he was now past that stage—beyond his sweet blasphemy. “So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak
I listened impatiently to the wisdom of the O'Neills for about twenty minutes until I could take no more (by this time Steve and Susan had me thumbing through the paperback). I slid the book across the desk at them and said, 'This is so much shit.' That was a mistake because the word 'shit' on the lips of a pastor deeply offended their moral sensibilities. Such was the state of things among us. They took grave exception to the word SHIT, while I was expected to remain noddingly neutral toward their adultery. WELL, SHIT, I thought. Without apologizing, I tried to convince them I was merely 'upset' by the prospects of their separation. Gradually, I achieved the clinical tone that they so admired in the O'Neills and evidently expected in their country parson.
Richard Lischer (Open Secrets: A Memoir of Faith and Discovery)
Self-Love Self-love is the quality that determines how much we can be friends with ourselves and, day to day, remain on our own side. When we meet a stranger who has things we don’t, how quickly do we feel ourselves pitiful, and how long can we remain assured by the decency of what we have and are? When another person frustrates or humiliates us, can we let the insult go, able to perceive the senseless malice beneath the attack, or are we left brooding and devastated, implicitly identifying with the verdict of our enemies? How much can the disapproval or neglect of public opinion be offset by the memory of the steady attention of significant people in the past? In relationships, do we have enough self-love to leave an abusive union? Or are we so down on ourselves that we carry an implicit belief that harm is all we deserve? In a different vein, how good are we at apologizing to a lover for things that may be our fault? How rigidly self-righteous do we need to be? Can we dare to admit mistakes or does an admission of guilt or error bring us too close to our background sense of nullity? In the bedroom, how clean and natural or alternatively disgusting and unacceptable do our desires feel? Might they be a little odd, but not for that matter bad or dark, since they emanate from within us and we are not wretches? At work, do we have a reasonable, well-grounded sense of our worth and so feel able to ask for (and properly expect to get) the rewards we are due? Can we resist the need to please others indiscriminately? Are we sufficiently aware of our genuine contribution to be able to say no when we need to?
The School of Life (The School of Life: An Emotional Education)
Boundaries—You respect my boundaries, and when you’re not clear about what’s okay and not okay, you ask. You’re willing to say no. Reliability—You do what you say you’ll do. This means staying aware of your competencies and limitations so you don’t overpromise and are able to deliver on commitments and balance competing priorities. Accountability—You own your mistakes, apologize, and make amends. Vault—You don’t share information or experiences that are not yours to share. I need to know that my confidences are kept, and that you’re not sharing with me any information about other people that should be confidential. Integrity—You choose courage over comfort. You choose what is right over what is fun, fast, or easy. And you choose to practice your values rather than simply professing them. Nonjudgment—I can ask for what I need, and you can ask for what you need. We can talk about how we feel without judgment. Generosity—You extend the most generous interpretation possible to the intentions, words, and actions of others.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
University, where she is an adjunct professor of education and serves on the Veterans Committee, among about a thousand other things. That’s heroism. I have taken the kernel of her story and do what I do, which is dramatize, romanticize, exaggerate, and open fire. Hence, Game of Snipers. Now, on to apologies, excuses, and evasions. Let me offer the first to Tel Aviv; Dearborn, Michigan; Greenville, Ohio; Wichita, Kansas; Rock Springs, Wyoming; and Anacostia, D.C. I generally go to places I write about to check the lay of streets, the fall of shadows, the color of police cars, and the taste of local beer. At seventy-three, such ordeals-by-airport are no longer fun, not even the beer part; I only go where there’s beaches. For this book, I worked from maps and Google, and any geographical mistakes emerge out of that practice. Is the cathedral three hundred yards from the courthouse in Wichita? Hmm, seems about right, and that’s good enough for me on this. On the other hand, I finally got Bob’s wife’s name correct. It’s Julie, right? I’ve called her Jen more than once, but I’m pretty sure Jen was Bud Pewtie’s wife in Dirty White Boys. For some reason, this mistake seemed to trigger certain Amazon reviewers into psychotic episodes. Folks, calm down, have a drink, hug someone soft. It’ll be all right. As for the shooting, my account of the difficulties of hitting at over a mile is more or less accurate (snipers have done it at least eight times). I have simplified, because it is so arcane it would put all but the most dedicated in a coma. I have also been quite accurate about the ballistics app FirstShot, because I made it up and can make it do anything I want. The other shot, the three hundred, benefits from the wisdom of Craig Boddington, the great hunter and writer, who looked it over and sent me a detailed email, from which I have borrowed much. Naturally, any errors are mine, not Craig’s. I met Craig when shooting something (on film!) for another boon companion, Michael Bane, and his Outdoor Channel Gun Stories crew. For some reason, he finds it amusing when I start jabbering away and likes to turn the camera on. Don’t ask me why. On the same trip, I also met the great firearms historian and all-around movie guy (he knows more than I do) Garry James, who has become
Stephen Hunter (Game of Snipers (Bob Lee Swagger, #11))
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.
Sarah Arthur (Between Midnight and Dawn: A Literary Guide to Prayer for Lent, Holy Week, and Eastertide)
Can't you just let it go? Move on?" His face darkened. His eyes glared in response and he was silent a long time while his jaw worked over a toothpick. She'd used the same line that the prophet and his representatives had been using for years. Even if these things did happen, there is no point in being bitter. You should forgive and forget and let bygones be bygones. Kind of galling, considering the insistence upon forgiveness was being made by the people who had done the hurting and done nothing to make up for it. But then, that was the standard 'blame the victim' abuser mentally, and to be expected. Gideon seemed to work through this slap in the face and let it slide. He said, "For a while I thought maybe, you know, if I could talk to the people responsible. If I could show them how difficult life has been because of them, that maybe they would care. I don't know. I thought maybe if they apologized, it would be so much easier to forget this shit. You know? To do what they say and 'let it go'. But nobody will take any personal responsibility. My own parents have nothing to offer but a bunch of whiny excuses. They try to convince me that my life wasn't as bad as I remember it." "Fuck that," he said, "They weren't even there. They don't even know what went on with me. I just..." He paused and pulled his fingers through his hair. "Christ," he said. He paused again, eyes to the sky, and then back to her. "Even the people who never personally raised a hand against me still propped up the regime that made it happen. They stood by and allowed it. Played a part. All of them. Every single one was a participant. Either directly or by looking away. Institutionally, doctrinally, they abused us. Sent us into the streets to beg, denied us an education, had us beaten, starved, exorcised, and separated from our parents. They broke up our families, gave our bodies to perverts, and stole our future. And then they turn around and say we're supposed to just forget it happened and move on from it. If instead we bring up the past, then they'll call us liars. Say we're exaggerating or making it up completely. Why the hell would be make any of this shit up? What's the point in that? To make our lives seem worse than they were? Not that I would, but do you have any idea how much exaggeration it would take for the average person to even begin to grasp how fucking miserable it was? And then, if they ever do admit to any of it, they say that 'mistakes were made'. " "Mistakes." he said. He was leaning forward again, punctuating the air with his finger. "Michael, they commit crimes against children. You know, those things people in society go to jail for when they're caught. And then to the public they do what they always do. Deny. Deny. Deny. And we're left more raped than ever. Victimized first by what they did, and again by their refusal to admit that it happened. They paint us as bitter apostates and liars to a world that not only doesn't give a shit, but also couldn't possibly understand even if it did." "I do," Munroe said. And Gideon stopped.
Taylor Stevens (The Innocent (Vanessa Michael Munroe, #2))
Humans are very strange creatures, unconscious too, dominated by mechanics that are hidden in front of their eyes. They call you wrong when you quote their own books, completely oblivious to the fact you may have been the author, even when they claim to believe in reincarnation. They always think their interpretation of reality is more right than that of others, even when you use their own books to explain their mistakes. If you tell them you write books of a spiritual nature, they may call you a liar if you don't match their deductions on what spirituality is. If you don't tell them you write books, they will in many cases recommend you to do it, because of how you speak, even though your speaking is the result of a mental training accumulated with the exercise of writing. If you tell them that you want to write a book, however, they may laugh and tell you it's a waste of time. If you love someone, she will lose interest and if you don't, she will want to know why. If you teach inside a classroom or a temple, people listen to you, but if you speak outside these two places they don't, unless they want something from you. They call you selfish if you don't give them what they want, but act selfishly when you ask the same from them. They don't want to be lied to but lie to others, and they don't want to be afraid but enjoy being in control. They talk about injustices but never apologize. When you are near they ignore you, and when you disappear they remember you. They say life is about luck but they create their own luck every day.
Dan Desmarques
That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••
Hugh Howey (Dust (Silo, #3))
I wanted to apologize.” His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?” “For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.” A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.” “Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?” “We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would. Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.” Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.” She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.” Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing? She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?” He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride. Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.” Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?” She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.” “You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source." Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-" "You think I'm hiding?" A vein in his temple throbbed. Innocent confusion met his gaze. "Aren't you?" "I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years." She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?" Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head." "Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?" Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend." Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..." Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?" Jesse shook her head. Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons." "Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water. Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort. "I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her. Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman. Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind." Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk. "I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual. Still, she told herself, there is a perfectly good explanation for everything he has done. Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question. "How is it among the whites?How does a man gain a wife?" Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully. "He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms. "But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota." When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?" "A man who belives in the Bible and teaches his people about God from the Bible." "What if there is no minister and a man and a woman wish to be married?" Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))