Purple Linen Quotes

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But then the pastors and men of God can only be human,--cannot altogether be men of God; and so they have oppressed us, and burned us, and tortured us, and hence come to love palaces, and fine linen, and purple, and, alas, sometimes, mere luxury and idleness.
Anthony Trollope (Phineas Redux (Palliser, #4))
I believe that virtue shows quite as well in rags and patches as she does in purple and fine linen,... even if Gargery and Boffin did not speak like gentlemen, they were gentlemen.
Charles Dickens
The Friday evening sky dressed London in soaked purple linen.
Nick Jones (The Whisper of Stars (Hibernation, #1))
...but think how mysterious and often unaccountable it is--that lottery of life which gives to this man the purple and fine linen, and sends to the other rags for garments and dogs for comforters.
William Makepeace Thackeray (Vanity Fair)
On silver soles I climbed down the thorny stairs, and I walked into the white-washed room. A light burned there silently, and without speaking I wrapped my head in purple linen; and the earth threw out a childlike body, a creature of the moon, that slowly stepped out of the darkness of my shadow, with broken arms, stony waterfalls sank away, fluffy snow
Georg Trakl
Thank Heaven that the temples of such spirits are not made with hands, and that they may be even more worthily hung with poor patch-work than with purple and fine linen!
Charles Dickens (The Old Curiosity Shop)
I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.
Deborah Lawrenson (The Sea Garden)
The pelicans paddle in coils of waves and light. Low tide reveals fissures of saltwater and rock. From the smallest crevices color insists-colonies of jade anemones, a purple starfish harvest, barnacles hiding beaks of unbleached linen, black mussel bouquets. Between the air and sea, -this, one large prayer. I kneel.
Michelle Peñaloza (Former Possessions of the Spanish Empire)
Those who must inevitably die ought not to worry overmuch about what accident will cause their death, but about their destination after dying. Christians know that the death of a poor religious man, licked by the tongues of dogs, is far better than the death of a godless rich man, dressed in purple and linen.
Augustine of Hippo (City of God)
There was once a rich man, who dressed in purple robes and fine linen, and feasted every day in great splendor. Near his gateway there had been laid a beggar named Lazarus, who was covered with sores, and who longed to satisfy his hunger with what fell from the rich man’s table. Even the dogs came and licked his sores. “After a time the beggar died. The rich man also died and was buried.
Dan Marshall (The New Jefferson Bible: The Life and Morals of Jesus of Nazareth in Modern English)
Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.
Richard Burton (The Arabian Nights)
and reaches out her hands to the needy. 21 She is not afraid of snow for her household, for all her household are clothed in scarlet. [6] 22 She makes bed coverings for herself; her clothing is fine linen and purple. 23 Her husband is known in the gates when he sits among the elders of the land. 24 She makes linen garments and sells them; she delivers sashes to the merchant. 25 Strength and dignity are her clothing, and she laughs at the time to come. 26 She opens her mouth with wisdom,
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
But were things different: had I not a friend left in the world; were there not a single house open to me in pity; had I to accept the wallet and ragged cloak of sheer penury: as long as I am free from all resentment, hardness and scorn, I would be able to face the life with much more calm and confidence than I would were my body in purple and fine linen, and the soul within me sick with hate. And I really shall have no difficulty. When you really want love you will find it waiting for you.
Oscar Wilde
I have used the theologians and their treatment of apocalypse as a model of what we might expect to find not only in more literary treatments of the same radical fiction, but in the literary treatment of radical fictions in general. The assumptions I have made in doing so I shall try to examine next time. Meanwhile it may be useful to have some kind of summary account of what I've been saying. The main object: is the critical business of making sense of some of the radical ways of making sense of the world. Apocalypse and the related themes are strikingly long-lived; and that is the first thing to say tbout them, although the second is that they change. The Johannine acquires the characteristics of the Sibylline Apocalypse, and develops other subsidiary fictions which, in the course of time, change the laws we prescribe to nature, and specifically to time. Men of all kinds act, as well as reflect, as if this apparently random collocation of opinion and predictions were true. When it appears that it cannot be so, they act as if it were true in a different sense. Had it been otherwise, Virgil could not have been altissimo poeta in a Christian tradition; the Knight Faithful and True could not have appeared in the opening stanzas of "The Faerie Queene". And what is far more puzzling, the City of Apocalypse could not have appeared as a modern Babylon, together with the 'shipmen and merchants who were made rich by her' and by the 'inexplicable splendour' of her 'fine linen, and purple and scarlet,' in The Waste Land, where we see all these things, as in Revelation, 'come to nought.' Nor is this a matter of literary allusion merely. The Emperor of the Last Days turns up as a Flemish or an Italian peasant, as Queen Elizabeth or as Hitler; the Joachite transition as a Brazilian revolution, or as the Tudor settlement, or as the Third Reich. The apocalyptic types--empire, decadence and renovation, progress and catastrophe--are fed by history and underlie our ways of making sense of the world from where we stand, in the middest.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
On that particular evening there stood in the portico of the temple of Melmoth two remarkable figures who were the centre of observation for a considerable fringe of Phœnician idlers. One of these men was clearly by his face and demeanour a great chieftain. His strongly-marked features were those of a man who had led an adventurous life, and were suggestive of every virile quality from brave resolve to desperate execution. His broad, high brow and contemplative eyes showed that he was a man of wisdom as well as of valour. He was clad, as became a Greek nobleman of the period, with a pure white linen tunic, a gold-studded belt supporting a short sword, and a purple cloak.
Arthur Conan Doyle (120 Short Stories)
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
Douglas Nicholas
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
Surrounded by unfeeling creditors, and mercenary attendants upon the sick, and meeting in the height of her anxiety and sorrow with little regard or sympathy even from the women about her, it is not surprising that the affectionate heart of the child should have been touched to the quick by one kind and generous spirit, however uncouth the temple in which it dwelt. Thank Heaven that the temples of such spirits are not made with hands, and that they may be even more worthily hung with poor patch-work than with purple and fine linen!
Charles Dickens
10Who can find350 a woman of worth?a Far beyond jewels is her value. 11Her husband trusts her judgment; he does not lack income. 12She brings him profit, not loss,351 all the days of her life. 13She seeks out wool and flax and weaves with skillful hands. 14Like a merchant fleet,352 she secures her provisions from afar. 15She rises while it is still night, and distributes food to her household, a portion to her maidservants. 16She picks out a field and acquires it; from her earnings she plants a vineyard. 17She girds herself with strength; she exerts her arms with vigor.353 18She enjoys the profit from her dealings; her lamp is never extinguished at night.354 19She puts her hands to the distaff, and her fingers ply the spindle.355 20She reaches out her hands to the poor, and extends her arms to the needy. 21She is not concerned for her household when it snows— all her charges are doubly clothed. 22She makes her own coverlets; fine linen and purple are her clothing. 23Her husband is prominent at the city gates as he sits with the elders of the land.356 24She makes garments and sells them, and stocks the merchants with belts. 25She is clothed with strength and dignity, and laughs at the days to come.357 26She opens her mouth in wisdom; kindly instruction is on her tongue. 27She watches over358 the affairs of her household, and does not eat the bread of idleness. 28Her children rise up and call her blessed; her husband, too, praises her: 29“Many are the women of proven worth, but you have excelled them all.” 30Charm is deceptive and beauty fleeting; the woman who fears the LORD is to be praised.359 31Acclaim her for the work of her hands, and let her deeds praise her at the city gates.
United States Conference of Catholic Bishops (New American Bible: Revised Edition)
23And everyone who had in his possession blue, purple, and crimson yarns, fine linen, goats’ hair, tanned ram skins, and dolphin skins, brought them;
Adele Berlin (The Jewish Study Bible)
Virtue shows quite as well in rags and patches as she does in purple and fine linen.
Charles Dickens
After you have bathed and oiled her with the faintest hint of frankincense, use no other perfume. Apply only the lightest of the cosmetics. She is beautiful without them, so let us not mar her beauty." He studied her. "Dress her in a simple white, semi-sheer tunic. The king will enjoy the ability to see her well. But cover the tunic with a pale blue robe trimmed with purple." Parisa hurried to the garment room and returned with clothing that matched Hegai's description. "Do these suffice, my lord?" Hegai took the tunic and robe and nodded. "Soft and beautiful. Yes. This is perfect. Tie the robe with a purple sash. Place a golden pendant around her neck and hang golden earrings from her ears. Let me see her choice of sandals." Parisa hurried back to the room after laying the garments flat on the bed, which had already been stripped of its linens. She returned with an armful of sandals and set them on a chair. Heegai bent to examine them and pulled a pair of intricately carved leather devoid of jewels from the pile. "You will go as a virgin with hints of wealth to show off your character and your beauty. You may wear your mother's ring, but do not wear bracelets. The less distraction you give him, the better. The king, you shall see, likes simple pleasures, despite the ornate designs you find throughout the palace." "And my hair?" Esther's head spun with his quick choices. She sensed by his look that Hegai had planned this for some time, probably in the hopes that she would ask for his help. She breathed a silent prayer of thanks to Adonai, for she knew she could never have decided on her own. Hegai rubbed his chin and had her turn about. Her long dark hair fell to the middle of her back. To wear it down would be scandalous. Her heart beat faster at the thought, for she had no idea what Hegai would suggest or what the king would desire. "Wear it up. Hold it in place with combs that are easily removed. The king will enjoy removing them.
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
Susannah set the table with Provençal cotton linens, the tablecloth pale pumpkin and the napkins printed with faded red and purple flowers, her throat caught. She had wanted to make this meal so special for Sari and Grey. She set out silverware, bright crockery, a Lucite peppermill and a blue container of Fleur-de-Sel de Camargue. She still had Grey’s black scallop shells and she arranged them in the center of the table, around a vase of colorful wildflowers.
Luanne Rice (Light of the Moon)
Mystic Moon Dreaming Pillows Sometimes, when we are in need of extra rest, or when we just want to reach a deeper sleep state, we can achieve this by the use of dreaming pillows—small sachet like pillows that we can tuck inside of our pillow cases. Depending on the herbs, the pillows can encourage vivid dreams, astral work, or restful sleep. This recipe is designed to help promote peaceful slumber, since so many of us don’t get enough time in bed in this fast-paced world. You will need: 2 seven-inch squares of sturdy, purple material—linen works well Gold thread and needle or sewing machine Cotton batting 1/2 cup each: dried lavender mugwort rose petals lemon balm chamomile valerian root 3 drops lavender essential oil 3 drops lemon essential oil 2 drops rosemary essential oil Small spike of quartz crystal Mix herbs together in a bowl, focusing on your desire to encourage deep slumber and to work with your Higher Self while asleep. Focus on the nature of dreams, how they can solve problems, and ask that this energy infuse the herbs and bring out their natural magical tendencies. Add drops of essential oil and mix again. Place quartz spike in the middle of the herbs and set aside (in a bottle with a lid if you are going to wait to finish this charm). Place cloth pieces together, wrong sides out, and sew to form a pouch (use a 3/8” seam allowance), leaving on side open. Iron seams open, then reverse so pouch is right side out. Fill halfway with cotton batting. Add herb mixture and crystal, then pack with rest of cotton batting. Sew the end shut. Place this inside your pillowcase at night and, before you go to bed, focus on some thought you’d like to explore in the dream-state, then go to sleep as usual. Write down your dreams when you wake up and eventually, you should see them responding to your requests. You can recharge this pillow by adding two drops each of lavender oil, lemon oil, and rosemary oil when the fragrance starts to fade. Remember: It is up to us to solve our own problems, but we can call on the power of our Higher Self when we need help, or when we seek more information on a subject. Eventually, through focus and determination, we can enter the Dream-Time and learn to hear our inner guidance when we’re awake, not just during our sleep.
Yasmine Galenorn (Murder Under a Mystic Moon (Chintz 'n China #3))
34He also has put in his heart to teach, both he and Oholiab, the son of Ahisamach, of the tribe of Dan. 35He has filled them with awisdom in their heart to do every work of an engraver and of a designer and of an embroiderer, in bblue and in purple and in scarlet material and in fine linen, and of a weaver, as those who do every work and make designs.
Anonymous (The Legacy Standard Bible - LSB)
The doors of this House of God as well as the gate of its court, were all woven of blue, purple, and scarlet thread and fine woven linen.
Paul C. Jong (The Relationship Between the Ministry of JESUS and That of JOHN the BAPTIST Recorded in the Four Gospels)
Her eyes, Jack noticed, were just like pansies themselves, velvety and soft and dark, and more violet than blue. She was like a pansy altogether, in her straight purple linen gown.
Agatha Christie (The Mystery of the Blue Jar: A Short Story)
You want to tell me something?” She gulped, scanning him from head to toe. “About what?” “About what the fuck this is?” He extended his hand. Opened up his big fist. A purple glittery unicorn lay in it. She snatched the toy from his hand. His dark eyes lit with amusement as Bryce demanded, “Why are you snooping through my things?” “Why do you have a box of unicorns in your linen closet?” “This one is a unicorn-pegasus.” She stroked the lilac mane. “Jelly Jubilee.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
A Wife of Noble Character 10[*]Who can find a virtuous and capable wife?        She is more precious than rubies. 11 Her husband can trust her,        and she will greatly enrich his life. 12 She brings him good, not harm,        all the days of her life. 13 She finds wool and flax        and busily spins it. 14 She is like a merchant’s ship,        bringing her food from afar. 15 She gets up before dawn to prepare breakfast for her household        and plan the day’s work for her servant girls. 16 She goes to inspect a field and buys it;        with her earnings she plants a vineyard. 17 She is energetic and strong,        a hard worker. 18 She makes sure her dealings are profitable;        her lamp burns late into the night. 19 Her hands are busy spinning thread,        her fingers twisting fiber. 20 She extends a helping hand to the poor        and opens her arms to the needy. 21 She has no fear of winter for her household,        for everyone has warm[*] clothes. 22 She makes her own bedspreads.        She dresses in fine linen and purple gowns. 23 Her husband is well known at the city gates,        where he sits with the other civic leaders. 24 She makes belted linen garments        and sashes to sell to the merchants. 25 She is clothed with strength and dignity,        and she laughs without fear of the future. 26 When she speaks, her words are wise,        and she gives instructions with kindness. 27 She carefully watches everything in her household        and suffers nothing from laziness. 28 Her children stand and bless her.        Her husband praises her: 29 “There are many virtuous and capable women in the world,        but you surpass them all!” 30 Charm is deceptive, and beauty does not last;        but a woman who fears the LORD will be greatly praised. 31 Reward her for all she has done.        Let her deeds publicly declare her praise. Ecclesiastes 1   2   3   4   5   6   7   8   9   10   11   12
Anonymous (Holy Bible Text Edition NLT: New Living Translation)
The high priest’s white linen undergarments represent righteousness.” It was a righteousness not encountered in pagan high priests that were often naked or half-naked in a display of savage uncleanness. He continued, “His robe is a seamless blue garment trimmed with multicolored pomegranates and golden bells to symbolize the fruitfulness and call to worship.” Over the robe, Eleazer wore the ephod, an apron. “The ephod,” said Caleb, “is made of golden wire and blue, purple, and scarlet thread; representing heaven, royalty and blood respectively.
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls” (Revelation 17:4(a)). “Give her as much torture and grief as the glory and luxury she gave herself” (Revelation 18:7(a)) “When the kings of the earth who committed adultery with her and shared her luxury…” (Revelation 18:9(a)) “Woe! Woe, O great city, dressed in fine linen, purple and scarlet, and glittering with gold, precious stones and pearls! In one hour such great wealth has been brought to ruin!” (Revelation 18:16) “Woe! Woe, O great city, where all who had ships on the sea became rich through her wealth!” (Revelation 18:18(b))
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
He will know better when he has outgrown this same callow trick of honesty, and learnt of the great goddess Detraction how to show himself wiser than the wise, by pointing out to the world the fool's motley which peeps through the rents in the philosopher's cloak. Go to, lad! slander thy equals, envy thy betters, pray for an eye which sees spots in every sun, and for a vulture's nose to scent carrion in every rose-bed. If thy friend win a battle, show that he has needlessly thrown away his men; if he lose one, hint that he sold it; if he rise to a place, argue favor; if he fall from one, argue divine justice. Believe nothing, hope nothing, but endure all things, even to kicking, if aught may be got thereby; so shalt thou be clothed in purple and fine linen, and sit in kings' palaces, and fare sumptuously every day." "And
Charles Kingsley (Westward Ho!, or, the voyages and adventures of Sir Amyas Leigh, Knight, of Burrough, in the county of Devon, in the reign of her most glorious majesty Queen Elizabeth)
He smiled – a real smile. Damn. It was easier to deal with him when he was being thoroughly vile. "Look, I’m sorry for being so rude earlier today. Your presence came as something of a shock and I reacted badly." "Oh." Geared for battle, his apology took me utterly by surprise. I gaped. "Aunt Arabella spoke very highly of you," he added, heaping coals of fire on my head. "She was impressed by your work on the Purple Gentian." "Why all this sudden amiability?" I asked suspiciously, crossing my arms across my chest. "Are you always this blunt?" "I’m too tired to be tactful," I said honestly. "Fair enough." Stretching, Colin detached himself from the wall. "Can I make you some hot chocolate as a token of peace? I was just about to have some myself," he added. Suiting action to words, he loped over to the counter beside the sink and checked the level of water in a battered brown plastic electric kettle. Satisfied, he plugged it into the wall, flipping the red switch on the side. I followed him over to the counter, the linen folds of the nightgown trailing after me across the linoleum. "As long as you promise not to slip any arsenic in it." Colin rooted around in a cupboard above the sink for the cocoa tin and held it out to me to sniff. "See? Arsenic free." I leant back against the counter, my elbows behind me on the marble work surface. "I don’t think arsenic is supposed to have a smell, is it?" "Damn, foiled again." Colin spooned Cadbury’s instant hot chocolate into two mugs, one decorated with large purple flowers, and the other with a quotation that I thought might be Jane Austen, but the author’s name was hidden around the other side of the mug. "Look, if it makes you feel better, I promise to do a very bad job hiding your body." "In that case, carry on," I yawned.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Revelation 18:11, 14–19 (NLT): The merchants of the world will weep and mourn for her, for there is no one left to buy their goods. . . . “The fancy things you loved so much are gone,” they cry. “All your luxuries and splendor are gone forever, never to be yours again.” The merchants who became wealthy by selling her these things will stand at a distance, terrified by her great torment. They will weep and cry out, “How terrible, how terrible for that great city! She was clothed in finest purple and scarlet linens, decked out with gold and precious stones and pearls! In a single moment all the wealth of the city is gone!
Mark E. Fisher (Last Days of the End (Days Of The Apocalpyse Book 5))