Purple Haze Quotes

Yesterday and tomorrow cross and mix on the skyline. The two are lost in a purple haze. One forgets, one waits.

You married me while I was sleeping?" I asked in amazement. They sky was beginning to bruise with the purple haze, and in it, I could see Chase's face glow a little deeper copper. "You hit me for kissing you. It seemed in my best interest to marry you while you were passed out.

For with my intuition I knew that this man was repeating a pattern over and over again: courting a woman with his intelligence and sympathy, claiming her emotionally; then, when she began to claim in return, running away. And the better a woman was, the sooner he would begin to run. I knew this with my intuition, and yet I sat there in my dark room, looking at the hazed wet brilliance of the purple London night sky, longing with my whole being.

The air smelled of freshly clipped lavender, the scent wafting across the morning in a purple haze. Of course, it wasn’t actually lavender Wren was smelling—it was magic.

Dusk, suggesting the almost imperceptible posession of giant trees, settled with a purple haze about the cane. I felt strange, as I always do in Georgia, particularly at dusk. I felt that things unseen to men were tangibly immediate. It would not have surprised me had I had a vision.

During the night a fine, delicate summer rain had washed the plains, leaving the morning sky crisp and clean. The sun shone warm—soon to bake the earth dry. It cast a purple haze across the plain—like a great, dark topaz. In the trees the birds sang, while the squirrels jumped from branch to branch in seeming good will, belying the expected tension of the coming days.

Rachael could see the lavender fields from where they sat at the kitchen table. They stretched in a purple haze over the landscape, the bright sunshine washing over them. The mauve complimented the blue-grey of the Australian bush in the far distance.

At school, I couldn't help but grin. At home, something ripped under my skin when I smiled, trying to pretend that everything was fine. Deadly moods lurked in a purple-white haze, smoke clinging to the curtains, turning stale overnight.

The purple haze of the wych elms; the blue flash of a kingfisher’s wings; the statuesque rightness of the milch cows in that green place chomping on the rich flood-grass.

Somewhere in the gluey Nyquil haze, the memory came of standing in the lake with Lise the week before, stomping their feet in the emerald thick of the water. On the shoreline were Skye’s hard-jeaned boys with their disappearing tattoos. They whistled at Lise, fingers hooked in their mouths. Let’s do it, Lise whispered in her ear, her tongue showing between her teeth. Let’s go in. When she woke up, in the purple of four a.m., she could still hear Lise’s voice in her ear, high as a little girl’s. We went behind those tall bushes. He took my tights off first. It was so cold, but his hands—

They glided out of the heat-haze on their camels like specters. There were twenty of them, and they were Tuareg. Their faces were hidden by black veils that left only slits for the eyes, and they wore purple robes that fluttered in the desert wind. They carried swords, muskets and seven-foot iron spears, and wore stilettos in sheaths on their left forearms. They were an impressive, sinister sight.

Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!

The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They

This time of year, the purple blooms were busy with life- not just the bees, but butterflies and ladybugs, skippers and emerald-toned beetles, flitting hummingbirds and sapphire dragonflies. The sun-warmed sweet haze of the blossoms filled the air. "When I was a kid," said Isabel, "I used to capture butterflies, but I was afraid of the bees. I'm getting over that, though." The bees softly rose and hovered over the flowers, their steady hum oddly soothing. The quiet buzzing was the soundtrack of her girlhood summers. Even now, she could close her eyes and remember her walks with Bubbie, and how they would net a monarch or swallowtail butterfly, studying the creature in a big clear jar before setting it free again. They always set them free. As she watched the activity in the hedge, a memory floated up from the past- Bubbie, gently explaining to Isabel why they needed to open the jar. "No creature should ever be trapped against its will," she used to say. "It will ruin itself, just trying to escape." As a survivor of a concentration camp, Bubbie only ever spoke of the experience in the most oblique of terms.

I was a she was a he was a we were a girl and a girl and a boy and a boy, we were blades, were a knife that could cut through myth, were two knives thrown by a magician, were arrows fired by a god, we hit heart, we hit home, we were the tail of a fish were the reck of a cat were the beack of a bird were the feather that mastered gravity were high above every landscape then down deep in the purple haze of the heather were roamin in a gloamin in a brash unending Scottish piece of perfect jiggling reeling reel can we really keep this up? this fast? this high? this happy?

We walk into the olive grove and sit in the dry grass on the bluff. The monastery and the whole world lie before us. Purples, yellows, pinks and blues but all washed, hazy, indefinite, dreamy. The world was dissolving, vanishing. And if you half-closed your eyes, you could see yourself from afar, dissolving in the haze. You could see yourself turning into light.

he's going to marry Ellen West after wanting her all his life. If I was Ellen—but then, I'm not, and if she is satisfied I can very well be. I heard her say years ago when she was a schoolgirl that she didn't want a tame puppy for a husband. There's nothing tame about Norman, believe ME." The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They were all there, squatted in the little open glade—Faith and Una, Jerry and Carl, Jem and Walter, Nan and Di, and Mary Vance. They had been having a special celebration, for it would be Jem's last evening in Rainbow Valley. On the morrow he would leave for Charlottetown to attend Queen's Academy. Their charmed circle would be broken; and, in spite of the jollity of their little festival, there was a hint of sorrow in every gay young heart. "See—there is a great golden palace over there in the sunset," said Walter, pointing. "Look at the shining tower—and the crimson banners streaming from them. Perhaps a conqueror is riding home from battle—and

The narrow bed with its purple, red, and green quilt, the bedside table with its jar of rocks, piled books. The porcelain basin near the window where she washed her face, the pitcher with the brown rose painted on it, the large crack like a vein in the bottom of the basin. The apricot orchard, the buzzing bees like a haze in spring. The barn—the smell of hay and manure, grease, old leather. The sun streaming through the slats. The mule’s nose in her palm.

It was only twenty-five years ago that the philosopher Joseph Levine officially dubbed it the explanatory gap, which he later described in his book Purple Haze: We have no idea, I contend, how a physical object could constitute a subject of experience, enjoying, not merely instantiating, states with all sorts of qualitative character. As I now look at my red diskette case, I’m having a visual experience that is reddish in character. Light of a particular composition is bouncing off the diskette case and stimulating my retina in a particular way. That retinal stimulation now causes further impulses down the optic nerve, eventually causing various neural events in the visual cortex. Where in all of this can we see the events that explain my having a reddish experience? There seems to be no discernible connection between the physical description and the mental one, and thus no explanation of the latter in terms of the former.2

Sirius Sojourn by Stewart Stafford Cottage in an aromatic meadow, Summer's languid haze hanging, The old windmill's sundial stilled, Chirping birds and insect drones. Flowing brooks at a funereal pace, A bloated lull duels exiguous energy, Thick air's blanketing somnolence, Liquid refreshment soothes inertia. Salmon sundown slithers to a siesta, In a clear purple sky nodding assent, The intense day imperceptibly eased, As the night's humid embrace begins. © Stewart Stafford, 2022. All rights reserved.

The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread. I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn.

The Luxembourg is within five minutes’ walk of the rue Notre Dame des Champs, and there he sat under the shadow of a winged god, and there he had sat for an hour, poking holes in the dust and watching the steps which lead from the northern terrace to the fountain. The sun hung, a purple globe, above the misty hills of Meudon. Long streamers of clouds touched with rose swept low on the western sky, and the dome of the distant Invalides burned like an opal through the haze. Behind the Palace the smoke from a high chimney mounted straight into the air, purple until it crossed the sun, where it changed to a bar of smouldering fire. High above the darkening foliage of the chestnuts the twin towers of St. Sulpice rose, an ever-deepening silhouette.

We stood upon a hill, green and studded with pale stones. Below us was forest, bluebells undulating among the trees, a tide of purple dissolving into shadow. There was a lake-- no, two lakes, the second a mere line of glitter in the distance. At our back, behind the nexus and extending to the northern horizon, were mountains of indigo and layered shadow, some darkened to black by the moody sky overhead, some greyed and smudged by shafts of sunlight. Must I even say it? It was beautiful--- of course it was. The forest in particular, which glinted here and there with silver as the wind rode the branches, as if someone had clambered into the canopy to hang baubles. And yet I had the sense that I was not seeing the entirety of it, that the shadows were thicker here, more obscuring, than those in the mortal realm, and many of the details were clouded by a dreamlike haze. Even now, as I write these words--- I am still in Wendell's kingdom!--- I find the memory of that view trying to slip from my mind like a bird darting through the boughs, so that I catch only the flickering edge of it. Perhaps there is some enchantment embedded in the place, or perhaps it is simply too much for my mortal eyes to take in. Where the Trees Have Eyes.

Kamimura has been whispering all week of a sacred twenty-four-hour ramen spot located on a two-lane highway in Kurume where truckers go for the taste of true ramen. The shop is massive by ramen standards, big enough to fit a few trucks along with those drivers, and in the midafternoon a loose assortment of castaways and road warriors sit slurping their noodles. Near the entrance a thick, sweaty cauldron boils so aggressively that a haze of pork fat hangs over the kitchen like waterfall mist. While few are audacious enough to claim ramen is healthy, tonkotsu enthusiasts love to point out that the collagen in pork bones is great for the skin. "Look at their faces!" says Kamimura. "They're almost seventy years old and not a wrinkle! That's the collagen. Where there is tonkotsu, there is rarely a wrinkle." He's right: the woman wears a faded purple bandana and sad, sunken eyes, but even then she doesn't look a day over fifty. She's stirring a massive cauldron of broth, and I ask her how long it's been simmering for. "Sixty years," she says flatly. This isn't hyperbole, not exactly. Kurume treats tonkotsu like a French country baker treats a sourdough starter- feeding it, regenerating, keeping some small fraction of the original soup alive in perpetuity. Old bones out, new bones in, but the base never changes. The mother of all ramen. Maruboshi Ramen opened in 1958, and you can taste every one of those years in the simple bowl they serve. There is no fancy tare, no double broth, no secret spice or unexpected toppings: just pork bones, noodles, and three generations of constant simmering. The flavor is pig in its purest form, a milky broth with no aromatics or condiments to mitigate the purity of its porcine essence.

official instrument of the Half Kingdom. The bombard was a double-reeded relative of the oboe, but lacked the warmth and smoothness of its cousin. Listening to a group of them made you yearn for the joyful pleasure of being slammed in the head by a dozen bagpipes.

Jerome’s gob was well and truly smacked.

Purple Haze

At the street level, Sugar Fair welcomed customers into a bright, child-like fantasy. The architecturally designed enchanted forest was awash in jewel tones, and gorgeous smells, and the waterfall of free-flowing chocolate. But it was the Dark Forest downstairs that had proved an unexpected money-spinner, an income stream that had helped keep them afloat through the precarious first year. Four nights a week, through a haze of purple smoke and bubbling cauldrons, Sylvie taught pre-booked groups how to make concoctions that would tease the senses, delight the mind... and knock people flat on their arse if they weren't careful. High percentage of alcohol. It was a mixology class with a lot of tricks and pyrotechnics. It had been Jay's idea to get a liquor license. "Pleasures of the mouth," he'd said at the time. "The holy trinity--- chocolate, coffee, and booze." With even her weekends completely blocked out, Sylvie had almost made a crack about forfeiting certain other pleasures of the mouth, but Jay had inherited a puritanical streak from his mother. Both their mouths looked like dried cranberries if someone made a sex joke. The sensuous, moody haven in the basement was a counterbalance to the carefully manufactured atmosphere upstairs. There were, after all, reasons to shy away from relentless cheer. Perhaps someone had just been through a breakup, or a family reunion. A really distressing haircut. Maybe they'd logged on to Twitter and realized half the population were a bunch of pricks. Or maybe the'd picked up the Metropolitan News and found Dominic De Vere indirectly thrashing their entire business aesthetic in a major London daily. Whatever the reason--- feeling a little stressed? A bit peeved? Annoyed as fuck? Welcome to the Dark Forest. Through the bakery, turn left, down the stairs.

We’re better at looking back than forward. Since such is the case, our eyes would be better placed at the base of our heads. I see nothing when I gaze into the future. It appears like the purple haze of the distant hills—without definition, lacking firm, clean, and distinctive lines. In a word—smudged.

She was no longer the shy girl her schoolmates had teased or ignored; conversation came naturally, he laughed easily, they ranked their five favorite Keats poems, agreeing to tie "Bright Star" and "To Autumn" for the top spot. Flowers rained down as the light breeze set them free, surrounding them in a purple haze. "La Belle Dame," he said softly, reaching to take a bloom from her hair. His expression was serious, his keen eyes studying hers. "Full beautiful---a faery's child. Have mercy on me." Polly felt something turn deep inside her, like a key in a lock, and knew that there was no way back from here.

In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy:

In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]

The beginning of June was hot. I took a journey, and of course, immediately everything was new. When you travel your first discovery is that you do not exist. The phlox bloomed in its faded purples; on the hillside, phallic pines. Foreigners under the arcades, in the basket shops. A steamy haze blurred the lines of the hills. A dirty, exhausting sky. Already the summer seemed to be passing away. Soon the boats would be gathered in, ferries roped to the dock.

For Mescal was there. Far away she must be, a mere grain of sand in all that world of drifting sands, perhaps ill, perhaps hurt, but alive, waiting for him, calling for him, crying out with a voice that no distance could silence. He did not see the sharp peaks as pitiless barriers, nor the mesas and domes as black-faced death, nor the moisture-drinking sands as life-sucking foes to plant and beast and man. That painted wonderland had sheltered Mescal for a year. He had loved it for its color, its change, its secrecy; he loved it now because it had not been a grave for Mescal, but a home. ‘Therefore he laughed at the deceiving yellow distances in the foreground of glistening mesas, at the deceiving purple distances of the far-off horizon, The wind blew a song in his ears; the dry desert odors were fragrance in his nostrils; the sand tasted sweet between his teeth, and the quivering heat-waves, veiling the desert in transparent haze, framed beautiful pictures for his eyes.

So, yes, he is uncommon. But it is an uncommonness to treasure.

As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.

Unlike the seeds, I’d thrown the bucket much farther out. I tried swimming underwater, looking in its general direction and seeing nothing but inky midnight. I splashed to the surface, inhaled deeply then crash-dived like a submarine. There it was! In the purple haze of subsurface sunlight, I could just make out a small object hovering on a narrow ledge of gravel. Just one block over, and it would have been lost forever.

As We Sail By We float Through purple velvet skies Out where, black holes are born And the Milky-Way dies We fly Through purple hazed skies Out where, nebulas fade And an apricot sun spies We coast Through purple blue skies Out where, the platinum moon sits and Supernovas explode as we sail by Excerpt from: Exegesis, a Decade of Poetry, by Mekael © Mekael Shane 2009