Puppet Quotes

We've searched our database for all the quotes and captions related to Puppet. Here they are! All 100 of them:

Bottom line is, even if you see 'em coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So what are we, helpless? Puppets? No. The big moments are gonna come. You can't help that. It's what you do afterwards that counts. That's when you find out who you are.
Joss Whedon
Because to take away a man's freedom of choice, even his freedom to make the wrong choice, is to manipulate him as though he were a puppet and not a person.
Madeleine L'Engle
We're all puppets, Laurie. I'm just a puppet who can see the strings.
Alan Moore (Watchmen)
It all goes back and back," Tyrion thought, "to our mothers and fathers and theirs before them. We are puppets dancing on the strings of those who came before us, and one day our own children will take up our strings and dance in our steads.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
But we never get back our youth… The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to.
Oscar Wilde (The Picture of Dorian Gray)
A puppet is free as long as he loves his strings.
Sam Harris (Free Will)
Tears are curious things, for like earthquakes or puppet shows, they can occur at any time, without any warning and without any good reason.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
I? I walk alone; The midnight street Spins itself from under my feet; My eyes shut These dreaming houses all snuff out; Through a whim of mine Over gables the moon's celestial onion Hangs high. I Make houses shrink And trees diminish By going far; my look's leash Dangles the puppet-people Who, unaware how they dwindle, Laugh, kiss, get drunk, Nor guess that if I choose to blink They die. I When in good humour, Give grass its green Blazon sky blue, and endow the sun With gold; Yet, in my wintriest moods, I hold Absolute power To boycott color and forbid any flower To be. I Know you appear Vivid at my side, Denying you sprang out of my head, Claiming you feel Love fiery enough to prove flesh real, Though it's quite clear All your beauty, all your wit, is a gift, my dear, From me. "Soliloquy of the Solipsist", 1956
Sylvia Plath (The Collected Poems)
...a God that did everything we thought was right and good wouldn't be the creator of the universe. He would be our puppet.
Min Jin Lee (Pachinko)
Until you realize how easy it is for your mind to be manipulated, you remain the puppet of someone else's game.
Evita Ochel
She turned her head so slowly it was like watching a puppet move. Her eyes met his. Death watched him. But Death had walked beside him every day of his life. So Cassian stroked his thumb along her palm and said, “Hello, Nes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Julian once wrote that coincidences are the scars of fate. There are no coincidences, Daniel. We are puppets of our subconscious desires.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Yet the ivory gods, And the ebony gods, And the gods of diamond-jade, Are only silly puppet gods That people themselves Have made.-
Langston Hughes
The most beautiful thing about you is that you’re not a sock puppet.
Jesse Andrews (Me and Earl and the Dying Girl)
Hello," Newel said. "Look, Doren, we have visitors. Kendra, Seth, and ... Muriel's weirdo puppet."....Newel grabbed Seth's hand and shook it vigorously. "Congratulations. You just found yourself a secret entrance." "So seriously," Doren said. "What's with the puppet?
Brandon Mull (Rise of the Evening Star (Fablehaven, #2))
Life doesnt need magic to be magical.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Look at your body— A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings. —The Dhammapada
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
Death is a release from the impressions of the senses, and from desires that make us their puppets, and from the vagaries of the mind, and from the hard service of the flesh.
Marcus Aurelius (Meditations)
History. Language. Passion. Custom. All these things determine what men say, think, and do. These are the hidden puppet-strings from which all men hang.
R. Scott Bakker (The Darkness That Comes Before (The Prince of Nothing, #1))
We did just leave an insane asylum,” Hi agreed. “For all we know, Chance spend his nights dancing naked with sock puppets, plotting to invade Canada.
Kathy Reichs (Seizure (Virals, #2))
each man must realize that it can all disappear very quickly: the cat, the woman, the job, the front tire, the bed, the walls, the room; all our necessities including love, rest on foundations of sand — and any given cause, no matter how unrelated: the death of a boy in Hong Kong or a blizzard in Omaha . . . can serve as your undoing. all your chinaware crashing to the kitchen floor, your girl will enter and you'll be standing, drunk, in the center of it and she'll ask: my god, what's the matter? and you'll answer: I don't know, I don't know . . . — PULL A STRING, A PUPPET MOVES . . .
Charles Bukowski (Burning in Water, Drowning in Flame)
I will do just as you wish,' said no cat ever.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
In the rough-and-tumble play of politics, dog-whistle messages are copiously dispatched over the heads of the grassroots people that cannot see the writing on the wall and have to remain in the cold, like dumb puppets on a string. ("What after bowling alone?" )
Erik Pevernagie
From shadow queen to puppet queen in one rule," he whispered. "That's very impressive. When he rules your country and he tells you he loves you, I hope you believe him." He anticipated her blow and leaned back. Her hand only brushed his cheek in an entirely unsatisfying manner. "At least that's one lie I didn't tell you.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Ah! Vanitas Vanitatum! Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?-Come, children, let us shut up the box and the puppets, for our play is played out.
William Makepeace Thackeray (Vanity Fair)
Most people do not have a problem with you thinking for yourself, as long as your conclusions are the same as or at least compatible with their beliefs.
Mokokoma Mokhonoana
And if the serpent grows in monstrousness and corruption, if it poisons the land of Elfhame itself, then let me be the queen of monsters. Let me rule over that blackened land with my redcap father as a puppet by my side. Let me be feared and never again afraid.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It may be that we are puppets-puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. (1974)
Stanley Milgram
What if a puppet could cut its own strings, and in that act of defiance and strength of will become truly alive? Become is own puppetmaster?
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
Which is what one always hopes will happen: for life to take over and be bigger and more marvelous than what we can dream up on our own. Life doesn’t need magic to be magical. (But a little bit sure doesn't hurt.)
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
What a lovely display of personhood. He's like a good book cover that grabs your gaze. Read me. I'm fun but smart. You won't be able to put me down.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Everyone is so enamored with the puppet; they never notice the man pulling the strings.
J.B. Lion (The Seventh Spark: Volume One – Knights of the Trinity)
It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually--if this is the way things started, if there was a big bang in the beginning-- you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as--Mr so-and- so, Ms so-and-so, Mrs so-and-so--I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.
Alan W. Watts
Look at your body— A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings.
The Dhammapada
They belonged to that vast group of human automata who go through life without neglecting to perform a single one of the gestures executed by the surrounding puppets.
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
I didn't need to be rescued." "Sorry, but my sword outranks your…" she glanced at my hand, "sock puppet.
Kelley Armstrong (No Humans Involved (Women of the Otherworld, #7))
Whether we like it or not, we are puppets of our emotions. We make complex decisions by consulting our feelings, not our thoughts. Against our best intentions, we substitute the question, “What do I think about this?” with “How do I feel about this?” So, smile! Your future depends on it.
Rolf Dobelli (The Art of Thinking Clearly)
Compatibilism amounts to nothing more than an assertion of the following creed: A puppet is free as long as he loves his strings.
Sam Harris (Free Will)
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
Sasori, your strength came because of your soul, not in spite of it... You were supposed to be a a top-class ninja puppeteer, not a worthless nobody who lets someone else pull the strings. - Kankurou (Naruto Ch 518)
Masashi Kishimoto
Every act of violence was deliberate, and every favor came with enough strings attached to stage a puppet show.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The lamplight gleamed on the Magus’ white grin. “People like to watch the pretty puppets, Superior. Even a glimpse of the puppeteer can be most upsetting for them. Why, they might even suddenly notice the strings around their own wrists
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
You can’t cut off the strings of your puppet and still expect it to move for you.
Raven Kennedy (Gleam (The Plated Prisoner, #3))
Home was the one place he wanted to forget, the place from which he’d run away but never could escape. And, yes, home was the place he’d been instructed to leave—the place where the trouble began and the trouble would end.
Chad Boudreaux (Scavenger Hunt)
PEOPLE DIE. This is the fact the world desperately hides from us from birth. Long after you find out the truth about sex and Santa Claus, this other myth endures, this one about how you’ll always get rescued at the last second and if not, your death will at least mean something and there’ll be somebody there to hold your hand and cry over you. All of society is built to prop up that lie, the whole world a big, noisy puppet show meant to distract us from the fact that at the end, you’ll die, and you’ll probably be alone.
David Wong (John Dies at the End (John Dies at the End #1))
There are no condidences . We are puppets of our subconscious desires
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
She wasn’t the Black Swan’s puppet anymore. She was broken. All she had left was trust.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
Nothing like a puppet to give you the willies.
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
That is a considerable amount of puppets. But ... [Proceeds to summon one hundred puppets of his own] With this, I took down a whole country
Masashi Kishimoto
While waiting for her accomplice to gather his equipment, Hensley couldn’t help but think ahead to her next mission. She hadn’t told him. It wasn’t a mission for which she’d volunteered, nor a mission about which she knew any details.
Chad Boudreaux (Scavenger Hunt)
It will hurt." said Petra. "But let's make the most of what we have, and not let future pain ruin present happiness.
Orson Scott Card (Shadow Puppets (The Shadow Series, #3))
Three thousand bodies swing forward, three thousand pairs of boots snap together, three thousand backs jerk as if yanked straight by a puppeteer's hand. In the ensuing silence, you could hear a tear drop.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Forgiving others could be difficult, but forgiving yourself can sometimes feel impossible.
T.J. Klune (In the Lives of Puppets)
Humans," said the puppeteer, "should not be allowed to run loose. You will surely harm yourselves.
Larry Niven (Ringworld (Ringworld, #1))
Show your anger when needed. People need to know what irritates you and what doesn’t. But, crucially, remain internally calm. Your anger is only a tool. Don’t become its puppet.
Vizi Andrei (Economy of Truth: Practical Maxims and Reflections)
Do you believe we are masters of ourselves, or merely dance like puppets on strings having the illusion of independence?
Winston Graham (Jeremy Poldark (Poldark, #3))
I want to touch with my mouth. His mouth, with my mouth. Maybe his neck, too. But first things first: Make him aware I exist. It’s possible that he is already aware, if only in a ‘don't step on the small girl’ kind of way.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
I start to wonder if I’m being creepy. I mean, I am creeping. Does creep-ing automatically make one creep-y? Or are there dispensations for…romance? I bet all stalkers believe they’re being romantic. I did it for love, officer.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
My phone buzzes. It’s from Karou: a list of conversation openers that I won’t be needing. —a) Hi. I’m Zuzana. I’m actually a marionette brought to life by the Blue Fairy, and the only way I can gain a soul is if a human falls in love with me. Help a puppet out? —b) Hi. I’m Zuzana. The touch of my lips imparts immortality. Just sayin’. —c) Hi. I’m Zuzana. I think I might like you.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
It’s not stalking if you don't follow them home, right?
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
It’s like losing gravity and falling into space – the moment of pitching headlong when the endlessness of space asserts itself and there is no more down, only an eternity of up, and you realize you can fall forever and never run out of stars.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Mize knew that the outcome of today’s hearing was all about politics. Lady Justice wasn’t blind. She was wearing see-no-evil lenses and had been cursed with a more troubling disability—muteness. There existed no doubt in his mind that political machinations had suffocated legal precedent on this day.
Chad Boudreaux (Scavenger Hunt)
His eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness. Layers of light. Blue eyes are starlight.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
There are boys you look at and want to touch with your mouth, and there are boys you look at and want to wear one of those surgical masks everyone in China had during bird flu. There are a lot more bird-flu boys at large.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
I want to build spires in their minds and dance shadows through like marionettes, chased by whispers and hints of the unspeakable.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
... and holy hell the chocolate is so intense and pure it should be named an element and given a spot on the periodic table. It would be Ch, which isn't even taken.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
The little poets sing of little things: Hope, cheer, and faith, small queens and puppet kings; Lovers who kissed and then were made as one, And modest flowers waving in the sun. The mighty poets write in blood and tears And agony that, flame-like, bites and sears. They reach their mad blind hands into the night, To plumb abysses dead to human sight; To drag from gulfs where lunacy lies curled, Mad, monstrous nightmare shapes to blast the world. MUSINGS [click on the thumbnail by Jack "King" Kirby]
Robert E. Howard
I have not yet elected to bestow the grace of my saliva upon another human being. I have never… kissed anyone.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
To be honest, it’s probably better if I don’t talk. Cute guys make me nervous. Like tongued-tied total-brain-malfunction nervous. All my filters shut off and suddenly I’m telling them about the time I peed my pants in the third grade during a field trip to the maple syrup factory, or how I’m scared of puppets and have mild OCD that could possibly drive me to tidy up your room the moment you turn your head.
Elle Kennedy (The Mistake (Off-Campus, #2))
Hogwarts didn't even send me a letter and I haven't actually forgiven them for that. Wait until I go to London and find Platform Nine-and-Three-Quarters and slip through to the other side and unleash my rage. I'll make Voldemort look like a sock puppet. And I'll make-out with Draco. And I'll train a bunch of house-elves to fan me and bring me grapes -
Sara Wolf (Brutal Precious (Lovely Vicious, #3))
I shudder to think. I might wear lace collars and laugh flower petals and pearls. People might try to pat me. I see them think it. My height triggers the puppy-kitten reflex- Must touch-and I've found that since you can't electrify yourself like a fence, the next best thing is to have murderer's eyes.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Let me tell you something about me. I love vengeance like normal people love sunsets and long walks on the beach. I eat vengeance with a spoon like it's honey. In fact, I may not even be a real person, but just a vow of vengeance made flesh.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
What if I wish for impossible things? Then you're doing it right. It always seems impossible when you first start.
T.J. Klune (In the Lives of Puppets)
It no longer matters who consider themselves the masters of events. Events no longer obey their masters.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
Sometimes, it's the smallest things that can change everything when you least expect it.
T.J. Klune (In the Lives of Puppets)
I don’t believe in prayer, but I do believe in magic, and I want to believe in miracles.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
It's like all my life I've been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I'm not a tower at all. I'm a lighthouse. It's like waking up. I am incandescent.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Humanity is awful, angry, and violent. But we are also magical and musical. We dance. We sing. We create. We live and laugh and rage and cry and despair and hope. We are a bundle of contradictions without rhyme or reason. And there is no one like us in all the universe.
T.J. Klune (In the Lives of Puppets)
So here we are, talking about Roman unicycles and alien sandwiches and my sister’s Italian misfortunes, while hanging in between us is: MY EPIC FAILURE TO CARPE. What’s wrong with me?
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
The very comprehensibility of the world points to an intelligence behind the world. Indeed, science would be impossible if our intelligence were not adapted to the intelligibility of the world. The match between our intelligence and the intelligibility of the world is no accident. Nor can it properly be attributed to natural selection, which places a premium on survival and reproduction and has no stake in truth or conscious thought. Indeed, meat-puppet robots are just fine as the output of a Darwinian evolutionary process.
William A. Dembski (The Design Revolution: Answering the Toughest Questions About Intelligent Design)
Music. Close your eyes and it's a rosebush blooming in time lapse so that it shoots and blossoms flow outward in a swift choreography of growth and collapse, twine and coil, release and fade. Close your eyes and music paints light vines and calligraphy on the darkness within you.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
I have never in my life typed a heart symbol. Those are for milquetoast girls. Karou will probably think my phone’s been stolen – or possibly my body, by a lovelorn alien. I send the text anyway. This is what comes back: …who is this??
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Destiny, I feel is also a relationship-a play between grace and willful self-effort. Half of it you have no control over, half of it is absolutely in your hands and your actions will show measurable consequences. Man is neither entirely a puppet of the gods, nor is he entirely the captain of his own destiny; he’s a little of both. We gallop through our lives like circus performers balancing on two speeding side-by-side horses-one foot is on the horse called “fate” the other on the horse called “free will”. And the question you have to ask everyday is, Which horse is which? Which horse do I need to stop worrying about because it’s not under my control, and which do I need to steer with concentrated effort?
Elizabeth Gilbert
So you love me," said Petra softly when the kiss ended. I'm a raging mass of hormones thet I'm too young to understand," said Bean. "You're a female of a closely related species. According to all the best primatologists, I really have no choice." That's nice," she said...
Orson Scott Card (Shadow Puppets (The Shadow Series, #3))
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them." "Oh,sure.You killed my mother. You can imagine I'm dying to help you out." Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?" I shake my head. "Never seen him before." Thomas clicks the remote. Another photo pops up. "How about this one?" "Nope." Another photo. "How about this?" "Nope." Yet another stranger pops up on the wall. "Seen this girl before?" "Never seen her in my life." More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
Marie Lu (Legend (Legend, #1))
A self-destructive man feels completely alienated, utterly alone. He's an outsider to the human community. He thinks to himself, "I must be insane." What he fails to realize is that society has, just as he does, a vested interest in considerable losses and catastrophes. These wars, famines, floods and quakes meet well-defined needs. Man wants chaos. In fact, he has to have it. Depression, strife, riots, murder - all this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things and paints them up as great human tragedies. But we all know the function of the media has never been to eliminate the evils of the world - no! Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers, and they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. "You want the puppet on the right or the puppet on the left?" I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes, let my own lack of a voice be heard.
Richard Linklater
My face responds without authorization from my brain, so the resulting smile feels like the biggest, most unguarded, goofiest smile I’ve ever unleashed in my entire life. I didn’t even know my face could do this. It’s like there were hidden zippers in my cheeks. Jesus. This must be what feelings are. This is why people write poems! I get it now. I get it, and I want more.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Everyone who loves pro basketball assumes it's a little fixed. We all think the annual draft lottery is probably rigged, we all accept that the league aggressively wants big market teams to advance deep into the playoffs, and we all concede that certain marquee players are going to get preferential treatment for no valid reason. The outcomes of games aren't predeteremined or scripted but there are definitely dark forces who play with our reality. There are faceless puppet masters who pull strings and manipulate the purity of justice. It's not necessarily a full-on conspiracy, but it's certainly not fair. And that's why the NBA remains the only game that matters: Pro basketball is exactly like life.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray. it must have got tired of the soul’s constant nagging and whining and the anxiety-driven intellectual web-spinning of the mind, distracting it whenever it was getting its teeth into something juicy or its fingers into something good. It had dumped the other two back there somewhere, leaving them stranded in some damp sanctuary or stuffy lecture hall while it made a beeline for the topless bars, and it had dumped culture along with them: music and painting and poetry and plays. Sublimation, all of it; nothing but sublimation, according to the body. Why not cut to the chase? But the body had its own cultural forms. It had its own art. Executions were its tragedies, pornography was its romance.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
I feel sorry for people who maintain relationships and friendships detrimental to their mental health. Everyone is guilty of it at one time or another- but the idea is to strive to be your best; right? So, meanwhile why are so many people faking it? Security? Fear of loneliness? Fears of independence? Fears of being self ? Or just the idea that you can make someone change? Regardless of the justifications you give & treat yourself to... , I hope all of you - "new year -new me types" strive for self care , honest and pure friendships and relationships based of love- and not based off the fake realities of your mind. These delusions of what you hope for instead of what's there, where you and your puppet show master focus more on everyone else and less on self. To change the world you must start within. But you must first BE HONEST with yourself. My new year started a few months ago-- and it was the best choice I ever made- and I hope your recreations are progressive and successful in THE NEW YEAR
Tiffany Luard
We’ll find that place, then,” he said quietly. “What?” Her brows narrowed. “I’ll go with you.” And though he hadn’t asked, they both knew those words held a question. He tried not to think of what she’d said last night—of the shame she’d felt holding him when he was a son of Adarlan and she was a daughter of Terrasen. “What about being Captain of the Guard?” “Perhaps my duties aren’t what I expected them to be.” The king kept things from him; there were so many secrets, and perhaps he was little more than a puppet, part of the illusion that he was starting to see through … “You love your country,” she said. “I can’t let you give all that up.” He caught the glimmer of pain and hope in her eyes, and before he knew what he was doing, he’d closed the distance between them, one hand on her waist and the other on her shoulder. “I would be the greatest fool in the world to let you go alone.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites, and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm’d The noontide sun, call’d forth the mutinous winds, And ‘twixt the green sea and the azured vault Set roaring war: to the dread rattling thunder Have I given fire and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake and by the spurs pluck’d up The pine and cedar: graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and, when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book.
William Shakespeare (The Tempest)
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
But more than anything, as a little girl, I wanted to be exactly like Miss Piggy. She was ma heroine. I was a plucky little girl, but I never related to the rough-and-tumble icons of children's lit, like Pippi Longstocking or Harriet the Spy. Even Ramona Quimby, who seemed cool, wasn't somebody I could super-relate to. She was scrawny and scrappy and I was soft and sarcastic. I connected instead to Miss - never 'Ms.' - Piggy; the comedienne extraordinaire who'd alternate eye bats with karate chops, swoon over girly stuff like chocolate, perfume, feather boas or random words pronounced in French, then, on a dmie, lower her voice to 'Don't fuck with me, fellas' decibel when slighted. She was hugely feminine, boldly ambitious, and hilariously violent when she didn't get way, whether it was in work, love, or life. And even though she was a pig puppet voiced by a man with a hand up her ass, she was the fiercest feminist I'd ever seen.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
Gillian Flynn (Gone Girl)
As a fact, we cannot give suffering precedence in either our individual or collective lives. We have to get on with things, and those who give precedence to suffering will be left behind. They fetter us with their sniveling. We have someplace to go and must believe we can get there, wherever that may be. And to conceive that there is a 'brotherhood of suffering between everything alive' would disable us from getting anywhere. We are preoccupied with the good life, and step by step are working toward a better life. What we do, as a conscious species, is set markers for ourselves. Once we reach one marker, we advance to the next — as if we were playing a board game we think will never end, despite the fact that it will, like it or not. And if you are too conscious of not liking it, then you may conceive of yourself as a biological paradox that cannot live with its consciousness and cannot live without it. And in so living and not living, you take your place with the undead and the human puppet.
Thomas Ligotti (The Conspiracy Against the Human Race)
Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.
Oscar Wilde (The Picture of Dorian Gray)
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile. . . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. . . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
Oscar Wilde (The Picture of Dorian Gray)