Punk Short Quotes

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So if the punks come here, they’re going to dance with the devil and get the short end of the horn. (Zarek) No one better than my Zarek to rip someone’s head off. You two should get along famously. (Astrid)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
It's the ballads I like best, and I'm not talking about the clichéd ones where a diva hits her highest note or a rock band tones it down a couple of notches for the ladies. I mean a true ballad. Dictionary definition: a song that tells a story in short stanzas and simple words, with repetition, refrain, etc. My definition: the punk rocker or the country crooner telling the story of his life in three minutes, reminding us of the numerous ways to screw up.
Stephanie Kuehnert (Ballads of Suburbia)
Faith should mean something. Gods . . . should stand for something, not chop and change with every breeze that blows. Gods should be worshipped for the truths they represent, not what party favours they might dispense.”-Razor Eddie the Punk God of the Straight Razor
Simon R. Green (Tales from the Nightside (Nightside #short stories))
I hold up my hands, posing and teasing, “So do I look cute?” He steps in and walks up to me, leaning in to kiss my cheek. “That’s not the word I would use,” he whispers. “You both look great,” my mom chimes in. “You don’t match,” my sister retorts, and I look up to see her entering the foyer. She’s dressed in her skimpy sleep shorts, probably for Misha’s benefit, and I fantasize about putting vinegar in her mouthwash. Match? Like his tie and my dress? But Misha looks at her and places his hand on his heart, feigning sincerity. “We match in here.” I snort, breaking into quiet laughter. My sister rolls her eyes, and my mom shakes her head, smiling. “Alright, let’s go,” I say.
Penelope Douglas (Punk 57)
. .” I say, “a boy whines. A man doesn’t let anything get in his way. Shorts or no shorts.
Penelope Douglas (Punk 57)
I suppose we all have our quirks.” Her gaze travels over my outfit as she says “quirks.” I’m in my usual hacker chic outfit I wear on jobs, lots of tight black everything, punk meets goth, short on class and full of sass. Because fuck you, that’s why.
J.T. Geissinger (Wicked Sexy (Wicked Games #2))
Jim climbed a short ladder to the palisade. He perched his elbows on the top of the wall, gazing toward the Big Horn Mountains. With his eyes he traced again a deep canyon that seemed to penetrate the mountain’s very core. Did it? He smiled at the infinite prospect of what might lay up the canyon, of what might lay on the mountaintops, of what might lay beyond. He raised his eyes to a horizon carved from snowy mountain peaks, virgin white against the frigid blue sky. He could climb up there if he wanted. Climb up there and touch the horizon, jump across and find the next.
Michael Punke (The Revenant)
Here's a song, here's another, here's a third...now go on and write a story.
Johnny Marr (Punk Fiction: An Anthology of Short Stories Inspired by Punk)
That short-haired young chap stepping out in all his aquamarine magnificence was tagging along behind a very long line of others who’d walked the same road before him: teddy boys, mods, rockers, skinheads, hippies, soul boys and punks - and those are just the cultural tribes from my lifetime. It’s a tradition stretching back right through the centuries, to the time when London was still in the first flush of youth.
Suggs (Suggs and the City: Journeys through Disappearing London)
What Goodby unveiled at the Crowne Plaza was unlike anything Kalinske and his colleagues had ever seen before. Quick cuts. Crazy zooms. Wild camera angles. It felt less like watching a regular commercial than like fast-forwarding through one on the VCR. Loud punk music. Intense lens flares. Aggressive close-ups. It looked sort of like a music video, but only if that music video was suffering from manic-depression and had just ingested a cocktail of heroin, cocaine, and speed. Weird lighting, unpretty actors, nonlinear storytelling—the whole thing was off-putting, migraine-inducing, and offensive to the senses, but it was absolutely incredible. And to tie it all together, at the end of every spot some maniac shouted, “Sega!” “And just remember,” Goodby said as the video presentation came to an end, “we’re only a short drive away.” He then played a short video clip of himself, Silverstein, and a few other guys whacking golf balls off the roof of their office building. Except whenever they hit the ball, the real reaction shot was replaced with footage of golf balls hitting Sega of America headquarters. During the ground-shaking applause that followed, Nilsen subtly elbowed Kalinske. “What did you think?” Kalinske blinked for a second, then replied, “I think vidspeak just became a dead language. Sorry, hedgy wedgy.” He was practically in a state of shock. This was it—everything he had wanted. The tone was edgy, but not too sharp. It cut, but only deep enough to leave a cool scar.
Blake J. Harris (Console Wars: Sega, Nintendo, and the Battle that Defined a Generation)
15.2.1 Short history of machine-learning models Harder, Better, Faster, Stronger —Daft Punk
Nicolas Vandeput (Demand Forecasting Best Practices)
One time, at the final hockey game of his senior year, against rival Beverly at the hockey rink in Lynn, the score was tied at two after regulation. Jack had scored both goals for Salem. The game went into overtime, but shortly thereafter, Jack’s team lost. It was the team’s seventh loss in a row. Jack was pissed. He threw his hockey stick in anger, then skated to get the stick and marched off to the locker room. Next thing he knew, his mother was in the locker room, too. She bounded right up to him, oblivious to the fact that the guys around her were in various states of undress. She grabbed him by the jersey in front of everyone. “You punk,” she yelled at him. “If you don’t know how to lose, you’ll never know how to win. If you don’t know this, you don’t belong anywhere.” He paused for a moment, recalling the memory. “She was a powerhouse,” he said. “I loved her beyond comprehension.
William D. Cohan (Power Failure: The Rise and Fall of an American Icon)
The Lower East Side was always an artist neighborhood. You had hippies there in the sixties. Artists and punks move into places that are kinda like the ghetto. They move in there and then it becomes an “artistic community” and after that is when gentrification happens, y’know? Punks move into the cheapest place and then the artists see, “Oh, look, punks are here already!” so they stay there. Then eventually musicians move in, and then it becomes this “hip place to be.” Shortly after that gentrification starts, no punk or artist can ever afford to live there ever again.
Brad Logan (Architects of Self-Destruction: The Oral History of Leftöver Crack)
Misfits need misfits to worship. It was white kids trying to avoid being white adults; all of them going through the detour of punk culture to expend and waste their youth, because they all knew they were gonna die someday, bald, fat and stupid.
Brendan Mullen (Lexicon Devil: The Fast Times and Short Life of Darby Crash and The Germs)
I put on a tight black lace dress Sid got me from a jumble sale. It didn’t quite fit so he slashed a slit in the side – which is now held together with safety pins – then he hacked the bottom off whilst I was wearing it, leaving the hem really short and frayed. I pull on my holey black tights and Dr Marten boots; I still never wear heels if I’m seeing Sid.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)