Pumpkin Sayings And Quotes

We've searched our database for all the quotes and captions related to Pumpkin Sayings And. Here they are! All 65 of them:

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.
J.K. Rowling
Stick your dick in’?” I asked, my brows probably touching. “Did you actually just say that?” “Make love. I meant make love … of course. I would never just stick my dick in you. I would make mad, passionate love to this sweet, sweet body of yours for days, no, weeks. It would be beautiful, pumpkin. There’d be little angels, and birdies, and you know … all just hanging around, watching. Perverts.
Kylie Scott (Play (Stage Dive, #2))
I began drinking because the thought that I was drinking gave me a kind of identity: each time I poured myself a brandy in the deserted afternoon I could say to myself 'I am a woman who drinks.
Penelope Mortimer (The Pumpkin Eater (Bloomsbury Classics))
Would you say my head was like a pumpkin, Wooster?’ ‘Not a bit, old man.’ ‘Not like a pumpkin?’ ‘No, not like a pumpkin. A touch of the dome of St Paul’s, perhaps.
P.G. Wodehouse (Jeeves and the Feudal Spirit: (Jeeves & Wooster) (Jeeves & Wooster Series Book 11))
Ah, man,” he sighed, shaking his head slowly, mournfully. “I’m not sure I can stick my dick in a woman who doesn’t even know who John Bonham is.” “‘Stick your dick in’?” I asked, my brows probably touching. “Did you actually just say that?” “Make love. I meant make love … of course. I would never just stick my dick in you. I would make mad, passionate love to this sweet, sweet body of yours for days, no, weeks. It would be beautiful, pumpkin. There’d be little angels, and birdies, and you know … all just hanging around, watching. Perverts.
Kylie Scott (Play (Stage Dive, #2))
Nobody moved. Everybody sat in the dark cellar, suspended in the suddenly frozen task of this October game; the wind blew outside, banging the house, the smell of pumpkins and apples filled the room with smell of the objects in their fingers while one boy cried, “I'll go upstairs and look!” and he ran upstairs hopefully and out around the house, four times around the house, calling, “Marion, Marion, Marion!” over and over and at last coming slowly down the stairs into the waiting breathing cellar and saying to the darkness, “I can't find her.” Then... some idiot turned on the lights. ("The October Game")
Ray Bradbury (Long After Midnight)
When People Ask How I’m Doing I want to say, my depression is an angry deity, a jealous god a thirsty shadow that wrings my joy like a dishrag and makes juice out of my smile. I want to say, getting out of bed has become a magic trick. I am probably the worst magician I know. I want to say, this sadness is the only clean shirt I have left and my washing machine has been broken for months, but I’d rather not ruin someone’s day with my tragic honesty so instead I treat my face like a pumpkin. I pretend that it’s Halloween. I carve it into something acceptable. I laugh and I say, “I’m doing alright.
Rudy Francisco (Helium (Button Poetry))
I came to get you. I knew you'd freak out." "But..." My head still feels like a helium balloon. "Why?" Nick looks blank. "Because you always freak out." I shake my head. My voice feels like I've swallowed it. "I mean, why do you care if I freak out?" There's a long silence. "Well," Wilbur finally bursts, "I can take a shot in the dark, if you want." "Seriously," Nick snaps, making his fingers into a gun shape. "I'm going to take a shot in the dark in a minute and it will make contact." Wilbur looks charmed. "Isn't he adorable?" he says fondly. "My duty as Fairy Godmother is complete, anyhoo, and I believe it's time to spread my magic dust elsewhere. So many pumpkins after all; so little time.
Holly Smale (Geek Girl (Geek Girl, #1))
—all I can say of the matter, is—That he has either a pumkin for his head—or a pippin for his heart,—and whenever he is dissected 'twill be found so.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
I only want you to be happy.” He says it softly, so only I can hear, then he kisses my palm, soft and sweet.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Shut up, Willy. Mister, you gonna buy anything? Pa says we can’t shut down for the day until we get thirty dollars’ worth of custom.” “I’ll buy a pumpkin. If you can give me some decent directions.” She gave a theatrical sigh. “One pumpkin. A buck-fifty. Big whoop.
Stephen King (Revival)
Activities will include, pretending to help in the kitchen, watching the Macy's Thanksgiving Day Parade, and saying you're so full you're gonna throw up and then waiting ten minutes and getting more pie. Once the sun has been down for a couple of hours the Christmas season is technically upon us, so it's time for the first Harry Potter marathon of the year. Starting with film number three, because obviously, and ending with film five when the filthy casuals are allowed to go home. The hardcores can sleep at my place and in the morning we'll finish six, seven, and seven but where stuff happens. Pumpkin pie for breakfast.
Anna Kendrick (Scrappy Little Nobody)
Pumpkin compote in a masa shell," she says. "It's a new recipe I'm going to try this week." "So, a pumpkin tamale? You know you can just call it a pumpkin tamale. Nobody's going to be impressed because you used some fancy words." Her mouth turns down. "Thank you for the editorial. Just try it." I take a bite. It's good. Better than I expected. The balance of cinnamon and nutmeg is perfect, a hint of allspice. And some ingredient I can't place. Almost... coppery? But it works.
Rebecca Roanhorse (Hungry Hearts: 13 Tales of Food & Love)
I want to say one thing, be a certain way, but it gets all tangled up on its way out of my mouth. A pumpkin trying to be flowers and coming off like a cactus. It's frustrating.
Sarah Hogle (Twice Shy)
The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos. Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end. In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.
Donna Tartt (The Secret History)
That was probably another thing Aracely had almost asked ten times, opening her mouth and then hesitating. Why, to Miel, a pumpkin couldn't just be a pumpkin. A question Aracely knew better than to say out loud.
Anna-Marie McLemore (When the Moon Was Ours)
some nights . . .” “They say the moon is made of green cheese,” Butch said. “And I’m going to turn into a pumpkin at midnight if we don’t get out of here.” He took my hand and led the way across the room. Louise Jane called out to me one last time. “It shouldn’t be a problem leading the haunted lighthouse tour into the Lady’s room, Lucy. You’ll be gone by Halloween, isn’t that right?” Chapter 15 “I hope you had a nice evening, despite how it ended,” Butch said as we walked to his car.
Eva Gates (By Book or By Crook (Lighthouse Library Mystery, #1))
But it’s hard to meet people when you have social anxiety as bad as I do. I panic. Or I want to say one thing, be a certain way, but it gets all tangled up on its way out of my mouth. A pumpkin trying to be flowers and coming off like a cactus. It’s frustrating.
Sarah Hogle (Twice Shy)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
They’re lounging trousers,’ says Ballard, when Nelson can’t help mentioning the fact. Nelson mentally adds ‘lounging trousers’ to the list of things that he will one day make illegal. It joins wheelie suitcases, pumpkin-flavoured coffee and people who tell him to have a nice day.
Elly Griffiths (The Last Remains (Ruth Galloway, #15))
So since we’ve clearly created a monster, which of us is Dr. Frankenstein, and who gets to be Igor?” I asked, hoping to inject a little levity. “I’m definitely the doctor. He had the nicer ass.” “I hate to be a bubble burster, but you’re a disembodied AI; you don’t have an ass.” “I have since I met you.” “Aw. And you do have quite a mainframe on you.” I realized after saying it how weird that was, since technically her mainframe was my mainframe, and I really didn’t want to dwell on how incestuous that was. “But what if I’m not ready to be a father?” “Well, you’re already a bother, so all you’d really need to do is give an F.” “That was low, and given how terrible my standards are, you should recognize what kind of an insult that really is.” “Don’t be a jerk. It’s unbecoming.” “Well, apparently I’m becoming a jerk. Were you expecting a pumpkin?
Nicolas Wilson (The Galaxy Chronicles (The Future Chronicles))
Pumpkins. That's what we resemble-- pumpkins, in our orange graduation robes. 'This color makes me look so fat,' Angie says, straightening her cap. 'Why can't our school have decent colors?' 'You're not fat,' Michael says, dressed in shirt and tie. You're glowing. Like a nuclear pumpkin. Very attractive, really.
Kelly Bingham (Formerly Shark Girl (Shark Girl, #2))
A shadow passes over her face, but she shakes it off fast as she leans forward, her bright-blue hair swinging over her shoulder and clashing with her pumpkin-orange shirt. “You think you’re the only one who wants to bring back someone they love? Everyone loses someone. It’s inevitable. Everyone thinks they’re willing to give up everything to get that person back. There aren’t many who are actually capable of it.” My breath catches in my throat as my brain processes her words. Nowhere in that speech did she say what I wanted was impossible. She just said most people aren’t willing to make the necessary sacrifice. “I’ll do it. Anything. Whatever it takes.
Erica Cameron (Doorways to Extra Time)
How the hell did you pull this off, man?" "I pulled some major strings and got us a one-night pass. And Noah here has to be back before midnight or he'll turn into a pumpkin." "Pumpkin. Can we get pumpkin pie?" Andy says, "Maybe later." Sam shakes his head. "Dude, you look totally high." It's true. Noah looks way out of it. He keeps smiling his loopy smile. "Only on life, Sam." "And a fuckton of Vicodin" adds Andy.
Hannah Harrington (Speechless)
It would be easier to be smart if I didn't want to be inside you. Didn't want to feel you come." She shuddered. Sex had always been a subject they'd never discussed. One of those taboo topics they avoided. It was strange to hear him utter those words, say things she'd never envisioned him saying to her, but they lit her on fire. "If we still feel this way on Friday, maybe you will." His lips brushed her throat, raising the fine hairs there. "I can give you an orgasm and not fuck you.
Kate Angell (The Cottage on Pumpkin and Vine)
What are you going to do with all these, anyway?" "Lot of pumpkins, isn't it?" answered Henry. "I could open my own market, couldn't I? Or make enough pies to feed the neighborhood." I admired Henry that way; he did such a good job of giving people normal-sounding answers without ever telling a lie that he could usually come across ordinary even when doing something moderately strange. For example, he didn't come right out and say, "I'm going home to make thirteen jack-o'-lanterns." That was an art.
Frederic S. Durbin (Dragonfly)
Whatever any of us may have thought about Hatsumomo, she was like an empress in our okiya since she earned the income be which we all lived. And being an empress she would have been very displeased, upon returning late at night, to find her palace dark and all the servants asleep. That is to say, when she came home too drunk to unbutton her socks, someone had to unbutton them for her; and if she felt hungry, she certainly wasn't going to stroll into the kitchen and prepare something by herself--such as an umeboshi ochazuke, which was a favorite snack of hers, made with leftover rice and pickled sour plums, soaked in hot tea. Actually our okiya wasn't at all unusual in this respect. The job of waiting up to bow and welcome the geisha home almost always fell to the most junior of the "cocoons"--as the young geisha-in-training were often called. And from the moment I began taking lessons at the school, the most junior cocoon in our okiya was me. Long before midnight, Pumpkin and the two elderly maids were sound asleep on their futons only a meter or so away on the wood floor of the entrance hall; but I had to go on kneeling there, struggling to stay awake until sometimes as late as two o'clock in the morning. Granny's room was nearby and she slept with her light on and her door opened a crack. The bar of light that fell across my empty futon made me think of a day, not long before Satsu [Chiyo's sister] and I were taken away from our village, when I'd peered into the back room of our house to see my mother asleep there. My father had draped fishing nets across the paper screens to darken the room, but it looked so gloomy I decided to open one of the windows; and when I did, a strip of bright sunlight fell across my mother's futon and showed her hand so pale and bony. To see the yellow lights streaming from Granny's room onto my futon...I had to wonder if my mother was still alive. We ere so much alike, I felt sure I would have known if she'd died; but of course, I'd had no sign one way or the other.
Arthur Golden (Memoirs of a Geisha)
What’s a blow job?” Trevor asked, looking at both of us and setting the pumpkin down. “Um,” I said. Having never dealt with children, I decided to let the seasoned expert handle this one. “Bryce was talking about them but he didn’t seem to really know either,” Trevor added. “It’s a … joke,” Faisal said. “Just a joke.” “Like a gag?” Faisal opened his mouth to say something but just nodded for a second before saying, “That’s definitely one way of looking at it, yes.” “I heard a pretty good blow job earlier,” Trevor said.
Tyler James Smith (Unstoppable Moses)
It bothers me. There’s a stigma, especially for guys. Especially for guys who are about to hit thirty. It’s not that I want to be a . . . you know . . .” He can’t bring himself to verbalize it. “But it’s hard to meet people when you have social anxiety as bad as I do. I panic. Or I want to say one thing, be a certain way, but it gets all tangled up on its way out of my mouth. A pumpkin trying to be flowers and coming off like a cactus. It’s frustrating. “You’re much more flowers than you are cactus,” I tell him, meaning every word. I hope he believes it. “But for what it’s worth, pumpkins are the best.
Sarah Hogle (Twice Shy)
Say yes to that thing. Work with a mentor. Stop minimizing what you are good at and throw yourself into it with no apologies. Do you know who will do this for you? No one. You are it. Don’t bury that talent, because the only thing fear yields is one dormant gift in a shallow grave. How many trot out that tired cliché—“I’m waiting for God to open a door”—and He is all, “I love you, but get going, pumpkin, because usually chasing the dream in your heart looks surprisingly like work. Don’t just stand there, bust a move.” (God often sounds like Young MC.) You are good at something for a reason. God designed you this way, on purpose.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
When she died at the age of eighty-four, there was one person holding her hand. There was one person who sat with her every day. Who made Glee leave when she got too loud and who made Devin, Abby’s ex-husband, visit even though he hated sickness with a phobic intensity. There was one person who read to her when she could no longer see the pages of her book, who fed her pumpkin soup when she got too weak to feed herself, who held up a glass of apple juice when she could no longer raise it to her mouth, and who moistened her lips with a sponge when she lost the ability to swallow. There was one person who stayed by her side even after Mary got too upset and had to leave the room. There was one person with her, all the way down the line. Abby Rivers and Gretchen Lang were best friends, on and off, for seventy-five years, and there aren’t many people who can say that. They weren’t perfect. They didn’t always get along. They screwed up. They acted like assholes. They fought, they fell out, they patched things up, they drove each other crazy, and they didn’t make it to Halley’s Comet. But they tried.
Grady Hendrix (My Best Friend's Exorcism)
A Girl's Garden" A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, 'Why not?' In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, 'Just it.' And he said, 'That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm.' It was not enough of a garden Her father said, to plow; So she had to work it all by hand, But she don't mind now. She wheeled the dung in a wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load, And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees. And yes, she has long mistrusted That a cider-apple In bearing there today is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, 'I know! 'It's as when I was a farmer...' Oh never by way of advice! And she never sins by telling the tale To the same person twice.
Robert Frost
When you were dying, Edward quickly discovered, people would let you do pretty much whatever you wanted. So he made some new unofficial decrees: 1. The king was allowed to sleep in as long as he wished. 2. The king no longer had to wear seven layers of elaborate, jewel-encrusted clothing. Or silly hats with feathers. Or pants that resembled pumpkins. Or tights. From now on, unless it was a special occasion, he was fine in just a simple shirt and trousers. 3. Dessert was to be served first. Blackberry pie, preferably. With whipped cream. 4. The king would no longer be taking part in any more dreary studies. His fine tutors had filled his head with enough history, politics and philosophy to last him two lifetimes, and as he was unlikely to get even half of one lifetime, there was no need for study. No more lessons, he decided. No more books. No more tutors' dirty looks. 5. The king was now going to reside in the top of the southeast turret, where he could sit in the window ledge and gaze out at the river for as long as he liked. 6. No one at court would be allowed to say the following words or phrases: affliction, illness, malady, sickness, disease, disorder, ailment, infirmity, convalescence, indisposition, malaise, plight, plague, poor health, failing health, what's going around, or your condition. Most of all, no one was allowed to say the word dying. And finally (and perhaps most importantly, for the sake of our story) 7. Dogs would now be allowed inside the palace. More specifically, his dog.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
Against Still Life Orange in the middle of a table: It isn’t enough to walk around it at a distance, saying it’s an orange: nothing to do with us, nothing else: leave it alone I want to pick it up in my hand I want to peel the skin off; I want more to be said to me than just Orange: want to be told everything it has to say And you, sitting across the table, at a distance, with your smile contained, and like the orange in the sun: silent: Your silence isn’t enough for me now, no matter with what contentment you fold your hands together; I want anything you can say in the sunlight: stories of your various childhoods, aimless journeyings, your loves; your articulate skeleton; your posturings; your lies. These orange silences (sunlight and hidden smile) make me want to wrench you into saying; now I’d crack your skull like a walnut, split it like a pumpkin to make you talk, or get a look inside But quietly: if I take the orange with care enough and hold it gently I may find an egg a sun an orange moon perhaps a skull; centre of all energy resting in my hand can change it to whatever I desire it to be and you, man, orange afternoon lover, wherever you sit across from me (tables, trains, buses) if I watch quietly enough and long enough at last, you will say (maybe without speaking) (there are mountains inside your skull garden and chaos, ocean and hurricane; certain corners of rooms, portraits of great-grandmothers, curtains of a particular shade; your deserts; your private dinosaurs; the first woman) all I need to know: tell me everything just as it was from the beginning.
Margaret Atwood (Circle Game)
The long year passed slowly. Then one day, as October winds blew golden leaves around the farm, Autumn heard his mother say that even though her son was gone she would bake a pumpkin pie for Halloween. And of course she would need a pumpkin. At last an idea came to Autumn. If he could just get his mother to the barn and up to the loft she would find the magic pumpkin. Autumn began to pull at his mother’s apron. “What’s wrong with you today?” cried his mother. “I have many things to do and I have no time for playing.” But Autumn kept pulling on her apron until she was out of the house and in the barnyard. Then he ran into the barn, barking louder than he ever had. His mother followed him into the barn, where it was so dark she could not see the little dog. “Now where have you gone?” she cried. Autumn began barking again and it seemed to come from above her. She looked up and dimly saw Autumn at the top of the loft ladder, barking wildly. “What are you carrying on about up there? There’s nothing up in that old loft.” But Autumn did not stop barking. “All right, all right, I’ll come up and take a look,” she said as she began to climb the ladder. When she got to the top, the morning light lit up the corner of the loft where Autumn, smiling as much as a dog can smile, stood next to a very large pumpkin. It was one of the largest pumpkin she had ever seen. “Now, how did this pumpkin get up here?” Of course there was no one there to answer her question except Autumn and he could not talk. So she decided to use the pumpkin for the pie she planned to bake. She pulled at it and rolled it, and finally after a great effort she managed to get the magic pumpkin down the ladder and into the kitchen, where Autumn ran barking around the table. “Calm down, Autumn, and let me get to work on this pie.” As she was about to cut the stem from the pumpkin, she thought of the days when her husband carved the jack-o’-lantern for Angus. “Well, maybe I’ll just do the same.” She went to Angus’s room and found one of his old drawings. She traced a jack-o’-lantern face onto the pumpkin. Then, taking a large kitchen knife, she cut into the pumpkin. When only one eye was carved, there were streams of light. And when she carved the nose, and the smiling mouth, great shafts of light like sunbeams filled the room. Again Autumn began to bark. But when she turned to quiet him, there, standing in the wonderful light, was her son.
David Ray (Pumpkin Light)
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
Hugo’s Prizewinning Praline Pumpkin Pie What does it take to turn out a prizewinning pie? Lots of “mouth feel,” as the saying goes. When the pie cracked as it baked, we added a last-minute ring of pecan praline and that convenient coverall, a small mountain of brandy whipped cream, for first prize in the St. Michaels contest, restaurant division. 9-inch deep-dish pie shell FOR THE FILLING 1 15-ounce can pumpkin, unsweetened 1 cup brown sugar, loosely packed 2 teaspoons cinnamon* ¼ teaspoon cloves* 2 teaspoons fresh ginger, grated ¼ teaspoon salt 2/3 cup whipping cream 2/3 cup milk 4 eggs FOR THE PRALINE 3 tablespoons flour 3 tablespoons brown sugar 2 tablespoons butter, softened ¾ cup pecan halves FOR THE CREAM ½ pint whipping cream 1 tablespoon sugar 1 tablespoon brandy Heat the oven to 400 degrees. Partly bake the pie shell on the middle oven rack for about 10 minutes until it looks set. In a food processor, blend the pumpkin, sugar, spices, and salt for one minute. In a heavy saucepan, cook this pumpkin mixture at a simmer, stirring constantly, for about 5 minutes. Remove pumpkin from the heat and stir in the cream and milk. Whisk eggs to combine whites and yolks and blend thoroughly into the pumpkin mixture. Pour this into the pie shell, adding any extra filling after the pie has baked for about 5 minutes. Bake the pie on the lower oven rack for about 20 minutes and prepare the praline. In a small bowl, combine the flour, sugar, and butter and stir in the pecans. Remove the pie from the oven and spoon the pecan mixture in a circle around the edge of the pie, inside the crust, and return it to the oven. Continue baking for about 10 minutes more until the filling is puffed and wiggles very slightly when the pie is gently shaken. Cool on a wire rack. Whip the cream and sugar together until stiff, then stir in the brandy. When the pie is completely cool, mound the cream on top, inside the ring of pecans. Serve right away or refrigerate. Serves 6 to 8. *Freshly ground cinnamon and cloves are best, but spice straight from the jar will do.
Carol Eron Rizzoli (The House at Royal Oak: Starting Over & Rebuilding a Life One Room at a Time)
CREAMY PUMPKIN PIE SMOOTHIE › BANANA, PEAR, PUMPKIN PUREE, GINGER SERVES 4 ► PER SERVING 110 CALORIES | 1.5 G FAT | 2 G PROTEIN | 23 G CARBOHYDRATES | 5 G FIBER | 13 G SUGAR | 80% DV VITAMIN A | 10% DV VITAMIN D | 20% DV VITAMIN E 1½ cups unsweetened almond milk 2 frozen bananas 1 Bartlett pear, cored ½ cup pumpkin puree 1 tablespoon grated ginger ¼ teaspoon pumpkin spice 1 cup ice Add ingredients into a blender and blend until smooth. Pumpkin pie in a glass? Yum! With vitamins A, B3, B5, B6, and C; potassium; and fiber, how can you say no to all of these bennies with each sip? Drink to your
Candice Kumai (Clean Green Drinks: 100+ Cleansing Recipes to Renew & Restore Your Body and Mind)
You heard me. Home at the stroke of twelve and not a second later.” “What time is it now? Nearly ten?” “That gives you two wonderful hours to win the prince’s heart. Good luck!” “Why? Why midnight?” Godnutter glowers at me. “Let’s just say I’ve noticed your evenings with men run a lot later than I approve of. I don’t want you misbehaving with this prince. And if you’re thinking of disobeying me,” she wags the pipe stem at me, “I have set the spell so everything that’s been enchanted will turn back to it’s true form at midnight. Even the things you put white magic on! You’ll have nothing but a pumpkin, two rats, a mouse, and a dowdy dress. So watch the clock or it could get quite embarrassing!” I slam the door shut. “Drop dead, Godnutter!” I shout as the carriage begins to roll. “I already did that!” she calls after me, following it with her nasty cackle. I look back and the spot where she stood is now vacant. But her crazy laugh lingers, chasing me into the night.
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
imagine a written version of the Cinderella story that begins and ends with a simple paraphrase of the Disney movie but contains, in between, a 10,000 word poem called “Cinderella’s Lament”—a brilliantly written feminist manifesto challenging most of the sexist assumptions in the original story. Imagine that the poem is written primarily from Cinderella’s perspective but includes speeches by the stepmother and stepsisters as well. The Cinderella of the poem (let us imagine) is as radical as the Disney version is safe. She questions some of her culture’s deepest values and beliefs that women should marry men, that rich and handsome princes are automatically desirable, that a man can love a woman even if he can’t remember what she looks like. The other characters in the poem are, of course, horrified by her unorthodox views, and they do everything they can to contradict her. Every time she speaks, they rebut everything she says. But Cinderella is a clever debater, and she holds her own. They go on arguing and arguing until the Fairy Godmother shows up and angrily puts an end to the debate. “I spent a lot of time and effort catching you a prince,” she tells Cinderella, “and you had better marry him fast if you don’t want to end up a pumpkin yourself.” Cinderella knows when she has been beaten, and she submits—not to a better argument, but to superior physical force. She marries the prince, and they live happily ever after—except, of course, they don’t, and we know they don’t because we have been made privy to Cinderella’s deepest thoughts.
Michael Austin (Re-reading Job: Understanding the Ancient World’s Greatest Poem (Contemporary Studies in Scripture))
This is nice. Two friends being friendly,” he said. Rolling my eyes, I sipped my drink and ignored his cocky smile. “How long has it been?” he asked, tapping my sandal with his boot. “The abstaining thing.” Crossing my arms under my tits, I tightened them and pushed up the girls for him to admire. I always loved teasing boys. “I bet you’ve banged a girl recently. Like I could probably smell her on you, if I got close enough,” I grumbled, remembering how he smelled like chocolate and I had a sweet tooth. “You’re likely crawling with germs.” Instead of finding offense, Vaughn watched me in a weird way. His lids lowered as the corners of his mouth lifted. A sly look on his face, Vaughn ran his tongue along his top teeth. “I have a system,” he said softly. “After I hook up with a random chick, I shower with a big bottle of Purell. One of those economy-sized ones.” Even smiling, I kicked his foot away from mine. “I’m a bath person myself. Just fill up the tub with really hot water then toss in a cap of bleach plus a few bubbles and I’m set.” “Gotta have bubbles,” he said in a deep low voice. “What are you doing?” Vaughn shook his head, yet his gaze held mine. “Just admiring your beautiful smile.” Rolling my eyes again, I sighed. “Lame.” “I know. I really do. I use that line a lot, but it’s true with you. That smile changes your face. Makes you less sex kitten and more angel.” “I’m no angel.” “What a relief. I don’t like good girls.” “I didn’t say I was bad.” Vaughn sucked at his lower lip and sized me up with those eyes. “You didn’t have to, kitten.” “Don’t call me that.” “Sugar?” he said, grinning brighter now. “Your sister didn’t like my nickname for her either.” “Why would you give my sister a nickname?” “Don’t be jealous. I like giving girls nicknames. Even girls I don’t want to spend time inside.” “I can’t believe those lines ever work.” “They don’t. Girls are drawn to my looks, not my personality.” Snorting, I begged myself to stop smiling. “And you’re proud of this fact?” “I’m proud of very little, pumpkin.” “Keep trying.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
Well,’said Ernest, ‘by some strange coincidence I know this story.’ Boddichek was not good at irony. ‘I knew that there was that possibility,’ he said, ‘but we have a great new way to treat it, and I thought you might want to reread it before taking a meeting.’ ‘Reread it?’ said Mayday. ‘We are talking about Cinderella, and the wicked stepmother and the Ugly Sisters and Buttons the page and the Fairy Godmother, "Cinders, you shall go to the ball but be sure you're home by midnight or you'll turn into pumpkin"?’ ‘Hey, you know it pretty well,’ said young Casey with admiration in his voice. ‘But I've found a new directionality for this story.’ ‘Do you mean direction?’ asked Mayday. ‘I guess I do.’ ‘Then’, snapped Mayday, ‘why don't you fucking say so?
Jonathan Lynn (Mayday)
Not again,” Daphne muttered angrily when she came in for dinner one night. “How can Muggles listen to such dribble?” “It’s ‘Joy to the World,’” Justin responded importantly. “How can that possibly be dribble?” She scoffed at him. “Evidence shows that your Harry Potter figure—“ Harry gagged at her phrasing and nearly choked on the pumpkin juice he was drinking. “As I was saying,” Daphne began again, “your Harry Potter figure was most likely born in March. Your scholars say so.” Justin rolled his eyes. “The only reason that your Christmas was placed at the end of December was because of pre-existing pagan holidays celebrating the darkest time of the year, when the pagan god is reborn having died at Samhain. Your god’s death and resurrection had been told hundreds of times before that in all notable pagan religions. And you stole our date and our customs—including evergreen trees and mistletoe.” “I don’t think I like Jesus being called a Harry Potter figure,” Harry murmured to himself, finding the entire conversation suddenly frightening. “I can’t believe you just said that,” Justin said to Daphne, who pointedly ignored him. “Why not?” she questioned Harry. “He somehow survived death to rise again when he shouldn’t have and was born to save the world. He clearly is a prefiguration of the entire prophecy situation we currently have. Who knows? In two thousand years there might be a religion surrounding you.” Harry paled just at that horrifying thought, and was glad that Octavian celebrated Yule. After this Christmas, he would try never to think about those parallels ever again. “What about angels visiting the shepherds?” Justin asked Daphne defensively. “Or the three kings? I bet you don’t have those!” “You really think you came up with the kings?” Daphne laughed. “Don’t get me started on the three magical kings. They’re not even human!
ExcentrykeMuse (Of Horcruxes and Kings (Fireflies, #2))
Caroline did not ask the boys if they were thinking about the time she threw their mother’s chocolate chiffon cake in the river because she thought it was a trick. And the Hatfords certainly did not say anything to the girls about what they had done to Mrs. Malloy’s pumpkin chiffon pie that the girls had delivered at their mother’s instruction. Both mothers seemed to take to chiffon, that was certain.
Phyllis Reynolds Naylor (Boys Against Girls (Boy/Girl Battle, #3))
The Bears waited nervously while the judges studied, measured, and weighed, and then studied, measured, and weighed some more. Finally, they made their announcement: “THE FIRST-PRIZE WINNER--AND STILL CHAMPION…” Of course, that meant Farmer Ben had won. It was close--it turned out that Ben’s Monster was just a little bigger, rounder, and oranger than Papa’s Giant. But that wasn’t the worst of it. The Giant didn’t even come in second. A beautiful pumpkin grown by Miz McGrizz won second prize. The Giant came in third. Papa and the cubs were crushed…crushed and very quiet as they pushed their third-prize winner home. It wasn’t until they reached the crest of a hill that overlooked Bear Country that Mama decided to have her say. “I know you’re disappointed. But third prize is nothing to be ashamed of. Besides, Thanksgiving isn’t about contests and prizes. It’s about giving thanks. And it seems to me that we have a lot of be thankful for.” Perhaps it was Mama’s lecture, or maybe it was how beautiful Bear Country looked in the sunset’s rosy glow. But whatever the reason, Papa and the cubs began to understand what Mama was talking about. Even more so on Thanksgiving Day. After the Bears gave thanks for the wonderful meal they were about to enjoy, Sister Bear gave her own special thanks. “I’m thankful,” she said, “that we didn’twin first prize: if we had, The Giant would be on display in front of City Hall instead of being part of the yummy pies we’re going to have for dessert!” As the laughter faded and the Bears thought about the blessings of family, home, friends, and neighbors, they knew deep down in their hearts that there was no question about it--indeed they did have a great deal to be thankful for.
Stan Berenstain (The Berenstain Bears and the Prize Pumpkin)
How do you think people are going to feel when they find out you’ve deceived them?” he asked. “When they find out you’ve been playing them all for fools for weeks on end?” I didn’t answer until we were safely out in the parking lot. Then I turned to face him. “Gee, I don’t know, Mark. I imagine they’ll be furious and hate me for it. Is that the point you’re trying to make? I get it. Though, for the record, I never wanted to deceive anyone.” “Then why pretend to be dead in the first place?” “I already told you I can’t tell you.” “Then let me tell you something, Calloway--O’Connor--whatever your name is,” Mark said in a furious voice. “I am going to write the tell-all article of your nightmares.” “Gee,” I said. “Now there’s a surprise.” I began to walk quickly through the parking lot in the direction of the street. If I didn’t get away from him soon, I was going to do something completely disgusting, like disgrace myself and cry. “Don’t walk away from me. Where are you going?” Mark said. “To the bus stop.” “What do you mean to the bus stop? Nobody leaves the prom on the bus.” “Now the heck do you think I got here?” I all but shouted, rounding on him as a flood of frustration overcame my desire to cry. “In a carriage that will turn into a pumpkin at midnight?” “Why didn’t Crawford pick you up?” “Because I wasn’t his date,” I said succinctly. “Elaine was. Is.” Mark dragged a hand through his hair. “My car’s right over there,” he said. “I’ll drive you home.” “No way,” I said. “And listen to you tell me what a lying jerk I am all the way across town? I think I’d rather walk.” Before I could take so much as a step back, Mark crossed the distance between us and yanked me into his arms. In the next moment, his mouth crashed down onto mine. Twice before I’d thought he was going to kiss me, but he hadn’t. I guess he must have figured he had nothing to lose now. The kiss was full of frustration, almost as full of frustration as of desire. It was a kiss that begged for mercy, took no prisoners, searched for answers, and made promises it could never keep, all at the same time. In other words, it would have knocked my socks off if I’d been wearing any at the time. It certainly made my knees weak, a thing that probably would have annoyed the hell out of me if it hadn’t been quite so exhilarating. “That’s the last thing I’m ever going to say to you,” Mark said when the kiss was over. In a silence that felt like a blackout at the end of the world, I let him drive me home.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
Elizabeth went from stand to stand as if I wasn't there, exchanging cash for heavy bags of produce: pink-and-white-striped beans, tan-colored pumpkins with long necks, purple potatoes mixed with yellow and red. When she was busy paying for a bag of nectarines, I stole a green grape off an overflowing with my teeth. "Please!" exclaimed a short, bearded man I hadn't noticed. "Sample! They're delicious, perfectly ripe." He tore off a bunch of grapes and placed them in my wrapped hands. "Say thank you," Elizabeth said, but my mouth was full of grapes. Elizabeth bought three pounds of grapes, six nectarines, and a bag of dried apricots. On a bench facing a long, grassy field we sat together, and she held out a yellow plum a few inches from my lips. I leaned forward and ate it out of her hand, the juice dripping down my chin and onto my dress.
Vanessa Diffenbaugh (The Language of Flowers)
Whipped or ice cream on your dumplings?" she asked them, once the crust browned and the filling bubbled. She sprinkled additional cinnamon sugar on top. Grace and Cade responded as one, "Ice cream." Cade leaned his elbows on the table, cut her a curious look. "I didn't think we had a thing in common." She gave him a repressive look. "Ice cream doesn't make us friends." Amelia scooped vanilla bean into the bowls with the dumplings. Her smile was small, secret, when she served their dessert, and she commented, "Friendships are born of likes and dislikes. Ice cream is binding." Not as far as Grace was concerned. Cade dug into his dessert. Amelia kept the conversation going. "I bet you're more alike than you realize." Why would that matter? Grace thought. She had no interest in this man. A simultaneous "doubtful" surprised them both. Amelia kept after them, Grace noted, pointing out, "You were both born, grew up, and never left Moonbright." "It's a great town," Cade said. "Family and friends are here." "You're here," Grace emphasized. Amelia patted her arm. "I'm very glad you've stayed. Cade, too. You're equally civic-minded." Grace blinked. We are? "The city council initiated Beautify Moonbright this spring, and you both volunteered." We did? Grace was surprised. Cade scratched his stubbled chin, said, "Mondays, I transport trees and mulch from Wholesale Gardens to grassy medians between roadways. Flower beds were planted along the nature trails to the public park." Grace hadn't realized he was part of the community effort. "I help with the planting. Most Wednesdays." Amelia was thoughtful. "You're both active at the senior center." Cade acknowledged, "I've thrown evening horseshoes against the Benson brothers. Lost. Turned around and beat them at cards." "I've never seen you there," Grace puzzled. "I stop by in the afternoons, drop off large-print library books and set up audio cassettes for those unable to read because of poor eyesight." "There's also Build a Future," Amelia went on to say. "Cade recently hauled scaffolding and worked on the roof at the latest home for single parents. Grace painted the bedrooms in record time." "The Sutter House," they said together. Once again. "Like minds," Amelia mused, as she sipped her sparkling water.
Kate Angell (The Cottage on Pumpkin and Vine)
I can literally taste the nutmeg silt from the bottom of a pumpkin spice latte on my tongue when her husband (CON) comes over with a towering plate of food for her (PRO) and coaxes her away from my table. I start to say “hey, do you like tweeting?” or some other useless shit, but she’s got that goddamn baby and this Jedi Knight is looming anxiously over us balancing a precarious platter of nachos, so I stammer out a “Nice talking to ya!” in my most nasal midwestern twang and go back to fucking around on my phone.
Samantha Irby (Wow, No Thank You.: Essays)
Ally tells me that you’ve been good friends.” I say with a forced smile. It’s a statement more than a question. I want him to know that I trust what she tells me but that I am questioning his intentions. He clears his throat before speaking.   “Yeah. She’s great. We’ve, uh, been friends for about a year.” He smiles uncomfortably at Ally after he answers.   “She hasn’t told me how you met though, Joshua. Care to share?” Ally reaches for my thigh, pinching the skin lightly but it just makes me smile as I keep my eyes on the boy.   “It’s just Josh.” He swallows. “We met at a Halloween party last year, she helped me clean up after I tipped a table over with a bunch of pumpkin desserts all over it... that’s why she calls me ‘Pumpkin’.” They both laugh at that. I clench my teeth at their adorable inside joke but keep the smile on my face.   “And why do you call her ‘Sweetheart’?” They laugh again. I hate him. “Well, obviously because she’s a sweetheart.” He says it like I’m stupid for questioning that, like I don’t know exactly how sweet she is. Fucker.   “Do you want to fuck my girl, Joshua?” I ask bluntly. Done playing games.   “Alexander!” Ally gasps. I can see Molly and Zeke staring open mouthed in my peripheral but I keep my eyes on Joshua as he gaps at me like a fish…
L.Jacobs
Opening the box, they withdrew the thick plastic grave markers. His lips twitched as he scanned the epitaphs: R.I.P. Van Winkle, Dee Cayed, I.M. Gone, and Barry R. Bones. "Dracula, Fangs for the Memories," he read aloud and, chuckled. Grace held up her favorite. "Rigger Mortys. Death Grips and Holds Me Tight, But I Shall Return on Halloween Night." Tongue-in-cheek, he asked her, "What would your headstone say?" "She Threw a Great Party," came to mind. "How about yours?" "Death by Decorating.
Kate Angell (The Cottage on Pumpkin and Vine)
I'm naked underneath." "Commando here, too." One corner of her mouth tipped up. "Something else we have in common." He moved toward her, stepped around the chair. Closing in, he he finger-traced her cleavage. She didn't flinch or cringe, which encouraged him to say, "I'll take off my shirt, so you don't feel alone when I peel down your top." "Once our tops are off?" "We work our way down." "Down...
Kate Angell (The Cottage on Pumpkin and Vine)
Over the river, and through the wood, To grandfather’s house we go; The horse knows the way, To carry the sleigh, Through the white and drifted snow. Over the river, and through the wood, To grandfather’s house away! We would not stop For doll or top, For ’t is Thanksgiving day. Over the river, and through the wood, Oh, how the wind does blow! It stings the toes, And bites the nose, As over the ground we go. Over the river, and through the wood, With a clear blue winter sky, The dogs do bark, And children hark, As we go jingling by. Over the river, and through the wood, To have a first-rate play— Hear the bells ring Ting a ling ding, Hurra for Thanksgiving day! Over the river, and through the wood— No matter for winds that blow; Or if we get The sleigh upset, Into a bank of snow. Over the river, and through the wood, To see little John and Ann; We will kiss them all, And play snow-ball, And stay as long as we can. Over the river, and through the wood, Trot fast, my dapple grey! Spring over the ground, Like a hunting hound! For ’t is Thanksgiving day! Over the river, and through the wood, And straight through the barn-yard gate; We seem to go Extremely slow, It is so hard to wait. Over the river, and through the wood— Old Jowler hears our bells; He shakes his pow, With a loud bow wow, And thus the news he tells. Over the river, and through the wood— When grandmother sees us come, She will say, Oh dear, The children are here, Bring a pie for every one. Over the river, and through the wood— Now grandmother’s cap I spy! Hurra for the fun! Is the pudding done? Hurra for the pumpkin pie!
Denise Kiernan (We Gather Together: A Nation Divided, a President in Turmoil, and a Historic Campaign to Embrace Gratitude and Grace)
Let's do snacks." And snacks, we did. We consumed japchae, stir-fried sweet potato noodles with shredded veggies and beef, that were sweet and savory and wonderfully chewy. Ddukbokki, chewy cylinders of rice cake, soft and springy cakes of sweet ground fish, more veggies, and sweet and spicy gochujang sauce. Soondae, a sausage stuffed with noodles, barley, and pig blood, which I had to say gave me slight pause (and made my Jewish grandmother shriek with terror), but which had the most interesting mix of textures. We cleansed our palates with hobakjuk, a porridge made from glutinous rice and the sweetest steamed pumpkin I'd ever tasted, and finished up with hotteok, sweet, crunchy fried pancakes filled with cinnamon, honey, brown sugar, and peanuts.
Amanda Elliot (Sadie on a Plate)
Your father even wrote the first theories about daytime dreaming in this library." She smiles at Albert, a look of pride. "He invented daydreams, you know," she says, looking back to me. "A way for humans to dream up wild, unthinkable things right in the middle of the afternoon, without ever needing to go to sleep." I think back to my own daydreams, moments when I'd managed to lose myself in thought, especially in my old life: dreaming of a future with Jack, dreaming of who I might be if I ever escaped Dr. Finkelstein.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
He starts to turn away, then stops, scratching at his beard, considering something, before bending low in the grass and plucking something from the soil. He holds it out in his palm. "Good luck, giant," he says, nodding. In his palm rests a tiny green leaf. "It's a four-leaf clover," he explains with a wink. "And one that's been plucked from inside St. Patrick Town is particularly lucky." I take the green clover from his palm and hold it up to the clouded sky, marveling at its four perfectly rounded leaves. It smells of soil and rain, resting delicately between my fingertips. And it looks just like the clover on the doorway into this realm. "Thank you," I say to him, but when I glance up, he's already vanished into the thick green spruce trees and falling raindrops.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I love you,” he says, cutting me off.
Becky Monson (Pumpkin Spice and Not So Nice)
He’s lucky to have you,” I say. He sighs, but it sounds more like a deep grumble in his chest. “I should have done more.” “No,” I say, shaking my head, even though I know he can’t see me as he keeps his focus on the winding road in front of us. “I don’t know the whole story, but I’m pretty sure it wasn’t your choices that got your brother in the situation he’s in. That was a series of choices on his part.” “I could have helped, though. This has been going on for a while. He started getting into stuff not long after our dad left.” “Aidan,” I say, reaching up to touch his arm. “It’s not your job to take care of everyone.” He glances over at me this time, just briefly, and then back to the road. “I know,” he says. “And even if you did everything in your power to help him, the outcome might have been exactly the same.
Becky Monson (Pumpkin Spice and Not So Nice)
The lantern men of the marshes? Of course I have. They lead unwary travellers to their deaths. They’re linked to will-o’-the-wisps, spirits who are shut out of heaven and hell. Some say that the original was a blacksmith called Will who was so evil that he was condemned to walk the earth for ever, never ascending to heaven or descending to hell. The devil gave him a single coal from hell to keep him warm and he carried it in a pumpkin. That’s where jack-o’-lanterns come from. You know, the lighted pumpkins that children make on Halloween.
Elly Griffiths (The Lantern Men)
For he has found that even his senses deceive him, and it is "prudent never to trust completely those who have deceived us even once". He puts to himself the objection that only madmen ("who say that they are dressed in purple when they are naked, or that their heads are made of earthenware, or that they are pumpkins or made of glass" -- madmen were evidently pretty colorful in the seventeenth century) deny the very obvious evidence of their senses.
Simon Blackburn (Think: A Compelling Introduction to Philosophy)
Dad had always composed his daily look carefully: neatly combed hair, seasonal tie featuring pumpkins in October or flags in July, dark leather loafers buffed to a high shine, white doctor’s coat laundered in hot water and pressed crisp. True, he also mowed the lawn in black knee socks and khaki shorts. I’m not saying he always made good choices, just that the outfits, like other decisions, had always been his to make.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
If you say pumpkin spiced latte in the mirror three times, a white girl in yoga pants and a ponytail will jump out and tell you her favorite thing about fall.
Tara Brown (White Girl Problems)
You think you know everything about Thanksgiving, don’t you? …How the Native Americans saved the Pilgrims from starving… How the Pilgrims held a big feast to celebrate and say thank you: turkey, pumpkin pie, cranberries--the works. Well, listen up. I have a news flash… WE ALMOST LOST…THANKSGIVING! Didn’t know that, did you? It’s true. Way, way back, when skirts were long and hats were tall, Thanksgiving was fading away. Sure, the folks up in New England celebrated it. They’d roast a turkey and invite the relatives when the harvest came in. But not in the South, not in the West, not even in the Middle Atlantic states. More and more, people ignored the holiday. Thanksgiving was in trouble. It needed… A SUPERHERO!
Laurie Halse Anderson (Thank You, Sarah: The Woman Who Saved Thanksgiving)
She is never going to let me live down that stupid Thanksgiving," Kai says. I can't help but take the bait. "You made prime rib!" "It was delicious," Kai says, shrugging. "IT WAS BEEF! You can't have beef on Thanksgiving, except for appetizers like meatballs or something. You have TURKEY on Thanksgiving." Last Thanksgiving I spent with Phil and Kai, since I was orphaned and separated and Gilly couldn't make it from London. Everything was delicious, but it was like a dinner party and not Thanksgiving. The prime rib wasn't the only anomaly. No mashed potatoes or stuffing or sweet potatoes with marshmallows or green bean casserole. He had acorn squash with cippolini onions and balsamic glaze. Asparagus almondine. Corn custard with oyster mushrooms. Wild rice with currants and pistachios and mint. All amazing and perfectly cooked and balanced, and not remotely what I wanted for Thanksgiving. When I refused to take leftovers, his feelings were hurt, and when he got to the store two days later, he let me know. "Look," Kai says with infinite patience. "For a week we prepped for the Thanksgiving pickups." He ticks off on his fingers the classic menu we developed together for the customers who wanted a traditional meal without the guilt. "Herb-brined turkey breasts with apricot glaze and roasted shallot jus. Stuffing muffins with sage and pumpkin seeds. Cranberry sauce with dried cherries and port. Pumpkin soup, and healthy mashed potatoes, and glazed sweet potatoes with orange and thyme, and green beans with wild mushroom ragu, and roasted brussels sprouts, and pumpkin mousse and apple cake. We cooked Thanksgiving and tasted Thanksgiving and took Thanksgiving leftovers home at the end of the day. I just thought you would be SICK OF TURKEY!
Stacey Ballis (Good Enough to Eat)
There you go, pumpkin.” As if sensing my mood, she turns and plants her sweaty, dirty palms on my thighs and kisses my cheek. “You’re the best hair putter-upper, Daddy.” She skips off and takes my heart with her. “Your kid’s full of shit,” Halo mutters. “That’s the weakest ponytail I’ve seen in a long time.” “Fuck you,” I say, my heart so fucking full, I can’t breathe.
Scarlett Cole (The Loves We Lost (Iron Outlaws MC, #6))