Pulp Fiction Funny Quotes

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The path of the righteous man is beset on all sides by the iniquities of the selfish and the tyranny of the evil men. Blessed is he who, in the name of charity and goodwill, shepherds the weak through the valley of darkness, for he is truly his brother's keeper, and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon thee!
Ezekiel 25:17
His agility surprised Phoebe Ash. She saw the plaster cast on his right leg. Funny messages in ink—“Go break the left one, tiger!”—had been written on the off-white plaster.
Ed Lynskey (The Quetzal Motel)
Lester Dent died thinking his name and works belonged to a pulp past destined to be forgotten. Just a year before his passing, he scoffed at the mention of his old Doc Savage novels, saying, “They would be so outdated today that they would undoubtedly be funny. Hell, when I wrote them, an airplane that could fly 200 miles per hour was science fiction. They would be of no interest any more.” Five years after his death, Bantam Books released three Doc novels to test a market in which pulp reprints of Edgar Rice Burroughs’ Tarzan of the Apes were selling briskly. Thanks in part to James Bama’s powerful monochromatic covers, Doc Savage sales surged and surged until millions of copies were sold, making “Kenneth Robeson” one of the best-selling authors of the 1960s—a posthumous vindication which, for all his imaginative powers, Lester Dent himself never envisioned.
Kenneth Robeson (The Desert Demons)
Even though the cut was about twenty minutes longer than the ultimately released movie, Pulp Fiction was an even better movie than Reservoir Dogs. The structure was not only more audacious; the movie was funny as hell and had some extremely intense suspense sequences. Afterward, when Quentin asked me what I thought, remembering the Reservoir Dogs screening, I demurred and bit my tongue. I didn’t want to make a casual comment that might inadvertently influence this great movie. Even though a scene or two might have been tightened I just told him how much I loved it, which was true. As I was walking to my car I looked over and was surprised to find Dennis Hopper walking beside me. Usually I try to give celebrities their space and not bother them in public, but Hopper’s Easy Rider had made a huge impact on me at a very young age and it was hard to contain myself. I decided to keep it simple and just said, “I really loved Quentin’s film.” Hopper stopped in his tracks and suddenly it was like I was standing beside Francis Ford Coppola’s character the “photojournalist,” right out of his Apocalypse Now. Just him and me. “Yeah, man. Quentin really did it, man. I mean really. He really did it.” We both stood there in silent contemplation for a long moment, then wished each other good night and that was that.
Don Coscarelli (True Indie: Life and Death in Filmmaking)