Pull The Weeds Quotes

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The master of the garden is the one who waters it, trims the branches, plants the seeds, and pulls the weeds. If you merely stroll through the garden, you are but an acolyte.
Vera Nazarian (The Perpetual Calendar of Inspiration)
You may live or work around a bunch of weeds, but don’t let that stop you from blooming. Realize that your environment does not prevent you from being happy. Some people spend all their time trying to pull up all the weeds. Meanwhile, they miss much of their lives. Don’t worry about things you can’t change. You can’t change the traffic in the morning. You can’t fix everybody at work. You can’t make all your family members serve God. But you shouldn’t let that keep you from being happy. Bloom anyway and focus on the things that you can change. You can change your own attitude. You can choose to be happy right where you are.
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
You're waiting because you thought it would follow, you thought there would be some logic, perhaps, something to pull it all together but here we are in the weeds again, here we are in the bowels of the thing: your world doesn't make sense.
Richard Siken (Crush)
It's disturbing how fast weeds take root in my garden of worthiness. They're so hard to pull. And grow back so easily.
Wendelin Van Draanen (The Running Dream)
A girl is like a young tree, she said. You must stand tall and listen to your mother standing next to you. That is the only way to grow strong and straight. But if you bend to listen to other people, you will grow crooked and weak. You will fall to the ground with the first strong wind. And then you will be like a weed, growing wild in any direction, running along the ground until someone pulls you out and throws you away.
Amy Tan (The Joy Luck Club)
You’ll find out it’s little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it’s full of flavors, full of a lot of things growing. You’ve time to seek and find. I know, you’re after the broad effect now, I suppose that’s fit and proper. But you got to look at grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well, and good. Right now such things are bothersome to you, and I wonder if it isn’t because you never learned to use them. If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things? Cutting grass and pulling weeds can be a way of life.
Ray Bradbury (Dandelion Wine)
I've never written a quote I feel would be suitable for my gravestone. Wouldn't it be ironic if it were this one? Oh, and could you pull a few weeds while you're here?
Ryan Lilly (Write like no one is reading)
We all do our part,” Alex teased. “But if it's any consolation, Red's problems are a lot like weeds. No matter how many times you pull them, they just keep coming back.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
There is a willow grows aslant the brook that shows his hoar leaves in the glassy stream; therewith fantastic garlands did she make of crow-flowers, nettles, daisies, and long purples that the liberal shepherds give a grosser name, but our cold maids do dead men's fingers call them. There, on the pendent boughs her coronet weeds clamb'ring to hang, an envious sliver broke; when down her weedy trophies and herself fell in the weeping brook. Her clothes spread wide and, mermaid-like, awhile they bore her up; which time she chanted snatches of old lauds, as one incapable of her own distress, or like a creature native and indued unto that element; but long it could not be till that her garments, heavy with their drink, pull'd the poor wretch from her melodious lay to muddy death.
William Shakespeare (Hamlet)
A man walks into a bar and says: Take my wife–please. So you do. You take her out into the rain and you fall in love with her and she leaves you and you’re desolate. You’re on your back in your undershirt, a broken man on an ugly bedspread, staring at the water stains on the ceiling. And you can hear the man in the apartment above you taking off his shoes. You hear the first boot hit the floor and you’re looking up, you’re waiting because you thought it would follow, you thought there would be some logic, perhaps, something to pull it all together but here we are in the weeds again, here we are in the bowels of the thing: your world doesn’t make sense. And then the second boot falls. And then a third, a fourth, a fifth. A man walks into a bar and says: Take my wife–please. But you take him instead. You take him home, and you make him a cheese sandwich, and you try to get his shoes off, but he kicks you and he keeps kicking you. You swallow a bottle of sleeping pills but they don’t work. Boots continue to fall to the floor in the apartment above you. You go to work the next day pretending nothing happened. Your co-workers ask if everything’s okay and you tell them you’re just tired. And you’re trying to smile. And they’re trying to smile. A man walks into a bar, you this time, and says: Make it a double. A man walks into a bar, you this time, and says: Walk a mile in my shoes. A man walks into a convenience store, still you, saying: I only wanted something simple, something generic… But the clerk tells you to buy something or get out. A man takes his sadness down to the river and throws it in the river but then he’s still left with the river. A man takes his sadness and throws it away but then he’s still left with his hands.
Richard Siken
The problem with being grounded is it gives you a whole lot of unavoidable time to think. NOt even pulling weeds can take away your ability to plot all the varied and wonderful things you might do to get even, or at least to make up, just get a smidgen for time lost to TV and yard work and house cleaning.
Ellen Hopkins (Crank (Crank, #1))
Jesus said the weeds would grow with the wheat until the Judgement," Dietrich answered, "so one finds both good men and bad in the Church. By our fruits we will be known, not by what name we have called ourselves. I have come to believe that there is more grace in becoming wheat than there is in pulling weeds.
Michael Flynn (Eifelheim)
If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things to do so you wouldn’t go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.
Ray Bradbury (Dandelion Wine)
Mandy tidied the weeds and pulled out some of the summer flowers. It saddened her to do so. She was parting with beloved friends.
Julie Andrews Edwards (Mandy)
Some hopes were weeds, easy to eradicate with a yank and a pull. Some, however, were vines, fast growing, tenacious, and impossible to clear.
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
Life is like an overgrown garden. You can spend your time cursing the weeds, or you can work to pull them out. In either case, the flowers are what matter.
Sabrina Jeffries (By Love Unveiled (Restoration, #1))
Love is a handful of seeds, marriage the garden, and like your gardens, Paula, marriage requires total commitment, hard work, and a great deal of love and care. Be ruthless with the weeds. Pull them out before they take hold. Bring the same dedication to your marriage that you do to your gardens and everything will be all right. Remember that a marriage has to be constantly replenished too, if you want it to flourish...
Barbara Taylor Bradford (Hold the Dream (Emma Harte Saga #2))
Bitterness is like a weed. Remember how hard it always was to pull out thistles once they root? Remember how deep those roots grow, and how if you just snapped off the end of it, the plant would grow right back? You have to dig down deep inside. Let God search your heart. Let Him show you what's there and help you root out all that bitterness. Then you can pray for forgiveness.
Lynn Austin
She was also a memory, the worst kind of memory--the kind that pulled you to your knees at just the sound of her name.
Laura Miller (My Butterfly (Butterfly Weeds, #2))
Prejudice didn't read or obey laws. It was a hard weed to pull from people's hearts.
Yamile Saied Méndez (Furia)
Our sense of the full range of human nature, like our diet, has been steadily reduced. No matter how nourishing it might be, anything wild gets pulled - though as we'll see, some of the weeds growing in us have roots reaching deep into our shared past. Pull them if you want, but they'll just keep coming back again and again.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
My memories of my brother are like a garden full of weeds. I pull at them, somedays wanting to remove the bad ones, somedays wanting to remove the good ones because they hurt even more.
Jasmine Warga (The Shape of Thunder)
August 21. ... I've become pretty good at telling weeds fom not-weeds. But every once in a while I have my doubts. I come across an especially difficult root. I pull and it doesn't come out. I pull again. It resists. I dig my gloved fingers into the soil and grab it with both hands and pull yet again. It begins to come out, but I can see it's going to take several more hard pulls. And that's when the doubts begin. I begin to wonder: Have I made a mistake? Is this really a weed? If it's not supposed to be here, why is it resisting so? But it's too late now. There's nothing to do with a plant half pulled but to go all the way. And so I tug some more, and finally, shedding clods of dirt and worms, it breaks free of the earth---and I try not to hear the tiny, anguished cry.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
But how nice it would be to know that some good Yankee woman - And there must be SOME good Yankee women. I don’t care what people say, they can’t all be bad! How nice it would be to know that they pulled weeds off our men’s graves and brought flowers to them, even if they were enemies. If Charlie were dead in the North it would comfort me to know that someone - And I don’t care what you ladies think of me,” her voice broke again, “I will withdraw from both clubs and I’ll — I’ll pull up every weed off every Yankee’s grave I can find and I’ll plant flowers, too — and — I just dare anyone to stop me!
Margaret Mitchell (Gone with the Wind)
I just learned two things there at that college, Mr. Ford, that was ever of any use to me. One was that I couldn’t do any worse than the people that were in the saddle, so maybe I’d better try pulling ’em down and riding myself. The other was a definition I got out of the agronomy book, and I reckon it was even more important than the first. It did more to revise my thinking, if I’d really done any thinking up until that time. Before that I’d seen everything in black and white, good and bad. But after I was set straight I saw that the name you put to a thing depended on where you stood and where it stood. And…and here’s the definition, right out of the agronomy books: ‘A weed is a plant out of place.’ Let me repeat that. ‘A weed is a plant out of place.’ I find a hollyhock in my cornfield, and it’s a weed. I find it in my yard, and it’s a flower.
Jim Thompson (The Killer Inside Me)
Some hopes were weeds, easy to eradicate with a yank and a pull. Some, however, were vines, fast growing, tenacious, and impossible to clear. As she played the music box again, alone in the drawing room, she began to realize that hers were of the latter kind. She would never stop hoping.
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
Pull up a weed from the wet soil of the drenched garden and smell the rich life the earthworm has left behind. Just a whiff of it will flood you with a feeling of well-being. The microbes in freshly turned soil stimulate serotonin production, working on the human brain the same way antidepressants do.
Margaret Renkl (The Comfort of Crows: A Backyard Year)
I do have a heart. A big, messy, bleeding-like-a-volcano heart. If you pulled it out of my chest, it would be covered in escaped butterflies and black holes and weeds that look like flowers.
Amy Zhang (This Is Where the World Ends)
seek forgiveness in yourself before searching for it in others,​ people will pick and choose the parts of you they love ​ before discarding the rest. but darling,​ you are not a backyard full of weeds ​ needing to be pulled,​ you are a garden of roses aching with thorns. you deserve to be loved​ only by someone​ who knows how to hold all of you.
Pavana Reddy (Rangoli)
Its all a matter of weeding out the bad and cultivating more productive thoughts. And just like pulling weeds, you have to get to the root otherwise that weed, the self-doubt, that negative programming, will spring back up and shoke off the flower that can blossom for you in the future.Be consistent. Apply that "weed off" whenever you feel the need. Every day see the brighter side of things. Continually tell yourself how lucky you are, how good your life is right now, and how things can only get better
Dave Pelzer (Help Yourself: Finding Hope, Courage, And Happiness)
And it's the wanting that pulls me back down to earth hard. The wanting scares me. It's like a weed that spreads slowly, just beneath your notice. Before you know it, it's pitted your surfaces and darkened your windows.
Nicola Yoon (Everything, Everything)
I did not know people your age still read books,' Penumbra says. He raises an eyebrow. 'I was under the impression they read everything on their mobile phones.' 'Not everyone. There are plenty of people who, you know--people who still like the smell of books.' 'The smell!' Penumbra repeats. 'You know you are finished when people start talking about the smell.' He smiles at that--then something occurs to him, and he narrows his eyes. 'I do not suppose you have a...Kindle?' Uh-oh. It feels like it's the principal asking me if I have weed in my backpack. But in a friendly way, like maybe he wants to share it. As it happens, I do have my Kindle. I pull it out of my messenger bag. It's a bit battered with wide scratches across the back and stray pen marks near the bottom of the screen. Penumbra holds it aloft and frowns. It's blank. I reach up and pinch the corner and it comes to life. He sucks in a sharp breath, and the pale gray rectangle reflects in his bright blue eyes.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
In a garden, food arises from partnership. If I don't pick rocks and pull weeds, I'm not fulfilling my end of the bargain. I can do these thing with my handy opposable thumb and capacity to use tools, to shovel manure. But I can no more create a tomato or embroider a trellis in beans than I can turn lead into gold. That is the plants' responsibility and their gift: animating the inanimate. Now there is a gift.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Matins You want to know how I spend my time? I walk the front lawn, pretending to be weeding. You ought to know I'm never weeding, on my knees, pulling clumps of clover from the flower beds: in fact I'm looking for courage, for some evidence my life will change, though it takes forever, checking each clump for the symbolic leaf, and soon the summer is ending, already the leaves turning, always the sick trees going first, the dying turning brilliant yellow, while a few dark birds perform their curfew of music. You want to see my hands? As empty now as at the first note. Or was the point always to continue without a sign?
Louise Glück (The Wild Iris)
Pull out the weeds, or make peace with the dandelions.
Frank Sonnenberg (Listen to Your Conscience: That's Why You Have One)
To kill weeds, you must pull them up at the roots,
Stephen Kinzer (Overthrow: America's Century of Regime Change from Hawaii to Iraq)
the funny thing bout weeds. You can pull em up by the root, burn the soil where they stood, might lie dormant for years, but they’ll always find a way.
Kim Liggett (The Grace Year)
One of the strangest things about life is that we are as much defined by our hopes as we are our secret fears. We are, for the most part, the product of what we think about the most. Our minds are fertile beds, like these flower boxes. What would happen if the gardener did not pull out the weeds?
Jeff Wheeler (Mirror Gate (Harbinger, #2))
That's the trouble with your generation,' said Grandpa. 'Bill, I'm ashamed of you, you a newspaperman. All the things in life that were put here to savor, you eliminate. Save time, save work, you say.' He nudged the grass trays disrespectfully. 'Bill, when your'e my age, you'll find out it's the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it's full of flavors, full of a lot of things growing. You've time to seek and find. I know--you're after the broad effect now, and I suppose that's fit and proper. But for a young man working on a newspaper, you got to look for grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well and good. Right now such things are bothersome to you, and I wonder if it isn't because you've never learned to use them. If you had your way you'd pass a law to abolish all the little jobs, the little things. But then you'd leave yourselves nothing to do between the big jobs and you'd have a devil of a time thinking up things to do so you wouldn't go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.
Ray Bradbury (Dandelion Wine)
Fear was like a vicious weed. Once it took root some part of it always lingered, even when it was pulled out again and again. It corrupted even the gentlest of hearts, turning them cold as stone and twice as hard.
Jillian Eaton (A Gentle Grace (Wedded Women Quartet, #4))
I have always been told that a person has to accept that the illness is chronic," she says, at the end of our interview. "You can be 'in recovery,' but you can never be 'recovered.' But I don't want to be on disability forever, and I have started to question whether depression is really a chemical thing. What are the origins of my despair? How can I really help myself? I want to honor the other parts of me, other than the sick part that I'm always thinking about. I think that depression is like a weed that I have been watering, and I want to pull up that weed, and I am starting to look to people for solutions. I really don't know what the drugs did for me all these years, but I do know that I am disappointed in how things have turned out." Such is Melissa Sances's story. Today it is a fairly common one. A distressed teenager is diagnosed with depression and put on an antidepressant, and years later he or she is still struggling with the condition. But if we return to the 1950s, we will discover that the depression rarely struck someone as young as Melissa, and it rarely turned into the chronic suffering that she has experienced. Her course of illness is, for the most part, unique to our times.
Robert Whitaker (Anatomy of an Epidemic: Magic Bullets, Psychiatric Drugs, and the Astonishing Rise of Mental Illness in America)
You are not beautiful, exactly. You are beautiful, inexactly. You let a weed grow by the mulberry and a mulberry grow by the house. So close, in the personal quiet of a windy night, it brushes the wall and sweeps away the day till we sleep. A child said it, and it seemed true: “Things that are lost are all equal.” But it isn’t true. If I lost you, the air wouldn’t move, nor the tree grow. Someone would pull the weed, my flower. The quiet wouldn’t be yours. If I lost you, I’d have to ask the grass to let me sleep.
Marvin Bell
The right use of the exercise of the will is a condition of salvation, necessary without a doubt, but remote, inferior, very subordinated, purely negative. Muscular effort pulls up weeds, but only the sun and water can make wheat grow. The will cannot produce any good in the soul. The efforts of the will are only in place for accomplishing specific obligations. Wherever there is no specific obligation, we must follow our natural inclination or our vocation, which to say the commandment of God. The acts proceeding from inclination are evidently not efforts of the will. And in acts of obedience to God, we remain passive. Whatever pains might accompany it, whatever deployment of activity might be apparent, they produce nothing analogous in the soul to muscular effort. There is only expectant waiting, attentiveness, silence and immobility through suffering and joy. The crucifixion of Christ is the model of all acts of obedience.
Simone Weil (Waiting for God)
The right use of the exercise of the will is a condition of salvation, necessary without a doubt, but remote, inferior, very subordinated, purely negative. Muscular effort pulls up weeds, but only the sun and water can make wheat grow. The will cannot produce any good in the soul.
Simone Weil (Waiting for God)
Look! You look, Mr Stone Eagle!' I shout down the telephone. 'This one's big time. This one's different. Do you know where the people behind your superquarry came from — names like McAskill and Kelly? They came from places like the Hebrides and Ireland in the Celtic world. Over here. They got pulled like weeds from their own land and transplanted onto yours. Don't you see? We're both from superquarry-threatened communities. We're both from communities that got fucked over, yes, fucked over. They cleared the native people and now they're wanting even the rocks.
Alastair McIntosh (Soil and Soul: People versus Corporate Power)
man sows good wheat seed in his field, but later finds that an enemy has sown weeds among the wheat. When the workers ask if they should pull the weeds out, the farmer tells them to allow both wheat and weeds to grow until the time of the harvest, when the two can be more easily separated.
Stephan A. Hoeller (Gnosticism: New Light on the Ancient Tradition of Inner Knowing)
Becky was a weed.  Nobody ever wanted them taking over the bigger, prettier plants.  People went to all extremes to make them go away.  They sprayed poison, pulled until the roots gave way. They felt only like their garden was complete when every tendril was extirpated.  This was how she felt from birth.
Ruth McLeod-Kearns (Weeds)
After Nicholas hung up the phone, he watched his mother carry buckets and garden tools across the couch grass toward a bed that would, come spring, be brightly ablaze as tropical coral with colorful arctotis, impatiens, and petunias. Katherine dug with hard chopping strokes, pulling out wandering jew and oxalis, tossing the uprooted weeds into a black pot beside her. The garden will be beautiful, he thought. But how do the weeds feel about it? Sacrifices must be made.
Stephen M. Irwin (The Dead Path)
Perhaps they'd been conditioned by all the quarantines and blackouts, all the invisible boundaries CSIRA erected on a moment's notice. The rules changed from one second to the next, the rug could get pulled out just because the wind blew some exotic weed outside its acceptable home range. You couldn't fight something like that, you couldn't fight the wind. All you could do was adapt. People were evolving into herd animals. Or maybe just accepting that that's what they'd always been.
Peter Watts (Maelstrom (Rifters, #2))
Healing is comparable to a garden. It needs tended to on a consistent basis. For weeds to be pulled out. The garden needs water and sunshine in effort to grow. Like a lotus flower, you will sprout through the soil, reaching up through the dark water towards the sunlight, stretching to the surface where you will beautifully bloom.
Dana Arcuri (Soul Cry: Releasing & Healing the Wounds of Trauma)
Unless the root is pulled out, the weed continues to thrive. The root of an illness, where it all began, is what carries its power, not the symptoms.
Aboriginal Healer, "Secrets of Aboriginal Healing"
It's her way of keeping Mariam close awhile yet before time has its way, before it snatches Mariam from the garden of her memory like a weed pulled by its roots.
Khaled Hosseini
It’s disturbing how fast weeds take root in my garden of worthiness. They’re so hard to pull. And grow back so easily.
Wendelin Van Draanen (The Running Dream)
I was high and my people were pulling me down.
Sachin Choudhary
Questioner: I am full of hate. Will you please teach me how to love? KRISHNAMURTI: No one can teach you how to love. If people could be taught how to love, the world problem would be very simple, would it not? If we could learn how to love from a book as we learn mathematics, this would be a marvellous world; there would be no hate, no exploitation, no wars, no division of rich and poor, and we would all be really friendly with each other. But love is not so easily come by. It is easy to hate, and hate brings people together after a fashion; it creates all kinds of fantasies, it brings about various types of cooperation as in war. But love is much more difficult. You cannot learn how to love, but what you can do is to observe hate and put it gently aside. Don’t battle against hate, don’t say how terrible it is to hate people, but see hate for what it is and let it drop away; brush it aside, it is not important. What is important is not to let hate take root in your mind. Do you understand? Your mind is like rich soil, and if given sufficient time any problem that comes along takes root like a weed, and then you have the trouble of pulling it out; but if you do not give the problem sufficient time to take root, then it has no place to grow and it will wither away. If you encourage hate, give it time to take root, to grow, to mature, it becomes an enormous problem. But if each time hate arises you let it go by, then you will find that your mind becomes very sensitive without being sentimental; therefore it will know love. The mind can pursue sensations, desires, but it cannot pursue love. Love must come to the mind. And, when once love is there, it has no division as sensuous and divine: it is love. That is the extraordinary thing about love: it is the only quality that brings a total comprehension of the whole of existence.
J. Krishnamurti (Think on These Things)
I think you believe you ought to be small," he said softly, almost meditatively. "I think you have been taught that greatness does not belong to you, and that to want it is perverse. I think you have folded yourself into the shape that others expect of you; but that shape does not suit you, has never suited you, and all your young life, you have been dying to be free of it." Miuko blinked. It was as if the doro had dug his fingers inside of her and pulled from her heart some deep-rooted weed, so long established that she'd forgotten it was there, choking her every breath. "Do I see you?" the doro asked.
Traci Chee (A Thousand Steps into Night)
Looking at personal issues is like pulling just the top of the weeds out of your lawn: they pop right back up. You may have some relief from the trouble of the day, but the root is still there, totally untouched. But having experiences, even if they clear up problems or offer beautiful insights, is very different than finding the root of who you are. If you don’t get to the root, you just get another weed.
Adyashanti (Emptiness Dancing)
Listen to his dangerous and inclusionary thinking: “My Father's sun shines on the good and the bad, his rain falls on the just and the unjust” (Matthew 5:45). Or “Don't pull out the weeds or you might pull out the wheat along with it. Let the weeds and the wheat both grow together until the harvest” (Matthew 13:29–30). If I had presented such fuzzy thinking in my moral theology class, I would have gotten an F!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Here’s the short version of how to practice mindfuless: 1. Start with two minutes. For two minutes a day, direct your attention to your breath: the way the air comes into your body and your chest and belly expand, and the way the breath leaves your body and your chest and belly deflate. 2. The first thing that will happen is your mind will wander to something else. That’s normal. That’s healthy. That’s actually the point. Notice that your mind wandered, let those extraneous thoughts go—you can return to them as soon as the two minutes are up—and allow your attention to return to your breath. 3. Noticing that your mind wandered and then returning your attention to your breath is the real work of mindfulness. It’s not so much about paying attention to your breath as it is about noticing what you’re paying attention to without judgment, and making a choice about whether you want to pay attention to it. What you’re “mindful” of is both your breath and your attention to your breath. By practicing this skill of noticing what you’re paying attention to, you are teaching yourself to be in control of your brain, so that your brain is not in control of you. This regular two-minute practice will gradually result in periodic moments throughout the day when you notice what you’re paying attention to and then decide if that’s what you want to pay attention to right now, or if you want to pay attention to something else. What you pay attention to matters less than how you pay attention. This is a sideways strategy for weeding trauma out of your garden. It’s a way of simply noticing a weed and then deciding if you want to water it or not, pull it or not, fertilize it or not. The weed of trauma will gradually disappear as long as at least half the time you choose not to nurture it. And the more you choose to withdraw your protection from the trauma, the faster it will wither and die. Mindfulness is good for everyone and everything. It is to your mind what exercise and green vegetables are to your body. If you change only one thing in your life as a result of reading this book, make it this daily two-minute practice. The practice grants the opportunity to “cultivate deep respect for emotions,” differentiating their causes from their effects and granting you choice over how you manage them.
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
AND IT’S THE wanting that pulls me back down to earth hard. The wanting scares me. It’s like a weed that spreads slowly, just beneath your notice. Before you know it, it’s pitted your surfaces and darkened your windows.
Nicola Yoon (Everything, Everything)
But, Aunt... I don't want to go to the grave site set aside for me a few years ago at the ancestral grave site. I don't want to go there. When I lived here and woke up from the fog in my head, I would walk by myself to the grave site set aside for me, so that I could feel comfortable if I lived there after death. It was sunny, and I liked the pine tree that stood bent but tall, but remaining a member of this family even in death would be too much and too hard. To try to change my mind, I would sing and pull weeds, sitting there until the sun set, but nothing made me feel comfortable there. I lived with this family for over fifty years; please let me go now.
Shin Kyung-Sook
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
...why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life... Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaudling, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth.
Ray Bradbury
Oh God, my chin. I have a cluster of five hairs on the left side of my chin. They’re coarse and wiry, like boar hair, and for the past couple of years, they’ve been my hideous secret and my sworn enemies. They sprout up every couple of days, and so I have to be vigilant. I keep my weapons—Revlon tweezers and a 10X magnifying mirror—at home, in my Sherpa bag, and in my desk drawer at work, so in theory, I can be anywhere, and if one of those evil little weeds pokes through the surface, I can yank it. I’ve been in meetings with CEOs, some of the most powerful men in the world, and could barely stay focused on what they were saying because I’d inadvertently touched my chin and become obsessed with the idea of destroying five microscopic hairs. I hate them, and I’m terrified of someone else noticing them before I do, but I have to admit, there is almost nothing more satisfying than pulling them out.I stroke my chin, expecting to feel my Little Pig beard, but touch only smooth skin. My leg feels like a farm animal, which suggests I haven’t shaved in at least a week, but my chin is bare, which would put me in this bed for less than two days. My body hair isn’t making any sense.
Lisa Genova (Left Neglected)
In every era there comes a moment when the collective thoughts, whims, and motivations of a people become so self-absorbed, so malignant, so unheeding that nature itself revolts. Man scars the land such that it finally rebels against him. As thoughts can spread despair and death like seedlings of weeds strewn by the wind, so they eventually draw the Gardener to pluck them out. The vetches must be pulled, roots and all. When this happens, the Medium ceases to bless, and instead, it curses. Instead of healing, it spews poison. It happens swiftly and terribly. The ancients gave it a name, this culling process that blackens the world. They named it after a wasting disease that occurs in once-healthy groves of trees. They called it the Blight.
Jeff Wheeler (The Blight of Muirwood (Legends of Muirwood, #2))
Madame?” “Yes?” “What do I do?” “Just walk.” She walks. Now there are cold round pebbles beneath her feet. Now crackling weeds. Now something smoother: wet, unwrinkled sand. She bends and spreads her fingers. It’s like cold silk. Cold, sumptuous silk onto which the sea has laid offerings: pebbles, shells, barnacles. Tiny slips of wrack. Her fingers dig and reach; the drops of rain touch the back of her neck, the backs of her hands. The sand pulls the heat from her fingertips, from the soles of her feet.
Anthony Doerr (All the Light We Cannot See)
The grass is always greener…wherever you water and mow. No matter how big or how small, take care of the things you currently have. See to it that your marriage, your children, your job and the blessings you have been entrusted with get plenty of water and sunshine. Pull the inevitable weeds that pop up, keep that lawn of life manicured and trimmed; don’t forget the edging. Add seeds of growth where you find deficiencies, nurture the flowers that bloom and rejoice in the sight of the healthy beauty that lies within your very own fence line.
Jason Versey (A Walk with Prudence)
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
Without imagination---without creativity---without courage---the best prairie restorations don't happen. The rewards don't always come in our lifetime... . We work, knowing we leave a legacy for those who will come after us. We think of them as we drip with sweat, freeze, or pull weeds...plant seeds.
Cindy Crosby (Tallgrass Conversations: In Search of the Prairie Spirit)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Spring has come with little prelude, like turning a rocky corner into a valley, and gardens and borders have blossomed suddenly lush with daffodils, irises, tulips. Even the derelict houses of Les Marauds are touched with color, but here the ordered gardens have run to rampant eccentricity; a flowering elder growing from the balcony of a house overlooking the water, a roof carpeted with dandelions, violets poking out of a crumbling facade. Once-cultivated plants have reverted to their wild state, small leggy geraniums thrusting between hemlock-umbels, self-seeded poppies scattered at random and bastardized from their original red to orange to palest mauve. A few days' sunshine is enough to coax them from sleep; after the rain they stretch and raise their heads toward the light. Pull out a handful of these supposed weeds, and there are sages and irises, pinks and lavenders, under the docks and ragwort.
Joanne Harris (Chocolat (Chocolat, #1))
Soon the river would narrow and carve through water rushes and overhanging trees still dripping with weed and flotsam from the previous high tide; it was the stretch I never trusted, the stretch of river that pulled my imagination as taut as rope around a cleat, and where I saw thick gnarled roots crawling across the mudflats
Sarah Winman (When God was a Rabbit)
The years of disillusion, the long debate of who-belongs-to-who, gathered at the mighty feet of the Bangladesh Liberation War like flood waters rising, gathering thick weeds and crusty dirt and pulling it all in one direction. At times, when the body count was high and the air tasted like bloody ash, the way mass graves smell, Sariyah had wondered what progress was supposed to taste like. Often it tasted like unanswered questions, stuck in the teeth. Bangladesh had given her the true answer, though: progress at its best is home-grown. It should taste like joy – pure, unhindered joy. Like the freshest sun-ripened mango on a tree, a little sunrise in her palm.
Katherine Russell (Without Shame)
I never knew what Mother knowed, Like how a thread and needle sewed, And how a kiss healed boo-boos fast. Why family knots were made to last. I never knew how Mother saw A caring man in angry pa, A smile beneath the teary gloom, A game inside a messy room. I never knowed what Mother knew, Like how to smile when days were blue, And how to laugh for laughter’s sake, While giving up her slice of cake. I never saw what Mother see’d Like honor pulling garden weeds, Or deep confessions in a look, And hope alive in storybooks. I never knew how Mother knowed To hand out carrots when it snowed, And why hot cocoa liked the rain, While naptime kept a person sane. For mother knowed and see’d it all. A winner in a strike-out ball. A 'yes, please' in a shoulder shrug. A 'love you mostest' in a hug. Perhaps, someday, I’ll come to know What Mother saw and knowed as so. Like how 'I’m right' can be all wrong, And why the night requires a song. But of the things I learned and knew I never doubted one thing true. My mother made it crystal clear, she knowed and loved me ever dear.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
We could make a meal of what’s left in this box: potato, onion, rind of cheese, elderly egg. We could make another baby without much fear, at our age. Name her Rosa and set her in the yard with us, pulling weeds, listening to the birds dusting their wings in the drive. We could instead just hold each other here in the cold house, and say enough, enough.
Rachel Contreni Flynn
As a rule we do not know the self, instead we know things, thoughts, emotions, feelings but not the self. Gurdjieff said we do not remember ourselves and he was saying much the same thing as Dogen. But is not the trouble that we are too full of the self? Yes, but we forget what is essential. Dogen says to know the self is to forget the self, but, before we can forget the self, we must know the self. We constantly use the word ‘I.’ All of our conversations, real and imaginary, revolve around ‘I.’ We say, ‘I’ like and ‘I’ don’t like; ‘I’ want and ‘I’ don’t want. We confuse ‘I’ with the self but although they cannot be separated, they are not the same. A Zen nun said, “I cannot pull out the weed because if I do so I’ll pull out the flower.
Albert Low (Zen: Talks, Stories and Commentaries)
Naomi makes a face and points to the potted flowers near the front door of her houseboat. "Just look at that," she says, as if something upsetting has happened. She reaches into one of the pots and pulls out a green vine, a few feet long, with several bell-shaped flowers. "There," she says with a vindicated look in her eye, as if this vine has wronged her in some way. "What is it?" I ask. She flashes a patronizing smile. "An invasive weed," she says, tossing the vine into the lake. I watch the little white flowers flutter in the water. I want to kneel down and rescue them from drowning. "Morning glory," Naomi continues, shaking her head. "It'll take over if you let it." I watch as the vine drifts away on the lake. The little flowers bob up and down as if gasping for air. I consider that the vine might find its way to shore and wash up on a patch of soil, where it will start a new existence, maybe sink its roots and thrive. Maybe Naomi has set it free. I think of the bluebells that grew in my mother's garden when I was a child. Weeds, really. But I'd pick them by the handful, and when bunched together they looked stunning.
Sarah Jio (Morning Glory)
The truth a fairly important thing to hold on to when you’ve been pulled out of the sea after wanting to drown in it. I could’ve let the sea take me. I could easily be dead now, which is funny when you think of it. When I say funny, what I actually mean is weird and kind of disturbing. When there’s the loud sound of a siren screaming in your head it doesn’t take too long before a feeling of not caring what happens washed over you and you become recklessly self- destructive. I used to be full of energy and happiness but I could barely remember those kinds of feelings. The cheerful, childish things I used to think had been replaced. A whole load of new realisations had begun to grow inside me like tangled weeds, and they were starting to kill me. That’s why I’d make the decision that involved heading ogg to the pier on my pike in the middle of the night and cycling off it.
Sarah Moore Fitzgerald (The Apple Tart of Hope)
Building a neighbourhood takes a very long time. It takes at least twenty years and then some. Like a garden, a neighbourhood must be tended regularly and by many people. There are seeds to be sown, little plants to water. And yes, every day there are weeds to be pulled, small problems to be solved before they overwhelm what is good. It is a humble task, and it is never over. There are days when you think the slightest storm could blow all this loveliness away.
Mary Jo Leddy (The Other Face of God: When the Stranger Calls Us Home)
Scrooge instituted the initiation process for new members, as a way of weeding out those who were not ready. This was primarily done to toughen fellas up, for when they ended up in the hands of the police. We were having experiences where gang members who were being locked up couldn’t handle pressure. The next thing you know, they were pulling right up in the front of your door with the police. Franco ‘Co’ Bethel, former gang leader and right hand man to Scrooge.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Imagine that your mind is a garden. You can tend to it in three ways: observe it, pull weeds, and plant flowers. Observing it is fundamental, and sometimes that’s all you can do. Perhaps something terrible has happened and you can only ride out the storm. But being with the mind is not enough; we must work with it as well. The mind is grounded in the brain, which is a physical system that doesn’t change for the better on its own. Weeds don’t get pulled and flowers don’t get planted simply by watching the garden.
Rick Hanson (Resilient: How to Grow an Unshakable Core of Calm, Strength, and Happiness)
As I rode down the street with him to see what he’d bought, I was in shock when he pulled up in front of this tiny white box of a house. I mean tiny--maybe eight hundred square feet. There was no cute front porch. The yard--front and back--was all weeds and overgrown bushes. When he opened the front door on that cabin-size house, I could see it hadn’t been touched in thirty years. She cried. Again. That was sort of her thing during year one. If we ever write a marriage book, chapter 1 will be called, “She cried.
Joanna Gaines (The Magnolia Story)
Cutting grass and pulling weeds can be a way of life, son." Bill Forrester was smiling quietly at him. "I know," said Grandpa, "I talk too much." "There's no one I'd rather hear." "Lecture continued, then. Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaulding, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth. End of lecture. Besides, a mess of dandelion greens is good eating once in a while.
Ray Bradbury (Dandelion Wine)
So the Scouts went to work setting up camp-- raising the tent, filling the lamp, building the fire, getting it lit. Jane took time to explore a bit. She collected some leaves. She studied some seeds. That’s when she heard a voice in the weeds. Chuckling and talking to himself in there was--you guessed it-- Papa Q. Bear! “This trick will be fun,” Papa Bear said as he pulled the sheet over his head. “Hmm,” said Jane as she tiptoed away. “This is a game that two can play!” Then using twigs and leaves as a base, she started to make what looked like… A FACE!
Stan Berenstain (The Berenstain Bears and the Ghost of the Forest)
Me neither,” she said glumly. “I don’t know anyone who still is any more. I got a blood clot in my leg, what did you get?” She had a smear of mud across her cheek, her pink face layer was softening in the heat, like tar. “I couldn’t see,” I said. “Things were blurry. They said it would clear up after a couple of months but it didn’t.” It was like having vaseline on my eyes but I didn’t say that. Anna nodded; she was tugging at the weeds as though she was pulling hair. “Bastards,” she said, “they’re so smart, you think they’d be able to come up with something that’d work without killing you.
Margaret Atwood (Surfacing)
Agnes has a patch of land at Hewlands, leased from her brother, stretching from the house where she was born to the forest. She keeps bees here, in hemp-woven skeps, which hum with industrious and absorbed life; there are rows of herbs, flowers, plants, stems that wind up supporting twigs. Agnes’s witch garden, her stepmother calls it, with a roll of her eyes. Agnes can be seen, most weeks, moving up and down the rows of these plants, pulling up weeds, laying her hand to the coils of her hives, pruning stems here and there, secreting certain blooms, leaves, pods, petals, seeds in a leather bag at her hip.
Maggie O'Farrell (Hamnet)
You want to know how I spend my time? I walk the front lawn, pretending to be weeding. You ought to know I'm never weeding, on my knees, pulling clumps of clover from the flower beds: in fact I'm looking for courage, for some evidence my life will change, though it takes forever, checking each clump for the symbolic leaf, and soon the summer is ending, already the leaves turning, always the sick trees going first, the dying turning brilliant yellow, while a few dark birds perform their curfew of music. You want to see my hands? As empty now as at the first note. Or was the point always to continue without a sign?
Louise Glück (The Wild Iris)
My mother once told me why I was so confused all the time. She said I was without wood. Born without wood so that I listened to too many people. She knew this, because once she had almost become this way. “A girl is like a young tree,” she said. “You must stand tall and listen to your mother standing next to you. That is the only way to grow strong and straight. But if you bend to listen to other people, you will grow crooked and weak. You will fall to the ground with the first strong wind. And then you will be like a weed, growing wild in any direction, running along the ground until someone pulls you out and throws you away.
Amy Tan (The Joy Luck Club)
The meerkats looked away. They did it like one man, all of them turning in the same direction at exactly the same time. I pulled myself out to see what it was. It was Richard Parker. He confirmed what I had suspected, that these meerkats had gone for so many generations without predators that any notion of flight distance, of flight, of plain fear, had been genetically weeded out of them. He was moving through them, blazing a trail of murder and mayhem, devouring one meerkat after another, blood dripping from his mouth, and they, cheek to jowl with a tiger, were jumping up and down on the spot, as if crying, “My turn! My turn! My turn!
Yann Martel (Life of Pi)
This then is Borgia Rome: a city where a traveler entering the gates must still cross acres of country before he reaches the center, where animals still outnumber citizens, goats and cattle grazing the imperial ruins, their insistent teeth pulling weeds—and mortar—from between the stones of history. A city still struggling with a chasm of hardship between rich and poor, still ripped apart by gross family violence. But also a place of growing magnificence and confidence where, for the first time in centuries, the future no longer looks bleaker than the past, and where the new Pope has chosen for himself a name designed to foster a belief in magnificence again. Alexander
Sarah Dunant (Blood & Beauty: The Borgias)
Good writing is always a breaking of the soil, clearing away prejudices, pulling up of sour weeds of crooked thinking, stripping the turf so as to get at what is fertile beneath. It would be amusing to carry the simile further. Those bulbs that flower in the sand and wither! The gay fiction annual that has to be planted again every year! Those experimental plants from Russia, France, and Greenwich Village that are always getting winter killed—confound 'em!—is it worth while planting them again? The stocky perennial that keeps coming up and coming up—so easy to grow and so ugly. Scarlet sage that gives a touch of fiery sin to the edge of the suburbanite's concrete walk! And then the good flowers—as honest as they are beautiful! The well-ordered gar den! The climbing rose that escapes and is the most beautiful of all!
Henry Seidel Canby
Here are some of the things I learned while living in New York: That you shouldn’t interpret direct and efficient communication as rudeness. That a sidewalk operates by the same rules as a highway: if you walk slow, walk in the right lane, and if you have to stop, pull over. I learned that once the late June sunshine hits the streets, pretty girls in summer dresses come out of the woodwork. I also learned that summer brings with it the inescapable smell of marinating garbage and human urine. In the city, you can get weed delivered to your front door by a hipster on a bicycle or pick up a screwdriver in the dead of the night at a twenty-four-hour hardware store. I learned that the city has resilience like no other city during natural (or man-made) disasters, and that the people of New York generally coexist peacefully, which is impressive, considering there are 27,352 people per square mile.
Sari Botton (Goodbye to All That: Writers on Loving and Leaving New York)
A girl is like a young tree,” she said. “You must stand tall and listen to your mother standing next to you. That is the only way to grow strong and straight. But if you bend to listen to other people, you will grow crooked and weak. You will fall to the ground with the first strong wind. And then you will be like a weed, growing wild in any direction, running along the ground until someone pulls you out and throws you away.” But by the time she told me this, it was too late. I had already begun to bend. I had started going to school, where a teacher named Mrs. Berry lined us up and marched us in and out of rooms, up and down hallways while she called out, “Boys and girls, follow me.” And if you didn’t listen to her, she would make you bend over and whack you with a yardstick ten times. I still listened to my mother, but I also learned how to let her words blow through me. And sometimes I filled my mind with other people’s thoughts—all in English—so that when she looked at me inside out, she would be confused by what she saw.
Amy Tan (The Joy Luck Club)
Joe had always pretended indifference to flowers. He preferred fruit trees, herbs and vegetables, things to be picked and harvested, stored, dried, pickled, bottled, pulped, made into wine. But there were always flowers in his garden all thee same. Planted as if on an afterthought: dahlias, poppies, lavender, hollyhocks. Roses twined among the tomatoes. Sweet peas among the bean poles. Part of it was camouflage, of course. Part of it a lure for bees. But the truth was that Joe liked flowers, and was reluctant even to pull weeds. Jay would not have seen the rose garden if he had not known where to look. The wall against which the roses had once been trained had been partly knocked down, leaving an irregular section of brick about fifteen feet long. Greenery had shot up it, almost reaching the top, creating a dense thicket in which he hardly recognized the roses themselves. With the shears he clipped a few briars free and revealed a single large red rose almost touching the ground. "Old rose," remarked Joe, peering closer. "Best kind for cookin'. You should try makin' some rose petal jam. Champion." Jay wielded the shears again, pulling the tendrils away from the bush. He could see more rosebuds now, tight and green away from the sun. The scent from the open flower was light and earthy.
Joanne Harris (Blackberry Wine)
Arms flailing, Lincoln fought his rapid descent. Mud gave way beneath his feet, and he landed with a splash in Union Park’s lake. Shocked to his core, he looked up into Hannah’s laughing face. “W-why did you do that?” “I decided to take a risk.” She giggled, backing away, almost daring him to retaliate. “And if you’re going to spend time with me, you might as well learn there are going to be some surprises.” “Is that so?” A smile tugged at the corners of his lips, and his chest warmed. So, she was accepting his offer. “Well, Miss Gregory, you’d better expect some surprises as well.” He rushed toward her, creating a spray in his wake. She squealed and dove out of his reach. He caught her waist and pulled the laughing woman into his arms. With her hair hanging in damp rivulets around her face and her eyes alight with anticipation, she took his breath away. She shivered against his chest. “Lincoln Cole, if you douse me again—” She squirmed in his arms, then looked into his eyes and stilled. She licked her lips. “What are you doing?” He raised his hand, removed soggy weed from her hair, and cupped her cheek. “Giving you the surprise you deserve.” She shivered again, and he noticed a bluish tinge to her lips. Good grief. She was freezing, and even if he wanted to warm her up as only he could, standing in a lake was hardly the place for a first kiss. Before desire won over practicality, he bent and tossed her over his shoulder. “Put me down!” She squirmed and pounded on his back with her fists. “It would serve you right if I did toss you back in.
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
Ricky Marigold was his name up at the commune. He was seventeen, had run away from home in Pacoima and was a righteous grasshead. He wasn't a bad kid, just fucked up. He was for: love, truth, gentleness, getting high, staying high, good sounds, pleasant weather, funky clothes and rapping with his friends. He was against: Viet Nam, the Laws with their riot sticks, violence, bigotry, random hatred, nine-to-five jobs, squares who tried to get you to conform, grass full of seeds and stems, and bringdowns in general. He met Jack Gardiner on the corner of Laurel Canyon and Sunset, across from Schwab's where the starlets went to show off their asses. He saw Jack Gardiner as a little too old to be making the scene, but the guy looked flaky enough: lumberjack shirt, good beard, bright eyes; and he seemed to be friendly enough. So Ricky invited him to come along. They walked up Laurel Canyon, hunching along next to the curb on the sidewalkless street. "Gonna be a quiet scene," Ricky said. "Just a buncha beautiful people groovin' on themselves, maybe turning on, you know." The older man nodded; his hands were deep in his pants pockets. They walked quite a while, finally turning up Stone Canyon Road. A mile up the twisting road. Jack Gardiner slipped a step behind Ricky Marigold and pulled out the blade. Ricky had started to turn, just as Connie's father drove the shaft into Ricky's back, near the base of the spine. Ricky was instantly paralyzed, though not dead. He slipped to the street, and Jack Gardiner dragged him into the high weeds and junk of an empty lot. He left him there to die. Unable to speak, unable to move, Ricky Marigold found all the love draining out of him. Slowly, for six hours, through the small of his back.
Harlan Ellison (The Deadly Streets)
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
Convinced that struggle was the crucible of character, Rockefeller faced a delicate task in raising his children. He wanted to accumulate wealth while inculcating in them the values of his threadbare boyhood. The first step in saving them from extravagance was keeping them ignorant of their father’s affluence. Until they were adults, Rockefeller’s children never visited his office or refineries, and even then they were accompanied by company officials, never Father. At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.”17 Rockefeller never tired of preaching economy and whenever a package arrived at home, he made a point of saving the paper and string. Cettie was equally vigilant. When the children clamored for bicycles, John suggested buying one for each child. “No,” said Cettie, “we will buy just one for all of them.” “But, my dear,” John protested, “tricycles do not cost much.” “That is true,” she replied. “It is not the cost. But if they have just one they will learn to give up to one another.”18 So the children shared a single bicycle. Amazingly enough, the four children probably grew up with a level of creature comforts not that far above what Rockefeller had known as a boy.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
Remarkably, we still have a ‘wild’ Indian’s account of his capture and incarceration. In 1878, when he was an old man, a Kamia called Janitin told an interviewer: I and two of my relatives went down ... to the beach ... we did no harm to anyone on the road, and ... we thought of nothing more than catching and drying clams in order to carry them to our village. While we were doing this, we saw two men on horseback coming rapidly towards us; my relatives were immediately afraid and they fled with all speed, hiding themselves in a very dense willow grove ... As soon as I saw myself alone, I also became afraid ... and ran to the forest ... but already it was too late, because in a moment they overtook me and lassoed and dragged me for a long distance, wounding me much with the branches over which they dragged me, pulling me lassoed as I was with their horses running; after this they roped me with my arms behind and carried me off to the Mission of San Miguel, making me travel almost at a run in order to keep up with their horses, and when I stopped a little to catch my wind, they lashed me with the lariats that they carried, making me understand by signs that I should hurry; after much travelling in this manner, they diminished the pace and lashed me in order that I would always travel at the pace of the horses. When we arrived at the mission, they locked me in a room for a week; the father [a Dominican priest] made me go to his habitation and he talked to me by means of an interpreter, telling me that he would make me a Christian, and he told me many things that I did not understand, and Cunnur, the interpreter, told me that I should do as the father told me, because now I was not going to be set free, and it would go very bad with me if I did not consent in it. They gave me atole de mayz[corn gruel] to eat which I did not like because I was not accustomed to that food; but there was nothing else to eat. One day they threw water on my head and gave me salt to eat, and with this the interpreter told me that I was now Christian and that I was called Jesús: I knew nothing of this, and I tolerated it all because in the end I was a poor Indian and did not have recourse but to conform myself and tolerate the things they did with me. The following day after my baptism, they took me to work with the other Indians, and they put me to cleaning a milpa [cornfield] of maize; since I did not know how to manage the hoe that they gave me, after hoeing a little, I cut my foot and could not continue working with it, but I was put to pulling out the weeds by hand, and in this manner I did not finish the task that they gave me. In the afternoon they lashed me for not finishing the job, and the following day the same thing happened as on the previous day. Every day they lashed me unjustly because I did not finish what I did not know how to do, and thus I existed for many days until I found a way to escape; but I was tracked and they caught me like a fox; there they seized me by lasso as on the first occasion, and they carried me off to the mission torturing me on the road. After we arrived, the father passed along the corridor of the house, and he ordered that they fasten me to the stake and castigate me; they lashed me until I lost consciousness, and I did not regain consciousness for many hours afterwards. For several days I could not raise myself from the floor where they had laid me, and I still have on my shoulders the marks of the lashes which they gave me then.
James Wilson (The Earth Shall Weep: A History of Native America)