“
It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
”
”
E.M. Forster (A Room with a View)
“
If you truly want to be respected by people you love, you must prove to them that you can survive without them.
”
”
Michael Bassey Johnson (The Infinity Sign)
“
Before I could figure out how to apologize for being such an idiot, she tackled me with a hug, then pulled away just as quickly. "I'm glad you're not a guinea pig."
"Me, too." I hoped my face wasn't as red as it felt.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
Stop fighting me!" he said, trying to pull on the arm he held.
He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.
“Let go of me!” I yelled back.
But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.
See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.
I looked him in the eye. "I will always love you."
Then I plunged the stake into his chest.
It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.
"That’s what I was supposed to say. . .” he gasped out.
Those were his last words.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Sorrow prepares you for joy. It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow. Whatever sorrow shakes from your heart, far better things will take their place.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
He made a sound like a choked laughed before he reached out and pulled her into her arms. She was aware of Luke watching them from the window, but she shut her eyes resolutely and buried her face against Jace's shoulder. He smelled of salt and blood, and only when his mouth came close to her ear did she understand what he was saying, and it was the simplest litany of all: her name, just her name.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.
”
”
Richard Siken (Crush)
“
He turned to Frank who was trying to pull his fingers out of the Chinese handcuffs…
“Okay,” Frank relented. “Sure.” He frowned at his fingers, trying to pull them out of the trap. “Uh, how do you—”
Leo chuckled. “Man, you’ve never seen those before? There’s a simple trick to getting out.”
Frank tugged again with no luck. Even Hazel was trying not to laugh.
Frank grimaced with concentration. Suddenly, he disappeared. On the deck where he’d been standing, a green iguana crouched next to an empty set of Chinese handcuffs.
“Well done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. “That is exactly how people beat Chinese handcuffs. They turn into iguanas.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Aren’t they supposed to be hiring someone else to train me full-time anyway?”
“Yes,” he said, getting up and pulling her to her feet along with him,“ and I’m worried that if you get into the habit of making out with your instructors, you’ll wind up making out with him, too.”
“ Don’t be sexist. They could find me a female instructor.”
“In that case you have my permission to make out with her, as long as I can watch.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them.
”
”
E.M. Forster (A Room with a View)
“
You don't ask people with knives in their stomachs what would make them happy; happiness is no longer the point. It's all about survival; it's all about whether you pull the knife out and bleed to death or keep it in...
”
”
Nick Hornby (How to Be Good)
“
If only we could pull out our brain and use only our eyes.
”
”
Pablo Picasso
“
Two hundred Romans, and no one’s got a pen? Never mind!"
He slung his M16 onto his back and pulled out a hand grenade. There were many screaming Romans. Then the hand grenade morphed into a ballpoint pen, and Mars began to write.
Frank looked at Percy with wide eyes. He mouthed: Can your sword do grenade form?
Percy mouthed back, No. Shut up.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Leaving feels good and pure only when you leave something important, something that mattered to you. Pulling life out by the roots. But you can't do that until your life has grown roots.
”
”
John Green (Paper Towns)
“
His voice is low and soft, a piece of silk you might keep in a drawer and pull out only on rare occasions, just to feel it between your fingers.
”
”
Anthony Doerr (All the Light We Cannot See)
“
You can accept or reject the way you are treated by other people, but until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex, but eventually, it will all ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them
”
”
Iyanla Vanzant (Yesterday, I Cried)
“
This is not good. This is not right. My feet stick out of bed all night. And when I pull them in, oh dear! My head sticks out of bed out here!
”
”
Dr. Seuss
“
The illusion of freedom will continue as long as it's profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater.
”
”
Frank Zappa
“
If only he would keep his mouth shut, he'd be perfect. A piece of duct tape would do the trick. I had some in my desk that I'd occasionally pull out and fondle, hoping someday I could put it to good use.
”
”
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
“
but it's not safe and I can feel him slipping away, so I just get out one more sentence. "Stay with me."
As the tendrils of sleep syrup pull me down, I hear him whisper a word back but I don't catch it.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Cause sometimes, you just feel tired. Feel weak. And when you feel weak, you feel like you wanna just give up. But you gotta search within you. You gotta find that inner strength, and just pull that shit out of you. And get that motivation to NOT give up and NOT be a quitter. No matter how bad you wanna just fall flat on your face and collapse.
”
”
Eminem
“
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
”
”
John Green (The Fault in Our Stars)
“
Big Brother isn’t watching. He’s singing and dancing. He’s pulling rabbits out of a hat. Big Brother’s busy holding your attention every moment you’re awake. He’s making sure you’re always distracted. He’s making sure you’re fully absorbed.
”
”
Chuck Palahniuk (Lullaby)
“
We were kissing.
I thought: This is good.
I thought: I am not bad at this kissing. Not bad at all.
I thought: I am clearly the greatest kisser in the history of the universe.
Suddenly she laughed and pulled away from me. She wiggled a hand out of her sleeping bag and wiped her face. "You slobbered on my nose," she said, and laughed
”
”
John Green (Looking for Alaska)
“
Are you any good at it?"
"Pulling idiots out of the snow? I'm the best.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
I stand and hold out my hand. She gives me a skeptical look, but takes it and lets me pull her to her feet. I put my other hand in the air. 'Bronwyn Rojas, I solemnly swear not to murder you today or at any point in the future. Deal?'
'You're ridiculous,' she mutters, going even redder.
'It concerns me you're avoiding a promise not to murder me.
”
”
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
“
But before he went loopy he was the life and soul of the party," said Fred. "He used to down an entire bottle of firewhiskey, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his--"
Yes, he sounds like a real charmer," said Hermione, while Harry roared with laughter.
Never married, for some reason," said Ron.
”
”
J.K. Rowling
“
I could tell by their audible gasps that the people on the beach were jealous of me when I found five shark's teeth. Locating them wasn't really the problem, but pulling them out of my leg was.
”
”
Jarod Kintz (It Occurred to Me)
“
If you let hope inside, it takes you over. It feeds on your insides and uses your bones to climb and grow. Eventually it becomes the thing that is your bones, that holds you together. Holds you up until you don't know how to live without it anymore. To pull it out of you would kill you entirely.
”
”
Ally Condie (Reached (Matched, #3))
“
I was worn out, broken: He had taken almost everything. But he'd been all I'd had, all this time. And when the police led him away, I pulled out of the hands of all these loved one, sobbing, screaming, everything hurting, to try and make him stay.
”
”
Sarah Dessen (Dreamland)
“
Fang! Come Back!" I started pulling his hair. Shaking his head and shoulders. Hard. "Wake up! Snap out of it! You stupid jerk! I am going to kill you if you die on me!
”
”
James Patterson (Fang (Maximum Ride, #6))
“
He is the most beautiful creature I have ever seen and it's not about his face, but the life force I can see in him. It's the smile and the pure promise of everything he has to offer. Like he's saying, 'Here I am world, are you ready for so much passion and beauty and goodness and love and every other word that should be in the dictionary under the word life?' Except this boy is dead, and the unnaturalness of it makes me want to pull my hair out with Tate and Narnie and Fitz and Jude's grief all combined. It makes me want to yell at the God that I wish I didn't believe in. For hogging him all to himself. I want to say, 'You greedy God. Give him back. I needed him here.
”
”
Melina Marchetta (On the Jellicoe Road)
“
One thing I've learned about vampires--they keep pulling new rabbits out of their cloaks. Big, fanged, carnivorous bunnies that'll eat your eyeballs if you're not paying attention.
”
”
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
“
I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
She realized that Rowan saw each of those thoughts and more as he reached into his tunic and pulled out a dagger. Her dagger. He extended it to her, it's long blade gleaming as if he'd been secretly polishing and caring for it these months.
And when she grasped the dagger, it's weight lighter than she remembered, Rowan looked into her eyes, into her very core of her, and said, 'Fireheart'.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
”
”
Donna Tartt (The Goldfinch)
“
Telling me I can do anything I want is like pulling the plug out of the bath and then telling the water it can go anywhere it wants. Try it, and see what happens.
”
”
Nick Hornby (A Long Way Down)
“
You don't stick a knife in a man's back nine inches and then pull it out six inches and say you're making progress ... No matter how much respect, no matter how much recognition, whites show towards me, as far as I am concerned, as long as it is not shown to everyone of our people in this country, it doesn't exist for me.
”
”
Malcolm X
“
So okay― there you are in your room with the shade down and the door shut and the plug pulled out of the base of the telephone. You've blown up your TV and committed yourself to a thousand words a day, come hell or high water. Now comes the big question: What are you going to write about? And the equally big answer: Anything you damn well want.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
”
”
Stephen Fry
“
They don't fit you?" V asked his roommate.
"Not the point. No offense, but these are wicked Village People." Butch held his heavy arms out and turned in a circle, his bare chest catching the light. "I mean, come on."
"They're for fighting, not fashion."
"So are kilts, but you don't see me rocking the tartan."
"And thank God for that. You're too bowlegged to pull that shit off."
Butch assumed a bored expression. "You can bite me.
”
”
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
“
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Please,” Alec said, pulling out his stele. “I can read your face like a very open, very pornographic book. I wish I couldn’t.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Baby?” he called and he felt her eyes on him.
“Yeah?” she replied, her sweet voice soft, another tone he was getting used to and this was because the last couple of days it had started to come at him often.
“Do me a favor?”
“Sure.”
“In a second, I’m gonna pull over, get out my gun and give it to you. When I do, shoot me with it.”
“What?” she whispered.
“I’m facin’ another hour and a half of your music. I’d rather be dead.”
Silence then, “Shut up.
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
Knees suddenly weak, she reached for his forearms to stabilize herself. “You came for me.”
He beamed, looking for all the world like a selfless, daring hero.
“Don’t sound so surprised.” Dropping the cane, he pulled her into a crushing embrace that tore her away from Wolf and lifted her clean off the floor. “It turns out you are worth a lot of money on the black market.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!"
Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK!
She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again.
"Don’t you dare call Hagrid pathetic you foul—you evil—"
"Hermione!" said Ron weakly and he tried to grab her hand as she swung it back.
"Get off Ron!"
Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered.
"C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons.
"Hermione!" Ron said again, sounding both stunned and impressed.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Tell me about the dream where we pull the bodies out of the lake
and dress them in warm clothes again.
How it was late, and no one could sleep, the horses running
until they forget that they are horses.
It’s not like a tree where the roots have to end somewhere,
it’s more like a song on a policeman’s radio,
how we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
to slice into pieces.
Look at the light through the windowpane. That means it’s noon, that means
we're inconsolable.
Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
Tell me we’ll never get used to it.
”
”
Richard Siken (Crush)
“
There had never been any line between them, only his own stupid fear and pride. Because from the moment he'd pulled her out of that mine in Endovier and she had set those eyes upon him, still fierce despite a year in hell, he'd been walking toward this, walking to her. So Chaol brushed away her tears, lifter her chin, and kissed her.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
This isn’t about the Ravens. This is about you. This is about everything it took you to get to this point, everything it cost you, and everyone who laughed when you dared to dream of something big and bright. You’re here tonight because you refused to give up and refused to give in. You’re here where they all said you’d never be, and no one can say you haven’t earned the right to play this game.
“All eyes are on you. It’s time to show them what you’re made of. There’s no room for doubt, no room for second guesses, no room for error. This is your night. This is your game. This is your moment. Seize it with everything you’ve got. Pull out all the stops and lay it all on the line. Fight because you don’t know how to die quietly. Win because you don’t know how to lose. This king’s ruled long enough—it’s time to tear his castle down.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
[Piper] rushed to get dressed. By the time she got up on deck, the others had already gathered—all hastily dressed except for Coach Hedge, who had pulled the night watch.
Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I touch her cheek to slow the kiss down, holding her mouth on mine so I can feel every place where our lips touch and every place where they pull away. I savor the air we share in the second afterwards and the slip of her nose across mine. I think of something to say, but it is too intimate, so I swallow it. A moment later I decide I don't care.
"I wish we were alone," I say as I back out of the cell.
She smiles. "I almost always wish that.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Then she did something so unexpected Nico would later think he dreamed it. She walked up to Nico, who was standing to one side in the shadows, as usual. She grabbed his hand and pulled him gently into the firelight. ‘We had one home,’ she said. ‘Now we have two.’ She gave Nico a big hug and the crowd roared with approval. For once, Nico didn’t feel like pulling away. He buried his face in Reyna’s shoulder and blinked the tears out of his eyes.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Leo’s voice boomed over the loudspeaker: ‘SURRENDER! YOU ARE SURROUNDED BY ONE SPANKING HOT WAR MACHINE!’
The giant Enceladus howled in outrage. ‘Valdez!’
‘WHAT’S UP, ENCHILADAS?’ Leo’s voice roared back. ‘NICE DAGGER IN YOUR FOREHEAD.’
‘GAH!’ The giant pulled Katoptris out of his head. ‘Monsters: destroy that ship!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
The cord, a familiar voice said. Remember your lifeline, dummy!
Suddenly there was a tug in my lower back. The current pulled at me, but it wasn't carrying me away anymore. I imagined the string in my back keeping me tied to the shore.
"Hold on, Seaweed Brain." It was Annabeth's voice, much clearer now. "You're not getting away from me that easily."
The cord strengthened.
I could see Annabeth now- standing barefoot above me on the canoe lake pier. I'd fallen out of my canoe. That was it. She was reaching out her hand to haul me up, and she was trying not to laugh. She wore her orange camp T-shirt and jeans. Her hair was tucked up in her Yankees cap, which was strange because that should have made her invisible.
"You are such an idiot sometimes." She smiled. "Come on. Take my hand."
Memories came flooding back to me- sharper and more colorful. I stopped dissolving. My name was Percy Jackson. I reached up and took Annabeth's hand.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
He whipped out his sheet, then pulled it over himself and wrapped it tightly around his face like an old woman in a shawl.
'How do I look?'
'Like the ugliest shanky girl I’ve ever seen,' Minho responded. 'You better thank the gods above you were born a dude.'
'Thanks.
”
”
James Dashner (The Scorch Trials (The Maze Runner, #2))
“
The phone at my ass started ringing, I leaned forward and pulled it out.
“Don’t answer that,” Noah ordered.
“Fuck you,” I shot back, saw the display said “Luke calling” and flipped it open.
“Yo.”
“Babe,” Luke replied.
“I’ve been kidnapped again,” I informed him.
“I know. I’m following.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
Then he pulled out a handgun and shot me in the chest. I was standing on the lawn and I fell. The bullet hole opened wide and my heart rolled out of my rib cage and down into a flower bed. Blood gushed rhythmically from my open wound,
then from my eyes,
my ears,
my mouth.
It tasted like salt and failure. The bright red shame of being unloved soaked the grass in front of our house, the bricks of the path, the steps of the porch. My heart spasmed among the peonies like a trout.
”
”
E. Lockhart (We Were Liars)
“
His hands slid up my neck, searing hot. Pressing his thumbs gently into my throat, he tipped my head back. I felt his lips come against mine so hard he stopped whatever name I'd been about to call him from coming out. His hands dropped to my shoulders, skimmed down my arms, and came to rest at the small of my back. Little shivers of panic and pleasure shot through me. He tried to pull me against him, and I bit him on the lip.
He licked his lip with the tip of his tongue. "Did you just bite me?"
"Is everything a joke to you?" I asked.
He dabbed his tongue to his lip again. "Not everything."
"Like what?"
"You.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really."
Here we go again, George said. Always talking about himself.
Quiet! Martha snapped. Do you want to get set on vibrate?
Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo."
"Did he get blasted to tiny pieces?" I asked.
"Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry."
So what's the moral?"
"The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?"
"Um ..."
"How about this: stealing is not always bad?"
"I don't think my mom would like that moral."
Rats are delicious, suggested George.
What does that have to do with the story? Martha demanded.
Nothing, George said. But I'm hungry.
"I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills, ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Just tell me, Percy, do you still have the birthday gift I gave you last summer?" I nodded and pulled out my camp necklace. It had a bead for every summer I'd been at Camp Half-Blood, but since last year I'd also kept a sand dollar on the cord. My father had given it to me for my fifteenth birthday. He'd told me I would know when to "spend it," but so far I hadn't figured out what he meant. All I knew that it didn't fit the vending machines in the school cafeteria.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I'd never make it.
He leaned in close and whispered in my ear, "I know what you're thinking, and I'm not going to let you escape again. You can either take a seat and have dinner with me like a normal date," he grinned at his word choice, "or," he paused thoughtfully then threatened, "you can sit on my lap while I force-feed you.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
You cannot bring about prosperity by discouraging thrift.
You cannot strengthen the weak by weakening the strong.
You cannot help little men by tearing down big men.
You cannot lift the wage earner by pulling down the wage payer.
You cannot help the poor by destroying the rich.
You cannot establish sound security on borrowed money.
You cannot further the brotherhood of man by inciting class hatred.
You cannot keep out of trouble by spending more than you earn.
You cannot build character and courage by destroying men's initiative and independence.
And you cannot help men permanently by doing for them what they can and should do for themselves.
”
”
William J.H. Boetcker
“
I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.
”
”
Madeline Miller (The Song of Achilles)
“
Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room.
Wylan laid his hand on Jesper’s shoulder. “Stop.”
Jesper didn’t know if he wanted to jerk away or pull him closer.
“Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady.
Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled.
“Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer.
This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.
Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Reluctantly, I pulled out my necklace and showed it to them.
Samuel frowned. The little figure was stylized; I suppose he couldn't tell what it was at first.
"A dog?" asked Zee, staring at my necklace.
"A lamb," I said defensively, tucking it safely back under my shirt. "Because one of Christ's names is 'The Lamb of God.'"
Samuel's shoulders shook slightly. "I can see it now, Mercy holding a roomful of vampire at bay with her glowing sheep."
I gave his shoulder a hard push, aware of the heat climbing to my cheeks, but it didn't help. He sang in a soft taunting voice, "Mercy had a little lamb...
”
”
Patricia Briggs (Moon Called (Mercy Thompson, #1))
“
She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath, and then you can hear a pin drop, and I'm feeling nauseous and so desperately hoping that it's not me, that it's not me, that it's not me.
Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it's not me.
It's Primrose Everdeen.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Lucien had been prepared to take me against my will.
Fae males were territorial, dominant, arrogant—but the ones in the Spring Court … something had festered in their training. Because I knew—deep in my bones—that Cassian might push and test my limits, but the moment I said no, he’d back off. And I knew that if … that if I had been wasting away and Rhys had done nothing to stop it, Cassian or Azriel would have pulled me out. They would have taken me somewhere—wherever I needed to be—and dealt with Rhys later.
But Rhys … Rhys would never have not seen what was happening to me; would never have been so misguided and arrogant and self-absorbed. He’d known what Ianthe was from the moment he met her. And he’d understood what it was like to be a prisoner, and helpless, and to struggle—every day—with the horrors of both.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
What was that?" Belgarath asked, coming back around the corner.
"Brill," Silk replied blandly, pulling his Murgo robe back on.
"Again?" Belgarath demanded with exasperation. "What was he doing this time?"
"Trying to fly, last time I saw him." Silk smirked.
The old man looked puzzled.
"He wasn't doing it very well," Silk added.
Belgarath shrugged. "Maybe it'll come to him in time."
"He doesn't really have all that much time." Silk glanced out over the edge.
"From far below - terribly far below - there came a faint, muffled crash; then, after several seconds, another. "Does bouncing count?" Silk asked.
Belgarath made a wry face. "Not really."
"Then I'd say he didn't learn in time." Silk said blithely.
”
”
David Eddings (Magician's Gambit (The Belgariad #3))
“
I never thought of myself as anything but plain and ordinary until you came along. The way you look at me, the way you see me . . . you pull something out of me. When I want to hide, you urge me forward. When I think I’m not good enough, you make me believe I am. When I feel anything but pretty, you convince me I’m beautiful. Just being around you makes me feel special. You don’t think you’re good at loving people, but you are. Your friends, your family . . . the level of love that you have for people astounds me. You don’t think people love you back, but they do. They fiercely love you. I fiercely love you. I’ve never met anyone as passionate as you, as kindhearted as you . . . as amazing as you. You love with every fiber of your soul. You inspire me every day. And if you’ll agree to be my husband, I’ll do my best to make you proud of me, to inspire you.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Butterfly.
What a beautiful word
What a delicate creature.
Delicate like the cruel words that flow right out of your mouths and the food that flies right out of your hands…
Does it make you feel better?
Does it make you feel good ?
Does picking on a girl make you more of a man?
Well, I’m standing up for myself
Like I should have done before
I’m not putting up with your Butterfly anymore."
(Kiersten slides the sack off her wrist and opens it, pulling out a handful of hand-made butterflies. She takes the microphone out of the stand and begins walking down the stairs as she continues speaking.)
“I’d like to extend to others what others have extended to me.”
(She walks up to Mrs. Brill first and holds out a butterfly)
“Butterfly you, Mrs. Brill.”
(Mrs. Brill smiles at her and takes the butterfly out of her hands. Lake laughs out loud and I have to nudge her to get her to be quiet. Kiersten walks around the room, passing out butterflies to several of the students, including the three from the lunchroom.)
“Butterfly you, Mark.
Butterfly you, Brendan.
Butterfly you, Colby.”
(When she finishes passing out the butterflies, she walks back onto the stage and places the microphone back into the stand.)
“I have one thing to say to you
And I’m not referring to the bullies
Or the ones they pursue.
I’m referring to those of you that just stand by
The ones who don’t take up for those of us that cry
Those of you who just…turn a blind eye.
After all it’s not you it’s happening to
You aren’t the one being bullied
And you aren’t the one being rude
It isn’t your hand that’s throwing the food
But…it is your mouth not speaking up
It is your feet not taking a stand
It is your arm not lending a hand
It is your heart
Not giving a damn.
So take up for yourself
Take up for your friends
I challenge you to be someone
Who doesn’t give in.
Don’t give in.
Don’t let them win.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I love you," he said.
She looked up at him, her eyes shiny and black, then looked away. "I know," she said.
He pulled one of his arms out from under her and traced her outline against the couch. He could spend all day like this, running his hand down her ribs, into her waist, out to her hips and back again.... If he had all day, he would. If she weren't made of so many other miracles.
"You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know."
"I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh.
"Well, I'm not the Princess Leia," he said.
"Don't get so hung up on gender roles," Eleanor said.
”
”
Rainbow Rowell (Eleanor & Park)
“
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta.
"Oh, she meant you," I say with a wave of dismissal.
"She said, 'She's a survivor, that one.' She is," says Peeta.
That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying.
Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
She found him standing before the water staring unseeing at its frozen surface. He was shivering. She watched him doubtfully for a moment. 'Po,' she said to his back, where’s your coat?'
'Where’s yours?'
She moved to stand beside him. 'I’m warm.'
He tilted his head to her. 'If you’re warm and I’m coatless, there’s only one friendly thing for you to do.'
'Go back and get your coat for you?'
He smiled. Reaching out to her, he pulled her close against him. Katsa wrapped her arms around him, surprised, and tried to rub some warmth into his shivering shoulders and back.
'That’s it exactly,' Po said. 'You must keep me warm.'
She laughed and held him tighter.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
Time slowed, and stilled. It was just the two of us, me murmuring in the empty, sunlit room. Will didn't say much. He didn't answer back, or add a dry comment, or scoff. He nodded occasionally, his head pressed against mine, and murmured, or let out a small sound that could have been satisfaction at another good memory.
"It has been, the best six months of my entire life."
"Funnily enough, Clark, mine too."
And then, just like that, my heart broke. My face crumpled, my composure went and I held him tightly and I stopped caring that he could feel the shudder of my sobbing body because grief swamped me. It overwhelmed me and tore at my heart and my stomach and my head and it pulled me under, and I couldn't bear it.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
What do you want, MacGuffin, a duel?”
“No.” Julian held out both hands, one palm flat, the other held over it in a fist. “Rock, paper, scissors. Two out of three.”
Ty rolled his eyes and held out his fist, apparently willing to play. Julian hit his palm three times, and Ty kept time with his fist in the air. But when Julian threw a paper, Ty reached into his jacket with his other hand and pulled his gun, aiming it at Julian.
“Ty!” Zane said in exasperation from the front seat.
“Glock, paper, scissors. I win.”
“You are an ass,” Julian muttered.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else.
… “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.”
I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
True story
This morning I jumped on my horse
And went for a ride,
And some wild outlaws chased me
And shot me in the side.
So I crawled into a wildcats cave
To find a place to hide
But some pirates found me sleeping there
And soon they had me tied
To a pole and built a fire
Under me---I almost cried
Till a mermaid came and cut me loose
And begged to be my bride
So I said id come back Wednesday
But I must admit I lied.
Then I ran into a jungle swamp
But I forgot my guide
And I stepped into some quicksand
And no matter how hard I tried
I couldn’t get out, until I met
A watersnake named Clyde
Who pulled me to some cannibals
Who planned to have me fried
But an eagle came and swooped me up
And through the air we flied
But he dropped me in a boiling lake
A thousand miles wide
And you’ll never guess what I did then---
I DIED
”
”
Shel Silverstein
“
No more tubs for me." I jumped off the bed and pulled on a pair of Pack sweats. "They make me lose all sense."
Curran sprawled on the bed with a big self-satisfied smile. "Want to know a secret?"
"Sure."
"It's not the bathtub, baby."
Well, aren't we smug. I picked up the corner of the lowest mattress and made a show of looking under it.
"What are you looking for?"
"A pea Your Majesty."
"What?"
"You heard me."
I jumped back as he lunged and his fingers missed me by an inch.
"Getting slow in your old age."
"I thought you liked it slow."
A flashback to last night mugged me and my mind executed a full stop.
He laughed. "Ran out of snappy comebacks?"
"Hush. I'm trying to think of one.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
She sucked in a shuddering breath, and he pulled back far enough for them to share breath. Her fingers shook as she brushed them against his mouth, and his control nearly shredded apart right there.
'What are you waiting for?' he said, the words near guttural.
'Bastard,' she murmured, and kissed him.
Her mouth was soft and warm, and he bit back a groan. His body went still—his entire world went still—at that whisper of a kiss, the answer to a question he’d asked for centuries. He realized he was staring only when she withdrew slightly. His fingers tightened at her waist.
'Again,' he breathed.
She slid out of his grip. 'If we live through tomorrow, you’ll get the rest.'
He didn’t know whether to laugh or roar. 'Are you trying to bribe me into surviving?'
She smiled at last. And damn if it didn’t kill him, the quiet joy in her face.
They had walked out of darkness and pain and despair together. They were still walking out of it. So that smile … It struck him stupid every time he saw it and realized it was for him.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
I realized right then and there, in that hallway, that I wanted no other... I became the man she needed me to be because she had sense enough to have requirements-standards that she needed in her relationship in order to make the relationship work for her.
She knew she wanted a monogamous relationship-a partnership with a man who wanted to be a dedicated husband and father. She also knew this man had to be faithful, love God, and be willing to do what it took to keep this family together. On a smaller scale she also made it clear that she expected to be treated like a lady at every turn-I'm talking opening car doors for her, pulling out her seat when she's ready to sit at the table, coming correct on anniversary, Mother's Day, and birthday gifts, keeping the foul talk to a minimum. These requirements are important to her because they lay out a virtual map of what I need to do to make sure she gets what she needs and wants. After all, it's universal knowledge that when mama is happy, everybody is happy. And it is my sole mission in life to make sure Marjorie is happy.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat.
”
”
Banksy (Wall and Piece)
“
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian. Kissing him was as mind-blowing as ever, full of that same passion and need I had never believed I’d feel. But today, there was even more to it. I no longer had any doubt about whether this was wrong or right. It was a culmination of a long journey . . . or maybe the beginning of one.
I wrapped my arms around his neck and pulled him closer. I didn’t care that we were out in public. I didn’t care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us.
I don’t know how long we stood there kissing. Like I said, the world around me was gone. Time had stopped. I was awash in the feel of Adrian’s body against mine, in his scent, and in the taste of his lips. That was all that mattered right now.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
There was a scuffling and a great thump: someone else had clambered out of the tunnel, overbalanced slightly and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn - rimmed glasses and said, 'Am I too late? Has it started? I only just found out, so I - I -'
Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, 'So - 'ow eez leetle Teddy?'
Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice.
'I - oh yes - he's fine!' Lupin said loudly. 'Yes, Tonks is with him - at her mother's.'
Percy and the other Weasleys were still staring at one another, frozen.
'Here, I've got a picture!' Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuff of bright turquoise hair, waving fat fists at the camera.
'I was a fool!' Percy roared, so loudly that Lupin nearly dropped his photograph 'I was an idiot, I was a pompous prat, I was a - a -'
'Ministry - loving, family - disowning, power - hungry moron,' said Fred.
Percy swallowed.
'Yes I was!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair. But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you. That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
”
”
Donna Tartt (The Goldfinch)
“
My mind then wandered. I thought of this: I thought of how every day each of us experiences a few little moments that have just a bit more resonance than other moments—we hear a word that sticks in our mind—or maybe we have a small experience that pulls us out of ourselves, if only briefly—we share a hotel elevator with a bride in her veils, say, or a stranger gives us a piece of bread to feed to the mallard ducks in the lagoon; a small child starts a conversation with us in a Dairy Queen—or we have an episode like the one I had with the M&M cars back at the Husky station.
And if we were to collect these small moments in a notebook and save them over a period of months we would see certain trends emerge from our collection—certain voices would emerge that have been trying to speak through us. We would realize that we have been having another life altogether; one we didn’t even know was going on inside us. And maybe this other life is more important than the one we think of as being real—this clunky day-to-day world of furniture and noise and metal. So just maybe it is these small silent moments which are the true story-making events of our lives.
”
”
Douglas Coupland (Life After God)
“
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. "I figured that would get you to stop crying."
"It was disgusting." I wiped my face again.
"Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting."
"Get out."
"As usual, your gratitude is overwhelming.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.
You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.
Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
”
”
James Joyce (Selected Letters of James Joyce)
“
She loved him. But he didn’t know how to love.
He could talk about love. He could see love and feel love. But he couldn’t give love.
He could make love. But he couldn’t make promises.
She had desperately wanted his promises.
She wanted his heart, knew she couldn’t have it so she took what she could get.
Temporary bliss. Passionate highs and lows. Withdrawal and manipulation.
He only stayed long enough to take what he needed and keep moving.
If he stopped moving, he would self-destruct.
If he stopped wandering, he would have to face himself.
He chose to stay in the dark where he couldn’t see.
If he exposed himself and the sun came out, he’d see his shadow.
He was deathly afraid of his shadow.
She saw his shadow, loved it, understood it. Saw potential in it.
She thought her love would change him.
He pushed and he pulled, tested boundaries, thinking she would never leave.
He knew he was hurting her, but didn’t know how to share anything but pain.
He was only comfortable in chaos. Claiming souls before they could claim him.
Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her.
His dark heart concealed.
She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender.
Wide open, exposed to deception.
It had never occurred to her that this desire was not love.
It was blinding the way she wanted him.
She couldn’t see what was really happening, only what she wanted to happen.
She suspected that he would always seek to minimize the risk of being split open, his secrets revealed.
He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs.
Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake.
When she discovered his indiscretions, she threw love in his face and beat him with it.
Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem.
She felt a sense of privilege for having such passion in her life.
He stirred her core.
The place she dared not enter.
The place she could not stir for herself.
But something wasn’t right.
His eyes were cold and dark.
His energy, unaffected.
He laughed at her and her antics, told her she was a mess.
Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain.
And her heart stopped.
”
”
G.G. Renee Hill (The Beautiful Disruption)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone else’s
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
”
”
Tyler Knott Gregson
“
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't.
Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy?
Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away.
Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh.
Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there.
Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
”
”
Alysha Speer
“
Whatever it is," I said, "the point is moot because as long as I'm on these pills, I can't make contact to ask."
Derek ... snapped, "Then you need to stop taking the pills."
Love to. If I could. But after what happened last night, they're giving me urine tests now."
Ugh. That's harsh." Simon went quiet, then snapped his fingers.
Hey, I've got an idea. It's kinda gross, but what if you take the pills, crush them and mix them with your, you know, urine."
Derek stared at him.
What?"
You did pass chem last year, didn't you?"
Simon flipped him the finger. "Okay, genius, what's your idea?"
I'll think about it. ..."
***
Here," Derek whispered, pressing an empty Mason jar into my hand. He'd pulled me aside after class and we were now standing at the base of the boy's staircase. "Take this up to your room and hide it."
It's a ... jar."
He grunted, exasperated that I was so dense I failed to see the critical importance of hiding an empty Mason jar in my room.
It's for your urine."
My what?"
He rolled his eyes, a growl-like sound sliding through his teeth as
he leaned down, closer to my ear. "Urine. Pee. Whatever. For the testing."
I lifted the jar to eye level. "I think they'll give me something
smaller."
...
You took your meds today, right?" he whispered.
I nodded.
Then use this jar to save it."
Save . . . ?"
Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds."
You want me to . . . dole it out? Into specimen jars?"
Got a better idea?"
Um, no, but ..." I lifted the jar and stared into it.
Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me."
Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer.
What?”
The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away.
Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control.
What?” he asked Halt, and the smaller man made a gesture of exasperation.
That’s what I want to know,” he said irritably. “What?”
Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper.
What?” said Horace, now totally puzzled.
Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?”
Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.”
Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him.
What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?”
Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.”
Horace frowned. “I was?”
Halt nodded. “You were. I saw you take a breath to ask it.”
I see,” Horace said. “And what was it about?”
For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak.
That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.”
I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded.
Then what, if I may use that word once more, were you about to ask me?”
Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))